HAPPENIN' C IT'S A SCORCHING ,

EXCLUSIVE REVIEW! |

HAMMER

A NEWSFIELD PUBLICATION O J £ A ISSUE 29 j y - ^ j f

APRIL 1990 US $3.75 SPAIN 435 PTA

o n t o a s c r e e n n e a r y o u !

So, you want to be a pop star? Go with TGM's quick hit guide on page 77!

GAMES, GAMES, GAMES! Warhead! Knights of the Crvstallion!

T I he first fantasy role-playing

4k epic set in the legendary game world of Krynn.

CHAMPIONS OF KR YNN improves on the award winning game system used in SSI's mega-hits POOLS OF RADIANCE and CURSE OF THE AZURE BONDS.

The war of the lance is over, but evil is a BAD loser... with the Dragon armies defeated and the lands to the east reconquered, the forces of good have withdrawn and settled down to a well-earned rest. Evil forces however, never rest and have been quietly plotting a cataclysmic return to power! Their goal: nothing short of establishing the Dark Queen, Takhisis, as undisputed ruler of Krynn!

A DRAGONLANCE

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DRAGONLANCE and iht TSR k>*o arc trademark* owned by TSfcUe., Lake Geacva, WI. USA anil uxd uader UceoM

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Darkness, 5 and her Draconian - ~ — ^ hordes overrun much of the htmu:land of g r

. resistance of this evil power, struggle on the edge of defeat. \ Heroes of the Lance come forward ...or Krynn will ,

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H I m

Send forth your diplomats to forge treaties^ and gain allies that will sioell the numbers of your troops - but when words fail, armies of humans, draconians, ogres, dwarves, elves, dragons and other creatures may prove more i persuasive. Enough talk. Let the WAR OF I THE LANCE begin and the forces of good J and evil battle for ultimate supremacy!

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R E G U L A R S B O O T - U P ! 7 E i g h t p a g e s of m a y h e m , m a l a r k y a n d m a d n e s s — w e l l , a c t u a l l y , n e w s a n d p r e v i e w s — by t h e u b i q u i t o u s R i c h a r d Eddy.

K O N N I C H I W A T O Y O U 6 8 E x c i t i n g s h o t s o f t h e h a n d - h e l d P C E n g i n e , a l o n g w i t h t h e latest r o u n d - u p o f J a p a n e s e g a m e r e l e a s e s f r o m o u r m a n in J a p a n .

V E N T U R E F O R T H 8 4 R i g b y ruf f les h is r u c k s a c k a n d r e v e a l s t h e l a t e s t a d v e n t u r e g a m e r e l e a s e s a l o n g s i d e i n s i d e i n f o r m a t i o n f o r w i n -n ing t h e b ig g a m e s .

G A M E S P E C I A L S

T H E E P I C E P I C 8 P a u l R i g b y d i s c o v e r s t h e l a tes t g a m e f r o m the c rea to rs of F-29 Retaliator. T h e best jus t got bester , e r m , better.

S H O O T I N G S T A R S 7 7 S o y o u w a n t to be a p o p s tar? C h e c k it o u t w i t h T G M ' s qu ick hit g u i d e t o t o p -p ing t h e char ts !

V I S I O N S 8 2 M i c h a e l B a x t e r h a s s e e n t h e f u t u r e of h o m e e n t e r t a i n m e n t a n d it is a big b lack b o x in t h e l o u n g e . E x p l a i n y o u r s e l f , Bax te r l

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F E A T U R E S

S U P E R G R A F X 1 6 A n i n - d e p t h r e v i e w o f N E C ' s f a n t a s t i c s u c c e s s o r to t h e P C E n g i n e , t h e S u p e r Grafx . It, e r m , w a s m e a n t t o a p p e a r last issue . W h o o p s l

D I G I T I S I N G 7 0 J u s t w h e n y o u t h o u g h it w a s s a f e t o t u r n o n y o u r printer. . . F r a n c o F rey p o p s up a n d star ts ye l l ing a b o u t R o m b o ' s lat-es t digi t iser .

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P L A Y I N G T I P S 5 8 If y o u c a n ' t bea t ' e m — c h e a t ' em! A n d here 's R o b i n C a n d y to g ive y o u t h e low-d o w n o n b e a t i n g t h e t o u g h e s t g a m e s a r o u n d .

L E T T E R S 9 4 'U t ter rot! ' 'You don ' t k n o w w h a t y o u ' r e ta lk ing about ! ' 'Fool ! ' ' Id iot! ' Just a f e w c a r e f u l l y c h o s e n p h r a s e s f r o m t h i s m o n t h ' s repl ies. . .

• Love em or loathe 'em. Bros made it to the top — and nwr so can you as TGM's asks So. you want to be a popstar?!'. See page 77.

O H Y E S I T C A N ! 1 8 A f t e r f i n a l l y g e t t i n g o f f t h e M a g i c R o u n d a b o u t , R i c h a r d M o n t e i r o m a k e s it t o W J S D e s i g n t o p r e v i e w It Can't Be Done, Firestorm a n d Witchcraft.

T O P P L E T H E T O W E R O F B A B E L 6 4

G O I N G E P I C ! . - . 8 When F-29 Retaliator stops, jump into your Epic craft and prepare for a magnificent journey through an interstellar battlefield!

I

Gfl ME INDEX 1 6 - B I T

A M I G A After The War 51 Aquanaut 51 Dragon's Breath 48 Dr Doom's Revenge 51 E-Mot ion 36 Fighter Bomber 52 Fire! 53 Hammerfist . . 26 Knights Of The Ciystal l ion. 44 Lost Dutchman Mine 52 Overlander 53 Rotor 55 Scramble Spirits 40 Sideshow 41 Soccer Manager Plus 54 Stryx 54 Space Harrier II 30 Take E m Out 56 Warhead 46

A T A R I S T After The War 51 Astate 56 Black Tiger 37 Conqueror 52 Crackdown 43 E-Mot ion 36 Fighter Bomber 51 Fred 53 Never Mind 55 Operat ion Thunderbolt 55 Rainbow Islands 54 Risk 54 Scramble Spirits 40 Space Harrier II 30

P C Aquanaut 51 Conqueror 52 Hard Drivin' 55 Mean Streets 32 Risk 54 The Kristal 53 Toobin' 55

8 - B I T A M S T R A D C P C Beverly Hills Cop 52 Fiendish Freddy 52 Jack Nicklaus' Golf 55 Wild Streets 56

C O M M O D O R E 6 4 Crackdown 43 Dr Doom's Revenge 51 E-Mot ion 36 ^ F Fourth Dimension 38 W Hammerf ist 26 P

S P E C T R U M Black Tiger 37 Hammerf ist 26 Scramble Spirits 40 Space Harrier II 30

S E G A Dynamite Dux 56 Psycho Fox 34

K O N I X (! ) Hammerf ist 26

3 2 - B I T A R C H I M E D E S Conqueror 52 Rotor 56

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p e n g u i n s , po lar bears , w i th the g u a r d i a n a m o n s t e r ice-c r e a m c o n e — it's def ini te ly not a c a s e of ice to see you , to see y o u ice!' L e a v e the j o k e s to us, m a t e !

'Finally, M o n t y t rave ls to t h e A m a z o n forest w h e r e m o s q u i t o e s , f rogs , 'ga tors a n d s n a k e s all c o n s p i r e to do h i m in. Here l ies the m e a n e s t g u a r d i a n o f t h e m all — a m y t h o l o g i c a l t ree monster . '

A n d how, a s k s y o u r car ing 'n' s h a r i n g T G M Spor t , wil l Greml in be suppor t ing M o n t y ? 'We ' re pub l ish ing a w h i z z o g a m e ca l led Impossamole b a s e d o n his a d v e n t u r e s — o u t at Easter o n S p e c t r u m , C o m m o d o r e , A m s t r a d , S T a n d A m i g a ! Skil l , e h ? '

THE TGM SPORT SAYS: It's a s h a m b l e s — h o w can a l iens g o o n b r e a k i n g into our l ives, t u r n i n g t h e m ups ide d o w n a n d e v e n af fect ing our supers ta r wi ld l i fe? C o m e o n a s t r o n o m e r s — pull y o u r s o c k s up, before a l iens pull ' em off!! Oh, a n d reserve a c o p y of th is latest M o n t y g a m e for us, ta!

ALIENS CREATE SUPER-MOLE!!

Another scorching TGM Sport EXCLUSIVE! Yesterday, t h e ear th h a d a s h o c k i n g visit by a l iens f r o m outer space ! W e can n o w exc lus ive ly reveal that the b u g - e y e d green ies have c rea ted a s u p e r - m o l e — g iv ing the smal l , furry m a m m a l p o w e r s equa l to a p i n k o - C o m m y ' s s tash of w e a p o n s !

T h e e v e n t h a p p e n e d on a s u n - d r e n c h e d is land, pr ivately o w n e d by s o f t w a r e supers ta r M o n t y Mo le . W h i l e quiet ly n a p p i n g under t h e a f te rnoon sun , a l iens ar r ived and f o r c e d h im to g o o n a d e a t h - d e f y i n g m i s s i o n . To help h i m t h e y g a v e t h e m o l e k ick ing p o w e r s , b o m b s to t h r o w a n d a s tun g u n f i r ing lasers a n d bul lets. T h e crazy task, that c o u l d th rea ten Monty 's life, is to r id the

It's a stunna! Monty Mole (3-2-3) trekking through the Atari ST Amazon forest armed with his super mega laser death cannon, cunningly disguised as a drainpipe.

m o l e - w o r l d of f ive evi l g u a r d i a n s a n d t h e n col lect the i r h idden t reasures !

'It 's d isgracefu l ! ' c o m m e n t e d a s p o k e s m a n for G r e m l i n Graph ics , Monty 's

m a n a g e m e n t c o m p a n y . 'Monty has been fo rced into an u n c o m p r o m i s i n g pos i t ion — e i ther he takes o n t h e q u e s t or b e c o m e s tasty a l ien pet - food! ' He w e n t on to tel l Spor t readers exact ly w h a t t h e m e g a s t a r has to do.

'Monty has to trek t h r o u g h four d a n g e r o u s levels, t h o u g h lucki ly it's s c e n e r y he's fami l iar wi th: p la t forms, ladders , s t range sur face f loors a n d t h e like. First he's of f to the Or ient w h e r e ninjas, ge isha gir ls, wr ink ly d o g s a n d m o n k e y s are all out to a t tack h im! A n d there 's a g u a r d i a n w h o ' s a w i ld d ragon! ' H e w e n t o n t o reveal m o r e a b o u t M o n t y ' s adversar ies .

'A g iant w o r m g u a r d i a n wi l l be a t o u g h o n e for M o n t y to c r a c k in level t w o — he has to t ravel d e e p d o w n into the K lond ike m i n e a n d bat t le w i th all m a n n e r of u n d e r g r o u n d beasts . T h e n the Ice W o r l d b e c k o n s . H e r e M o n t y e n c o u n t e r s v ic ious

• w A

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7 TGM April 1990

sasuiimiiii

Who the hell do Martin Kenwright, Phil Allsopp and Russell Payne think they are?! Well , for a start they're a company known as Digital Image Design and responsible for the excellent F29 Retaliator. And very shortly sees the climax of three man-years of work (ie: it's taken them a year). The game, which has space action and adventure set to stun, is Goldrunner 3-D. Or rather it isn't, as Paul Rigby discovered...

It's a case of musical chairs all 'round. Digital Image Design (DID) originally developed Goldrunner 3-D for Microdeal, however Microdeal have recently decided to reduce their commitment to entertainment software. Digital Image Design are now finalising a deal which gives Ocean the publishing rights. But that is not all. The name Goldrunner 3-D is, unsurprisingly, likely to change. The favourite is Epic — an apt title because this is a space adventure on a grand scale.

Your people live in a quiet corner of the galaxy. They have developed into a peaceful race, no wars, etc. All's well till scientists discover that the sun has become so unstable a global emergency has to be enforced, which results in the evacuation of the planet. This means that your people have to flee halfway across the galaxy to find a new home. The trouble is. the mass armada of ships will have to pass through an ancient neutral zone. The neighbouring Rexxon Empire, a warlike lizard-type people, would surely deem aay encroachment of this zone as an act of war.

Various ambassadors have been sent to the Rexxons to secure the armada's passage. However, they have all returned without success — or a head. The only solution is to chance a bold dash across space, in the hope of preventing the destruction of the vulnerable armada and the death of about 70 million people.

This prologue is brilliantly designed as an extended movie sequence showing the evacuation of the planet, along with text subtitles and atmospheric background music taken from Hoist's The Planets. Martin Kenwright told me that DID hope to include a variety of stills, between the animation sequences, showing the unsuccessful talks between

• Ah. the port bow looks a lot more peaceful (Mission 1).

• A hanger within the massive Redstorm mother ship. This is where you begin Mission 2.

I Your home world, with the unstable sun in the background.

ambassadors and the Rexxons. Having seen this sequence running on an ST. I can say it's a total jaw-dropper!

The speed and smoothness of the animation has to be seen to be believed. How DID have created a simultaneous sequence of smooth animation, complete with moving subtitles and high-quality sound. I'll never know (well I do: the four megabytes of code includes 3-D draws at 360 polygons per second!). Oh. yes, the sound. It has to be the best yet from an ST (600K s worth), care of the ubiquitous David Whittaker. All sound, effects and so on are digitised.

Other notable features of the game include and incredibly fast loading routine. There will be no disk access between levels, for example, except for one or two sections near the end — although they will load in a couple of seconds. However,

when it does load the computer multitasks and the action never ceases. All graphics were created on the Amiga via DPaint and then downgraded to the ST. So nobody loses out and no-one can start moaning about 'terrible Amiga conversion from the ST'.

Kenwright: The ST's clock is

faster. It has to draw less colours so the game is faster than the Amiga but. then again, it's not as pretty. Phil uses the blitter on the Amiga. The game has been so well coded by myself. Phil and Russ. It is amazing we've got the respective computers to do what they have to do without

v

I There's a fighter on the starboard bow. Mr Christian!

8 TGM April 1990

• Checking the external view ol your ship you can see a Rexxon Warbird on your tail (Mission 3)(

any detriment to the game.' You can be sure Epic, if that

is the final name, will be one hot game. It's spine-chilling, though. Digital Image Design, by the time of Epic's release in May, will have only produced two games — F29 Retaliatorand EpkA What's next?!?

\J 4 4 } '

• One ol the supply ships that you'll need to protect (Mission 4).

IIIIHIHMim MISSIONS

• Inside the Rexxon mother ship, a lighter prepares to take off (Mission 7).

MISSION ONE Your defence forces (dominated by the Redstorm mother ship — a absolutely gigantic piece of metal of similar proportions to the Star Destroyer in The Empire Strikes Back) have decided to do a bit of damage. You are aboard a Goldrunner (which will probably be changed to Epic) fighter — a new piece of kit that is largely untested which is itself housed within the Redstorm mother ship. The plan is to sneak into the neutral zone via the back door, as it were. No Rexxon expects any trouble in this area. Why? Because this particular area is a gigantic minefield! Also, the journey across the neutral zone is twice as long. In addition, there are a couple of planets containing DSN (Deep Space Network) tracking stations — an eye in the sky. If you don't hit them the Rexxon fighters will be alerted. So. blast yourself through the minefield to the triangular network of tracking stations. You then have to dive towards the surface of a planet containing a tracking station.

This planet-surface section features highly-detailed, solid 3-D ground features. You will have about one minute to destroy the station before the Rexxons cotton on to what is happening. There are a squadron of Rexxon fighters located on each planet (which look like something from Battlestar Galactica). There are also movable tanks on the surface

acting as anti-aircraft emplacements (again, they are solid 3-D vehicles). Knock out the station and you fly back to the Redstorm, receive a bonus and a more powerful, bolt-on cannon.

MISSION TWO To prevent any possibility of being pursued for years by raiding Rexxons, the next mission demands that you destroy a mining complex which produces the vital fuel supplies for the Rexxon star fleet. Again, this is a planet-surface attack. The mining complex is a huge, domed affair. A squadron or two of fighters will face you.

MEANWHILE A 'meanwhile' screen shows that the Rexxons have finally discovered what is going on. showing the 'destroyed' tracking station, along with a bit of alien speech shouting in digitised consternation.

MISSION THREE The Rexxons are on your tail! Watch out for an attack by Rexxon Warbirds (rather like Star Trek Klingons). As you approach the Redstorm to land, you see it is under attack! So, battle with Rexxon fighters, fly around the Redstorm's superstructure in pursuit of the pesky Rexxons. You should also see the Redstorm defences hitting out. The other defence forces will be under attack too. They consist of cruisers and support ships. After that lot have been shifted, you can safely land. Phew...

MISSION FOUR An emergency scramble! One of your vital support ships is being attacked. Important this, because it is a flying warehouse that contains the essential weapons needed for later on in the game.

I Approaching the Redstorm hanger after Mission 6. I An external view ol the Rexxon Fighter's takeott (Mission 7)

9 TGM April 1990

Essmimi MISSIONS MISSION FIVE On a nearby moon... is a gun. A big gun. Thing is, the armada will fly right past it so you'll have to take it out. Oh, it's also defended by umpteen fighters. The longer you take the more damage your armada will take from the big gun. (Obviously no storyline exists for this bit yet — Ed.)

MISSION SIX At this stage, the defence forces have decided to hit the heart of the Rexxon empire (gulp) — straight for the capital planet, Lizard. The Redstorm will begin engaging other ships, while you head for the planet surface, complete with ionic cannon. Seeing the huge Rexxon capital city you must knock out the central building which just happens to be the Rexxon HQ. Then back home to the

Redstorm — as everyone scarpers.

MISSION SEVEN Gasp! Pant! It's all go isn't it? But that's not all! This is it! The BIG ONE! Because the Rexxon star fleet has finally caught up with you. cutting off your path of escape. Looming up in front of you is the Rexxon mother ship — similar to the Redstorm, plus six warbirds, 12 squadrons of enemy fighters, et al. While all this is going on your Redstorm is under attack, as are your cruisers. Wipe out that lot and it will all be ove... hang on, though, where did the Rexxon mother ship go to? Actually it's found the rest of the armada and is quite happily picking off ships left, right and centre.

MISSION EIGHT But, before you can hit the mother ship, you must face the

• Your Redstorm mother ship Is looking a little wartorn; check out the left pod damage (Mission 7).

Vanguards (da, daaaaa!!!). These guys are of a similar class to yourself, with equal capabilities — don't forget, you'll be pretty knackered by now (if you have managed to survive this far!). This particular combat sequence will push your abilities to the limit. Here. also, the two mother ships go head to head. Again, your mother ship will be looking the worse for wear, so you'll have to finish off the Vanguards and hit the Rexxon mother ship before your own Redstorm is destroyed.

The Vanguards have been programmed with a high degree of artificial intelligence, so don't expect an easy time! By this time, you will have a cobalt-salt device, a weapon needed to destroy the mother ship. Once you destroy it, sit back for the firework display! Incidentally, all of this has to be done pretty quickly because the sun is about to go supernova — and when it does...

• Fall and you'll see a dead pilot — you. This screen may be enhanced with a skeletal hand (Mission 8).

• Succeed and your grateful people wil l build a statue of you. This shot shows that your people have made it to their new world (Mission 8).

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NINJA Orienta l b e a t - ' e m - u p , a h o y l T h e I rem co in -op ge ts c o n v e r t e d to al l f o r m a t s f r o m Act iv is ion very s o o n . Travel C h i n a e q u i p p e d w i t h a s a m u r a i s w o r d , deathstars , d y n a m i t e a n d a razor b lade l D o d g e devi l ish s w o r d s m e n ! C a t c h the ninja spir i ts ' crysta ls ! G r a p p l e w i th nasty n in jas! W e a v e past w i ld w o l v e s ! S u c h e x c i t e m e n t is in s tore , can y o u ho ld o n for it?!

12 TGM April 1990

? J O / / / / / We have seen the future and it is, erm, a load of dead brill games ahippin' and ahappenin' towards your screens very soon! Cor, just look at this lot — a veritable April shower and no mistake. Gaze into our crystal ball...

EMLYN HUGHES ARCADE QUIZ Th is is a shot of: (a) a foo tba l l g a m e , (b) a m u d d y pi tch, (c), a tr ivia quiz, or cou ld it be E m l y n H u g h e s p r o m o t i n g a trivia quiz?! T h e a n s w e r is, surpr ise! , no surpr ise: Emlyn Hughes Arcade Quiz is out in Apr i l o n every b loomin ' fo rmat , and that 's h im alr ight!

FRONTLINE From C C S comes Frontline, a World War II squad-level strategy game. Featuring four scenarios: Cassino 1944. where New Zealand forces attempt to crack the Gustav line; Guadalcanal 1942. as the Japanese try to dislodge the Marines in the Battle of Bloody Ridge: Stalingrad 1943. the last stand of the XI Corps, and Pegasus Bridge 1944. the D-Day assault. Out on the Atari ST at £24.95 in March.

DRAGON STRIKE Here's a flight simulation with a twist — you're in control (well, as much as one can be) of a dragon flying high in the skies. All the usual flight controls are included and you use your fire

FERRARI FORMULA ONE is set to c r a s h in o n t h e C o m m o d o r e 64 , S p e c t r u m a n d A m s t r a d soon , f o l l o w i n g its s u c c e s s o n the 16-bi t m a c h i n e s . G o into t o p g e a r as y o u race a r o u n d authent ica l ly recrea ted c ircui ts of all 16 t r a c k s f r o m t h e 1986 season . Tha t m e a n s you' l l be tack l ing M o n a c o , Detroit , M o n z a a n d B r a n d s

H a t c h a m o n g s t o thers . Ve r r r r ooom! a s t h e y say.

WIPE OUT It's the new game from a new software house called G o n z o G a m e s . The people behind it are really into playing games, really friendly, a bit short of dosh and (best of all) everso slightly on the potty side! Hurrah! And the game? It's an intergalatic hoverboard challenge — sort of skateboarding in space as you

race against a computer opponent from the outer rim of a distant galaxy to the centre of it. Super, eh? ST and Amiga only, and it's out in March.

DELIVERANCE — ST0RML0RD II The sequel to H e w s o n ' s smashing Stormlord is on its way. Raf fae le C e c c o and Nick Jones , creators of the original, are beavering away on the g a m e which is due in April for

the 8-bits. Stormlord commences his mission in Hell where he has to rescue the fairies held captive by the followers of the Black Queen. Travel through caves, mines, crypts and forests until reaching Heaven where Saint Peter is waiting to help out. Enemies include arrow-firing Cupids, Togibofs (hopping green trolls!), zombies, vampires and other assorted gremlins. Spook!

"U: it .

E L E C T R O N I C A R T S have a thri l l ing tr io of g o b s m a c k e r s on the hor izon for t h o s e w h a c k y P C o w n e r s . Ski Or Die is a n a c t i o n - p a c k e d w in te r spor ts g a m e f r o m t h e people w h o b r o u g h t y o u Skate Or Die. ( W h a t e v e r next? Leapf rog or Die?! ) It's your c h a n c e to have a go at the s n o w b o a r d hal f -p ipe, acro-aer ia ls , inner tube thrash a n d o ther m a d events.

T h e n there 's Low Blow, a h u m o r o u s b o x i n g g a m e w h e r e you ' re e n c o u r a g e d to break t h e rules! T h e th i rd

r v c

it *

g a m e is Escape From Hell w h e r e y o u have to, e r m , e s c a p e f r o m Hel l by unrave l l ing t h e s e c r e t s of the u n d e r w o r l d in a n a r c a d e a d v e n t u r e . Al l th ree g a m e s wil l be re leased In Apr i l a n d cos t £ 2 4 . 9 5 each .

DEFENDERS OF THE EARTH

World-saving superheroes are the order of the day in E n g i m a Variat ions' new blaster Defenders of the Earth. licensed from the wild cartoon running on Going Live! Take command of the team, including Flash Gordon. Mandrake the magician. Lothar — the world's strongest man. The Phantom and the token

cute, fluffy creature Zuffy. in a bid to rid the world of Ming the Merciless and his deadly duo of dragons It's an arcade blaster as you enter Ming's fortress, first rescuing the team's captured kids and then engaging Ming in a fight to the death! Sounds a complete riot — out in March on all major formats.

M

MONTH 'O ink! O ink ! P ig here . A f e w

t ru f f le -snor t ing p ig -ups f r o m last m o n t h inc lude the

d o u b l e pr in t ing o f the S u p e r Gra fx c o m p o — o n e of the

p a g e s s h o u l d have b e e n T G M ' s rev iew of t h e c o n s o l e

itself — that a p p e a r s this issue o n page 16. And . as if

by m a g i c , t h e C D factory fea ture fell off t h e e d g e — f ind it o n p a g e 9 7 of this

issue. G r u n t ! Then , the F - 1 6 C64 p icc ie e n d e d u p wi th

the w r o n g co lours — j u s t to r e m i n d t h e f i lm p lann ing

dept : g r a s s is g r e e n a n d sky is b lue, not yo l low a n d

purp le . Snor t ! A M a c i n t o s h greml in a t t acked the

co lours of t h e Star Trek V r e v i e w o n p a g e s 38 and 39

last i ssue m a k i n g it look c o m p l e t e l y pig swil l . W e e e ! M o r e mis take -spot t ing fun next m o n t h , pork- lovers! '

WORLD CUP SOCCER '90 What goes Scuttle, scuttle, LEAP! Blam! Wooo!'? Dunno? It's someone leaping on the bandwagon! Haw Haw! Ahem. And now TGM proudly presents World Cup Soccer 90 (number 32 on a series of 73 World Cup sims) which is due out from V i rg in in May. Converted from an arcade machine by A n d r o m e d a S o f t w a r e in (cooo!) Hungary, it features teams from the qualifying rounds playing off to win the cup.

C O L O R A D O

button for. well — fire. U S G o l d hope it'll be out on the PC soon(ish).

Palace Software have just signed up a deal to bring French software house, S imar i ls ' games into the UK. The line-up kicks off with this arcade/adventure/beat-'em-up called Colorado. You're a trapper in the 1800s on the hunt for gold. After rescuing an ancient indian from a death ceremony he presents you with a map showing the route to a long-lost gold mine. Trek through Colorado fighting off wolves, other indians. bears and more vicious adversaries to get rich quick!

13 TGM April 1990

Between January 27 and 31, London's Earls Court Exhibition Centre was filled with the bleeping, buzzing, clattering and whirring sounds of the British International Toy and Hobby Fair. Warren Lapworth packed his Fireman Sam lunchbox and donned his rotating bow tie to bring you this report...

uch like the PC Show. I was faced with a bewildering array of

stands — rows and rows of them — and the smaller but equally-packed upper floor. It was difficult to decide where to go first so. in true logical and time-honoured tradition. I wandered around aimlessly and found things by accident rather than design.

To deal with the best first (I never have the patience to leave them till last), the modestly-sized Atari stand, tucked unassumingly in a corner of the upper level, heralded the arrival of the highly-acclaimed and long-awaited Lynx to the UK. A giant version of the console (basically a monitor with a hardboard surround) looped its American TV commercial, while below a glass cabinet contained the hand-held and the first five games (California Games, Blue Lightning, Gates of Zendocon, Electro Cop and Chip's Challenge).

Lynxes are few and far between at the moment (official ones — there are some

overpriced grey imports for those who can't wait) and

they were pretty rare I at the Fair, never straying far from the

capable hands and

\

watchful eyes of

Atari reps. Those in the

related trade were given the chance of playing the

hand-held (I hate the name palm-top'), so in like

Flint I jumped. All the Lynx games were

impressive — with gamesplaying comparable to that of an Amiga

FUN WITH RUBBER All 2 4 - h o u r par ty p e o p l e s h o u l d c h e c k o u t P a l m e r ' s f a n c y d r e s s c o s t u m e a n d m a k e - u p range . A l t h o u g h t h e r e ' s t r i ed a n d t e s t e d t h e m e s l ike t h e conv ic t a n d F r e n c h maid , P a l m e r a l s o h a v e ' L i v i n g F a c e s ' m a k e - u p k i t s t h a t c o m p l e t e l y r e s h a p e t h e p a r t y - g o e r ' s f e a t u r e s into that of a devi l , skul l or wi tch . 20 d i f ferent latex m a s k s can t r a n s f o r m y o u into s u c h m o n s t r o s i t i e s a s B o r i s K a r l o f f , B a n a n a H e a d , M u s s o l i n i , S c r e a m e r and. . . W i n s t o n Church i l l? ! !

i i p i

{/i^PwM v

W S J

with a combined joypad and mini-monitor unit, it's difficult not to be. My only quibble, bar the size and weight of this supposed 'pocket' machine, is with the joypad. In the centre of the Lynx's left-hand side, it can be awkward to reach unless you've

got big hands, and this isn't helped by the relatively

slim profile of the pad. which makes it hard to

grip. The Lynx will be

officially available in the UK in May but generally only

for press and trade. However, Empire Stores catalogue will have Lynxes

very soon... but in limited quantities which are sure to rapidly disappear. So, for yer average punter, it's a frustrating wait till Christmas, when there'll be plenty around. The Lynx will retail at £149.99, including power adaptor to save on batteries (six of them last about seven hours), ComLynx cable, to connect Lynxes for multi-player games, and California Games on ROM-card. Cards will be £29.99 and by May there should be 12 of them and 20-24 by the end of the year, including some Tengen arcade licences.

LITTLE NINTENDO Although larger in stand size. Nintendo's presence was much more subdued. A few Control Decks, four Playchoice 12

machines, and nary a Game Boy in sight. In comparison to the Lynx, the monochrome hand-held is considerably more humble but one would've expected some sort of push for Nintendo's baby.

The only other console/computer to make a stand" was the obscure Socrates from Video Technology. A long, flat machine with an infra-red. multi-coloured membrane keyboard, it's a 'first computer' for a child which features several cartridge-based educational games. Decidedly 8-bit. graphics are a minor step up from the Spectrum but programs are well presented.

Back in the humble world of the ordinary single-game LCD hand-held, Nintendo reign supreme. Although many of them have been around for some time, the ever-expanding range is impressive. 11 single-screen games, some original, like the delightful Tropical Fish, some, like Mario's Cement Factory. Snoopy Tennis and Donkey Kong Jr. based on established names. 12 double-screen games include Donkey Kongs I and II (both bearing little

Konaml's teenage Ninja Mutant turtles Irom Hornby

resemblance to the coin-ops), Oil Panic. Squish(!) and Zelda. the latter based on the highly popular Nintendo console game.

CINEMASCOPE LCD Most pleasing, however, were the neatly designed Donkey Kong 3. Boxing and Donkey Kong Hockey(H). Although shorter than most, the screen for these is almost twice as long as the others and the system has two circular joypads connected to the screen unit by short lengths of wire. The pads can be stored inside the unit when not in use and although the games are nothing spectacular, two-player simultaneous action injects life into the LCD format. And. of course, all 26 games have a built-in digital alarm clock.

Although fewer in number. Eureka Electronics' games were diverse in look and design. In addition to ordinary LCD games (one of which is called Sausage!), there's a double-screen game called Pizza (these people are obsessed with food!) and so-called 3-D LCD games — rather than the usual side or plan view, an angled viewpoint is given.

Also from Eureka was a good old fluorescent LED shoot-'em-up, Galaxy Force II, plus two nautical games, Red October and Pirates of the Caribbean, by Toy Wizard Limited. Both are strategy-based and are inspired by the timeless Battleships (which, coincidentally, Eureka produce an electronic version of) And. finally, for a sleeker alternative to Matchbox's Hitstruments. Thunder 'N' Lightning is a set of electronic air drums. Black sticks are 'hit' in the air to trigger one of four sounds from a small belt unit.

Hornby, best known for train sets and Scalextric. will be distributing Konami's LCD hand-held games in the UK. Each is

the size of an average paperback but tapers towards the screen at the top. The first six titles are Skate Or Die. C, Gradius. Teenage Ninja Mutant Turtles. Top Gun and Double Dribble.

Remember those little coloured plastic pegs from the Mastermind game? Well forget them. Invicta now have a hand-held electronic version, where a number rather than colour combination has to be deduced. To make sure Fairgoers didn't miss the compact machine, there was a giant version, fully operational — providing you had the strength to press the massive, book-size keys!

K Y L I E A N D J A S E ! For l i c e n c e s , P a u l L a m o n d G a m e s h a v e it a l l . A m o n g the i r 2 4 b o a r d - c a r d g a m e s , t h e r e a r e q u i z s h o w s ( C a t c h p h r a s e , C o n c e n t r a -t i o n , T r e a s u r e H u n t ) , s i t -c o m s (Bread, Only Fools and H o r s e s ) , s o a p s ( H o m e a n d A w a y ) a n d c a r t o o n c h a r a c -t e r s ( D e n n i s T h e M e n a c e , G a r f i e l d . T e e n a g e M u t a n t H e r o Tur t les ) . T h e r e ' s e v e n K y l i e M i n o g u e ' s F a s h i o n G a m e and J a s o n Donovan 's S t r a i g h t F r o m T h e H e a r t G a m e ! A a a a a r g h ! ! T h e r e ' s no e s c a p e f rom the squeaky-c lean Auss ies !

OCTOGO'S SHOW But by far the best, most eye-catching stand of the show was for Octogo Games. This was due to the imposing presence of two robots, a silver male' and gold 'female', both reminiscent of a cross between C-3PO and Battlestar Galactica's Cylons. Although after a few seconds observation it was clear they were body-poppers in elaborate costumes, the robots were very impressive, complete with

flashing control panels, whirring sound and conversing in a bizarre bleeping language — although they did scare one of the female Japanese visitors! Other mechanoids putting in an appearance where K9. to promote Dapol's Dr Who models (although, all it did was waggle its ears) and a family of 13 Teddy Ruxpins. singing, chatting and telling stories.

Octogo s contribution to the world of electronic games was Troi. an unusual object they've displayed before. It's a spherical maze and you must simply find your way from one pole to the other. This is complicated by a shell which encloses most of the sphere, only two small circles of maze visible at one time, one of which is used to move the sphere around, using a flashing LED as guidance.

Octogo's speciality is board games, and their range is led by a geometric strategy game called Octogo. At the other end of the sensibility there's Hagar The Horrible's Glog Game (keep as much booze away from Helga as possible!), Bananadrama (a forfeits game involving cardboard bananas!) and Bulls Hit! (you're a fly and must escape a giant cowpat!).

PLAY DIRTY! If you want to be dirty, Paul Lamond Games have got that covered, too. Sex Maniacs Card Game. Sexual Trivia. How to be a Complete Bastard. Wicked Willie Game ( play with your best friend'!!). Sip n' Go Naked... the list goes on for all you rude types (like us).

It's interestesting to note that the most popular area for board games is strategy, most using boards and pieces of geometric, brightly-coloured design. There's even one called Citadel, although it has nothing to do with Martin Walker's brilliant Commodore 64 game.

CD GAMES Bridging the gap between board game and music. Orange Product's Compact Disc Quiz includes a CD (bet that shocked

you) containing snippets from 396 Number One records, and it's these that the game's questions are based on. Also on CD. the Singing Machine Company had the LaserKaraoke System. (Karaoke is a type of Japanese club where anybody can go on stage and sing along to a backing track.) This has CDV capabilities, so you can sing along with a person on video and follow the lyrics as they're highlighted. For those without money to burn, there are portable cassette Karaoke machines in three trendy colour schemes.

Music equipment was sadly few and far between, and then was aimed at the children's market. Hohner's Drum Star I is a mini electronic drum kit. with four pads, bass footpedal and microphone connected to a central control unit, which includes a speaker. Four types of automatic rhythm are built in. tempo and tone can be adjusted (the basic sounds need it), and there's a SIMON-style follow-the-leader game mode The Drum Star II offers similar facilities but in a single compact unit. Both Drum Stars are technically unimpressive but excellent for young percussionists.

Predictably. Batman products were in abundance, the caped crusader apparently licensed out to many companies. Batman figures. Batman board game. Batman costume, Batman kite, remote-controlled Batmobile, Batman LCD game, Batman racing game... you get the idea.

