the victorians. “british history is two thousand years old, and yet in a good many ways the world...
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The Victorians
“British history is two thousand years old, and yet in a good many ways the world has moved farther ahead since the Queen was born than it moved in all the rest of the two thousand years put together.”
Mark Twain, 1897
at Queen Victoria’s
Jubilee
Queen Victoriareigned 1837-1901
May 24, 1819: born at Kensington Palace – only child of Edward, Duke of Kent, the fourth son of George III
1837: on the death of her uncle, William IV, she became queen at the age of 18
1840: married her cousin, Prince Albert of Saxe-Coburg-Gotha 1861: Prince Albert died Nine children Presided over an Empire “upon which the sun never set” It was during Victoria's reign that the modern idea of the
constitutional monarch, whose role was to remain above political parties, began to evolve.
January 22, 1901: died after a reign of 64 years – longest in British history
Victoriaand
Albert
Prince Albert Son of Duke Ernest of Coburg, Victoria’s maternal uncle –
he and Victoria were first cousins, born the same year Became Victoria’s closest advisor A serious patron of the arts, a composer and a painter, an
architect and an educator As chancellor of Cambridge, he modernized the traditional
classics-and-theology curriculum with science and technology
Arranged for the design and building of experimental houses to better serve working class families
Organized and oversaw the Great Exhibition of 1851 -- the first World's Fair.
"Machinery, Science, and Taste…are of no country, but belong, as a whole, to the civilized world."
The Crystal Palace in Hyde Parksite of the 1851 Great Exhibition
Queen Victoria opens the Great Exhibition
The Royal Family
Print of the British royal family from 1880. Based on a painting by J. Archer.
Political Reform 1832: The Reform Bill extended voting rights to all
males owning property worth £10 in annual rent – lower middle classes
1832: redistribution of parliamentary representation – elimination of “rotten boroughs”
1838-48: Chartist Movement “People’s Charter” advocated universal suffrage, secret ballots and legislative reforms
1867: Second Reform Bill: extended right to vote to some of working class
1870-1908: Married Women’s Property Acts – granted women the right to own property –”women were legally recognized as individuals in their own right for the first time in history.”
Social Reform and Education 1846: Repeal of Corn Laws – elimination of tax on
grains – free trade 1833-78: Factory Acts – restricted child labor, limited
work hours, required public education 1839: Custody Act 1857: Divorce and Matrimonial Causes Act Higher Education for Women
1848 – establishment of first Women’s College in London
By the end of Victoria’s reign, women could get degrees at 12 universities and study at Oxford and Cambridge
Technology
1830: Liverpool and Manchester RR – first public steam railway in the world
steam ships telegraph -- intercontinental cables photography high speed printing cast iron for building anesthetics -- ether Technology on the
Victorian Web
Gustav Doré, London Underground
J. M. W. Turner, Rain, Steam, Speed. 1844.
Science: Geology and Astronomy Geology
“the hottest science going” all accredited geologists agreed that the earth was millions of
years old, that strata were layers from different times and that Genesis was incompatible with the findings of modern geology or irrelevant
many discoveries about dinosaurs throughout the 19th c. http://rainbow.ldeo.columbia.edu/courses/v1001/dinodis3.html
Astronomy: new planetary and cosmic discoveries Geology “gives one the same sort of bewildering view of the
abysmal extent of Time that Astronomy does of Space.” – John Sterling, 1837
included first exhibition of
dinosaurs
The Great
Exhibition1851
Women Astronomers
Mary Somerville
Agnes Mary Clerke
Caroline Herschel
Science: Biology Charles Darwin (1809-82)
1859: On the Origin of the Species 1871: The Descent of Man, and Selection in
Relation to Sex 1872: The Expression of the Emotions in Man and
Animals Thomas Henry Huxley (1825-95)
Populizer and advocate of Darwin’s theories On a Piece of Chalk influenced thinking about
education Huxley advocated broad primary school
instruction: reading, writing, arithmetic, art, science, and music.
