thechorister - kathie hill music

Side By Side – Multigenerational Music and Arts

R E S O U R C E S F O R M U S I C M I N I S T R Yaugust | september 2013 volume 65 | issue 2

Speaking the Words by Alice Parker

Top 10 Children’s Anthems based on Hymns and Folk Tunes

Shape Up Your Rehearsal!

PLUS +

Envisioning Your Choir Program

thechoristerR E S O U R C E S F O R M U S I C M I N I S T R Y

December 2017/January 2018

HELEN KEMP LECTURE by Terry Taylor

PLUS:

FOCUS ON HYMNSby Betsy Henderson

SHINE A LIGHT by Katie Houts

Volume 69 | Issue 4

Musicals with a mission!

In the Beginning (of this fun and CREATIVE new musical)... we meet a group of children who have just experienced the story of The Creation. And now they’re starting to wonder what it really means to be created in the image of God. Through humorous, earnest exploration, the children discover that being created in the image of God isn’t about physical appearance. It’s about creativity, faithfulness, responsibility, community, and the ability to find the good in things.

In the Image is perfect for any time of the year and especially shines as a Worship Arts Camp or summer production!

For unison/two-part voices with piano and optional oboe (or C instrument) and percussion.

CGC63 In the Image Score – $8.95CGRP41 In the Image Reproducible Instrumental Parts – $19.95CGK32 In the Image Preview Kit – $14.95CGCD63 In the Image Demonstration CD – $12.95CGCDP60 In the Image Demonstration CD 10-Pack – $69.95CGCD62 In the Image Accompaniment/Performance CD – $49.95

In the IMageA New Children’s Musical From Mark Burrows

Place your order at www.choristersguild.org or 1-800-CHORISTER (246-7478)

Look no further, preschool teachers : this new collection is perfect for your holiday celebrations! Sue Hawkins Duckett’s delightful resource book includes five programs for special days throughout the preschool year. Each themed program includes 4-5 very short songs, the perfect length to perform for family and friends. No costumes or sets are needed for these musicals, which only require the precious voices of your littlest singers. Any floor can become the stage and any combination of instruments can lead the song – use piano or guitar, or both, or none! Includes Demo/Accompaniment tracks and suggested actions for each song. Appropriate for use in sacred or non-sacred preschool settings.

CGC62 Mini Musicals: Five Short Preschool Programs for Special Days $29.95

celebrate those special PReschool days! Thanksgiving Day * Valentine’s Day * Mother’s Day

Graduation Day * A Day at the Zoo

Place your order at www.choristersguild.org or 1-800-CHORISTER (246-7478)

December 2017/January 2018 | thechorister | 1

CHORISTERS GUILD 12404 Park Central Dr. Ste. 100 Dallas, TX 75251-1802 800.246.7478 or 469.398.3606 469.398.3611 (fax) choristersguild.org

The Chorister is published bimonthly. Choristers Guild is a 501 (c ) (3) nonprofit, religious and educational corporation chartered under the laws of the State of Tennessee.

Choristers Guild StaffDAWN JANTSCH Executive Director [email protected]

MARY ANNA SALO Executive Assistant [email protected]

ELLEN YOST Director of Marketing and Engagement [email protected]

KATHY LOWRIE Handbell Editor [email protected]

KATIE HOUTS Sacred Choral Editor [email protected]

MARY LYNN LIGHTFOOT School Choral Editor [email protected]

KAROL KIMMELL AND CHRIS NEMEC Choristers Guild Institute Directors

SUSAN EERNISSE The Chorister Editor [email protected]

Advertising [email protected] or (469) 398-3606, ext. 227

The Chorister Design Mara Dawn Dockery

2 From the Editor

3 Shine a Light – Make a Difference by Katie Houts

4 Joy In Our Journey: Helen Kemp Lecture by Terry D. Taylor

9 Choral Notes: What's New From Choristers Guild

13 Focus on Hymns: What Child is This? by Betsy Henderson

16 Musicals With a Mission by Lori Borger

19 Calendar of Events

20 Children’s Choir Devotions by Members of Advent Lutheran Church

24 From the National Board Past-President by Teri Larson

MEMBER ARE A LOG IN choristersguild.orgLooking for your Member Area Log in? Click Member Log-in and Forgot Your Logon Information? Click Here. Type in the requested information and click submit. You will receive an email with everything you need.

G ET CONNEC TEDThere’s a lot to like about Choristers Guild on the web. Our Facebook page is a place to connect with other members, share ideas and get info on special offers and new music. Like us at facebook.com/ChoristersGuild

December 2017/January 2018

Cover photo credit: Cover photo provided by Lori Borger.

Contents

2 | thechorister | December 2017/January 2018

From the Editor

What is the soundtrack that is playing in your life these days?

I have just gone through several months of Khachaturian’s “Sabre Dance”. You know – frantically running to catch up, staying one day ahead of the To Do list, checking Google Calendar multiple times daily to make sure I am in the right place, on the right day, at the right time? As I turn the page to December, I am ready to change tracks. How about some “Still, Still, Still” or “In the Bleak Midwinter” or even a bit of

“Silent Night”? Give me some Pentatonix, The Carpenters, or even “A Charlie Brown Christmas.”

Many years ago, at the Freeman Family Thanksgiving lunch, my dad stood to give a speech. Dad was always a model of gratitude and thankfulness. He asked that none of us purchase Christmas gifts for he and mother that year, and in the years to come. He said he wanted us to take the money and give it to a needy family, or to a charitable cause of our choosing. My husband and I, my 2 brothers and their wives, and most of the grandchildren did as Dad requested. Through the ensuing years, numerous families and organizations benefitted from the generosity of my father. The thing was that though we spent the same amount of money, Dad helped us to simplify Christmas, and in the process, discover even greater joy in giving. Dad is no longer with us, but I still like to buy his gift each Christmas. “’Tis a gift to be simple!” Thanks, Dad.

If you are looking for a mid-year, after Christmas reboot, why not register for a conference to get back on track. The Atlanta and Dallas CG Chapters host great workshops each January. Both workshops are January 12-13, 2018, and feature excellent clinicians. Thanks to all the CG chapters for providing great support to church musicians around the country throughout the year!

Keep singing the song!