SO WHAT? All in all, the 1990 British International Toy and Hobby Fair was someth ing of a d i s a p p o i n t m e n t with few products of real inter-est to most T G M readers. The obv ious except ion w a s the Lynx, a g r o u n d - b r e a k i n g m a c h i n e g u a r a n t e e d to m a k e Ata r i v a s t quanti t ies of money. A few interesting LCDs, s o m e inventive, unusual board g a m e s and the Oc togo robots.. .

Now if you' l l excuse me, I 'm going to soak my tired little feet in a nice hot bath, wi th m y newly-acquired rubber duck, Tarquin.

15 TGM April 1990

IETJ///M///

S U P E R ' S S P E C TITLE: P C E n g i n e S u p e r Gra fx P R O D U C E R : N E C P R I C E : £ 2 9 9 . 9 9 (grey impor t ) D I M E N S I O N S : 3 0 c m X 2 4 c m X 7 c m W E I G H T : 9 5 0 g C O L O U R : g rey w i th b lue logo MATERIAL: m o u l d e d plast ic P R O C E S S O R : 8-b i t 6502-b a s e d H u d s o n Sof t c u s t o m c h i p RAM: 3 2 K V I D E O RAM: 128K B A C K G R O U N D S C R E E N S : t w o S P R I T E S : 128 S O U N D : t h r e e - c h a n n e l s te reo S O F T W A R E M E D I U M : R O M -card or C D - R O M T h e S C A R T PC E n g i n e S u p e r Gra fx r e v i e w e d here is ava i lab le f r o m M i c r o m e d i a for £299 .99 , w i th g a m e s at £ 3 9 . 9 9 (soon to a p p e a r are Str idor and G h o u l s 'n' Ghosts ) .

IS SUPER GRAFX SUPER?

• Although the Super Brafx Is twice the size ol the current PC Engine, there isn't really any need far this as the Grafx only boasts enhanced chips. There are no extra chips, so all you're really paying for is fresh air and a fancy box. OK, so the new chips mean everything w h i m along a let faster and smoother.

Nintendo being cases in point), or perhaps it's because something that we know is probably never going to be officially distributed over here should always be a bit special and worth having. Regardless of the reasons, though, a successor to the biggest cult console in the UK is well overdue.

NOT SO SUPER? Visually, the PC Engine was an immediate success with the small-minded Japs and Brits, however, the US Turbo Grafx model was remodelled larger for the big-big-big American market. So what about the Super Grafx, how could NEC improve its look?

From a distance, it's as

pleasingly compact ordinary Engine, you'd have thought. But, surprisingly, on opening up the Grafx (not recommended, kids!) it reveals itself to be crammed full of chips and boards. This can go some way to excuse the strangely shaped (and designed) casing, with weird protrusions growing from the central 'bolted' section of the machine. Cheap looking in fact.

As for the essential ports and pieces, it's pretty much the same story as the Engine. The ROM-card slots into the back and the mysterious S EXP port is next to the joypad port (you get a rapid fire version of old PC Engine joypad) but otherwise everything's in approximately the same place.

controller. The features on this

advanced control panel are impressive: yoke: joystick, four fire buttons, plus two on the flight controls: calculator: clock; a replay feature to re-run games up to the last point reached; jog dial; functioning speedometer which can double as a flight panel; throttle lever; built-in multitap (four-player joystick adaptor); two autofire buttons; select, run and power buttons; and a little case which can store up to ten games. All in all, the only thing you'll ever need!

With just one game available to us at the moment. Battle Ace (reviewed last issue), it's difficult to tell how good the Grafx could be. Battle Ace is pretty impressive — smooth and swift

Still not promising any UK support for the PC Engine, NEC have rubbed salt into the wounds of British fans by releasing the Super Grafx and still refusing a UK release — although grey market importers have eased the frustration. The PC Engine was the first of the great consoles, will the Super Grafx join this elite clan? We check it out...

Well here it is. Before the bog-standard Engine has even been officially released in the UK (will NEC ever do it?), we get a look at the famed PC Engine II. And things aren't as impressive as when the its predecessor first appeared in the TGM offices nearly two years' ago. Perhaps it's because we've come to expect too many silicon wonders from the Eastern shores recently (the Game Boy and 16-bit

good-looking a machine as it appears in photographs: a nice, futuristic, solid console to impress your friends with. Close-up, it's an oversized, toy-like piece of shaped plastic. Okay, so it has an improved specification but it's not that much better, so the Grafx need not have been bigger than the

SUPER ADD-ONS The extra extension port allows connection to NEC's Power Console. The new peripheral is probably the most advanced controller available in the marketplace today. It retails in Japan for around £240 and is. in reality, what the Konix console promised — minus the hydraulic chair. Instead of the peripheral plugging in the back of the Super Grafx, it's more the other way around. The Power Console dwarfs the relatively chunky console, which now becomes the heart of the

3-D sprite and scenery movement — but gameplay is nothing special and it doesn't do anything which the Engine couldn't. Maybe there'd be sprite flicker in places on the Engine (with less possible onscreen sprites) but nothing drastic. Still, the extra memory, sprites and background layer of the Super Grafx should provide food for thought for games coders, and we may soon see things that make the Grafx worth the extra money.

16 TGM April 1990

S/W Acrnt tie /l/afoft The exciting new SAM Coupe computer is at a shop near you.

Do you have a favourite computer store ? - If so which is it.... Name Town

Please send me details of my local SAM Coupe stockists:

Name —

Address :

G.M.

MILES GORDON TECHNOLOGY Pic Lakeside

Phoenix Way, Swansea SAT 9EH

ft rA5im MILES GORDON TECHNOLOGY pk

Lakeside, Phoenix Way Swansea SA7 9KH Tel: 0792 791100 Fax: 0792 791175 Telex: 48297 J O Y T E L G

et away! The ST's not capable of producing high speed four-plane horizontal parallax scrolling. And don't even

bother attempting to add a 48-colour display while simultaneously trying to animate an entire universe-worth of aliens (how many zillion times have I told you, stop exaggerating — Ed). It Can't Be Done!

The WJS Design crew will tell you otherwise: It Can Be Done! Indeed, they've done it and called it It Can Be Done. Unfortunately someone at WJS Design isn't too good with words and mishshpelt (sic) Can't for Can. The result of this mix up being

that the game is called It Can't Be Done. But that's not as bad as it seems because It Can Be Done

shares the same acronym as It Can't Be Done. Confused? You will be because the game may well be called something

completely different. No! Not Something Completely Different — that would be silly — but something completely different (why don't you start again? — Ed). In fact, it's likely to be called Anarchy.

Development t e a m WJS Design reckon they 've c r e a t e d a game tha t simply Can' t 8 e Done, and have t w o other equal ly impossible games in the p ipe l ine . Richard Monte i ro legged it to Leeds to try and m a k e sense of t h e malarky .

• This is |ust one frame from a forthcoming Amiga game, provisionally titled Witchcraft, being coded and designed by the WJS team. Kevin Oxland is the man taking care of the animation. The character to the right of the Strider Is from Firestorm, another of WJS's games in development.

18 TGM April 1990

WJS Design was set up late in 1989 by Wayne Smithson. A successful career programming, culminating in the ST conversion of the huge Psygnosis hit Blood Money, earned Wayne acclaim and enough cash to employ other coders and graphic artists. Today the WJS team consists of Wayne. Paul Hoggart. Kevin Oxland and Chris Warren.

WHO'S WHO? Wayne Smithson started programming in 1985. His first published programs — Electric Author (a word processor), Super Kid, Frankie and Gordon Bennett — appeared on the Dragon 32. The Dragon was never a huge hit in the UK which meant Wayne received little or no recognition for his work. It was only when he got himself an ST and produced the very first ST horizontal scrolling shoot-'em-up. Skyrider, that people started to take notice.

Psygnosis in particular were impressed with Wayne's work and signed him up to produce several games including Baal and Blood Money. Psygnosis have contracted Wayne and team to produce three games. So far all go under the working titles of: It Can't Be Done/Anarchy, Firestorm and Witchcraft.

WJS coder Paul Hoggart, 21, joined the team in December of last year. Prior to acquiring his programming skills, Paul worked as a postman in the Leeds area. 'It was the four o'clock in the morning shifts that I couldn't handle.' recalled Paul. "Besides, I had another interest... psychology. After studying it for a while I became disillusioned and became interested in computers.'

After a stint at the CDI (Control Data

Institute) where he learned how to write business applications in a variety of languages — including COBAL, DBase and RPG — Paul left claiming it too boring and got himself an ST. He taught himself 68000 assembler on his ST and started work on a Trivial Pursuit-style which was to be marketed by Cascade. The deal fell through. Paul started work on a parallax scrolling game and shortly after saw Wayne's advert for a coder.

Kevin Oxland started programming on the Commodore 64 as a hobby. Eventually he got a deal with Mastertronic and had the game Starforce Fighter released by the budgeteers. He also did the BBC conversion of Audiogenic's Ransack. Kevin has worked in Brighton for Intelligent Designs. He left before completing work on the game William Tell. During his time as a programmer. Kevin became steadily more interested in designing and animating. It is in this capacity that he now works at WJS.

The fourth member of the team is 18-year-old Chris Warren. Chris has worked with Wayne since the early Dragon days, so is really the joint longesLsfitkina member of the team.

TEN REMARKABLE FACTS YOU DIDN'T KNOW ABOUT THE WJS

DESIGN TEAM • The J in W J S s tands for John , but it cou ld also s tand for J a m e s , Jason, J im, Julian, Jeremy. Just in , Je remiah . Jerry. Jack. . . G u e s s e s on a postcard to T G M , Newsfield... • Paul Hoggar t has the t o p s c o r e of 3 . 6 0 0 , 0 0 0 o n the o f f ice N e m e s i s a r c a d e machine. • In his past life, Paul w a s a p o s t m a n and t ra ined to be a psychologis t . • It's a little known fact that Paul wi l l d o anyth ing for a w h i s k e y wi th tonic water , ice and a slice of lemon. • Kevin Oxland used to work as an interior decora tor and in a check- in factory. • The combined age of the W J S t e a m is 75. • Near to the W J S headquar te rs is a roundabout of ten cal led the mag ic round-about — once you're on, it's very dif f icult to get off! • Favourite food at W J S inc ludes pizzas, k e b a b s and cherry coke . • Wayne Smi thson has a c rush on Kelly Le Brock (star of the W o m a n in Red and Weird Science). • Favourite games: Paul, Bard 's Tale and D u n g e o n Master; Chris. Tetris; Kevin, Paradroid; Wayne , Powerdr i f t and A m i g a Menace .

• It Can't Be Oone; started over a year ago. shelved and then restarted again about six months ago is on the verge of completion. The game boasts four levels of parallax scrolling and is coming out on the ST first

It's unlikely the ST wi l l be able to handle all tne action.

• Also in development is Firestorm (working title) which is a cutesy one- or two-player horizontal search and shoot game. Believe it or not. the image above is from the ST version.

• Two frames of animation from a forthcoming Amiga game with the working title Witchcraft. The proposed game is going to be a hugely complex horizontal and vertical scrolling shoot-'em-up featuring enormous multi-frame sprites.

• The WJS Design team. From left to right. Wayne Smithson (coding and design), Paul Hoggart (coding). Chris Warren (graphics) and Kevin Oxland (animation and graphics).

TGM April 199019

INTO THE FIRE Firestorm is the second title being worked on by WJS. It's a one- or two-player horizontally scrolling search and shoot game. Unlike other simultaneous two-player games, you and another player get to control identical characters. There is absolutely no difference between the two characters. Their colours, actions and makeup are the same. It's an element designed to confuse you when playing in two-player mode. And it works!

The graphics are very cute and cartoony. You could easily draw comparisons between Firestorm and Verminator. But whereas Verminator's backgrounds are overly complex and

tend to obscure your main character and any

oncoming aliens, the backgrounds

and

• There are twenty types of alien in It Can't Be Done and numerous other objects that can be picked up. All the designing is done on an Amiga even though the game may only appear on the ST.

"Milium IMPOSSIBLE MISSION

but can quickly upgrade to a six-shot laser and cannon-firing outrider.

A special shield token can be picked up which, when deposited on a canister, will prevent it being half-inched by Stealers. If a Stealer gets to the top of the screen with a canister, it will turn into a mutant and home in on you. The mutant Stealer won't give up until either you've destroyed it or it has destroyed you.

On occasions there are so many aliens and explosions onscreen that it looks as though someone forgot to clear up after Guy Fawkes day. Fast and furious. If you liked Defender, you'll love Anarchy.

Due for release at Easter is Anarchy (nee It Can't Be Done). The game, a horizontally scrolling shoot-em-up, is a turbo-charged Defender clone. The game has been designed with the ST in mind — or rather taking into account the ST's poor horizontal scrolling. There are four planes of parallax which move in either left or right horizontal directions depending which way your craft is facing.

Anarchy started life over a year ago, before even Bloody Money was dreamt about. When it was time to convert Blood Money from the Amiga to the ST, Wayne dropped Anarchy and concentrated on the Psygnosis title. Development was only

restarted some

The game is

virtually complete now;

some aliens, flight patterns and general

gameplay tweaking are all that need doing.

All the aliens are very small and have very different actions. Some stay still, others fire never-ending streams of bullets while some will just get in the way. Destroying an alien will often result in a token being deposited.

Picking up a token will provide you with extra weaponry or some

other bonus. You start off with

a single-shot laser.

• Program development takes place on a turbo-charged 80386 PC running a system called Snasm which was created by Realtime and Vektor Graphics. The screen above shows an alien tlight pattern in It Can't Be Done.

sprites in Firestorm are perfectly contrasted in addition to being beautifully detailed.

You control a dwarf and must move between platforms collecting items, searching and shooting. Keys can be collected which open chests. Inside the chests you will find all manner of objects; some good, some bad. some surprising. The whole game is about humour. For instance, when you're not moving your character he will start throwing objects at the other player's dwarf. Similarly, opening chests can prove amusing.

An option will exist whereby you'll be able to interact with the other player's dwarf. So throwing stones at your companion will be bad news for his health.

The dwarves are made up of a staggering 70 frames of animation.

Spells can be collected and cast on certain aliens which can't be defeated in any other way.

The action takes place in a fantasy world. You start in swaps, move into

woodland and six levels later arrive in hell. The eight levels

comprise countless aliens and tasks to

overcome. Each

• Above left: there wi l l be over 70 frames of animation for the cule dwarl characters in the Firestorm game. As well as walking, jumping and dying, the dwarves wil l throw things at each other and perform other funny actions when not being controlled. Above right: Chris Warren and Kevin Oxland use Deluxe Paint III on an Amiga to design and animate the various characters and backdrops to games. Below: Firestorm in all its glory. The game wi l l feature eight levels, from the swap lands to hell, and countless enemy characters. Hardware tricks are being perlormed to make the game look extremely colourful on the ST.

apart from a few screen shots dotted around these pages there's little to see.

With many major software publishers being provided with CD-ROM FM Towns machines and the current excitement in the console market. WJS hopes to move into one or both of these fields. For this year though, the lads from Leeds have got their hands full with Anarchy, Firestorm and Witchcraft.

level is 16 screens in length. The backgrounds take up 42K on disk and are expanded to around 200K during play.

During each stage there will be very a large alien positioned early on, somewhere towards the middle and at the end. There will also be a bad luck sprite flitting around the screen which, on contact, will reverse your controls.

You should see both ST and Amiga versions of the game by May.

HOW IT'S DONE Almost all programming is done in-house on '386 42MHz-rated PCs running something called the Snasm development system. Created by Realtime and Vektor Graphics. Snasm is still in pre-release stage. The assembler, downloading software and hardware — if you're interested — cost £600.

Snasm manages to assemble around 12,000 lines of source in around five seconds and is fully integrated with Brief (the business as far as PC editors go).

Graphics and animations are designed on an Amiga running Deluxe Paint III. Kevin has a 2Mb podule sticking out of the side of his A500 as the animations he's required to produce often run into hundreds of K.

A typical game will run to about 12,000 lines of 68000 assembler source. The resulting object code will only be around 35K. Graphics and sound take up the rest of the space.

In-game music tracks are generally put together by freelance musicians. If

you've got an original tune with drivers for the ST or Amiga, get in touch with WJS Design as they're always looking for new material. You could even earn yourself a few sobs.

FUTURE FORAYS The third game being developed by WJS is currently called Witchcraft. The title is likely to be a Christmas 1990 release and will only appear on the Amiga due to the demands being made on the hardware.

Witchcraft is planned to be an even bigger epic than Shadow of the Beast with absolutely huge multi-frame sprites. Lots of levels, lots of music, lots of disks and lots of action are promised in the game. Witchcraft is in very early stages of development, so

S o m e w h e r e d e e p i n t h e h e a r t o f t h e A m a z o n i a n j u n g l e t h e r e b e a t s a d r u m . Softly at first and then louder, the insistent beating awakens our hero, Kid, from a deep sleep. Last thing he can remember he w a s pulling on an old pair of boxing g loves he 'd found in his uncle 's study.. . now, here he is, sur rounded by trees and shrieking parrots. There's something weird going on round here. Confused and uncertain. Kid's troubles are just beginning - he's yet to visit strange scenes in the Ice Age, the pyramids of Egypt, the psychedelic West Coast of the 60's and more - but he's still wearing the gloves and with your help he may yet find his way back home I

Five levels of play Collectables on every screen, including food, cash, keys, extra lives and smartbombs 4 different weapons to buy as you can afford them, including mega laser and the death star

' " Six unique magic spells - use with care! Sampled sounds, great graphics and frantic gameplay

F R E E P O S T E R I N C L U D E D A V A I L A B L E F O R ATARI ST A N D C O M M O D O R E A M I G A . P R I C E £ 2 4 . 9 9 , 1 0 G 0 T I 0 N ( N T f R T A I N M I N T , C H A N C I I Y HOB S I , y f j A 107 ST PA HIS I D . I S L I N G T O N . 1 0 N D 0 N . N l 2 N A A v / j Z w W ' I THE IOGOTRON NAME ANO MARK ARE USED UNDER LICENSE FROM IOGOTRON I

M O N T Y ' S B A C K ! ! H A V E R B A C K ! WIN! AN EXCLUSIVE HIP LEATHER JACKET! WIN! LOADS OF T-SHIRTS AND COPIES OF IMPOSSAMOLE! MONTY WHO?

Monty Mole is a soft-ware superstar, is he

not? Hero of three past games (including Wanted: Monty Mole — the game which launched Gremlin Graphics into the software

world), he's now ready to take up his next challenge

in Impossamole. to be published at Easter by

Gremlin. Monty's been transforming

into a super-mole and off he treks through five dan-

gerous levels.leap-ing and bounding his

way over platforms in glo-r i o u s , t r a d i t i o n a l Monty Mole style. Impossamole also marks Monty's f irst appearance on the ST and Amiga — though, don't fre 8-bi t ters.

Impossamole will also be out on the Speccy, Commodore 64/128 and Amstrad CPC.

S O D T H E M O L E ! W H A T D O I W I N ? Win! Win! Win a groovy, mean-mutha, black, leather jacket! Wooo.And to make the jacket standard to TGM requirements (ie: hip 'n'happenin') Gremlin are getting a swanky artist to screen-print a well-'ard mole on the back. And it's an exclusive design to boot! That 's the first prize. Gremlin are offering 15 second prizes too. A copy of Impossamole on your format with an Impossamole t-shirt. and for a fur-ther ten runners-up there's a copy of the game. Of course the first-prize winner gets-the lot!

P U Z Z L E T H E S E O U T A N D S T A Y F A S H I O N A B L E ! Now. everyone knows Monty's a mole and he does indeed live in a hole, but do you know... 1. What were the titles of Monty's second and third games? 2. What was the name of the mole in Kenneth Graham's Wind In TheWillows? 3. Are moles carnivores, herbivores or omnivores? Answers on a postcard to: M O N T Y ' S B A C K , B A C K , B A C K C O M P O , T G M , N e w s f i e l d , L u d l o w , S h r o p s h i r e S Y 8 1JW All entries received after April 15

will be stuck in the bin. any correct entries received before that date will

be also thrown in the bin. but — but! — 26 entries will be rescued and awarded prizes! Hurrah! (Get that mole away from the lawn!!! — Ed)

ft HEROES OF THE PAST ARE HERE TO SAVE THE FUTtffiS featuring Flash Gordon and his friends in an epic battle r. against the evil forces of Ming The Merciless / ' —

AVAILABLE FOR: C64, AMSTRAD CPC f ^ B B AMIGA, ATARI ST SPECTRUM 48/128K Z L _ n m i k H 13 North Park Road. Harrogate HG1 5P0 Sales: (0322) 92518

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Why do these people reckon TGM Review is the tops?

'Hello dear. Yes, for my money TGM Review is certainly the tops! My cats, Puddles and Destruction, simply can't get enough of it. Puddles always comments on the excellent choice of Star Player games. In fact, he was just saying...'(SNIP! This woman is potty! Get her out before we go to print — Ed)

'Wellll, hello there — you huuunk! Y'know I just can't (gasp!)get enough of TGM Review — all my (heeeave!) desires are fulfilled. When I 'mmmm out on the hunt I always know whaaat to (thrust!) look for...' (SNIP! Where do you f ind these people? Get rid of this one before the deadline too — Ed) = H I 2 f i » m*rr=

i p ^ t f . " S h « ' t a c l i e n t , a n d f a l l i n g n y

k n p * how

7 r »» . w " w i i c i i i | b i >u * n

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'Oh lordy, lordy! TGM Review? Makes me go all wibbly at the edges. The choice! The thril ls! Sometimes I can't stand the pace and FLIP OUT! My God! There are hobgobl ins nibbling my toes and why is this greenfly invit ing me to go ballroom dancing...'(SNIP! All these people are useless. Find some more. No! You're fired! You're yesterday's news, boys! You'll never work in this industry again!! — Ed)

GAMES INDEX 1 6 - B I T

A M I G A After The War 51 Aquanaut 51 Dragon's Breath. 48 Dr Doom's Revenge 51 E-Motion 36 Fighter Bomber 52 Fire! 53 Hammerfist 26 Knights Of The Crystallion44 Lost Dutchman Mine 52 Overlander. 53 Rotor 55 Scramble Spirits 40 Sideshow 41 Soccer Manager Plus 54 Stryx 54 Space Harrier II 30 Take 'Em Out 56 Warhead 46

A T A R I S T After The War 51 Astate 56 Black Tiger 37 Conqueror 52 Crackdown 43 E-Motion 36 Fighter Bomber 51 Fred 53 Never Mind 55 Operation Thunderbolt 55 Rainbow Islands 54 Risk 54 Scramble Spirits 40 Space Harrier II 30

P C Aquanaut 51 Conqueror 52 Hard Drivin' 55 Mean Streets 32 Risk 54 The Kristal 53 Toobin' 55

8 - B I T A M S T R A D C P C Beverly Hills Cop 52 Fiendish Freddy 52 Jack Nicklaus' Golf 55 Wild Streets 56

C O M M O D O R E 6 4 Crackdown 43 Dr Doom's Revenge 51 E-Motion 36 Fourth Dimension 38 Hammerfist .. 26

S P E C T R U M Black Tiger 37 Hammerfist 26 Scramble Spirits 40 Space Harrier II 30

S E G A Dynamite Dux 56 Psycho Fox 34

K O N I X ( ! ) Hammerfist 26

3 2 - B I T A R C H I M E D E S Conqueror 52 Rotor 56

H ammerfist is the first game from Watford-based Vivid Image, the pro-gramming team behind System 3's Last Ninja 2. It is set in a future world

where a huge corporate body cal led Centro-Holographix has total domination through its production of holograms. They have used their shadowy figures to over-throw the solids (humans) and take control of the two main cities on the planet. A holo-gram is created from the personality matrix of either a live or dead person. Two people have 'volunteered' their personal traits to the rulers. They produce two holograms codenamed Hammerfist and Metalisis.

Both are very good at their job — killing and maiming people — but a problem aris-es when they are placed in their stasis holding pens between jobs. A computer

malfunction removes

ters during the game. Hammerfist is a weapons expert, and fitted with three to prove it — one of his arms contains a cybernetic hammer-shaped fist (thus the name of the game!), the other is fitted with a heavy duty piston-powered fist and he

energy, laser and piston fist top-ups (which are all limited). Though beware, if you leave the orbs they disintegrate and The Masters' energy level at the top of the screen shoots up. When it reaches maxi-mum they are active, making the oppo-

26 TGM ApriM 990

Upon exiting the underwater city our heroes must face many sumarlne creatures. And no they don't need scuba gear they are holograms.

dencies and fuses them into one form.

They realise the only way they can regain their individual identities

is to fight their way through the cities and wastelands to destroy the heart of Centro-Holographix — The Master.

The player can swap between charac-

always car-ries a laser gun (just in case).

Metalisis is faster

and more agile than

Hammerfist. She has no

weapons, just a lethal high kick and headbutt.

As this game is set in the future,

it runs to form that an atomic war has decimated the landscape and created all sorts of mutated creatures. It is these, as well as human guards, robots and huge mechanical mon-sters that must be avoided on your con-quest.

As you kill an attacker glowing orbs appear, these contain useful attributes like

An end ol section guardian blocks your path. Here you must destroy the larvae betore tackling the monster. But who said lite was easy.

/ /

A C T I V I S I O N

BUT WHERE'S THE HARDWARE?

R e v i e w i n g s o f t w a r e w h i c h i s n ' t f i n i s h e d is n o t h i n g n e w t o certain other m a g a z i n e s , but here 's so f tware b e i n g r e v i e w e d o n a machine w h i c h isn ' t f i n i s h e d ! E v e r o n t h e h u n t for t h e e l u s i v e e x c u l s i v e T G M p r e s e n t s t h e K o n i x M u l t i S y s t e m r e v i e w o f Hammer f i s t ! Yayyy !

Graph ica l ly th is is very s imi lar to the A m i g a g a m e , w i th t h e s c r e e n s be ing a b i t s m a l l e r , d u e t o t h e K o n i x ' s r e s t r i c t i o n s . N o t h i n g m o r e c a n b e a d d e d t o t h e o t h e r - f o r m a t s c o m m e n t s , e x c e p t t h a t V i v i d I m a g e ( a n d A c t i v i s i o n ) h a v e d o n e a g r e a t j o b l A n d s o m e o n e p l e a s e t e l l p r o g r a m m e r M e v Dink that it's t h e Ko-nix, not the Chro-n ix ! K o n i x M u l t i S y s t e m 9 0 %

• Percy Thrower wouldn't be happy with this lot in his greenhouse, but Hammerlist is on the job.In the hydroponics section ot the underwater base the plants must be shot to allow your escape.

NEW KIDS ON THE BLOCK

• Hammerlist is so disorientatedtby his fusion with Ms M that he can't even shoot straight.

Vivid Image was formed in 1988 by three programming supremos: Mev Dine. Hugh Riley and John Twiddy. Apart from Hammerfist, they (and an array of other distinguished programmers) are working on Time, a four-dimensional (time being the fourth dimension) fantasy roleplaying arcade adventure.

Vivid Image are... Hugh Riley: started computing in 1984

whilst on the dole. He studied animation at college and wanted to get into the field. He thought the computer would be the quickest way to achieve his objective. He bought a C64 and started to experiment with computer animation. In 1986 System 3 approached him with an offer to do the Last Ninja graphics. He continued to work for System 3 until September 1988 where he was responsible for the graphics for Bangkok Nights, Predator. Last Ninja 2, Dominator and Tusker. He claims to have no time for hobbies, other than sleeping and snoring very loudly.

Mev Dine: came to Britain from Turkey in 1979 to do post-graduate studies in economics. Became interested in computers in 1984, and soon afterwards decided to quit his job and go into programming full time. His first big break came when he approached Tony Rainbird and was given Gerry The Germ to program. He then fell in with Rod Cousins and worked for the newly-formed Electr ic Dreams label. Mev programmed Prodigy, Big Trouble In Little China and Knightmare for Electric Dreams/Act iv is ion. It was whilst programming Last Ninja 2 for System 3 that Mev met the other two thirds of Vivid Image. Mev's hobbies are spouting entire Fawlty Towers sketches, relating the gory details of his death defying fall from a tree when he was a nipper, crashing go-karts and playing snooker.

John Twiddy: became involved with computers when he received a Commodore PET 2001 for his 17th birthday. He continued his love affair with computers whi lst at university in Newcastle. After leaving university he sent his Monitor program to everyone in the industry. He received two replies, one from the great guru Jeff Minter. the other from Supersoft. As a result of this he wrote the C64 version of Amidar for Supersoft (it was released as Pesky Painter). His big break came with the conversion of the classic Tau Ceti for CRL This was followed by Ikari Warriors for Elite and Last Ninja I and 2. John's hobbies are sitting in cardboard box's in the middle of the road, aiding Mr Dine in his Fawlty Towers sketches and being a complete smartarse. He's a very nice man, though.

27 TGM April 1990

'///////

INTEL FILE - CODE 127A/08/07003 SUBJECT: OPERATIVE 12004-CODENAME: :HAMMERFIST

B a s e d o n h u m a n c o d e n u m b e r 3 4 5 8 9 / A W , g e n e t i c a l l y s u i t e d t o p h y s i c a l b a t t l e c o n d i t i o n s . P r o v e n r e c o r d in t h e f i e l d in a v a r i e t y o f u n d e r c o v e r a n d a g g r e s s i v e a c t i o n s a g a i n s t e n e m y f o r c e s . 3 4 8 9 / A W ki l led in ac t ion . B o d y r e c o v e r e d a n d s t o r e d in m e d i c a l r e s e a r c h e s t a b l i s h m e n t . R e c o r d i n c o m p l e t e — b o d y d i s a p p e a r e d in 2 2 4 3 . C e n t r o -H o l o g r a p h i x a c q u i r e d b o d y o f H a m m e r f i s t a n d r e p a i r e d i t w i t h c y b e r n e t i c a r m t y p e 2 0 3 a . H a m m e r f i s t p u t i n t o a c t i v e s e r v i c e un i t , s p e c i a l i s t in w e a p o n s c o n t r o l a n d f i r e a r m s s u p p r e s s i o n t a c t i c s ( F I S T ) . N o w F I S T l e a d e r a n d cont ro l le r of cover t f o r c e s for u r b a n d e f e n c e f o r c e o f C e n t r o -Holographix . . . M e s s a g e ends .

INTEL FILE - CODE 12ZA/08/08A45 SUBJECT: OPERATIVE 12457 -CODENAME: METALISIS

B a s e d o n h u m a n s u b j e c t A W / 8 6 7 / Q 1 2 . F e m a l e o f E a s t e r n E u r o p e a n or ig in . Medica l ly p roven as C a t e g o r y A f i t n e s s a n d a g i l i t y . T r a i n e d a s e n t e r t a i n m e n t p r o f e s s i o n a l i n s t a t e c i r c u s . G r a d u a t e d wi th h o n o u r s f r o m Khi rov Mi l i tary In te l l igence A c a d e m y . P laced in ac t ive serv ice for a r m y inte l l igence — s p e c i a l i s t c o v e r t a g e n t , In ternat iona l Branch . Lost in ac t ion in W e s t A t l a n t i c C o u n t r i e s , M e t a l i s i s t aken al ive by C e n t r o - H o l o g r a p h i x — w h e r e D N A and personal i ty trai ts put i n t o h o l o g r a p h i c c o n t r o l s y s t e m . U s e d in 14 m i s s i o n s aga inst pol i t ical f i g u r e s a n d r e s i s t a n c e . J o b d e s c r i p t i o n — A s s a s s i n . . . M e s s a g e ends .

nents' produce energy-sapping deadly skulls when they are destroyed. If all the energy of one player is lost, they other automatically takes over till the other party has recovered. If both hit zero at the same t ime, you're dead! After a while The Masters' energy will wane and you're back to normal.

Power points are scattered around the complex. On contact, either Hammerfist or Metal is is wil l glow like a reject f rom Chernobyl. Though watch the relevant energy bar, too much power and the recipi-ent explodes.

The characters that attack you on the first underwater complex level are only part

of your problem. A computer security sys-tem prevents you from exiting each loca-tion, till everything is destroyed. Using a combination of both, characters must leap to and blast numerous computer terminals etc before progression.

On completion of the underwater com-plex. you journey through the ocean, finally landing on the coast of a ruined wasteland city — here you encounter a new definition of the word mutant... Deep within the city is the huge Centro-Holographix complex — and your final objective. Upon The Masters' destruction. Hammerfist and Metalisis earn a well-deserved rest, just long enough to charge up for Hammerfist II...

M a r k C a s w e l l

• Metalisis is not a gal to let the men have all the tun. In the Jaques Cousteau style scenery she takes over the bashing heads together tun tor a while. Here she is attacked by an array ot creatures who obviously haven't heard about her dirty lighting.

GAME HAMMERFIST PRODUCER ACTIVISION

AMIGA £24.99 ATARI ST £24.99 C 0MM0D 0R E64 £9.99

£14.99 AMSTRAD CPC £9.99

£14.99 SPECTRUM £9.99 KONIX MULTISYSTEM TBA

S P E C T R U M

D e s p i t e t h e S p e c t r u m ' s m o n o c h r o -mat ic p resenta t ion , it still con ta ins al l t h e d e t a i l a n d a c c u r a c y o f a n y ve r -s ion . M o v e m e n t is f lu id, b a c k g r o u n d s g r e a t a n d p l a y a b i l i t y u n c o m p r o m i s -ing. A g r e a t c o n v e r s i o n .

T h e g a m e k icks off w i t h a grea t Wal ly B e b e n tit le tune , set t ing the s c e n e for a g a m e that is no pushover . T h e four loads are j a m p a c k e d full of great little ( a n d b i g ! ) m o n s t e r s . Hammerfist's h i g h l y - d e t a i l e d b a c k d r o p s a n d s m o o t h - m o v i n g s p r i t e s a r e a g r e a t re f lect ion of the a m o u n t of t i m e a n d ef for t g o n e into d e s i g n i n g t h e m . A n d l ike Last Ninja 2, there 's a g o o d range of puzz les to k e e p y o u o n y o u r toes . Al l in all a n igh per fect p roduct .

C 6 4 m J o h n T w i d d y h a s c o m e u p w i t h t h e g o o d s o n t h e C 6 4 . T h e c h u n k y C o m m o d o r e spr i t es are put to g o o d use , w i t h e v e r y t h i n g superb ly d r a w n a n d a n i m a t e d . A g a i n , t h e in t ro t u n e a n d in -game spot e f fects are, l ike the ent i re g a m e , of a very h igh s tandard . Hammerfist d e s e r v e s a l l t h e a c c o -lades it can grab. If th is is w h a t hap-p e n s w h e n a b u n c h of p r o g r a m m e r s get together , th ink up ideas a n d pro-g r a m a w a y t o per fect ion w i t h o u t any d e a d l i n e s , t h e n I h o p e t h i s is t h e th ink ing o f the Ninet ies .

