the vampire cat - gerard van etten

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  • 8/10/2019 The vampire cat - Gerard Van Etten

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    The vampire cat ...

    Van Etten, Gerard. [from old catalog]

    Chicago, c1918.

    http://hdl.handle.net/2027/loc.ark:/13960/t3fx7z86p

    Public Domainhttp://www.hathitrust.org/access_use#pd

    This work is in the Public Domain, meaning that it is

    not subject to copyright. Users are free to copy, use,

    and redistribute the wo rk in part or in w hole. It is possible

    that current copyright holders, heirs or the estate of

    the authors of individual portions of the work, such

    as illustrations or photographs, assert copyrights over

    these portions. Depending on the nature of subsequent

    use that is made, additional rights may need to be obtained

    independently of anything we can address.

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    hingCompant

    ESIDENT

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    Eomance/ ' ' 'Tk etaak nowHEira i, '

    c.

    ook,describingindetailallthe

    cenesandapparatusnecessar foran

    ditiontothedescriptionsin words,

    showninthenumerouspictures, more

    sertedin thebook.Nosuchuseful

    eredtotheamateurpla ersofan

    emarks.

    ake,etc.In drawing-roonw

    ingeddoors.Inasingle largt

    toattachit,and raiseit,etc.

    fScener .Howtohangit.

    ngs,borders,drops.

    Centerdoorpieces,plainwings,

    etc.

    theStage. Oil, gasandelectric

    hts,Eeflectors.Howtodarkenthe

    s.W ind,Eain,Thunder,Break-

    gs, Snow , Water, Wa es, C ascades,

    Chimes,SoundofHorses'Hoofs,

    ng.

    othePropert Man.

    Manager.

    Manager.

    NGCO MPAm

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    R O M

    D

    NGCO MPANY

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    S

    shima

    r

    ce

    n." -^

    o o inthepa lace.

    tweenloand12 p.m.

    eo ldJ apanese legend, thesoul

    nbeing.

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    able,uponita steel

    wolightedcandles z ithornate

    sho ileadstoanotherroom,

    sed. A tR . C . a largesectionof

    av iez of thegarden. TotheR. o f

    rineandBuddha.AtL. ofthe

    dheadrest. B theheadresta

    wnL.isan opensectionof

    nce 'sapartments. J ustabo eit

    rtainrisesthePrinceis stand-

    hegarden.RuitenisdownR.

    ehim. B uzencrossesL.

    betz eenR uitenandB uzen.

    fears

    emforme,

    .

    emforme,

    rful.

    gina llw a s

    ng.

    bod

    r

    L. A roundth bedeach

    mu r ai

    e I p r a e d

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    oIn,

    s

    useshrine

    ordof theworld.

    ept

    tendingwithe il

    geandsubtle.

    aspirit

    a lw a sfordiredeeds.

    mustbe butwhat

    formsbuttheformofacat

    d e i ls .

    hersw atchhimclose l . ^ A

    kill.

    owermalignant

    msthantheformsof cats

    espiritthatv isitsme?

    edof itsv isit .

    sits,when?

    ride . Then, ohPrince, the

    hecure[ E e ingR uiten.

    ot e ar s h a e n ot e e s

    betterthanpra ersisit .

    tisgrudged.Sir Priest

    ureform lordcouldnotbe

    on. SirB uzen.

    clemenc

    ra i

    othebone, yet

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    em e nc ? F o r w ha t

    slept.

    asthoughdeepinsak i.

    ead

    hourof ten

    the hadslept

    p wasthrownintheire es.

    k new

    dfull ofshame.

    e.

    o , th e s l ep t .

    g

    esehorribledreams?

    e

    hememor . Therew ould

    lifted

    limbs.

    eep

    o ement,

    lie [ Co ershisfaceand goes

    o o

    ihands. A h

    ,RuitenandBuzenareto-

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    tosmother

    e-blood

    etfarther.

    re

    .

    lent.

    shed

    ream?

    ink yetitw asadream-

    hts

    r

    ut,

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    mbl Iack nowledgem head

    cted

    erful.

    et

    ta le .