-Susan

Board of DirectorsTERRY GOOLSBY President Dallas, TX

TERI LARSON Past-President Maple Grove, MN

ANDREW MASETTI Secretary-Treasurer Westfield, NJ

STEPHANIE MCILWAIN MILLER Bellevue, WA

TODD ARANT Apex, NC

JOHN SUTTON Altadena, CA

RUTH SZUCS Richmond, VA

SANDRA ROSALES Santa Ana, CA

Covenant SocietyPlease consider joining our Covenant Society–those who have included Choristers Guild in their will or other estate plans:

LARRY K. BALLBETTY BEDSOLEJUDY AND LARRY BRITTSREV. RICHARD F. COLLMANJUDITH E. DARDAGANIANJANET M. DAVIDSONNORMAN AND ETHEL GEISTTERRY AND PAM GOOLSBYC. MICHAEL HAWNJOANNA E. PRETZ-ANDERSONJIM AND STEPHANIE RINDELAUBMARY LOUISE AND DON VANDYKEPRISCILLA B. ZIMMERMANN

Material in this publication may notbe reproduced in any form without permission, unless otherwise indicated. The publisher assumes no responsibility for return and safety of artwork, photographs, or materials. Acceptance of advertising or rental of mailing list does not imply endorsement.


Shine a Light – Make a Difference

When I learned our school district had cut elementary general music programs for 2017-2018 and the foreseeable future, my heart sank. Music was my favorite class in elementary (and middle school, high school, college…), and it was my children’s favorite, too. As I wrapped my head around what this meant for my children

– and the lasting impact of removing music from elementary classrooms – I felt deep sadness, disappointment, frustration, and disbelief.

Those four feelings prevailed for a solid few weeks and I could sense them snowballing to a darker place: anger. It was October, and I would brood at my desk, reminded of the school board’s decision every time the school bell rang a block away. But every now and then, I’d feel tiny glimmers of something. Excitement, maybe? Hope. Determination. Motivation.

One afternoon, I mustered up the chutzpah to email my kids’ teachers. “Is there any possibility that I could volunteer in the classroom a few times a month, doing a music enrichment activity with the kids?” I really had no plan. I just felt like I needed to ask the question. Both teachers answered with a resounding, supportive YES and immediately started talking about calendars and scheduling.

Oh boy, I realized. What have I gotten myself into? (I said with a smile.)

Those tiny glimmers of excitement and motivation are larger now. They grow each time I arrive at my son’s 5th grade classroom with buckets and chopsticks (which are a great, cheap alternative to rhythm sticks, FYI) and channel my inner Mark Burrows for some drumming fun. They grow the second I peek my head into my daughter’s second grade classroom and get mobbed with requests to play Circle ‘Round the Zero and Obwasimisa.

It’s not perfect. I’ve never taught in public schools, so I’m learning as I go. But we’re making music together, and that’s what matters. I wouldn’t have had the courage to send those initial emails if it weren’t for my friend, Terry Taylor. Terry was the Helen Kemp Guest Lecturer last summer for CGI, where he shared a very similar story (featured on page 4). His inspirational work with children in public schools and churches gave me the chutzpah to press ‘send.’ And his tireless commitment to bring music to the youngest voices among us gives me hope that the same will happen in my district.

Be encouraged, my friends. If you’re facing decreasing numbers or a smaller budget in 2018, don’t despair. They’re no match for a little bit of creativity, some chutzpah, and the Holy Spirit.

The Light shines in the darkness, and the darkness

has not overcome it.-Katie


Joy in Our JourneyTHE 2017 CHORISTERS GUILD INSTITUTE

HELEN KEMP LECTURE

BY TERRY D. TAYLOR

I’m honored to be here with you at the Choristers Guild Institute and to share in this meaningful evening. Everything about the Institute is impressive, from the level of instruction, to the commitment of you who have worked so hard to sharpen your skills. It’s been a delight to meet and visit with you, and especially to participate in your worship times that have been so rich.

In my conversations yesterday and today, I’ve been inspired to hear many of you speak about your “call” to

children’s music ministry. I want to talk about finding Joy in Our Journey and in our call as we minister and serve.

In his book, A Long Obedience in the Same Direction, Eugene Peterson quotes a daughter’s description of her church-elder father, who was full of rectitude and rigid with duty: “He was completely unselfish,” the daughter said, “and in his long life, never committed a pleasure.” Peterson goes on to describe the role of joy in the believer’s life. “Joy is not a requirement of Christian discipleship,” he says, “It is a consequence.”


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• OAKE Endorsed Kodály Certification Levels I, II, III

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• Develop conducting and choral rehearsal skills

• Kodály scope and sequence based on current research

• Learn hundreds of canons, partner songs, and octavos

HOW WILL YOU DRIVE EDUCATION

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JOY IN OUR JOURNEY: THE 2017 CHORISTERS GUILD INSTITUTE HELEN KEMP LECTURE

Those of us gathered here have many reasons to be overflowing with joy. God has called us to ministry, and given us the glorious gift of music and the arts. God has placed in our bones a passion to use these gifts to help mold and shape children in the image of Christ. As we talk about our journey of joy, I want to explore two characteristics that will help us along the way. I believe these attitudes are essential, but we can’t necessarily pack them up before the journey begins. In fact, we are mostly unaware that these traits are at work until we happen to look back over our path from some scenic vantage point, or sometimes, from the ditch.

The first of these characteristics is humility. Children often test our humility, and sometimes in a humorous way. A couple of summers ago, I directed the older children’s choir in a summer music camp. I introduced a new song, concentrating mostly on pitches and rhythms. After we sang through the entire song for the first time, Jonathan, a precocious fourth grader on the front row, raised his hand. “Yes, Jonathan,” I said. “Mr. Taylor, you sang right through the rallentando at the bottom of page four.”

We can’t manufacture humility through our own self-efforts, as illustrated by the fictional book title, Humility and How I Attained It. Rory Nolen, in his book, Heart of the Artist, emphasizes the need for us to choose servanthood over stardom, to concentrate on people, to keep our message in mind, and to evaluate our motivations. Humility requires that we own our mistakes and not blame others. Humility gives us the grace to acknowledge our limitations, to ask for help, and to minister in community. It prompts us to avoid defensiveness, to take instruction, to apologize, and to forgive even in the absence of an apology. Humility motivates us to mentor others, and to watch and celebrate from the shadows as their skills develop and their confidence grows.