28 TGM April 1990

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OFTWARE CITY Unit 4, B.D.C, 21 Temple Street, Wolverhampton WV2 4AN Tel: 0902 25304

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1943 6.99 N/A ACTION SERVICE 4 99 4 99 A P B 13.99 13.99 ALTERED BEAST. 13 99 16 99 ANT HEADS (CAME FROM THE DESSERT ADDON) N'A 9.99 AQUANAUT 16.99 16.99 ARCHIPELAGOS . 16.99. 16.99 ARCHON COLLECTION N/A 6.99 AXELS MAGIC HAMMER N.A 13 99 BAD COMPANY .16.99 16 99 BALANCE OF POWER 1990 .1699 1699 BARBARAS (PALACE) 6 99 6 99 BARBARAS 2 (PALACE). .— 16 99 16.99 BA"MAN THE MOVIE - 13 99 16 99 BATTLE CHESS 16.99 16 99 BATTLE OF AUSTERLITZ 16.99 16.99 BEACH VOLLEY 13.99 16.93 SONIC COMMANDO 6 99 6 99 BLADE WARRIOR 16.99 16 99 BLCCOWYCH 16.99 16.99 BLCOOWYCH DATA DISC 9 99 9 99 BOMBER 19.99 19.99 CABAL 13.99 16,99 CAPTAIN BLOOD N'A 9.99 CARRER COMMAND 16 99 16.99 CENTREFOLD SQUARES 13.99 13 99 CHAOS STRIKES BACK 16.99 V A CHASE H Q 13.99 16.99 CHESS PLAYER 2150 16.99 16 99 COMMANDO 13 99 1399 CONFLICTS EUROPE 16 99 16.99 CONTINENTAL CIRCUS 13 99 1399 CRAZYCARS2 13.99 16 99 CYBERBALL 13.99 13.99 CYCLES N'A 16.99 DALY DOUBLE HORSE RACING 13.99 13.99 DAMOCLES Ni'A.._ 16 99 DANGER FREAK N/A 9 99 DELUXE STRIP POKER 13.99 . 13.99 DEMOMS WINTER 16 99 16.99 DOGS OF WAR 1399 1399 DOUBLE DRAGON 2 13.99 13.99 DRAGONS BREATH 19.99 . 19.99 DRAKKHEN 19.99 19.99 DUNGEON MASTER 16.99 16 99 DUNGEON MASTER EDITOR 6 99 6 99 DYNAMC DEBUGGER 16.99 16 99 DYMAMTEDUX 16.99 ...16.99 ELITE 16 99 16.99 =16 COMBAT PILOT 16 99 16 99 F29 RETALIATOR 1699 16 99 FAERY TALE N'A 13.99 FALCON MISSION DISC 13.99 13.99 FAST LANE 13.99 13.99 FEDERATION OF FREETRADERS 19.99 19 99 FERRARI FORMULA 16.99 16 99 FIENOISH FREDDYS BIG "OP O f FUN 16.99 16 99 FGHTING SOCCER 16 99 16 99 F RE BRIGADE H MEG I . 1 9 99 19.99 FOUNQATON WASTE 6 99 .. .6.99 FOOTBALL OIRECTOR 2 13.99 1399 FOOTBALLER OF THE YEAR 2 13.99 13 99 FOOTBALL MANAGER 2 EXPANSION KIT 13,99 13 99 FORGOTTEN WORLDS 13.93 1399 FUTURE WARS 16.93 . 16.99 GAUNTLET 2 .6 99 . 6 99 GHOULS AND GHOSTS 16.99 16.99 GH.OSTBUS1ERS2 16 99 16 99 GIN AND CRIBBAGE N/A 19.99 GRIDIRON. 16.99 16.99 GUNSHIP 16.99 16.99 HARD DRIVIN 16 99 16.93 HILLSFAR 16.99 16.99 HOLLYWOOD POKER PRO 6 99 6 99 HONDA RVF 750 16.99 16.99 HORSE RACING N'A 16.99 HOUND OF SHADOW 16 99 16 99 IND ANA JONES LAST CRUSADE 13.99 16 99

INDIANA JONES THEADVENTURE 1699 16.99 IT CAME FROM THE DESERT (1 MEG ONLY) NfA._ 1999 INFESTATION 16.99 16.99 (VANHOE 13.99 16.99 KEEF THE THIEF N/A 1699 KENNEDY APPROACH 16.93 16 99 KENNY DALGLISH SOCCER MATCH - 13 99 13.99 KICK OFF 13.99 13.99 KiCK OFF EXTRA TIME . 6 99 6 99 KNIGHTFORCE 16.99 16.99 LAZER SQUAD 13.99 13.99 LEADERBOARD COLLECTION 1399 16 99 LEISURESUIT LARRY 16 99 16 93 LEISURESUIT LARRY LOOK FOR LOVE 19.99 N/A LIVERPOOL N/A 1399 LOMBARD RAC RALLY 16 99 16.99 LORDS OF THE RISING SUN N/A 19,99 THE LOST PATROL 13.99 16.99 MARBLE MADNESS 6 99 6 99 MlCROPROSE SOCCER 16 99 - 16.99 MIDWINTER 16.99 16.99 MILLENIUM 2.2 16.93 16.99 MOONWALKER 13.99 16.99 M U S C I E C A R S N/A 8.50 NEW ZEALAND STORY 13 99 16 99 NORTH AND SOUTH 16 99 16 99 OMEGA 19.99 19.99 ONSLAUGHT 16.99 16.99 OPERATION THUNDERBOLT 16 99. 16.99 OUTRUN 6.99 6.99 PAPERBOY 13 99 13 99 PAUL GASGOINE SUPER SOCCER - 16 99 16 99 PHOBIA N/A 9.99 PLAYER MANAGER 13 99 13.99 POPULOUS 16.99 16.99 POPULOUS NEW WORLO 6 99 6 99 POWERDRIFT 16.99 .16.93 PRO TENNIS TOUR 16.99 16.99 QUARTZ 13.99 1399 RAINBOW ISLAND 13.99.. 16 99 REALM OF THE TROLLS 9 99 . 9 99 RENAISSANCE 13 99 13 99 RICK DANGEROUS 16 99 16.99 ROADWARS 6 9 9 — 6 99 ROBOCOP 13.99 16.99 ROCKET RANGER 16.99 19.99 RUNNING MAN 16.99 16.93 SHADOW OF THE BEAST N/A 24 99 SHINOBI 13.99 1399 SHOOT EM UP CONSTRUCTION KIT N/A 1999 SPACE ACE N/A 29.99 SPACE HARRIER 2 13.99 16 99 SPACE QUEST 3 N'A 16.99 STARGLIDER2 16.99 16.99 STARWARS TRILOGY 16.99 16.93 STRIOER 13.99 13 99 STUNT CAR 16.93 16 99 SUPER LEAGUE SOCCER 16 99 16 99 SUPER WONDER BOY 16 99 16.99 SWORD OF SODAN N f t 16 99 SWORDS OF TWILIGHT N'A 16.99 T V SPORTS FOOTBALL 16 99 19 99 TEST DRIVE 2 N'A 16.93 TIMES OF LORE 16.99 16.99 T 0 0 6 I N 16.99 16 99 TOWER OF BABEL 16.99 16.99 TRACKSUIT MANAGERQ 13.99 .13.99 TURBO OUTRUN 13.99 16.99 ULTIMA 5 1999 N/A U . M S 16.99 16.99 THE UNTOUCHABLES 13 99 16.99 VULCAN 1399 13.93 WAR IN MIDDLE EARTH 13 9 9 - 13.93 WARLOCKS QUEST 4.99. . 4 93 WAYNE GRETZKY HOCKEY N/A 16.99 WATERLOO N/A 1699 WEIRD OREAMS - 16 99 16 99 WORLD CLASS IEADERBOARD .6.99 6.99 XENON 2 MEGABLAST 16 99 ........16 99 XENOPHOBE 16.99. 16 99

SIXTEEN BIT COMPILATIONS MAGNUM FOlTt

OPERATION WOLF. AFTERBURNER. DOUBLE DRAGON, BATMAN THE

CAPED CRUSADER £19.99

GIANTS GAUNTLET 2, ROLLING THUNDER.

1943. OUTRUN £19.99

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AND LETDIE, THUNDERCATS. BEYOND THE ICE PALACE.

BATTLESHIPS £16.99

THE STORY SO FAR VOL 1 IKARI WARRIORS. BUGGY BOY.

BEYOND THE ICE PALACE, BATTLESHIPS

ST £13.99 AMIGA £13.99

LIGHTFORCE R-TYPE, IK+. VOYAGER, BATMAN

THE CAPED CRUSADER £16.99

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ST £13.99 AMIGA £13.99

3.5 INCH DOUBLE SIDES, DOUBLE DENSITY

WITH LABELS 1 0.79 10 6.99 25 1699

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ST £13.99 AMIGA £16.99

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ST & AMIGA EXTENSION LEADS 5 99

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ORDER FORM AND INFORMATION All orders sent FIRST CLASS subjoct to availability. Just fl l l ln the coupon and send it

to:-Software City. Unit 4. BDC 21Templo Street. Wolverhampton. WV2 4AN.

ORDER F O R M (B lock Cap i ta ls ) Name Address

Postcode Tel No. [ Name of game Computer Value

Postage

TOTAL

P O S T A G E R A T E S - P l e a s e a d d 5 0 p f o r p o s t a n d p a c k a g i n g o n a l l o r d e r s u n d e r £ 5 . O v e r s e a s a d d £ 1 . 5 0 p e r i t e m . P A Y I N G B Y C H E Q U E - C h e q u e s p a y a b l e t o S o f t w a r e C i t y

Card Type Expiry Date • • • • • • • • • • • • • • • • • • • • . EUROPEAN ORDERS MASTER

signature CARD EUROCARD ACCEPTED

Date TGM APRIL

EMI//////////;

T a k e m e h i g h e r . . .

HARR He knew it was time. There could be no

further delay. The Dark Harrier had reigned in the Fantasy Land for too. too long, bringing fear where once

there had been happiness, night where there had been day. Death where there had been life...

The Space Harrier II, brother to the origi-nal hero who restored peace to the Dragon Land, knew what had to be done. He pulled on his strengthened flight suit and boots and put on his gloves, flexing his hands so they fitted snugly. He picked up his com-bined jetpack and laser cannon unit, testing its weight before pressing an orange octag-onal button. Various lights and readouts f l ickered into life and the je t /cannon emanated a low buzz. Harrier II walked over to the transporter pad and surveyed the scene before him. a section of the dying Fantasy Land. Heaving the jet/can-non under his right arm, he sighed and acti-vated the transporter. Kicking in the jet. he was suddenly speeding over a strangely coloured but overwhelmingly bleak land-scape. his suit pressed against him and his hair forced flat against his head. Space Harrier II had just enough time to catch his breath before a squad of hawk-like space-craft homed in on him. guns blazing...

• Yelp! There go the Reboksl Watch out for the dragon curling round the bottom of the screen — he packs a mean punch!

30 TGM April 1990

iliumi

•WHAT ABOUT THE ORIGINALHARRIER, THEN?'

S p a c e Harrier w a s a S e g a c o i n - o p w h i c h d r e w a t t e n t i o n p r i m a r i l y b e c a u s e of its cab ine t , no t i ts f a s t 3 - D g r a p h i c s a n d g a m e p l a y . I t w a s o n e o f t h e f i r s t m a c h i n e s t o u s e h y d r a u l i c s , t h r o w i n g the p layer a r o u n d in h is c h a i r a s t h e y p l a y e d . I t w a s v e r y s i m i l a r t o Space Harrier II, t h e o n l y d i f f e r e n c e s , b a r graphical o n e s , b e i n g u n s e l e c t a b l e lev-e ls a n d d r a g o n s in p l e n t i f u l s u p p l y , which y o u c o u l d r ide o n — if y o u h a d the n e c e s s a r y sk i l l a n d t i m i n g .

E l i te p r o d u c e d t h e h o m e c o m p u t e r v e r s i o n s , w h i c h v a r i e d i n q u a l i t y . Obv ious ly 8 - b i t v e r s i o n s w e r e n o t h i n g s p e c t a c u l a r , p a r t i c u l a r l y t h e s l o t h f u l C o m m o d o r e 6 4 , b u t y o u c a n p u t it t o the test if y o u w i s h b y g e t t i n g a c o p y on Elite's E n c o r e labe l , at £ 2 . 9 9 . 16-b i t ve rs ions? F u n n y y o u s h o u l d m e n t i o n that...

A year a g o , if y o u w a n t e d t o p lay a l l 20 l e v e l s o f Space Harrier o n y o u r Amiga or ST, y o u w o u l d ' v e h a d t o f l o g out a w h o p p i n g £ 3 9 . 9 8 , £ 1 9 . 9 9 f o r t h e main p r o g r a m a n d £ 1 9 . 9 9 for t h e d a t a disk h o l d i n g t h e l a s t t e n l e v e l s . B u t

The game needs little explanation. There are 12 levels, with strange names like, Zero Polis. Felcold. Hell Peak and Fallpyram, and the starting level can be chosen from any one of them. But to finish the game the mysterious 13th level, domain of the Dark

G R A N D S L A M Harrier, must be conquered and that can only be accessed when the preceding dozen levels have been completed.

Harrier has the freedom of most of the screen, flying or running when at ground level but always travelling at a constant speed (he's quite an athlete, this Harrier fella). Unless, that is, he's hit by an alien, obstacle or missile, in which case he stops rather quickly and loses one of his five lives, so it's best to avoid doing this. His cannon has unlimited energy to blast the aliens but most obstac les are indus-tructible. The vast and unusual end-of-level monsters sometimes seem similarly invul-nerable but with persistence on the fire but-ton they'll soon be pushing up the 15-foot daisies.

Well, S Harrier Esq gets around a bit. his adventures in Dragon Land converted to just about every format under the sun. and now his identical (apart from the colour scheme of his suit) twin brother is poised to sweep the board. At first I was doubtful that Space Harrier II would have the necessary power, having long since played, enthused over and forgotten the conversion to Sega Mega Drive But, with an open (vacant) mind. I hooked up the trusty ultra-autofire joystick and launched myself into Fantasy Land.

n o w y o u c a n g e t b o t h d i s k s t o g e t h e r , r e r e l e a s e d , r e p a c k a g e d , fo r 2 0 qu id .

T h e p r o g r a m i t s e l f i s u n a l t e r e d : s m o o t h a n d s p e e d y c h e q u e r e d l a n d s c a p e , c o l o u r f u l s p r i t e s a p p e a r i n g in g o o d 3 - D r e a d y f o r M r H a r r i e r t o b l a s t w i t h h i s c o m b i n e d j e t p a c k a n d g u n w h i l e a l i v e l y s o u n d t r a c k u r g e s h i m o n . T h e A m i g a w i n s o u t w i t h i ts f u l l - s c r e e n p l a y i n g a r e a a n d b e t t e r s o u n d s , b u t b o t h h a v e fas t 3 - D a n d lo ts of a c t i o n for t h e m o n e y -M a c h i n e r a t i n g s : A m i g a 7 9 %

A t a r i S T 7 2 %

Shoot- 'em-ups are a computer game genre that will never die or even fade away, and even though Space Harrier's 3-D view-point and player control is not. in itself, suf-ficient to spawn a family, Space Harrier II is a worthy son. Fast, hectic blasting and dodging are all there is to it but it brings back happy memories of the old days when the original was around and is almost as refreshing and exciting a game as it was then.

Being able to select any of the 12 levels is a great, user-friendly option. It prevents boredom — you can tackle any level, with its own distinct array of obstacles and opponents, whenever the fancy takes you — and varies difficulty, although it's pretty damn challenging whatever level you play!

In short, if you want a fast (vast?) blast, try the vertical take-off and landing of the Space Harrier II.

W a r r e n L a p w o r t h

GAME SPACE HARRIER II PRODUCER GRANDSLAM VERSIONS ATARI ST AMIGA C64 SPECTRUM

£19.99 £19.99

£9.99/£14.99 £9.99/£14.99

AMSTRAD CPC £9.99/£14.99 MSX £9.99

A T A R I S T V

T o g e t t h e b a d n e w s o v e r w i t h , t h e g o o d o l d g i a n t c h e s s b o a r d g r o u n d d o e s n ' t w o r k ve ry wel l . I t 's f i n e in t h e f o r e g r o u n d a n d m o v e s s m o o t h l y (if a l i tt le s l o w l y ) , bu t t o w a r d s t h e h o r i z o n p e r s p e c t i v e is s t r a n g e a n d u n n a t u r a l . A l t h o u g h spr i te 3 - D is jerky , it 's q u i t e f a s t a n d d e f i n i t i o n is v e r y g o o d . M u s i c is g o o d a n d t h e r e ' s a s a m p l e d s c r e a m a n d a n e n t h u s i a s t i c ' G e t r e a d y ! ' .

S P E C T R U M

O b v i o u s l y a l o t l e s s s o p h i s t i c a t e d t h a n t h e ST, bu t sti l l no t a s g o o d as it c o u l d ' v e b e e n . T h e c h e q u e r e d l a n d s c a p e f l o o r m o v e s s m o o t h l y a n d at g o o d s p e e d , a n d H a r r i e r , a l i e n s , m i s s i l e s a n d h o r i z o n f e a t u r e s a r e w e l l d e f i n e d . T h e p r o b l e m is w i t h c o l o u r c lash , u n s u r p r i s i n g l y — w i t h d i f f e ren t o b j e c t s in c l o s e p r o x i m i t y it's d i f f icu l t t o s e e w h a t y o u s h o u l d d o d g e f i rs t . T h i n s o u n d e f f e c t s d o l itt le t o h e l p a m i l d l y f u n b u t l i m i t e d - i n t e r e s t b laster .

• It's the Speccy version! Just as mean, tough and nasty. Sadly when the action gets fast the monochrome sprites can mingle too much, making it diflicult to see what to shoot and what to avoid.

31 TGM April 1990

A n e x c l u s i v e f r o m t h e U S o f A ! !

of t o u c h e d - u p , d ig i t i sed sti l ls a n d sol id 3 - D g r a p h i c s t h a t m a k e f o r a v e r y i m p r e s s i v e f ront -end .

A s T e x , y o u c a n d o a n u m b e r o f t h i n g s . You c a n fly a r o u n d Cal i forn ia in y o u r Lo tus S p e e d e r f ly ing ca r (a sort of p s e u d o - c r u i s e r f r o m B l a d e R u n n e r ) l o o k i n g at t h e 3 - D s c e n e r y ( b r i d g e s , so l id - f i l l ed b u i l d i n g s , e tc ) . Y o u can g o b o u n t y h u n t i n g I n t h e w a s t e l a n d s ( w h e r e t h e g a m e s h i f t s t o a s i d e -s c r o l l i n g , > s h o o t - ' e m - u p ) , q u e s t i o n / b r i b e / t h r e a t e n s u s p e c t s , c h e c k o u t i n f o r m a t i o n v i a a v i d e o -p h o n e / f a x f r o m y o u r s e c r e t a r y a n d s t r e e t i n f o r m a n t s , s e a r c h t h r o u g h o f f i c e s a n d l abs a n d , u l t imate ly , e i ther so lve t h e L i n s k y c a s e or d ie t ry ing .

A c t u a l l y , t h e w i d e r a n g e o f o p t i o n s p r e s e n t e d to y o u in Mean Streets g ives y o u t r e m e n d o u s f r e e d o m t o d o w h a t y o u w a n t , w h e n y o u w a n t . G r a n t e d , w h e n y o u e n t e r a p l a y s e q u e n c e y o u m u s t f o l l o w a m e c h a n i c a l f o r m a t , fo l -l o w i n g t h e m e n u s a n d s t i c k i n g by t h e fo rmat . H o w e v e r , Mean Streets d o e s g o m u c h fur ther t h a n m a n y o t h e r ' in terac-t ive' r e leases of t h e past .

A large a m o u n t o f e f for t wi l l be u s e d in in te rv iew ing c h a r a c t e r s . You d o th is b y f l y i n g y o u r L o t u s t o the i r l o c a t i o n , e i t h e r m a n u a l l y o r b y a u t o p i l o t , a f t e r p u n c h i n g a s e t o f c o - o r d i n a t e s i n t o y o u r nav iga t ion c o m p u t e r . A f te r w h i c h , a p re t ty b a c k d r o p a n d d e s c r i p t i v e text w i l l s e t t h e s c e n e . A s m a l l , a n i m a t e d , d ig i t ised p ic ture a p p e a r s c e n t r e - s c r e e n a n d t h e n y o u c a n a s k q u e s t i o n s . T h e g a m e p r e s e n t s y o u w i t h a ' T e l l m e about ' p rompt . You j u s t t y p e in a n a m e or w h a t e v e r a n d h o p e f o r a r e s p o n s e . T h i s s e c t i o n h a s s i m i l a r i t i e s to Killed Until Dead b e c a u s e cer ta in inputs pro-

Suic ide . T h a t w a s t h e ve rd ic t a n y w a y . Dr C a r l L i n s k y w a s f o u n d f loa t ing , f a c e - d o w n , in t h e S a n F r a n c i s c o Bay. S o m e o n e d id s e e h i m s t a n d i n g

o n t h e G o l d e n G a t e b r i d g e — t h e y s a i d L i n s k y w a s a lone . H is daughte r , Sy lv ia , d o e s n ' t b u y t h e verd ic t , t h o u g h . T h a t ' s w h y y o u ' r e h e r e . T e x M u r p h y , p r i v a t e eye .

It s e e m s that t h e Doc , a p r o f e s s o r of n e u r o p s y c h o l o g y , h a d b e e n w o r k i n g o n a n i n d e p e n d e n t c o n s u l t i n g c o n t r a c t . L a t e l y , t h o u g h , h e h a d b e e n u n d e r s t ress , t o o k to d r ink ing , b e c o m e irr i ta-b le . T h e n s o m e o n e h a d s e e n his b o d y fa l l ing f r o m t h e G o l d e n G a t e br idge . Bu t t h e r e a r e d o u b t s . W h y w o u l d a m a n ,

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— ' M y gut f w r o n g . M a )

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w h o h a d a fear of water , c o m m i t s u i c i d e b y j u m p i n g i n t o t h e b a y ? T h e n t h e r e w a s t h e fax: ' P r o f e s s o r : You w e r e r ight a b o u t t h e s e boys . T h e y play for k e e p s . W a t c h y o u r s tep . S.F.'

Yet S y l v i a L i n s k y o f fe rs y o u £ 1 0 , 0 0 0 to f ind out w h o m u r d e r e d her f a ther a n d w h y . T e n G s is l o t o f m o n e y f o r a n a d v a n c e , a n a w f u l lot.

' M y gut fee l ing tel ls m e s o m e t h i n g is w r o n g . M a y b e I 'm jus t t o o cyn ica l . '

P r e s e n t e d o n six d isks , Mean Streets is s e t in 2 1 s t C e n t u r y A m e r i c a . It is a n o t h e r in the g r o w i n g base of interac-t i v e P C s o f t w a r e u t i l i s i n g t h e v e r y i m p r e s s i v e 2 5 6 - c o l o u r V G A m o d e t o s h o w d i g i t i s e d i m a g e s o f a c t o r s a n d

a c t r e s s e s a s c h a r a c t e r s in t h e s t o r y ( D y n a m i x ' s David

If and A-10 b e i n g t h e f irst * e x a m p l e s

r e v i e w e d i n T G M 0 2 7 ) . T h e r e a re 2 7 d i g i t i s e d a n d a n i m a t e d c h a r a c t e r s i n

^ \ Mean Streets a s X ^ l we l l a s a var ie ty

$ %

I Short enough to be what, then? II only you knew! This is |ust one ol the many digitised and touched up graphics scenes. Makes you realise what the PC is capable ol when running on VGA — no wonder it's so popular in the States.

L

GAME MEAN STREETS PRODUCER ACCESS/US GOLD V E R S I O N S H _ ^ h h

PC £tba

e x x r

M . E . , R * f t * mm i n thm • h a h J p a t J o n r o o a i . H e 7 * p r e t t y * t r a n g e , b u t i t M o u l d t a k e e o m e o n e M h o 1 * V T 9 t t y s t r i n g ® t o d o a J o b l i k e t h J * .

voke e m o t i o n a l r e s p o n s e s f r o m t h e c h a r a c t e r s . T h e i r f a c i a l e x p r e s s i o n s c h a n g e , f o r e x a m p l e . I f q u e s t i o n i n g doesn't work y o u c a n a l w a y s r e s o r t t o bribery or v i o l e n c e . B e p r e p a r e d f o r a few bumps a n d b r u i s e s , t h o u g h .

A bounty h u n t i n g s e q u e n c e is a v a i l -able to earn ready c a s h . A f t e r f l y i n g t o one of t h e s e l a w l e s s a r e a s t h e g a m e s h i f t s t o a s i d e w a y s s h o o t - ' e m - u p approximately t w o s c r e e n s long . T h i s is a f a i r l y s i m p l e s e q u e n c e I n v o l v i n g

REALSOUNDS The PC's s o u n d has a l w a y s b e e n a n A c h i l l e s h e e l . S o u n d b o a r d s a r e a g o o d o p t i o n , b u t h i g h p r i c e s h a v e deterred m a n y p e o p l e f r o m t a k i n g t h e p l u n g e , l e a v i n g t h e c o m p u t e r w i t h state-of - the-ar t g r a p h i c s a n d a b e e p -ing speaker.

N o m o r e ! B e c a u s e A c c e s s h a v e i n t r o d u c e d R e a l s o u n d w h i c h a l l o w s the bas ic P C s p e a k e r t o r e p l a y d i g i -t ised s o u n d s s u c h a s s p e e c h , m u s i c a n d s o u n d e f f e c t s . A p p a r e n t l y , t h e g a m e s o u n d s w e r e r e c o r d e d i n a m u s i c s t u d i o a n d o n l o c a t i o n , e l e c -tronical ly e n h a n c e d , d i g i t i s e d o n c u s -t o m h a r d w a r e a n d t h e n c o m p u t e r

I ed i ted into t h e g a m e . Y o u a l s o h a v e the opt ion to o u t p u t t h e m u s i c t o y o u r hi-f i ! O b v i o u s l y , s o u n d t h r o u g h t h e PC speaker is still no t as g o o d a s t h e

| A m i g a b u t t h e r e is u n d o u b t e d l y a t r e m e n d o u s i m p r o v e m e n t .

d u c k i n g b e h i n d c r a t e s a n d b a r r e l s t o e s c a p e t h e s h o t s o f t h e b a d g u y s . T h e a i m is t o w a l k t h r o u g h t h e t w o s c r e e n s a n d b e r e w a r d e d w i t h a t idy s u m .

S o m e s e q u e n c e s p r e s e n t y o u w i t h a n e m p t y r o o m t o s e a r c h f o r c l u e s , o b j e c t s , m o n e y , m e s s a g e s a n d s o o n . Y o u m u s t m o v e a n d o p e n i t e m s u s i n g t e x t i n p u t o r y o u c a n u t i l i s e A c c e s s ' s n e w T r e e S e a r c h r o u t i n e w h i c h b r i n g s u p a m e n u o f i t e m s . A f t e r s e l e c t i n g a n i t e m , y o u c a n t h e n s e l e c t a c o m m a n d for t h a t i t e m ( l o o k , ge t , e tc ) .

Pau l R igby

Mean Streets p l a y s i ts p a r t in p o i n t -i n g t h e w a y f o r w a r d f o r c o m p u t e r g a m e s of t h e f u t u r e . It is no t p e r f e c t , it is r a t h e r s l o w t o b e g i n w i t h a n d p a r t s o f t h e g a m e a r e a l i t t le r e p e t i -t i v e . H o w e v e r , s o f t w a r e h o u s e s a r e h a v i n g t o c o m e t o t e r m s w i t h t h e p h e n o m e n o n of I n t e r a c t i v e M o v i e s . It is q u i t e a j u m p f r o m t h e s t a n d a r d f a r e , s o it i s u n d e r s t a n d a b l e t h a t A c c e s s , l ike t h e res t , a r e f i n d i n g t h e i r fee t b y t r y i n g n e w t e c h n i q u e s , in t ro -d u c i n g t h e h u m a n e l e m e n t a n d p r e p a r i n g for t h e c o m i n g of C D - R O M . A s s u c h , Mean Streets is a e n j o y a b l e g a m e w h i c h , u n l i k e o t h e r g a m e s t h a t r e l y s o l e l y o n p r e s e n t a t i o n , o f f e r s e x t e n d e d g a m e p l a y .

• n t « r thm w»»t p r t o i n o t v t a t i o n

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- • . • . • . • ' f A ' OMrftfatfrti.. •

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| > * l ^ r e ^ L j t £ j b o d y I J v e * i n a w e

n e T g A b o r R o o d J j l K i P S l t R ? h * h o a t t o r n e y * a n d b a n k e r * . I M a I k u

I l l IIII ll W h a t t h e f o x i s g o i n g o n ?

PSYCHO FOX \ S E G A / M A S T E R T R O N I C

In addition to games consoles, sushi, karaoke bars and horizontally scrolling sword video games, the Japanese are also quite keen on worshipping certain

animals as deities. One of them is Inari Daimyojin, the fox deity. Supernaturally powered foxes act as special priests at Inari shrines and keep order over the fox community.

be avoided, or preferably used to the Fox's advantage.

There are three parts to each of the seven levels each ending with one of four monster bosses. Luckily there are handy items to be found that can be used on any part of the game. Straw effigies (smart bombs), magic medicine (shield), extra lives and money bags are pretty ordinary,

GAME PSYCHO FOX PRODUCER SEGA/MASTERTRONIC V E R S I O N S — — SEGA MASTER £24.95

S E G A M A S T E R

• Mad. bad and completely dangerous to know! Psycho Fox out on the rampage kill ing and maiming anything In sight — also blessed with the powers to transform into a hippo, a bear or a monkey.

but Bird's Fly is more inventive. The bird perches on Psycho's shoulder and can be sent out to home in and kill creatures. Better still is the psycho stick which allows Psycho to be transformed into different ani-mals: a tiger, who has high speed and long jumping ability; a monkey, whose jumps are particularly high; or a hippo, slow and a bad jumper but with high punch-power.

Money bags are used on the between-level game, based on the Japanese lottery. Amida. A path has to be taken to the tem-ple at the top of the Amida and at each junction a money bag is used. If the temple is reached before money runs out a ran-dom number of lives is awarded.

What is it about foxes that makes people think they're wild and whacky animals? Perhaps it's all Basil Brush's fault. But I've got nothing to complain about and neither

Sooner or later, something had to go wrong among the peaceful worshippers (had to. really — it'd be a bit boring other-wise). Madfox Daimyojin became a priest, developed plans to rule the world and cre-ated creatures to help him do it (ho-hum). The foxes of the Inari shrines chose one of the youngsters amongst them to go and eliminate Madfox. That youthful and heroic canine creature was Psycho Fox (who sounds like another bad guy to me. but I didn't write the plot).

The player sends Psycho Fox walking/running (he can move at two differ-ent speeds) and jumping across the plat-forms which make up each sideways scrol l ing level. The levels have been thrown into disarray by Madfox's powers and strange creatures like gabachos. zizo zizos, poontans and red hoppers are all eager to do his bidding — and that means attacking Psycho Fox. Psycho must defend himself by punching them — not too diffi-cult because he's got an unusually long left arm. There are also traps and devices to

34 T G M Apri l 1990

have Sega owners, as Psycho Fox uses this premise to build a fresh new platform game with many sub-elements. Just the running, jumping and punching is enjoy-able. especially combined with flexible flag-poles. springboards and collapsing bridges. But then there's the Mario method of killing baddies (jumping directly on top of them), collectable smart bombs and shields, and Bird's Fly. which is by no means a foolproof defence method because the bird flies over nearby enemies. Transforming into the tiger, monkey or hippo doesn't make that much difference but there are some situa-tions where it's best to be a particular beast.

Psycho Fox is both immediately playable, due to its fun graphics and famil-iar main play elements, and an enduring, challenging product, due to its finely set dif-ficulty level (it ain't easy!) and numerous intricacies to become familiar with. At last an 8-bit Sega game to shout about!

W a r r e n L a p w o r t h

\v \ y vv \ v \ v vv Vv \ V

A very f un - l ook ing game, lo ts of bright colours spread around. While some background graphics are little more than functional and bog-stan-dard 'cute ' , o thers are very good indeed, wi th deft shading used to p roduce wood , g lass and metal effects for both rustic and futuristic worlds. Sprites are small yet detailed and the player sprites are like cartoon characters, and move very quickly and smoothly when running. Sound effects are old fashioned but fitting, with the twee music just irritating.

SYNCHRO EXPRESS IS AVAILABLE FOR BOTH THE ST AND AMIGA SYSTEMS - PLEASE STATE WHICH REQUIRED WHEN ORDERING

f By using an on board custom LSI Chip. Synchro Express has the power to transfer an MFM image of the original disk directly to your blank disk - quickly, simply and without any user knowledge. One external disk drive is required*.

V S Y N C R O E X P R E S S I S A H I G H S P E E D D I S K D U P L I C A T I O N S Y S T E M T H A T W I L L P R O D U C E C O P I E S O F Y O U R D I S K I N A R O U N D 5 0 S E C O N D S ! !

O N L Y £ 3 4 . 9 9 C O M P L E T E H A R D W A R E / S O F T W A R E

P L E A S E S T A T E S T O R A M I G A

^ Syncro Express requires a second drive & works by controlling it as a slave device & ignoring the ST or AMIGA disk drive con-troller chip whereby high speeds & great data accuracy are achieved.

v Menu driven selection for Start Track/End Track - up to 80 tracks. 1 side, 2 sides.

y Very simple to use, requires no user knowledge.

V Also duplicates other formats such as IBM. MAC etc.

V Ideal for clubs, user groups or just for your own disks.

^ No more waiting around for your disks to copy.

V Probably the only duplication system you will ever need!

C A R T R I D G E C O N N E C T S T O P A R A L L E L ( P R I N T E R ) P O R T

ON BOARD CUSTOM LSI CHIP MAKES TlflS UNIT EXTREMELY

SMALL & EFFICIENT.

POWER BY

DESIGN

WARNING 1988 COPYRIGHT A C T WARNING Datcl Electronics neither condones or authorises the use of It's products for the

reproduction of copyright material. The back up facilities of this product are designed to reproduce only software such as

public domain material, the users own programs or software where permission to make a back-up has been clearly given.

It is UlsgaJ "> make copies, even for your own use. of copyright material, wi thout the permission of the copyright owner, or their liccncce.

I f y o u d o n ' t h a v e a s e c o n d d r i v e w e c a n s u p p l y S Y N C R O E X P R E S S t o g e t h e r w i t h a d r i v e f o r

O N L Y £ 1 0 4 . 9 9 ( A M I G A ) O N L Y £ 1 1 9 . 9 9 ( S T )

MANUFACTURED IN OUR EUROPEAN FACILITY USING THE LATEST

SURFACE MOUNT TECHNIQUES -SYNCHRO EXPRESS IS WARRANTED

FOR 6 MONTHS AGAINST MANUFACTURING DEFECTS.

HOW TO ORDER ... BY PHONE

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S Y N C H R O

TI.#////////// N o t j u s t a l o a d o f o l d b a l l s

-MOTION Are you into living a relaxed, stress-free

lifestyle, then we could have just the thing for you. US Gold have discovered a New Age and with it a new kind of

software. It's all about easy living, we we're told. Stupidly, we believed them and started playing E-Motion after a very stressful day.

E-Motion is major weirdness. Basically you control a spherical atom

that has to make its way through 50 levels

A deceptively simple looking early level, the central barrier creates lots ol problems. The best tactic is to rebound the balls oft the barrier so that they go off-screen and reappear on the opposite side

filled with other spheres. The trick is to knock two spheres of the same colour together, thus disintegrating them. But what you don't realise until you start playing is that a) your ship has inertia, and b) the spheres you're banging around don't always behave the laws of psychics. If you are unfortunate to knock two different coloured spheres together they spawn another smaller sphere. While it is small it can be picked up. although after a short time the tiddler grows into an ordinary sphere — thus adding to your problems.

As time goes on the spheres start to

p j A y e k

U S G O L D vibrate. If they are left too long and aren't banged against another of the same colour, they explode. This has the effect of sapping energy from the bar at the top of screen.

On some levels balls are connected to each other by pieces of elastic. As you can envisage, this creates even more havoc — especially when the balls on either ends of the elastic are a different colour.

Also along the way are bonus screens which invite you to collect certain colour balls from a screenful of them. An extra life can be earned at every 20.000 points.

The two-player game adds even more frustration. You're not only hindered by a person who has a different play strategy to yourself, but also by players who go for the same balls at the same time you do. All in all. if the programmers tried to frustrate you ( more, they couldn't! One of the toughest and addictive games to date.

