the vista view: volume ix, issue ii

16
It’s been 10 years since the events of 9/11. Teachers and students remember. PAGE 04, 05 Grace An won the 2011 O’Neill Fashion Show! Read about the event, and her. PAGE 08, 09 Tired of boring main- stream music? We’ve reviewed a few “indie” artists you’ll love. PAGE 10 INSIDE THIS ISSUE MVUSD allows onsite use of social networks Unity Luncheon brings ASB and Senate closer to each other, unites leadership S everal weeks ago, the Murreta Valley ę       ǰ ǯ ¢ ǰ ǯ ¢¢   ȃȄ ǰ   ¢ǯ  ǯ ¢ ¢ ȃ¢ Ȅ ǯ ǯ Ȃ AP US ǯǰ ǯ Ȃ ǯǰ ǯ Ȃ ŗŖŗȦŗŖřǯ ě   ǰ   ǰ ĴȬȬ ǯ   ǰ ę ǯ   ¢     ǯ ¢ǰ ¢   ǰ ǯ Great Indie Music 9/11 Never Forget O’Neill Fashion Show SEPTEMBER 30, 2011 VOLUME IX, ISSUE 2 VISTA MURRIETA HIGH SCHOOL 28251 CLINTON KEITH RD., MURRIETA, CA 92563 (951)894-5750 S ȃ¢ Ȅ     Ĵǰ ǯ ŘŜǯ ǰ ŗŘǰ ǰ ŗŖǰ ǰ ŗŗǰ ǰ ŗŖǰ   Ĵ ǯ   ¢     Ĵǯ ȃ     ¡   ££   Ȅ ǯ ££ ǰ   ǰ ¢ ¢ ¢ ǯ     ¢  ǯ       ¢  ǯ ȃ  ǯ ¢   ¡ £ǰȄ ǯ ¢ ǰ   ǰ ǰ  ǰ ǯǰ    Ĵ   ǯ ¡ǰ     ǯ ȃ ¢       ǰȄ ¡ ǯ ¢ ę ¢ ¢ ¢   Ĵ ę   ǯ Photos courtesy of James Jesperson NATALIE HADWEH Staff Writer UNITED- Various ASB and Senate members pose for pictures with their newly-acquainted buddies. The event was held in the VMHS cafeteria.   ¢ ǯ       ǯ ǯ ¢¢ ¢ ǯ ¡ǰ ǯ ¢   ¢ ǰ ȃǰ   ¢ ¢ ǯȄ   ¢ ǯ ȃ to a long lasting ǽ Ǿ ǯ ¢ ¢ ¢ ȁ    Ȃ ȁ Ȃ  ¢ Ȃ ¢ ¢ ǯ  ǰ   ǯ ¡¢ Ȃ     ¢ ¢ǰȄ ǰ ŗŘǰ ¢ǯ ǰ ¢ ¢ ¢ ǯ “I think this luncheon is the start to a long lasting tradition [be- tween] ASB and Senate.” Yet another succes- ful canned-food drive P ǰ Ȃ ¡ Ȭ ǯ ¢ ȬȬ Ȭ ǰ ǯ ¢ǰ ě ¢ ŝǰŖŖŖ ǯ year, however, ǰ ǰ ǯ ǰ ǰ ěǯ ¢ ǯ ǯ Ȃ ¢ ǯ ǰ ¢ ŚǰŗŖŖ ǯ Ȭ ě Ȭ ŚǰŚŖŖ DZ  ǰ Ȃ  ¢ ¢ ǯ -Photos/Compiled by Cameron Tu

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Page 1: The Vista View: Volume IX, Issue II

It’s been 10 years

since the events of

9/11. Teachers and

students remember.

PAGE 04, 05

Grace An won the

2011 O’Neill Fashion

Show! Read about the

event, and her.

PAGE 08, 09

Tired of boring main-

stream music? We’ve

reviewed a few “indie”

artists you’ll love.

PAGE 10

INSIDE THIS ISSUE

MVUSD allows onsite use of social networks

Unity Luncheon brings ASB and Senate closer to each other, unites leadership

Several weeks ago, the Murreta Valley ���ę��ȱ ������ȱ ��������ȱ ������ȱ

�����������ȱ  ����ȱ ���� ��ȱ ���ȱ ������ȱ ���ȱ ��ȱ ������ȱ��� ������ȱ�����ǰȱ ����ȱ��������ȱ���ȱ����ȱ�������ǯ ȱ ��ȱ ��ȱ ��������¢ȱ ������ǰȱ �����ȱ ������ȱ ���ȱ�ȱ ��������ȱ ����ǯȱ ���ȱ ���������ȱ ��ȱ �����ȱ ���ȱ ����ȱ��ȱ ������ȱ ��¢���¢ȱ  ��ȱ ȃ�����Ȅȱ ��ǰȱ �����������ȱ����������ȱ��ȱ������ȱ��������ȱ �����ȱ��������ȱ�����¢ǯ ȱ ����ȱ ��ȱ �������ȱ �� ǯȱ ���¢ȱ ��������ȱ ��ȱ� � � � � �ȱ����ȱ ������¢ȱ����ȱ �����ȱ���ȱ �������ȱ� � � � � � � �ȱȃ����¢ȱ�����ȱ�����Ȅȱ ���ȱ� � � � � � �ȱ����ȱ ��ȱ ��ǯȱ�ǯȱ �����Ȃ�ȱAP US ��ǯǰȱ ��ǯȱ ȱ �����Ȃ�ȱ ��ȱ �������ȱ ���ǯǰȱ ���ȱ ���ǯȱ�������Ȃ�ȱ �������ȱ �����������ȱ ŗŖŗȦŗŖřǯ ȱ ���ȱ�����ȱ��ě������ȱ��ȱ����ȱ�� ȱ��������ȱ���ȱ��������ȱ �����ȱ������ǰȱ���ȱ�����ȱ������ȱ��� ������ȱ�����ǰȱ ��ȱ �ȱ ���������ȱ ��Ĵ���ȬȬ���ȱ ����ȱ ���ȱ �������ǯ ȱ �����ȱ ������ȱ �����ȱ  �����ȱ ���ȱ ���������ȱ�����ȱ �����ȱ �������ȱ ���ȱ ����ǰȱ ���ȱ ���ȱ ����ę��ȱ ���ȱ�����ȱ���ȱ�������ǯȱ��������ȱ�� ȱ����ȱ���ȱ������¢ȱ��ȱ�����������ȱ ���ȱ��������ȱ��ȱ�ȱ�����ȱ����ȱ��������ȱ ���ȱ��ȱ��ȱ������������ȱ��ǯȱ�����������¢ǰȱ�����ȱ����ȱ�������ȱ����ȱ���¢ȱ������ȱ ���ȱ����ȱ�����ǰȱ���ȱ���ȱ��ȱ����ȱ��ȱ�ȱ��������ȱ��������ǯ

Great Indie Music

9/11 Never Forget

O’Neill Fashion Show

SEPTEMBER 30, 2011VOLUME IX, ISSUE 2

VISTA MURRIETA HIGH SCHOOL 28251 CLINTON KEITH RD., MURRIETA, CA 92563 (951)894-5750

S�����ȱ ���ȱ ���ȱ ����ȱ �ȱ ȃ����¢ȱ ��������Ȅȱ ��ȱ����ȱ ����ȱ ���ȱ ����������ȱ ��������ȱ ���ȱ ���� ȱ

����ȱ��ȱ���ȱ��ȱ��� ȱ���ȱ�������ȱ��Ĵ��ǰȱ��ȱ���ǯȱŘŜǯ ȱȱ ������ȱ �����ǰȱ ŗŘǰȱ �������ȱ ����ǰȱ ŗŖǰȱ ����ȱ�����ǰȱŗŗǰȱ���ȱ�����ȱ�����ǰȱŗŖǰȱ ���ȱ���ȱ ��ȱ������ȱ��ȱ��Ĵ���ȱ��ȱ����ȱ�����ȱ������ȱ�ȱ����ȱ�����ȱ�����ǯȱ��ȱ ��ȱ��ȱ�ȱ����ȱ�����ȱ�����ȱ�������ȱ����ȱ��¢ȱ�����ȱ ��ȱ���ȱ �����ȱ��ȱ���ȱ��ȱ ���ȱ �������ȱ ���ȱ����ȱ ��ȱ�Ĵ���ǯ ȱȱ ȃ���ȱ �����ȱ  ���ȱ  ���ȱ �¡����ȱ ���ȱ ���ȱ ����ȱ����ȱ  �ȱ ���ȱ ���ȱ ��ȱ ��££�ȱ ���ȱ ������ȱ �������ȱ ���ȱ ����ȱ �����ȱ ��ȱ �����ȱ ������Ȅȱ ����ȱ �������ǯ ȱȱ ����ȱ ������ȱ ���ȱ ��££�ȱ ���ȱ ���ǰȱ ���ȱ ���ȱ������ȱ �������ȱ  ���ȱ ����ȱ ������ǰȱ ���������¢ȱ �����ȱ���¢ȱ���ȱ���ȱ ������ȱ ����ȱ����ȱ�����ȱ����ȱ��ȱ���ȱ�ȱ������ȱ��ȱ����������ȱ����ȱ���¢ȱ���ǯȱ��ȱ���ȱ ��ȱ���� ��ȱ��ȱ����ȱ �����ȱ�������ȱ��ȱ ����ȱ��ȱ���ȱ�����ȱ�������ȱ����ȱ���¢ȱ��� ǯȱ���ȱ ����ȱ�����ȱ��ȱ���ȱ��������ȱ ��ȱ��ȱ���ȱ��ȱ��� ȱ�������ȱ����ȱ���¢ȱ�����ȱ��� ȱ������ǯ ȱȱ ȃ����ȱ �����ȱ ������ȱ ���ȱ  ���ǯȱ����¢���ȱ ���ȱ ��ȱ ����ȱ �� ȱ ������ȱ ���ȱ �¡����ȱ���ȱ ��ȱ �����ȱ �������ȱ £���ǰȄȱ �����ȱ ����ǯȱ ȱȱ �����ȱ ����¢���ȱ ���ȱ �ȱ �������ǰȱ ���ȱ ��������ȱ���ȱ����ȱ����ȱ ����ȱ���ȱ����ȱ��ȱ�ȱ���������ȱ����ȱ�ȱ �����ǰȱ ����ǰȱ ��� ǰȱ ���ȱ ���ǯǰȱ  ��ȱ  ��Ĵ��ȱ ���ȱ����ȱ ��������ȱ  ���ȱ ������ȱ ��������ǯȱ ���ȱ �¡�����ǰȱ���ȱ ������ȱ  ��ȱ ������ȱ ���ȱ �������ȱ  ��ȱ ������ǯ ȱȱ ȃ��ȱ ���ȱ ��ȱ �������¢ȱ  ����ȱ ������ȱ  ���ȱ������ȱ ���ȱ ��� ����ȱ ���������ȱ �����ȱ ����������ȱ��ȱ�����ȱ�������ȱ��ȱ�����ȱ�������ǰȄȱ�¡�������ȱ����ǯȱ ȱȱ ���¢ȱ ę���ȱ �����ȱ �¢ȱ �������ȱ ����¢���ȱ��ȱ ��¢ȱ ��ȱ ���������ȱ ����ȱ ���������ȱ ����������ȱ ���ȱ ���ȱ ��Ĵ��ȱ ��ȱ �����ȱ ę���ȱ ����ȱ ��ȱ  ���ȱ��ȱ �����ȱ ������ȱ ��ȱ ��������ȱ ����������ǯ

Photos courtesy of James Jesperson

NATALIE HADWEH

Staff Writer

UNITED- Various ASB and Senate members pose for pictures with their newly-acquainted

buddies. The event was held in the VMHS cafeteria.

ȱȱ ��ȱ ���ȱ ���ȱ ��ȱ ���ȱ ��������ȱ ���ȱ ���ȱ �������ȱ ���ȱ�����ȱ�ȱ���������ȱ�����ȱ����ȱ���ȱ�ȱ�����¢ȱ����ȱ���ȱ �����ǯȱ ���ȱ �������ȱ  ���ȱ �����ȱ ��ȱ ����ȱ ����ȱ ��ȱ�������ȱ ��ȱ���ȱ��� �ȱ�����ȱ��ȱ��������ȱ�����ȱ�����ȱ ��ȱ ������ǯȱ ��ȱ ���ȱ ��ȱ ����ȱ ����ȱ �ȱ ��������ȱ��������ǯȱ ��¢���¢ȱ �������ȱ ��ȱ ����ȱ ��ȱ ���¢ȱ ���ȱ�����ȱ���ȱ ��ȱ ����ǯȱ���ȱ�¡�����ǰȱ ��ȱ�����ȱ����ȱ����ȱ�������ȱ����ȱ������ȱ��ȱ�����ȱ����ȱ���ȱ���ȱ����ȱ��ǯ ȱȱ ����ȱ�����ȱ ��ȱ����ȱ����¢ȱ ����������ȱ ����ȱ��ȱ����ȱ �����ȱ��ȱ ��ȱ ���ȱ¢���ȱ�����ȱ����ǰȱȃ���ǰȱ �ȱ ���ȱ�������¢ȱ ����ȱ�������ȱ �������ȱ�������¢ȱ ��ȱ �����ȱ���ȱ ���ȱ ������ǯȄ ȱȱ ����ȱ �����ȱ ���ȱ����ȱ��ȱ��������ȱ�������ȱ ��ȱ ��ȱ �ȱ���¢ȱ ����������ȱ�����ȱ ���ȱ ���ȱ����������ȱ �������ǯ ȱȱ ȃ�ȱ �����ȱ ����ȱ��������ȱ ��ȱ ���ȱ �����ȱto a long lasting ���������ȱ ǽ��� ���Ǿȱ���ȱ���ȱ������ǯȱ����ȱ�����ȱ �¢ȱ ��������ȱ¢���ȱ�ȱ����ȱ�����ȱ������ȱ��¢ȱȁ�ȱ ���ȱ���ȱ���ȱ������ȱ ���ȱ������Ȃȱ��ȱȁ�ȱ���Ȃ�ȱ����ȱ��� ȱ��¢���ȱ��ȱ���ȱ�����ȱ�����Ȃȱ¢��ȱ��ȱ���ȱ���ȱ����ȱ��¢�����ȱ�����ȱ��ǯȱ�ȱ��� ǰȱ�������ȱ���ȱ���������ȱ����ȱ�ȱ ��ȱ�����ȱ��ȱ������ȱ����ǯȱ�ȱ ��ȱ �¡������¢ȱ �����ȱ ��ȱ ���ȱ ����ȱ �������������ȱ���ȱ ���Ȃ�ȱ  ���ȱ ��ȱ ���ȱ  ���ȱ ����ȱ ���¢ȱ ���ȱ ��������ȱ����ȱ ¢���ǰȄȱ ����ȱ �����ȱ ���������ǰȱ ŗŘǰȱ ������¢ǯȱ ȱȱ �������ǰȱ ���ȱ ����¢ȱ ��������ȱ ������ȱ ���ȱ ����ȱ�������ȱ��ȱ����ȱ��ȱ�����������¢ȱ������ȱ����¢ȱ���ȱ���ȱ������ǯȱ

“I think this luncheon is

the start to a long lasting

tradition [be-tween] ASB and Senate.”

Yet another succes-ful canned-food drive

P����ȱ ��ȱ ������������ȱ �����ǰȱ���ȱ ������������ȱ ��ȱ ��Ȃ�ȱ ¡ȱ

������ȱ ������Ȭ����ȱ �����ǯȱ ���ȱ ���ȱ �ȱ ����ȱ������¢ȱ ��ȱ ����������ȱ ���ȱ �����ȬȬ�������ȱ ����Ȭ���������ȱ ��������ȱ ��ȱ �ȱ ����ȱ ��ȱ ������ǰȱ ���ȱ ����ǯ ȱ ��ȱ����ȱ¢����ǰȱ���ȱ��������ȱ���ȱ���ěȱ����ȱ

����ȱ ��������ȱ��ȱ �ȱ ����ȱ ���ȱ�������ȱ ��ȱ���� � � � �� � �¢ȱ�����ȱ����ȱŝǰŖŖŖȱ����ǯȱ ����ȱyear, however, �������ȱ ��ȱ� � � � ���� � � �ȱ�������ȱ ����ȱ����ȱ ������ȱ

����ǰȱ��ȱ���ȱ����������ǰȱ��ȱ�����ǯȱ���ǰȱ��ȱ���ȱ���ǰȱ���ȱ��������ȱ���ȱ���ěȱ������ȱ��������ȱ���ȱ������ȱ�����ȱ����ǯ ȱ �ȱ �����ȱ �������¢ȱ ��ȱ ���ȱ ����ȱ ����ȱ ����ȱ��ǯȱ �ǯȱ �����Ȃ�ȱ ������¢ȱ �������ǯȱ ��������ǰȱ ���¢ȱ������ȱ �ȱ �����ȱ ��ȱ ����ȱ ŚǰŗŖŖȱ ����ǯȱ �ȱ ����Ȭ������ȱ�ě���ȱ ������ȱ ������ȱ ���ȱ ���Ȭ�����ȱ ��ȱ ���ȱ ŚǰŚŖŖȱ����DZȱ �����ȱ�ȱ����ȱ��ȱ����ȱ����ȱ����ȱ�����ǰȱ�����Ȃ�ȱ��������ȱ �������¢ȱ�������ȱ�����ȱ����¢ȱ��ȱ���ȱ�����ǯ -Photos/Compiled by Cameron Tu