When I lived in Oklahoma in the nineties, I joined the Central Oklahoma Chapter of Choristers Guild and was delighted to learn that John and Helen Kemp were members and advisers in that chapter. They were so humble and accessible. I will always remember the times they invited us into their home for “Muffin Morning at the Kemps.” The guild officers would often meet at a local restaurant, and we would have casual conversations about our ideas that were working or not working. Like the rest of us, John and Helen shared experiences that weren’t as successful as they had hoped or planned. They were so open and vulnerability. Yet, they were not hesitant to launch out and serve when they saw a need or felt a call.

" Humility gives us the grace to acknowledge our limitations"



This leads me to the second characteristic for a joyful journey, and that is chutzpah – that Yiddish word for boldness or audacity, that often flies in the face of so-called conventional wisdom.

When I moved to Oklahoma, John and Helen had already retired from First Presbyterian Church in Oklahoma City. They were part of a small congregation that didn’t yet have an established children’s music ministry. They naturally found opportunities to provide musical experiences for children on Sunday mornings. I vividly remember their joy as they shared the progress the children were making in learning to match pitch and sing. I will always remember how they took advantage of unique opportunities to teach children.

I had a similar opportunity in Dothan, Alabama. When I moved there in 2000, the city school system had ten elementary schools with no music teachers. A fellow staff member at my church asked if I would volunteer to teach music at the school where his children attended. I agreed, and he talked to the principal. Soon, I was spending my Thursday afternoons with three individual 5th grade classes, teaching choral music and Recorder Karate. This was the beginning of an adventure beyond my wildest imaginations.

The 5th grade teachers told me that the atmosphere of their classrooms was totally different on Thursdays. They told me about children who would stand by the window and watch for my car to pull up. The teachers said that music was helping their students become more engaged and focused. Our evening concerts filled the cafetorium, and strengthened parental involvement in the school.

The project was not without its challenges. After a while, a new statewide reading initiative began, and the required “protected reading time” threatened

to end my access to the classrooms. The solution was for all three 5th grade classes to combine and meet together in the cafetorium for choral music and recorder. There is simply no way to describe what it’s like to teach recorder to a group of ninety children! Thankfully, I had learned how to teach recorder from Michael Hawn, using a modified Suzuki method. Still, after those recorder sessions, I would sit in my car for a few minutes and listen to classical music until a sense of intonation returned!

Because music was making a dramatic impact in the school, I wondered if there was a way to multiply my efforts. After a couple of years of volunteering, the principal was promoted to the central office. With her encouragement and cooperation, I gathered a small group of interested individuals, and we launched a program called Encore, Bringing Music Back to Our Schools. We created a seasonal songbook with simple lesson plans, so that anyone with a limited amount of music in their background could teach. Through local church choirs, civic organizations, and Bridge clubs, we enlisted and trained a small army of volunteers. For two years, these amateur, volunteer “music teachers” provided a weekly musical experience for over 3500 children in the ten elementary schools. At the end of each year, children from the ten schools would combine for a citywide concert at the local civic center. At the end of the second year of Encore, the school superintendent announced that professional music teachers were going to be hired back in the elementary schools. The success of the Encore program helped me gain the chutzpah needed to begin a small faith-based children’s music company with Dora Ann Purdy called Dot Music Resources, to produce developmental appropriate songs and teaching materials. Through the vision and support of an arts-minded Christian businessman named Tom McAfee, that company eventually became Growing in Grace Children’s Music Curriculum.

"We need to seek that sweet spot where humility and chutzpah intersect."


When I moved to Nashville to begin my full-time work with Growing in Grace, I eventually became the part-time Minister of Music at an urban church along Nashville’s international corridor, south of downtown. I learned that the elementary school across the street from the church had 26 languages represented, more than any other elementary school in Tennessee. Many

of these children are refugees, whose families are struggling for basic necessities, and striving to establish themselves in a new country. I remembered reading a book years earlier titled, With Hearts and Hands and Voices by Sue Ellen Page. That book included a section that described her vision and work as she started an outreach choir through Nassau Presbyterian Church,

called the Trenton Children’s Chorus. Inspired and motivated by her experience, I called Sue Ellen. Though she had retired from the Trenton Children’s Chorus, she was happy to help, and we had several lengthy phone conversations, and exchanged quite a few emails over the months that followed. Sue Ellen told about the early days of the Trenton Children’s Chorus, and her reservations about stepping out into this new ministry. She told me about her conversations with a friend named Alma Hill, who told her, “God is calling you to do this work. Now stop worrying, just go on and do it.” So with Sue Ellen’s counsel and encouragement, we stepped forward and started an outreach musical organization in Nashville called the Children’s Freedom Choir. We began with a series of summer music camps that have enrolled up to 100 children from 14 ethnic groups. We now have an ongoing outreach choir that will soon begin its second year.

It is often a challenge to “ just go on and do it!” Our society, including our church culture, places a high value on outcomes, results, and efficiency. As a rule, we tend to value order over impact. But the more we cling to effectiveness, the more likely we are to take on smaller and smaller tasks, because they are the only ones we can control. The truth is, missional ministry can be messy. This is why we need to seek that sweet spot where humility and chutzpah intersect. This is the place where we push back against the rush and pressures of life, and present our brokenness to Christ. It’s the holy space we create in our lives where we listen to God, and humbly ask the Holy Spirit to nurture our inner wisdom and guide our dreams and our work. Then, we can step out in faith and joy, and embrace the chaos, knowing that God can steer us best when we are moving forward.

In one of her emails to me in May of 2014, Sue Ellen related a touching story from a Trenton Children’s Chorus concert. This story has been so inspiring and


"God is calling you to do this work. Now stop worrying, just go on and do it."


heartening to me, so I close with this message from Sue Ellen that exemplifies the Joy of the Journey, empowered by the humility and chutzpah that we should take with us from this week:

Hi Terry,

First, I attended the spring concert of the TCC last night. To my right was one of my sons who, as a kid, sang in The Covenant Singers (our extra mile choir with the TCC). He plans to volunteer with the program next year. On my lap was my almost three-year-old granddaughter.