M a r k C a s w e l l

GAME E -M0TI0N PRODUCER US GOLD

AMIGA £19.99 ATARI ST £19.99 C64 £9.99/£14.99 SPECTRUM £9.99/£14.99 AMSTRAD CPC £9.99/£14.99

A M I G A

D u e t o t h e s i m p l i s t i c g a m e d e s i g n , t h e g r a p h i c s a r e p a s s a b l e , w i t h n o b a c k d r o p s b u t w e l l - d r a w n s p h e r e s . S o u n d , a g a i n , is p u r e l y f u n c t i o n a l , w i t h a d e c e n t t i t le t u n e . B o t h are as g o o d a s t h e y n e e d to be, any bet ter p r e s e n t a t i o n w o u l d p r o b a b l y o b s c u r e t h e i m m e n s e l y p l a y a b l e g a m e .

A T A R I S T mm

P r o b a b l y a t o u c h e a s i e r t h a n t h e A m i g a ve rs ion , it sti l l c o n t a i n s al l the add ic t ive , g r a p h i c a l a n d son ic qual i -t ies.

It's a pity that t h e s p h e r e s ( w h i c h are n o w b lobs ) a ren ' t as we l l d e f i n e d o n t h e C 6 4 . T h e g a m e p l a y , t o o , is n o t qu i te u p t o s c r a t c h . T h e a c t i o n is a lo t s l o w e r , w i t h d e l a y e d r e s p o n s e s w h e n r e a c t i n g t o b a l l m o v e m e n t s . T h e m a i n s h i p is a l s o b a d l y d r a w n , w i t h it o f t e n p r o v i n g i m p o s s i b l e to k n o w w h i c h w a y y o u a r e p o i n t i n g . T h e g a m e ' s still there , t h o u g h not t h e s a m e a s t h e o n e in t h e 1 6 - b i t v e r -s i o n s .

Oh my God! This level is the computer ball game equivalent of hell! The four connected balls are at great pains to leave the comfort of each other so it's very easy to accidently create balls of a third colour by uncontrolled collision

BANG THOSE BALLS TOGETHER

• Collect all small spheres as soon as they appear, leave them and all hell is let loose. • When two players are joined try to move in the same direction. • If it's points you want, then just go crazy. Zoom around the screen at terrific speeds. While banging loads of balls together, you'll also produce lots of small energy balls, these will compensate for those balls that explode. Your score will soon zoom up.

36 TGM April 1990

4 4 4 4 1 0 0 l O O O 2 4 0 0 9 B O O y J U f t ."tea* M l

S O

G A M E BLACK TIGER PRODUCER US GOLD V E R S I O N S h m h h

AMIGA £19.99 ATARI ST £19.99 C64 £9.99/£14.99 SPECTRUM £9.99/214.99 AMSTRAD CPC £9.99/£14.99

/ / / / / / / / / / s e e ™ Get a tiger in your computer

BLACK TIGER U S G O L D

T h e a r c a d e v e r s i o n o f B l a c k T i g e r h a s l itt le o v e r t h e S T o n e . T h e g r a p h -ics are sti l l o r n a t e , w i t h t h e S T m a n -a g i n g t o c o n v e y t h e a r c a d e l o o k w i t h n o t r o u b l e at al l . S o u n d , o n t h e o t h e r h a n d , d o e s n ' t s e t t h e a r c a d e a t m o -s p h e r e , a l t h o u g h t h e g a m e p l a y r e i g n s s u p r e m e . If y o u l i ked t h e c o i n -o p , y o u c a n ' t c o m p l a i n a b o u t t h e S T v e r s i o n .

Then it happened, somebody thought of dragons. One day, a menacing dark-ness extended over the land and from the east came three minacious drag-

ons spreading not only their expansive wings, but also evil and tyrannical reign, over the land.

Out of the wastelands came a hero fight-ing under the name of Black Tiger. His business: f reelance t rouble shoot ing. Anyone makes trouble, he shoots (or slash-es) them. Called Tiger to his friends (he doesn't have many of them, though; and those that are don't stay alive long enough to utter the word), the scarred warrior must complete six levels of dank caves and dark dungeons, killing dragons, trolls and vam-pire bats, before encountering the three despicable dragons.

To slash your way past the numerous skeletons, man-eating plants and other monstrosities you wield an extendable mace and carry a clutch of throwing dag-gers. These may keep you going for a while, but soon the action will hot up and you'll be hungry for more powerful stuff. As you progress along the levels you'll see precious coins glinting in the wilderness (some drop out of pots. too!). Obtain as

US Gold follow their winning trio of Forgotten Worlds. Stridor and Ghouls N' Ghosts with yet another great coin-op conversion, this time with Mr B Tiger and his spider-on-a-piece-ot-elastic... er. his extendable mace

many of these as is super-humanly possi-ble. for later in the level you'll come upon a little grey-haired man who'll invite you to shop within his store.

In the old man's humble abode, you can purchase armour to protect your frail body, a more powerful mace, keys and magic potions. You'll need all the help you can get because at the end of each of the six levels you encounter the ubiquitous big and bad guy. Sounds familiar...?

M a r k C a s w e l l

A l t h o u g h m o n o c h r o m a t i c , t h e S p e c c y v e r s i o n is as w e l l - d e f i n e d as t h e S T g a m e . S o u n d e f f e c t s a r e t h e b e s t y o u ' l l ge t , t h o u g h it w o u l d h a v e b e e n n i c e t o h a v e a p o u n d i n g t u n e p l a y i n g t h r o u g h o u t o n t h e 1 2 8 K . St i l l , f o r a t e n n e r , y o u c a n ' t c o m p l a i n n o w a d a y s .

TIGER TIPS • C o l l e c t a l l c o i n s a s s o o n a s t h e y appear. • W h e n g r e y - b e a r d e d m e r c h a n t s w a l k o n t o t h e s c e n e t o u c h t h e m . ( K i n k y , e h ? ) S o m e g i v e m o n e y , o t h e r s g i v e a d v i c e w h i l s t t h e m o s t u s e f u l a l l o w y o u t o b u y g o o d s . • U s e s t o n e pi l lars t o m o v e f r o m plat -f o r m t o p la t fo rm.

REVIE ITtllllllllll C o m e w i t h m e a s w e e n t e r t h e .

Here's something of a first: it's a software album! Four brand new games all in one pack, all of 'em great! Warren Lapworth checks out the Commodore 64 selection, coming from top programming teams Sensible Software, Graftgold, Apex Computer Productions and li ' l Martin Sneap.

MISSION IMPOSSIBUBBLE You are a giant bubble (what do you mean, you've never noticed?), and must explore six mazes to find the baby bubbles hidden within them. Teleport devices con-nect parts of maze, patrolled by bad bub-bles which are burst by spitting smaller bubbles at them(!). Segments of scroll have to be collected —• they form a spell that will release babies from their magical paralysis.

The mazes are pleasantly drawn in iso-metric 3-D and. although lacking variety, the sprites are drawn in cartoon fashion. This suits the overall jolly nature of the game — even if the main sprite looks vicious! The maze format has been done infinite times but Mission Impossibubble's fun luck and finely-tuned difficulty level, show it isn't dead; you get a little further each time, ensuring you play again. Machine rating: 77%

INSECTS IN SPACE Disaster! Calamity! The Earth has been invaded by a swarm of giant insects! A val-ley in the Rhineland is the only place they haven't overrun The babies there are on a diet of special grape juice which acts as an antidote to the insects' poison But even they can't last much longer.

Enter Saint Helen, a big-breasted space angel with laser eyes. She has to stop the insects snatching the babies from the hori-zontal ly-scrol l ing dual-gravi ty valley (babies can fall down and up!) and blast bees, flies, butterflies and Bad Trips (acid faces you don't want to see).

Helen can also conjure up dust clouds, which transport her to the nearest baby in distress or hide any she carries in hyper-space. which can then award her a baby drone, shield, bomb, extra life or skip some levels.

As a Defender-style game, background graphics are sparse —a starfield and plain

AND FOR THE SPECTRUM...

Four th D i m e n s i o n is a l so be ing released on the Speccy — though it's only Head The Ball which features on bo th Speccy and C64 packs . The three o r ig ina l t i t l es fo r Spec t rum owners are: Kl imax — a fu tu r i s t i c a rcade adven tu re , S u p e r c u p — a multi-directional scrolling soccer sim, and Kraal — a shoot 'em up thing with you playing a half-human half-alien hybrid. Update next issue.

ground features — but sprites are carefully designed and well animated. Sound effects are old fashioned but the unusual insectoid title music is brilliant.

Despite the unusual scenario and risque main sprite, game design is ordinary for

the freaky Sensible Software. This is no great criticism because Insects In Space plays very well — a straightforward game that's easy to get into yet rapidly becomes addictive. The best of the bunch. Machine rating: 86%

• • - - • • • •

38 TGM April 1990

/be VIEWS

GAME FOURTH DIMENSION PRODUCER HEWSON V E R S I O N S h b m m h m h

C64 £12.99/£17.99 SPECTRUM £12.99/£17.99

C 6 4 • V a H E W S O N

Orbiting each of three planets is a prison satellite. Rogue robots have escaped from the pr isons but the te lepor ters they've used have activated their self-destruct mechan isms . The last Cyberdyne Warrior has to find the robots and teleport them back before they explode and damage the planets. As the planets are filled with various horrible creatures, it's hard to see what the con-cern is, but when destroyed they drop cash which the Warrior can collect for use at the between-robot' shop. Here, quick-er. more powerful weaponry can be pur-chased as well as ammo and energy.

The main sprite is small yet highly detailed and well animated, and back-grounds are colourful and beautiful ly shaded. Music is mean and moody and effects energetic.

From the creators of Retrograde, Apex Computer Productions, comes a game similar to an extended version of the bunker stages from that Thalamus game. Although it's essentially a shoot-'em-up. deft platform skills are necessary and there's a touch of strategy in how and when you spend money. Professional graphics and sound enhance the some-times infuriating but always playable lev-els; a great future experience. Mach ine rat ing: 7 9 %

O b v i o u s l y t h e q u a l i t y o f g r a p h i c s a n d s o u n d v a r y f r o m g a m e t o g a m e , b u t it's n o t e w o r t h y t h a t Insects In Space a n d Cyberdyne Warrior a r e b e s t in t h o s e a r e a s a n d a r e a l s o t h e m o s t p l a y a b l e . J u s t t h o s e g a m e s w o u l d m a k e Fourth Dimension w o r t h w h i l e b u t w i t h t w o o t h e r s i t 's a C 6 4 m u s t -buy.

HEAD THE BALL The hero is a bounc ing head. called.Head. The villain is Gobba, leader of the Globoid Hell's Angels, who've kid-napped Head's girlfriend. Head bounces through flick screens, using platforms, collecting diamonds to pay the ransom and using limited bullets, bombs and a shie ld to de fend h imsel f f rom the Globoids. He can enter shoot-'em-up sub-levels using special portals; extra weapons are awarded if all waves faced are destroyed.

Simple in appearance, sprites and background features are clear but lack detail. Sound effects are adequate but on the whole this is a very ordinary, out-dated game. It was or ig inal ly pro-grammed for the Spectrum by Cybadyne and has been converted by Graftgold, although it's tricky to see why. Head The Ball is entertaining for a short time but a different Graftgold creation would've been preferable. M a c h i n e ra t ing: 7 4 %

39 TGM April 1990

mimiiiiiii T h e w i l d b l u e y o n d e r b e c k o n s . . .

SCRAMBLE SPIRITS

GAME SCRAMBLE SPIRITS PRODUCER GRANDSLAM VERSIONS AMIGA £19.99 ATARI ST £19.99 C 64 £9.99/14.99 AMSTRAD CPC £9.99/£14.99 SPECTRUM £9.99/14.99

Based on the crusty old Sega coin-op. Scramble Spirits is a six-level, vertical-ly-scrolling shoot-'em-up (similar to 1942).

Even though this is supposed to be the 21st century, you are sent out in a bog-standard propeller plane — so much for technology! The plane is armed with a spray-bullet gun and bombs. Plenty of alien technology is waiting for you. so be grateful the ammo is unlimited. On the other hand, the enemy attack with state-of-the-art tech-nology: jet planes, tanks and gun turrets etc. As is the norm with games of this type, you can soon even the stakes by shooting down a few enemy bombers and picking up the odd extra weapon or plane.

Also available are outriders: small air-plane drones that can be collected from the shattered remains of the huge helicopters which occasionally buzz around. They flank your craft (two can be held at one time) and depending on their height destroy either air or ground targets. If the alien scum get too close for comfort, holding down the fire but-ton will send one of the outriders zooming off on a kamikaze mission.

G R A N D S L A M Occasionally you'll enter a bonus screen.

Here your oversized character sprite has to destroy numerous enemy aircraft as they rush down the screen. A percentage rating is allocated depending on the amount of destruction you cause.

Once you have battled your way to the end of a level a guardian is faced. This can be either land-based or airborne, but whichever you encounter, it is sure to put up a fight. Earth is depending on you. don't let us down.

M a r k C a s w e l l

A M I G A 7 5 °

G r a p h i c a l l y , Scramble Spirits i s r a t h e r g o o d . P l e n t y o f c o l o u r h a s b e e n u s e d o n t h e w i d e v a r i e t y o f e n e m y cra f t . S o u n d c a n be t o g g l e d b e t w e e n a n i n i t i a l l y p l e a s a n t , b u t u l t i m a t e l y a n n o y i n g , t u n e a n d s p o t FX. T h e two-p layer opt ion is a g o o d idea, but, l ike Silkworm, can b e c o m e a n n o y i n g if a f r i end u s e s up all the credi ts .

S C R R J i B f c i SPIRITS *r

• Flying high with Scramble Spirits. Destroy enough enemy fighter planes and your craft is joined by an outrider — kinda bolt-on weapon thingy.

S P E C T R U M

T h e m o n o c h r o m a t i c s p r i t e s a r e dif f icult to d is t inguish on the gar ish b a c k d r o p s . S o u n d , t h o u g h n o t l i s t e n a b l e , is f u n c t i o n a l . D i f f i c u l t y s igni f icant ly increased for h a r d e n e d S p e c t r u m gamers .

A T A R I S T 7 5 ° °

Simi lar to the A m i g a but with poorer sound .

40 TGM April 1990

« p c c n a » i i i c m

SIDESHOW Roll up. roll up. ladies and gentlemen,

for the latest 16-bit carnival extrava-ganza.

At the entrance to the fairground you are hassled by a persistent ticket sales-men. He offers you two types of ticket. The Adult ticket gives you entry to all eight booths. The Child ticket limits your play to five, whilst giving you more tokens (lives) and a greater staying power (you need food to keep your energy up). To complete the game you must play all eight booths, and beat them three times each, thus clos-ing the money-grabbers down. Balloons: Throw darts at balloons stuck to a board. Beneath each is a numbered tile. On popping a balloon it reveals a special pattern. Work out the pattern and you'll inflate your points.

A C T I O N W A R E Bal ls: Grab a gun and some ammo to shoot green balls as they pop out of milk pails. Occasionally you get the odd red ball, shoot one of these and your points will decrease so be careful. Potpourri : A mixed collection of targets that must be hit within a time limit. Strength: Shoot weights positioned at the base of posts. On contact, the weight sends a ringer up the post to strike the bell. Watch out for monkeys, as they tend to steal the bells. Kn i ves : Throw the aforement ioned weapons at a revolving target. Clockshoppe: Hit the pendulums on the clocks to forward time and send the cuck-oos out of their resting place. Now blast their feathered faces. Haunted Hill: Similar to potpourri but nasty

////////// GAME SIDESHOW PRODUCER ACTIONWARE

AMIGA ATARI ST

£24.99 £19.99

A M I G A 7 1 % 1 1

A well-polished exterior does a good job at hiding a very hollow game. On j u s t t w o d i s k s , i t s o o n becomes apparent why Sideshow can never have the content of the three-disked Fiendish Freddy. The main faul t is that the booths are far too easy to complete. The presentation, although very good, with atmospheric sound effects and fun carnival tunes, is stil l not a patch on Mindscape's original extravaganza. An interesting option al lows you to play wi th a l ightgun, however, we've not got one so it'd be d i f f i cu l t to comment on th is novel feature. However, I guess this would make the subgames even easier, thus further devaluing the longterm appeal of the product.

creatures and strange haunted houses light up the screen. Blast the spooky hor-rors for progression to the last stage. The Dunk Tank: Aim at the target to knock the unfortunate victim into the drink.

Success at each stage gains tokens. Continually use these to buy food for your-self. Typical fair food — popcorn, candy, hot dogs, soda — can be purchased at the food stands. But ensure you've enough credit left to play the booths! If your hunger meter reaches zero, you'll be thrown off the grounds.

M a r k C a s w e l l

• Roll up! Roll up! All the lun ol the fair and all that milarky. Take on the bowling alley in Sideshow — everyone a winna! Double yer money! Hit 'em for six and win a teddy to take home for the girlie!

41 TGM April 1990

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' . U ' . l ' . U l L U t l t t

P s y c h o t i c b i o - e n g i n e e r s w a n t e d : a p p l y t o D r K

CRACKDOWN C A P C O M / U S G O L D

f you thought you picked the short straw when you were christened Robin Candy or whatever, then be grateful you didn't get dubbed Andy Attacker or Ben

Breaker — now that would be embarrass-ing. However, the duo are at the centre of a mission to infiltrate the castle of the manic bio-engineer Doctor K in the latest Sega coin-op conversion, Crackdown. Within his domain the doc has manufactured his own personal army of soldiers with which he hopes to dominate the world. On each of the 16 levels of his castle there are three large explosive devices. Set each of the explosives and get the hell outta there!

Like Gauntlet, the game is viewed from above, with the path to the exit a tortuous one. On entry you have three weapons: a machine gun, a rocket launcher and a sup-ply of super (smart) bombs. Ammo is limit-ed. but the ubiquitous chests hold more. Ammo needs to be continually replenished as the soldiers and droids never stop. In emergencies, fists and feet can be used, though it isn't advisable as the enemy are as well togged up with weapons as you started out with.

A small radar at the top of the screen dis-

/ / / / / / / / / J GAME CRACKDOWN PRODUCER US GOLD VERSIONS m m m m m AMIGA ATARI ST AMSTRAD CPC C 64 SPECTRUM

£24.99 £19.99

£9.99/14.99 £9.99/£14.99 £9.99/£14.99

A T A R I S T

U S G o l d c l a i m t h a t Crackdown is a r c a d e p e r f e c t — a n d w h o ' d a r g u e w h e n look ing at t h e S T vers ion , e v e n t h e a r c a d e i n t r o s c e n e h a s b e e n i n c l u d e d . T h e s p r i t e s a r e v e r y d e t a i l e d , e s p e c i a l l y t h e n u m e r o u s b a c k d r o p s . S o u n d is a m i x t u r e o f p leasant t u n e s a n d a r c a d e ef fects. S o d o n ' t w a s t e a n y m o r e d o s h o n t h e a r c a d e vers ion , th is is the biz!

FROM ARCADE TO HOME COMPUTER

The heart of m o s t a r c a d e m a c h i n e s is a pr in ted c i r c u i t b o a r d ( P C B ) . O n t h i s mass of chips, resistors, capac i to rs etc y o u r a v e r a g e g a m e l u r k s . U s u a l l y , w h e n a n e w g a m e a r r i v e s , t h e m a n u f a c t u r e r s j u s t w h i p o u t t h e o l d board a n d s l a p in t h e n e w o n e — n o trouble. Crackdown, h o w e v e r , is a bi t special because it is o n e of Sega 's n e w S y s t e m 24 m a c h i n e s — m o s t o f t h e g a m e is l o a d e d f r o m a s p e c i a l h a r d d i s k d r i v e i n s i d e t h e c a b i n e t . T h e machine itself is 6 8 0 0 0 - b a s e d (l ike t h e A m i g a a n d S T ) , w i t h h a r d w a r e -s c r o l l i n g , s p r i t e - s c a l i n g a n d d i g i t a l stereo sound.

Most of the cab ine t ' s w e i g h t c o m e s

plays your location, where the enemy are, and most importantly where you must plonk the explosives to activate them. Time is of the essence, especially when the first bomb has been planted — three minutes are allowed to place all the explosives and leg it. The further you go in the game, the tougher the action gets. Later puzzles include disappearing tiles and bridges, lava and a very shocking' section that has to be crossed with care.

M a r k C a s w e l l

f r o m t h e spec ia l w i d e s c r e e n moni to r , d e s i g n e d so that t w o p layers can share the s c r e e n at o n c e .

T h e c o m p u t e r v e r s i o n , s u p e r b l y c o n v e r t e d b y A r c D e v e l o p m e n t s , c rea ted a f e w p r o b l e m s — most ly w i th t h e c o m p l e x s p r i t e s . T h e r e a r e n i n e w a y s f o r t h e h e r o e s t o d i e , n o t t o m e n t i o n the m o v e m e n t , f i r ing t h e little g u n s a n d s c r o l l i n g t h e b a c k g r o u n d s . T h e g e n i u s e s h a v e f i t ted a r o u n d 3 0 0 0 t o 5 0 0 0 f r a m e s o f a n i m a t i o n i n t o t h e w h o l e g a m e . T h e y p r o u d l y c l a i m tha t t h e 16-bi t v e r s i o n s are a r c a d e perfect . W h o are w e to d isagree?

• Things are getting a litt le trickier now as player 1, low on ammo, kicks a baddy in the groin.

• Player 1 is temporarily out ot it but he'd better join soon to help out player 2 who's in it deep.

43 TGM April 1990

Different or just downright weird? US Gold describe Knights as a 'culture', which means that there must have been a bit of head-scratching as to

what category the game fitted in. The con-voluted background goes something like this.

Your people, the Orodrim. have taken residence in a gigant ic skeleton, the remains of a strange serpent creature. Being a resourceful lot, the Orodrim carved a city within the ribcage of the beast. Everyone settled down and developed trading links with far flung lands. The beast's skull, about the size of your aver-age mountain, houses a Tsimit cathedral (in which live the Keepers of the Tsimit) and an auditorium. Beneath that lot runs a maze of tunnels.

Now, being a good Orodrim chap, it's time to go out into the big wide ribcage to learn the Tsimit secrets. Seems that the beast's brain fossilised with time, forming strange crystals. Some contain great ener-gy while the crystal eggs contain a horse-like creature called a Crystallion! Got there in the end, didn't I?

To win the game you must summon your Crystallion. thus qualifying yourself as a Knight of Crystallion, a leader of men and all-round nice guy. However, to do that you will have to solve the riddles and puzzles placed in your path, while keeping your family provided for while you're away.

The game consists of three logic puz-zles, a pseudo-3-D platform game and an economic game. The mouse-controlled platform game is situated in the aforemen-tioned maze of tunnels.

By clicking at any point on the screen, your stickman will run and attempt to reach

la'milium N o m o r e l o n e l y k n i g h t s . . .

KNIGHTS OF TK

• US Gold see Knights 01 The Crystallion as one ot the new age' ol games which wi l l lead the company into, and through, this new decade. We're likely to see further games of this Ilk — specialist titles appearing on selected formats and all of them 'pushing forward the limits of entertainment'. Knights is an admirable start.

that spot. Various monsters roam the cav-erns and paths so you are equipped with a protective suit and a weapon. The protec-tive suit initially gives you three charges (lives — more can be found within the maze), after exhausting one you are given the option to either be extracted to the sur-face or to continue. Your weapon is a fire bomb which can be thrown across the screen, regardless of obstructions. Hidden deep in the caverns are the four veils of Tsimit — you must learn to navigate all

these. First of the logic puzzles. Deketa, is a

simple 2-D card game. You are given a quick look at a deck of cards then they are turned over and you must identify sets of pairs. The cards re-shuffle themselves occasionally to throw you off the scent. Once a pair is spotted it's taken out the game. The object is to clear the table.

The second logic puzzle, Bosu, shows a 2-D board of concentric rings. You play against your opponent (human or comput-

CRYSTALLION U S G O L D

er) placing your six stones onto the board. The rings are split by eight radiating lines that form intersections. The aim is to brack-et as many intersections as possible. There is a handy on-line tutor which walks you through the complex scoring system.

The third logic puzzle. The Proda. is rather more practical as the results will charge your protective suit giving you more time in the maze. This is a 3-D game where you must align a batch of crystals in such a way as to produce a steady, yet high-yield-

* * i

G A M E KNIGHTS OF CRYSTALLION P R O D U C E R US GOLD V E R S I O N S M M H I A M I G A (with audio cassette)

£29.99

A M I G A

Knights of the Crystallion is a v e r y p r e s e n t a b l e g a m e , ut i l is ing exce l len t g r a p h i c b a c k d r o p s w i t h a t m o s p h e r i c s o u n d tha t inc ludes s u p e r b digi t ised speech . H o w e v e r , t h e g a m e d o e s suf-fer f r o m t h e perenn ia l p r o b l e m fami l -iar w i th th is par t icu lar f o r m of g a m e des ign . T h e m a n y par ts have dif f icul-t y h a n g i n g t o g e t h e r s o m y i m p r e s -s ion w a s of p lay ing a c o m p i l a t i o n of m i n i - g a m e s rather t h a n tak ing part in a 'cu l ture ' (as U S G o l d put it). I f o u n d t h a t , w h i l e B o s u a n d T h e P r o d a w h e r e qu i te add ic t ive , t h e e c o n o m i c g a m e is ra ther a v e r a g e a n d I quick ly b e c a m e b o r e d w i t h Deketa . A lso , the p la t form, m a z e g a m e lacks suf f ic ient d e p t h t o be t o t a l l y a d d i c t i v e . W h i l e Knights has se lect ive h ighl ights , t h e overa l l g a m e is rather empty .

• A teardrop explodes? Well, it might. This Is the chamber of the Crystallion — choose which of the six droplets hold the crystallk and sit back and wait...

ing. stream of energy. It must flow through the crystals hitting three prods which direct the energy to the top of the screen to a set of small squares. After a square is hit it changes colour. Once all the squares have changed you have one charge, then the whole lot are reset and the process begins again.

Finally, the economic game consists of trading your own produce with the mer-chants from internal and external markets. You will need to watch your competitors' prices and the quality of the goods that you buy. Better quality produce will give greater satisfaction to your family. This level is measured numerically. A level of 0.00 means your family want for nothing while a level over 1.00 indicates discomfort and starvation. Poverty equals death, children are the weakest which means your future workforce will produce less goods to sell as they have less energy. Sounds complicat-ed. but it isn't.

Some levels have to be completed before you can successfully play any one of the others, but most can be played indi-vidually, allowing perfection at each stage of your conquest to become one of the Knights of Crystallion.

P a u l R i g b y • One of the many beautiful static screens which appear during the game. This is from the beginning where you enter ribcage city — home to the Orodrim. All static screens are displayed in the Amiga's HAM mode.

45 TGM April 1990

r e v i e w * m u m

For many years mankind has suspected that there is life on other planets. Take a step forward to 2045 where the theo-ry has b e e n proven a s three billion

people are murdered by mysterious aliens. Nicknamed Roaches' , the foreign bodies are thought to be planning a second attack on planet Earth.

H o w e v e r , the a l ien forces aren ' t that clever individually, each has a metal plate implanted in their brain which holds them under the power of their queen. Using tele-pathic powers she has the ability to create a 'group mind' or group intelligence" state. O b v i o u s l y , w h e n p o o l e d t o g e t h e r , the power of this large army is immense.

T h e governments of Earth aren't going to sit qu ie t a n d w a i t , t h o u g h . T h e y h a v e grouped together to form the Fist-of-Earth S p a c e F o r c e . T h e y h a v e built a h u g e space station. Sol Base, as an operations base, and are currently looking for budding young pilots to carry out recce missions, weapons testing and, ultimately, fend off the onslaught of the alien forces.

3 9 m i s s i o n s , u n d e r t h e c o d e n a m e

F a n c y s o m e . . .

• All hell breaks loose during one ol the more demanding Warhead missions So. In true pacifist style you let fly with missiles by the ton full. Looks like the receipient isn't going home. The HUD display also contains an Inventory of your ship's weaponry, well it did until a few seconds ago.

V / i l : 1 • As you progress through the missions in Warhead you stumble across the delightfully named Bezerker. It's not a good idea to make him angry considering one of his on board weapons is reminiscent of those found on board a Vogon Construction ship.

o o o o o o o o

46 TGM April 1990

r I I IIIIIIII2;

P L A Y E R i l ly with cyol

A C T I V I S I O N Operation Warhead, must be completed to totally defeat the outsiders. As one of the rookies, you are given a chance to gain fame and glory, and prevent the destruction of earth. Your first few missions will famil-iarise you with the FOE-57 attaMck ship, and as you progress you'll get closer to direct contact with the enemy

At the start of each mission you are briefed One day you could be testing the mass-driver cannons or x-ray lasers, the

r j? I tXWV

TRICKS OF THE TRADE

• W h e n returning to base, lock your nav igat ion c o m p u t e r o n t o o n e of the f l ash ing b lue l ights, it'll he lp y o u to line up. • B e c a r e f u l w h e n w a r p i n g i n t o u n k n o w n s i t u a t i o n s , y o u m a y f i n d a l i e n s , o r s o m e t h i n g e v e n n a s t i e r , wai t ing for you. • If in doubt , launch a data-col lect ing probe t o w a r d s an u n k n o w n object . • W h e n l a u n c h i n g a p s e u d o - s t e l l a r miss i le , run l ike hell . T h e s e s u c k e r s o b l i t e r a t e e v e r y t h i n g ( e v e n y o u l ) wi th in a two mile radius.

VM< w i w I / . t K u r t . » i f u c l . v « M t f A l i a l . • I > f 4« 1 i .

mvm ± 3 <>»•*• u*o U n s r i t t M l

—~

next day you may be up against the evil Roaches. If the mission is outside of the base, you can call up a solar or galactic map, plot your course, and engage the autopilot to transport you to the further out-posts

Can you master all the individual ele-ments required to become a full member of the flying elite? Will you be strong enough to endure the day-to-day routine of a top space pilot? Your world needs you!

M a r k C a s w e l l

G A M E WARHEAD P R O D U C E R ACTIVISION V E R S I O N S H H H H I A M I G A £ 2 4 . 9 9 A T A R I S T £ 2 4 . 9 9

ntrviii

± a

A M I G A

Leave that fire button alonel Just turn t h e l i g h t s o f f , s i t b a c k a n d let t h e i n t r o ro l l . A n i n t r i g u i n g p l o t l i n e is i l lust ra ted w i t h s o m e n ice graph ics , and an absolute ly superb, minimal is t s o u n d t r a c k w h i c h r e a l l y g e t s t h e s h i v e r s r u n n i n g d o w n y o u r s p i n e . N o w y o u ' r e into t h e ro le , read o v e r t h e i n s t r u c t i o n s b e c a u s e t h e g a m e wi l l t a k e a bit of get t ing u s e d to. At f i rst g l a n c e the s l ight ly gar ish s tars a n d c o m p u t e r - g e n e r a t e d g r e e n squares (which indicate speed) s e e m very odd . T h e f ish - lens ef fect of the v i e w s c r e e n m a k e s t h e m m o v e In a very we i rd , w a r p e d manner . D o c k i n g wi th a s p a c e s t a t i o n w h i c h s tar ts to b e n d a r o u n d y o u is, a t f i r s t , a t a d disor ientat ing. But pay attent ion, the b l i n k i n g b l u e d o t s n e a r b y a r e a n i m a g i n a t i v e — a n d a v e r y u s e f u l g u i d e to w h a t f l i gh t p a t h to f o l l o w . Such attent ion to detai l runs th rough the g a m e ; the w a y your missi les fall a w a y b e f o r e i g n i t i n g t h e i r e n g i n e s , the s o p h i s t i c a t e d H e a d Up D i s p l a y s a n d t h e e x c e l l e n t a s t r o n o m i c m a p s all help mainta in the superb sense of a tmosphere .

A s y o u ' d e x p e c t t h e p o l y g o n graphics are detai led and impress ive — s h o w n o f f t o f u l l e f f e c t o n t h e superb in fo-screens genera ted w h e n y o u h i t a n u n k n o w n o b j e c t w i t h a d a t a - g a t h e r i n g p r o b e . M o r e s u r p r i s i n g a r e a f a i r f e w c o n v e n t i o n a l l y d r a w n g r a p h i c s . For example , w h e n you start dock ing the v iew swi tches to a set -piece d rawing of t h e s p a c e s t a t i o n w i t h y o u r t i n y s h i p dr i f t ing in. W h e n y o u ' r e in t h e space stat ion you get a nicely d r a w n v i e w o f t h e f l i g h t d e c k , w h i c h is s c r o l l e d u p w h e n y o u l a u n c h , c o m p l e t e w i th 'hel l ' sc raw led on the o p e n e d d o o r s . S o u n d is s i m i l a r l y impress ive , w i t h s o m e n ice spot FX f o r t h e w e a p o n s , t h e f r e q u e n t m e s s a g e s f rom the computer and so o n — the e n g i n e d r o n e is a bit dull . All in all, the p r o g r a m m e r has clearly a d o p t e d a b r a v e l y i n n o v a t i v e a p p r o a c h t o t h e g r a p h i c / s o n i c p r e s e n t a t i o n w h i c h m a t c h e s t h e o r i g i n a l g a m e p l a y . T h i s is a n i n t r i g u i n g , c o m p u l s i v e a n d f u n p r o d u c t w h i c h e l e v a t e s t h e a r c a d e space g a m e to the level of a novel la w i t h s o m e s u p e r b l y i m a g i n a t i v e miss ions!

ZobnZoon V&W Vkw V & X Pitch

P r e s e n t L o c . a t i o n : S O L B R S E S e l e c t e d S y s t e m I S O L G2M S e l e c t e d P l a n e t : S O LBRSE

• You've |ust accessed the Solar System map and locked the ship's flight path onto Solbase With the mission complete. It's time to go home Spin the map around using the yaw and pitch controls to show the game olt.

Over the hills and far away there is a land called Anrea, and slap bang in the middle, a lump of rock cal led Dwarf Mountain.

Legend has it that at the top of Dwarf Mountain there lies the secret of immortali-ty. hidden in the Throne Room of the Great Castle. You are one of three intrepid adventurers who desire this great power. The Great Lords who rule over Anrea order you and your fellow travellers to fight between yourselves to decide who gains entry to the castle.

First you must obtain three pieces of a talisman. Being a clever chap, though, you don't go on the mission yourself, you send out huge, scaly, reptillian beasts to scour the countryside for the missing link.

Up to three people can play, but absent friends can be replaced by the computer. Each of the three players — Bachim the Alchemist, Ouered the She-Vampire and Ametrin the Green Beast — has their own castle, one fully grown dragon and several eggs. To find and sit on the three parts of the talisman, you obviously have to send out as many dragons as quickly as possi-ble. so breeding is essential.

The icons at the base of the display depict the vaguely human players, an egg timer (allowing acceleration of time), a save/load option and a quit option. On choosing your player, more icons appear.

The map icon displays the area sur-rounding Dwarf Mountain; a dragon's eye

keeps an eye on the dragons; the vital egg-hatching icon allows breeding; and the library icon displays your finances. Then there's a spell-casting icon and a door icon to communicate with traders who try to sell you ingredients for your spells.

Incubation of up to four eggs at a time is carried out by clicking on the egg icon, placing your eggs in the very ornate incu-bator and turning on the boilers. Take care, the higher the heat the faster the dragon will hatch. This also uses up precious funds and a dragon that is not left to develop

properly is weaker than a normal one. A visit to the library will allow you to look

at three books: your accounts book (stay in credit), the current affairs book (tells you what's happening where) and the spell book.

While looking for the parts of the talis-man, your dragons may have to (inadver-tently) rape and pillage a small village. (The quest for immortality is a ruthless one.) You can either send your dragons out aimlessly, or enter a training section where you con-trol the beast in a vert ical ly-scrol l ing

• Wheel your dragon Into here — it's the dragon check-up screen. Is he teeling a tad weak? Maybe he's hungry? By moving the pointer across areas of the dragon's red scaly body windows pop up Illustrating what he is capable of.