Page 2: The Vista View: Volume IX, Issue II

�����ȱ��������Ȃ�ȱ��������ȱ���ȱ���ěȱ������¢��ȱ���ȱ������ȱ��Ĵ�ȱ�ǯ�ǯ�ǯ�ǯ�ǯȱ��ȱ���ȱ����ȱ �¢ȱ��������ȱ��ȱ �ȱ����ȱ���ȱ����ȱ��ȱ��������ȱ�ȱ����ȱ���ěȱ������ǰȱ���¢ȱ ��������ǯȱ ��ȱ �ȱ ����ȱ ��ȱ ������¢ǰȱ ����ǰȱ ���ȱ�����������ǰȱ���ȱ�������ȱ����ȱ��������ȱ��ȱ�ȱ ����ȱ������ȱ���ȱ��������ȱ�������ǰȱ���ȱ���ȱ���ȱ���¢ȱ�����ȱ��ȱ ����ȱ ��¢���ȱ ��ȱ ������ȱ �ȱ ��������ȱ ��ȱ ��¢ȱ ��ǯ ȱȱ ȃ���ȱ �������ȱ ��ȱ �����ȱ ���ȱ �����������ȱ ��ȱ���ȱ���Ȃ�ȱ����ȱ���ȱ���ȱ������ȱ��ȱ����ǰȱ���ȱ���¢ȱ¢��ȱ����ȱ�ȱ����ȱ������ȱ��ȱ����ǯȱ��ȱ�ȱ��¢ȱ����� ȱ�ȱ����ȱ����ȱ���ȱ�����ȱAs Good as it GetsDzȱ���¢ǰȱȃ¢��ȱ����ȱ��ȱ ���ȱ ��ȱ ��ȱ �ȱ ��Ĵ��ȱ���ǰȄȱ �������ȱ �������ȱ ���ȱ������ȱ�����ȱ����ȱ�����ȱ������ȱ��ȱ��ȱ�Ȭ����ȱ�¡��������ȱ���ȱ��������ȱ�������ȱ����ȱ����ȱ�����ȱ��ȱ���ǯȱŘŖǰȱŘŖŗŗǯ ȱȱ ���ȱ �����ȱ  ��ȱ  ���ȱ ���ȱ ��������ȱ  ���ȱ��������ǰȱ ��ȱ  ��ȱ ����ȱ ��ȱ ���ȱ ������ȱ �����¢ȱ���ȱ �ȱ �����ȱ ��ȱ �����ȱ ¢����ǯȱ �ȱ �������ȱ ���ȱ ������ȱ��ȱ ���ȱ ��ȱ �ȱ ����������������ȱ ��ȱ ���ȱ �������ȱ���������ȱ ����������ǰȱ ���ȱ  ��ȱ �����ȱ ��������ȱ��ȱ ���ȱ �������¢ȱ ���ěǯȱ ��������ȱ����ȱ ������ȱ �����ȱ�����ȱ �����ȱ �������ǰȱ ���ȱ ���ȱ �����ę��ǰȱ ������ȱ�Ĵ�����ȱ �����ȱ ���ȱ ��ȱ ��¢���ȱ  ��ȱ ��� ȱ ���ǯ ȱȱ ȃ��ȱ ǽ���ȱ ������Ǿȱ  ��Ȃ�ȱ ����ȱ ���ȱ ����ȱȃ����Ȅȱ������ȱ ������ȱ���ǯȱ�ȱ �����ȱ���ȱ �����ȱ��ȱ

Garry Chambers re-

membered by VMHS

students and staff

BAYLEI HARBOURStaff Writer

����ȱ ���ȱ��ȱ���¢ǰȱ�Ȃ�ȱ���ȱ����ȱ�����ȱ���ȱ���¢ȱ����ȱ����Ȃ�ȱ���ȱ��ȱ�¡��������ȱ����ȱ����ȱ��ȱ��ǯȱ��������ǯȄȱ�¡�������ȱ �����ȱ �����ǰȱ ��������ȱ ��������ȱ �����ǯ ȱȱ ���¢ȱ ���ȱ����������ȱ���ȱ�������ȱ��ȱ�����ȱ�¢ȱ ���ȱ �������ȱ ������ȱ ��������ȱ ����ȱ ��ȱ ��������ȱ��������ǯȱ ������¢ȱ ��������ȱ ���¢���ȱ ����ȱ ������ȱ �ȱ�������ȱ ��ȱ �����ȱ �������ȱ ��ȱ ������ȱ�����¢ȱ ��ȱ ���ǯȱ�¢���ȱ �����ǰȱ ŗŘǰȱ ����ȱ �ȱ ������������ȱ ��ȱ ������ȱ��ȱ �����ȱ ��������Ȃ�ȱ ��������ȱ ������ȱ ���ȱ ��������ȱ�������ȱ ���ȱ ��������ȱ ��ȱ ������ȱ ��������ǰȱ  ���ǰȱ���ȱ���ȱ����ȱ��ȱ���ȱ�����¢ǯȱ��������ȱ������ȱ������ȱ��� ��ȱ�����ȱ�¢�����¢ȱ���ȱ�ǯ�ǯ�ǯ�ǯ�ǯȱ�¢ȱ������ȱ���ȱ

����ȱ ��ȱ �����ȱ ���ȱ ����ȱ ��ȱ ���ȱ ����ȱ ���ěȱ ������ǯ ȱȱ ȃ�ȱ ���ȱ �����ȱ ������ȱ ���ȱ �������Ĵ�ȱ ��ȱ���¢ȱ���¢���ȱ���ȱ�����ȱ�����ȱ���ȱ���ȱ����ȱ�������ȱ����ȱ���ȱ�����ǰȄȱ���ȱ���¢��ǰȱ����ȱ��� ȱ ������ǰȱ�������ȱ Řȱ���ȱ������¢ȱ�������ǰȱ����� ���ȱ���ȱ ����ȱ��ȱ�����ǯ ȱȱ �����ȱ�ȱ����ȱ��ȱ���ȱ������ȱ�����¢ȱ��ȱ�� �¢�ȱ��ȱ�����ǰȱ���ȱ����� ���ȱ����ȱ������ȱ�����ǰȱ��¢ȱ�������ȱ��ȱ ���ěȱ ������ȱ ���ȱ ������¢ȱ �����ȱ ����ȱ ���Ȃ�ȱ�¢�����¢ǰȱ�����������ǰȱ���ȱ����ȱ����ȱ����ȱ�����ȱ�ȱ������ȱ���������ȱ����ȱ��ȱ�����ȱ������ȱ���ȱ�����ǯ

NEWS02SEPTEMBER 30, 2011

�����Ȃ�ȱ �������ȱ ������£������ȱ ������������ȱ��ȱ���ȱ�����ȱǯȱ ����ȱ����ȱ���ȱ ���ȱ����ǯȱ���Ȃ�ȱ������ȱ����ȱ���������ȱ���ȱ������ȱ������ȱ���ȱ�������ȱ��ȱ���ȱ��������ȱ������ȱ������ȱ����ȱ����ǰȱ���ȱ�����Ȃ�ȱ��������ȱ����ȱ������¢ȱ �����ȱ���ȱ����ȱ����ǯ

��ȱ���ǯȱŗŜthǰȱ���ȱ���������ȱ����ȱ��ȱ��������ȱ ��ȱ����������ȱ�¢ȱ����ǯȱ������������ȱ�������ȱ��ȱ���ȱ�����ȱ��ȱ���ę��ȱ���¢���ȱ ����ȱ��������ȱ �Ȭ������ȱ ��ȱ����Ȃ�ȱ ���ȱ ����ȱ �����ǯȱ ������������ȱ  ���ȱ ��ȱ ����¢ȱ��ȱ��������ȱ��ȱŜDZřŖ��ȱ��ȱ���¢ȱ����Ȃ�ȱ����ȱ����������ȱ������¢ǯ

��ȱ ���ȱ ŗŘǰŖŖŖȱ ������������ǰȱ ŞǰŜŖŖȱ ��ȱ ����ȱ������������ȱ ��ȱ ���ȱ ����Ȃ�ȱ ����ǰȱ ���������ȱ �����Ȃ�ȱ��ǯȱ���ȱ������ȱ��ȱ������������ȱ������ȱ����ȱŜǰŖŖŖȱ��ȱ���ȱ����ǯȱȱ��ȱ���ȱ�����ȱ������������ǰȱŜśŖȱ ���ȱ������ȱ������ȱ ���������ǯȱ ��ȱ �����ǰȱ ���ȱ ����ȱ ���ȱ ���ȱ ����ȱ������ȱ�ȱ���ȱ��ȱǞśŖřǰřŞŖǯȱ��ȱ ��ȱ���ȱ����������ȱ������ȱ����ȱ���ȱ���ȱ����ȱ����ȱ��ȱ���ȱ���������ȱ����ǯȱ

������ȱ��ě���¢ǰȱ ŗŗǰȱ ��ȱ��ȱ ����ȱ������ǰȱ����ȱȃ��ȱ ��ȱ�����¢ȱ���ǰȱ��ȱ���¢ȱ��ě�����ȱ������ȱ���ȱ

Temecula’s 13th annual “Race for

the Cure” sees massive participation

READY, SET, GO- Participants sprint away from the starting line, which was at The Promenade mall.

pe.com

KERRIE-ANN BEKEStaff Writer

��� ȱ��ȱ��ȱ�������ȱ����ȱ�����ȱ���ȱ��Ȃ�ȱ���������ǯȱ���ȱ¢��ȱ���ȱ��ȱ����ȱ�����ȱ���ȱ��ȱ����ȱ������ȱ���ȱ����¢���Ȃ�ȱ����¢ȱ���ȱ�������ȱ����ȱ�����ȱ�����ǰȄȱ��ě���¢ǰȱ����ǯȱ���ȱ����ȱ�¡�������ȱ����ȱ���ȱ������������ȱ�������ȱ���ȱ���ȱ �� �¢�ȱ �����ȱ ��ȱ��ȱ �ȱ��������ȱ ���ȱ ����ȱ ���ȱ ��ȱ���ȱ�ȱ����ȱ�����ǯȱ

�������ȱ ����ȱ ���ȱ �����¢���ȱ ������������ȱ ���ȱ ����ȱ ����ǰȱ ���ȱ ������������ȱ ���ȱ ���ȱ �������ǯȱ���������ȱ ��������ȱ ��ě��ȱ ���ȱ ���ȱ ����¢ȱ �������ȱ�������ǰȱ���ȱ�����ȱ ��ȱ�ȱ�������ȱ����ȱ���ȱ��ȱ��ȱ�����ȱ������ȱ������ȱ���������ȱ ����ȱ���¢ȱ�����ȱ������ǯȱ

����¢ȱ��������ǰȱ����ȱ���������ȱ��ȱ ����ȱ��������ǰȱ����ȱ���ȱ��ȱ�����ȱ����¢���ȱ���ȱ�������������ȱ���ȱ�������ȱ����¢ȱ���ȱ� �������ȱ ���ȱ ���ȱ�����ȱǯȱ ����ȱ����������ǰȱ���ȱ����ȱ���ȱ�������ȱ�ěȱ��¢���ȱȃ���ȱ����ȱ¢��Ȃ��ȱ������ȱ�ȱ����ǰȱ�������ȱ¢��ȱ���ǯȄ

���ȱ �����ȱ ǯȱ ����ȱ ����ȱ ���ȱ ���ȱ ����ȱ ��ȱ�ȱ ���Ȭ���ę�ȱ ������£�����ȱ �������ȱ ��ȱ ŗşŞŘǯȱ ��ȱ ���ȱ��������ȱ Ǟŗǯśȱ �������ȱ ��ȱ ������ȱ ������ȱ ��������ȱ ���ȱ�������ǰȱ���ȱ��ȱ���ȱ�������ȱ��� ���ȱ��ȱ������ȱ������ȱ���������ȱ���ȱ���������ǯȱ���¢ȱ�����ȱ����ȱǞřśȱ�������ȱ�ȱ¢���ǯȱ�����Ȭ��������ȱ��ȱ�����ȱ��������ȱ���ȱ����ȱ��ȱ����ȱ�����ȱ��������¢ȱ��������ȱ��������ǯ

NewslineA quick look at events happening on campus.

Minimum Days

ȱ �������ǰȱ��ȱŘŖŗŗȱ����ȱ���ȱę����ȱ����ȱ�����ǰȱ�����ȱ ���ȱ��ȱ�����ȱ�����������ȱ�������ȱ��¢�ǯȱ����ȱ���ǯǰȱ���ǯȱŗŚ��ǰȱ��ȱ�����¢ǰȱ���ǯȱŗŜ��ǰȱ������ȱ ���ȱ��ȱ��������ȱ��ȱŝDZřŖȱ��ȱ���ȱ������ȱ��ȱŗŗDZŚśȱ��ǯȱ�����ȱ�������ȱ��¢�ȱ���ȱnot ����ȱ�����ȱ��¢�ǯ

Finals

���������ȱ��ȱ ��ȱ¢���ȱ��������ȱ���ǰȱę����ȱ ���ȱ�������¢ȱ�����ȱ��ȱ���ǯǰȱ���ǯȱŗŘ��ǯȱ����¢ȱ����ǰȱ�������ȱ������ȱ��ȱ���ȱ����ȱ¢��ȱ���ȱę����ȱ���ȱǻ���ȱ�����ȱ��Ǽȱ����ȱ�ȱ����ȱ������ȱ��ȱ¢���ȱ������ǯȱ

Happy Holidays!

ȱ ���Ȃ��ȱ������ȱ����ȱ ���ȱ���ȱŘŖŗŗȱ������ȱ¢���Ƿȱȱ����ȱ�����ȱ����ȱ�����ȱ ���ȱ��ȱ��ȱ������ȱ����ȱ���ǯǰȱ���ǯȱŗş��ǰȱ��ȱ���ǯǰȱ���ǯȱŞ��ǯȱ������ȱ�������ȱ��ȱ���ǯǰȱ���ǯȱş��ǯȱ���ȱ��¢ȱ������ȱ�������ȱ��ȱ ���ȱ��ȱ�ȱȃ�ȱ��¢ǯȄ

Freshman Final Reviews (Link Crew)

ȱ ������� ǰȱ�������¢ǰȱ���ǯȱŗŖ��ǰȱ����ȱ��� ȱ ���ȱ�������ȱę���ȱ����� ȱ��������ȱ��ȱ��������ȱ����ȱŞDZřŖȱ��ȱ��ȱŗŘDZřŖȱ��ǯȱ����ȱ���������ȱ��ȱ��Ƿ

VMHS Holiday Band Concert

ȱ �����ȱ��ȱ��ȱ���ȱ���ǯǯǯȱ��ȱ�����ȱ��ȱ���ǯȱŗŖ��ǰȱ��ȱ ���Ƿȱ��ȱ����ȱ��ȱ�Ĵ���ȱ����ȱ�������ǰȱ��ȱ������ȱ��ȱŝȱ��ǯ

VMHS Jazz Band Concert

���ȱ�ȱ����ȱ���ȱ����ȱ� ���ȱ�����ǵȱ���ȱ����ȱ��ȱ���ȱ���ȱ��ȱ������¢ǰȱ���ǯȱŗř��ǯȱ���ȱ�������ȱ������ȱ��ȱŝȱ��ǯ

Senior “Grad Ad” Final Deadline

ȱ ����Ȃ�ȱ�ȱȃ���ȱ��ǵȄȱ��Ȃ�ȱ�ȱ��Ĵ��ȱ�������ȱ��ȱ���ȱ¢�������ǰȱ���������ȱ��ȱ¢��ǰȱ���ȱ���¢ȱ¢��ǯȱ��ȱ��������ȱ���ǰȱ��ȱ���ȱ����ȱ�����������ǰȱ���ȱ��ǯȱ�������ȱ��ȱ�ŗŗŝȱ������ȱ���ǯǰȱ���ǯȱŗŚ��ǯ

VMHS Class of 2014 Prom Site Visits

ȱ �����ȱ ���ȱ�����ȱ��ȱ���ǯǰȱ���ǯȱŗş��ǯ

-Compiled by Cameron Tu

-The Vista View thanks Mr. Chambers for his service.

COMMEMORATED- ��ȱ���ȱ��������ȱ�����¢ȱ��������ȱ����ǰȱ��ȱ�����ȱ��ȱ��������ȱ ��ȱ������¢��ȱ��ȱ���ǯCourtesy of Butch Owens

Page 3: The Vista View: Volume IX, Issue II

NEWSDECEMBER 5, 2011

“Bright Lights, City Nights” homecoming enjoyed by all03

CASEY CONTRERASStaff Writer

This year’s Homecoming season comes to a close with “Bright Lights, City Nights.” With a budget ��ȱ��ȱ����������ȱǞŘśǰŖŖŖȱ���ȱ�ȱ �������ȱ�Ĵ�������ȱof nearly 1,500 students, this year’s Homecoming dance was surely an event to remember. All of the credit for the organization of this event goes to the Commissioners of Dance: Allison Vergara 12, Emily Olson, 11, and Geordyn Coker, 12, who spent almost two months planning. They started from choosing the theme to coordinating corsages with tuxes. These leaders know that organization is key. “I was really thrilled with the outcome! It was the biggest homecoming so far at VMHS and I liked the way we chose to set things up, it felt very spacious!” said Vergara. Planning an event that will serve an entire �������ȱ ���¢ȱ ��ȱ �ȱ ��Ĝ����ȱ ����ǰȱ ���ȱ ����ȱ ������ȱ ��ȱdone without careful planning. Especially when part ��ȱ�ȱ�����Ĵ��ǰȱ������ȱ���ȱ������ȱ�����������ȱ���ȱthese three easily overcame that. “We made sure to stay on top of things and organized, we made MANY to do lists and we made sure to communicate with one another regularly! Communication is key!” explained Vergara. Not only did they have to plan the school dance, but also the Homecoming football game half time show and court announcements. “The hardest part, well everything was stressful, but I would have to say the half time show �������ȱ �ȱ �����ȱ��ȱ����ȱ��ȱ��ě�����ȱ���ȱ�������ȱ���ȱ ��ȱ ��ȱ����ȱ ��ȱę����ȱ ���������ȱ���ȱ ����ȱ ���ȱwith the theme,” said Vergara. And special it was. The Homecoming Court King and Queen titles went to James Jesperson and Meghan Goulet. The Half Time show was a skit on New York gossip magazines and a parade of themed ���������ȱ Ě����ȱ ����ȱ ��� �����ȱ ���ȱ ��� ����ȱ

of sixteen court members. A lot of hard work and time went into creating the crowned royalty which is a moment that they could remember for the rest of their lives. Same can be said for any other student who �Ĵ�����ȱ ����ȱ ¢���Ȃ�ȱ ���������ȱ �����ǰȱ ��ȱ ����¢ȱwas a night to remember. With a ‘Make your own Video’, Cold Stone Creamery Ice Cream, Laser Tag, smoothies, and a DJ, the dance was packed with things to do. An overwhelming amount of things.