The basic form of nearly every American college curriculum is what Huxley advocated more than 100 years ago: two years of more liberal basic studies followed by two years of specialization
Huxley emphasized doing and observing in science classes
The voyage of the HMS Beagle
Religion 1829: Catholic Relief Act – granted Catholics the same
political rights as Protestants 1835: Jews are granted the right to vote
1857: Sir David Salomons elected Lord Mayor of London 1868: Benjamin Disraeli, a convert to Anglicanism, becomes
Prime MinisterThe Church of England
Low Church – evangelical, highly individual, abolitionists, Puritanical ( Christian right )
Broad Church – open to modern advances in science, emphasized inclusion ( liberals )
High Church – emphasized tradition, ritual and authority – the Oxford Movement – resistant to liberal ideas (conservatives)
Biblical Studies
Linguistic and Historic: “Higher Criticism” Study of original Hebrew, Greek, and Aramaic
texts – history of composition Historical contexts David Friedrich Struass’s Das Leben Jesu –
translated by George Eliot as The Life of Jesus Biblical Archaeology vs. Mesopotamian
Archaeology – Sumerian texts
Philosophy: Utilitarianism Philosophical Radicalism All humans seek to maximize pleasure and
minimize pain. Morality – that which provides the
greatest pleasure to the greatest number Religion – outmoded superstition Fails to provide for spiritual needs Attacked by:
Carlyle, Sartor, Resartus (1833-34) Dickens, Hard Times (1854) Ruskin, Unto This Last (1860) John Stuart Mill, Autobiography ( 1873)
Jeremy Bentham
James Mill
John Stuart Mill
Philosophy: Marxism Based on materialist interpretation of history Social change occurs
because of class struggle Capitalism leads to the
oppression of the proletariat
Inevitability of a proletarian revolution
1845: Engels, The Condition of the Working Class
1848: Marx and Engels, The Communist Manifesto
1867-94: Marx, Das Kapital
Karl Marx and Friedrich Engels in London, 1867
The British Empire
Imperialism: The British Empire 1853-1880: Over 2 million Britons emigrated to settle in British
colonies – especially Canada and Australia 1839-42; 1856-60: Opium Wars with China 1857: Parliament took over rule of India from East India Co. and
set up a civil service government 1867: Canadian provinces united into Dominion of Canada 1876: Victoria declared Empress of India 1880s – the Irish question – Home Rule 1899-1902: Boer War in South Africa By 1890, the British Empire contained ¼ of the earth’s territory,
and ¼ of the earth’s population.
Richard Redgrave, The Emigrants’ Last Sight of Home, 1858
Ford Madox Brown
The Last of
England, 1855
India
The British penetrated the Indian
governments, first as
advisors -- later as direct
rulers with military
and political control
The English were content to live apart, safe in their compounds
and strongholds
Government House in Calcutta1799-1803
As closely as possible, they duplicated life in England -- with certain luxurious additions
According to Lord Kitchener: “It is
the consciousness of the inherent
superiority of the European which has won for us
India”
Desperate to open up the rich ports of China, the
Europeans finally found a product they could sell
there
opium…“Opium is an imperious master and treats its subjects like slaves. It first
comes with a gentle touch...
...and then in a few weeks when it has got its grip upon the man, it shows itself to be the cruelest
taskmaster that ever drove man to a lingering death.”
When the Chinese government tried to
curb the opium traffic, the British
gunboats triumphed in the Opium Wars
(1839-42, 1856-60)
China was forced to open her ports and the interior to a flood of foreign merchants, soldiers and missionaries and to legalize the opium trade.
The Open Door Policy imposed by the Western Powers
created havoc in China: depredation by foreigners and internal rebellion
The Boxer
Rebellion1900
A secret society in northern China began a campaign of terror against Christian missionaries and Chinese converts.
Foreigners called them “Boxers” because they practiced martial arts.