48 TGM April 1990

r / / / / / / / / / > * v . e w s

A M I G A

A true ro leplaying g a m e , it conta ins a v e r y c o m p r e h e n s i v e m a n u a l — t h e i c o n s m a k e it e a s i l y a c c e s s i b l e , t h o u g h . T h o u g h s ta t ic fo r t h e m a i n p l a n n i n g s c r e e n s , t h e a r c a d e graph ics are certainly up to scratch . T h e disk a c c e s s c a n b e c o m e a little annoy ing , especial ly w h e n it involves lots of s w a p p i n g . Aes the t i ca l l y , t h e most impressive e lement of Dragon's Breath is t h e s o u n d — c r e a t i n g t h e h a u n t i n g a t m o s p h e r e for a d a u n t i n g game. N o w if you' l l excuse me, I have s o m e eggs on the boil...

GAME DRAGON S BREATH PRODUCER PALACE VERSIONS AMIGA £29.99 ATARI ST £29.99

TRAVELLING TIPS • L e a r n to c a s t s p e l l s a s s o o n a s poss ib le . If p l a y i n g t h e c o m p u t e r it wil l use t h e m all the t ime. • W h e n t h e g a m e s tar ts , w a r m up t h e incubators . T h e sooner there are b a b y d ragons a r o u n d the better. • P r o t e c t t h e v i l l a g e s u n d e r y o u r care, they wi l l o f ten r e w a r d y o u for your help.

arcade-section (Dragon Spirit?). And a word of advice: keep an eye on

the current affairs book, there are some-times jobs you can do that will rake in a bit of dosh. The more money you have, the more dragons can be bred, the more chance you have of finding the talisman and thus entering the castle and becoming immortal forever.

M a r k C a s w e l l

to look stay in Is you spell

talis-adver-

(The .) Vou lessly, i con-Jlling f ? By t.

P A L A C E

The map screen. Move the white outline shape to the area of the country you want to take over/destroy/rape/pillage — whatever.

49 TGM April 1990

The Middle East Political Simulation IBM PC • COMING SOON - Amiga • Atari ST T -le Middle East Tcday is as unstable and dangen as at an> tirre si.nce !ne Crusades. The superpow oncaurcge'her'f ighting cocks' and try out milit gadgets in the best of conditions. It is the poten crad.'e o ' Wcrld War III. CONFLICT puts you ii wort J vsnere military and economic forces comb lo s mu ate the multiple pressures that a natio leader fs under in a modern nation state. Your a t:> fcrce the collapse of all four neighbour governments. A frightening and highly reali; Ajargame.

M U N T E R K I L L E R Amiga • Atari ST Experience the reality of commanding an American WV/II combat submarine in the South Pacific. Master the controls of your vessel, then embark on a series of missions from search and destroy' scrties to detailed escort duties modelled on real WWII campaigns. With eleven different submarines, fourteen separate missions to attempt, at a range of difficulty levels as well as practise patrols that take place during the day or at night. HUNTER KILLER has a host of features that outclass any other submarine simulation.

O R I / V I B L O O D Amiga • Atari ST Flace yourself deep within the walls of Castle Grimblood. here lurks a murderer, who is preying j n those who live by and keep the rituals. You as the young Earl. Maximus. must uncover the terrible secret in order that he can unlock the chains of timeless obedience to the rituals of the castle and gain his freedom. If you fail you are certain to fall victim yourself to the stalking assassins knife... A gothic whodunnit, written by Mike Singleton, featuring digitised sound and graphics and promising a different game every load!

As the disk l6aded. I felt drawn into different reality! jr alternative world where I assumed the identity of another'

Virgin Mastertonic Ltd • 2-4 Vernon Yard • 119 Portobello Rd • London W l l 2DX • 01-727 8070

S c r o e n s h o t s m a y b p t a k e n I r o m d i f f e r e n t v e r i i o n

SHORTS niimiHEsm

DR D O O M ' S R E V E N G E Empire • A m i g a • £ 2 4 . 9 9 Doom, Marvel Comics' evil monarch of Latveria, is up to no good again. He's stolen a nuclear missile and is threatening to launch at New York if the US doesn't surrender and become a Latverian colony. Peter Parker and Steve Rogers, better known as Spider-Man and Captain America, come to the rescue. Both controlled by the player, beat-'em-up action against villains including Boomerang. Electro and the Hobgoblin is interspersed with cartoon frames

The graphics potential of this licence hasn't been met. The frames are filled with malformed figures shaded with colours rather than black lines. Backgrounds are flat, sprites are simplistic and are as jerky in movement as is the horrendous scrolling. Sound effects are few and naff.

As most Marvel comics put the emphasis on fight sequences, a beat-'em-up section was the obvious choice for the main section. But. bar the occasional ill-formed dodge interlude, it's the only section. This wouldn't be a problem but it's dull and slow violence and though graphics change, gameplay doesn't. A Marvel comic is included and is unavailable elsewhere but, unless you live, breathe and eat Marvel, isn't enough to make this value for money. WL M a c h i n e r a t i n g : 5 1 %

A Q U A N A U T A d d i c t i v e • A m i g a • £ 2 4 . 9 9

Originally reviewed: TGM027. Commander Ric Flair is still after his man in the Amiga version of Aquanaut. Graphically and sonically this is virtually identical to the ST game, which was pretty poor. Jacques Cousteau fans may find something to interest them (be sure to wear your mask when playing!). M C M a c h i n e u p d a t e : 5 5 %

D R D O O M ' S R E V E N G E E m p i r e • C 6 4 • £ 9 . 9 9 c a s s , £ 1 4 . 9 9 d i s k See Amiga review. Thankfully, an improvement over the Amiga version. Backgrounds are shaded nicely and though sprite definition and animation

is simple, they react and move quickly. Sound effects are few but suitably over-the-top and there's a great Game Over tune. With reasonably payability and the exclusive comic, it's a must for Man/el fans.

W L M a c h i n e r a t i n g : 7 1 %

AFTER T H E W A R D i n a m i c • A m i g a • £ 1 9 . 9 9 See Atari ST review. Apart from the lack of loading music. identical to the ST. Effects, sprites. backgrounds, gameplay. Rating... WL M a c h i n e r a t i n g : 7 1 %

AFTER T H E W A R D i n a m i c • A t a r i S T • £ 1 9 . 9 9 The time: 2019 AD. The place: Manhattan. USA. after a nuclear war. The man: Jonathan "Jungle' Rogers. His objective is to reach the base of warped Professor McJerin, where he can find the means to escape to radiation-free colonies.

In load one. Jonathan's sent across three horizontally-scrolling stages, using punches and kicks to eliminate crazy thugs. Load two. Jonathan walks through the subway, attacked by two types of the Professor's robots but armed with a machine gun. Finally he reaches the base and the toughest section of all.

Backgrounds are unremarkable and scroll with noticeable judder. Sprites are a little short of colour and detail but are distinctive, cartoon-like and well animated.

Sound effects are just a few grunts and groans but the sampled intro music, though repetitive, is very good. With so many beat- 'em-ups around, one of average payability and similar gameplay is best left alone. W L M a c h i n e r a t i n g : 7 1 %

F I G H T E R B O M B E R A c t i v i s i o n • A t a r i S T • £ 2 9 . 9 9 Originally reviewed: TGM024. The anarchic 'jam' session heard on the title screen of the Amiga game is still here (so get those ear muffs out). Similar to the

LS'fCL-S*.

51 TGM April 1990

'////////// C O N Q U E R O R R a i n b o w A r t s J £ 2 4 . 9 9

Originally reviewed: TGM010. See Atari ST review this issue. Again, problems with tank/turret orientation due to ill-contrasting colours and shading. In C G A , the tank's an unsightly jumble of g reen a n d black pixels. In E G A , it's the s a m e w e l l - f o r m e d but s l igh t ly v a g u e vehicle of the S T (a l though personal ly I found the P C tank's colour scheme more t a s t e f u l ) . T h e s a m e is t r u e of t h e landscape, less brash and more realistic in colourat ion. P e r h a p s too s low for s o m e s t a n d a r d P C o w n e r s , those wi th faster m a c h i n e s wi l l f ind f lu id a n d s p e e d y m o v e m e n t . S o u n d is w i m p y b a n g s a n d booms but this doesn' t detract f rom the game. W L M a c h i n e u p d a t e : 8 0 %

its time in the conversion down to 16-bits. It's a strategy action g a m e setting rival

tank forces against one another There are four t y p e s of t a n k , d i f f e r ing in s p e e d , firepower and cost, and the player has to destroy enemies to accumulate money to buy more of them. Tanks can be manually c o n t r o l l e d or s e n t to l o c a t i o n s at a specified speed using a m a p screen.

Landscape movement is a little jerky but the 3 - D effect is still impressive, although some constrasting colours emphasise the p a t c h w o r k quilt s c e n e r y c o n s t r u c t i o n . Ironically, tank shading isn't contrast ing enough — at some angles it can be difficult

to see where a turret's pointing. Conqueror's b ig fault is its a w k w a r d

c o n t r o l s ; n i n e k e y s or four k e y s p lus mouse for turret aiming/firing. It's best for a friend to be at the mouse and stick to the s t e e r i n g y o u r s e l f , b u t t h e s o l o gamesplayer 's in for a testing time. T h e strategy elements are nothing complex but inc rease last ing interest . 18 months on from its first appearance . Conqueror is a relatively ordinary release but still worthy of purchase. W L M a c h i n e u p d a t e : 8 0 %

C O N Q U E R O R R a i n b o w A r t s • A t a r i S T • £ 2 4 . 9 9 Originally reviewed: TGM010. R e m e m b e r Zarch. the amazing 3 - D shoot-e m - u p tha t w o w e d e v e r y o n e w h e n it

appeared on the Archimedes? But then it w a s i d e n t i c a l l y c o n v e r t e d to S T a n d Amiga, under the moniker of Virus, proving t h e 3 2 - b i t R I S C m a c h i n e w a s n ' t that f a b u l o u s . Conqueror w a s p r o g r a m m e r Jonathan Griffiths' follow-up but it's taken

1121 CONQUEROR P a n z e r m K n o c k e d O u t

V o u r g u n n e r h a s s e e n P a n z e r m

Amiga in the graphics department, with the bugs still popping up. Even with the solitary, hollow spot effects, the atmosphere still keeps you in the seat for ages. Get it. M C M a c h i n e u p d a t e : 8 9 %

F I G H T E R B O M B E R A c t i v i s i o n • A m i g a • £ 2 9 . 9 9 Originally reviewed: TGM024. Slowly, slowly up to 3 0 0 0 0 feet, lock on. a n d hit t h e t r i g g e r to let l o o s e a S i d e w i n d e r . . . A m i g a Fighter Bomber is great — although it may be a bit too easy

for the Biggleses of this world. However, for the rest of us normal' people, it's just right. Graphically, Amiga Bomber is as good as the V G A P C version, though there are sev-e r a l b u g s that a p p e a r w h e n y o u least expect them ( w e did s e e a finished ver-sion). Regardless of those. Fighter Bomber is a great introduction to the world of flight sims. Exper ienced flyers a n d first-timers alike should have this in their collection (if only for the mad 'jam' session on the title screen). M C M a c h i n e u p d a t e : 8 9 %

B E V E R L Y H I L L S C O P T y n e s o f t • A m s t r a d C P C • £ 9 . 9 9 c a s s , £ 1 4 . 9 9 Originally reviewed: TGM028 T h e title screen is very well drawn but in t h e g a m e i tse l f A x e l F o l e y te r r ib le . Graphics are blocky and gaudily coloured, scrolling is slow and juddery. and animation is a l m o s t u n h e a r d of. M u s i c is warbly, effects rough. A bad licence. W L M a c h i n e u p d a t e : 4 0 %

L O S T D U T C H M A N M I N E M a g n e t i c I m a g e s • A m i g a • £ 2 9 . 9 5 W a n t a whi te beard , silly laugh and eat b e a n s a lot? T h e n prospect at the Lost Dutchman mine. Pan and dig for gold, keep water and food levels topped up. and shoot rattlers, bandits and injuns. Eight special buildings in the local town of Goldfield help you on your w a y to fortune.

T h e little prospector sprite is quite cute

F I E N D I S H F R E D D Y ' S B I G T O P O ' F U N M i n d s c a p e i C P C • £ 9 . 9 9 c a s s , £ 1 4 . 9 9 d i s k Originally reviewed: TGM022 Surprisingly good, consider ing this jolly game's 16-bit cartoon origins. Although a little blocky and lacking in detail, graphics

are big, colourful and amusingly if slowly animated. S o m e scenes are missing due to m e m o r y r e s t r i c t i o n s a n d d i s k / t a p e a c c e s s is a bit of a bind, but m u s i c is lively. There're some minor bugs but they don ' t d a m a g e t h e h igh ly e n t e r t a i n i n g gameplay. W L M a c h i n e r a t i n g : 7 9 %

52 TGM Aprill990

but simply a n i m a t e d . B a c k g r o u n d s a r e bright but plain, scrolling's on the juddery side and the f e w s o u n d e f f e c t s a r e inappropriate. Joystick control is pernickity.

The ideas behind Lost Dutchman Mine aren't too bad but in pract ice it's s low, tedious and a yawn to look at. You begin with too few dol lars to kit y o u r s e l f out properly a n d t h e n w a n d e r a r o u n d t h e mounta ins w a i t i n g for s o m e t h i n g to happen. It has a little to offer to strategists and lacks action for anyone else. WL M a c h i n e r a t i n g : 5 4 %

O V E R L A N D E R Elite • A m i g a • £ 1 9 . 9 9 Originally reviewed: TGM010. An excellent interlaced picture introduces the game. The backgrounds are attractively drawn but sprites drab a n d jerky. R o a d perspective and m o v e m e n t is good as it dips and turns but car movement doesn't match it so no sensation of movement is generated, h e n c e g a m e p l a y lacks fee l . Your average growling engine, popping gun and brief explosion form the soundtrack.

This car combat g a m e has taken its time reaching the Amiga. And to put it briefly (albeit s a v a g e l y ) , it s h o u l d n ' t h a v e bothered. WL

M a c h i n e u p d a t e : 6 8 %

FIRE! New D e a l P r o d u c t i o n s • A m i g a • £ 2 4 . 9 5 Fire, that's all you've got to do in this game. Fly around hor i zonta l ly -scro l l ing l eve ls blasting everything in sight and collecting occasional icons to gain fuel, shields and better weapons.

Backgrounds a r e p la in but scro l l in smooth five-layer parallax. Sprites are nice but unvaried and although there's a good, grim title tune, effects are just three or four artillery samples.

T H E K R I S T A L A d d i c t i v e

£ 2 9 . 9 9 Originally reviewed: TGM019 For aeons, the Kristal of Konos w a s the stabilising force in the galaxy, maintaining peace and harmony. But then Malagar the Unworthy s to le it a w a y . H is sh ip w a s caught in the Sea and the Kristal was lost, later to be found and hidden by the Lord of Light in a secret chamber.

Surprise surprise, you have to find the Kristal. W a l k i n g in a n d out a s we l l a s across the screen, planets are explored and space traversed in your search. Text is input to c o m m u n i c a t e with c h a r a c t e r s , sword fights battled and objects collected and utilised.

Surprisingly, considering the PC's feeble audio capabil i t ies, the s a m p l e d Patr ick M o o r e s p e e c h is i n t a c t f r o m t h e S T version. It's distorted, true, and takes up a whole disk, but it se ts t h e s c e n e we l l . Sprites are pleasant and well an imated , backgrounds a re s t a g e - l i k e but s p a c e travel gives no effect of movement.

The parser is s i m p l e a n d c a n m a k e information gathering a bit of a chore but

F R E D U b i S o f t • A t a r i S T B £ 2 4 . 9 9 Once a noble knight. Fred w a s zapped to w i m p y proport ions by Ult imor. a dwar f magic ian jea lous of his hunkiness. T h e knight w a s especially annoying because his girlfr iend found his tiny proport ions rather boring. So. sword and daggers at t h e r e a d y . F r e d s e t s o u t a c r o s s horizontally-scrolling levels to find Ultimor. maiming dwarfs and collecting items along the way.

In a brilliant introductory sequence, the shrunken Fred is jeered at by his previous victims and a g n o m e shoots him with a catapult. T h e gnome plays a starring role in the g a m e itself, pulling faces at Fred b e f o r e f ir ing s t o n e s at h im. De f in i t ion

illiniumzm var ies, s o m e dwarfs excel lent but Fred a n d m o o d y b a c k g r o u n d s a r e b o r i n g , although animation is good. Effects are a few silly samples.

T h e only thing Fred contributes to the many jog-along scrolling shoot/hack- 'em-ups is short people with pointy ears. And believe me. after a few games you'll hate d w a r f s , g n o m e s , l e p r e c h a u n s , K y l i e Minogue... everyone under four feet. T h e control s y s t e m is a w k w a r d , the dwar fs v ic ious , a n d y o u r s i n g l e l i fe 's e n e r g y deteriorates with alarming speed. There is some g a m e there, if you persevere, and h u m o u r in the g r a p h i c s , but Fred isn't value for money. W L M a c h i n e r a t i n g : 6 8 %

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is very easy to get into but doesn' t hold your attention for more than a few games.

This partly down to the fact you've only got one life, so getting off the first level isn't as simple as it should be. Easily accessible, readily disposable. W L M a c h i n e r a t i n g : 4 6 %

o t h e r w i s e The Kristal is e x c e l l e n t in execution. A huge and challenging g a m e that truly is a g raph ic a d v e n t u r e , it's a product galactic explorers shouldn't miss. W L M a c h i n e u p d a t e : 8 8 %

53 TGM April 1990

Wllllll, R A I N B O W I S L A N D S O c e a n • A t a r i S T • £ 1 9 . 9 9 Originally reviewed: TGM028. The game kicks off with a very cutesy intro tune, and indeed continues with this jolly, bouncy theme throughout. Atari ST Rainbow Islands' graphical appeal is faultless, the cartoon sprites are a joy to watch. As dinosaurs Bub and Bob had enough trouble, but in human form the action is even more frenetic. A great translation. M C M a c h i n e u p d a t e : 9 2 %

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S T R Y X P s y c l a p s e • A m i g a • £ 1 9 . 9 5 It was a robot and computer malfunction which started the techno-wars all those years ago. As a result , a commit tee imposed 'l ife-spans' on computers and robots and an electronic key was given to four committee members; if all four keys were activated simultaneously, all computer and robot systems would be irreversably shut down.

The robots now want ' l i fe ' are are steal ing the keys. Their aim is to

R I S K L e i s u r e G e n i u s £ 1 9 . 9 9 The Risk board game is brilliant, a must for all megalomaniacs, as is the recent computer version. The rules are the same. 1-6 players are presented with a map of the world. Six continents split into 42 countries must be fought over and won. There is an initial period where each player (denoted by a different colour) claims a country for themselves — after that, it's war. Each player takes it in turn to either attempt an attack on a neighbouring country, or move troops between adjacent countries that they own.

Battles take place using dice, the more armies the attacker has on a particular country, the more dice rolled (but the consequences of losing are very dire). At the end of each turn, if a country is taken a Risk card is awarded. When a set of three are col lected they can be traded for reinforcements.

Like the board game, computer Risk's appeal is the ability to challenge other people, all trying to dominate the world. Although the graphics are simplistic, it doesn't matter, the payability is certainly high. It's hard to convey the content of such a deep game in so few words, just buy it and see for yourself. M C M a c h i n e r a t i n g : 8 3 %

exterminate the human race. Stryx, a cyborg, has been assigned to repossess the keys from the five Dome Cities.

A simple yet impressive intro, supposedly a thousand kilobytes' worth, Stryx drives into a spacestation in a flying car then reads his mission from a VDU. In-game sprites are small but bright and well animated. Backgrounds are drab and old-fashioned but scrolling smooth.

With three sub-games to support the

R I S K L e i s u r e G e n i u s • P C • £ 2 4 . 9 9 See Atari ST review. Both CGA and EGA versions appear in one package, and like the ST game the real appeal of this version is the ability to stomp over your friends and still buy them a drink afterwards. A great board game has been turned into a first rate computer program — again! M C M a c h i n e r a t i n g 8 3 %

main section, Stryx is certainly good value for money. But none of the games — including the main one — really grab you. The game's difficulty level is obtrusive, even the smaller robots require more than one hit, and the control system requires fire button and joystick direction to use a weapon. Awkward.

Stryx antics are fun for a while but ultimately only those with perseverance will play long enough to defeat more than a handful of robots. W L M a c h i n e r a t i n g : 7 7 %

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54 TGM April 1990

S a l e o f p 1 a y e r s Purchase Table

Stop/ Save

S O C C E R M A N A G E R P L U S S t a r b y t e • A m i g a • £ 1 9 . 9 9 A foreign attempt to infiltrate a true British sport (FC Liverpool?). As usual you have to click through reams of text and options, but your task is simply to take your team to the top of Division One while gathering as much cash as possible. Soccer

Manager Plus is rather good, especially the ability to skip through the generally boring match bits. Graphically the game is good, though the real action takes place in the numerous charts and leagues. Aficionados will no doubt love this. M C M a c h i n e r a t i n g : 7 8 %

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T O O B I N ' D o m a r k / T e n g e n • P C • £ 2 4 . 9 9 Originally reviewed: TGM026. Yo! The tube dudes are back and they're sti l l on their way to that party. PC Toobin' is graphically poor, with juddery scrol l ing and grainy sprites. The disappoint ing animation isn't too noticeable on a fast machine, but things soon get annoying on anything less than 8Mhz. It's a pity, but rad PC owners will have to look elsewhere for their kicks. MC M a c h i n e u p d a t e : 5 5 %

N E V E R M I N D P s y c l a p s e • A t a r i S T • £ 1 9 . 9 9 Originally reviewed: TGM027 This curious isometric puzzle game is very similar to the Amiga version. Functional sprites, structures and puzzle pieces create an unusual atmosphere which isn't matched by the ST's wimpy warbling sounds. WL M a c h i n e u p d a t e : 7 0 %

O P E R A T I O N T H U N D E R B O L T O c e a n • A t a r i S T • £ 1 9 . 9 9 Originally reviewed: TGM025. Graphically, no difference between this and the Amiga version. However, it lacks in the sound department, without the great intro tune that kicked off the Amiga version so well. There is a poor translation of it though, with tinny ST sound. However, the clear speech is still intact. Payability's all still there too. with the same trigger-pulling action we've come to expect from any ver-sion of the Operation family. MC M a c h i n e u p d a t e : 8 8 %

R O T O R Arcana • A r c h i m e d e s • £ 1 9 . 9 9 See Amiga review. Virtually identical to the Amiga — same graphics, including intermittent scrolling, same sound effects but no music. Same iffy gameplay. Not what you'd expect from a RISC machine W L M a c h i n e r a t i n g : 6 0 %

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R O T O R A r c a n a • A m i g a • £ 1 9 . 9 9

There are few sprites but the Rotor itself is a pleasing if derived one. Moody tech music fails to interest and sparse sound effects are weak.

Following Dr Plummet's House Of Flux last issue, this is another variation on the Gravitar/Thrust/Oids them. Unfortunately, it's too little and too late to beat Microlllusions" release. W L M a c h i n e r a t i n g : 6 7 %

Contrary to popular belief and statistics, leisure time and unemployment will decline in the future. Most people will suffer the low wages and poor conditions of mineral mines. The brave will join the Roto-Raiders in their Rotor vehicles — flying battle tanks(!!) — and attack the enemy.

Thrusting around caves, low-gravity constantly pull ing the Rotor down, containers are shot and their contents grabbed by a tractor beam. The most valuable contents are the sun crystals, which are collected to complete the cave... but watch out for the enemy cannons.

Graphics are pretty simplistic, simulator backgrounds just grid networks and actual caves a little short on colour and with good but old-fashioned shading. Scrolling is intermittent — you can get pretty close to the edge of the screen before more scenery comes into view — which makes for some unnecessary awkward situations.

H A R D D R I V I N ' D o m a r k / T e n g e n £ 2 4 . 9 9 Originally reviewed. TGM026. Despite some reservations about the polygon pedestrian pusher on the PC. Hard Drivin' has turned out a treat. Domark have kept a keen eye on the perspective and all the graphics have been accurately translated. Obviously, for games of this nature you require a fast machine, definitely over 8Mhz. With the right equipment, PC Hard Drivin' can provide more than a few days of entertainment. Worth a purchase. M C M a c h i n e u p d a t e : 8 1 %

55 TGM April 1990

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56 TGM April 1990

J A C K N I C K L A U S ' G R E A T E S T 1 8 H O L E S O F M A J O R C H A M P I O N S H I P G O L F A c c o l a d e • A m s t r a d C P C • £ 9 . 9 9 c a s s , £ 1 4 . 9 9 d i s k Originally reviewed: TGM020 The murky use of colour is similar to that of the P C version but graphics are blockier, especia l ly the badly d rawn golfer sprite. Ba l l m o v e m e n t is s low a n d the s c r e e n t a k e s 2 0 s e c o n d s - p l u s to r e d r a w t h e course view. S o u n d is s imple a n d t a p e u s e r s h a v e to su f fe r c u m b e r s o m e a n d slothful loading procedures. W L

M a c h i n e u p d a t e : 4 6 %

A S T A T E N e w D e a l P r o d u c t i o n s • A t a r i S T B £ 1 9 . 9 5 Astate is based on the excursions of a pick axe-wielding archaeologist, and is basically a simple, icon-driven, graphic adventure. Backgrounds are hardly masterpieces — short of both detail and colour — with most p o i n t e r s / o b j e c t s qu i te a c c e p t a b l e . T h e s o u n d t r a c k is a co l l ec t ion of i r r i ta t ing, repetitive little tunes and simple effects.

It's a bizarre graphic adventure, with the emphasis on graphics (text? what text?). Whi le it could be called original, it's more in t r iguing to w o n d e r w h a t the hel l w a s going on in the designer and programmer's minds than the g a m e ' s puzz les . A lot of

D Y N A M I T E D U X M a s t e r t r o n i c • Sega Master System • £ 2 4 . 9 5 Originally reviewed: TGM023. T h e first thing that str ikes you a re the g r a p h i c s ; the co lours a r e v ibrant wi th

in t r ica te ly a n i m a t e d a n d very s m o o t h sprites. As with the arcade original a wide range of strange creatures are present to m a k e our quack ing pals' life a misery. Sega Dynamite Dux is a must for all fans, and probably the best of all versions. M C M a c h i n e u p d a t e : 8 5 %

time is spent just going from one location to the next, looking and waiting for things to h a p p e n , a n d e v e n then, a re you really interested in digging? W L M a c h i n e r a t i n g : 5 8 %

W I L D S T R E E T S T i t u s • A m s t r a d C P C • £ 9 . 9 9 c a s s , £ 1 4 . 9 9 d i s k Originally reviewed: TGM028. Presentation is excellent, with attractively-drawn full-screen title pictures (a feat I've never seen on the Amstrad before) and an animated panther on the high score table. Sprites are a little blocky and their steps don ' t m a t c h the i r m o v e m e n t a l o n g the streets, but animation and backgrounds are a d e q u a t e . Music very good, using some n ice s o u n d s ( a n d t h e r e a ren ' t m a n y of t h o s e o n t h e A m s t r a d ! ) . G a m e p l a y is inconsistent — very easy for the first two sections then suddenly tougher. A credible Amstrad beat- 'em-up still lacking variation in g a m e design. W L M a c h i n e u p d a t e : 7 6 %

resulting g a m e continues in a similar vein to the practice session and is very close to t h e o ld K o n a m i g a m e Cop-Out a n d Virgin's superb Action Force II.

Although simple in construction, Take 'Em Out is a n n o y i n g l y a d d i c t i v e . T h e music is a very good rendition of the old P e t e r G u n n T V s e r i e s t i t le t u n e . T h e difficult g a m e is colourful and attractive, with terrorists popping up from the most unexpected places. Well worth the blood money. M C M a c h i n e r a t i n g : 8 0 %

T A K E ' E M O U T A r t r o n i c ' Amiga f £ 1 9 . 9 9 Take 'Em Out is s e l f - e x p l a n a t o r y . Terrorists are rampaging through the city, it is your job as a member of an elite force to r e m o v e t h e m from ex is tence . But to prove your wor th a s a m e m b e r of T h e E l i t e F o r c e s y o u m u s t g o t h r o u g h weapons training. Starting at the rank of Cadet , you must score a certain amount of points shooting pop-up targets. Upon q u a l i f y i n g , c h o o s e t w o of t h e four weapons on offer: M 1 6 assault rifle, pump action shotgun, bazooka and grenades. You are now ready for your mission. The

L O C O M P U T E R S T O R E S

L O N D O N P E T E R B O R O U G H C H E S H U N T 0 1 8 8 2 4 9 4 2 0 7 3 3 4 9 6 9 6 0 9 9 2 2 5 3 2 3

F U L L R A N G E O F A M G I A , S T , S E G A , 6 4 , S P E C T R U M , A M S T R A D , P C , P C W , 2 6 0 0 , X L / X E , B B C

A T A R I S T ADVENTURES : E Y E O F H O R U S - L O G O T R O N 8 .95 A D V E N T U R E - S H A D E S 6 .95 SHADOW G A T E - M I N D S C A P E * ) S P E E D B A L L - I M A G E W O R K S 7 .99 ALL 3 9 .95 S O L D I E R 2 0 0 0 - A R T R O N I C 9 .99 UTIL IT IES DE JA V U - M I N D S C A P E * ) F O R 9.95 C H A M B E R S O F S H A O L I N - C E R T I F I C A T E M A K E R - S P R I N G B O A R D U N I N V I T E D - M I N D S C A P E * ) £ 2 2 . 9 5 G R A N D S L A M 14 .99 8 .99 U N I N V I T E D - M I N D S C A P E * )

9 .95 T I M E S C A N N E R - A C T I V I S I O N 6 .99 THE B L A C K B A T M A N T H E C A P E D L A S T F E W : O R D E R E A R L Y T O A V O I D C A U L D R O N - S I E R R A 9 .95 C R U S A D E R - O C E A N 7 .99 D I S A P P O I N T M E N T . M A N H U N T E R C H A R I O T S O F W R A T H - I M P R E S S I O N S T R A C K E R - 4 .95: 5 0 0 c c G R A N D PRIX -NEW Y O R K - S I E R R A 9 .95 6 .99 4 .99: N O R T H S T A R - 4 . 9 9 : E X O L O N - 5 . 9 9 : LEGEND O F T H E L A S T D U E L - C A P C O M 7 .99 P A N D O R A - 5 . 9 9 : D A R K F U S I O N - 4 . 9 9 : S W O R D - R A I N B I R D 8 .95 A R C H I P E L E G O S - L O G O T R O N 8 .95 B O M B J A C K - 5 . 9 9 : P A S S I N G S H O T - 5 . 9 9 : SILICON D R E A M S - R A I N B I R D 7 .95 S T E V E D A V I S S N O O K E R - C D S 8 .95 B L A S T E R O I D S - 5 . 9 9 : T H U N D E R B I R D S -F ISH-RAINBIRD 7 .95 I N D I A N A J O N E S T E M P L E 5 .99: P E T E R B E A R D S L E Y S - 6 . 9 9 : THE P R E S I D E N T O F D O O M - M I N D S C A P E 7 .95 F E R N A N D E Z M U S T DIE-6 .99 : IS M I S S I N G - C O S M I 7 .95 W I Z B A L L - O C E A N 7 .95 P A C L A N D - 7 . 9 9 : A R T U R A - 5 . 9 9 :

G A L A X Y F O R C E - A C T I V I S I O N 6 .95 B O M B U Z A L - 6 . 9 9 : D E F L E K T O R - 5 . 9 9 : STRATEGY S T A R G L I D E R 2 - R A I N B I R D 8 .95 C Y B E R N O I D - 6 . 9 9 : C Y B E R N O I D 11-6.99: CONFLICT IN E U R O P E - P S S 8 .95 M E N A C E - P S Y G N O S I S 7 .95 IK+-6 .99 : F L Y I N G S H A R K - 6 . 9 9 : A R C A D E / A R C A D E - A D V E N T U R E C A P T A I N F I Z Z - P S Y G N O S I S 7 .95 B A T T L E S H I P S - 5 . 9 9 : A F T E R B U R N E R -ROCKET B A A L - P S Y G N O S I S 7 .95 6 .99 R A N G E R - M I R R O R S O F T 8 .95 T E R R Y S B IG

A M I G A MENACE - P S Y G N O S I S 8 . 9 5 B O M B J A C K - E L I T E 5 .95 W I C K E D - E L E C T R I C D R E A M S 7 .99 CAPTAIN F I Z Z - P S Y G N O S I S 7 .95 S T A R B L A Z E - L O G O T R O N 5 .95 F A S T L A N E - A R T R O N I C 9 .99 B A A L - P S Y G N O S I S 8 .95 S T A R R A Y - L O G O T R O N 7 .95 T A K E - E M - O U T - A R T R O N I C 9 .99 CONFLICT E U R O P E - P S S 8 .95 A E G I S S O N I X - R E Q U I R E S D E F C O N 5 - C O S M I 6 .95 A R C H I P E L E G O S - L O G O T R O N 8 .95 T W O D R I V E S 2 9 . 9 5 A R T U R A - G R E M L I N 5.99 T H U N D E R B I R D S - G R A N D S L A M 6 .95 T E R R O R P O D S - P S Y G N O S I S 8 . 9 5 D E F L E K T O R - G R E M L I N 4 .99 GALAXY F O R C E - A C T I V I S I O N 6 .95 T E R R Y S B IG A D V E N T U R E - C Y B E R N O I D - H E W S O N 5.99 PASSING S H O T G R A N D S L A M 5 .95 F E R N A N D E Z M U S T D I E - I M A G E W O R K S T E N N I S - I M A G E W O R K S 7 .95 S O L I T A I R E R O Y A L E - 6 .99 F I R E Z O N E - P S S 7 .99 S P E C T R U M H O L O B Y T E 7 .95 HKM-US G O L D 6 .99 T H E X D E R - S I E R R A 6 .95

MONEY B A G S - C O S M I INSIDER T R A D E R - C O S M I PT109 - S P E C T R U M H O L O B Y T E DEMON S T A L K E R S - E L E C T R O N I C ARTS B O M B U Z A L - I M A G E W O R K S W I L D E R N E S S - S P E C T R U M H O L O B Y T E

I B M P C - A L L 8 . 9 5 E A C H D A R K C A S T L E - M I R R O R S O F T F A H R E N H E I T 4 5 1 - A S L R E N D E V O U S W I T H R A M A - A S L P E R R Y M A S O N - A S L N I N E P R I N C E S IN A M B E R - A S L A M A Z O N - A S L C A P T A I N B L O O D - I N F O G R A M E S S I N B A D - C I N E M A R W A R E

W I L L O W - M I N D S C A P E V I S I O N S O F A F T E R M A T H -M I N D S C A P E V I E W T O A K ILL - T H U N D E R M O U N T A I N T H E M I S T - T H U N D E R M O U N T A I N V O O D O I S L A N D - T H U N D E R M O U N T A I N

P R I N T E R S C O M P U T E R S S O F T W A R E C A B L E S L E A D S M O N I T O R S D I S C S B O X E S M I C E P A P E R D U S T C O V E R S M O N I T O R P L I N T H J O Y S T I C K S I N T E R F A C E S L A B E L S C A L C U L A T O R S S O U N D S A M P L E R S M I D I I N T E R F A C E S

D I G I T I S I N G S O F T W A R E

WHERE T O B U Y EITHER AT: 19 THE BROADWAY UNIT 6 5 LYNTON PARADE MAIL ORDER TO

THE BOURNE MIDGATE CHESHUNT 5 LYNTON PARADE SOUTHGATE PETERBOROUGH HERTS CHESHUNT LONDON CAMBS EN88LF HERTS N14 6PH PE1 1TN EN8 8LF

POSTAGE & PACKING: 1-3 ITEMS 75P. 4 OR MORE £1.00 0 9 9 2 6 4 0 0 5 0

Mega Man Nintendo Here 's a t e c h n i q u e for k n o c k i n g d o w n e v e n t h e m o s t f o r m i d a b l e of foes . F i re a n e l e c b e a m at the e n e m y a n d as the b e a m s t r ikes its ta rge t p r e s s the se lec t ( p a u s e ) bu t ton rapidly. E a c h t i m e that y o u re lease t h e p a u s e bu t ton another hit wi l l be reg is tered e v e n t h o u g h it is sti l l the s a m e shot .

