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The Wild World of Large Laborious Posters Create effective posters by thinking like a designer

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Page 1: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

The Wild World of Large Laborious

Posters

Create effective posters by thinking like a designer

Page 2: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

Why Does

Design Matter?

Design is not about decoration; It’s

about effectively communicating.

Good design allows you to easily and effectively communicate your ideas visually.

Page 3: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

You Are Already

A Designer

Every time you use visuals to

communicate you are designing.

A few simple choices can make your

designs effective.

Page 4: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

It’s Not

Complicated

Your design can only be as good as the

content you start with.

Your poster is a tool that helps you attract an audience and give a dynamic presentation.

Page 5: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

ONE

The first step in the design process is to answer the question:

What am I trying to

communicate?”

STEP

Page 6: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

Figure out “How do I

communicate that?”

Decide what charts, graphs, and images communicate your core message.

TWO STEP

Page 7: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

Create a hierarchy of information.

The most important information should attract the eye. If you try to make everything equally important the viewer will get overwhelmed and can easily become disinterested.

THRE

E STEP

Page 8: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

Start Designing!

Start with a quick sketch that reflects the hierarchy you want to achieve. Follow a few guidelines and you will have an attractive and professional poster.

FOUR STEP

Page 9: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

C.R.A.P

Contrast

Repetition

Alignment

Proximity

Page 10: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

Contrast makes objects

distinguishable from each

other. Use contrast to draw attention to dominant elements. Every good design has a strong

focal point.

CONTRAST

Page 11: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

VV VV

INTRODUCTION

Weak Contrast

INTRODUCTION

Strong Contrast

Page 12: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

Reuse the same elements: colors, fonts, type sizes.

This will give your poster cohesiveness and

make your information look organized and

well thought out.

REPETITION

Page 13: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

VV VV

TITLE ONE Subtitle Subtitle

Subtitle Information Information Information

Information Information Information

Information Information Information

Information Information Information

TITLE TWO Subtitle Subtitle Subtitle

Information Information Information

Information Information Information

Information Information Information

Information Information Information

TITLE ONE Subtitle Subtitle Subtitle

Information Information Information

Information Information Information

Information Information Information

Information Information Information

TITLE TWO Subtitle Subtitle Subtitle

Information Information Information

Information Information Information

Information Information Information

Information Information Information

Weak Repetition Strong Repetition

Page 14: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

We use alignment to make sure nothing in your design looks like it was placed there randomly.

Try to align every element to another element. Visualize a grid that everything aligns to.

ALIGNMEN

T

Page 15: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

VV VV

Weak Alignment Strong Alignment

Page 16: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

Proximity is all about moving

objects closer or farther. Related items should be visually grouped together.

PROXIMITY

Page 17: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

VV VV

Weak Proximity Strong Proximity

TITLE ONE Subtitle Subtitle

Subtitle Information Information Information

Information Information Information

TITLE TWO Subtitle Subtitle

Subtitle

TITLE ONE Subtitle Subtitle

Subtitle Information Information Information

Information Information Information

TITLE TWO Subtitle Subtitle

Subtitle

Page 18: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

Design Tips

Set your file up correctly.

The printer can print up to 43 inches wide. Try to keep the height to 43 inches or smaller. If you want your poster to be cut down to exact dimensions add a border for the print shop to cut along.

Page 19: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

Design Tips

Pay attention to the length of

your lines of text.

The optimal length for lines of text is 50-75 characters. If the length is to long the reader’s eyes will have trouble focusing.

Page 20: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

Design Tips

Embrace empty space.

Empty space is important because it gives

organization and separation to the elements

of your design. It also keeps the viewers eye

from getting overwhelmed.

Page 21: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

Design Tips

Beware of gradients and

drop shadows.

Use gradients sparingly and carefully. They can easily make you poster look dated and the text hard to read.

Page 22: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

Design Tips

Choose colors wisely.

Colors can be eye-catching and appealing. Watch out for pastels and neon colors because they can easily look unprofessional.

Page 23: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

Design Tips

Fonts can make or break you.

Choosing the right font can be daunting task. Try to limit your poster to 2 fonts. Stay away from fun or funky fonts.

Page 24: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

VV VV

Serif Sans-Serif

APPROVED FONTS

Helvetica

Open Sans

Calibri

Century Gothic

Franklin Gothic

Gill Sans

Tahoma

Century

Georgia

Baskerville

Hoefler Text

Times New Roman

Garamond

Page 25: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

Design Tips

Use High Resolution Images.

Many images that you pull from the internet will not print well. Try to only use images and figures that are at least 4 x 4 inches and 300 DPI.

Page 26: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

Design Tips

Use the correct logos.