She was delighting in the singing, and alternated between standing in the pew ‘conducting’ as she has seen her Nana do most every Sunday, and sitting in my lap giving me hugs. In front of me was a toddler, the child of a former TCC member, now in the military. She was sitting with her grandmother, but looking back over the pew, smiling sweetly at me with Chloe on my lap. The setting sun was flooding through the adjacent window, as we listened to one of the younger choirs singing, “What a Wonderful World.” It was one of the most

profoundly moving experiences I’ve had, as I heard this song beautifully shared, with such love and beauty all around. I thought about how far the TCC has come since its meager inception in 1987 and note this experience for you from the vantage point of seeing the fruits of one’s labors, now carried to the next step, and the next. Alma Hill was right: “God is calling you to do this work. Now stop worrying, just go on, and do it.”

Susan Eernisse tells of a special schoolteacher friend of hers who had a poster on the back of her door, so she would see it each day before meeting her students. The poster said, “I Choose Joy!” Susan affirmed that joy truly is a choice: “It makes all the difference in our teaching – children see the difference, children feel the difference.”

Psalm 90:17 from The Message says it this way: “And let the loveliness of our Lord, our God, rest on us, confirming the work that we do. Oh, yes. Affirm the work that we do!”

“God is calling us to do this work. Now let’s stop worrying, just go on, and do it.”


Terry D. Taylor is the Managing Editor of Growing in Grace Children's Music Curriculum and a church musician, having served as Minister of Music in churches in Tennessee, Georgia, Alabama, and Oklahoma. Terry is widely respected for his interest, creativity, and leadership in music ministry to children. His anthems for children are published through Choristers Guild. The son of a pastor, Terry was born in Bowling Green KY and attended Cumberland University in Lebanon, TN, Belmont University in Nashville, TN and The Southern Baptist Theological Seminary in Louisville, KY, where he received his Masters in Church Music with a conducting major. Terry's belief that all children should have the opportunity to sing manifests itself in many aspects of his life's work, through school and church choirs and community outreach.

"Joy truly is a choice"


Sing HallelujahMark BurrowsEASTER

This joyful anthem from Mark Burrows is bursting with the good news of Jesus’ resurrection! A sparkling two-part echo is the melodic foundation, making this a great choice for a combined-age choir. Obviously perfect for the Easter season, this singable anthem is also fitting whenever we celebrate Jesus at work in the world.

CGA1526 Two-part with piano $2.25

The Lord Is My LightMark PattersonBASED ON PSALM 27:1-6GENERAL, LENT

Written in honor of Helen Kemp, this lyrical unison ballad from Mark Patterson exudes warmth and strength. A flowing, expressive piano accompaniment grounds the piece, and optional bells or chimes punctuate the message. The anthem ends with an inspiring coda depicting the house of the Lord, where Mama Helen is certainly singing with joy.

CGA1529 Unison/two-part with piano and $2.25 optional two octaves handbells

Do You Hear the Shepherd?Kimberly IngramBASED ON JOHN 10GENERAL, EASTERROTE TO NOTE CHORAL SERIES

Our newest Rote to Note anthem highlights the parable of the Good Shepherd – and it’s a charmer! The memorable melody stays within a six-note range, so early note-readers can easily identify staff movements on the enlarged vocal staff. Imagine the wonderful conversations about how God calls to us – and what that might sound like! The instrumental part (which depicts the shepherd “calling”) can be played by handbells, handchimes, or Orff instruments and is simple enough for choristers to play while they sing.

CGA1527 Unison with piano and optional $2.10 handbells, handchimes, or Orff instruments

Treble Voices (Unison, Two-Part)LENT/HOLY WEEK/EASTER

Choral NotesWHAT'S NEW FROM CHORISTERS GUILD | SPRING 2018

Order resources online at www.choristersguild.org or call 800-CHORISTER (246-7478)


CHORAL NOTES: WHAT'S NEW FROM CHORISTERS GUILD

A Child’s PrayerAndrew BruhnTEXT BY MATILDA BARBARA BETHAM-EDWARDSGENERALHEATHER POTTER CHORAL SERIES

Andrew Bruhn’s newest treble anthem is a humble and heartfelt prayer - combining a text filled with beautiful imagery with a straightforward, almost haunting, melody. The largely stepwise melody makes this piece accessible for the emerging musician. The accompaniment is well-suited for both piano and organ, while a charming descant provides a stunning complement to the simple melody. Includes a reproducible congregational refrain for use in worship.

CGA1528 Unison/two-part with piano or organ $2.10

The Children of GodNathan SmithBASED ON MATTHEW 5:7-9GENERAL

Jesus’ Sermon on the Mount – and specifically, the Beatitudes – is set in a delightful way by composer Nathan Smith. A bubbly melody tells the story of Jesus lifting up the merciful, the pure in heart, and the peacemakers. A beautiful, soaring descant enters on the final refrain, fully supported by a wonderful piano accompaniment. Consider pairing this anthem with a reading of Matthew 5:7-9, or use this musical retelling in place of a spoken reading.

CGA1543 Unison/two-part with piano $2.25

Trust in GodTerry D. TaylorGENERALROTE TO NOTE CHORAL SERIES

“When you’re in a tight spot (a place you wish you were not),” what do we do? Choristers explore what it means to trust God in this fantastic new Terry Taylor anthem. Story snippets of Jonah, Paul & Silas, Daniel, and Esther show that God is with us when God’s people are in

tight spots. With a spirited, syncopated refrain and an opportunity to feature a few soloists, Taylor presents this important biblical theme in a dynamic way. Part of our Rote to Note series, with an enlarged vocal staff for early note-readers.

CGA1540 Unison with piano $2.10

Everybody’s Got a Place in the ChoirGreg GilpinGENERAL

Grab your neighbor and join the choir – because there’s a place for everyone! In this fun, energetic anthem from Greg Gilpin, a memorable melody becomes a spirited two-part echo song. With a swingin’ accompaniment, this piece is a great way to celebrate God’s wide welcome and our shared identity as God’s family.

