the trumpet call of authoritythe trumpet call of … · villa capra, 'la rotonda',...
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THE TRUMPET CALL OF AUTHORITYTHE TRUMPET CALL OF AUTHORITYTHE TRUMPET CALL OF AUTHORITYTHE TRUMPET CALL OF AUTHORITY
St Mary-le-Strand, London, by James Gibbs, 1714-17: in a view of the StrandSummerson, Architecture in Britain, pl 171A.
In those admirable Pieces of Antiquity, we find none of the q y,
trifling, licentious, and insignificant Ornaments, so much affected by
some of our Moderns norsome of our Moderns .... nor have we one Precedent, either
from the Greeks or the Romans, that they practised two Ordersthat they practised two Orders, one above another, in the same Temple in the Outside .... and
h th A i twhereas the Ancients were contented with one continued
Pediment .... we now have no less than three in one Side, where the Ancients never admitted any. This practice must be imputed p peither to an entire Ignorance of Antiquity, or a Vanity to expose
their absurd Novelties ...
St Mary-le-Strand from the south-eastMiles Lewis
their absurd Novelties ...
Colen Campbell, 'Design for a Church, of my Invention' (1717)
the English Baroquethe English Baroquevvv v
the Palladian Revivalthe Palladian Revival
Christopher WrenNicholas Hawksmoor
Colen CampbellLord Burlington
John VanbrughJames Gibbs
gWilliam Kent
James Flitcroft
the tripartite canon of Palladianismthe tripartite canon of Palladianism
h hi f i ithe architecture of antiquitythrough Roman remains and the writings of Vitruvius
the architecture of Andrea Palladioth h th d t d th bli ti f L i &through the grand tour and the publications of Leoni &c
the architect re of Inigo Jones in Englandthe architecture of Inigo Jones in Englandas influenced by Palladio
'Design of my Invention for a
Ch h iChurch in Lincolns Inn
Fields' by ColenFields , by Colen Campbell, 1717
Colen Campbell, Vitruvius Britannicus (2 vols London 1715 &vols, London 1715 &
1717
design for a Church in Lincolns Inn Fields', by Colen Campbell, 1717, compared with St Paul’s Cathedral, by Christopher Wren, 1675-1710
Colen Campbell, Vitruvius Britannicus (2 vols, London 1715 & 1717)
Wanstead I, Essex, by
Colen CampbellCampbell, 1715-1730
Castle Howard,
Yorkshire, by VanbrughVanbrugh, 1699-1725
Campbell, Vitruvius BritannicusBritannicus
Pitkin, Colourmaster RH10 2LZ
Wanstead IIWanstead II
Castle Howard
Campbell, Vitruvius Britannicus; Pitkin,
C l t RH10Colourmaster RH10 2LZ
Villa Piovene, Lonedo, Italu, by Andrea Palladio, c 1539-40, , , , y , 3 ,with extensions and portico from 1570
unsourced
C tl H d th k f t W t d IIICastle Howard: south or park front; Wanstead IIICampbell, Vitruvius Britannicus
Wanstead, Essex, by Campbell, 1715-1720: contemporary viewSummerson, Architecture in Britain, pl 128B
Wentworth Woodhouse, Yorkshire, by Henry Flitcroft, begun 1733, east front: perspective view & photo
Summerson, Architecture in Britain, pl 130BJames Lees-Milne, The Age of Adam (London 1947), pl 18
'Prior Park', Bath, by John Wood I, begun 1735: contemporary viewPrior Park , Bath, by John Wood I, begun 1735: contemporary viewDorothy Stroud, Capability Brown (3rd ed, London 1975), p 123
Wanstead III and four derivative plans
Summerson, ArchitectureSummerson, Architecture in Britain, p 192
Mereworth {or MereworthMereworth
Castle), Kent, by Colen
CampbellCampbell, 1723: elevation
Campbell, Vitruvius Britannicus, II, p 37, p
Mereworth, by Colen Campbell, 1723: elevation1723: elevation
Villa Capra, 'La Rotonda', Vicenza, b A d P ll diby Andrea Palladio,
c1566-70: elevation/section
C b ll Vit iCampbell, Vitruvius Britannicus, II, p 37; Andrea Palladio [edited Isaac Ware], The Four Books of Andrea
P ll di ' A hit tPalladio's Architecture(London 1738 ), II, III, pl XIII
Villa Capra, 'La Rotonda', by Palladio, probably late 1560s, from the north-westCIDSDAAP, Colorvald A2
Mereworth, plans of basement (left); attic (centre) ; principal floor (right)Mereworth, plans of basement (left); attic (centre) ; principal floor (right)Campbell, Vitruvius Britannicus, II, pp 35-6
Newby-on-Swale, Yorkshire, by y , , yColen Campbell, c 1720-1Villa Emo,
Fanzolo, by Palladio, c 1555-65
Stutchbury Architecture of Campbell plStutchbury, Architecture of Campbell, pl 38; Wundram & Pape, Palladio, p 165
Stourhead, Wiltshire, first design by Colen Campbell, c 1721John Summerson, Architecture in Britain 1530 to 1830 (4th ed, Harmondsworth [Middlesex] 1963 [1953]), pl 134A.