Victorian Literature
The Novel
Dominant Victorian literary form Initially published in serial form in
periodicals Usually appeared in 3 volumes –
“three deckers” – in book form Focus on social relationships in
middle class world Ample opportunities for women
novelists although many chose male pseudonyms to be taken more seriously
Novelists
Thackeray Eliot Trollope
C. BronteDickens
Gaskell
Disraeli
E. Bronte
The BrontësCharlotte (1816-55), Emily (1818-48), Anne (1820-49)
Novels of Sentiment in which the characters, and thus the readers, have a heightened emotional response to events
Emily’s Wuthering Heights and Charlotte’s Jane Eyre transcend sentiment into myth-making
Wuthering Heights plumbs the psychic unconscious in a search for wholeness, while Jane Eyre narrates the female quest for individuationportrait by Branwell Brontë of his sisters,
Anne, Emily, and Charlotte (c. 1834)
Social Realism Social novels deal with the nature, function and
effect of the society which the characters inhabit – often for the purpose of effecting reform
“ Condition of England” novels in 1840s and 1850s: response to the condition of laborers in the Industrial Revolution: Dickens’ Hard Times, Gaskell’s Mary Barton; Disraeli’s The Two Nations
Social and political realism: Trollope’s The Palliser Novels, The Barsetshire Chronicles, etc.
Satirical social commentary: Thackeray’s Vanity Fair
Probing psychological realism: Eliot’s Middlemarch
Non-fiction Prose
Instructional purpose: history, biography, theology, literary and artistic criticism
Centrality of argument and persuasion
Professional writers
Matthew Arnold
Walter Pater
Victorian Poetry Highly pictorial – “picturesque” – combines
visual impressions to create a picture that carries the dominant emotion of the poem
Narrative Long narrative stories – poetic novels: Tennyson’s
Idylls of the King, Elizabeth Barrett Browning’s Aurora Leigh, Robert Browning’s The Ring and the Book
Dramatic monologues – esp. Robert Browning Distinctive sound experimentation Poetry of mood and character
Poets
Elizabeth BarrettBrowning
Robert Browning
Aestheticism
“Art for art’s sake” A cult of beauty: Life should imitate Art Strong connection between visual and literary arts Anti-Victorian reaction, post-Romantic roots The Arts should provide refined sensuous pleasure,
rather than convey moral or sentimental messages Pre-Raphaelites and Arts and Crafts Movement
William Morris
Dante Gabriel RossettiWilliam Holman Hunt Aubrey
Beardsley
Algernon Swinburne
Christina Rossetti
VictorianDrama
Gilbert and Sullivan
Oscar Wilde
George Bernard Shaw
Melodrama: 19th C. Comes from "music drama" – music was
used to increase emotions or to signify characters (signature music).
Theatre of sentimentality -- emotional appeal
Simplified moral universe: good and evil embodied in stock characters Heroes and villains -- and lily-pure
heroines Sensationalistic: fires, explosions,
drownings, etc. Episodic form: the villain poses a threat,
the hero or heroine escapes, etc.—with a happy ending
Wide popular appeal
George L. Aiken’s was the most popular--1853. Six acts, done without an afterpiece – established the single-play format. 325 performances in New York.
In the 1870’s, at least 50 companies doing it in the U.S. In 1899: 500 companies. In 1927: 12 still doing it. 12 movie versions since 1900. The most popular melodrama in the world until the First
World War.
Uncle Tom’s Cabindramatizations based
on novel by Harriet Beecher Stowe
Equestrian Melodrama
Nautical Melodrama
The Water Tank at Sadler’s Wells Theatre – 50,000 gallons of water
Gothic Melodrama
Comic or Light OperaPredecessors
Italian Opera BuffaFrench Opera ComiqueEnglish Ballad Opera:
Gay’s The Beggar’s OperaGerman SingspieleEnglish PantomimeViennese Operetta
ConventionsCombination of spoken dialogue and songsA frivolous, sentimental story, often employing parody and
satire Light, pleasant music sometimes including popular music of
the day
Richard D’oyly Carte and
the Savoy Theatre
1875: D’oyly Carte brought Gilbert and Sullivan together to write an opera afterpiece: Trial by Jury
1876: Formed the Comic Opera Company and leased the Opera Comique Theatre
1877-1881: Great successes with The Sorcerer, H.M.S. Pinafore, Patience and The Pirates of Penzance
1878 on: touring companies (A,B,C, D) throughout the UK, Ireland, North America, Europe, and South Africa
1881: Built the Savoy Theatre – the first London theatre to be lit with electric lights
Gilbert and Sullivan First collaborated in 1871 on
Thespis, an ‘Original Grotesque Opera’
After success of The Sorcerer and H.M.S. Pinafore partnered with Richard D’oyly Carte to form Mr. D’Oyly Carte’s Opera Company.