CGA1541 Two-part with piano $2.25

The Fruit of the SpiritBecki Slagle MayoBASED ON GALATIANS 5:22-23GENERAL

A heartwarming new anthem from bestselling composer Becki Slagle Mayo. Lovely, lyrical lines capture the essence of this foundational bible text in a wonderfully musical way. Set in a cheerful 6/8, the melodic phrasing is perfection. An uplifting countermelody in the optional Part II is doubled in the flute part.

CGA1535 Unison/two-part with piano $2.35 and optional flute

Treble Voices (Unison, Two-Part)GENERAL




What a Friend We Have in Jesusarr. Matthew J. ArmstrongTEXT BY JOSEPH SCRIVENGENERAL

This beloved hymn text is set to the tune BEACH SPRING in this inspiring arrangement for mixed voices. A lush piano accompaniment complements the gorgeous part-writing, which includes optional divisi and an opportunity to feature a soloist. With delicate, moving moments throughout, your choir will want to hear more from this composer!

CGA1530 SATB with piano $2.25

Let the Children Come (Waacheni Watoto Waje Kwangu)Mark BurrowsGENERAL, BAPTISMWE SING THE WORLD ROUND CHORAL SERIES

A bright, jubilant song of welcome! Composer Mark Burrows takes the tender story of Jesus welcoming children and sets it with exuberant energy. All God’s children will be moving to the rhythm of this anthem, which incorporates Swahili text and percussion accompaniment. Vocally accessible and repetitive in all the right ways, this is a great way to acknowledge and accommodate children in worship.CGA1531 SATB with percussion $2.25

When in Our Music God Is Glorifiedarr. Hal HopsonTEXT BY FRED PRATT GREENGENERALHYMNS OF FAITH CHORAL SERIES

An exhilarating celebration of music! Hal H. Hopson's concertato on When in Our Music God Is Glorified is jubilant, powerful, and a stunning way to glorify God on any festive occasion. With handbells, brass, timpani, and a surprise inclusion of SINE NOMINE in the middle, the stanzas build to an impressive ending. Hearts and voices will be soaring after the final Alleluia!

CGA1486 SATB with organ and optional $2.75 handbells, brass, timpani, and congregationCGRP42 Reproducible Instrumental Parts $19.95

The Day Is Coming Mark A. MillerLAURIE ZELMANGENERAL

In times of uncertainty and hopelessness, Mark Miller's music reminds us that we are essential instruments of peace. This uplifting anthem empowers us to face crises as faithful people of God, working together for a better world. Also available for solo voice and/or congregation in CGBK72 Roll Down, Justice!


Ascension PrayerThomas L. KeeseckerASCENSION, GENERAL

This earthy, purposeful anthem reflects on the work of the people after Christ’s resurrection and ascension. The natural rising and falling of the phrase is a compelling representation of the disciple’s journey. Without other accompaniment, voices move together as one, bringing the piece from prayerful inception to focused completion.

CGA1538 SATB, unaccompanied $2.10

Mixed Voices (SATB/SAB)GENERAL




Broken Yet ChosenMark A. MillerLINDY THOMPSONGENERAL, LENT

In this emotional new ballad from Mark Miller and Lindy Thompson, we ponder the possibility that God would choose to use us – broken as we are – to bless and heal others. The poignant text from Thompson is set to a soulful, yet accessible, melody by Miller, which is easily adaptable for SAB and SAT voicings. The result is a touching, powerful realization of God’s grace and redemption.


A Resting PlaceDavid RasbachLIDIE EDMUNDSGENERAL, LENT

The newest anthem from composer David Rasbach is a breathtaking, compelling statement of faith. Salvation through Jesus Christ is proclaimed through an exquisite melody, rich harmonies, and a skillful accompaniment. A truly beautiful depiction of Christ’s love and sacrifice, sure to be a stunning addition during Lent and Holy Week worship.


Were You There?arr. Brian L. HansonLENT, HOLY WEEK, EASTER

An outstanding arrangement of this beloved spiritual from the pen of Brian L. Hanson. Hanson’s choral writing uses unison lines in an intentional way, prompting an earnest response from the optional cello part. The delicate piano accompaniment seems to mark the passage of time as The Three Days unfold. A tonal change and dense piano chords signal the resurrection, and the climax, before the piece ends in hushed awe. A unique feature of this arrangement is the optional

ending for Holy Week. This flexible anthem is a must-have for your choral library!

CGA1533 SATB with piano and optional cello $2.35

Hosanna in the Highestarr. Nancy GiffordPALM SUNDAY, GENERAL

A stately, jubilant way to celebrate the triumphal entry of Christ on Palm Sunday! This three-part canon is accessible for any combination of mixed or treble voices. Handbells add sparkle to the accompaniment, which is flexible for piano or organ. An optional Doxology text is included for General use.

CGA1534 Three part (any voices) with piano $2.10 or organ and three octaves handbells or handchimes

Should One Sheep Go AstrayChristopher HoganEASTER, GENERAL

Here is an endearing, heartfelt anthem for SATB voices from Christopher Hogan. The relationship between the shepherd and the lost sheep is poignantly featured in this piece. A beautiful harmonic structure, expressive lines and supportive accompaniment soar into the final stanza, where voices celebrate God’s gifts of grace and eternal life.


Mixed Voices (SATB/SAB)LENT/HOLY WEEK/EASTER



FACT FINDER: There is a belief that the melody, ‘GREENSLEEVES’, first published in 1652, was written by King Henry VIII in honor of his future queen, Anne Boleyn. However, it likely predates him by hundreds of years as a cradle song. The title of this melody refers to a tradition by which all nobility was identified by the color of fabric worn on their sleeves. Each prominent family displayed a specific, distinctive color.

The seasonal text for Christmas was associated with the melody as early as 1686, even though the tune was more popular than the lyrics. By the 19th century, every Christmas carol collection had a version of the song. Written in England, it became more widely enjoyed in the United States. There have been more than twenty known texts associated with the tune, and it has been recorded by countless noted artists since 1956 to the present.

CLAIM TO FAME:The author, William Dix (1837-1865), a surgeon’s son born in England, became an insurance company manager while continuing his love of writing poetry. “What Child is This?” stemmed from one of his poems titled, “The Manger Throne”, with three stanzas set to music. At age twenty-nine, Dix became quite ill and was bedridden for a lengthy period of time, resulting in a spiritual awakening. He wrote over forty hymns, including another carol, named “As With Gladness, Men of Old” (1860). Although his name is not mentioned in most hymnals, Sir John Stainer (1840-1901) is given obscure credit for possibly setting Dix’s text to the familiar English tune. Stainer, an organist and composer who taught himself to also play flute, piano and violin, was the eighth of nine children born to a cabinet maker.