St h d l ( l di l t dditi )Stourhead, plan (excluding later additions)Summerson, Architecture in Britain, p 196
LORD BURLINGTONLORD BURLINGTONdetail of a portrait by Jonathan Richardsondetail of a portrait by Jonathan Richardson
Burlington houseBurlington house, Piccadilly, & gate
Stutchbury, Architecture of Colen Campbell, pl 20
Burlington house by Colen Campbell: elevation c 1717Burlington house, by Colen Campbell: elevation, c 1717Campbell, Vitruvius Britannicus, III, p 24
Bagno, Chis ick bChiswick, by Burlington,
17171717
Campbell, Vitruvius Britannicus III p 26Britannicus, III, p 26
elevation by Palladio, bought by BurlingtonGeneral Wade's house, Great Burlington Street, London, by
Lord Burlington 1723Lord Burlington, 1723
Guinness & Sadler, Palladio, p 78; Campbell, Vitruvius Britannicus, I, p 120
ChiswickChiswick, Twickenham, the
old houseold house
Leonard Knyff & Johannes Kyp, Britannia Illustrata (London 1707)
C 1 66 0Villa Capra, Vicenza, by Andrea Palladio, c 1566-70: plan and elevation/section; Chiswick, plan and elevation
Palladio, The Four Books, II, pl XIII; Summerson, Architecture in Britain, pl 136
drawing of a villa gby Palladio,
formerly owned b L dby Lord
Burlington, now in the Britishthe British
Architectural; Libraryy
Holbertson, Palladio's Villas, p 213
Chiswick, the gallerydetail of the ceiling in the Blue
Velvet Room
UK, Department of the Environment, no 276 [1973]; Parissien, Palladian
Style, p 102
Chiswick, detail of the porticoJohn Harris, The Palladian Revival: Lord Burlington, his
Villa and Garden at Chiswick (Montréal 1994)p 114
Chiswick detail of theChiswick, detail of the base course
Temple of Venus Genetrix, Rome, as
b ilt AD 113rebuilt AD 113, illustrated by Palladio
Harris, The Palladian Revival, p 115
Toby Barnard & Jane Clark [eds], Lord Burlington: Architecture, Art
and Life (London 1995) p 64and Life (London 1995), p 64
drawing of a villa by Andrea Palladio in Lorddrawing of a villa by Andrea Palladio in Lord Burlington's collection (now in the Britrish
Architectural Library): detail
Rudolf Wittkower, 'Pseudo-Palladian Elements in English Neoclassicism', p 166
WILLIAM KENTWILLIAM KENTWILLIAM KENTWILLIAM KENTdetail of a portrait by Benedetto Lutidetail of a portrait by Benedetto Luti
Holkham Hall, Norfolk, by William Kent from 1734
Summerson, Architecture in Britain, pl 139(A)Summerson, Architecture in Britain, pl 139(A)
Holkham Hall, Norfolk, by William Kent from 1734Summerson, Architecture in Britain, pl 139(A); MUAS 25,137
Holkham Hall: the entrance hall and
ascent to the salon; the St t B dState Bedroom
MUAS 2,541; Fowler & Cornforth, E li h D ti 93English Decoration, p 93
GEORGIAN 1714GEORGIAN 1714--18111811
George I (1660-1727) 1714-1727
George II (1683-1760) 1727-1760George II (1683 1760) 1727 1760
George III (1738-1820) 1760-1811 (mad from 1788)
REGENCY (OR LATE GEORGIAN) 1811REGENCY (OR LATE GEORGIAN) 1811--18301830
George IV (1762-1830) Regent 1811-1820
REGENCY (OR LATE GEORGIAN) 1811REGENCY (OR LATE GEORGIAN) 1811--18301830
g ( ) gMonarch 1820-1830
THE GEORGIAN MIXthe Palladian Revival Movement
l i l t h f B Rplus occasional touches of Baroque, Rococo, Chinoiserie & Gothick
minus Inigo Jones, who becomes less of a source
plus incipient Neoclassicism – new archaeological sources and new reductionist theory
plus Renaissance details beyond Palladio (especially through Chambers)(especially through Chambers)
P t’ H T i it C ll D bli b J h S ith 1759Provost’s House, Trinity College, Dublin, by John Smith, 1759General Wade's house, Great Burlington Street, London, by
Lord Burlington 1723Lord Burlington, 1723
Guinness & Sadler, Palladio, p 78; Campbell, Vitruvius Britannicus, I, p 120
Alexander Pope‘Epistle to Lord Burlington’Epistle to Lord Burlington
You show us, Rome was glorious, not profuse,A d b ildi thi f UAnd pompous buildings once were things of Use.