I

From It Came from the Desert to Strider, Ghosts

'n' Goblins to Future Wars TGM eases frustration with up-to-date tips and maps as compiled by Robin Candy from your offerings....

Stricter Atari ST, C64 Cheat routines from M a r k L a w r e n c e are becoming a regular affair. This month's program is for the ST. Type in the listing as shown below and carry out the instructions in the R E M statements. For C 6 4 owners there's a map and some tips. Thanks to A m i t Kar ia of R o m f o r d for those. 10 R E M ' " " I N F I N I T E L IVES F O R ATARI S T S T R I D E R — 2 0 O P T I O N B A S E 1: D I M A % (1024) : C H E A T = V A R P T R (A%(1) ) 3 0 D E F S E G = 0 : R E M R E M O V E T H I S L INE IF U S I N G N E W BASIC 4 0 F O R X = 0 T O 195 S T E P 2 50 R E A D B: P O K E C H E A T + X . B 6 0 N E X T X 70 BSAVE "strider.prg". CHEAT, 196 8 0 R E M

&H004B. &H0003 , & H 4 E 4 1 , & H 4 F F 9 . &H0007 . & H 7 F F 0 170 DATA & H 2 F 4 0 . &H0004 . &H2240 , & H 3 3 7 C . & H 4 E 7 5 , &H52A6 , & H 3 3 7 C , & H 4 A 7 9 180 DATA & H 1 5 8 2 . & H 4 E E 9 . & H 0 1 0 0 , & H 2 A 2 E . &H2A00 , &H1B45 . &H496E . & H 7 3 6 5 190 DATA & H 7 2 7 4 , & H 2 0 6 7 , & H 6 1 6 D . & H 6 5 2 0 , & H 6 4 6 9 . &H736B, & H 2 0 6 1 . & H 6 E 6 4 200 DATA & H 2 0 7 0 . & H 7 2 6 5 , & H 7 3 7 3 , & H 2 0 6 1 . &H206B. &H6579 . & H 0 0 0 0 , & H 4 1 5 5 2 1 0 DATA &H544F, &H5C42 . & H 5 3 5 4 . &H5249 , &H4445 . & H 5 2 2 E , & H 5 0 5 2 . & H 4 7 0 0 2 2 0 DATA &HOOOO, & H 0 0 0 0 230 R E M

2 4 0 R E M T O U S E T H I S C H E A T T Y P E IN T H E L I S T I N G A N D SAVE IT 250 R E M T O DISK. N O W R U N IT A N D Y O U S H O U L D C R E A T E A FILE 260 R E M S T R I D E R . P R G O N Y O U R DISK. R E T U R N T O THE D E S K T O P A N D 2 7 0 R E M D O U B L E CLICK O N THIS . W H E N R E Q U E S T E D I N S E R T T H E S T R I D E R 2 8 0 R E M DISK A N D P R E S S A KEY. S T R I D E R S H O U L D N O W L O A D A S P E R 2 9 0 R E M U S U A L B U T W I T H INF IN ITE L IVES Level 1 Stand just to the left of the console's centre and, when you flash, fire at it to destroy it. Level 2 Jump the gap and when you are flashing shoot at the foe. Leve l 3 Kill the girl by ducking and firing.

100 DATA &H601A. &H0000 . &H00A4 . &HOOOO. & H 0 0 0 0 , & H 0 0 0 0 , &HOOOO. & H 0 0 0 0 110 DATA &H0000 , & H 0 0 0 0 . &HOOOO. & H 0 0 0 0 , &HOOOO.

&HOOOO, &H4FFA, & H 0 1 F E 120 DATA & H 2 F 3 C , &HOOOO. & H 0 3 0 0 . &H487A , & H F E F 4 , & H 4 2 6 7 , & H 3 F 3 C . & H 0 0 4 A 130 DATA & H 4 E 4 1 , &H4FEF , &HOOOC. &H487A. & H 0 0 5 2 , & H 3 F 3 C . & H 0 0 0 9 , & H 4 E 4 1 140 DATA &H5C8F. & H 3 F 3 C . & H 0 0 0 7 , & H 4 E 4 1 , &H548F. & H 4 2 6 7 . &H487A , & H 0 0 3 8 150 DATA & H 3 F 3 C . & H 0 0 4 E , & H 4 E 4 1 , &H487A. & H 0 0 3 1 , &H487A , & H 0 0 2 D . & H 4 8 7 A 160 DATA & H 0 0 4 E , & H 2 F 3 C .

Operation Thunderbolt C64/Amiga Play the A m i g a g a m e as normal and get a high score. Instead of typing in your n a m e type S P E C C Y M O D E . W h e n you next play the g a m e you'll find every 30 seconds or so the number of enemies increases dramatically.

C 6 4 owners who are having problems playing the g a m e as it already stands, without more enemies, should type in N INJA M A G I C or E D O M T A E H C on the high score table for an infinite continue-play facility. Both C 6 4 and Amiga tips were sent in by Lee H o w a r d f r o m N e w c a s t l e

58 TGM April 1990

It Came From The Desert Amiga At last someone has sent in the entire solution to this great game. Phil ip Baxter f r o m Newcastle u p o n Tyne wins this month's Star Tips prize for his efforts.

Who do you trust? Generally speaking, nobody! People who you can always rely on are Geez. Dusty (usually). Prof Wells and Biff. Don't trust Bert, the two men at the quarry or Billy Bob and his daughter.

L E V E L 1

L E V E L 2

Times and places Don't try to beat the mutants by rushing out all over the place. One of the best ways to do your detective work is to stay at home. Make sure you're at home to answer the door or phone at these times. June 1 (start) — Geez calls round. Ask him about his donkey for a rough guide to the location of the ants' nest. June 1 (10am) — there's a phone call from Bert. June 3 (9am-12pm) — Billy Bob's daughter calls round.

Your next door neighbour calls round at random. There aren't many times when you're required to phone people up but Dusty is usually available between 10am and 7pm for the odd bit of info. Weather reports are helpful for predicting the ants' movements.

Where to find ants Ants can usually be found in and around the SW volcano (although they can often be found around the NE volcano too). This is their main hideout. You can find them wandering near mine one or JD's farm. Ida can sometimes tell you where the nest is but her information is not always accurate. It's best to talk to as many people as possible and compare what they say with what you already know. That way you can sort out who's telling the truth.

Evidence You need to collect four pieces of evidence to convince the mayor that the ants exist. If you don't he will still call a general alert but it'll be too late. Take each bit of evidence to the lab for analysis and collect it the next day. After analysing four pieces of evidence, take them to the mayor. Ant fluids — can either be found at the car accident (June 3). at Neptune Hall (June 7) or at the Quarry (June 7-9). Ant tracks — probably the hardest to find. The old codger at Cook's Stud Farm will often let you take a cast (June 7-8) or try searching around one of the volcanoes. Tissue samples — can be picked after a battle with the ants. Sometimes your next door neighbour pops around with an ant leg. Tape recording of ant sounds — the best time to get a tape recording is to wait until Louis

turns up all excited after having one of his planes fitted with a tape recorder (usually around June 4-5). save the game here. Now take a flight and try to find some ants. You know you've found some when you hear a strange whirring sound. Spray a few ants with the insecticide. Then make your way back to the airstrip with your tape recording.

The arcade games Fire fighting — this sequence will only appear if you say to Biff 'hand me the red one' when you are looking at Geez's rock samples. The best way to deal with the fire is to go for the biggest flames first. Always aim just below the tips of the flames for best results. Chicken — easy. Accelerate as normal and hold your ground. Ice will veer off at the last moment. Knife fights — easier than the fights in Rocket Ranger. When fighting Ice or Bert you can use the swipe and stab movements and hardly ever need to block. Try to use continuous swipes. When fighting Billy Bob you must block when he attempts to stab you. Hospital escape — time is precious so escape quickly. Wait until there are no guards or nurses in the room then nip out. Now go and find a wheelchair, they can usually be found in the corners of the hospital. Once you've found one, get in and go to the lift (hit the bloke in traction on the way, just for a laugh). Make sure no-one gets in the lift with you. When on the ground floor, approach the grey guards from their left and make them follow you. Take them around the building until they are far away from the main door. Accelerate away and go to the right side of the main doors, the guards shouldn't be there. Make your exit from the hospital.

Ant attack 1 (face to face) — when the ant appears aim your gun about halfWay down its body at it front legs. When you fire the gun you should blast off one of its antennae (you'll need some practise). When the ant has calmed down, repeat the procedure and blow off its other antennae. Ant attack 2 (overhead) — it doesn't matter which weapon you use in this sequence, they both have similar range. Shoot ants when they're around one and a half body lengths away. The shot should land nicely on its abdomen, leaving a sticky mess which can be used as evidence. Flying — use the north runway for the best takeoff. Once airborne head SW to JD's farm (ants can usually be found around here). Fly low to conserve fuel.

Bombing — position the crosshairs where you think the ants are heading for. Start bombing just before the army flies in. This is great for destroying large groups of ants.

The queen's nest — before you attempt to kill the queen it is a good idea to equip yourself with a flame thrower and some fuel (available from the gas station). The ants nest is somewhere around the mine shack. By about day 7 this area will be crawling with ants. Go to the source and you will see holes appearing in the ground as the ants emerge from the nest. Kill an ant as it climbs out of the nest and run for the hole. The flamer thrower is useful for dispatching attacking ants but it is often easier to outrun the things. Follow the maps to the queen and touch her body. This will set the timed explosives. Now make your way back to the entrance to level two of the nest. Don't rush you should have plenty of time. You've now completed the game. But is that the end of the mutant ants? Not likely Mirrorsoft are about to release the Ant Heads expansion disk.

59 TGM April 1990

•zsmm Footballer Of The Year 2 All formats

FA Cup results and footbal ler of the year answers. . .

• Year • • Winners • • Runners-up • • Score • • F.O.T.Y. • 1967 C h e l s e a Che lsea 2 - 1 J Char l ton 1968 Ever ton E v e r t o n 1 - 0 G e o r g e Bes t 1969 M a n Ci ty Le ices ter 1 - 0 D a v e M c k a y 1 9 7 0 C h e l s e a L e e d s Utd 2 - 1 Bil ly B r e m n e r 1971 A r s e n a l L ive rpoo l 2 - 1 Frank M c L i n t o c k 1972 L e e d s U t d A r s e n a l 1 - 0 G o r d o n B a n k s 1973 S u n d e r l a n d L e e d s Utd 1 - 0 Ian C a l l a g h a n 1974 L iverpoo l N e w c a s t l e U t d 3 - 0 Pat J e n n i n g s 1975 W e s t H a m Utd F u l h a m 2 - 0 A lan Mul le ry 1 9 7 6 S o u t h a m p t o n M a n Utd 1 - 0 K e v i n K e e g a n 1 9 7 7 M a n Utd L ive rpoo l 2 - 1 E m l y n H u g h e s 1 9 7 8 Ipsw ich T o w n A r s e n a l 1 - 0 K e n n y B u r n s 1 9 7 9 A r s e n a l M a n U t d 3 - 2 K e n n y Da lg l ish 1 9 8 0 W e s t H a m U t d A r s e n a l 1 - 0 Terry M c D e r m o n t 1981 T o t t e n h a m M a n Ci ty 3 - 2 F rans T h i s s e n 1 9 8 2 T o t t e n h a m Q P R 1 - 0 S teve P e r r y m a n 1 9 8 3 M a n Utd B r i g h t o n 4 - 0 K e n n y Da lg l ish 1 9 8 4 Ever ton W a t f o r d 2 - 0 Ian R u s h 1985 M a n Utd Ever ton 1 - 0 Nevi l le Southa l l 1986 L ive rpoo l Ever ton 3 - 1 G a r y L ineker 1987 C o v e n t r y City T o t t e n h a m 3 - 2 C l ive A l len 1 9 8 8 W i m b l e d o n L ive rpoo l 1 - 0 J o h n B a r n e s 1 9 8 9 L iverpoo l Ever ton 3 - 2 S t e v e N icho l

• Team • • Nickname • • Ground • • Manager • A b e r d e e n D o n s Pi t todr ie Sco t t

A r s e n a l G u n n e r s H i g h b u r y G r a h a m A s t o n Vi l la V i l lans Vi l la Park Tay lor Card i f f City B lue Bi rds You ' re never a s k e d B u r r o w s

Cel t ic B h o y s Celt ic Park McNe i l l C h e l s e a B lues S t a m f o r d Br idge C a m p b e l l

D u n d e e U t d Terrors T a n n a d i c e Park M c L e a n E v e r t o n Tof fee M e n G o o d i s o n Park H a r v e y

L e e d s U t d U n i t e d E l l and R o a d B r e m n e r L ive rpoo l Poo l An f ie ld Da lg l ish

M a n c h e s t e r U t d R e d Dev i ls O l d Tra f ford F e r g u s o n N e w c a s t l e Utd M a g p i e s St J a m e s ' s Park M c F a u l

N o r w i c h C a n a r i e s C a r r o w R o a d S t r inger N o t t i n g h a m Fores t R e d s City G r o u n d C l o u g h

R a n g e r s G e r s Ibrox S o u n e s s Shef f ie ld U t d O w l s H i l l s b o r o u g h A t k i n s o n S u n d e r l a n d Roker i tes R o k e r Park S m i t h

S w a n s e a City S w a n s You ' re never a s k e d Yorath T o t t e n h a m H o t s p u r S p u r s W h i t e Hart L a n e V e n a b l e s

W e s t H a m Utd H a m m e r s U p t o n Park Lyal l W o l v e r h a m p t o n W o l v e s M o l i n e u x Turner

Future Wars All formats M o r e of an adventure than anyth ing e lse but severa l readers have requested help so here goes . T h a n k s to Phil Thompson from Bwcle for the t ips a n d the map. First r o o m • operate carpet to get key. Take plastic bag. Operate WC door to get red flag. Operate cupboard to get insecticide. Use bucket on sink to fill. Use bucket on centre door. Operate righthand door then exit right Off ice • open desk drawer to get paper. Operate cupboard to see typewriter, make a note of

number on typewriter. Examine map. Use flag on hole Exit right. Examine keypad, operate keypad and enter number found on typewriter one digit at a time and exit to office after each one. After entering the final digit, go through passage. Contro l r o o m • use paper on slot. Operate green button, operate red button and quickly move under spotlight. S w a m p • go left, walking on green areas only. Use insecticide on mosquitoes. Examine ray of light to get pendant. Go left. Lake • examine tree by lake to get rope. Use rope on branch. After peasant goes for swim take clothes. Go left. Cast le • go round back of castle. Operate large tree to get coin, go back to pub in front of

castle. Use coin to buy a drink and listen to gossip. Go to castle. Ins ide cast le • listen to information then leave, taking lance from sleeping guard. Go back to large tree. Use lance to get monk's habit and put it on. Go to lake. Use plastic bag with lake. Go back to castle and exit bottom of screen. Outs ide m o n a s t e r y • use plastic bag on wolf. Inside m o n a s t e r y • entry door on left, leave and enter door on right. Go to room on left. Take cup. Go through middle door. Use cup on barrel. Give wine to leader. Examine him for remote control. Use remote control on cabinet. Take magnetic card. Go to wine cellar. Use remote control on top barrel. Enter secret passage.

If your knowledge of football history isn't up to much there's no need to start searching under the bed for old Roy of the Rovers annuals. M ichae l a n d J a m i e B r e n n a n f r o m M a i d s t o n e have all the answers to the double or nothing questions.

Harrier PC Engine Got a h igh score a n d typo in MO.. You wil l n o w bo ablo to a c c o s t tho m u s i c soloct lon scroen. T h a n k s to S i m o n B o a u m o n t f r o m Emloy.

Cont ro l r o o m • examine glass case to get gas canister. Use magnetic card on computer. Waste lands • take blowtorch from right of first screen, take fuses from white rubble. Go through manhole. S e w e r s • use blowtorch on tap to fill. Use blowtorch on monster. Go up steps. Metro • get coin from collection in newspaper machine. Use coin on money slot of newspaper machine. Repeat. Get on metro train. Shutt leport • go down stairs. Use fuse to repair those in fusebox. Go upstairs. When receptionist checks make-up. go

60 TGM April 1990

EATS

Ghouls 'n' Ghosts

wtypyj* s T W J J 5 0 0 0 0

between arrows. Prison cell • use key on metal grill. Use gas canister on metal grill. Use newspaper on metal grill. Exit through door. Control room • use magnetic card on machine. Slippery slope • go to Lo-ann. Outside spaceship • shoot any crughons in red danger boxes until crughon leader appears on flying podium. Shoot him. When Lo-ann is shot, search her body twice. Use pendant on Lo-ann. Search dead crughon. Spaceship cockpit • use magnetic card on machine near door. Operate case. Take garment. Use garment on video camera. Get in case. Operate case. Crughon base • use invisibility pill on hero as soon as door starts to open. Leave spaceship. Hide in box on lower left of screen Cargo hold • operate door at far end. Follow map to computer centre. Use magnetic card on console then follow the map to the exit.

Indiana Jones And The Last Crusade All formats It's time for the last installment of the Indy solution. Once again thanks to Christopher Nicoll from Tonbridge and Raoul Van Haver from Antwerp.

Last month's episode left you in Iskenderun. Read the inscription in the rock face then go to the temple. It's a good idea to save the game here. You now have to undergo the three tests of faith. Test 1 Examine the diagram on page 56 of the booklet. Walk to the point marked X on the diagram. Indy will now dodge the blades.

Test 2 You will be shown a spelling of the word JEHOVAH, this usually varies from game to game. Cross the floor only stepping on slabs inscribed with a letter from the word you were shown at the beginning of the test. Test 3 Don't hesitate for a second on this screen. Walk straight across. Indy will only make it if you don't pause.

You will now be in the grail room. Read the two descriptions that you collected in the Venitian catacombs. Each description will advise you to choose a different grail. Choose one of them. Then take that grail to the font. Fill it with holy water and drink it. If you chose the wrong grail Indy will age and die. If this happens just reload your saved game. Complete the three tests again. Then follow the advice on the other description. This time you will have chosen the right grail.

When the temple starts to crumble go to the crack in the seal on the floor. Examine it then get the grail using the whip. Now give it back to the knight. Henry will be saved and you've finished the game. It's worth remembering that there's more than one way to complete the game so you can always return to an earlier saved game and for a new challenge.

Ghosts 'N' Goblins Nintendo When the title screen appears, hold down the right key and press button B three times. Now press and release up and press button B three more times. Repeat this procedure with the down button and then the left button. Finally press start and use buttons A and B to select the stage you wish to start on.

Atari ST A classic coin-op conversion which is still a firm favourite around the office. Try this cheat if you Ye having problems with creatures that go bump in the night. Start the game as usual by pressing the fire button but don't move Arthur. Instead, quickly type in S T E P H E N B R O A D H U R S T . The words CHEAT MODE ON should flash up on the screen. Arthur is now invulnerable to all enemy fire.

HOW TO GET RICH QUICK! TGM may not help you to get rich quick but we'll point you in the right direction. How? Just send in any tips, pokes or maps you've got and you may be lucky enough to win the £50 software voucher awarded each month to our star tipster. Not only do you get free software but a free TGM T-shirt with built-in street cred enhancer (Mark Caswell owns one, need I say more). Send all your gaming information to: Robin Candy, Tricks 'n' Tactics, TGM, PO Box 10, Ludlow, Shropshire SY81DB.

61 TGM April 1990

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t h a t it is e q u i p p e d w i t h a laser g u n . Bu t w h e n f a c e d w i t h a s e e m i n g l y u n s o l v a b l e t o w e r d o n ' t ge t t o o t r igger h a p p y , Z a p p e r ' s l a s e r b o l t s a r e c a p a b l e o f d e s t r o y i n g o t h e r s p i d e r s a n d k londikes . P u s h e r If y o u r p r o g r e s s is h indered b y a n o b j e c t b l o c k i n g y o u r w a y t h e n s e t P u s h e r t o w o r k . P u s h e r is e q u i p p e d w i t h a r e p e l l e r b e a m f o r s h o v i n g o b j e c t s . H o w e v e r , n o t a l l o b j e c t s c a n b e m o v e d . G r a b b e r Of t h e th ree sp iders at your d i s p o s a l , G r a b b e r is by far the m o s t versat i le . He 's t h e on ly o n e that c a n col lect the k l o n d i k e s a n d o p e r a t e t h e f o r c e u p / d o w n s , f r e e z e r s , w i p e r s a n d e x c h a n g e r s . On ly o n rare o c c a s i o n s can G r a b b e r be sacr i f iced a n d a tower c o m p l e t e d .

R O T A T I N G PUSHER GLASS

B L O C K F IXED ZAPPER

T O W E R O F SPIDERS

T o w e r of B a b e l w o u l d b e a m u c h s i m p l e r g a m e to p lay if y o u o n l y h a d t o c o n t r o l o n e a l l - p o w e r f u l s p i d e r r a t h e r t h a n t h e t h r e e s e m i -p o w e r f u l a r a c h n i d s at y o u r d isposa l .

I n g e n e r a l , it is b e s t t o k e e p y o u r s p i d e r s f r o m b e i n g d e s t r o y e d ( t h e r e a r e a l w a y s o c c a s i o n s w h e r e y o u l e t o n e s p i d e r g e t d e s t r o y e d o n l y t o rea l i se a l i t t l e l a t e r t h a t it w a s n e c e s s a r y t o c o m p l e t e t h e t o w e r ) b u t t h e r e a r e i n s t a n c e s ( s u c h a s G r o u p 02, T o w e r D) w h e n a s p i d e r s a c r i f i c e i s n e c e s s a r y t o c o m p l e t e the tower . W h e n a s p i d e r is d e s t r o y e d t h e y ' r e not r e m o v e d f r o m the g a m e f o r e v e r , j u s t u n t i l y o u u s e t h e r e s t a r t o p t i o n o r t h e start of t h e next tower . Z a p p e r M o s t p e o p l e ' s f a v o u r i t e sp ider for the s imp le r e a s o n

T O P P L E T H E

BABEL! !

S t u c k ? C o n f u s e d ? B e w l i d e r e d ? ! R o b i n C a n d y ' s h e r e w i t h a n o t h e r T G M S u r v i v a l G u i d e ! T h i s m o n t h s h o w i n g y o u h o w t o

* • s t e r o l to p lay jwy Ty,vur of B*uel u. ppUoxi^e - nd plenty of i t It Is no use rushing In where angels fear t o tfu.id, > u I usually end up as target practice for a f ixed z a p p e r . E a c h u towor has lo be tackled with as much planning as poss ib le . , Many of the towers require an ordered sequence of events to • be completed, one smal l er ror can lead to y o u r sp iders * getting trapped or even kilted.

As with any game It pays to know your enemy. Here 's all '' you n e e d to know about objocts and enemy robots Inc luding their uses and how to avoid the more malevolent d e v i c e

m GUIDE

Tower E, G r o u p 2. The s tagger ing d e s c e n t O b j e c t i v e : c o l l e c t t h r e e klondikes. Move Zapper north one tile. Shoot the fixed zapper. Move Pusher east one tile, south three tiles, west one tile and operate the lift. Move west one tile. Move Zapper one ti le north, three tiles east, shoot the fixed zapper. Move pusher back onto the lift. Go up. Move one tile east then one ti le north. Operate the lift. Move one tile south. Continue around the tower in this manner using Pusher to operate the lifts and Zapper to destroy the fixed zappers. Once all the fixed zappers have been destroyed Grabber can easily collect the klondikes.

F i x e d Z a p p e r First e n c o u n t e r e d in Tower A. G r o u p 0 0 . D o m i n a t e s t h e early s t a g e s o f t h e g a m e . A fixed z a p p e r f i r e s a d e a d l y laser b e a m in o n e d i r e c t i o n thus m a k i n g safe p a s s a g e in front of it imposs ib le . Z a p p e r can d e s t r o y f i x e d z a p p e r s from either s ide or ^ behind. ^ ^ ^ ^

F i x e d P u s h e r Not d e a d l y b u t a M n u i s a n c e ^ n e v e r t h e l e s s . A M fixed p u s h e r f i res W a repeller b e a m in a f i x e d d i r e c t i o n w h i c h pushes any m o v a b l e ob jec ts in its path a s far a s poss ib le in that d i r e c t i o n . T h e y c a n ' t be d e s t r o y e d a n d t h e y c a n ' t

b e p u s h e d . H o w e v e r , t h e y can be a d v a n t a g e o u s .

R o t a t i n g Z a p p e r At first g lance these s e e m to b e d e a d l i e r t h a n t h e f i x e d z a p p e r s b u t a r e g e n e r a l l y e a s i e r to d e s t r o y . R o t a t i n g z a p p e r s f ire in o n e d i rec t ion

t h e n t u r n t h r o u g h ^ 9 0 d e g r e e s a n d f ire

in t h e n e w di rect ion. , W h i l e t h e y g u a r d a I w i d e r a r e a o f t h e I t o w e r t h a n a s i n g l e

v e r y f a c t t h a t t h e y r o t a t e l e a v e s t h e m

v u l n e r a b l e t o a t t a c k f r o m Z a p p e r . R o t a t i n g z a p p e r s can ' t f i re in d iagona l l ines. To d e s t r o y o n e . s e l e c t Z a p p e r ( p r e s u m i n g h e ' s a v a i l a b l e )

T o w e r I, G r o u p 1. A Litt le More C o m p l e x . O b j e c t i v e : c o l l e c t t w o k lond ikes . Select Pusher. When the rotaing pusher is facing away from you push the glass block west one tile. The fixed zapper will be destroyed by its own reflected laser beam. The fixed pusher will then push the block east one tile. When the toating pusher has completed its rotation the glass block will be pushed back into its original position and the remaining fixed push-er will be destroyed. Send Grabber up the lift and collect the klondike. Then operate the force down. Now send Pusher up the lift which will have appeared one tile to the east. Operate the lift and move two tiles north. Face west and push the block. Grabber will now be able to collect the klondike.

t h e n m o v e o n t o a t i l e ad jacent to o n e that is w i th in the r o t a t i n g z a p p e r ' s l ine of fire). Wai t for it to tu rn a w a y f rom you then m o v e f o r w a r d a n d zap it.

R o t a t i n g P u s h e r If you t i m e y o u r m o v e m e n t s p r o p e r l y t h e s e d o n ' t p o s e a n y p r o b l e m s . A s w i t h t h e f i x e d p u s h e r t h e r o t a t i n g pusher can' t be d e s t r o y e d or m o v e d .

B l o c k U n z a p p a b l e b u t m o v a b l e . B locks are part icular ly usefu l for b l o c k i n g the p r o g r e s s of e n e m y m a c h i n e s , t h e y w i l l a lso a b s o r b laser bol ts f r o m f ixed a n d rotat ing z a p p e r s .

G l a s s B l o c k Very use fu l but c a n be d a n -g e r o u s if y o u ' r e c o n t r o l l i n g t h e w r o n g s p i d e r . G l a s s b locks ref lect laser f ire back a l o n g t h e p a t h it w a s f i r e d f r o m , s o a n y t h i n g t h a t f i r e s

o n o n e a u t o m a t i c a l l y d e s t r o y s itself! Use Pusher to m o v e it in f r o n t of r o t a t i n g a n d f ixed z a p p e r s .

H o p p e r H a r m l e s s . If ^ J ^ ^ y o u ' r e r e - \ q u i r e d t o / d e s t r o y a c e r t a i n n u m b e r of o b j e c t s , h o p p e r s u s u a l l y m a k e the eas iest targets .

L a n d L i z a r d A l a n d l i z a r d w i l l m o v e fo r -w a r d a l o n g a s t r i p o f t i l e s unt i l it e n c o u n t e r s a n obsta -c le t h a t b l o c k s its p a t h or it r u n s o u t o f t i l e s t o m o v e a long . At th is point It wi l l tu rn a r o u n d a n d s t a r t h e a d i n g back a l o n g the pa th It c a m e . A s it t u r n s it ' e a t s ' t h e t i l e tha t it tu rns on . S o by cont in -u i n g t h i s p r o c e d u r e it w i l l g r adua l l y 'eat ' a w a y a n entire s t r i p o f t i l e s t h u s m a k i n g p r o g r e s s t h r o u g h that t o w e r d i f f i c u l t . L a n d L i z a r d s c a n ' t b e s h o t a n d t h e y c a n ' t b e p u s h e d . T h e best s t ra tegy to u s e w h e n y o u m e e t o n e is to t ry a n d h e m it in to a s sma l l a n a rea a s poss ib le by block-ing its rou te w i th blocks. W a t c h e r C a n ' t b e s h o t a n d c a n ' t b e p u s h e d . Desp i te be ing invul-

TGM At I

>90 65

n e r a b l e t o a n y f o r c e f u l a c t i o n f r o m t h e s p i d e r s c a t c h e r s d o n ' t a c t u a l l y d o any h a r m They just wander a r o u n d the tower o c c a s i o n -ally gett ing in the way

W o r m W a n d e r s b a c k a n d f o r t h a l o n g a s t r i p o f t i l e s . G e n e r a l l y t h e y j u s t g e t in y o u r w a y A w o r m w i l l c h a n g e direct ion w h e n shot

<s>

P r o x i m i t y M i n e Will exp lode when an object m o v e s onto an m h b a d j a c e n t ^ t i l * W V v The e x p l o s i o n H 3 N H d e s t r o y s a l l I o b j e c t s ^ H a l R H

l izards and worms) on adja-c e n t s q u a r e s a n d s o m e -t imes on the later levels in par t icu lar , wil l a lso d e s t r o y the f loor t i les Can' t be shot but can be p u s h e d You can often use proximity m ines to y o u r o w n a d v a n t a g e b y p u s h i n g t h e m i n t o e n e m y robots .

Flag A n o t h e r h a r m l e s s o b j e c t . Just z a p it.

Klondike Y o u w i l l o f t e n b e requi red to col lect one y V j or m o r e of ^ t h e s e t o f i n i s h a t o w e r . C a n b e p u s h e d a n d z a p p e d so take care!

C o n v e r t e r W h e n a lager b e a m is f i red t h r o u g h o n e t h e c o n v e r t e r c h a n g e s it t o a r e p e l l e r b e a m , l i k e w i s e w h e n a r e p e l l e r b e a m is f i r e d through one rt is c h a n g e d to a laser b e a f l

P r i s m S i m i l a r to 1 ^ ^ ^ ^ ^ ^ t h e g l a s s ! b l o c k e x c e p t

b e a m s are ^ r e f l e c t e d through 90 degrees - a great way of shoot ing a r o u n d cor-ners. Pr isms c a n be p u s h e d b u t b e w a r e w h e n p u s h i n g o n e into the pa th of a f i xed or rotat ing zapper. you cou ld unwit t ingly be dest royed!

F r e e z e r A n o t h e r d e v i c e A that c a n on ly be a c t i v a t e d b y G r a b b e r . W h e n act ivated it halts a l l o b j e c t s ( • n U j u d i n g t h e i a s l r ^ f i r e f r o m f i x e d a n d r o t a t -i n g z a p p e r s ) e x c e p t t h e s p i -ders A s the effect only lasts for a short whi le it is best to stat ion Grabber in a posi t ion w h e r e h e c a n c o n t i n u a l l y a c t i v a t e t h e f r e e z e r w h i l e y o u r o t h e r s p i d e r s m a k e t h e i r m o v e -ments .

W i p e r a

d o u b l e -

sword this o n e It c a n b e v e r y useful but if u s e d c a r e -

PROGRAMMING T h i s is o n e a s p e c t o f t h e g a m e w h i c h is all too easy to n e g l e c t . Y o t i t is a n a b s o l u t e m u s t o n t o w e r s w h i c h have to be comple ted wi th in a t ime limit.

Y o u c a n o n l y m a n u a l l y control one spider at a t ime. H o w e v e r , in t o w e r s t h a t h a v e to b e s o l v e d w i t h i n a t ime limit, there usual ly isn't e n o u g h t ime for each of the s p i d e r s to c o m p l e t e t h e i r r e s p e c t i v e t a s k s . T h e a n s w e r is to u s e t h e p r o g r a m m i n g f a c i l i t i e s . T h o s e a l l o w y o u to g i v e a s p i d e r a s e r i e s o f i n s t r u c t i o n s to p e r f o r m w h i l e y o u c o n t r o l a n o t h e r s p i d e r or w a t c h t h e a c t i o n f r o m a c a m e r a a n g l e . Y o u c a n e v e n h a v e a l l t h r e e

l e s s l y it w i l l r u i n y o u r c h a n c e s of c o m p l e t i n g a t o w e r . W h e n a c t i v a t e d by Grabber it dest roys all unoc-c u p i e d t i les in north, south, east and wester ly direct ions, t h u s m a k i n g m o v e m e n t a r o u n d t h e t o w e r d i f f i c u l t . T h e a d v a n t a g e of u s i n g wipers is that they are great for s t randing e n e m y robots but if u s e d unwise ly you c a n j u s t as e a s i l y s t r a n d y o u r o w n spiders .

E x c h a n g e r R e f l e c t s b a c k z a p p e r

b e a m s j u s t l i k e a g l a s s b l o c k .

v . H o w e v e r . w h e n

^ ^ ^ G r a b b e r ^ \ f i r e s a t

B M f a k . \ ^ i t . t h e e x c h a n g -

^ ^ ^ ^ ^ ^ ^ ^ er a t e l e p o r t d e v i c e

and s w a p s p l a c e s wi th

h i m U s e f u l

spiders per forming separa te programs.

To p r o g r a m a s p i d e r j u s t click on the Wri te icon then e n t e r t h e m o v e m e n t s ( i n c l u d i n g f i r i n g a n d operat ing the lifts) f rom the m o v e m e n t p a n e l . Y o u c a n have up to eight m o v e m e n t s (rotat ing your sp ider counts as a m o v e m e n t ) in any one p r o g r a m . R u n w i l l a c t i v a t e the p r o g r a m . A l t e r n a t i v e l y , y o u c a n p r o g r a m m o v e m e n t s f o r a l l t h r e e sp iders then se lect R u n Al l to start all three p rograms at t h e s a m e t i m e . H o w e v e r , w h e n p r o g r a m m i n g a spider make sure that you are fully a w a r e of w h a t e f fec ts the i r a c t i o n s w i l l h a v e ( t h i s is w h e r e y o u r m a p s c o m e in handy) .

for te leport ing Grabber to the o t h e r s i d e of t h e t o w e r . O n t h e d o w n s i d e it e x p l o d e s a f t e r b e i n g u s e d s o it c a n only be u s e d once .

# F o r c e U p C a n o n l y b e a c t i v a t e d by Grabber. These devices force all u n o c c u p i e d lifts upwards

F o r c e D o w n The opposi te of a force up.

CAMERAS The m a n u a l doesn ' t stress h o w i m p o r t a n t c a m e r a s are. U n f o r t u n a t e l y they ' re not avai lable on the higher levels of the game.

T h e r e are four cameras . Each one gives an external v i e w of t h e t o w e r f r o m a d i f f e r e n t c o m p a s s a n g l e . Further more, each can be m o v e d l e f t , r i g h t , u p , down, a n d z o o m e d in and o u t . I t ' s w o r t h r e m e m b e r i n g t h a t t h e ac t ion d o e s n ' t c o m m e n c e o n a t o w e r u n t i l o n e of y o u r s p i d e r s h a s e i t h e r m o v e d o r f i r e d . S o b y m a k i n g use of the camera facil i t ies y o u c a n m a p out a t o w e r a n d p l a n y o u r strategy before playing the g a m e proper.

T h i s real ly is impor tan t s ince s o m e towers have to be comple ted wi th in a t ime limit.

M a p p i n g t o w e r s w h e r e no c a m e r a s are a l lowed is d i f f i cu l t . O n t h e s e l e v e l s y o u s e e e v e r y t h i n g t h r o u g h the e y e s of y o u r s p i d e r s . U s e y o u r f i r s t a t t e m p t at the t o w e r as a reconna issance miss ion to g i v e y o u a r o u g h f e e l of y o u r s u r r o u n d i n g s . To m a p the t o w e r u s e s o m e stat ionary feature, such as a b l o c k o r a f l a g , a s a s t a r t i n g p o i n t a n d w o r k your w a y out f r o m there.