Success of company attributed to D’Oyly Carte’s business acumen and diplomacy as well as artistic control exercised by Gilbert and Sullivan.
Sullivan knighted in 1883 by Queen Victoria.
Gilbert knighted in 1907 by King Edward VII.
AuthorSir William Schwenk
Gilbert1836-1911
ComposerSir Arthur Seymour Sullivan
1842-1900
The Savoy Operas
Trial By Jury (1875) The Sorcerer (1877) H.M.S. Pinafore; or, The Lass That Loved A Sailor (1878) The Pirates of Penzance (1879) Patience (1881) Iolanthe; or, The Peer and the Peri (1882) Princess Ida (1884) The Mikado (1885) Ruddigore; or, The Witch's Curse (1887) The Yeomen of the Guard (1888) The Gondoliers (1889) Utopia Limited; or, The Flowers of Progress (1893) The Grand Duke; or, The Statutory Duel (1896)
Written by William Gilbert, scored by Sir Arthur Sullivan, produced by Richard D'Oyly Carte
Light 1817: first gas lit theatre
Smelled bad Very hazardous – many theatres
burnt down as the gas lighting set the wood and canvas scenery on fire
1826: limelight was invented A block of quicklime heated by
oxygen and hydrogen produced a bright sharp light.
Used in hand-operated spotlights 1881: London’s Savoy Theatre
opened with electric lights The auditorium was still lit for most of
this period, which also had an effect on the lighting effects on-stage.
Lighting control desk at the Paris Opera, 1893
The Well-Made Play1. A plot based upon a withheld secret 2. Slowly accelerating action and suspense sustained by such
contrivances as precisely timed entrances and exits, letters which miscarry, and mistakes in identity,
3. A battle of wits between two adversaries 4. A reversal in the action followed by a climactic, "obligatory"
scene representing the nadir and then the zenith of the hero's fortunes as a result of the disclosure of the withheld secret
5. A logical, credible denouement 6. Tendency to have the action center upon a stage prop, e.g. a
letter, a fan or a glass of water7. A nugget of morality which would appease the ordinary man's
sense of guilt at enjoying himself, e.g. the lesson that momentous consequences may follow from quite trivial events.
Oscar Wilde 1854-1900
Middle Class Satire1892: Lady
Windermere's Fan 1893: A Woman Of No
Importance 1894: Salome
1895: An Ideal Husband
1895: The Importance Of Being Earnest
Actor-Managers Star performers who held the license to the theatres, arranged
the performances and hired the other actors. Introduced reforms and innovations:
full rehearsals for the company raised status of actors revived Shakespearean plays toured extensively offered powerful management role to women
Demands of complicated technical effects (storms, fires, elaborate lighting) led actors to give artistic control to stage managers who could coordinate all production aspects
Stage manager's function became increasingly important until he was eventually elevated to the status of régisseur, or director.
Edwin Forrest, American1806-72
William Macready, English1793-1873
1849: competing productionsof Macbeth. Riot eruptedleaving 23 dead and 100wounded
Sarah Bernhardt, French, 1844-1923
Edmund Kean, English, 1787-1833Samuel Drummond (1765-1844)Edmund Kean as Richard III (1814)
Eleanora Duse, Italian, 1859-1924
Henry Irving, English, 1838-1905
November 25, 1864, "Julius Caesar," Winter Garden, New York: The first and last appearance together of Junius Brutus Booth, Jr. (right) and two of his sons, John Wilkes (left) and Edwin (middle).