A variety of logos with different background colors are available for you on the public drive:

Z:\Public\Logos

Page 27: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

Periodic n-index modulation, refracts one Bragg wavelength λB

Shift in λB

=> strain => sample expansion along fiber

Resolution : ΔL/L ≈10−5

Can be coupled to and used into pressure cells !

IntroductionIntroduction

Dilatometry measurements at the National High Magnetic Field Laboratory

Capacitance Piezo Cantilever Fiber Bragg Grating

Principle of FBG measurement

Preliminary results

References

High pressure and high magnetic field dilatometry High pressure and high magnetic field dilatometry

Audrey GROCKOWIAK1*, D.Graf1, W. Coniglio1, J.-H. Park1, T. Murphy1, S. Hannahs1 And S. Tozer1

1. “Anisotropic thermal expansion and magnetostriction of YNi2B2C single crystals”, Bud'ko, S L et al., J. Phys.: Condens. Matter 18 8353 (2006)2. “Versatile and compact capacitive dilatometer”, G. M. Schmiedeshoff et al., Rev. Sci. Instrum. 77, 123907 (2006)3. “High Resolution Miniature Dilatometer Based on AFM Piezocantilever”, Park, J.-H., et al., Rev. Sci. Instrum. 80, 116101 (2009)4. “High resolution magnetostriction measurements in pulsed magnetic fields using fiber Bragg gratings”, R.Daou et al., Rev. Sci. Instrum. 81, 033909 (2010")5. “Fiber Grating Sensors”, A. D. Kersey et al., J. Lightwave Technol. 15, 1442, “1997”.

Sample attached to movible capacitance plateVariation of capacitance => sample expansionResolution : 0.1Å at low TSensitive to field

Atomic force microscope tip on sampleResistance change in piezo element =>sample expansionResolution : 0.1-1Å at low TSensitive to field

Ref 2 Ref 3

Ref 4

1 : National High Magnetic Field Laboratory, Florida State University, Tallahassee, Florida*[email protected]

Piston cylinder cells

UV laser centered around 1550nm

Circulator : separates incoming and going beams

λB refracted from FBG spread by spectrometer

(Acton SP2500, f=500mm, 600g/mm) Detected by 92KHz InGaAs linear array camera(Goodrich). Resolution : 0.0675nm/pixel

Gaussian fit of λB for sub-pixel resolution

Differential measurement with 2nd empty FBG

Room T measurement of empty FBG Response in a High Pressure Intensifier cellPressure medium : 4He

Theoretical behaviour of FBG with various strains (5) :

ν : Poisson's ratio, ≈0.20P : components of strain-optic tensorα : thermal expansion coefficient

≈ 0.76

For 28MPa : Δλ =1.40pix (1.5p +/-1pix)

For 52MPa : Δλ =2.6pix (2.1p +/-1pix)

For 67MPa : Δλ =3.35pix (3.5p +/-1pix)

Reasonable agreement, sensitive to υ

Acknowledgements

Pressure measurement with a FBG BaFe2As

2

•AG acknowledges GS Boebinger for the financial support.•P.Canfield and V.Taufour (Iowa State U.) for the BaFe2As2 samples•DOE, NSF for Florida State, NNSA (grant number NNSA SSAP DE-NA0001979)

Dilatometry measures the changes in length of a material as a function of different external parameters, such as temperature (thermal dilatation), magnetic field (magnetostriction), or pressure (compressibility). Dilatometry is a thermodynamic quantity sensitive to first or second order phase transitions.

Quantum oscillation detection using capacitance dilatometry on Yni

2B

2C (Ref 1)

“Mini-me” piston cylinder cell

Developed at the NHMFL

Pmax

: 2 GPa

Sample space : Ø1.5mmx2mm

Can rotate

=> Allow use in confined space of a dilution refrigerator and magnet bore

Piston : permits to transmit fibers and wires to the cell

Ruby fluorescence line : measure P

Body of the cell : MP35%N

Piston : non magnetic W-C

• First- order phase transitions : Clausius-Clapeyron equation

•Second-order phase transitions : Ehrenfest relations

dT

dpc=

(ΔV )

(ΔS )≈ V mΔ

(ΔL

L)

(ΔS )

dT

dpc=V M T

(Δαc)

(ΔC p)

αc=1

L(ΔL

L) With :

Thermal expansion : β= dln(V)/dTMagnetostriction : λ= ΔL(H)/LCompressibility : κ= dln(V)/dP

ΔλBλB

=(1− ν2

2(P 12− ν(P11+ P12)))

ΔL

L+(α(T )+

1

n

dn

dT)ΔT

BEFORE

Page 28: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

AFTER

Page 29: The Wild World of Large Laborious Posters · STEPFOUR. C.R.A.P Contrast Repetition Alignment Proximity. Contrast makes objects distinguishable from each other. Use contrast to draw

YOU THANK

Caroline McNiel

Graphic Designer, Public Affairs

[email protected]