WORD PLAY:Written in A-B form, this hymn text in ‘verse/refrain’ format features a repeated, identical refrain for all verses. In poetry form, however, each B section has a different text message to correspond with the verses.

Hymn Writer: William C. Dix in 1865

Composer: 16th century English melody (harmonized by Sir John Stainer)

Hymn Tune: GREENSLEEVES

Metric Structure: 8.7.8.7 with refrain (number of syllables per phrase)

WHAT CHILD IS THIS?A Hymn Study for Young Choristers

BY BETSY HENDERSON Hymns

F O C U S ON

FOCUS O

N


Activity:~ Read the first stanza text aloud to discover the ‘question (measures 1 – 4) and answer’ (measures 9 – 12) theme, which tells the traditional Christmas story. Sing the first stanza, raising a hand when any reference to Jesus is sung. (child – measure 1; Christ the King – measure 10; the babe and son – measure 15)

~ Read aloud the question in stanza two (measures 1 – 4). Determine that the word ‘mean’ in this instance refers to the condition of the surroundings, which are less than would be expected for a king. Sing stanza two, increasing the dynamic level on the refrain.

~ In stanza three, one and all are invited to the manger, whether as peasants or kings, to greet the baby with loving hearts. The familiar gifts brought by the three wise men are named, changing ‘frankincense’ to ‘incense’ to fit the melodic rhythm in measures 1 and 2. Sing the third stanza with energy as the story comes to a climax.

BONUS~ Sing these words to the tune of the refrain as a variant published for stanza three of the poem:

“Raise, raise a song on high,The virgin sings a lullaby.Joy, joy for Christ is born,

The babe, the Son of Mary.”

TREASURE HUNT:Much of the ‘GREENSLEEVES’ charm comes from its lilting triple-meter time signature (6/8). Activity:

~ Count the total number of measures in one stanza of the song. (16)~ Find measures containing dotted quarter notes in the melodic line as cadence endings. (measures 8, 9, 13 and 16) ~ Tell what the shepherds do in the text? (watch and guard) What do the angels do? (greet and sing)

BONUS~ Besides incense, gold and myrrh, what the other gift are we asked to bring to the newborn king? (‘laud’ in measure 14)

BODY PERCUSSIONTo enhance the experience of singing this seasonal hymn, body percussion, unpitched

rhythm instruments and/or a vocal descant may be added.

~ Practice counting six beats in each measure aloud, adding patschen on beats 1 and 4, clapping on beats 2 and 5 and snapping on beats 3 and 6.

~ Sing the refrain with this body percussion pattern on the steady beat.

1 2 3 4 5 6 pat clap snap pat clap snap

FOCUS ON HYMNS: WHAT CHILD IS THIS?


RHYTHM INSTRUMENTS~ Count six beats in each measure aloud, adding the suggested rhythm instruments on the steady beat. (hand drum on beats 1 and 4, tambourine on beats 2 and 5 and finger cymbals on beats 3 and 6)

~ Sing the refrain for each stanza with the suggested unpitched rhythm instruments or create your own accompaniment.

1 2 3 4 5 6

VOCAL DESCANTThe following descant can be sung (or played) along with the A section (verse) of each stanza.

~Perform the B section (refrain) in unison as an exclamation of praise without the descant.

THE BIBLE TELLS US SO:During William Dix’s severe illness and brush with death, he reportedly read the Bible incessantly. Supposedly he wrote the poem, “The Manger Throne” after reading the account of Jesus’ birth in Matthew 2:1 – 12.

Activity: ~ Read the following verses of scripture aloud to seek inspiration that William Dix found during his spiritual awakening: Matthew 2:1-12 and Luke 2:6-20 (NKJV).

FOCUS ON HYMNS: WHAT CHILD IS THIS?


Betsy Henderson is currently the Children’s Music Coordinator at First United Methodist Church in Garland, Texas, and is the former Fine Arts Coordinator for Garland ISD. Betsy has served as elementary state chairman for both Texas Music Educators Association and Texas Choral Directors Association, receiving TCDA’s Choral Excellence Award in 2006. She was on the authorship team for two international music textbook series, Share the Music and Spotlight on Music for Macmillan/McGraw-Hill Company as well as the sole author of teacher resources published by Hal Leonard Corporation. She is a co-author of Praise Takes Flight (CGBK68), a resource book for children’s choir directors, published by Choristers Guild.

FOCUS ON HYMNS AND MUSICALS WITH A MISSION

MUSICALS with a

MISSIONBY LORI BORGER

CLOSING: Offer your own prayer giving ‘glory to God in the highest’, asking for ‘peace on earth, good will toward men’. A-men.


My 4th & 5th grade Music Makers Choir ties our annual musical to a mission that aligns with our musical’s message, and those two things - the message and the mission - thread their way through our entire choir.

Combining our musical with a mission helps to firmly ground us in ministry. Our focus shifts a bit from what WE are doing to what we are collectively trying to accomplish for OTHERS, through what we are doing. Making a commitment to being and doing our very best is an easier sell when it’s not just about US - the more we invest in our production, the more our audience will probably invest in our goal to help others.

Some key components to fundraising with a musical:

• Find a reputable nonprofit organization or project to which children can easily relate.

• Choose an organization that aligns with your musical’s message in some way.

* Communicate your outreach goals in your advertising & in person at the musical.

Finding an organization that links to your message is actually kind of a fun, creative step. It provides an opportunity to explore the myriad of outreach opportunities available, and sinks us deeper into the message, discovering how it directly translates into our world today.

For our musical with senior adults, we raised funds for Music & Memory, providing i-pods and i-tunes for seniors with dementia. “The Tale of the Three Trees” benefitted an organization called Trees for Life. A multicultural musical funded school desks and supplies for a new school in Mozambique. When the kids were the Army of God in “The Rock Slinger and His Greatest Hit”, we partnered with an organization that assists veterans, and sent care packages overseas to soldiers from our home church.