    ,

    a ehonorable lenienc .

    ckatheart

    greatlord,

    m

    n

    rof theF ox .

    ool

    shing.

    Nabeshima,

    wered.

    fth sickness

    shamedof th samura i's

    toguardth sleep

    soldier,itwasnotpermitted.

    hatIpromisedto consult

    sandseewhat couldbedone.

    e , youngsir, Isaid.

    e, honorablesir.

    Ithank you.

    ultwas

    st.

    tchedthe twonightspast

    ptnot

    hea y withsleep-fumes.

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    Noutof thezua andcomes

    rabl hoarse .

    e

    -bound

    ght

    eepsto le

    hem

    op p f u me s o f .

    ' i s t e d

    .

    ommonsoldier,

    Retiresupstage,disgruntled.'

    d. A sI w assa ing, oh

    .

    at

    To o

    hing

    ent

    moanings

    rden

    stl paddings

    tting,

    eemedho ering

    rkness.

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    scream thana llwassilence.

    at-likeherstep

    thcurledlips

    sy ouha esaid,

    her,

    Thesecondnightof Ito

    words

    r

    hergarments

    m

    sagehither.

    ordthehorror aboutme.

    Doubtstobe lie fs ^ belie f sto

    nstothemalmostpleadingl .

    o.

    maid, Kashik u,

    o 'scouch

    t th e t im e

    hee.

    e d. S o ,i t w as O T o o

    mon

    .

    ecourse

    ddoorL. Thesamura iare

    BuzenexitsL.

    man

    heshadow s

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    ha

    swatches

    t h at l i e s .

    onR uiten'sshoulder. ' P riest,

    m

    ing?

    avampiretothebod .

    ngmustw ek il l .

    elsbeforethePrince.Ruiten

    zenre-enteringafterIto

    Iansw erth summons.

    sartthou,

    ntoldme.

    commonso ldier

    eofHizen.

    gi etheeonthemorrow.

    esIhumbl thank thee. [R ises.

    g

    dsleep samurai

    oSoda

    atchful.

    o en t er m c h am b er

    a?

    k . A samoonbeamonaco ld

    ow touse it.

    reen,thus.[ Goestoscreen

    m ahidingplacebetween

    oor L.

    plan

    saboutit. [ Ex itsL. fo l-

    uiten. ItoSodagoesbe-

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    sthew indortheechoofm

    asitsinging?

    ing.

    w homwelo earepassing

    repassing

    mfromlife

    eblood-life,

    nomore,

    omore,

    e

    e-k ill ing.

    ourv o iceav ibration, ase enthe

    he echothesummer'sdeath-

    astrangelightas ifthesoulof

    rtaininglashesanddimmedthe

    ouaredifferentthanw haty ou

    . s lo z l . E e n n ow c o me s t he

    twhich isinme.

    esh

    l i ps

    fthe blood-drops

    uldsoothehimand cannot.

    gsoothemorethanth l ips.

    ehim?

    wordsofyoursa ing.

    ulallin amoment,

    ullofsunshineandclouds.

    e n n ow a s m h a nd t o uc h es y o u ,

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    us

    tsyou

    idit M soulisasthousa est.

    ndagainbitter.

    ribleabo ea lldreams.

    m l a d ?

    hny oufoundmethereonthe

    ealldistraughtandthe bosom

    clutchedy ourthroat

    there.Buttherewasno

    fallf romyourlips

    ing.

    andIw alk edinthegarden

    ef thim.

    e

    mouth

    .

    me

    minee es

    throathere

    ^ Exposesherthroatto

    moothassatinandperfect.

    rk nessuponme andsoy ou

    hinme

    no.

    edthate eninginthegarden.

    reamedIw alk ed sa I

    with

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    ream, q uestionitnot.

    l l .

    l l

    tonight. [C rossesL.

    ha llkisshim.

    ers

    ceisso thin.

    rongflower

    of itslife

    ned.

    amsarebitter.

    meso era llthings

    abeautifulf low er

    ps

    t,

    r

    so fblood

    sarenotgood.

    tstossedinthemorning,

    asif y ousleptill.