Y o u ' l l f i n d t h a t t h e c o m p a s s i n d i c a t o r is a g r e a t h e l p . B y u s i n g the r e s t a r t t o w e r a n d s a v e / l o a d g a m e o p t i o n s y o u find that mapping any tower is mere ly a question of t ime.

urn Tower D, G r o u p 1. Cause a n d ef fect . O b j e c t i v e : c o l l e c t o n e klondike. Move Zapper north four tiles. Operate the l i f t . Switch to Grabber and operate the force down. One of the fixed zappers will now destroy the other fixed zapper. This clears a path for the fixed pusher to push the block one tile south. This must not happen because Grabber won't be able to col lect the Klondike later on. So when you operate the force down quickly move Grabber one tile west before the fixed pusher can move the block. Switch back to Zapper one tile west. Destroy the remaining fixed zapper just for the hell of it. Now move two tiles west and destroy the flag. Grabber can now collect the klondike.

Tower F, G r o u p 01 T e a m w o r k o n t h e s p i r a l staircase. O b j e c t i v e : D e s t r o y f o u r objects w i th in 200 s e c o n d s . Move Zapper one tile north and operate the l ift. Then move one tile west and two tiles north. Zap the fixed zap-per on the other tower. Move Pusher one tile north. Operate the lift. Move one tile east then one tile north. Operate the lift. Move one tile south and push

the glass block. The fixed zap-per will now be destroyed by its own reflected laser beam. Move Zapper one tile south and operate the lift. Move one tile north then one tile east. Operate the lift. Destroy the f ixed zapper on the other tower. Move Grabber two tiles north then one tile west. Operate the lift. Move one tile south and push the block. Finally, change oack to Zapper and destroy the flag.

TOO MANY COOKES? Pete C o o k e has an impress ive h is tory as a g a m e s d e s i g n e r and p r o g r a m m e r . Urban Upstart w a s a wi t ty a d v e n t u r e f r o m t h e ear ly d a y s of S p e c t r u m s o f t w a r e w h i l e Ski Star 2000 r e m a i n s o n e of the best ski g a m e s ever. But it w a s Tau Ceti and its fo l low u p Academy that b r o u g h t Pete 's n a m e to the fore f ront of g a m e s des ign . Both w e r e great , puzz l ing arcade g a m e s a n d o f f e r e d m u c h m o r e t h a n the n o r m a l m i n d l e s s b l a s t i n g . L a t e r , Micronaut One o n l y c o n f i r m e d P e t e ' s r e p u t a t i o n a s a t o p g a m e s d e s i g n e r , w i t h g r e a t g r a p h i c s a n d addic t ive gameplay .

Tower of Babel is a bit of a d e p a r t u r e for Pete. It's his first 16-bi t -only g a m e . It still carr ies all the ha l lmarks of a Pete C o o k e g a m e - d e v i l i s h p u z z l e s s e t i n a n a r c a d e e n v i r o n m e n t - but w i th all the a d v a n t a g e s of the ST's a n d A m i g a ' s capabi l i t ies .

After completely flooding the world with consoles in the past few months, the Japs are repeating their market saturation this month: mountains of software bring a sparkle to irrepressible Far Eastern correspondent Shintaro Kanaoya's eyes...

'I'm not going to kill you, I just want you to do me a favour. I want you to tell all your friends about me.'

•What are you?' 'I'm...' Woh. I'm not going to say the 8 word. Even we're sick of

8. Or so one would have thought. What follows only helps to highlight the huge Japanese 8 hype machine.

At the no r th ex i t of Tokyo ' s Japan Rai l s t a t i o n in Hachiohji you' l l f ind the Sigma Batman Building (damn I said it). Sigma are a massive company who specialise in c o i n - o p s and f r u i t m a c h i n e s . Th is b u i l d i n g is the i r entertainment showcase.

The front door has a golden Bat-logo above it. The first thing you notice when you go in is the Batmobile, one of four in the entire world. The pre-paid arcade machine cards are adorned with a Batmark. The Batman arcade machine is ready for use on the f i rs t f loor . You then have a f loor devoted to Batman paraphernalia, Cafe Batman, Batman medallions... You name it, they'll Bat it. There's also a Tower Records on the fifth floor. 'Oh, I've got a live one here!'

Hey. what d'you expect? New hardware, revolutionary new gadgets, advances in

computer leisure? I can't guarantee that we'll be releasing brilliant new hardware every month. We have to take a rest from world domination sometimes, y'know! Anyhow, you can't complain, there's more than enough software here to keep any self-respecting console owner charged up for the next couple of months.

For instance. Ghouls 'n' Ghosts is soon to appear on the recently-launched PC Engine Super Grafx. Although it looks as good as the Mega Drive version, most people will have already purchased the UK computer version from Capcom/US Gold.

Many issues ago I mentioned a game called Genpeitomaden. (How could you forget it?) It is centred around an orange-haired samurai warrior. The pale-faced hero carries a symbolic sword. Bit like that sword in the film Black Rain with which Sato, the killer, chops off his little finger at a ritual ceremony.

Speaking of which, great film that! Ridley Scott has really captured the atmosphere and

fear of the Japanese underworld — better watch what I say here. Don't worry, though, Japan's not all that bad. One sad point, though, the psychotic-looking killer. Sato, did in fact die of cancer in real life. A great loss, I'm sure you'll agree.

Back to Genpeitomaden, though. The game has three modes: side-on view, big mode and overhead view. The former is pretty similar to most beat-'em-up adventures, big mode is like Sword of Sodan — everything is large and detailed — and overhead mode is just that: looking from above down onto a plan view. What originality! What excitement! Hardly Dungeon Master, but I'm sure it'll sell many more when it comes out in March (such are the Japanese cartridge-buying public).

Volleyball, the great American sport (in which we don't do too badly either), should also be out on the Engine soon. Under the guise of Super Volleyball (you can trust us to come up with an original title for it!), it follows in the steps of an old Nintendo game, but this looks miles better. It's a totally side-on view, with no movement up or down the screen, only left or

right (a bit like Cinemascope). On similar lines is High School Dodge Ball — a conversion of a Nintendo less-than-classic. Containing a few strategy elements, both this and Super Volleyball should be out in March.

Also next month are Paranoia, a horizontally-scrolling blaster, and Final Zone 2 on Engine CD-ROM. Although not original, the latter is a credible Ikari Warriors clone.

Yc'j mny remember, I mentioned Sokoban some time ago. It originally came out on the C64 many moons ago. but is now about to be unleashed upon the universe as Sokoban World — a worldwide travelling

puzzle game. Your wear the national dress in each country: China. Egypt, the South Pole and America. In Japan you get to wear trainers, a cap, blue shorts and a red T-shirt. No kimono, no samurai outfit, no ninja costume. This is gritty realism. The game involves your character, whatever he's wearing, pushing crates in a warehouse onto certain spots. The early levels are pretty easy but later levels require a brain the size of a Japanese person (mega-tough!).

Actually. I do have one interesting piece of hardware this month, but it's so expensive I'm only going to give it a mini-mention. For

68 TGM April 1990

W h a t w a s t h a t a b o u t n o t h a v i n g n e w c o n s o l e s e v e r y m o n t h ? T h e d a y b e f o r e d e a d l i n e S h i n t a r o m a n a g e d t o g e t d e t a i l s o n A N O T H E R N E W C O N S O L E ! ! I t ' s a c o l o u r h a n d - h e l d v e r s i o n o f t h e u b i q u i t o u s P C E n g i n e , c a l l e d t h e Handy PC Engine! W e ' l l h a v e t h e ful l s t o r y nex t m o n t h , b u t unt i l t h e n h e r e ' s t h e b e a s t i tself .

A colour screen!

Two fire buttons!

Firepower control !

The select/run buttons

£130, you can buy a C o n t r o l Box — sounds great! In fact it's a cabinet with an arcade-type controller, fire buttons etc. Simple put, it's a home arcade machine!

All you need do is to buy circuit boards of your favourite arcade games, plug them in the Control Box (like a large cartridge) and hey presto! A real arcade machine in your own home. (Heard that one before somewhere!) Sounds quite cheap, doesn't it? Trouble is. the boards are extremely expensive. Most of the latest releases like Golden Axe (£320). Forgotten Worlds (£320) or even R-Type 2 (£600) are out of reach to the ordinary

gamer, but even oldies like Xevious (£50) and Athena (£50) will stretch the pocket. Anyway, who needs one when the consoles around lately are just as good — and cheaper!

I really don't know what to say. My Game Boy has started to lose vertical lines on the sides and I believe that I'm not the only one. Super Mario Land is now shorter (increased difficulty Mario fans — anyone want to buy it?), Tetris is missing the edges, Mahjong is guesswork as to what pieces are at the ends and Tennis is a Spot the Ball competition. Who cares? The Atari Lynx is here and there are rumours of an Engine hand-held. Both colour. I

thought green and black was kind if cute, though.

On working Game Boys, you may see navy blue soon in the form of Battleships. With the Game Boy link this could be a lot of fun on a long journey. The advert carries a cartoon of what is undoubtedly General MacArthur. A curious character to use on a Japanese advert, seeing as he was the one that oversaw Japan's unconditional surrender. Apparently he was a nice enough chap, though.

The Game Boy's first ever RPG, Sa.Ga, has emerged and should reach the 'grey' British shores soon. It's amazing to think that such a small machine can house anything as complex as even a mediocre RPG.

Nemesis, known as Gradius over here, although called Nemesis on the Game Boy. is out in February. It's on Konami's Game Boy label called K-boys (sic). It's the third in the series, with Dracula coming before it.

Jaleco are releasing two on the mighty midget micro: Baseball Kids and Pinball Party.

The difference between Baseball Kids and normal baseball is that the former involves kids. The difference between Pinball Party and normal pinball is that this one is set at a party. My, what differences.

Strong, big, macho, bushy eyebrows. No. not Dennis Healey, but Kenshiro, a beat-'em-up based on a now-defunct comic strip. Fist of the North Star. Strong, big. macho, pyjama wearing. No, not Ronald Reagan, but Master Karateka, a beat-'em-up based on the old Broderbund classic. Karateka. Echo, echo, echo...

March releases on the Game Boy include Batman. Popeye and Space Invaders. Do you think we could just skip March and do February twice?

I guess when you start going mad, not knowing what to say. it's time to call it a month. OK. It, you are a month. Guffaw. Well, until someone can rival my positively infectious

humour. I'm outta her. Sorry, here. See you

next month. Sayonara.

m m i M i f l f j

->./>.Mdb « J '•' -il' i ;".<««• - . -» mmhh, N o t m e r e l y c o n t e n t w i t h h a v i n g t h e c h e a p e s t r e a l t i m e i m a g e -g r a b b e r o n t h e m a r k e t , R o m b o h a v e j u s t r e l e a s e d t h e V i d i c h r o m e u p g r a d e p a c k t o e x p a n d t h e s y s t e m t o f u l l c o l o u r . V i d i c h r o m e i n c l u d e s t h r e e c o l o u r f i l t e r s ( R G B ) a n d s o f t w a r e t o l e t y o u g r a b l o - r e s H A M p i c t u r e s f r o m y o u r v i d e o r e c o r d e r . C o s t ? £ 1 3 4 . 9 0 f o r t h e P A L c o l o u r c o m b o . I n t e r e s t e d ? R e a d o n . . .

here's the snag, the hidden extras? Nope, there really ain't none. You don't even have to

own a video camera if you stick to mono pics. Just use the family video recorder. When it comes to colour grabs though, borrow your uncle's video camera. Got the picture? Right? No? Okay, let's get down to the nitty gritty.

Basically, a video digitiser measures the amplitude of the video source signal within a short time frame and saves it as a digital value in the video memory. By doing this 320 times for each horizontal video scan line, and repeatedly for 256 video lines containing the picture information, it builds up in memory a digital value matrix the size of your average lo-res PAL Amiga screen. To display the picture onscreen, the software just converts each value into a pixel whose light intensity is a reflection of the data in memory. If the chip is fast enough it can build up the digital matrix within one single TV frame, which only lasts 1/25th of a second. No wonder this chip is called a flash A/D converter! Result is that the fast digitiser (or correctly a frame grabber) can cope with a moving image. A slow digitiser builds up a digital image over several frames and requires a still image for the duration of

I Who says mono grabbing is colourless. This Image ot a 1:43 model has been fancifully recoloured..

the scan. Hence a freeze-frame facility is required for the slow digitiser mob.

Vidfs fast converter can measure up to 16 different values of light (4-bit resolution) in the mono mode. But where's the colour, honey? Well, to cope with colour, the device must separate the colour image into its three basic colour components and scan each colour frame separately. Rather than splitting the video signal into its colour components electronically. Vidichrome makes use of three colour filters which are placed consecutively in front of the video camera lens, thus allowing only one colour component at a time through the lens for each scan. Therefore, you need a (mono or colour) video camera (try using optical filters with a video recorder!). Rombo. the Vidi range manufacturers, have incorporated the use of an electronic colour splitter in the software, so they haven't given up on the idea of colour digitising off a video recorder yet. Stay tuned for further

colour add-ons...

GETTING THE PICTURE? So what can you actually do with Vidi? First of all. the monochrome operation of Vidi will provide you with bags of fun when capturing sequences from TV or rental video, which can be replayed at varying speeds. Vidi allocates memory space in your Amiga and in Autoadvance mode sequentially grabs frames to fill your available memory. The record delay between the captures can be set from 15/50th (fast) to 99/50th (slow) of a second. Each frame has to be shunted from Vidi"s internal (40K PAL version) high-speed memory through the Amiga parallel port to the Amiga memory before the next capture can occur. The process can't be speeded up, so smooth realtime playback is not possible. However what you get is Keystone Cop animation.

Playback can be speeded up to 2/50th of a second display time per frame (equivalent to the videorecorders' cue fast forward) or slowed down to a

leisurely slideshow frame advance. On a 1Mb Amiga up to 20 frames can be held (a 3Mb Amiga 2000 will yield over 60 frames!). Consequently, several seconds' worth of animation can be stored and replayed.

Up to 16 frames can be viewed in miniature onscreen, and if more frames exist, more pages can be displayed. By pointing and clicking, a frame can be selected for full viewing. You can then advance forward or back to neighbouring frames and check the differences between each frame in the sequence.

There are a total of nine palettes, each with sixteen different shades of colours. Each colour in any palette can be set by modifying the RGB values To facilitate recolourising, graduated tints can be automatically produced by setting start and end colours and dragging across the range of shades to be affected. Clever selection of the ink colours in a palette can imitate pseudo-colouring. The possibilities are enormous and tinkering

70 TGM April 1990

becomes infectious. Apart from two hardware

controls for brightness and contrast on the Vidi black box. the software allows the setting of brightness from the keyboard, however, only in binary steps of 16. Triggering during grabbing can be tricky at times and results in distortion or solarising. Careful setting of brightness and contrast can sometimes help.

WINDOWS ON THE WORLD No mention has been made of the window effects, which allow you to grab inside or outside of a selected window and provides superimposing of several grabbing sessions. For example you could grab 16 frames of a news reader on TV. cut out the top right as your window, and grab away. Vidi will then cycle through the 16 already-grabbed news reader frames while displaying realtime pictures from your videotape in the cutout window, thus giving the impression of a real telecast (though the realtime window will only display the cutout section of your video picture, not a reduced version of the whole screen).

Cut and Put provide copying of frame clips from one frame to any of the others (try swapping

people's heads over!). Grid and Coordinates options facilitate the windows' operation. And to simplify pictures, quantizing reduces the number of shades from 16 to 8.4 or 2.

Frames can be set to a Held position and when animation is activated they get automatically skipped from the sequence. On the other hand, the Held frames

I Vidlchrome result trom a Beta video recorder

can be animated with the Carousel feature, making the animation of selected frames a doddle.

THE COLOUR OF MONEY If you ever do get round to colour digitising, you'll have to drag yourself away from the many mono distractions and save your best frame sequences to tape (wcfootape. that is!). Vidichrome operation is straightforward. Once you've focussed your still video camera image it's a routine sequence of select colour (Red, Green or Blue), hold filter in front of lens and click away. Now just merge your three grabbed frames using Merge to HAM and that's it. Finished! In comparison to Digiview, the whole operation only takes seconds, rather than minutes, and the result is on the screen immediately. If that's too difficult, there's an automatic mode which takes you painlessly through the whole sequence! Split HAM allows you to separate the colours of existing HAM pictures in order to recompose with a different colour palette.

So why spend hundreds of pounds more for the full Digiview setup? Well, a direct comparison with Digiview would be as meaningful as that of a Kodak Instamatic with a Nikon F4. There just aren't the range of bits and bobs, options and tweaks on Vidichrome for the true professional.

If it's fun your after, you'll certainly get that and good value for money with Rombo's Vidi-Amiga and Vidichrome. Frame grabbing with Vidi is more addictive than the best shoot-'em-up and guaranteed to rob you of all your hard-earned pastime...

Although we reviewed the Amiga version of VidiA/idichrome here, both colour and mono versions are available at the same price for the Atari ST.

Vidi-ST or Amiga: £114.95. Vidichrome (requires video camera): £19.95. More information from: Rombo Ltd, 6 Fairbairn Road, Kirkton North, Livingston, Scotland EH54 6TS. Tel: (0506) 414631.

71 TGM April 1990 *

Cand VG Feb 1990 94% Pipe Mania ts"a classic puzzle arcade game that is so addicts Pipe Mania is a game of great ingenuity, simple in concept am You'll need to act instinctively, but think strategically! One wrong move, one brief hesitation or mis-placed pipe se

ST Action •Pipe Mania is a conceptually simple and cheeky game which is incredibly addictive" , J Commodore User Screenstar m t "TerrificaHy addictive... outlasts any arcade conversion^

AVAILABLE FOR Commodore Amiga I8W PC and Compati

lore 64 Cassc lore 64 Disk n Cassette n Disk

CPC Cassetli CPC Disk

Of slime'

Cassette

Zero March 1990 92°,-, • • sleep agar

The Games Mapine Star Player Award 83% A puzzle game*' qreat u f t M y and adflpmy

,Pipe Mania « sffife in concept, fiendishly cti jt i^pg^h play. and attractive to look at" |

• • P ^ M V a n t e e d tc drive you rourd | wTld A m i g a Computing Excellence Award 95%| "A game with a game play that shines" Game Players Award USA "Best PC strategy game of t989

mtre • Basildon • Essex • SS1560J' Stannetts • Lalndon Northl

M a c i n t o s h c o m p u t e r s d o n ' t c r o p u p o f t e n i n T G M . Y o u can p l a y g a m e s o n t h e m — Gauntlet i s n ' t b a d , b u t c r a w l s a l o n g c o m p a r e d w i t h i t s f a m o u s C o m m o d o r e 6 4 c o u n -t e r p a r t , b u t w h o t h e h e l l w a n t s t o p a y o v e r £ 4 , 0 0 0 f o r a g a m e s c o m p u t e r , e v e n if i t c a n b o a s t 1 6 . 7 m i l l i o n c o l o u r s * o n s c r e e n a t o n c e ? O n t h e o t h e r h a n d , i t is t h e M a c w h i c h e n a b l e s T G M t o a p p e a r t h e w a y i t d o e s . F r o m t h e m o m e n t t h e e d i t o r i a l g u y s h a v e f i n i s h e d w i t h t h e w o r d s ( t y p e d o u t o n a n a s s o r t -m e n t o f c o m p u t e r s ) t h e M a c s t a k e o v e r , t u r n i n g t h e r a w t e x t in to t y p o g r a p h y , l a y i n g o u t a l l t h e p a g e s i n c o l o u r , a d d i n g t h e g r a p h i c s a n d f i n a l l y t u r n i n g i t a l l o u t a s f i n i s h e d f i l m f o r t h e p r i n t e r t h r o u g h a l a s e r i m a g e -s e t t e r d r i v e n b y a M a c I l e x .

T h e w o r d s y o u g e t t o s e e o n t h e p a g e a r e t h e r e s u l t o f s o m e i n c r e d i b l y c o m p l e x p r o -g r a m s — a n d s o a r e t h e g r a p h -ics . W o r d s y o u c a n r e a d , g r a p h i c s a r e o f t e n t a k e n f o r g r a n t e d . W e t h o u g h t y o u m i g h t l i k e t o s e e b e h i n d t h e s c e n e s , a s it w e r e , a n d f i n d o u t h o w s o m e of T G M ' s r e g u l a r h e a d -ings a n d s p e c i a l p i c t u r e s a r e a c t u a l l y d o n e . E v e r y t h i n g o n t h e s e p a g e s c a n b e d o n e o n a n A m i g a o r a n A t a r i S T s o l o n g a s t h e m a c h i n e s a r e p o w e r f u l , h a v e p l e n t y o f h a r d d i s k s p a c e a n d a r e d r i v e n b y M a c i n t o s h e m u l a t o r s a n d t h e M a c p r o -g r a m A d o b e Illustrator.

' In fact it's 16,777.216 colours, and you can't see thorn all onscreen at once because there simply aren't monitor screens large enough to contain the necessary number of pixels. The screen would have to be over three feet wide to get the entire colour palette in!

First, a word about the program that creates all these wonderful graphics for TGM: Adobe Illustrator '88 is a vector drawing application — sometimes called structured drawing. Basically, it allows the designer to draw either open or closed paths (a circle is a closed path), and then fill the contained areas with colour and colour the actual paths themselves, rather like the filled vec-tors of a game such as Starstrike. In essence it's very simple. There are sev-eral tools (left) which draw and modify the paths. The pen tool places anchor points in paths, which can be altered by picking up handles from the points and dragging them about. Shapes can be rotated to any angle, mirrored, sheared into perspectives and used as masks. When an object becomes a mask, other objects in front of it appear only within the mask's shape. Illustrator also allows blends, or graduated tints, to be created, and will not only blend two colours together, but also blend disparate shapes. Any of the Macintosh's 16.7 million colours can be created and used, so depending on how good j the designer is, Illustrator is able to create graphics ^ of breathtaking complexity for astonishingly little use of memory.

T H E S T A R P L A Y E R L O G O This is a very simple exercise. The background is a circle, filled with solid black. Next a star shape is drawn with the pen tool and ten anchor points. This is filled with solid yellow. The red ring is merely a copy of the black circle, with the new copy itself copied and reduced in scale at the same time. Illustrator shows the designer the artwork in two ways: as the vector paths and in a colour pre-view mode. In the artwork mode (below), the basic elements can be seen. In the left-hand group (the red ring really), you can see a horizontal

% TGA/L ^ S T A R P L A Y E R l ine jo in ing

the inner to the outer cir-cle. This makes the object a real ring, rather than a white cirde in front of a red one. In fact the white area is transparent, so that when the left-hand group of objects is placed in front of the right-hand group, the black circle and yellow star can show through the holes. The red star is, of course, a copy of the yellow one, with its colour changed to bright red.

U Helt'PtHu Ul.uk Heluetica-BlackOblique Heiuetica-Bold Heluetica-BoldObllque

43 Size:

Lending: [43

Spacing: fo

-Al ignment — OWE ®0

TGM STAR PLflVER

In artwork mode (left, above) the two groups can be seen, with all their anchor points showing. In preview mode, the same graphic looks like this (above).

The topmost layer of the graphic is the text. Illustrator allows the use of hundres of typefaces. This is Helvetica Black. Once typed in in the type dialoggue box (left), it appears on the artwork and can be slightly squeezed up and coloured white.

To bring you TGM every month, no less than three Macintosh II computers are used wi th their 19-inch h igh reso lu t ion moni tors , together wi th a Truvel co lour desktop scanner, a Personal Writer graphics tablet and a Xenotron Bridglt laser imagesetter. The computers used are Mac Ilex machines, each packing 4Mb of RAM. wi th 65Mb of storage space on internal hard d isks, and a fur ther 45Mb of memory avai lable on attached removable hard disk drives (which act like f loppies, but are, in fact, proper hard disks). The output Mac packs 8Mb of RAM with 330Mb of hard disk space (a typi-cal f i le size for a double-page spread, say the Adventure Column, when its vir tual image is created on disk ready for laser sett ing, is in the region of an incredible 90Mb!). The total cost of all this state-of-the-art equipment is in the region of £42 thousand.

TGM March 1990 73

FEATURE

\ Staying in the land of ninjas. the Our Man

In Japan logo is a great deal more com-plicated in structure than it may at first seem. Believe it or not, but that mess of lines on the right (slightly reduced in size) is the way it looks on the Macintosh monitor, and the way the

computer thinks it should be. What you are looking at is a series of four complex blends of different colours, two of which are

masked by a circle (making the rising sun) and the letters Japan. The lettering itself is a work of art,

since this is no known font. Originally they were pro-duced in an art utility using a broad brush. This was

saved and imported into Illustrator in a format which allowed the designer, Melvyn Fisher, to trace over them

with the pen tool. A deal of tidying up was necessary before they were satisfactory. The entire word is actually

made up from only one closed path (each letter joins the next at some point) so that it can be made to act as a mask for

the yellow-to-orange blend which sits in front of it. The purple-yellow background is a rescaled version of the artwork now found at the top of every TGM page, actually two blends where the colour bars do not overlap each other.

\

art 71f

f V

The Teenage Mutant Ninja Turtles drawing on page 14, done by TGM designer Ian Chubb, was prepared f rom the or ig ina l sof tware house advertising picture, which was scanned on the desktop as a line drawing. This very large file was compressed by using a program cal led Adobe Streamliner, which traced the outl ines of the scanned image in Illustrator fo rmat , resulting in a much smaller file. In Illustrator itself, the outlines of the various areas required a degree of redrawing and tidying up before Ian was able to fill them with the different colours the drawing needed. As can be seen from the illustrations above, the coloured parts are real-ly all separate objects si t t ing in front an all-encompassing outline filled with black

TGM March 1990 74

V - V ;

1 / /

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TGM March 1990 75

By c o m p a r i s o n wi th the O u r M a n In J a p a n logo, t h e n e w c o m p e t i t i o n d e s i g n at least looks in a r twork m o d e a little l ike its print-e d form. T h e t h e m e f r o m the p a g e tops has b e e n u s e d aga in over a b lack- f i l led circle. H e r e , t h e text , w h i c h is H e l v e t i c a B l a c k , has b e e n e n o r m o u s l y c o m p r e s s e d by use of Illustrator's sca l ing tool .

A detail of the logo shows the JAPAN lettering, which is really a mask. When the yellow-orange blend above it is placed in front of the mask, it fills the shapes of the letters.

The exploded view below, shows how a vector graphics program layers elements of a drawing. In fact this view is from the real logo, but pushed over on its side by use of Illustrator's shearing tool. The

vertical separation of the elements was done by moving them

:•• _ physically apart, however. When all these graphics

are completed, they are saved in a format

| which allows a representation, in

mt colour, to be exported • B to the page design

program which is used ^ ^ ^ ^ ) to lay out all TGM's

V. pages ready for printing. When the

page is sent to the —•— imagesetter, the

graphic files go too.

Six fully programmable armoured assault vehicles to control in your mission to destroy. One or two player mode. Split screen simultaneous action. Stunning gameplay uslna full 3 D R A Y • T R A C E D graphics 9

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to TITUS 1M9. DARK CENTURY. TITUS AND THE TITUS LOGO ARE REGiSTREO TRADE M A R K S O f j n T US L I D . I

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E v e r s t o o d i n f r o n t o f a m i r r o r w i t h a h a i r b r u s h a n d m i m e d t o s o n g s ? W e l l , n o m o r e ! U s i n g a h o m e

c o m p u t e r a n y o n e c a n b e a C h r i s L o w e o r a V i n c e C l a r k e . S o p l u g i n a n d s e t o f f o n t h e r o a d t o f a m e

a n d f o r t u n e . W r i t i n g f r o m t h e p o o l s i d e o f h i s a d o b e - s t y l e W e s t L A h o m e ,

s o m e t i m e m u s i c i a n a n d — a s h e w o u l d h a v e u s b e l i e v e — p o p s t a r

in t h e a s c e n d e n t , R o b i n C a n d y s h o w s y o u h o w

ARE FRIENDS ELECTRIC

Computers have revolutionised music. The introduction of MIDI in

the mid-Eighties opened up the world of music to a new breed of musician. You no longer have to be a virtuoso to produce something that sounds professional, and you don't need a huge backing band to fill out your sound. The ST really is the computer to go for if you're serious about your music. The built-in MIDI ports (for a full explanation of MIDI see TGM023) gave it a head start in the software support stakes that no other home computer has ever caught up with. Most recording studios have STs for sequencing. However, MIDI interfaces and MIDI software are available for most makes of home computer. Just behind the ST in terms of music potential is the Amiga. Its own sound chip is much better than the ST's but that alone is not enough to make a decent demo. (MIDI interfaces are available from Trilogic.) Despite a slow start, MIDI software is on the increase. Music X from Microillusions is probably the best sequencing package but it carries a hefty price tag of £250. However, there are several cheaper packages, such as Track 24 (a French program available in the UK from Miditech for £75), which perform adequately. The Archimedes has a lot of potential for music. It's got a great sound chip and there are several quality music packages available — Armadeus from Clares is probably the best sound sampler available for any home computer! The downside is price, the Archimedes is just too expensive for the home musician. The PC is well catered for, with a reasonable range of MIDI software plus several add-on sound boards. One of the best is the LAPC-1 (£379) from Roland. This unit features Roland's excellent LA synthesis, as made popular by the Roland D series of synthesizers. It is eight-part multi-timbral (ie: it's capable of playing eight different polyphonic sounds at once — the Amiga can only play four monophonic sounds) with built-in sampled drum sounds. Using this unit and a sequencing package you can write a complete song without using any other synthesizers. However, should you not want to be restricted to using just LA synthesis (while admittedly good, all your music will start to sound samey if it uses just LA sounds) you can link it up to another synth via the built-in MIDI ports.

Sadly software for 8-bit computers is on the decline. On the games side things aren't too bad but no-one seems to be releasing utilities these days. There used to be some good packages available for the C64, like Rainbird's Advanced Music System and Steinberg's Pro 12 (as used by Tim Simmenon of Bomb The Bass) but they're difficult to get hold of now. For the Spectrum there's the RAM Music Machine (now available from Datel Electronics). £49.95 buys you a hardware add-on that not only includes a MIDI interface but a (rather crude) sampler as well. Sequencing software is also thrown in. Perhaps the last hope for music on the 8-bits lies with the SAM Coupe and its built-in MIDI ports. MGT should shortly be releasing a MIDI sequencing program.

L E F T T O M Y O W N D E V I C E S What about music equipment? The best synthesizers to go for are devices with multi-timbral capabilities. As with the LAPC-1 these synths are capable of playing more than one sound at a time — in effect several synthesizers in one

unit. For around £500 you can buy a professional sounding multi-timbral synthesizer with built in drum sounds. Hook this up to a sequencer and you can write a complete song using just one synth. There is also a wide range of low-cost MIDI instruments costing around £100. some of them multi-timbral. Generally they don't sound too good by themselves but there are usually a few good sounds which may come in useful in a more sophisticated set up. If you can afford the money, a good quality sampler is a shrewd investment. An Akai S900 can be bought for around £800 secondhand while a Casio FZ10M costs about £650-750 secondhand. Both of these dedicated samplers produce better results than any home computer sampler. Armed with a sampler you can turn any sound into a musical instrument. Household items can be kicked, smashed and generally mistreated to produce drum sounds. Alternatively you can nick the sounds from a friend's synth/drum machine/guitar/gazoo, or you can even sample yourself singing and create instant backing vocals. The possibilities are endless. For the singer in your band a good quality mic is a must. You can get away with a cheapo came-free-with-my-tape-deck mic when practising but it's worth investing some cash for the live debut. A Shure SM58 costs around £90 and is by far the best mic in that price range. A reverb unit will also come in handy on the vocals. It adds a very slight echo to the voice and generally makes it sound a lot better.

iiiiiiiiiiz'sEsm ADVENTURES IN A MODERN

SOUND RECORDING

STUDIO •

You've got your band together, you've got the necessary

equipment and you've written a number of chart-topping hits, now it's time to make a demo. R o s s N e n n e r m e n (Virgin Records): 'A demo really has to be made in at least an eight-track studio, ideally 16-track. Four-track portastudios rarely put the sound of a band over particularly well." If you're used to recording you're material on your hi-fi, talk of four-, eight-or 16-track recording may be a bit confusing. Basically a multi-track tape machine is like having several tape machines built into one unit. For instance with a four-track portastudio you can record keyboards on track one.

vocals on track two, maybe bass guitar on track three and a bit of guitar on track four. The point of doing this is that the song is rarely performed perfectly in any one go. If you're sequencing all the music you're less likely to experience this problem but if your music also includes 'live' material, either vocal or instrumental, you will probably find that you've made little errors. Perhaps the vocal was wrong at one point or the guitar solo was out of time. If the bulk of the recording was fine • Feeling rich? Then why not record at Sarm West studios in London. Top acts such as the Pet Shop Boys and Level 42 regularly pay over £100 to record there. Here an enginneer sets up the mixing desk lor a recording session with Bros.

////////// there is no point in doing everything again. It would be a lot more convenient if you could just erase the parts which were incorrect and do them again. A four-track tape machine will allow you to do this to a certain extent. You can erase information on one track without interfering with anything recorded on the other three tracks. You can even erase part of a track and drop in new music or whatever. The machine will also allow you to alter the volume levels of the different tracks in relation to each other and will usually include some sort of equalisation and stereo-panning facilities. So if a four-track recorder is this flexible why don't record companies favour four-track demos? Well four tracks aren't usually enough to record all the different parts. You can get around this by bouncing tracks together — this is a technique where two or more tracks are copied onto one track thus freeing up those tracks. Conversely there is a noticeable drop in the quality of the recording with each successive bounce. Studio tape machines operate along similar principles but offer more tracks and produce better results. How you go about recording your song in a studio largely depends on what sort of equipment you're using.

L E A R N I N G T H E S C I E N C E All the recording in the studio will be handled by the studio engineer. It's his job to get your music down on tape in the best way he can. If microphones are required (for vocals, drums or even guitars) the engineer will choose the type of microphone to use and set it up for you. They will operate the mixing desk and all the other machinery in the studio. The quality of your recording relies entirely on the skills of the engineer. Usually a live band will go into a studio and perform the song a couple of times just to give the engineer a rough guide of how it sounds. The next stage is to record all the separate instruments onto different tracks. Usually the drums are the first sounds to go down on tape. Each of the drums will be mic-ed up. The drummer will then play along to a click track (a computer generated metronome). Since the function of a drummer is to keep the rest of the band in time it's important that they themselves play consistently. As each of the drums is mic-ed up they can be recorded onto separate tracks. In studios with eight- or 16-track tape machines the hi hat, bass drum and snare drum usually have their own tracks while the toms are all on the same tracks. Of course in studios where there are more tracks available each of the drums can have its own track. Once the drums have been recorded the rest of the band take turns in laying down their instruments on tape. Vocals are normally the last aspect of a song to be recorded. If your music is largely performed by sequencers the recording process is a

lot quicker and easier. Basically you press start on the sequencer and sit back while the output from your equipment is taped. As with live bands each separate element of the song (bassline, chords etc) is recorded on a separate track. The chances are that you're going to be using a multi-timbral instrument to play most of the backing with a few other synths, samplers, etc to provide additional accompaniment. Taping instruments which can only play one sound at a time is no problem. However, you want to put all the different parts played by the multi-timbral synth on separate tracks on the tape. To do this you're going to need a number of takes. Your sequencing software should offer track mute facilities whereby you can switch off certain parts of the song. You'll have to mute a number of tracks so that the multi-timbral instrument is only playing one part at a time. So on your first take it may play the melody line, then on the next take it may play the chords and so on. Of course this presents synchronisation problems since how are you going to get all the different takes perfectly in time with each other? Just pressing start on the sequencer and hoping you've got it right isn't good enough. Studios get around this by generating a time code for each song. This is similar to a click track and is recorded on one of the free tracks on the tape machine. The studio computers will be able to understand this code and lock on to it. Using this time code you can synchronise all the different takes.