“I learned to not stress as much because if I take things one day at a time then everything will fall into place,” explained Vergara. The stresses of Homecoming are now behind and Winter Formal is approaching. Already in the process of being planned, this next dance is one of the last big awaited events of the year, apart from Graduation and Prom.

Photos by Casey Contreras

ȱ �������ȱ �����ǰȱ �ȱ �������¢ȱ ���ěȱmember, was given a surprise birthday party in the security �Ĝ��ȱ ��ȱ ���ǯȱ15 to show her how much the school misses her and how much everyone a p p r e c i a t e s the hard work she has put into keeping Vista Murrieta a safe campus. “She is missed so much by the security ���ěǯȱ ȱ ���ȱ ��ȱ �ȱvery close friend ���ȱ ���ę�����ȱto me personally and I love her to pieces,” said Melinda Howard, security member.

Aurelia Ellis, security staff member, given surprise party Ellis has worked in the Murrieta Valley district for over 15 ¢����ǯȱ �����ȱ ę���ȱ  �����ȱ ��ȱ ��������ȱValley High School and then at Vista

Murrieta the second year it opened. About a month ago, Ellis had to leave due to lung conditions that were irreversible. Doctors told her that she could not work anymore because she would need to carry oxygen all the time. ȱȱ �Ĝ���ȱ ����ȱAcda, campus ��������ȱ �Ĝ���ǰȱpicked Ellis up from her home and provided her a police escort to the party, which took

�����ȱ ���ȱ �������¢ȱ �Ĝ��ǯȱ

NATALIE HADWEHStaff Writer

“I was really thrilled

with the outcome! It was

the biggest homecoming

so far at VMHS [...]”

“She, of course, cried when she saw everyone here. They were tears of much joy. She misses our school and especially our students” said Howard. ȱȱ �ȱ ���ȱ ��ȱ ���ěȱ �������ȱ ���ȱold friends came to the birthday. This allowed them to catch up with each other. She appreciated everything that the school has done for her.

Ellis’ family members came as well. Her husband Tom Ellis �Ĵ�����ȱ ���ȱ��������ȱ���������ǰȱ���ȱDavid, and her three grandchildren. ����ȱ �������ȱ ����ȱ ��ě�����ȱ �������ȱcame to support, and surprise, Aurelia Ellis on her birthday. “It was an awesome day,” Howard said happily.

Photos by Natalie Hadweh

����ȱ�������Ȭȱ����ȱ��������ȱ���ȱ���ěȱ������������ȱ��ȱ���ȱ����¢ǯ

Page 4: The Vista View: Volume IX, Issue II

VIEWPOINT04%ORFNEXVWHU�EXVWHG�DQG�UXLQHG�E\�5HGER[��1HWÀL[

DECEMBER 9, 2011

CAMERON TU

Editor-in-Chief

No more than three years ago, in this very

publication, I wrote about Redbox. I praised its

����������ǰȱ ���ȱ ����������ǰȱ ���ȱ �Ĝ�����¢ǰȱ ���ȱ ���ȱoverall superiority to (then) commonplace video

rental stores, like Blockbuster and Hollywood

video. Almost all of the things that were true

then, remain true now. Redbox is innovative,

�����¢ǰȱ �Ĝ�����ǰȱ ���ȱ ��������ǯȱ �����¢ǰȱ ���ȱ ���¢ȱthing that’s changed is how I feel about Redbox.

Where praise and optimism once stood, remains

pessimism, chagrin, and, daresay I, anguish.

Redbox was at the forefront of the advent of

��¢������¢ȱ ��������ȱ�������ȯ����ȱ����������Ĵ��ȱ���ȱDVDs—being converted into purely digital media,

physically intangible. Sure, Redbox didn’t do quite

this; it merely set the stage for it. Redbox helped

to stream the entire movie rental process. It cut the

overhead dramatically. Where several thousand

square-feet of space, endless shelves, and plastic

“wasted” on printing movie box covers were once

��������ȱ�����ȱ�ȱ��Ĵ��ȱ�����ȱ������ȱ��ȱ��ȱ����ȱ����ȱŗŗȱ ������Ȭ����ǯȱ ���ȱ ��Ĵ��ȱ ��¡ȱ ���������ȱ ����¢�����ȱit needed inside,

��ȱ  ��ȱ �����ě��ǰȱand it ran 24/7.

In every way it

trampled, maimed,

and discarded the

“Achilles’ heel” of

movie rental stores.

How? Simply put,

it was cheaper.

This, in turn,

�������¢ȱ �ě�����ȱthe renters—lower

overhead meant

lower rental

costs. At $1/night

Redbox is undoubtedly cheaper than Blockbuster

ever was. But that might still not be a good thing.

ȱ ���ȱ�������ȱ����ę�ǰȱ��Ĵ���ȱ �����ȱ �����ǰȱ ��ȱ������ȱ�ȱ�����ȱ��ȱ����ȱ��ȱ���ȱ��ȱ��ȱ���ě��ǯȱ���ě��ȱ ���ȱcitizens of the town in which the store is located.

Does Redbox hire dozens of Broncos? No, and it

never will. It’s a kiosk, an un-manned one at that,

���ȱ��ȱ����ȱ���ȱ���¢ȱ����ȱ��ȱ������ȱ�ȱ���ěȱ�Ĵ������ȱto it is paradoxical. Sure, someone will be required to

��������ȱ���ȱȃę��Ȭ��Ȅȱ���ȱ�����¡ǰȱ���ȱ ���Ȃ�ȱ���ȱ����ȱtime you saw that happening? Personally, I have yet to

see it. Blockbuster, on the other hand, did hire Broncos.

ȱ �������ȱ �������ȱ Ě� ȱ  ���ȱ ���ȱ �����¡ȱsystem is that it is centered on a machine. A machine

will not provide customer service, assistance,

or anything else that its human-counterpart

can be expected to do. All it can be expected to

do is distribute and collect DVDs in the most

impersonal manner as possible, if it’s even working.

I’ve encountered more than my fair share of

rental troubles through Redbox and

Blockbuster. With Redbox, I’ve had

to deal with $1 being “stolen” from

me. I rent my movie, take it home,

put it into the Blu-Ray player and get

the “disc error” message. Now what

am I supposed to do? Complain to

an employee about a scratched disk?

I can’t, because there isn’t anyone

to complain face-to-face to. “1-800”

helplines are either never helpful

or open when

you need them.

I ’ v e

dealt with the

same problem at

Blockbuster. However, the “no play”

��������ȱ ��ȱ�� �¢�ȱę¡��ǯȱ���ȱ��ȱ����ȱwas a simple 5-minute drive back to

the store, asking to see the service

rep, and receiving a replacement.

This brings me to my next

argument, which borders on the

minutia. Redbox is impersonal.

Blockbuster wasn’t. Perhaps my

brightest memory of Blockbuster was going to the

store with my dad to pick up a movie. I’d enter the

store, and pass through the rotating circle-barrier

to be greeted by endless rows of shelves holding

hundreds, if not thousands of movies, surrounded

by larger-than-life movie posters, cutouts, and

themed wallpaper. Does Redbox have that? No. Will

Redbox ever give you the opportunity to hold, and

look, at the box of the movie you’re about to get? Will

��ȱ���� ȱ¢��ȱ��ȱ��ȱ��������ȱ��ȱ�ȱ�������ȱ��ȱę��ǵȱ����ȱit ever give you an un-needed movie poster, cutout,

or banner? The answer to all of those questions is,

simply, no. Redbox has no boxes (paradoxically),

no immersion (unless touchscreens excite you), and

no movie posters, cutouts, or banners to give you.

Blockbuster is gone, and I guess we’ll all have

to deal with that. The “Blockbuster” imposter that

has been left behind is no more than the orphan child

of the old bygone Blockbuster and dominant-in-this-

time Redbox. Blockbuster has so few physical locations

and has, in vain, been trying to distribute movies

�����ȱ ����ȱ ���ȱ ���Ě�¡ȱ ���ȱ �����¡ȱ ������ǯȱ �Ȃ��ȱseen a “Bluebox”,

���ȱ��ȱ ��ȱ�Ĵ���¢ȱdistasteful. I’ve

seen their online

d i s t r i b u t i o n

website and it, too,

was distasteful.

F o r

me the only

real, physically

t a n g i b l e ,

reminder of what

is now vanished

are two movies

posters, from Inception and X, that were given to us

by Blockbuster employees on their last day of work.

They hang above our Dell “Vista View” computers

as a reminder that maybe old isn’t bad. It, personally,

gives me hope that people will see that newspapers are

quickly becoming the “Blockbuster” of their industry.

�����ȱ�¢ȱ�����ȱ�������ǰȱĚ����ǯ���

�����������ǯ���ȬȬ�ǯ���

���������ǯę���ǯ ��������ǯ���

Up until a few years ago, sites

����ȱ ��ȱ ��������ȱ ���ȱ � �Ĵ��ǰȱ  ���ȱhardly existent and far less popular.

With the upcoming generation, these

social networks

have risen as

a main way of

communication

not only

b e t w e e n

teens, but

adults as well.

M a n y ,

like me, have

����ę���ȱ ����ȱthe global

usage of social

n e t w o r k i n g

sites, what

with family

overseas and expensive phone bills,

The rise of social networking could be a good, or bad, thingNIKKI CARTER

Viewpoint Editor�����ȱ ����ȱ ��ȱ ��������ǰȱ � �Ĵ��ǰȱ ���ȱMySpace have helped establish

constant communication where it

was before impossible. Should I wish

to share photos with my Auntie in

London, instant message my cousin

in the Philippines, or keep tabs on

the happenings of my favorite music

group, these

sites have

made all this

just one simple

click of the

mouse away.

Even teachers

have begun to

use these sites

as a way to

inform their

students of

ass ignments

and other

c l a s s r o o m

activities. Not

to mention, these internet hangout

spots have made it easier to ����ȱand

discuss with people one may not

have ever had

the opportunity

to do so with

o t h e r w i s e .

A m e n d m e n t s

have been made

for those who

ę��ȱ ����ȱ �����ȱinvasive, such

as the many

new privacy

options that are

now available to

ensure that your

information is

only viewable

to those one wishes to see it. In all

�����ǰȱ ��ȱ ���ȱ ę���ȱ �����ȱ �����ȱ ��ȱ ����ȱoverstretched their bounds, one

should simply not use them. It seems

that much of the hype of ��������ȱwith

social networking sites have been

“Social networks have risen as a main way of communication not only between teens, but adults as well.”

brought on by overly-dramatized

media, which seems to report the

tragic meeting

of a child and

kidnapper every

other week.

These fears are

no longer truly

�����ę��ǰȱ ��ȱmany internet

precautions have

been put in place.

If we can

properly use

these modern

tools, we can

easily create

new bonds

and establish

communication with the rest of the

world. With this comes the ability

to ����ȱ people from countries across

the world, learn new cultures, and

ę����¢ȱ  ���������ȱ ����������ȱ ��ȱ�����ȱ ��ě�����ȱ ����ȱ ���������ǯ

��������ǯ���

��������������ǯ���

Page 5: The Vista View: Volume IX, Issue II

VIEWPOINT 05DECEMBER 9, 2011

The untold story of the life of multi-cultural studentsNIKKI CARTER

Viewpoint Editor

It is common knowledge that California is a

�������ȱ���ȱ��ȱ��ě�����ȱ�����ǰȱ���ȱ����ȱ���ȱ������ȱ������ȱ����������¢ȱ����¢ȱ�������ȱ�����ȱ���ȱ���ǰȱ���ȱ�����ȱ��ȱ��ȱ�������ȱ�������DZȱ ���ȱ����¢ȱ��ȱ�����Ȭ������ȱ��������ǯȱȱ ��ȱ ��������ǰȱ  �ȱ ���������¢ȱ ����ȱ ����ȱ  �ȱ������ȱ ������ȱ ���ȱ ��ě�������ȱ ����ȱ ����ȱ ��ȱ  ��ȱ �ȱ ���ǯȱ ȱ �����ȱ ���������¢ȱ ������ǰȱ  �ȱ ����ȱ ����ȱ������ȱ ��ȱ �������ȱ ���ȱ ��������ǰȱ �� ����ȱ ����ȱ���ȱ ������ȱ �¡������¢ȱ ���������ȱ  ���ȱ ���ȱ ��ȱ���ȱ �������¢ȱ ����ȱ  ����ȱ �������ȱ ��ȱ �������¢ȱ  ���ǯȱȱ ȃ�ȱ��������ȱ������ȱ��ȱ ������ȱ�ȱ�������������ȱ����ȱ��ȱ����ȱ��Ȃ�ȱ����ȱ��ȱę��ȱ����Ȭ�������¢ǰȱ���ȱ���������ȱ���ȱ � �ȱ ��������ȱ �����ǰȄȱ ����ȱ ����£ȱ ������ǰȱ ŗŘǯ

���������¢ǰȱ �ȱ �����ȱ ��ȱ �¢����ȱ ��ȱ �ȱ ȃ���ę�ǰȄȱ��ȱ �ȱ  ��ȱ ������ȱ ��ȱ ��Ȭ��������ȱ ǻ��������Ȧ��������Ǽȱ�����ǰȱ ���ȱ ��ȱ ����ȱ ��¢ȱ �����ȱ ę��ȱ �������ȱ ��������ȱ �ȱ������ȱ ����������ǯȱ ȱ �����ȱ �Ȃ�ȱ ����������ȱ  ���ȱ���������ȱ ��ȱ ��ȱ ����ȱ �������ȱ ��ȱ ����ȱ ������¢ȱ�¢ȱ��¢������ȱ���ǯȱȱ������ȱ��ȱ������ȱ���ȱ��� ��ȱ��¢ȱ����ȱ���¢ǰȱ �ȱ ���������¢ȱ ę��ȱ �¢����ȱ ����������ǰȱ �������ȱ�ȱ ���Ȃ�ȱ �����ȱ �¢����ȱ ��ȱ �������ȱ ��¢ȱ ����ȱ ��ȱ �¢ȱ��������ǯȱȱ�ȱ������Ȃ�ȱ��¢ȱ����ȱ�¢ȱ ����ȱ�����ȱ�������ȱ��ȱ ���¢ȱ �������ǰȱ ��ȱ ����ȱ ��ȱ �¢ȱ ����������ȱ  ��ȱ��Ě������ȱ�¢ȱ��������ȱ�������ǰȱ ����ȱ�ȱ������Ȃ�ȱ����¢ȱ� ���ȱ  ����Ȭ�������ȱ ����������ȱ ��ȱ ���ȱ �����������ȱ������ǰȱ ��ȱ �ȱ  ��ȱ ����ȱ ���ȱ ������ȱ ��ȱ ���ȱ ������ǯȱȱ

�����ȱ ������ȱ ��ȱ �ȱ ����������ȱ ��ȱ �������ȱ���ȱ �������ȱ ����ȱ ��������ȱ ���ȱ ��������ȱ �������ȱ���������¢ȱ��������ȱ��ȱ��ȱ�ȱ�����ǯȱȱ����ȱ���ȱ��������ȱ������ȱ����ȱ��ȱę�����ȱ��ȱȃ����Ȅȱ��ȱ����ȱ���������ȱ����ȱ�ȱ�����ȱ����ȱ��ȱ�������ǰȱ�������ȱ�ȱ ��ȱ�������ȱ����¢ȱȃ�����Ȅȱ���ȱȃ���������ǯȄȱȱ���������¢ȱ��ȱ�ȱ����ȱ��ȱ��ȱ ����ȱ������ȱ ��ȱę��ȱ ��ǰȱ���ȱ ������ȱ ��ȱ�������ȱ��¢ȱ����ȱ��ȱ�¢ȱ�����¢ȱ����ǰȱ�ȱ�����ȱ�����ȱ�¢����ȱę�����ȱ��ȱȃ�����ǯȄȱȱ���ȱ���ȱ�������ȱ�¢ȱ�����������ǰȱ�������ȱę�����ȱ ��ȱ ����ȱ ������ȱ  ��ȱ ����ȱ ����ȱ ����������ȱ�¢����ȱ����ȱ���ȱ����ȱ��ȱ�¢ȱ�����ȱ ��ȱ���ȱ��ȱ�����ȱ ���ȱ �������ȱ �¡����¢ȱ  ��ȱ ���¢ȱ  ���ǯȱ ȱ ����������ȱ��ȱ ������ȱ ����ȱ ��ȱ �ȱ  ����ǰȱ �ȱ  ��ȱ ���������¢ȱ���������ȱ  ���ȱ ���ȱ ����Ȭ������ȱ ��������ȱ �¢ȱ�¢ȱ�����ǰȱȃ����ȱ���ȱ¢��ǵȄȱ ȱ������ȱ������¢ȱ�����ȱ ������ȱ���ȱ����������ǰȱ����ȱ��������ȱ���¢ȱ������ȱ��ȱ�������ȱ��������ȱ��ȱ����ȱ���ȱ����ȱ��ȱ�¢ȱ����������ǯȱȱ �������ȱ ���ȱ �Ȃ��ȱ ����ȱ ��ȱ ���ǰȱ �����ȱ�����Ȭ������ȱ ��ȱ ���ȱ ����ȱ���������¢ȱ��������ǯȱ ȱ ��ȱ ����ǰȱ �Ȃ��ȱ