    o ow hotossesthem

    .

    el ha eIimaginedy ouca lled

    othere buttherew ithyour

    s.

    tstrangefounta insandunk now n

    acredto unknowngods.

    becomesm lif e

    m ine, atlast

    e

    en e d o u h a e n o n ee d .

    ps perhapsheissuffering.

    hands?

    m k isses

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    gthingtok issth lo rd.

    w hatyousa , K ashiku.

    otheardmesa strangethings,

    d

    l a d .

    amps. [ K ashikublow sout

    oy ousleepdeepl ,

    hikuopenssho iR . andgoesout

    o ocrosses, too , and

    e roomisalmostin

    m Ishallk isshim [ The

    sleepingmatglowsmore

    ntilacat'sheadappearsonit.

    comesfromthegarden.

    ctscannotbegottenw ithno

    ethe lanternglow with

    cat'sheadorcat call.

    ht, O To ohasbegunto

    momentofthecat-call

    dgoestozuardsthe door

    nItoSodasteps out

    his dirkintoherback

    dcr . Instantl , inutter

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    ok

    N

    cti emake-upisbecoming-uio^.^^ppar

    ore er y eax% buthithertotherenasbeen

    describingthemodernmethodsandat the

    branchesof theart. Thisv . anthasno-^

    ashadan experienceoftwent y ears

    er,andhiswell-knownliterar abilit has

    owledge,sogainedintoshapetobeof

    sanenc clopediaof thearto fmak ingup.

    su b e c t is e x ha u st i e l t r ea t ed , a nd f e wq u e s-

    professionaloramateurthatcannotbe an-

    blehand-book. It isnotonl thebestmak e-

    , butit isnotlik el tobesupersededb

    l indispensabletoe er ambitiousactor.

    ks.

    theirorigin,componentsanduse.

    ox.Grease-Paints.Mirrors,F ace

    Cream,Rouge,Li uidColor,Grenadine,

    l l iantinefortheHair, NosePutt , Wi

    r,SpiritGum,Scissors,Artists'Stomps,

    ,RecipesforColdCream.

    sbeforeMakingup theStraightMake

    t.

    adies.Li uidCreams,Rouge,Lips,

    , C haracterR o les, Jew elr , R emo ingMake-up.

    les. StraightJ u enileMak e-up, Societ

    alth,with RedWigs, RococoMake-up,

    tc.

    ddleA gedandOldMen. Ordinar T pf

    W rinkles,Rouge,Sickl andHealths

    plex ions.

    andC haracterMak e-ups, C omed Ef -

    sE ebrows, Noses, Lips, Pa llo ro fDeath.

    eatures.TheMouthandLips,the

    Nose, theC hin, theEar, theTeeth.

    psedPartso f theHumanA natom .

    cTs,Moustaches,andE ebrows.Choosing

    r,DimensionsforW igs,W igBands,Bald

    ardsonWire , onGauze, C rapeHair, Wool,

    aches,E ebrows.

    eandTraditionalCharacteristics.North

    glandF armers,Hoosiers,Southerners,

    nors,Q uakers,Tramps,Creoles,Mulattoes,

    s,Negroes,SoldiersduringWar, Soldiersdur-

    ders,Puritans,Earl DutchSettlerc ,

    rishmen,Frenchmen,Italians,Spaniards,

    cans,Scandina ians,Germans,Hollanders,

    ians,Turks,Arabs,Moors,CafRrs,Ab s

    s, C hinese, J apanese, C low nsandStatuar .

    atics,Idiots,Misers,Rogues.

    NGCO MPANY

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    ESS

    tricalbooksellersin

    keepin stockthemost

    edlinesofpla sanden-

    undan where.

    p l a o r b oo k p ub .

    dacata logueof thebest

    tbookspublishedin

    ntainsa full

    , gi ingnumberofchar-

    scener , costumes, etc.

    freeonapplication.

    suitablefor ama-

    ndnearl allofthem

    f ro a l t . P e rs o ns i n te r -

    ouldexamineourcat^

    ewhere.

    neofgreasepa ints,

    andother''make-up'

    ompan

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