Yet shall (my Lord) your just, your noble rules, Fill half the land with Imitating Fools;
Who random drawings from your sheets shall take,And of one beauty many blunders make;
Load some vain church with old Theatric state,,Turn Arcs of Triumph to a Garden-gate;
Reverse your Ornaments; and hang them allOn some patch'd dog-hole ek'd with ends of wall;On some patch d dog hole ek d with ends of wall;
Then clap four slices of Pilaster on't,That, lac'd with bits of rustic, makes a Front
Shall call the winds thro' long arcades to roarShall call the winds thro long arcades to roar,Proud to catch cold at a Venetian door;
............
GEORGIAN HOUSE TYPESGEORGIAN HOUSE TYPESthe house of parade and the villathe house of parade and the villapp
the house of parade
Wanstead III and four derivative
plansplans
Campbell Vitruvius Britannicus;Campbell, Vitruvius Britannicus;Summerson, Architecture in
Britain, p 192
th illthe villa
Stourhead, Wiltshire, first design by Colen
Campbell, c 1721
Mereworth Castle, Kent, by Colen Campbell, 1723Campbell, 1723
John Summerson, ArchitectureJohn Summerson, Architecture in Britain 1530 to 1830 (4th ed,
Harmondsworth [Middlesex] 1963 [1953]), pl 134A; Country
Life Annual 1966, p 30Life Annual 1966, p 30
studies for villas by Matthew
Brettingham the Younger (1725-
18) while in18) while in Italy, 1747
John Harris, The Palladians
(London 1981) pl 32(London 1981), pl 32
Wrotham Park MiddlesexWrotham Park, Middlesex, by Isaac Ware, 1754
Summerson, Architecture in Britain, pl 152B; Rolf Toman, Neoclassicism and Romanticism: Architecture Sculpture p
Painting Drawings 1750-1848 (no place 2007), p 10
Buckingham House, London by William Winde, 1705g yview by William Westhall, 1760s
Roy Strong, Royal Gardens (London 1992), p 68
Marble Hill, Twickenham by LordTwickenham, by Lord Pembroke and Roger
Morris, 1724-9
Campbell, Vitruvius Britannicus, I, p 93; MUAS
24 48224,482
balustrade
string course
piano nobile (main floor)
attic
Wrotham Park, Middlesex, by Isaac Ware, 1754
Summerson Architecture in Britain pl 152B;Summerson, Architecture in Britain, pl 152B;
Wrotham Park, Middl bMiddlesex, by
Isaac Ware, 1754
No 7 Old Palace Yard, Westminster, probably by Isaac
Ware 1755-6Ware, 1755 6
Summerson, Architecture in BritainArchitecture in Britain,pl 152B; Miles Lewis
Design for seven houses in Grosvenor Square, by Colen Campbell, 1725H W Stutchbury The Architecture of Colen Campbell (Manchester 1967) pl 110H W Stutchbury, The Architecture of Colen Campbell (Manchester 1967), pl 110
detail of design for seven houses in Grosvenor Square, by Colen Campbell, 1725; Palazzo Iseppo da Porta, Vicenza, by Andrea Palladio, 1547-1552.
H W Stutchbury, The Architecture of Colen Campbell (Manchester 1967), pls 110, 108
31-34 Great [?Old] Burlington Street, London, by Colen Campbell (1718), c 1723elevation and plan; view of no 31 (as altered)
Stutchbury, Architecture of Colen Campbell, pls 28, 27
'Prior Park', Bath, by John Wood I, begun 1735: contemporary viewPrior Park , Bath, by John Wood I, begun 1735: contemporary viewDorothy Stroud, Capability Brown (3rd ed, London 1975), p 123
Prior ParkPrior Park
Q SQueen Square, Bath, by John
Wood the Elder, 1729-1736: north side
Miles Lewis; Architecture of the
World 18,913
house of John Wood,41 Gay Street, corner of Queen Square Bath byQueen Square, Bath, by
John Wood, probably c 1750
MUAS 18,533
the Circus Bath by John Wood I from 1754: view 1773the Circus, Bath, by John Wood I, from 1754: view, 1773
Walter Ison, Georgian Buildings of Bath (Bath 1980 [1948]), p 144
th C t B t D b hi b J h C ( f Y k) 1780 4the Crescent, Buxton, Derbyshire, by John Carr (of York), 1780-4Country Life, 4 February 1971, p 245
Camden Crescent, Bath, by John Eveleigh, 1788
Somerset Place, So e se ace,Bath, by John
Eveleigh, c 1790
A hit t f th W ldArchitecture of the World 18,967, 18,964