�����ȱ ����ȱ �����ȱ �ȱ ��¡��Ȭ����ȱ �������ȱ ���ȱ ��ȱ �ȱ�������ȱ��ȱ������ǯȱ ȱ�¢ȱ����ǰȱ�ȱ����ȱ����ȱ�����ȱ�������ȱ�������ȱ�ȱ������¢ȱ��ȱ��������ȱ��ȱ����ǰȱ���ȱ��ȱ������ǰȱ���ȱ������ȱ��ȱ����ȱ�����ǯȱȱ�����ȱ�¢ȱ�������ȱ��������ȱ ���ȱ�������¢ǰȱ�ȱ�����ȱ����ȱ�ȱ�����ȱ������ȱ�¢ȱ� �ȱ�������ȱ���ȱ ����ȱ �¢ȱ � �ȱ �����������ȱ �¢ȱ �������������ȱ����ȱ���ȱ������ȱ ����ȱ���ȱ��ě�����ȱ �����ȱ���ȱ �����ȱ �ȱ ��ȱ ������ȱ ��ȱ��� ǯȱ ȱ�¢ȱ ������ȱ ����ȱ�ȱ����ȱ ����ȱ��������ȱ��������ȱ ��������ȱ �ȱ ��ȱ ��� �ȱ ���ȱ����ȱ ��ȱ����ȱ ����DZȱ ���ȱ �������ȱ��ȱ�������ȱ ���ȱ ���ȱ�����ȱ��ȱ ���ȱ �����������ǯȱ ȱ ��ȱ  ���ȱ �����ȱ ������ǰȱ �ȱ ����ȱ ��ȱ����ȱ  ���ȱ �������Ȃ�ȱ �������ȱ ��ȱ ������ǰȱ �������ȱ��ȱ������ǰȱ���ȱ�������ȱ��ȱ��ȱ�¡����¢ȱ ���ȱ�ȱ �����ȱ��ȱ��ǰȱ ����ȱ�ȱ����ȱ�����ȱ�����ȱ��ȱ�¢ȱ��������ȱ�����ǯȱȱȱȱ

ȃ������ȱ ��ȱ �ȱ �������������ȱ �����ȱ ���� �ȱ¢��ȱ ��ȱ �����ȱ �����ȱ ���ȱ ����������ǰȱ ��������ǰȱ������������ȱ ��ȱ �����ȱ ������ȱ �������ȱ ¢���ȱ���������ȱ ����ǯȱ ��ȱ ���� �ȱ ���ȱ ��ȱ ����ȱ����ȱ ���ȱ��ȱ ���������ȱ �Ĵ�����ȱ �� ����ȱ �����ȱ �������ǯȱ ���ȱ�����ȱ �����ȱ �����ȱ �����ȱ ��ȱ ������ȱ ���ȱ ����ǰȱ ¢���ȱ ����ȱ ���ȱ ��ȱ �����ȱ ��ȱ ��ǰȄȱ ����ȱ���������ȱ �����ǰȱ ŗŘǯ

��ȱ �ȱ ���ȱ ����ǰȱ �����ȱ�����Ȭ��������ȱ ��ȱ ����ȱ�������ȱ� �ȱ��ě�����ȱ�����ǯȱȱ�¢ȱ����ǰȱ�ȱ����ȱ����ȱ���ȱ�����ȱ ���ę��ȱ �ȱ �������ȱ �������ȱ ��ȱ ����ǰȱ �������ȱ �¢ȱ

��������ȱ�������ȱ��������ȱ��ȱ��������ȱ�ȱ�������ȱ �¢ǰȱ���ȱ����ȱ�ȱ��ě�����ȱ�������ȱ��ȱ������ǯȱȱ���������¢ǰȱ��ȱ����ȱ�ȱ��¢ȱ��ȱ�����ȱ��ȱ����ȱ�������ȱ��ȱ�ȱ�������¢ȱ���ȱand dream of a day where I can go to the place where

�¢ȱ���ȱ�����ȱ����ǰȱ ����ȱ��ȱ������ȱ�ȱ�����ȱ�����ȱ���ȱ����ȱ������ȱ���ȱ������ȱ��ȱ����������ȱ���ȱ ���ȱ����ȱ��ȱ��������ȱ���ȱ����ȱ�������ȱ �����ȱ�ȱ���ǯȱ ȱ�������ȱ��ȱ������ȱ����ȱ��ȱ ��ȱ����ȱ����ȱ��ě�����ȱ��������ȱ���ȱ����ȱ����ȱ��ě�����ȱ��� �ȱ��ȱ���ȱ ����ǰȱ�������ȱ���ȱ������ȱ�ȱ����ȱ�������¢ȱ���ȱ���������¢ȱ�������ȱ������ǰȱ����ȱ ��ȱ �� ȱ �����ȱ ���ȱ�� ȱ�������������ȱ ��ȱ �����ȱ���ȱ ����ǰȱ�������ȱ���ȱ����ȱ���������ȱ����ȱ��������ȱ��ǯȱȱ

ȃ�ȱ �����ȱ �����ȱ �����ȱ �����ȱ �������������ȱ��ȱ ��ȱ ������������ȱ ���ȱ � �ȱ ��������ǯȱ ��Ȃ�ȱ ������ȱ����ȱ ������ȱ � �ȱ ��������ȱ �����ǰȱ �����ȱ �����ȱ ��ȱ����ȱ ���ȱ ��������ȱ �������ǰȄȱ ����£ȱ ������ǰȱ ŗŘǯȱ

������ȱ �����ȱ �����������ȱ ��¢ȱ ����ȱ ��ȱ�������¢ȱ ���������ǰȱ �����ȱ ��ȱ �ȱ ��� ǰȱ ����¢���ȱ���������¢ȱ �����ȱ ��ȱ ���ȱ ����ȱ����������DZȱ ��Ȃ�ȱ�����ȱ��ȱ ��ȱ ��ě�����ȱ ���ȱ ��Ȃ�ȱ �����ȱ ��ȱ ����ȱ ���Ȃ�ȱ � �ȱ�����������ȱ ���ȱ ����������ǯȱ ȱ ��ȱ ���ȱ  ����ǰȱ ��ȱ ���ȱ������¢ǰȱ ���ȱ ��ȱ ���ȱ ������ǰȱ �������������ȱ ��������ȱ���ȱ �������ȱ ������ȱ ��� �ȱ ��ȱ ����ȱ ���ǰȱ ���������ǰȱ��������ȱ���ȱ �¢ȱ������ȱ��������ȱ ���ȱ���ȱ�������ǯ

ȱ ��ȱ ����ȱ ����������ǰȱ ��¡����ȱis taking over as the predominant

�����ȱ ��ȱ �������������ǯȱ ��������ȱ���ȱ ��������ȱ ��ȱ ���ȱ ��¡����ȱ ��ȱ �����ȱadvantage as a convenient and

����������ȱ������ȱ ��ȱ �������������ȱ��� ���ȱ ��������ȱ ���ȱ �������ǯȱ ��������ȱ��ȱ�����ǰȱ�����¢ȱ����ȱ���ȱ ����ȱ ���ȱ �������ȱ �����������ǰȱ����ȱ ��������ȱ ���ȱ ��ȱ  ����ȱ ���¢ȱ���ȱ ����ȱ ���ȱ ��¡�ȱ ���������ȱ ��ȱ �����ȱ�����ǯȱ ����ȱ ��ȱ �����ȱ ��������ȱ �������ȱ���ȱ ���¢��ǰȱ ����ȱ �����������ǰȱ��ȱ ���£ǰȱ ���ȱ ���ȱ ��������ǯȱ ���¢��ǰȱ �������ȱ �������ȱ���ȱ ����ȱ ��� ȱ �������ǰȱ ��ȱ ��ȱ ��ȱ����ȱ  ���ȱ ���ȱ ����������ȱ ��ȱ ������Ȭȱ�������ȱ �������������ȱ ���ȱ ��¡�ǯȱ ���ȱ���ǰȱ ���ȱ ����ȱ �������ȱ ��ȱ ��ȱ ȃ������ȱ��������Ȅȱ �������ȱ ��ȱ ��ȱ �����ȱ  ����ȱ

��������ȱ ���ȱ ������Ȃ�ȱ ������ǯ�����ȱ ��ȱ ���ȱ �����������ȱ

����ȱ �������ǰȱ ���¢��ȱ ���ȱ �������ȱ�ȱ ����ȱ �����������ȱ ��ȱ ���ȱ �������ȱ�������ǯȱ ��� ���ȱ ����������ȱ���ȱ ����ȱ ��ȱ �¢ȱ ŞśȬşŖȱ �������ǰȱ ���ȱ������ȱ ����ȱ ��������ȱ �������ǯȱ ���¢��ȱ�����ȱ��¡��ȱ ��ȱ ������ȱparents when their child misses or

fails a practice

����ǯȱ �ȱ ����ȱ�����ȱ ���ȱ��¡��ȱ ��ȱ �����¢ȱ��������ȱ ���ȱparents of a

����ǰȱ�����ȱ��¢�ȱ��ȱ �������ǯ

ȃ � � � � � � � �ȱdon’t love

��ǰȱ ���ȱ ���¢ȱknow it’s good

���ȱ ����ǰȄȱ����ȱ ���¢��ȱr e g a r d i n g

���ȱ ��¡����ȱ� � � � � � � ǯ H e

����ȱ �����ȱ��¡�ǰȱ  ����ȱis similar

��ȱ �Ȭ����ǰȱ ����ȱ ����ȱ ����������ǯȱ�ȱ ��¢�ȱ ��ȱ ��ȱ ȃ������ǰȱ ����ȱ��������ǰȱ ���ȱ ����ȱ �������¢ǯȄ

Texting improves “link” between teachers and students

SAM GOATS

Staff Writer

ȱ ���¢��ȱ �����ȱ ���ȱ �������ȱlast year with his Link Crew

�������ȱ ���ȱ ��������ȱ ����ȱ ��ȱ ���ȱȃ�������ȱ ���ȱ �������ȱ ��������¢Ȅȱ�¢ȱ ���������ȱ �������������ǯ Another teacher who is

���������ȱ��ȱ���ȱ��¡����ȱ��ȱ�ȱ�����ȱ��ȱ�������������ȱ ��ȱ ���ǯȱ �����������ȱ ���ȱ���ȱ�������ȱ�������ǰȱ ��ȱ ���ǯȱ���ȱ

����ȱ �ȱ �����ę�ȱprogram that

���ȱ ������ȱ ��ȱfrom Nicholas

������ȱ ȃ��¡�ȱ� � � � � ǯ Ȅȱ�����������ȱis still deciding

�� ȱ �¡����¢ȱ���ȱ  ���ȱ ���ȱ���ȱ �������ǯȱ���ȱ �������ȱ ��ȱ���ȱ ���ȱ ��¡��ȱto inform

��������ȱ �����ȱto tests and

 ���ȱ ��ȱ �����ȱ ������� � � ǯȱȱ���ȱ ��¢ȱ ����ȱ����ȱ ���ȱreminders for

h o m e w o r k

���ȱ �����ǯȱ �����������ȱ ����ȱ �����ȱ ��ȱ�������ȱ��¡��ȱ��ȱ����ȱ�������ȱ��������ȱ

��ȱ ���ǰȱ��ȱ����ȱ���¢ȱ���ȱ�������ȱ�����ȱ�����Ȃ�ȱ �������������¢ȱ ���ȱ ��������ǯȱ ������ȱ ���ȱ ������ȱ ��¡����ȱ��ȱ �ȱ ȃ�����ȱ ����Ȅȱ ���ȱ �������������ǰȱ���ȱ ����ȱ ������ȱ ��ȱ �ȱ �����ȱ����������ȱ ���������ȱ ���ȱ Ě� �ǯȱ ���������¢ȱ ��¡����ȱ ���������ȱ��ȱ ��������ȱ ȃ��������ȱ ���ȱ ������ȱ�������������¢ȱ ���ȱ ����������ȱ ���ȱ���Ȃ�ȱ  ���ǰȄȱ �����������ȱ ����ǯȱ �������ȱ ��ȱ ��������ȱhaving to keep track of what their

homework is or when tests dates

���ǰȱ ���ȱ ��¡�ȱ ���������ȱ ���� ȱ ����ȱ��ȱ ����������¢ȱ ���ȱ  ���¢ȱ �����ȱ ����ǯȱȱ ����ȱ �����ȱ ȃ����ȱ ����ȱǽ��������Ǿȱ ��£¢ǰȱ �������ȱ ���¢ȱ���Ȃ�ȱ ����ȱ ��ȱ ��������ǯȱ ���¢Ȃ��ȱ����ȱ ���ȱ ���ȱ �¡����ȱ ��ȱ ȁ��ȱ ��ǯȱ ȱ ���ȱ ��¡�ȱ ��ȱ ���ȱ �¢ȱ �����������ǰȂȄȱ�����������ȱ �������ȱ ���ǯȱ ������ȱ �����ǰȱ ŗŘǰȱ �ȱ �������ȱ��ȱ ���£Ȃ�ȱ ������ȱ �����ȱ ����ȱ ȃ�ȱ����ȱ ��Ƿȱ ��ȱ �����ȱ ��ȱ ��������ȱ ���ȱ�����������ȱ ���ȱ  ���ȱ ���¢ȱ ���ȱ ���ǰȱ ����ȱ ��ȱ �����¢ȱ �������ȱ ���������¢ȱ�����ȱ �ȱ ����ȱ �ȱ ���ȱ ��ȱ ����ȱ �������ǯȄȱ ��¡����ȱ ��ȱ ����������ȱ �������ȱ��ȱ ��ȱ ������ȱ ���ȱ ���������¢ȱ ����ǯȱ��ȱ �����ȱ ����ȱ ��ȱ �������������ȱ��� ���ȱ ��������ǰȱ �������ǰȱ ���ȱ��������ǯȱ � ����ǰȱ ��ȱ ������ȱ ���ȱ ��ȱ������ȱ��ȱ�¢ȱ ��������ȱ ��ȱ ��ȱ ���¢ȱ �¢ȱ���ȱ ��ȱ �������ȱ ��ȱ  ���ȱ �����ȱ �������ǯ

glamour.com

news.byu.edu

onlineacademics.org

“Texting is convenient because it is faster and frequently used.”

Page 6: The Vista View: Volume IX, Issue II

SPORTS06

DECEMBER 9, 2011

FRANK CUCCIASports Editor

The question on everyone’s mind: “Did the boys varsity water polo team sink beneath the surface tension or swim against the current to success?” For ���ȱ ���¢ȱ ����ȱ ���ȱ  ��������ǰȱ ���ȱ ��¢�ȱ ��ę�����¢ȱ� ��ȱ ��ȱ ������¢ȱ ����ȱ ������ǰȱ ��������ȱ �ȱ ę���ȱ ����ȱleague championship title for Vista. Although their time may be up for the season, it’s never a bad time to recap on some great achievements that the boys earned in their time this year. There was nothing short of heart and determination in every water polo game this season ����ȱ ����ȱ �����ȱ ��ȱ ���ȱ ����ǯȱ ��ȱ ��Ĵ��ȱ  ��ȱ ���ȱBroncos played, they were met with courageous ¢����ȱ���ȱ ����ȱ �������ȱ ��ȱ ������ȱ �ȱ ����ȱ ��ȱ��Ĵ��ȱwhat. For example, the Broncos made school history by snatching a CIF League Championship title from the exceptionally talented Chaparral Pumas. Also, when the Broncos played against the Lake Elsinore ������ǰȱ���ȱę���ȱ�����ȱ��¢ȱ����ȱ����ȱ��ȱŗŗȬŜȱ������¢ȱfor the Broncos, but the Tigers never backed down. The entire game had been a torrent of willful desire from both sides, and each team had earned the respect of the other when the game had ended. This twenty ����ȱ ������ȱ �����ȱ ��������¢ǰȱ ���ȱ  ���ȱ ��ě�����ȱvictors; sometimes the Broncos, sometimes another team. However, the Broncos won far more than they ����ȱ����ȱ������ȱ ���ȱ�ȱ�����ȱ�����ȱ��ȱ�ȱŗŚȬŜȱ������ǯȱ�������ȱ�����ǰȱŗŗǰȱ����ȱ���ȱ��������ȱ��������ȱ�����ȱthis season on the team. “I was taking names each game,” Moore ����ǯȱȃ���ȱ����ȱ ��ȱ����ȱ�������ȱ�����DZȱ��Ȭ ������ȱall season. Overall, I had a great time this year.”It certainly felt that way for everyone on the team ��ȱ ���ǯȱ ����¢���ȱ �����ȱ ��ȱ ��¢ȱ �ȱ ��Ĵ��ȱ ���������ȱabout their season and each other because of how close the team is to each member. It’s not often that �����ȱę���ȱ�ȱ����ȱ ���ȱ����ȱ�����������ȱ����������ȱand closeness; this was an important asset to the

Boys Polo celebrates end of season with a splash

Varsity wrestler Vandrick Cruz, 11, has high hopes for future

team’s performance this season and displays the importance of friendship for all to see. Alex Caraway, ŗŘǰȱ �����ȱ��ȱ���������ȱ�����ȱ���ȱ������������ȱ��ȱ�ȱgoalie for the team.

ȱ ȃ�Ȃ��ȱ����ȱ���Ĵ¢ȱ ���ȱ ����ȱ¢���ȱ���ȱ ��ȱ���ȱeveryone on the team,” Caraway stated. The members of the team have proven to be an impressive bunch, not just because of their skill ���ȱ�������������ǰȱ ���ȱ �������ȱ ��ȱ �����ȱ �Ĵ�����ȱ ��ȱand out of the pool. After each game, the team would get up and treat the other team with the utmost respect, never once turning around to badmouth �����ȱ ����ȱ �ě����ǰȱ ���ǰȱ �������ǰȱ ��������ȱ ����ȱ ��ȱthe positives of their performance that day. Colin ������ǰȱ ŗŗǰȱ ��������ȱ ��ȱ ���ȱ ���ȱ ��������ȱ �Ĵ�����ȱthat made him a key player on the team. “From what [Caraway] had said, I was a dominant set player this season, but it was, really, ����ȱ��ȱ�ȱ����ȱ�ě���ǰȄȱ������ǰȱ����ǯ Obviously, good nature and skill emanate from each member of the boys varsity water polo team and each member treats another with equal �������ȱ ���ȱ ��������ǯȱ ���ȱ ��������ȱ �ě����ȱ ��ȱ ����ȱ����ȱ���ȱ ������ȱ �ȱ ŗŚȬŜȱ ������ȱ ��ȱ ������ȱ �ȱ ������¢ȱfor them and despite the waning season, let us never ������ȱ���ȱ����ȱ�ě����ȱ��ȱ���ȱ� ������ȱ�������ǯ

“The entire game had been a torrent of will-full desire from both

sides.”