Realism and Naturalism
Intellectual reaction against popular theatre
Theatre of social problems Influenced by emerging
disciplines of psychology and sociology
Emerging importance of director
Realistic stage conventions
Proscenium stage Audience as “fourth
wall” Change in acting
conventions Continued
improvement in stagecraft: electric lighting, set design, costumes, etc.
Independent Theatre Movement Led by young intellectuals, disillusioned with
the literary stagnation of the stage, the actor-manager system and indulgence with scenic spectacle
Wanted to promote new Realistic and Naturalistic playwrights
Often ran into trouble with censors Dedicated to bringing serious drama to the
working and middle class
Independent TheatresThéâtre-Libre founded by André Antoine in 1887 in
ParisFreie Bühne founded by Otto Brahm in 1894 in
BerlinIndependent Theatre Club founded by Jacob Grein
in 1891 in London The Stage Society founded in 1899 in LondonMoscow Art Theatre founded by Konstantin
Stanislavsky and Vladimir Nemirovich-Danchenko in 1898 in Moscow
The Abbey Theatre founded by William Butler Yeats and Lady Augusta Gregory in 1903 in Dublin
Realism vs. Naturalism Middle class Pragmatic Psychological Mimetic art Objective, but ethical Sometimes comic or satiric How can the individual live
within and influence society?
“Well-made play” Henrik Ibsen, George
Bernard Shaw
Middle/Lower class Scientific Sociological Investigative art Objective and amoral Often pessimistic, sometimes
comic How does society/the
environment impact individuals?
“Slice of life” August Strindberg, Anton
Chekhov, John Millington Synge
Henrik IbsenNorwegian, 1828-1906
Romantic DramasBrandPeer Gynt
Realistic Social DramasThe Pillars of SocietyA Doll's HouseGhostsAn Enemy of the PeopleThe Wild DuckRosmersholmThe Lady from the SeaHedda Gabler
Symbolic DramasThe Master BuilderLittle Eyolf John Gabriel Borkman When We Dead Awaken
August Strindberg Swedish, 1849-1912
Naturalistic Plays : 1880sThe Father Miss Julie Creditors
Dreamplays : turn of the centuryTo Damascus A Dream Play The Ghost Sonata
Historical Dramas: turn of the centuryGustavus Vasa Erik XIV Charles XII
Anton ChekhovRussian
1860-1904
Physician, storyteller, dramatist Plays:
That Worthless FellowPlatonov On the Harmful Effects of
Tobacco IvanovThe BearA Marriage Proposal The Wood Demon
For the Moscow Art Theatre:The SeagullUncle Vanya The Three SistersThe Cherry Orchard
George Bernard Shaw
Anglo-Irish, 1856-1950
Fabian, Drama critic, Nobel Prize Winner The Quintessence of Ibsenism,
Playwright: Over 50 plays 1890s: Plays Pleasant and Unpleasant:
Widower’s Houses, The Philanderer, Mrs. Warren’s Profession ,Arms and the Man ,Candida, You Never Can Tell
1890s: Three Plays for Puritans: The Devil’s Disciple, Caesar and Cleopatra and Captain Brassbound’s Conversion (1900).
Early 20th C: Man and Superman , Major Barbara, Androcles and the Lion and Pygmalion (My Fair Lady)
Later Plays: St. Joan, Heartbreak House, The Millionairess
John Millington Synge1871-1909
§ Irish poet and playwright discovered by W.B. Yeats.
§ Plays of Irish peasant life: § In the Shadow of the Glen, (1903), a comedy§ Riders to the Sea (1904), a tragedy§ The Well of the Saints (1905), a comedy § The Playboy of the Western World (1907), a comedy,
caused riots§ The Tinker's Wedding, published in 1908 but not produced
for fear of further riots§ Deirdre of the Sorrows, a mythic tragedy unfinished at the
time of his death