the writing process...the norton introduction to literature provides a helpful checklist for this...
TRANSCRIPT
THE NORTON INTRODUCTION TO LITERATURE Tenth Edition
Allison Booth ● Kelly J. Mays
The Writing Process
©2010 W.W. Norton & Company, Inc.
Getting Started
• The first step in writing an essay is to scrutinize
the assignment. Make sure that you fully
understand what you are being asked to do (or
not to do) in your essay.
• Consider which elements of the essay are
prescribed for you by the assignment and which
choices are left to you as the writer.
©2010 W.W. Norton & Company, Inc.
Getting Started
• If you let your initial impressions, or “gut
reactions,” guide you when choosing a text to
write about, you will likely benefit from the
engagement you feel with the work. On the other
hand, you might find that you are too close or
too invested in the text to be critical or to find
something new to say.
©2010 W.W. Norton & Company, Inc.
Getting Started
• Some of the best essays are the result of the
analysis of literary works that initially puzzle or
frustrate the reader.
• Some general topics can be adapted to an
essay on almost any literary text. You should
approach these general topics as starting points
and remember that you will need to adapt and
refine them to your purposes.
©2010 W.W. Norton & Company, Inc.
Getting Started
• A common type of literary essay explores the
significance of a seemingly insignificant aspect
or element of a work.
• Other common types of literary essays focus on
characters. These might explore a character’s
worldview and its consequences, the
development of a character, or a conflict
between two characters.
©2010 W.W. Norton & Company, Inc.
Getting Started
• You might generate topics by analyzing your
initial response to a literary text, asking yourself
why or how the work affirmed or challenged your
expectations, assumptions, or convictions.
• You might generate topics by analyzing the tone,
speaker, situation, or any other element of the
text.
©2010 W.W. Norton & Company, Inc.
Getting Started
• You might generate topics by considering
motives your reader might have for reading your
essay.
• Consider which elements of a text a casual
reader might misinterpret.
• Think about interesting paradoxes,
contradictions, or tensions you can explicate in
the text.
©2010 W.W. Norton & Company, Inc.
Getting Started
• It is a good idea to come up with as many topics
as you can and then test them to determine
which will yield the best essay.
• When moving from a topic to a thesis, it helps to
formulate a specific question about the topic and
develop a specific answer. The answer will serve
as your thesis
©2010 W.W. Norton & Company, Inc.
Planning
• In general, it works best to begin the planning
process by first deciding how to structure your
argument, ordering your claims and sub-ideas in
an outline. After you have constructed an
outline, you will have a sense of the kinds of
evidence you need to support your claims.
• Create a sentence outline by writing down your
thesis and then listing each claim.
©2010 W.W. Norton & Company, Inc.
Planning
• Create a topic outline by listing each of the
topics to be covered.
• After constructing an outline, re-read the text to
gather evidence to support each claim. Be sure
to pay attention to evidence that challenges or
complicates your argument. You may need to
adjust or refine your claims as you take such
evidence into account.
©2010 W.W. Norton & Company, Inc.
Planning
• On occasion, you might find it useful to gather
evidence from the text first and then formulate
and order your claims after.
• There are a variety of strategies for singling out
evidence for a thesis. All of them involve re-
reading the literary text in a strategic way,
searching for everything relevant to your
argument. You might take notes in your book,
use different-colored highlighters, keep notes on
notecards, or take notes on a computer.
©2010 W.W. Norton & Company, Inc.
Planning
• After gathering evidence, you might find it helpful
to develop a more elaborate outline,
incorporating evidence from the text and
including topic sentences for each paragraph.
©2010 W.W. Norton & Company, Inc.
Drafting
• Treat your first draft as a “rough draft” and focus
on sketching out the steps of your argument
rather than on polishing your prose.
• Try to write the body of the essay in one sitting.
You can draft the introduction and conclusion
later.
©2010 W.W. Norton & Company, Inc.
Drafting
• If you become stuck, try taking a break,
explaining your argument to another person, or
freewriting to get your ideas flowing.
©2010 W.W. Norton & Company, Inc.
Revising
• The revision process demands that you take a
step back from your draft and try to look at it as
objectively as possible. You might also consider
asking a friend or classmate to help critique your
draft.
• Learn to take full advantage of all the
capabilities of your computer’s word-processing
programs, but also recognize their limitations.
©2010 W.W. Norton & Company, Inc.
Revising
• Assess the strengths and weaknesses of all of the
essay’s elements, including its thesis, structure,
evidence, and tone. The Norton Introduction to
Literature provides a helpful checklist for this
process. See “Assessing the Elements” (ch. 27,
sec. 27.4.1).
• Be on the lookout for the following common
problems: a mismatch between the thesis and the
argument, a structure that resembles a list more
than a logically connected argument, or missing
sub-ideas.
©2010 W.W. Norton & Company, Inc.
Revising
• Consider ways to make your argument more
thorough and complex by acknowledging and
exploring alternative claims or interpretations.
• The final stage of proofreading involves
polishing your prose by focusing on your specific
words and sentences. The Norton Introduction to
Literature provides a checklist for this process.
See “Editing and Proofreading” (ch. 27, sec.
27.4.3).
©2010 W.W. Norton & Company, Inc.
Crafting A Title
• A good title should inform readers what work(s)
your essay will analyze and something about
your topic.
• An effective title will also interest readers by
using a vivid word, quoting a short phrase from
the literary text, deploying puns or wordplay, or
some combination of these techniques.