Courtesy of Keith GoodVICTORY- The boys varsity water polo team, along with their coach Dan Hipp, participate in the VMHS alma mater in celebration of their victory.

Courtesy of Keith Good

FRANK CUCCIASports Editor

Everyone has rooted for a favorite team, but have you ever taken the time to get to know the individuals that make up the team? If not, then here’s your chance, because it’s time to meet an important member of the boys varsity wrestling team, Vandrick Cruz. Cruz has high hopes for himself this season. Making his debut last year on varsity wrestling, ��ȱ �����ȱ ��ȱ ��ȱ ���ȱ ��ȱ ���ȱ ę����ȱ ����ȱ ¢���ǯȱ ������ȱwrestling may be a winter sport, Cruz has taken the extra time to improve on what he has learned in varsity wrestling as well as keeping his grades up in order to meet his 3.5 GPA requirement and to play for the team and maybe earn a patch or two for his ��Ĵ�����Ȃ�ȱ ������ȱ ��ȱ ���ȱ �������ǯȱ ���£ȱ ��������ȱ ��ȱhis fellow team members and thinks that they will �������ȱ�¡����������¢ȱ ���ȱ��ȱ���ȱę����ȱ����ȱ¢���ǯ

“I have a really good feeling that we can ����ȱ��ȱ��ȱ�ȱ����ȱ��ȱ���ȱ����ȱ¢���ǰȄȱ����ȱ���£ǰȱŗŗǯ Right now, wrestling has been on Cruz’s mind as he tries to improve on his weaknesses in order to beat those tough schools out there. Cruz realizes that Murrieta Valley and Great Oak will prove challenging to him and his team, but he is also

positive that the team has grown to where they can overcome these formidable wrestling forces. Cruz has also made another realization: there are two important hindrances that he must defeat to meet his many goals. “I need to improve my mental toughness, ����ǰȱ ���ȱ�Ĵ�����ȱ�ȱ�����ȱ���ȱ����ȱ ���ǯȱ�ȱ����ȱ����ȱ��ȱimprove my overall technique,” Cruz stated. The funny thing is, though, that wrestling  ��ȱ ���ȱ ���£Ȃ�ȱ ę���ȱ ������ȱ ��ȱ �ȱ  �����ȱ �����ǯȱ�Ĵ�������ȱ��ȱ����ȱ���ȱ����������ȱ����ȱ���ȱ��������ȱyear, he was turned down despite his natural ability. Thankfully, Cruz turned to wrestling and fostered a great respect and love for the sport, and is glad ����ȱ���ȱ�������ȱ��ȱ����������ȱ��¢����ȱ����ę���ȱ���ȱregardless of whether he made it or not.ȱ ȃ��ȱ�ȱ����ȱ���ȱ����������ȱ����ȱę���ǰȱ�ȱ ����Ȃ��ȱnever learned about wrestling and would’ve given up something that is very important to me today,” Cruz stated. Cruz has set many achievable goals that he is certain that he and the team will achieve with some good old blood, sweat, and tears. However, he is also aware of the impending dangers from other local schools, his mental performance, and his technique, all of which will help properly motivate Cruz to work harder than he already has. If Cruz can overcome these important obstacles, then the only thing to worry about is how far the team will go this winter season.

“Wrestling has been on Cruz’s mind and he tries to improve on his weaknessess to beat those tough schools

out there.”

broncopix.com

Page 7: The Vista View: Volume IX, Issue II

SPORTS 07

DECEMBER 9, 2011

FARID GANIMEStaff Writer

Girls varsity golf had a great season

The girls varsity golf team went undefeated in the season and were crowned champions of the division. The varsity golf team accomplished their personal goal of defeating long-time rival Great Oak. This year, the golf team went 10-0 and did not have to share the title of League Champion with Great Oak, as they had to last year. “The girls worked so hard and

I’m happy they get the outright league champion banner,” assistant coach and science teacher, Michael Chiarella, c o m m e n t e d . This season  ��ȱ ���ȱ ę���ȱ ����ȱin Vista Girls varsity golf history that the team got

their own banner in the gymnasium. This championship was a proud advancement over last year where Vista tied for champion with the Greak Oak

It is one of the most popular sports in the world; one of the greatest sports of its season. It is approaching fast and invokes great excitement in all of us. What is the sports name? One we all know and love: basketball. ȱ ����ȱ��ȱ��ę�����¢ȱ�ȱ�����ȱ ����ȱwaiting for. The satisfying sound of a swished shot from the three-point line for the win could get anyone up and on their way to watch the Broncos in ����ȱ��ȱ �����ȱę����ȱ������������ȱ¢��ǯȱThis same sensation also has the coach and some of the players excited as well. Andy Rucker, the head coach of boys basketball, feels that the boys will be performing at an optimal level this season because of the overall structure of the team. Rucker also shed some light on his reasons to believe why the boys will be exceptional. “We’ve got six seniors and the team’s performance level is further along than last year,” Rucker said. “All of these factors bid well for us this season.” This is an impressive stroke of

Allison Turner , 11, spends a lot of her free time in the water. She is an active participant on both the varsity swim team and the water polo team. “I’ve been on VMHS Varsity Swimming since freshman year. I took it up because at the time I had been in club swimming for about two years at an awesome club called M.E.S.A. Aquatics and I was eager to start school swim. I also play water polo which I �������ȱ�¢ȱę���ȱ����ȱ����ȱ���¢���ȱ��ȱ��ȱsophomore year last fall, and this year I have been practicing with the varsity team.” Turner stated. She explained that M.E.S.A. Aquatics and Vista’s swim team aren’t ����ȱ ��ě�����ǯȱ ����ȱ  ���ȱ �������ȱ ���ȱdemanded much from the swimmers in a way that motivated them to get ��Ĵ��ȱ�����ǯȱ���ȱ��������ȱ����ȱ���ȱ����ȱand that each have taught ���ȱ ��ȱ ��ě�����ȱways. Neither is ��Ĵ��ȱ ����ȱ ���ȱother and she wouldn’t want to have to give up one for the other. Turner started Water Polo �Ğ��ȱ �������������ȱ �¢ȱ ���ȱ ��ȱ ���ȱfriends. Her goal this year for water polo is to become a varsity starter. For swim, her goal is to bring down her ����ȱ����ȱ���ȱ���ȱęĞ¢ȱ�����ȱ����ȱ������ȱfrom last season by two seconds. Her competitive spirit is what motivates her to push herself towards her goal. “My favorite thing about Water Polo is the team aspect of the sport and the bonds that you form with your friends on the team, as well as its competitiveness. For swim, I like the fact that it is an individual sport that only you can push yourself

in, and see the results of your on hard work manifest within your dropped times,” Turner explained. The bonds

in water polo, she believes, are much more close-knit than those made on the swim team. The team aspect of water polo led to the establishment of a core �����ȱ��ȱ �������ǰȱ ���������¢ȱ��ȱ ���ȱ ��ȱteam. Their ability to work cohesively and the varying personalities is what she believes drew them together. While in swim, the sport is much more individual, she explained, and you rely on yourself more than anyone. “I’m a really diligent person, and I just try to do my best in everything to make it worthwhile.” Turner said.

FRANK CUCCIASports Editor

KERRIE-ANN BEKEStaff Writer

A positive outlook for boys basketball

team. Achieving victory this season the way they did was not an easy task in the slightest. The varsity golf team really had to show up ready and play as hard as they could. “I played well through season as I awaited CIF. Today,  �ȱ ���ȱ ���ȱ ę���ȱround in Southern Section Team CIF and I was a medalist with a 2 under par, 70, total. My lowest 9-hole score is a 34 for this season,” said Carolane Gariepy, 11. This year the entire golf team

luck for Rucker since it is his second ¢���ȱ ��ȱ ��������ȱ ����������ȱ �Ğ��ȱKurt Ruth, the former head coach of boys basketball team, passed on the team to Rucker. He accepted his new role gladly and hopes to lead the boys on to many great victories during their high school years. Since Rucker has assumed control of the team, they have accepted him as the new head coach of boys basketball and has earned the respect of all involved. Cody Pham, 11, �����ę��ȱ ��ȱ ����ȱ ��ę����ȱ ����ȱ ����ȱ ���ȱhead coach’s assistant point-of-view. “Despite who was in charge, the guys have been playing great for all four years that everyone has been involved in basketball,” Pham stated. Rucker seems to think so, too. He trusts the many players that will be returning from tryouts and also believes that he has the necessary

Allison Turner, 11, deeply ded-icated to varsi-ty swim team

played above the bar set by last year’s team. Gariepy got a medal in CIF this season and it is possible that she will be the senior captain of the team next year.

Also Texie Petchal , 9, will motivate the underclassmen into following the same victorious paths as this year’s upperclassmen. The team is also on the path to repeating their championship next year.

“It was a great season. The girls worked very hard and the future looks bright” Chiarella said.

“It was a great season. The girls worked very hard and the future

looks bright.”

requirements to take on the crosstown rivals of the valley: Murrieta Valley and Great Oak. Rucker believes that ���ȱ��¢�ȱ���ȱ���ȱ��Ĵ��ȱ������ȱ��ȱ����ȱ��ȱthese teams than ever before because of their natural abilities and excellent coaching. “Murrieta Valley has a �����������¢ȱ����ȱ����ȱ��ȱ��Ĵ��ȱ ���ȱyear, Rucker said. “Great Oak and Temecula [Valley] are no pushovers, either.” Overall, the boys’ basketball team should give us quite a thrill this year because of the natural talent that Rucker has deemed suitable to play on ���ȱ ����ȱ ���ȱ ���ȱ ���ȱ �������ȱ �Ĵ�����ȱthat is displayed by each member as well. Look forward to fantastic performances by the boys and witness ���ȱ ��������ȱ �ě����ȱ ��ȱ �����ȱ ������ȱas the team takes it to the court this winter season.

“We’ve got six seniors and the team’s performance level is further along than

last year.”

“The boys’ basket-ball team should give us quite a

thrill this year.”

blogs.courier-journal.com

Photos by Bob Cape, broncopix.com

“My favorite thing about Water Polo is the team as-pect of the sport and the bonds that you form [...]”

“I’m a really diligent person, and I just try to do my best [...]”

“I like that it’s [a sport] you can push your-

self in.”

Page 8: The Vista View: Volume IX, Issue II
Page 9: The Vista View: Volume IX, Issue II
Page 10: The Vista View: Volume IX, Issue II

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Page 11: The Vista View: Volume IX, Issue II

LIFEDECEMBER 9, 2011

ALEJANDRA FUENTES

Staff Writer

11

When Irenz Afable, 12 is not

doing AP homework or busy practicing

for upcoming track

���ȱ ę���ȱ ������ǰȱ ��ȱ ����¢�ȱ  ������ȱstories in his free time.

“I only write in my spare time,

or when I’m bored,” he stated.

Like most writers Afable is an

����ȱ������ǰȱ���������¢ȱ�����ȱ��������ȱand taking in new forms of literature.

ȱ ȃ�ȱ �������¢ȱ ����ȱ ���ȱ ����������ȱby the works of the Grimm Brothers,”

Afable said, “so I like suspense and

mystery.”

Afable is currently writing his

own series called, “Tale’s Misfortune,”

������ȱ���¢ȱ�Ȭ������ȱ��ȱ��ȱ�ȱ�� ȱ������ȱ��ȱ ���ȱ ������¢ȱ ��Ĵ��ȱ ��������ȱ ����ȱhis peers.

“I asked myself: What if I took

urban legends and turned them into

�¢ȱ � �ǵȱ ���ȱ ��ȱ ���ȱ ��Ȃ�ȱ ����ȱ ���¢ȱsuccessful.”

Using these urban legends,

Afable can create many characters for

his series that catch interest of many

�������ȱ �������ȱ ��ȱ ���ȱ ����������ȱqualities the legends bring.

“The Slender Man, is a dark

�����¢ȱ ę����ȱ �����ȱ ��¡ȱ ����ȱ ����ȱ ���ȱwears a black suit and stalks people,”

������ȱ �¡�������ǯȱ ȃ�ȱ ������������ȱ ���ȱcreepiness of being alone, and after I

wrote it I got paranoid at night.”

ȱ ȱ������Ȃ�ȱ�������ȱ���ȱ���¢ȱ�����ȱtales, usually only taking up to one to

two pages.

“I get bored easily, so that

means if a story gets too long, I tend to

����ȱ���ȱ�����ȱę����ǯȄ Afable tells how his writing

will mainly stay as a hobby in the

future, but he will still continue writing

his series.

“I doubt I would publish

anything,” Afable says. “But who

knows?”

When Afable is not writing he

also spends time outside. He is also

��������ȱ �����ȱ �����Ĵ���ȱ ������ȱ ��ȱthis newspaper publication.

Club Mainstream has been

an organized club on campus for four

years; it was founded by Veronica

Gallegos, a former VMHS teacher, in

the year of 2007 with the purpose of

helping the “Kids of E41” –a program

���������ȱ ��ȱ �Ĵ���ȱ ���ȱ �����������ȱ ��ȱchildren and teenagers with physical

���Ȧ��ȱ ������ȱ ������������ȱ ����ȱ ���¢ȱfrom Down syndrome to autism.

“[This club] helps people

understand that there are other kids

 ���ȱ ��ě�����ȱ ������ȱ ���ȱ ���������ȱ ����ȱ����ȱǽ������Ǿȱ��ȱ�����ȱ��ȱ�������ȱ����Ȃ�ȱlife. It helps the “Kids of E41” to work

on their social skills as well, [because]

���ȱ�������¢ȱ��ȱ�����ȱ����ȱ���Ȃ�ȱ��� ȱ�� ȱ��ȱ������ȱ��ȱ�ȱ �¢ȱ����ȱ��ȱ�������¢ȱ����������ǰȄȱ ��ěȱ ��¢���ǰȱ ���������Ȃ�ȱ�������ǰȱ ���ȱ �������ȱ ��ȱ ���ȱ �������ȱEducation class, stated.

Voyles has been created a space

���ȱ�����ȱ����ȱ��ȱ����ȱ���ȱ����������¢ȱto build a social

life, for they are

able to interact

with general

students from

campus.

General

student body

m e m b e r s

���������ȱ��ȱ����ȱand interact with

these kids and build their own skills of

responsibility and leadership.

����ȱ ��ȱ �¡�����ȱ ��ȱ ����ȱ ��ȱPaolo Amog, who goes to Voyle’s class

to spend time with the “Kids of E41”

CARALINA LAWLESS

Staff Writer

School is hard enough on

���ȱ � �ǰȱ ���ȱ ��������ȱ  ���ȱ �¡���Ȭcurriculars, it’s a wonder any stuȬdent can keep up. Dominic Parisi,

has a lot on his plate, especially

with the role he plays on campus.

ȱ ȃ�ȱ��ȱ���ȱ�¡�������ȱ�Ĝ���ǰȱ���ȱthe 4th period (Echo) Flight CommandȬer,” Parisi, 11, says. “I also command

the Color Guard with Richard ShoeȬ�����ȱǻŗŗǼǯȱ�ȱ��������ȱ���ȱ�ě����������ȱ��ȱǽdzǾȱ���ȱ������ȱ����ȱ��ȱ���ȱ�¡�������ȱ�Ĝ���ǰȱ��ȱ ���ȱ��ȱ������ȱ���ȱ������ȱ��ȱleadership as the Flight Commander.”

Parisi’s long list of titles didn’t

����ȱ������ȱ���ȱ��¢ǰȱ�� ����ǯȱ ��ȱ ����ȱquite a long time reach his goals.

“It took a lot of time and

����������ǰȱ ����ȱ ����ȱ ��¢ȱ �����ȱ ����Ȭership position on campus. I comȬpiled a large list of community serȬ����ǰȱ ��ȱ  ���ȱ ��ȱ ���ȱ ��������ȱ ��ȱ ���ȱ���ȱ �¡��������������ȱ ����ȱ �����ȱ ���ȱ�����ȱ ����ȱ ��ȱ �ě��ǰȄȱ ������ȱ ������ǯ ������Ȃ�ȱ �����ȱ��¢ȱ ����ȱ ����Ȭwhelming, but while the work may

��ȱ��Ĝ����ǰȱ��ȱ����¢�ȱ���¢���ȱ���ȱ����ȱin the Vista Murrieta community.

ȱ ȃ�ȱ ����ȱ ��ȱ ��������ȱ  ���ȱ ���ȱ�����ȱ ������ǰȱ ���ȱ ���ȱ ��ȱ ��� ȱ����ȱ ��Ĵ��ǯȱ ����ȱ �ȱ ����ȱ �������ȱ�������ȱ ����������ȱ  ���ȱ ����ę�ȱ �¢Ȭ����ȱ ��ȱ �¢ȱ ������ȱ ����������ǰȱ ���ȱ �ȱlike to pass down what I know to the

during second lunch.

“When [I see] they try

��ȱ ��������ȱ ����ȱ ���ȱ ����ȱ ¢��ȱ �ȱ��������ǰȱ ����ȱ ��ȱ ���Ĵ¢ȱ ���ę�����ǯȱ ��ȱ ��ȱ

���¢ȱ ����¡���ǰȄȱ�¡�������ȱ ����ǰȱ12.

A m o g

��������ȱ ��ȱ �����ȱr e s p o n s i b i l i t y

��ȱ �Ĵ���ȱ ���ȱneeds of these

kids who need

���ȱ ���ȱ �Ĵ������ȱ���������ǯȱ

“Personally, [it] is a

�������������¢ȱ ����ȱ �ȱ ����¢ǯȱ �ȱ  ���ȱ ��ȱ����ȱ �ȱ��ě������ȱ ��ȱ �����ȱ �����ǯȱ ����ȱ����ȱ�ȱȁ��ǰȂȄ����ȱ����ȱ ���ȱ�����ȱ�� ȱ��ȱ ����ȱ �����ȱ ���ȱ ��ě������ȱ ����ȱ ����ȱ

Afable inspires writers to write for themselves

ANNA LOPEZ

Staff Writer

MAINSTREAM- Mainstream students work on a project. Club mainstream helps students with disabilities make friends with other students on campus.