Last spring, our musical was Kathie Hill’s “We Like Sheep,” about the lost sheep. Our outreach was obvious, since Heifer International is one of our favorite organizations. Our initial goal was to fund one sheep ($120) for every child in our musical - 29. I always set

Children + music + drama = a powerful combination for changing lives!

MUSICALS WITH A MISSION


MUSICALS WITH A MISSION

a goal that I am SURE we can attain, and I also set a “DREAM GOAL” that I’m not sure we can actually reach. This one was easy: it’s the parable of the 100 sheep!

In choir, we learned how a sheep transforms a poor family’s life - providing food (milk, cheese & yogurt, plus free fertilizer to increase garden yields), warmth (wool for blankets and sweaters), and an income (selling or trading extra dairy and woolen goods!). At Christmas, our gift to each other was funding our very first sheep, so the choir also participated in giving. We collected quarters in a clear plastic tube until they added up to $120 - our Christmas sheep!

The VERY BEST part of Musicals with a Mission is revealing our fundraising total in choir the following week. Building in a little anticipation makes it a lot more memorable and fun. I had cut-outs of sheep and a

whiteboard covered with green paper. We took turns letting each child tape up a sheep onto the field for each sheep they had funded, reminding them again of what even ONE sheep would accomplish. When we reached our goal of 29, there were cheers of delight! Then I opened another box with more sheep. “More?? We went OVER 29?” When we passed 50, their eyes were wide and mouths gaped open, some were hugging each other. When we got close to 100, the giggles turned into screams.

In the end, these 29 kids funded 110 sheep and raised over $13,000 with their musical! Heifer had a matching grant at the time, so their 110 sheep actually doubled to 220 sheep, or $26,000! They went nuts. Can you imagine how empowering it is for a 4th or 5th grader to know that 220 families’ lives were going to be lifted out of poverty because of their sacrifice of time and talent?


I believe the JOY of GIVING that they experience can be a recipe for developing lifelong mission-minded people. Who knows how many ways that initial mission might manifest itself over the lifespan of these children?

And by the way - the kids are just as excited when our totals are less dramatic. It’s not the amount raised, so much as the knowledge that they as children are fully capable of fulfilling our calling as Christians to feed and shelter the poor, help the downtrodden and sick, and embrace the outcast…at ANY AGE. They hopefully realize that they are not “the church of the future.” Each child is a uniquely gifted, capable and active part of the church TODAY.

Looking for a great musical for spring or for a summer camp? Shop online at www.choristersguild.org.

Jan 12-13, 2018Atlanta Chapter 2018 Mid-Winter WorkshopAtlanta, GA Featuring Anton Armstrong Contact [email protected] for more information or visit www.cgatlanta.org

Jan 12-13, 2018Dallas Chapter 2018 Church Music WorkshopDallas, TXVisit www.dallaschaptercg.org for more information

March 3, 2018Central Florida Chapter Children's Choir FestivalFirst United Methodist Church, Orlando142 E. Jackson St. Orlando FL 32801Clinician: Anka PinkContact Bonnie Litteral [email protected]

TO LIST YOUR CHAPTER EVENTSend your listing to [email protected] with complete information. Include dates, location, clinicians, and contact information. For additional advertising, contact [email protected].

Chapter Events

MUSICALS WITH A MISSION AND CHAPTER EVENTS

Lori Borger is Director of Drama Ministry and Children’s Music Ministry at Manchester United Methodist Church in Manchester, Missouri. www.manchesterumc.org Related link: https://www.youtube.com/watch?v=FooIWJPArF4


BY MEMBERS OF ADVENT LUTHERAN CHURCH, HARLEYSVILLE, PA

Children’s Choir Devotions

The Children’s Choir devotionals have a different look in this issue. Thanks to Vincent Ryan for overseeing this creative project for December/January.

The Chorister Editor, Susan Eernisse, and I were sharing ideas about the devotions in this journal, when we realized that perhaps children could write them for their peers. Students in 3rd-8th grade at Advent Lutheran were divided into groups of 8 people. They were given a Bible verse that corresponded to the liturgical day or season. They were also given a worksheet and asked: 1) What does the verse say in your own words? 2) What is the background story? 3) Write several words that come to mind when you think about your verse. Students were instructed to think of a question to ask their friends regarding the verse, and begin their devotion with it (it helps to get the reader thinking). Finally, they completed their devotion with a prayer.

Since it took a bit longer than anticipated with the children, I solicited volunteers (mostly families) from our congregation to write the January devotions. The entire process was special for all those involved, as it empowered young and old alike to articulate their faith in a new way.

Vincent M. RyanMinister of MusicAdvent Lutheran Church

DECEMBER 3, 2017 1ST SUNDAY IN ADVENT

Stir up your might, and come to save us! Restore us O God; let your light shine, that we may be saved. Psalm 80:2-3

DEVOTION:When is the last time it rained a lot? How did you feel when the sun came out? Remember that God is in the rain and the sunshine. When we feel gloomy, God’s light will shine on us. When we feel joyful, God’s light is there also!

PRAYER:Thank you God, for the rain and the sunshine. Thank you for saving us from our gloomy days. Thank you for the light of your face; let our light also shine before others that we may glorify you!

3rd-6th grade Junior Choir


DECEMBER 10, 2017 2ND SUNDAY IN ADVENT

Prepare the way of the Lord, make his paths straight. All flesh shall see the salvation of God. Luke 3:4,6

DEVOTION:When was a time you had to get ready for something? School? Church? Sports? There were probably certain steps you had to take. For example, if you are expecting company, perhaps you need to help straighten the house, or sweep the floor. During this season of Advent, we also need to prepare our hearts for Jesus, so that we may receive him at his birth.

PRAYER:Dear God, thank you for helping us prepare for the coming of Jesus. Help keep us on the straight path, always loving you. Amen.


DECEMBER 17, 2017 3RD SUNDAY IN ADVENT

Then our mouth was filled with laughter, and our tongue with shouts of joy; The Lord has done great things for us, and we rejoiced. Psalm 126: 2,3

DEVOTION:What makes you laugh? What makes you happy? Why were the people rejoicing in this verse? Because the Lord had done great things for us! Take time to be thankful for the things that make you happy and the things that make you laugh. Rejoice in your excitement.