Photo by Alejandra Fuentes

Club Mainstream helps build friendships

�����ȱ��ȱ���ȱ����ȱ���ȱ���ȱ����Ȃȱ�����ǰȱ��ȱwell.

����ȱ ������ȱ ����������ȱ ��ȱ���ȱ ����������ȱ ��ȱ �Ĝ����ȱ ����������ȱclub on campus, both Voyles and

����ǰȱ �������ȱ ��ȱ ������ȱ ��ǰȱ �������ȱthey think that it takes leadership to

be responsible enough for the “Kids of

E41” to rely on them and to put others

before them.

“The greatest thing is that

����¢ȱ ���ȱ ��ȱ ��������ǯȱ �����ȱ ���ȱ ��ȱ���������ȱ ����ǯȱ ���ȱ ���ȱ ���ȱ ����ȱ ��ȱǽ������Ǿȱ�ȱ���������¢ǰȱ���ȱ���ȱ ��ȱ���¢ȱare,” Voyles stated.

��¢���ȱ �¡�������ȱ ����ȱ����¢���ȱ ���ȱ ����ȱ ���ȱ ����ȱ �¢ȱ �����¢ȱcoming to room E141 on Wednesdays

������ȱ ę���ȱ �����ȱ ���ȱ ��ȱ �������¢�ȱduring second lunch.

“Afable is an avid reader, constantly being inspired and taking in new forms

of literature.”

“I recently just got fas-cinated by the works of

the Grimm Brothers.”

“[This club] helps peo-ple understand that there are other kids  ���ȱ��ě�����ȱ������ȱ

and abilities.”

Dominic Parisi’s skillfull leader-ship shown by extracurriculars

younger students in the program.

There’s nothing I really dislike, mayȬ��ȱ ����ȱ ���ȱ ����� ���ǷȄȱ ����ȱ ������ǯ Like many students, his life

��ȱ ��Ě������ȱ �¢ȱ �����ȱ ������ȱ ���ǰȱ�����������¢ȱ �����ȱ �����������ȱ ��ȱlooks up to. Many of his role models

can be found right here on campus.

ȱ ȃ�����ȱ �����ǰȱ ������ȱ ����ȱ ��ȱto famous people as role models,” said

Parisi. “I look close to home to who has

���������¢ȱ ��Ě������ȱ��ȱ �������ȱ ���ȱyears. That can include teachers such

��ȱ���ǯȱ�������ǰȱ ��ȱ�����ȱ�����������ȱsuch as Colonel Matera or Master SerȬgeant Shoemaker. Vista’s faculty really

has a large group of role models that

�ȱ �����ȱ ���ȱ �����ȱ ����������ȱ �������ȱ�����ȱ ����¢��¢ȱ ��������ȱ ��Ě�����ǯȄ �����ȱ���ȱ������ȱ������ȱ���¢ȱ�������ȱ ����ȱ  ����ȱ ��ȱ ����ȱ ��ȱ ę��ȱanywhere else. He feels that these lesȬsons learned could be a real asset to

him in the future, especially in terms

of future career choices. In terms of

���ȱ ������ǰȱ ������ȱ ���ȱ ���¢���ȱ �����ǯ ȃ��ȱę���ǰȱ�ȱ����ȱ �����ȱ�ȱ������ȱ��ȱ �¡�����ȱ ���ȱ �������¢ȱ ��ȱ �ȱ ������ǯȱ�����ȱ���ȱ������ȱ��ȱ���¢ȱ�����ȱ���ȱ��ǯȱ�ȱ����ȱ����ȱ���ę����ȱ��ȱ�ȱ������ȱ���ȱ�������ǯȱ ��ǰȱ ����ȱ ��ȱ �ȱ��ȱ���ȱ ��������ȱ��ȱ��ȱ���ȱ�������¢ǰȱ�ȱ���ȱ����¢ȱ ���ȱ�Ȃ��ȱ�������ȱ��ȱ �����ȱ����ȱ�ȱ���������ȱ��ȱ������ȱę����ǯȱ�����ȱ ���ȱ��ȱ���¢ȱ����Ȭ���ȱ��ȱ�ȱ������ȱ��ȱ����ȱ���ȱ�������¢ǯȄȱ��Ȭrisi said he is “, also interested in teachȬing history or studying psychology.

ȱ �����ȱ ���ȱ ���ȱ �ȱ �����ȱ ��Ě�Ȭ

ence on Parisi’s life, and what he has

taken from it as well as what he continȬ���ȱ��ȱ�����ȱ����ȱ��ǰȱ���ȱ��������ȱ�����ǯ ȱ ȃ�����ȱ ���ȱ ������ȱ ��ȱ ����Ȭ������ǰȱ ����ȱ ����������ǰȱ ę�������ȱskills, planning and organization, you

����ȱ ��ǯȱ ����¢�����ȱ ���¢ȱ �����ȱ �����Ȭlates straight to the business world,

the military, or any other career that

I choose. With patience, a good listenȬing ear, and dedication, any leader

can be a success,” proclaimed Parisi.

Parisi’s own role on campus

���ȱ����ȱ�ȱ����ę�ȱ��ȱ���ȱ����ȱǰȱ���ȱ ���ȱthe lessons he’s learned and the conȬnections he’s made, he’s much more

likely to reach his future goals.

Photo by Caralina Lawless

Page 12: The Vista View: Volume IX, Issue II

WEEKEND 12Footloose ratings dance to the top

SEPTEMBER 30, 2011

BAYLEI HARBOURStaff-Writer

ȱȱȱȱȱȱȱȱ���������ȱ��ȱ�ȱę��ȱ����ȱ ��ȱ���������¢ȱ��������ȱ��ȱŗşŞŚǰȱ ���ȱ��������ȱ�����ȱ��� ��ȱ�������ȱ��ȱ ��ȱ����ȱ���ȱ�ȱ������Ȭ��¢ȱ������ǰȱ���ȱ���ȱ������ȱ���Ȭ����ȱ ��ȱ����ǯȱ �����ȱ�ȱ ������ȱ���ȱ���ȱ�������ȱ���ȱ���ȱ����ȱ���ǰȱ�ȱ�������ȱ����ȱ�ȱ ���ȇ�ȱ�����ȱ��ȱ����¢ȱ���ȱ���Ȭ���Ȭ��¢ȱ �������ȱ ��ȱ����ȱ ��ȱ �ȱ ����¢��ȱ ���ȱ ���������ȱ�������ǯȱ���ȱ����ȱ���ȱ�������ȱ�������ȱ ��ȱ ���ȱ ������ȱ �������ǰȱ�¢ȱ �¢��ȱ  ���ȱ �����ȱ ��ȱ ���ȱ������ǯȱ ���������ȇ�ȱ ����ȱ��� �ȱ ������¢ȱ ����ȱ ������ȱ������ȱ�����ȱ��������ȱ��ȱ�����ȱ��ȱ ���ȱ  ���ȱ ���¢ȱ �������ȱ ��ǯȱ�����ȱ ���ȱ ����������ȇ�ȱǻ ���¢ȱ �������Ǽȱ ������ȱ������ȱ� �¢ȱ��ȱ��������ǰȱ���Ȭ���ȱ�����ȱ��ȱ�ȱ���ȱ���¢ȱ���ȱ���ȱ��������ȱ ���ǰȱ ��ȱ ��ȱ ������ȱ��ȱ���ȱ������ȱ���ȱ�����ȱ��ȱ�ȱ�����ȱ�� �ǯȱ�����ȱ�����ȱ�����ȱ���ȱ���¢ȱ�ȱ��¢ǰȱ��ȱę���ȱ���ȱ����ȱ�����ȱ���ȱ�� �ȱ�������ȱ���¢���ȱ����ȱ�����ǰȱ ���¢���ȱ ���ȱ ����ȱ�ȱ �������ȱ ����ǰȱ ���ȱ �������ǯȱ���ȱ ����������ȱ ����ȱ ��ȱ ���ȱ�����ȱ ������ȱ ��ȱ ��ȱ ���ȱ �� �ǰȱ���ȱ �������ȱ ��ȱ �������ȱ ����ȱ���¢ȱ ����£���ȱ  ���ȱ �������ȱ���ȱ����ȱ���ȱ��ȱ�������ȱ ���ǯȱ�����ȱ���ȱ �¢ǰȱ��ȱ�����ȱ����ȱ�������DZȱ�������ȱǻ�����ȱ������Ǽǰȱ�ȱ �����¢ȱ �� ��¢ȱ  ��ȱ �����ȱ�����ȱ�������ȱ����ȱ����ȱ��������ȱ���ȱ�����ǰȱ����¢ȱǻ���ȇ������ȱ �����Ǽǰȱ ���ȱ�����ȱ ǻ��������ȱ����Ǽǰȱ ���ȱ�� �ȱ��������ȇ�ȱ��������ǰȱ ��ȱ���ȱ����ȱ���������ȱ��ȱ���ȱ����ȱ��¢���ȱ����ȱ��ȱ���ȱ�����ȱ�� �ȱ��ȱ��������ǯȱȱ ������ȱ ����ȱ ����ȱ ę��ȱ ��ȱ �����ȱ ��ȱ ��ȱ ��Ȭ

����ǰȱ ���ȱ �������ȱ ���ȱ ��������ȱ��������ȱ �����ȱ ��ȱ�������ȱ���ȱ���ȱ����������ǰȱ�ȱ���ȱ��ȱ������������ȱ�����ȱ��ȱ��ȱ��ǯȱ�ȱ �������ȱ ������ȱ��ȱ���ȱ����ȱ�����ȱ ��ȱ�����ȱ ��ȱ����ȱ ����ȱ��ȱ ������ȱ��ȱ������ǰȱ ���ȱ �ȱ��Ȭ������ȱ����ȱ�����ȱ ��ȱ��ȱ��������ȱ �¢ȱ����ȱ��ȱ ����ȱ��ȱ��¢ȱ��Ĵ��ȱ����ȱ���ȱŗşŞŚȱ�������ǯȱ� ����ǰȱ�ȱ ��ȱ����������ȱ��ȱ�ȱ �����ȱ���ȱ��ȱ���ȱ�������ǰȱ���ȱ�����ȱ���ȱ����ȱ�������ȱ�¢ȱ��¢������ȱ ���ȱ�ȱ�����ȱ���ȱ���¢ȱ���ȱ��ȱ��������ȱ���ȱę��ǯȱ ���ȱę��ȱ���ȱ���ȱ���ȱ��������ȱ��ȱ�ȱ����ȱę��ǰȱ

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Angels & Airwaves:

Love Album, Pt.2

ȱȱȱȱȱȱȱȱȱȱȱ������ȱ���ȱ��� ����ȱ����ȱ����ȱ�ȱ����ȱ����ȱ�����������ȱ����ȱ����ȱ�����ȱ�����ȱ ���������ȱ��ȱ ȱŘŖŖśǯȱ���ȱ����ȱ������ǰȱ���ȱ�������ȱ���ȱ�������¢ȱ������ȱ�ěȱ����ȱ���ȱ����ȱ����ȱ�������ȱ����ȱ��ȱ���ȱşŖȂ�ǰȱ�����ȱŗŞŘǯȱ���ȱ�������ȱ���ȱ�¡�������ȱ ����ȱ ���ȱ�������ȱ ��ȱ��ȱ����ȱ����ȱ���ȱ��ȱ���ȱ����ȱ�������ȱ�����ȱ��¢ȱ���������ȱ�� ǯȱȱ���ȱ� �ȱ�����ȱ ���ȱ����������¢ȱ���Ȭ������ȱ����ȱ����ȱ�����Dzȱ�����ȱŗŞŘȱ���ȱ�ȱ���¢ȱ������ȱ�����ȱ�����ǰȱ ������ȱ������ȱ���ȱ��� ����ȱ�������ȱ�����ȱ�ȱ����ȱ�������ȱ���ȱ����ȱ�����ȱ�����ǯȱȱ ���ȱ ę���ȱ �����ȱ ����ȱ������ȱ ���ȱ��� ����ȱ��������ȱ ��ȱ������ȱWe Don’t Need to Whisper ǻŘŖŖŜǼǰȱ�����ȱ������ȱ�����ȱ ��ȱ������ȱI-Empireȱ ǻŘŖŖŝǼǰȱ����ȱ�����ȱ  ��ȱ �����ȱ �����ȱ �����ǯȱ �����ȱ �����ȱ �����ȱ ��ȱ������ȱLove ǻŘŖŗŖǼȱ���ȱ�������ȱ��ȱ����ǰȱLove, Pt. 2ǰȱ��ȱ�ȱ������ȱ����� ȱ��ȱ��ȱ����ȱ�����ǯȱ������ȱ���ȱ��� ����ȱ����ȱ����ȱ���ȱ ���ȱ�ȱ�����ȱ����ȱ������������ȱ ���ȱ���ȱ������ǯȱȱ �����ȱ���������ȱ��ȱLove, Pt.2 ǰȱ �ȱ ��ȱ���£��ǯȱ����¢ȱ ������ȱ ���ȱ ��ȱ ���ȱ �����ȱ ����ȱ ���ȱ ������¢ȱ ��ȱ����ȱ¢��ǰȱ�����ȱ¢��ȱ��ȱ����ȱ�����ǰȱ���ȱ��¢��ȱ����ȱ������ȱ¢���ȱ�����ȱ��ȱ����ǯȱȱȱȱȱȱȱȱȱȱȱȱ�����ȱ���ȱ�������ȱ�����¢ȱ�����ȱ��ȱ���ȱ�����ǯȱ���ȱ����ȱ����ȱ�����ȱ���ȱ���ȱ���ȱ����� ���DZȱȃ�������¢ȱ����ǰȄȱȃ���������ǰȄȱȃ��¡���¢ǰȄȱ���ȱȃ�������ǯȄȱ ȃ�������¢ȱ����Ȅȱ����ȱ��Ȃ�ȱ�����ȱ�����ȱ¢��ȱ ���ȱ��ȱ����ȱ�����ȱ ���ȱ���ȱ������ȱ�����ȱ�����ǯȱ���Ȭ������ǰȱ���ȱȃ������ȱ����Ȅȱ��ȱȃ����ȱ�������ȱ��ȱ����Ȅȱǻ�ȱ ����ȱ ����ȱ����ǰȱ ��ǯȱ ŗǼȱ ��������¢ȱ�����ȱ ¢��ȱ ����ȱ����ȱ�������Dzȱ��ȱ���ȱ�ȱ�����ȱ����ȱ��ȱ��ȱ���ȱ��ȱ���������¢ȱ������ǯȱ�������ȱ����ȱ����ȱ��ȱ�����¢ȱ��ȱ������ȱȃ��¡�Ȭ��¢ǯȄȱ ȃ��¡���¢Ȅȱ ��ȱ ���ȱ �����ȱ ę���ȱ ������ȱ ���ǰȱ ����ȱ���¢ȱ��ȱ�����ȱ�����ȱ�����ǰȱ���ȱ�ȱ����¢ȱ�����ȱ����ȱ��ȱ�����¢ȱ��������ȱ���ȱ�����¢ȱ ����ȱ�����ȱ¢��ȱ ���ȱ��ȱ���¢ȱ��ȱ����ȱ���ȱ����ȱ�����ǯȱ�������ǰȱ���ȱ����ȱ ����ȱ��ȱ����ǰȱ���ȱ�¢ȱ��ȱ�����ȱ�����ǰȱ��ȱ���ȱ�����ǰȱ��ȱ����ȱ�ȱȃ������ȱ����Ȅȱ��ȱ�ȱ����ȱ������ȱȃ�����ǰȄȱ����ȱ����ǰȱ��ǯŗǯȱ���ȱ �¢����ȱ��ȱ ����ȱ ����ȱ�����ȱ �����ȱ�ȱ�����ȱ��Ȭ�������ȱ�������ȱ�������ȱ����ȱ����ȱ ����ȱ�����ȱ¢��ȱ������ȱ ���ȱ ����ȱ�������ȱ ���ȱ ���ȱ �¢ȱ ���¢ȱ ����ȱ�����ǯȱȱ ����ȱ�¡�������ȱ�����ȱ��ȱ������ȱ��¢ȱ�����ȱ��Ȭ���ȱ�ȱ����ȱ�����Dzȱ�ȱ���������ȱ��ȱ��ȱ��¢���ȱ ��ȱ�����ȱ����ȱ����Ȭ����ȱ�����������ȱ����ȱ��ȱ�����ǯȱȱ ������ȱ���ȱ��� ����ȱ��������¢ȱ����ȱ¢���ȱ��Ȭ�������ȱ����ȱ���ȱę���ȱ����ȱ��ȱ���ȱ�����ȱ�������ȱ¢��ȱ������ȱ���ȱ���ȱ �¢ȱ�����ȱ���ȱ���ǯȱ���ȱ���¢ȱ���ȱ�����ȱ�����ȱ ���ȱ ��ȱ ������ȱ ��ǰȱ���ȱ����ȱ����ȱ���ȱ�ȱ��������ȱ�������ȱ��ȱ��ǰȱ������ȱ¢��ȱ���ȱ���¢ȱ�������ȱ����ȱ��ȱ���� ������ȱ���ȱ��ȱ������ȱ��ȱ ���ǯȱ��ȱ�ȱ���ȱ��ȱ����ȱ����ȱ�����ȱ��ȱ�ȱ�����ȱ��ȱ���ȱ��ȱ���ǰȱ�ȱ ����ȱ��ę�����¢ȱ����ȱ��ȱ�ȱ����ȱ���ȱ��ȱ ���ǯȱ �ȱ ���������ȱ����ȱ����¢���ȱ��ȱ���ȱ���ȱ��������ȱ�����ȱǭȱ��� ���Ȃ�ȱ������ȱ�����ǯ

ALYSHA FONTAINEWeekend Editor

ȱ ����ȱ����ȱ �ȱ ����ȱ ��ȱ ���ȱ �� ���ȱ ��������ȱ���ȱ���������ȱ��ȱ���Ȃ�ȱ����������ȱ������ǯȱ���ȱ��� ȱ����ȱ ���ȱ �����ȱ ��ȱ�������ȱ Řřȱ ���ȱ �ȱ  ��ȱ ��������¢ȱ������ǯȱ ���ȱ ���Ȭ��ȱ �ě���ȱ �ȱ ���Ȭ������ȱ ����ȱ  ���ȱ �ȱ�����ȱ ����¢����ȱ ����ȱ��ǯȱ ���ȱ ��� ȱ ��Ȭ���������ȱ ���ȱ ����Ȭ������Ȃȱ ����¢ȱ ����ȱ�����ȱ���ȱ����ȱ��ȱ����ȱ������ȱ��¢ǯȱ��ȱ���ȱ����ȱ ����ȱ ��ȱ �� Ȭ����ǰȱ ���ȱ ��� ��Ȃ�ȱę��ȱ ���ȱ ����ȱ �����ȱ��ȱ ����ȱ ��ȱ ���ȱ ���Ȭ�¢ȱ ����ȱ �¡������ǯȱ����ȱ �� Ȭ��������ȱ�����ȱ  ���ȱ �����ȱ����¢���ȱ  ������ȱ����ȱ �����ȱ ����¢ȱ�������ǯȱ ���ȱ ��Ȭ��������ȱ����ȱ������ȱ�����ȱ������ǰȱ�����Ȭ����ǰȱ � ����ǰȱ ���ȱ�����ȱ��ȱ��������ǯȱȱȱȱȱȱȱȱȱȱȱȱȱ���ȱ��� �ȱ�����ȱ ������ȱ �ěȱ �¢ȱ��� ���ȱ���ȱ����ȱ���������ǰȱ����ȱ� ��ǰȱ ������ȱ��ȱ �����ȱ ����ȱ ���������ȱ ��ȱ�� ȱ����ȱ���¢ȱ�����ȱ ���ȱ��¢ȱ ���ȱ ���ȱ ��ȱ �������¢ȱ ���������ȱ �¢ȱ ���ȱ ȃ���Ȭ�����Ȅȱ���ȱ���¢ǰȱ ���ȱ���ȱ���ȱ�����ȱ� �¢ȱ����ȱ���ǯȱ���¢ȱ���������¢ȱ�����ȱ���ȱ��ȱ �����ȱ����¢�����ȱ������ȱ���ȱ���ȱ ����ȱ ���ȱ����ȱ ��ȱ�ȱ �� �ȱ������ȱ���Ȭ�¢����ǰȱ����������Ĵ�ǯȱ�������ȱ�¢ȱ����ȱ�������ǰȱ���ȱ�������ȱ ��ȱ �����ȱ ���ȱ ���ȱ �����ȱ ���ȱ ����ȱ ���ȱ Ě���ȱ

Once Upon a Time, great new drama����ȱ ���ȱ ����ǯȱ����ȱ ���ȱ ę���ȱ �������ȱ ��ȱ ���ȱ �� �ǰȱ���ȱ �������ȱ ����ȱ ���ȱ ������ȱ ��ȱ ���ȱ �� �ȱ ���ȱ �ȱ ��Ĵ��ȱ�ěǯȱȱ���ȱ��������ǰȱ���ȱ����ȱ�������ȱ������ȱ�����ȱ��ȱ����ȱ�ȱ����ȱ����ȱ��ȱ����ȱ���ȱ������ȱ��ȱ����¢����ǯ ȱ ��ȱ ���ȱ ��� ȱ����������ǰȱ ��ȱ �������ȱ ���ȱ ���Ȭ���ȱ �¢ȱ���¢ȱ �����ȱ���ȱ������ȱ����ȱ��ȱ����ȱ��ȱ

�������ȱ��ȱ��������ȱ����ȱ���ȱ ��ȱ ���ȱ ����ȱ����ȱ ��������ȱ ��ȱ������ȱ ��������ȱ���ȱ ��� ȱ �����ǯȱ����ȱ ���¢ȱ �����ȱ��ȱ �¡�����ȱ �������ǰȱ���ȱ �����ȱ ���ȱ ���Ȭ��¢ȱ�����ȱ����ȱ��ȱ���ȱ����ȱ ���£¢Dzȱ ���ȱ ��ȱ��ȱ �������ȱ ���ȱ �����ǯȱ���ȱ �������ȱ ����¢Ȭ�����ȱ����ȱ��ȱ����ȱ��ȱ���ȱ ������ȱ ����Ȭ������ȱ ���ȱ �������¢ȱ������ȱ ��ȱ �ȱ ��������ȱ��������ȱę����ȱ ���ȱ��� ȱ�����ǰȱ������ȱ��������ǰȱ ���Ȭ������������ǰȱ ��ȱ ����ȱ�����ǰȱ���ǯȱȱȱȱȱȱ ���ȱ������Ȭ����ȱ �����ȱ �����ȱ ��Ȭ�����ȱ�����ȱ��ȱ���¢ȱ��������ȱ  ���ȱ ���ȱ��������ȱ ��������ȱ

���¢ȱ ���ȱ �����ȱ ��ǯȱ ���ȱ ����ȱ ������ȱ �����ȱ �ȱ �����ȱ ���ȱ������ȱ��ȱ���ȱ���ȱ����ȱ������������ȱ��ȱ ����ǯȱ�ȱ ����ȱ���������ȱ����ȱ�����ȱ��ȱ��¢Dzȱ���������¢ȱ�����ȱ����ȱ���ȱ�ȱ�����ȱ���ȱ����¢�����ȱ���ȱ���������ǯȱ��ȱ�ȱ���ȱ��ȱ����ȱ��ȱ�ȱ ����ȱ��ę�����¢ȱ����ȱ��ȱ�ȱ����ȱ���ȱ��ȱę��ȱ�����ǯȱ����ȱ����ȱ�ȱ����ȱ�����¢ȱ��ȱ���ȱ��ȱ���ȱ����ȱ��� �ȱ��ȱ��ȱ����ȱ����ǯȱ

ALYSHA FONTAINEWeekend Editor

“Angels and Airwaves instant-ly grabs your attention from WKH�¿UVW�VRQJ�RQ�WKH�DOEXP�´

abc.com

imdb.com

angels-and-airwaves.com

Page 13: The Vista View: Volume IX, Issue II

WEEKEND

Indie artist Walter Cabal produces unique beats

DECEMBER 5, 2011

CASEY CONTRERAS

Staff Writer

Walter Cabal, a solo acoustic singer/songwriter, has taken his love for creating original, meaningful lyr-ics and made it more than just a “career”. Born and raised in Southern Cali-fornia, Cabal’s passion for mu-sic started in the seventh grade. After a band break up in late 2009, Cabal took his musical tal-ents solo and has been performing at local touring acts and various venues for the past two years. Cabal claims to get inspiration from various sources, whether it be musicians or authors, such as C.S. Lewis and Dustin Kensrue. However, his passion comes from his drive of creating authentic music. “I'm interested in seeking out what's true and what's meaningful. There's a realness that happens when the artists I look up to try to wrestle authentically with ideas through their songs. I'm interested in that. It makes me sad that a lot of people, even a lot of my friends, are tricked into valuing music that's about... noth-ing. I think a lot of my passion in writ-ing music is a reaction to that. I tend to want to write against a kind of unre-Ě������ȱ�������ǰȄȱ����ȱ�����ǯȱ Current pop culture appears to have swayed to favor music with low artistic value. Many songs do mean nothing and have no particular meaning, other than to sell. Consum-ers these days have low expectations for lyrical merit, but if you look hard enough there are plenty of artists and musicians around who make it their focus to create art rather than a prod-uct. “I've been doing all of what I do for-mally for about the last two years. I'm sure that it's not in pursuit of a career in

music, though. I think the value of art is something that compels me to play. When it turns into chasing a music ca-reer I think some of the luster is lost. Some of the realness becomes caught ��ȱ ��ȱ �������ȱ ���ȱ ę�����ǯȱ ��ȱ �����ǰȱ

that's what happened to me - so I stopped playing shows for about two months until it was once again about the value of the things I was singing about, instead of about the career,” commented Cabal. ȱ �ȱę���ȱ���ȱ������ȱ�����ȱ��ȱ���ȱ“Chain Reaction” in Anaheim when he was opening for Robert ��� ��ĵ���ǯȱ �ȱ ę��ȱ ����ȱ �����ȱ

venues, therefore small crowds, give the optimum p e r f o r m a n c e value for music lovers. You can really get a taste of the artists’ per-sonal style and vibe. Most big artists get lost in the hype and their music be-gins to lose it’s personal touch and the musician hardly seems like an artist, rather a product. It is a ����ȱ�����ȱ��ȱę��ȱa musician these days who merely performs their music for the love of it instead of personal gain. “I'm not sure if I'm at the cali-ber to collaborate with who I want

to. Maybe I'd collaborate with some band with out a singer like Jakob or the Mercury Program, maybe even Helios. �����ȱ �����ȱ ����ȱ �����¢ȱ ��Ě������ȱ �ȱlot of my faves,” said Cabal. Every musician is inspired ���ȱ ��� �ȱ �����ȱ ����ȱ �������ȱ ��Ě�-ences, and Cabal has opened for a wide enough mix of bands to claim so. If you are interested about hearing more about Cabal, on Nov. 11 at Cafe Libertalia in San Diego, Walter Cabal will be performing with Drea Marylin and more. Not only that, but he has a full length album on it's way in the next few months titled Between Lines. Be sure to check him out and if you like what you hear buy his album and help fuel his passion for music.

weloveyoursongs.com

vimeo.com

cabalmusic.tumblr.com

The Swedes can make amazing Indie music. The Radio Dept.’s Clinging to a Scheme has a relaxing ����ȱ ����ȱ ��ȱ ���ȱ  ���ȱ ���Ĵ����ȱtracks to raise the tempo which then smooth out into something serene, similar to the calm feeling one gets during a rainy car ride. The Radio Dept. is a relatively unknown band that comes from the country that �����ȱ������ȱ���ȱ���ȱ���ȱę�����ȱyear round. The Radio Dept. was started by Elin Amlered and Johan Duncanson in 1995 and was signed by Swedish indie label Labrador Records in 2001. Clinging to a Scheme is the latest album in the bands discography. I n Clinging to a Scheme, The Radio Dept.’s songs do not follow what mainstream songs do. There is no chorus that is replayed 90 times throughout the song, nor is there a simple beat like in a Nicky Minaj song, which makes Clinging to a Scheme beautiful to hear. The song “Never Follow Suit” has a part where the vocals stops and plays “All these other people who don’t write ,they’re excluded, I don’t care about them, They don’t ��Ĵ��ȱ ��ȱ��ǰ It’s for us, It’s for us” from the Hip-Hop Documentary Style Wars. The Radio Dept. brings back a t e c h n i q u e that was used in the mid 90’s in �ȱ ��ě�����ȱgenre of music, a throwback to an era of rap where ���ȱ �����ȱ  ���ȱ �����ȱ  ��Ĵ��ǯȱ

Exactly what the Radio Dept. is doing, changing the rules. Clinging to a Scheme is a gem, which no one gets to hear. The songs ����ȱ �����ȱ ��������ǰȱ �����ȱ �� ��Ĵ��ȱ

rules of music such as long e l e c t r o n i c solos and m u z z l e d vocals. These rules that The Radio Dept. broke make music d i f f e r e n t f r o m anything I have ever heard. The album evokes a relaxing emotion that is unique and one has to experience f o r themselves. It’s a contrast of happiness of life and the sadness of the world. More bands need to start making their own sound. The sound of The Radio Dept. is unique, it’s their sound. Many bands that are a p p e a r i n g into the music players of Europe have their sound, when one listens to European m u s i c , e s p e c i a l l y E u r o p e a n Indie; it’s s o m e t h i n g new and e x c i t i n g . One feels the emotions that the lyrics

speak, and the tempo does not have to be what one would expect. This challenge of what we expect makes bands like The Radio Dept. feel special. If you expect a cliché The Radio Dept. will disappoint, but if you want something new, unique, and garden fresh Clinging to a Scheme should be in your iTunes checkout in 20 minutes. The fact that Labrador Records let The Radio Dept. make music that they wanted, not what the shareholders wanted, made for

music that is superior to anything on Billboard’s “Hot 100.”

“Radioavdelningen” andas svenska kvalitet och smak(The Radio Dept. exudes Swedish quality and taste)

FARID GANIME

Staff Writer

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13

Page 14: The Vista View: Volume IX, Issue II

WEEKENDBad Seed brings entertainment to audiences

DECEMBER 9, 2011

NATALIE HADWEHStaff Writer

14

The drama department puts on a thrilling and suspenseful perfor-mance called The Bad Seed to start of the 2011-2012 school year. This play is by Maxwell An-derson, but the novel is by William March.ȱ ���ȱ ����������Ȃ�ȱ ��Ĵ���ȱ ��ȱin Kenneth and Christine Penmark’s apartment in the suburb of Southern City. Nenneth Penmark is played by Jake Wagner, 12. Christine Penmark is played by Krista Palmer, 12, Cayla Christensen, 12. There were eight scenes in the whole play. This produc-tion had a double casts. Some charac-ters had two actors and some had one. The Bad Seed primarily re-volves around a young eight year old girl named Rhoda Penmak (played by Jesselyn Yaegar, 12). She is the antago-nist of the play being evil and devious on the inside, but on the outside she is seen as a sweet, mature, friendly young girl who is loved and admired by her friends and parents. One day after sending Rhoda to school, Chris-tine Penmark and her two neighbors hear horrible news on the radio. One of Rhoda’s schoolmates drowned in the river, but no one knew what had happened. He had won a penmanship medal that Rhoda had wanted to win

badly. Throughout the whole play Christine Penmark was suspicious of her daugh-ter because R h o d a acted as if no one had died. Chris-tine Pen-mark takes a long time ��ȱ ę����¢ȱrealize that her daugh-ter is an evil ��Ĵ��ȱ ����ȱand that she was behind the death of the boy and later on many more deaths. Y a e g a r praised the play by not-ing, “Usual-ly our mu-sicals get a ��Ĵ��ȱ ����ȱa t t e n t i o n , but I was really im-pressed with how many people came out to see the show. I loved it.”

ȱȱ ������ȱ ���������ǰȱ ���ȱ ę���ȱsolo album of the well-known lead ������ȱ ��ȱ �����¢ǰȱ ������ȱ ��� ��ĵ-���ǰȱ ��ȱ ����ȱ �������ȱ ���ȱ ���ȱ ę����¢ȱarrived.��� ��ĵ���ȱ���ȱ�������ȱ��ȱ������ȱ�ȱsolo artist. His solo album has been a work in progress since 2007; much of which has been scrapped and started over. All the songs on the album were  ��Ĵ��ȱ ���ȱ ������-ed in his home. For a time, a Tibetan monk named Kun-chok lived in his ����ȱ ���ȱ �Ĵ�����ȱUCLA. Kunchok  ��ȱ ���ȱ ę���ȱ ����ȱto obtain a Doctor-ate in the United States, and has since established the Ti-betan Healing Fund, which provides medical care to women and children living in rural villages. Inspired by the  ���ȱ ��ȱ ���ȱ ������ǰȱ ��� ��ĵ���ȱ ��-cided to donate all proceeds of his new album to this fund. He felt the fund gave his album purpose and, for him, ���ȱ���ę�����ȱ��ȱ�������ȱ��ǯȱȱ ������ȱ ���������ȱ ��ȱ �ȱ Ě���-back to the Beatles, yet stands out by itself as an amazing one-man album. From the funky-fun of “Funny Mon-ey” to the inspirationally beautiful “Just a Dream Away,” this album is a must-have for any Rooney fan or 60’s music fanatic.