PRAYER:Dear God, thank you for making me laugh! Thank you for doing great things for us. Help us appreciate everything you do for us. Amen.


DECEMBER 24, 2017 4TH SUNDAY IN ADVENT

(The Angel said) “For nothing will be impossible with God.” Then Mary said, “Here I am, the servant of the Lord; let it be with me according to your word.” Luke 1:37-38

DEVOTION:Is there something that you thought you could not do? Did someone help you with it? If so, who? Try to think of God in times of trouble, and God will encourage and help you.

PRAYER:Dear God, thank you for guiding me in times of trouble, when I am scared, or when I just don’t know what to do. Help me to always look to you when I am afraid. Let me trust you as Mary did. Amen.


CHILDREN’S CHOIR DEVOTIONALS


DECEMBER 31, 2017 1ST SUNDAY OF CHRISTMAS

My eyes have seen your salvation, which you have prepared in the presence of all peoples. Luke 2:30-31

DEVOTION:What is something you need to wait for? We wait for things like the school lunch line, or perhaps graduation from high school or college. When you finally ‘get there,’ how do you feel? Satisfied? Relieved? Joyful? Or maybe disappointed? Simeon had to wait a lifetime to see the Lord, but when he finally did, he was fulfilled!

PRAYER:Dear God, thank you for giving us patience. Sometimes though, we lose our patience. Guide us in these times, so that we may live in your salvation. We ask this through Jesus’ name. Amen.

7th-8th grade Confirmation Class

JANUARY 7, 2018 THE BAPTISM OF JESUS

And a voice came from heaven, "You are my Son, the Beloved; with you I am well pleased." Mark 1:11

DEVOTION:When you are baptized, you become a child in God’s family. Whether you are baptized as a child or as an adult, you are entering, as a child, into God’s family. God is well pleased with you, as he was with Jesus.

PRAYER:Thank you, Jesus, for accepting me into your family and for loving me. Amen

The Greene Family

JANUARY 14, 2018

Then God said, "Let there be light"; and there was light. 4And God saw that the light was good. Genesis 1: 3-4

DEVOTION:There is an old game played by children - "Blind Man's Bluff". One person from the group is blindfolded (“kept in the dark”) and challenged to find the others. But unless the others give clues indicating where they are, they cannot be found. The blindfolded one has no hope of finding the others unless they are given clues. In other words, they need to see the light.

When Jesus called his first disciples he said to them, "You are the light of the world" (Matthew 5:14) Thus we are to bring light to all people by passing on this blessing of light.

PRAYER:Savior Jesus, Grant that each of us may bring light to others so they may not stumble and fall in the darkness. We are called to bring people into a relationship with You as members of your blessed church. Be a guide to us as we share your beautiful light with others. In Your name we pray, Amen.

The Potter Family




JANUARY 21, 2018

And Jesus said to them [Simon and his brother Andrew], "Follow me and I will make you fish for people." And immediately they left their nets and followed him. Mark 1: 17-18

DEVOTION:Fishing requires the right equipment (and some luck!) to catch the type of fish we want. Every person is unique. Therefore, the way you address others depends on the person to whom you are speaking. Each person requires a different approach; it is similar to fishing! Can you imagine being so excited that you dropped everything and walked away, just to do God’s will? The disciples had complete faith that they would be equipped with the proper tools for their new job – to be fishers of people.

PRAYER:Dear Lord, help us to select the right equipment so that we too can fish for people. Help us to be so moved that we drop everything like Simon and Andrew. In Your name we pray. Amen.

The Garges-Shollenberger Family

JANUARY 28, 2018

The people who sat in darkness have seen a great light, and for those who sat in the region and shadow of death light has dawned." Matthew 4:16

DEVOTION:We need to see and learn about God’s unwavering devotion to us. Through the Holy Spirit, we know that God’s love is all encompassing and never ending. During the dark periods of our lives, when there is little or no light, we can become anxious, fearful or doubtful. However, during these same dark days, we are we are strengthened by a new stream of grace, peace and forgiveness. All we have to do is believe in God, our light in the darkness.

PRAYER:Gracious Heavenly Father, you sent your son Jesus Christ to be our light in this world. Despite being constantly connected and upgraded we are pulled further and further away from you. Strengthen and renew us with your light, so we might better serve others and act as good stewards of your love and earth. Your will be done, in Jesus’ name. Amen.

Ginny Ward


-Teri Larson

From the National Board Past-President

In the season of Advent, we as Christians wait in expectant hope and look toward new beginnings. As your outgoing National Board President, I’d like to celebrate a new beginning for our organization as Terry Goolsby assumes the Presidency of the Choristers Guild National Board of Directors. I joyfully anticipate the many new accomplishments that we as an organization will see in the coming years under Terry’s Presidency and the leadership of our dedicated Board.

The past year has been a time of transition for Choristers Guild, as we said goodbye to Jim Rindelaub, welcomed new Executive Director Dawn Jantsch, and began a process of strategic review and analysis, identifying areas of opportunity to strengthen our organization and carry out our mission. My deep gratitude goes out to Jim and Dawn for their dedication and leadership, and to the Choristers Guild staff who work so hard to serve all of our members and stakeholders.

We have much to celebrate! Our choral and handbell publications continue to be recognized as setting the standard for high quality music and carefully-considered spiritual teachings, with more pieces than ever receiving editors' choice recognition and other top honors. The Choristers Guild Webinar Series continues to grow, this year serving more than 350 choir directors and presenting 8 clinicians on topics from hymns to yoga. This past summer we hosted the 9th annual Choristers Guild Institute and we are looking forward to marking our 10th year of the Institute next summer with an event that will welcome back CGI alumni, past faculty, and other key friends and supporters.

As we approach the 70th anniversary of the founding of Choristers Guild, we remain energized by Ruth Krehbiel Jacob’s belief that the children’s choir is vital to the future of the Church. I am most grateful for you, our members, who nurture that spiritual growth in the youngest souls across the nation. Now, more than ever, we need the message of love and peace to be heard in our country and in our world. Our children’s voices are voices of hope. Thank you for your heart-felt dedication in this important work.

Finally, I thank you for the opportunity to serve and look forward to continuing to work for the future of Choristers Guild together with you all.

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