As an avid Rooney fan, this solo album ���ȱ����ȱ����ȱ� �����ǯȱ�ȱ�Ĵ�����ȱ���ȱę���ȱ ��� ȱ ��ȱ ������ȱ ��� ��ĵ���Ȃ�ȱtour to receive the album early and I was not disappointed. Surprisingly, the album was the polar opposite of “ normal” Rooney music, however, it was still equally amaz-ing. This album was such a big break from the music of Rooney, you won’t believe the man who wrote the mu-sic is the same person. I really cannot

describe the music. Perhaps I would call it a mix of the 60’s and the 80’s. Dur-ing this age, when teen sensations and auto-tuned voices ��ę���ȱ���ȱ�������ǰȱ��� ��ĵ���ȱ������ȱalone with clear dedication and ob-vious talent. Every part of the recording process was done by him, apart from the drums. It takes a tru-ly dedicated artist to work on an album for a span of four

years only to donate all the proceeds to a charity. I cannot rave about this album ������ǯȱ ��� ��ĵ���Ȃ�ȱ �������ȱ  ��ȱto deliver an album true to his talent and he succeeded. His single “Out of My Mind” is a catchy song that is ���¢ȱ��ȱ�����ȱ��ǯȱȃ���ȱ��Ĵ�ȱ��ȱ���ȱę�-est thing ya ever seen, the magazines, they’ll know what they’re missin’ soon they will be wishin’, it’s legitimate, I’m sick of it, come and sit, and tell me something, anything, keep me guess-

ȱȱ ���ȱę���ȱ�����ȱ��ȱ���ȱ���¢ȱ�����ȱwas a lot of people that went to sup-

port the play. The p r e v i e w s before the play had a �����ȱ ��Ě�-ence on the number of �Ĵ������ǯȱ T h e ���¢ȱ��ȱę���ȱ������ȱ �ěȱon a slow note, but it started to pick up and be-come more suspense-ful as the m y s t e r y went on and as the m u r d e r starts to u n r a v e l and more m u r d e r s are com-��Ĵ��ǯȱ Y a e g a r

explained, “Probably the most chal-lenging part about playing Rhoda was

Schwartzman’s solo album receives great review CASEY CONTRERASStaff Writer

ing, I don’t know why, I’m falling for ¢��ǯȄȱ����ȱ����ȱ���ȱ�ȱ����ǰȱĚ���¢ȱ����ǰȱ�ȱ�����ȱ������ȱ��ȱ�����ȱ�ěȱ���ȱ�����ǯȱ��ȱ�¢����ȱĚ� ȱ�����¢ȱ���ȱ���ȱ����ȱ��ȱ�����ȱyet is still retro. Much of the songs tell a story of love and loss, easily relatable topics. His voice comes clearly across the mu-sic, and tells the listener a story. “Oh Bible by the bed, con-fess your sins, so it begins. With blood, blood on our hands, mak-ing demands in the prom-ised land’. These lyrics are from “Sec-ond Chances” which tells ev-eryone that no ��Ĵ��ȱ  ���ǰȱwhatever you do in life, it will be forgiven. So don’t worry about it too much, and re-member you will always get second chances so don’t waste them. This song is inspir-ing and is also e x t r e m e l y catchy. “Love is All Around” is one of my favorites of the album and is also an amazing song. It’s a happy, catchy

����Dzȱ����ȱ�����ȱ��ȱ��ȱ��ě�����ȱ����ȱ���-mal, mainstream music. “Your love is good for me, I hope it never changes, no I don’t want to be the only one to leave and I don’t want to be the one to say goodbye…” These words are meaningful because it reveals the mind of the artists and what he is go-

ing through in his ����ǯȱ���ȱ�¢����ȱĚ� ȱand mix perfectly with the intru-�������ǯȱ��� ��ĵ-man’s personality and musical talent comes alive on this album. It shows his true versatility as an artist and as a producer. This al-bum was the prod-uct of his record label Calfornia Dreamin’ Records and hopefully is just the beginning of his solo career. His patience and eye for perfection is shown through his album, al-though a mere ten tracks as opposed to today’s norm of sixteen to twenty, each and every one of his songs are masterpieces. Double Capri-corn is an amazing

indie alternative album, if you don’t buy it for the great music, do it for the charity. And seriously, go buy the al-bum.

portraying emotion without being out of character. It was hard, also, not to portray her too mature, because she is only 8, but she acts and reacts as ��ȱ ���ȇ�ȱ����ȱ�����ǯȱ ��ȱ �ȱ �����ȱ ��ȱę��ȱ��Ĵ��ȱ�������ȱ�ȱ�����ȱ���ǰȱ��Ĵ��ȱ��������ȱthings Rhoda could do”. Rhoda did seem like a chal-lenging character to portray because she was evil on the inside and sweet on the outside. The most creepy part of the play was when Rhoda was hugging one of the other actors and then look-ing up at the crowd with a very ma-licious smile that caused the crowed ��ȱ �����ȱ ��ȱ �����ȱ �����ȱ ���ȱ����ȱ ��Ĵ��ȱnoises indicating that they were fright-ened. When Rhoda did that, the audi-ence noticed her evil side and that she could be the one who murdered the boy at her school. “The fact that it's double-cast was kind of a challenge, but mostly because I wasn't used to working with the other cast when I was told I would be working with both casts,” Yaegar explained. Another actress was going to play Rhoda but she had to drop out for personal reasons before Previews. Yaegar did an excellent job adjusting with the other cast even though it was challenging for her. The Bad Seed was a marvelous play to go see. It was suspensful, and well-acted making it fun to watch.

zombiehamster.com

Page 15: The Vista View: Volume IX, Issue II

Subjectivity aside, The Ides

of March really does have every-

thing going for it. It has not one, but

two, main characters--depending

on your views, you may feel that

the movie follows one more than

the other--Mike Morris (Clooney)

and his Junior Campaign Manager

Stephen Myers (Ryan Gosling).

George Clooney and Ryan Gosling

��ȱ���ȱę��ǰȱ��������ǵȱ�� Ƿ In addition to this dynamic

duo, actors from a veritable melt-

ing pot of backgrounds come to-

������ǯȱ����ȱ����Ĵ�ȱ ǻ������ȱ���-vate Ryan, The Negotiator) plays

the opponents Campaign Manager

���ȱ��ě¢ǯȱ��ȱ�����������ȱ ��ȱworthy of applause--he, in every

way, epitomised the scum-of-the-

earth persona that advertisers are

thought to have.

The list goes on to include

������ȱ��¢����ȱ�ě���ȱǻ���ȱ���ȱLebowski, Along Came Polly, Mis-

sion: Impossible 3) as the Senior

Campaign Manager and Marisa

�����ȱ ǻ����ȱ�����ȱ����ǰȱ����ȱ���Ǽǯȱ ���ȱ ����ǰȱ ����ȱ ���ȱ ę��Ȃ�ȱname suggests, follows a seem-

����¢ȱ �����������ȱ ���������ȱ �������ǯȱ � ����ǰȱ �¢ȱ���ȱ���ȱ��ȱ���ȱę��ȬȬ�������ȱ�������ȱ������������ȱ���ȱcover-ups it becomes clear that the political machine

���Ȃ�ȱ �����ȱ ��ȱ ����������ȱ ���ȱ ����ȱ ��Ȭ������ǰȱ ���ȱ�������ȱ��ȱ��ȱ�¡�������ȱ��ȱ���������ǰȱ���ȱ�����ȱę��Ȭ�����ȱ��������ǯȱ����ǰȱ�������ǰȱ��Ȃ�ȱ��ȱ�ȱ���ȱ�����Ĵ�ȱ���ȱ���ȱę��ȱ����ȱ��ȱ����ȱ�ȱ������ȱ �¢ȱ����ȱ��ȱ�������ȱa “that... was legit” moment.

ȱ ���ȱ ę��ȱ ����ȱ ���ȱ �ȱ �������¢ȱ ����ȱ ���ȱ����ȱscore, composed by the venerable Alexandre Desplat

 ��ȱ���ȱ �����ȱ��ȱ����ȱę���ȱ����ȱ���¢ȱ��Ĵ��ȱ���ȱ���ȱ������¢ȱ���� �ǰȱ���ȱ ���Ȃ�ȱ������ǰȱ���ȱ������-���ȱ��ǯȱ��¡ȱǻ¢��ȱ�������ȱ������¢ȱ�����ǷǼǯ The Ides of March is, expectedly, a must-see

ę��ǯȱ����ȱ���ȱ���ȱ���¢Ȭ�����ȱ���Ȭ���������ȱ��� ��ǰȱ��ȱ���ȱ ���������ȱ ��ȱ�ě��ȱ ���ȱ¢��ȬȬ�ȱ ���� ����ȱ ��ȱ ���ȱ�������ȱ ���Ȃ�ȱ ��������ȱ ǻ���ȱ �¢��ȱ ������Ǽȱ ������ȱmell over female audiences. The movie runs abound

with “that was epic” moments, and “LOL” moments.

���ȱę��ȱ���ȱ��ȱ��������ȱ����ȱ ����ȱ��������ȱ�¡���-site performances, and the musical score acts as the

“cherry on top.”

ȱ ��ȱ¢��Ȃ��ȱ�������ȱ ��ȱ���ȱ�������ȱ���ȱ����ȱ��������������¢ǰȱ�����ǰȱ��ȱ������ȱ ����ȱ����ȱę��ǯȱ��ȱ¢��Ȃ��ȱ���ȱ���ȱ��ȱ���ȱ�����ǰȱ ����ȱ��ȱ��¢ �¢�ǯȱ����ȱę��ȱ ��ȱ����ȱ�¢ȱ�����ȱ������¢ǰȱ���ȱ��ȱ����¢ȱ����ȱkeep in line with all his previous works. 9/10.

Suave, sexy, casual, calm, all these words

and a myriad of others barely do justice to George

������¢Ȃ�ȱ����������ȱ������ǰȱ���ȱę��Ȭ������ǰȱ��¢��ǯȱ���ǰȱ����ȱȃ������������Ȅȱ����ȱ����ȱ��ȱ����ǵ I was probably as taken aback as anyone

 ���ȱ�ȱ�� ȱ�¢ȱę���ȱȃ�����ȱ������¢ȱ���ȱ���������Ȅȱ������ǰȱ��ȱ�ȱ�����������ȱ��ȱ���ȱ�����ȱ����������Ȃ�ȱȃ��-rade.” Of course, upon closer inspection, it became

clear that it was a cleverly-executed “ad” for a movie,

touting “Mike Morris [George Clooney] for Presi-

dent.”

After realising that Clooney had not fallen

�ěȱ���ȱ���£¢Ȭ�����ǰȱ���ȱ ��ǰȱ������ȱ���������ȱ����ȱanother viewer-thriller adventure I recalled Cloo-

��¢Ȃ�ȱ�������ȱ��������¢ȱ����ȱ���ȱ����ȱ�� ȱ¢����ǯ Sure, when many of you think of Clooney

¢��ȱ �����ȱ ��ȱ ���ȱ ����ȱ ��ȱ �����Ȃ�ȱ ������ǰȱ � ����ǰȱ���ȱ��������ǯȱ�ȱ����ȱ����ȱ�ȱ����ȱ����ȱ���ǰȱ ���ȱ������ȱ��¡Ȭ������ȱǻ¢����Ǽȱ��ȱ��ȱ���ȱ��¡�ȱ�����ȱ����ǯȱȱȱ���ȱ�����ȱ��ȱ����ǰȱ���ȱ������������ȱ��ȱ���ȱ�����ȱ����-ogy do not even come close to eclipsing his potential.

In Up in the Airǰȱ �ȱ ę��ȱ ����ǰȱ ���ǰȱwas produced by Cloo-

ney (based on a well-

selling novel), starred

������¢ȱ��ȱ�¢��ȱ����-

ham, a business-man

who, in every way,

represented the cliche

jet-set traveller. “To

��� ȱ��ȱ��ȱ��ȱĚ¢ȱ ���ȱ��ǰȄȱ��ȱ���ȱ��ȱ���ȱę���ȱhints we are given to

���ȱ ǻ�������Ȃ�Ǽȱ ���-sonality. Another hint

comes along at a rather

awkward, but curi-

ously extremeley-well-

executed, scene where

�������ȱ ���ȱ ���ȱ ��-

ture cohort in love

meet.

To keep

things simple, they get

turned on by things

����ȱ  ����ȱ ����ȱ �ěȱany traveller--car rent-

al companies, hotel

memberships, airline-

membership status.

Yet, despite the obvi-

���ȱ��Ĝ�������ȱ ��ȱ����ȱtake to make some-

thing so nonsexual, so

sexual, Clooney and

the (woman) pulled it

�ěȱ ���ȱ�ȱ�������ȱ������ȱ�����ǯȱ �¢ȱ ���ȱ ���ȱ ��ȱ���ȱ ę��ǰȱ �ȱ  �����ȱ ��ȱlive in the clouds and

die alone surrounded

not with loved ones

but the notion that I

lived alone, the way I

 �����ȱ ��ǯȱ ���ȱ ��Ĵ��ȱpart of that feeling has

since (thankfully) died

down, but the former

has still gnawed at my

perception of society

to this day--just how

important are human

relationships (not just

of the romantic kind).

����Ȃ�ȱ ���ȱ �� ��ȱ ��ȱClooney.

After reminsc-

���ȱ ��ȱ ������¢Ȃ�ȱ �����ȱ ǻ�¡�������Ǽȱ �����ȱ ���ȱ ę���ǰȱin particular Good Night and Good Luck, I was then

The Ides of March another George Clooney masterpiece

ready to be treated to,

what one of my clos-

est friends called, an

���£���ȱę��ǯ And in every way

possible, The Ides of March was very much

��ȱ��ȱ���£���ȱę��ǯȱ ������ȱ �Ĵ�����ȱanother word about

������¢Ȃ�ȱ ������ȱ ���-terpiece, let me just

say that I am likely one

of the most far-right

students on campus.

����ȱ�����������ȱ����ȱ��������ȱ ������¢Ȃ�ȱrole as Mike Morris, a

ę�������ȱ ����¢�¢����-

nia governor, throws

him into the midst of a

��Ĵ��ȱ ��ȱ ��ȱ ���ȱ����ȱdemocratic prima-

ries I still left the the-

atre beaming with the

����ȱ����ȱ�ȱ�� �¢�ȱ���ȱ�����ȱ������ȱ�ȱę��ȱ����Ȃ�ȱ����ȱtouched by Clooney. The power of Clooney.

CAMERON TU

Editor-in-Chief

“George Clooney has starred in, and produced, many great films over

his lifetime. His latest film, The Ides of March is no exception.”

WEEKENDDECEMBER 9, 2011

15

Page 16: The Vista View: Volume IX, Issue II

2OG�WUHHV�DIÀLFWHG�E\�GLVHDVH��QHZ�WUHHV�D�RND\�SHELBY WERHANHOWICZAdvanced Staff Writer

Editors-in-ChiefCameron Tu and Emily Brown

News EditorCameron Tu

Viewpoint EditorNikki Carter

Sports Editor

Frank Cuccia

Life/Fashion Editor�������ȱ����ě���Weekend EditorAlysha Fontaine

��������ȱ���ěȱ������Shelby Werhanhowicz

���ěȱ�������Kerrie-Ann Beke

Casey Contreras

Emily Espinosa

Alejandra Fuentes

Farid Ganime

Samantha Goats

Natalie Hadweh

Baylei Harbour

Caralina Lawless

Anna Lopez

Elisabeth Mosiej

Facebook (for ideas, suggestions)Like “The Vista View 2011-2012” on Facebook!

Advisor Ellen Filar

The views expressed in The Vista View are not necessar-

��¢ȱ�����ȱ��ȱ���ȱ������ȱ���ěǰȱ�������ǰȱ��ȱ���ȱ����������-tion of Vista Murrieta High School.

Feedback on any aspect of The Vista View is welcome

���ȱ��Ĵ���ȱ��ȱ���ȱ������ǯȱȱ��ȱ ���ȱ����ȱ�ȱ����������ȱ�ě���ȱ��ȱ�������ȱ���ȱ����������ȱ��Ĵ���ȱ �ȱ�������ǯȱȱ

Please send your feedback to [email protected].

������ȱ����ȱ����ȱ �ȱ�������ȱ���ȱ�����ȱ��ȱ����ȱ��Ĵ���ȱ���ȱ������ȱ���ȱ������¢ǯȱ���ȱ�������ǰȱ�����ȱ�����ǰȱ���ȱ��ȱ

reached at: (951) 894-5750 x6601 or

�ę���ȓ��������ǯ�ŗŘǯ��ǯ��ǯ

Editing Staff Writing Staff

ȱȱ ��ȱ ����ȱ�������ȱ ���ȱ ����¢ȱ��������ǰȱ�����ȱMurrieta High School administration decided that a

change needed to be made. The trees that reside in

the planters that surround the quad from East Hall

��ȱ����ȱ���ȱ ���ȱ�Ĵ�����ȱ�¢ȱ����ȱ�������ȱ���ȱ ���ȱslowly dying as a result.

ȱ �������ȱ�����ǰȱ���������ȱ���������ǰȱ ��ȱ���ȱ��ȱ���ȱ������ȱ��ȱ������ȱ��ȱ������ȱ������ę������ȱ���ȱ��ȱdecided that it was time to put the trees out of their misery

���ȱ �������ȱ ����ȱ ���ȱ�������ȱ �����ȱ���ȱĚ� �����ȱplants that will be less vulnerable to bug invasions.

“The campus doesn’t look like it did eight

years ago. The trees

were being eaten from

the inside out by bugs

and were dying slowly.

I hate seeing empty

space in the planters

so while the new trees

are being planted we’ll

be doing other campus

������ę������ȱ ��ȱ ���ȱ����ȱ����ǰȄȱ����ȱ�����ǯ Along with the

new Carrot wood Trees

that will be making

their new home in the

��������ǰȱ ������¢ȱ������ǰȱ ����ȱ ����ȱ

of Paradise and Giant Bird of Paradise will be

�����������ȱ ���ȱ �����ȱ ��ȱ ę��ȱ ���ȱ �¡������ȱ ����ȱ ���ȱempty space.

These new plants that will be replacing

the existing trees and shrubs will not be

susceptible to the beetle invasions because the

beetles don’t like the wood from the new trees.

Although there is no current fundraising

�����ȱ����ȱ ���ȱ ���ȱ�������ȱ��������ǰȱ ���ȱ ������ȱ ���ȱbe replacing the plants slowly when there is money

��ȱ ���ȱ ������ǯȱ ���ȱ �������ȱ ��ȱ ������¢ȱ ����� �¢ǰȱ

��������ȱ  ���ȱ ���ȱ ��������ȱ �¢ȱ ���ȱ ����ȱ ����ȱ �Ĝ��ǯȱ “I came here last year after being on the

������ę������ȱ �����Ĵ��ȱ ��ȱ ��������ȱ �����¢ȱ ���ȱ �ȱdidn’t get the chance to see it change. I like making

���ȱ ������ȱ ����ȱ ����ȱ ���ȱ �������ȱ ���ȱ ��Ĵ�ȱ ��ȱclass it’s nice to have our campus look classy. I

think that when the campus looks nice it give the

��������ȱ ���ȱ ���ěȱ �ȱ �����ȱ ��ȱ �����ǰȄȱ �����ȱ ����ǯ Fages is planning to slowly but surely re-

kindle the Adopt-A-Planter project when the current

������ȱ������ę������ȱ��ȱę������ǯȱ���ȱ ����ȱ�������ȱ��ȱ�¡������ȱ��ȱ��ȱę������ȱ��¡�ȱ¢���ȱ���ȱ���ȱ�����ȱ���ȱsupposed to be full grown within three to four years.

“The trees were being eaten from the inside out by bugs and dying slowly.”

�������¢ȱ��ȱ��������ȱ���ěȱ

����������Ȭȱ����ȱ ���ǰȱ�������ȱ���¢ȱ�����¢���ȱ�����ȱ�����ȱ������ȱ������ę������ȱ�������ǰȱ ����ȱ��������ȱ��������ȱ�� ȱ�����ȱ���ȱ������ǯȱ��ȱȃ�����Ȭ�Ȭ�������Ȅȱ�������ȱ��ȱ����ȱ��ȱ�������ȱ��������ȱ������ǯȱ