G E T T H E B A L A N C E R I G H T Once everything has been recorded, including vocals and any little extras that you thought of in the studio, it's time for the mix down. This is where you fiddle about with all the volume levels of the tracks to get the balance right between each of the sounds and maybe add some effects (such as echo, chorus etc). A lot of synthesizers don't feature built-in effects or if they do you can't assign one effect to a particular sound and a totally different effect to another sound at the same time. Most studios have racks of effects which you can use. With everything on separate tracks you can add effects to a particular sound or just to parts of the song. Costs of hiring a studio can vary considerably. Prices are charged at an hourly rate and are normally based on the number of tracks you're recording on and the prestige of the studio. Local studios normally cost £10-20 per hour while the studios used by the likes of the Pet Shop Boys and Bros cost over £100 per hour. The price also includes the cost of hiring the engineer. Sometimes you have to pay extra for the amount of tape that you record on (the master recordings are made on quarter-inch tape and are copied onto conventional cassettes later).

WHEI Contrary to popular belief, submitting unsolicited demos isn't

the most successful way of getting a record contract. Qn average record companies receive 2000 unsolicited tapes a week. They maintain that all the tapes get listened to but with so many tapes coming through the door each week it's easy for one to slip by unnoticed. You're unlikely to get a record contract if you don't have a contact within a record company. Talent scouting is handled by a branch of the record company called the A&R (Artist and Repertoire) department. As well as sending your tape to the record company there are several other methods of getting your music noticed. Send copies of your demo to local radio stations and local newspapers which cover music. Quite often A&R men have contacts with local radio and journalists and this is one of the best methods of getting yourself an introduction. The actual demo should contain three or four songs — all original. The first song is the most important. You should

80 TGM April 1990

WILL AMOUS?

get into it as quickly as possible, no prolonged intros. You've got to grab the A&R man's attention within the first 30 seconds and keep it. Packaging isn't as important as the songs themselves. Saying that, a well-packaged demo will get noticed while a tape sent in a jiffy bag won't. Ross N e n n e r m e n (Virgin Records): 'By all means send in photographs of the band and a brief biography but the most important thing is to make the songs sound good and make sure that your name and address is written over everything you send. Also include an SAE so that we can send the tape back. It's a good idea if you can find out the name of someone in the A&R department. Your tape stands a better chance of getting listened too if it is actually addressed to someone rather than just sent to the record company.' Building up a local following is another way of getting your band noticed. Of course, this means that you've got to play live which is a great way of improving your playing skills and probably the best way of road testing your material. If no-one else seems to

like your music then a record company isn't likely to sign you. If you happen to be in a city then a record company will probably get to hear about you, providing that you're good. However, if you're situated in a more rural part of the country you're going have build up a local following and persuade everyone to come along when you start to play bigger towns and cities. By organising the buses yourself you can make the band look popular in a place that you've never played before. Employing a manager is sometimes worthwhile. First you've got to persuade the manager with your demo that you're worth taking on. If the manager is good he will have several contacts within the business whom he can pass your work onto. He will also be able to organise gigs for you. Getting a record contract isn't easy, there's a certain amount of luck involved. All the record companies are agreed that your material has to be good and have some commercial aspect. There's no point kidding yourself; getting the chance to show that your material is good often takes time and lots of tolerance... • Two musicians who have already made It. Could this

be Mark and Robin in six months t ime.

Photo courtesy CBS Records

• TGM's very own Robin Candy and Mark Kendrick, aka FUSED, practise tor a forthcoming gig. Not only do they use an ST for sequencing but they also wear si l ly clothes.

81 TGM April 1990

mummm

Michael Baxter

VISION OF THE FUTURE

These days, some of the latest computers and games consoles can run at remarkable speeds and enable the design of quite superb graphics. The only problem is that they do not provide enough memory to do these facilities justice. Disks can provide a megabyte of memory, which can be loaded in as you go along, but this is a slow process, and in any case 1Mb is not that much.

No wonder people keep talking about CD-ROM games; you can store over 100 megabytes on one disk. That means an awful lot of high resolution graphics and digitised sound can be loaded in as you need it, and at a very fast rate. The only problem with CD is the price.

SPAGHETTI JUNGLE Another problem, this time with computers, which in my opinion holds back the popularity of the whole home computer medium, is spaghetti.

Let's face it, for most, setting up a computer is a drag. You have to get it out of the box. plug it in and deal with seemingly miles of wire. That's

Michael Baxter runs Solution PR, a leading industry public relations company. He's married and has recently become a father to daughter Kate. Awwww.

the major reason why so many computers don't get used within a couple of months of Christmas. A lot of other people don't buy computers because a friend has one but never uses it.

The answer then must surely be to have a nice small console permanently attached to the TV. so playing a computer game is just as simple as switching channels.

Televisions are going to change quite drastically soon, with new high resolution screens and much better sound. This improved sound capability means that these televisions will make good music amplifiers and probably come with decent speakers. That means you have got half a hi-fi, add a CD and a tuner and voila. a hi-fi at half the cost. Market pressures will mean that sooner or later TV/hi-fi's will be all the rage.

Hang on a sec. if you have a TV and a CD in one unit, all you need to add is a console, designed to run off a CD. and you have added outstanding interactive entertainment for just a couple of hundred pounds extra.

Bearing in mind you can run video on a CD it would seem to me that you have the cheapest way of obtaining TV, hi-fi, video and computer games.

The only stumbling block with this is that you cannot record

onto home CD at present. Maybe that won't matter, maybe they can get around that problem. My guess is we have got about ten years before that kind of complete entertainment system takes off.

Do you want to know the sad thing about this? Whilst British financiers are still debating on

whether the Channel tunnel is a good idea, there is probably a company in Japan who have already invested a considerable amount of money in this, and are biding their time waiting to strike. And if you want one more guess, their name probably begins with N.

The Games Machine requires staff writers!

On a wet and windy morning, when you don't feel much like work, it is often amusing to speculate on the future of interactive entertainment. When a journalist from a wet and windy Ludlow rings, who equally does not feel like work, it is quite easy to have a lengthy discussion on the subject. Beware, such conversations can often lead to being asked to write an article; and here it is . . .

WANT A JOB?! Can you write exciting

copy to deadline?

Do you enjoy meeting people and travelling to

interesting places?

Do you have a good phone technique?

And have a good idea what makes a great

game?

If so you're just the person we're looking for to fill the brightest, most happenin' position on TGM!

You'll need tremendous enthusiasm, a great personality, and be prepared to dedicate yourself 100% to your new activities.

Ideally you'll be 18 or older, happy to move to Ludlow and ready to start as soon as possible.

If you reckon you've got what it takes, apply in writing with a full CV (and, if possible, a daytime telephone number) to:

Richard Eddy, Newsfield Ltd, Ludlow, Shropshire SY8 1JW

82 TGM April 1990

The Snare: a twenty-level deadly maze built in a temporal cavity by billionaire Andre Thelman who ten years ago entered his creation with his most valued r > n i i r A / 1 1 0 possession-anddied. L B M 0 4 / l Z 0 The hunt for the mystery treasure has turned into the hottest vid game show on earth . f Q Q Q as contender after contender dies trying to crack the maze s secrets. Wil l you L a S S » t . j % j j

Snare: fiendish, frustrating and deadly — only for the quick-witted! Disk:£12.99 TWjmus, 1 Saturn Houie, C*va Pi*. Aldermaston, BMs RC? 4QW W I07WI817261

I I W 1 Paul Rigby once again proves that there's another culture living inside your comput-er. But how do you discover it? All it takes is a bit of time, a bit of money and the right advice. Cue, Paul...

Still flying high R e m e m b e r t h e r e v i e w o f D y n a m i x ' s w o n d e r f u l f l igh t s i m , A-10 Tank Killer ( T G M 0 2 7 ) ? W e l l , I h a v e j u s t r e c e i v e d exc lus ive n e w s that t h e s y s t e m u s e d to d e v e l o p A-10 (a g r a p h i c s eng ine k n o w n a s 3 - S p a c e ) h a s b e e n l i c e n s e d b y Sierra . D y n a m i x admi t that the t w o c o m -p a n i e s h a v e b e e n f o r g i n g s t r o n g t i es w h i c h init ial ly resu l ted in j u s t the core of 3 - S p a c e b e i n g t rans fer red . However , n o w that the rest of the s y s t e m is in t h e h a n d s of Sierra , w e s h o u l d expect s o m e v e r y in terest ing p r o d u c t s in tegra t ing 3-S p a c e w i t h S ie r ra a d v e n t u r e s . S i e r r a ' s K e n Wi l l i ams s ta ted that 3 - S p a c e w o u l d ' . . . e x p a n d t h e c a p a b i l i t y of our c u r r e n t S C I l a n g u a g e a n d a d d a h igher d e g r e e o f rea l ism to our g a m e s . '

A s f o r D y n a m i x t h e m s e l v e s ? W e l l , look out for a n A-10 c a m p a i g n s c e n a r i o disk and a W W I f l ight s im, us ing a m u c h i m p r o v e d A-10 s y s t e m , a n d p o s s i b l y c a l l e d Red Baron. I t m a y c h a n g e b e c a u s e M i c r o P r o s e b e l i e v e t h e y h a v e the r ights to t h e n a m e .

M a s t e r s o f s t r a t e g y , K o e i , h a v e r e l e a s e d a g a m e s e t in a n c i e n t C h i n a . H o w e v e r , a s a c h a n g e f r o m the histor i -ca l f a c t s t h a t a r e n o r m a l l y p o r t r a y e d , K o e i h a v e o p t e d for m y t h a n d l e g e n d . G a o Q iu , a ra ther un l i kab le M in is te r of W a r , h a s s e i z e d a u t h o r i t y . H is o p p o -n e n t s h a v e e i t h e r b e e n t h r o w n in t h e d u n g e o n s o r e x i l e d . A n d , u n l e s s y o u can des t roy h im, you ' re next . But wh i le y o u are b u s y wi th that lot y o u m u s t pro-tect the C h i n e s e b o r d e r f r o m barbar ian a t tack . Bandit Kings of Ancient China f e a t u r e s 2 5 5 charac te rs , four scenar ios

a n d a n i n - d e p t h b a t t l e s y s t e m w h i c h i n c l u d e s m a g i c for o n e t o s e v e n p lay -ers.

MORE ULTIMAS M o r e deta i ls o n Ultima W! T h e full t i t le wi l l b e Ultima VI — The False Prophet a n d t h e disk c o u n t for t h e PC wil l r ise to e i ther six or e ight . T h e story beg ins wi th y o u in t h e c l u t c h e s o f t h e G a r g o y l e s ( n a s t y ) . T h e y h a v e a t t a c k e d B r i t a n n i a a n d a s a last d i tch effort t h e rulers have s u m m o n e d y o u to s tave of f dest ruct ion . H o w e v e r , Ultima VI h a s fa r m o r e t o it t h a n that . A f te r a t ime , y o u learn m o r e a b o u t t h e G a r g o y l e r a c e a n d b e g i n to real ise that they are not all tha t evi l after all. T h e y are f ight ing to s a v e the i r race w h i l e a t t e m p t i n g t o ' r i g h t a n a n c i e n t w r o n g ' .

D e v o t e e s of t h e Ultima ser ies wi l l be in terested to k n o w that a specia l de luxe ed i t ion of Ultima VI is in p roduct ion , a s is a b o o k f r o m Compute!. C a l l e d The Official Book of Ultima t h e t o m e ce le -b r a t e s O r i g i n ' s t e n y e a r s in t h e b u s i -ness .

A n e w a c t i o n / R P G is b e i n g r e l e a s e d by Or ig in , us ing a n u p g r a d e d Times of Lore s y s t e m . F e a t u r i n g s p a r k l i n g 2 5 6 -co lour V G A , Bad Blood o f fers ' rad ioac-t ive ro lep lay ing ' in a post -nuc lear holo-c a u s t a r e n a . In t h e r e b u i l t c i t i e s , t h e h u m a n s p r e p a r e f o r an a l l -ou t a s s a u l t o n t h e m u t a n t h o r d e s . T h o u s a n d s wil l sure ly die — un less o n e h e r o c a n stop it. Lo ts of characters , lots of interact ion, l o t s o f w e a p o n s a n d l o t s o f a c t i o n . L o o k s l ike a g a m e to rev ive t h e w e a r y hear t of the ded ica ted roleplayer.

The ADVENTURE

STRATEGY ROLEPLAY

Column

CRIME AND VICE 'Your n a m e is Mar id A u d r a n . You l ike c r ime a n d vice. You ' re very g o o d at that k ind of th ing. ' Ava i lab le in M a r c h , initially o n PC, is Circuit's Edge, I n focom's n e w C y b e r p u n k R P G . A s a PI l iving in t h e B u d a y e e n ghet to , y o u m u s t f ind t h e m i s s i n g n o t e b o o k of a f e a r e d c r i m e lord . T h e B u d a y e e n w o r l d o f 2 2 0 2 is t a k e n f r o m G e o r g e A l e c E f f inger 's b o o k s W h e n Grav i ty Fal ls a n d A Fire in the Sun .

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S o u t h .

M or th. I

CONVERSION CORNER C o n v e r s i o n s ? D o n ' t t a lk t o m e a b o u t c o n v e r s i o n s . I ' ve b e e n s w a m p e d w i t h t h e m l T h e A m i g a v e r s i o n of Starflight (£24 .99) has f inal ly a p p e a r e d . I a m a lit-tle bit d i s a p p o i n t e d w i t h it, t h o u g h . T h e land ing s e q u e n c e is far s lower t h a n the P C vers ion . In add i t ion , the g r a p h i c s are a l i t t l e h a l f - h e a r t e d f o r a n A m i g a . H o w e v e r , the bas ic g a m e is still a c las-s ic a n d is r e c o m m e n d e d . In a d d i t i o n , E l e c t r o n i c A r t s h a v e r e l e a s e d t h e C 6 4 vers ion of Sentinel Worlds (£14 .99 , t w o d i s k s ) a n d a n A m i g a v e r s i o n o f The Hound of Shadow ( £ 2 4 . 9 9 — 1 M b a n d 5 1 2 K v e r s i o n s ) . P S S ' s Austerlitz ( £ 2 4 . 9 9 ) h a s m a r c h e d t o t h e S T w h i l e A c c o l a d e ' s Steel Thunder h a s t r u n d l e d o n t o t h e C64 , o n e of t h e few C 6 4 strate-g y g a m e s a v a i l a b l e o n t a p e . F i n a l l y , O r i g i n ' s Windwalker ( £ 2 4 . 9 9 ) h a s b e e n c o n v e r t e d to the A m i g a .

I m a g e w o r k s have re leased a data disk for all Bloodwych f a n s ( A m i g a / S T ) . It is e s p e c i a l l y r e c o m m e n d e d b e c a u s e t h e Bloodwych t e a m have i m p r o v e d on the basic s y s t e m , ins tead of exp lo i t ing fans by r e - h a s h i n g t h e o r i g i n a l ( l ike Chaos Strikes Back — s e e r e v i e w ) . T h e d a t a disk has 25 n e w levels , a n e w c lass of spel ls, r ec ru i tab le m o n s t e r s , n e w m o n -sters and e n h a n c e d graphics , a s wel l a s a h in ts & t i p s b o o k l e t for t h e o r i g i n a l game . Wel l w o r t h the £14 .99 .

In a s i g n i f i c a n t n e w a n n o u n c e m e n t , In focom h a v e revea led that t h e y a re to p r o d u c e t h e i r f i r s t g a m e f o r t h e N i n t e n d o c o n s o l e . C a l l e d Tombs and Treasure, it p r o m i s e s to b e a n a c t i o n -or iented R P G s imi la r to Times of Lore. C o m m e n t i n g o n the f u t u r e of I n f o c o m , Rob S e a r s p red ic ted that I n f o c o m w o u l d ' c o n t i n u e to e n c o m p a s s i m a g i n a t i v e storyl ines a n d b e g i n to t a k e a d v a n t a g e of the new m u l t i m e d i a t e c h n o l o g i e s that c o m b i n e d i g i t i s e d a u d i o - v i s u a l e f f e c t s a n d i n t u i t i v e i n t e r f a c e s . ' C o m p a c t disc...?

A n d a f t e r t h a t q u i c k l o o k f o r w a r d , I can sit back a n d rest for a n o t h e r m o n t h . N o w w h e r e d i d I p u t t h a t c u p o f cocoa. . .?

P A U L R I G B Y , T G M , N E W S F I E L D , L U D L O W , S H R O P S H I R E S Y 8 1 J W .

PC £24.99

HERO'S QUEST 1 Sierra Sierra's latest of many releases describes itself as an RPG. However, it isn't. But it does qualify as an adventure with roleplay-ing overtones. Interestingly, you should be able to play Hero's Quest three times because each of your chosen personas (thief, mage and fighter) experiences differ-ent situations particular to their character. Apart from this feature and the initial stats screen (where you can share 50 points amongst your attributes) the game is a true-blue adventure.

A small town which has been cut off by an avalanche has also trapped a variety of monsters roaming about causing untold

Amiga £24.99

DEMON'S TOMB Melbourne House Well, well, what I nice surprise. An actual, honest-to-goodness, text/graphic adven-ture — and a little cracker at that! The story is set in rural England and surrounds the secret of a tomb, discovered during an excavation by Professor Lynton and the terrible events that follow.

Initially, as a sort of foreword, you play the Prof about to be burnt to death in the tomb which has mysteriously sealed itself. Your task is to salvage as many objects as possible which might prove helpful to any-one f inding his impending charred remains. After the Prof's sad demise you play his son. Richard, the principle charac-ter.

Frankly, the adventure's design is superb. On a purely technical level, Demon's Tomb even exceeds Infocom and Magnetic Scrolls offerings. Melbourne House have introduced an ingenious sys-tem whereby you decide what you want the interface to look like. Do you want 40 or 80 column text? Do you want a status line, a window around the text, a full line

editor, text in two columns? Do you want to input text or select commands from an extensive menu system operated via key-board or mouse? How big do want the menu to be? You can select a variety of colours for all of the above features — the list goes on!

The parser is excellent. For example, say open and it will presume you mean the door, or coffin, etc, speeding up the game-play. If there is a choice it will list them and you simply select the required object. The game recognises a barrel of words includ-ing IT. THEM. HIS. HER with good use of the ALL/EVERYTHING/BUT/EXCEPT commands, plurals and random objects ('throw book' will randomly select one of the books you are carrying). There is a comprehensive macro language, an AGAIN and EXITS command as well as the very subtle, but well implemented, THINK ABOUT command which is similar to EXAMINE but takes advantage of your experience and knowledge. It assumes you have mused over a situation and have come to a decision.

Interaction is very straightforward. I enjoyed the puzzles and the storyline is well wr i t ten. Graphics are opt ional , accessed via a press of a button (designed by Carl Cropley of Hound of Shadow fame). Demon's Tomb is highly recom-mended. I sincerely hope Melbourne House are planning a sequel because I'm suffer ing from wi thdrawal symptoms already!

mischief. As well as dealing with that lot. there are a variety of quests to complete.

While the puzzles are fairly easy, the gameplay is totally absorbing. Splashes of humour are everywhere, enhanced by the superb animation. Hero's Quest 1 is anoth-er (yawn) winner from Sierra.

ADVENTURE 86%

PC £24.99

YES CHANCELOR! 7bpologika In a desperate attempt to be topical may I present. Yes Chancellor!. Your chance to put your money where your mouth is, so to speak. The game was written by Tom Tuite CBE, an economics graduate, former

senior official of the Inland Revenue, and an author of a book on taxation who still works for the tax inspectorate. Mighty quali-fications for a economics simulation.

You take your seat, in Number 11 Downing Street, having selected one of four levels of difficulty — from Testing the Water ' to 'Can you Walk on Water?' ! Succeeding in this game is to achieve the ultimate balancing act keeping inflation and taxation down, improving the economy, keeping the unions and the public sector happy and, most importantly, keeping the PM content!

Your aim? Retire after fifteen years with a life peerage!

I must say that I thoroughly enjoyed Yes Chancellor!, it proved to be disconcertingly addictive. Why disconcerting? Because I never thought I would enjoy a program based upon economics, figures and Nigel Lawson. Try it for yourself and you'll see what I mean.

S T R R M R P R n i S E S h i e l d r r m w e r p d h

m r u i g r t o r c o o B R I D G E

M M E H C I M G 5 V 5 T E M 1L I L I I I l i M M l M I 1 i i " .

T R H U E L

PC £24.99

STAR-FLIGHT 2 Binary Systems/Electronic Arts Devotees of the classic original will be rather chuffed at the appearance of the long-awaited sequel. It's another biggy, too. There are 500 planets. 30 alien races, new weapons and a lot of space. This is successfully reflected in the freedom the game gives to the player, it is totally open-ended with, as Binary say, 'no sub-plots'.

The background story surrounds the dis-gusting Spemin. The egocentr ic blobs have deve loped some deadly new weapons and have an endless supply of the valuable Shyneum fuel — interesting because your home planet, Arth, is suffer-ing from a fuel shortage. You must find this fuel and the Spemin technology, before the Spemin get into some mischief.

A major new feature in the sequel is the

trading element which is enhanced by an improved interaction routine. The interac-tion is the heart of the game, being devel-oped by Greg Johnson, a linguist (he used to talk to dolphins). His characterisations amongst the 30 alien races are superb. In fact, this is where the graphic improve-ments have occurred (the rest of the game is disturbingly similar to the or iginal) . Trading can be a real challenge as you try to knock the al ien's price down to an acceptable level, while trying to remember the alien's character traits. Some aliens are more responsive to you when you adopt an obsequious manner, for example.

The only negative criticism I can offer is that the interface has not been improved from the original. It was slow and awk-ward. then, and nothing's changed. That apart. Starflight 2 is an enthralling RPG which will keep you busy for a long, long time.

Amiga £24.99

DAY OF THE VIPER Accolade Gar is a bad lad. The leader of a mecha-nised race, he has been at war with the Star League for years. Now Gar has taken a vital defence base located within the Parin system and you. an attack android, have to play a sort of interstellar bailiff. Your task is to regain control of the com-plex, which consists of five buildings (with

/e floors each). The best way to clear out the place is to re-initialise the Security Defense Computer. To do this you'll have to find 25 floppy disks, load the lot into the Defense Computer and boot it up. Mucho mechaniods stand between it and you — not to mention Gar himself.

The game is played from a first-person perspective. You walk amongst the corri-dors. shooting the bad guys and collecting objects (power-ups, weapons, pass cards, etc). A nifty auto-mapping routine helps keep your bearings. As you are an android, your circuits can be damaged from attack. It is possib le to cal l up the board and replace a damaged chip by finding it on your travels. As in all maze-games of this type, there are a variety of traps to avoid. Proximity mines, proton mines and teleport traps are just a sample of the nast ies ahead. Once you have found a way into the various 'restricted' rooms you'll have

access to a several features such as com-munication rooms (display important mes-sages for you) and power rooms (restore full power to you).

Day of the Viper is a relatively simple game which does not present any new or innovative features. However, treated as a l ight-hearted romp, it can stil l provide enough entertainment to while away a few late nights.

PC £24.99

SEARCH FOR THE TITANIC Capstone Search for the Titanic is an intriguing game which is divided into two parts. You must not only find the Titanic, but also return with proof of your find. The game comes with two disks, an 84-page manual and a repro-duction of the front page of the New York Times the day the tragedy struck.

Firstly, you must decide what equipment, personnel, etc, you wish to take. Having totted up the bill you scan a range of organ-isations for funding. When you're all set, you sail out into the wild blue yonder in search of fame, fortune and encrusted wrecks containing poisonous fish, man-eat-

ing sharks and perilous tides... After using a sonar and a magnetometer

to locate the wreck you must dive (using a mini-sub or scuba gear) to the wreck in search of t reasure. To obta in enough money to buy all of the equipment needed for the Titanic expedition, you will need to find about ten other wrecks to gain the sponsors' trust (and money).

Graphics are fair in CGA and EGA. Apparently the VGA version contains excel-lent VGA screens. However, Capstone must not think too much of them because they couldn't be bothered to send them in for review. However, it's an in-depth game which lacks too much gamplay for a total recommendation. Initial interest waned to boredom after a comparatively short time. It may be worth a look if you're after some-thing different, though.

ST£24.99 (also Amiga, PC)

CHAOS STRIKES BACK FTL/Mirrorsoft TGM has a reputation for being first with the news, having more than its fair share o f e x c l u s i v e rev iews and a sens ib le ' r ev iew p o l i c y ' w h i c h s ta tes tha t al l games are thoroughly playtested before a review actually takes place. This is an apt reflection of our dedication to you, the reader. Especially so, when you con-sider the ugly rumours that certain mag-azines only had a brief look at Chaos Strikes Back (an hour or two, would you believe) before publ ishing a ful l review — all in an effort to be 'first'. I've taken my time, so this is the first real review. Onward...

Chaos? Confusion, more like! When Dungeon Master arrived on the scene it was rightly praised for its unique interface, excellent graphics and atmospheric sound. However, as an RPG, per se, it could only be judged as fair. Good puzzles, yes. but interact ion was poor, the environment tedious, hack 'n' slash predominated, com-bat was fictional with a magic system that should have been more fully developed. Never mind, though, there's always the sequel isn't there?

So here is the sequel — or is it? Originally, FTL were going to produce a Deeper Dungeons scenar io disk for Dungeon Master. Then they decided to lengthen the five levels to a full ten and pro-duce a full-price stand-alone game. This ini-tial indecision has played havoc with the game and its pricing, especially when you look at what you get for your £24.99. Chaos is basically Dungeon Master (with re-jigged puzzles), slightly enhanced graphics and a couple of simple utilities that are strictly additional to the game. Nothing else has changed, why? Just what have FTL been up to all this time? Surely, using the basic

86 TGM April i 990

Atari ST, PC, Amiga £24.99

PRINCE Frames/ARC Prince is a comparatively simple one- or two-player wargame based on a fictional campaign to unify your country — an island situated off the continent of Europe. You do this by killing the enemy's prince.

Your forces are divided into four different ranks (princes, company commanders, etc), two types of regiment (cavalry and infantry) and three types of company (swordsmen, axemen and spearmen).

Prince's principle feature is its zoom command which takes you from an over-head viewpoint into a company- level close-up. featuring 3-D graphics of individ-ual soldiers, skirmishing, etc. While it is an admirable attempt, the close-in 3-D view (which is most frequently used) is poorly

implemented. For example, there should be some indication that, while you are studying a close-up on one section of the battlefield, another part of your army is being murdered on a different section — you are totally oblivious to the other action. Furthermore, without your guidance these particular troops are slaughtered due to a lack of initiative from your company com-manders who stand, watch and wait their turn to be killed. Moving around the map should have been done via cursor-scrolling (when the cursor hits the screen border), and it should be speeded up. It is much too slow as it is.

The basic system is a good one but a fair bit of re-working is needed for a playable game.

contained within each campaign. The enemy take the form of Tiger, Jagdpanzer 5, Panzer 4 and Stug 3 tanks.

Graphics are solid 3-D type. Tanks are well detailed with the odd building and bridge amongst the background. You get one outside viewpoint and a map screen giving you a strategic view of the battle. Once you die you are transferred to another one of your four tanks. The computer con-trols your forces while you take manual con-trol of one Sherman.

As a tank simulation, Sherman M4 is a bit of a bummer. The game tends to fall between two stools. It is too simplified and lacking in any sort of tactical depth to suc-ceed as a strategy game. Yet it is not fast or hectic enough to be recommended as a shoot-'em-up. Having four Shermans (plus jeeps for recce purposes) is a great idea poorly implemented by minimal artificial intelligence on the computer's part. In such a crowded marketplace you'd have to be pretty good to topple MicroProse's Tank Platoon — this isn't.

DM code and graphics engine, FTL could have produced Chaos in a matter of a few months. After all, there have been no major changes to the or iginal — even the enhancements where instigated late in development!

The game itself is unnecessarily difficult at the initial stages, which would have been allowable in a scenario program, but not a sequel. It looks like FTL have tried to patch over this error by giving you a bunch of high-level characters to use. True RPG sequels are stand-alone products which give the new player a chance to enjoy any new features employed within the game as well as giving an import utility for experi-enced gamers from earlier games. Ask Origin's Richard Garriot and he'll advise you to play the superior Ultima V first and then, if you enjoy that, work your way back through the other Ultimas. In Chaos the design of the game dictates that you won't survive without DM experience — a classic scenario-type situation which, therefore, generates confusion.

In its favour, Chaos has a bunch of devi-ous puzzles, nice graphics and sound. However, the game is grossly overpriced, it should retail at £14.99 — no more. My impression is that Chaos is a half-hearted, patched-up game which will disappoint more people than it will delight. If the Bloodwych team can produce a scenario disk, in quick t ime, with several real improvements to the gameplay why can't FTL do the same with the so-called sequel?

push at the Ardennes (Battle of the Bulge) and a desert campaign. In addition, you may take part in any of the five missions

STRATEGY 57%

PC £24.99

SHERMAN M 4 Loriciels Another combat tank simulation, this time starring America's trusty Sherman tank. The three campaigns have been selected because of the Sherman involvement. They include the Normandy landing, the German

PC £24.99

THE COLONEL'S BEQUEST Sierra

Described as 'an interactive play in eight acts', The Colonel's Bequest is another adventure giant from Sierra. Ten disks of murder, mystery and fancy graphics sur-round the story of Colonel Dijon who calls together his family for the formal reading of the will. The trouble begins when murders occur left, right and centre. Trouble is. quite a few of those will be yours — you'll never forget the Psycho murder scene in the shower (shiver). Besides the disks, the game includes a map of the estate, 15-page instruction book and a Laura Bow

notebook and pencil. The Twenties atmosphere is wonderful.

The characters' outfits and even the way they walk is true to the time. As designer Roberta Williams says: 'I thought it was time for a murder mystery. People love (them]... it's not a genre that's being done much in computer games.'

Roberta continues: 'It's not quite as puz-zle oriented as most. There are puzzles and clues, but it's much more story orient-ed than our previous games and the char-acters are much better developed. It's real-ly more of an interactive story.'

Excellent support is given to the Roland LAPC-1, AdLib and Games Blaster sound cards. I thoroughly enjoyed The Colonel's Bequest. The confined setting helps to make the adventure gel. giving the plot a busy, fast-moving feel to it.

ADVENTURE 89%

X

WHAT NOW? Ahoy me hearties! What have we here? Heh, heh, heh. A troop of scallywag landlubbers foundering on the craggy rocks of Infocom, m'be? Heh, heh, heh (again). Avast and splice the mainbrace, string the troughbink, hoist the dongwibble and... and pin your ears back while I fill you full of hints (sounds of cannon fire)...

Uninvited PC, Amiga, ST Don't leave the house till you've started a fire and solved the puzzle of the hingeless box. If that blasted demon with the key begins to get on your nerves, don't worry he's not important until much later in the game. Outside, try speaking to the dogs and exploring below the altar.

Deja Vull \Amiga, ST, PC

Avoid the desert! If only my mother had given me similar advice, sigh. Anyway, you won't find too much in the train station except, er, trains I suppose. Oh, and don't cross the, erm, what was it. the er — SPLAT — oh, yes, don't cross the railway tracks.

Warship C64, ST There be more seafaring trouble on the hor izon with SSI's classic wargame. Always buy a few destroyers, then place them in a line 4-5,000 yards ahead of the

Red Storm Rising Amiga, PC, ST, C64 Follow me now as we go beneath the waves to th... blub, blub, cough, choke (drowning noises). Your greatest threat in this submarine sim, will come from ASW helicopters. If you find you are under attack with not a surface escort to be seen, it's probably a helicopter. Rather than running for it. you're probably best advised letting him have a Stinger right up his downwash.

Avoid enemy torpedoes by dropping noisemakers when they have homed in. They should (hopefully!) be decoyed at around 1000-2000 yards.

heavier ships. Your destroyers will now be able to spot torpedo attacks with their course reported to you — giving you time to manoeuvre your cruisers and battle-ships. Don't forget, destroyers are wonder-ful for employing smoke and blinding the opposition.

Demon's Winter C64 A bit of advice when you're creating your party. Create a Paladin and buy him a priesthood, thus giving you two skills for the price of one and freeing a character slot. Don't bother learning Potion Lore or Hunting, they are of no real use in the game. View Land and Weapon Lore, how-ever, are very useful. Having two wizards is a good idea. One with Spirit Runes, the other with Ice Prunes, sorry, Runes.

Bard's Tale III C64

Sore feet f rom trekking around Tenebrosia? Can't find a Shadow Door to go with a Shadow Lock? It is there, just not immediately evident. Those of you who have gone on the coach excursion to Malefia don't forget to take all of those special goodies with you — you'll need them.

Steel Thunder PC, C64

Having engaged the enemy, switch to the gunner's viewpoint and use the thermal sight to zero onto the target. At this point it is very important to have the right ammuni-tion loaded. This is where the loaders reload (because of the lag time) and switch speed (change ammo). Don't forget to check out the ammo effectiveness chart on page 33 of the manual.

Gold Rush PC, Amiga & ST Before you leaving Brooklyn don't forget to visit the cemetery, take a family photo and f ind a gold coin. Also, visit the blacksmith at Sutter's Fort, he's a lonely fellow and likes a chat. For the hidden gold in the gold mine (where else?), use the pick to do some serious picking on the shaded areas of the mine walls.

Plundered Hearts C64, PC, Amiga, ST Daddy's been kidnapped! No! Yes, really! But don't forget to go the Ball before you troop off to find him. Once you've done that, check out a good (?) Barbara Cart land in the library. You know — where they always keep the hidden doors, secret passages and the like. Handle things freely and try to overcome your strict upbringing and you should uncover the passage.

Kings Quest II PC, Amiga, ST Lolotte wants a unicorn. So you'll have to make friends with the one in the meadow. Riding the thing is a different sack of fer-rets, though. Get the pole from the fisher-man, take a long swim, and you'll be well on the way to getting a bridle for your four-legged friend.

Manhunter PC, Amiga, ST

On day two the Orbs want you to investi-gate a break-in at the Grand Central Station. There are three people to tra< and it is imperative that you track all them. At the night club you might receive a bit of bovva from a group of rather aggres-sive gentlemen armed with knives, Molotc cocktails and the like. Don't panic, just duck the high throws and jump the low ones.

On the third day you will need to visit an apartment. The name of which will be seen as two separate halves throughout the day. Once you're there, though, don't be taken in by the obvious.

In the final area you will find a computer monitor, log-on and see what you can find. Note the locations of the four sites.

Guardians of Infinity PC As your agents merrily go about their business, they will often report back to ask whether they should reveal to their interviewee that they are from the future In a word — no. Why put them deeper in the residual excreta than they are already? If any one of your agents finds themselves under arrest re-boot and start off again from your last saved game No-one is allowed to stay in the future past midnight of the 22nd 1963 — or they will surely turn into a pumpkin.

B e f u d d l e d ? B e m u s e d ? B e w i t c h e d ? Wr i te n o w to P A U L R I G B Y , W H A T N O W ? , T G M . N E W S F I E L D , L U D L O W . S H R O P S H I R E S Y 8 1JW.

omb explodes in the Kremlin the work of He s t e m terrorists, the opening of a Soviet cainpoi*

destroy the NATO alliance and

The Retrograde: a vicious and lethal bounty-hunter out to loot a hostile system's treasure of diamond crystals even if he has to blow the place apart! Level upon level of horizontal and vertical scrolling mayhem, over and unaer ground. Be Retrograde, the stalking, flying death dealer!

CBM 64/128 Cass:£9.99 Disk:£12.99 Thalamic, 1 Saturn House. CalWa Pari, Aldetmiston. Ma RC7 4QW Tel: 10734) 8172

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BACK ISSUES TX.011 October 88 Whatever hap-pened to Nmetendo? Jeff Minter's amazing new ST light synthesizer! TX:012 November 88 The First British Console! - The Slipstream' The Real Cybemauts - Cyberpunk and Robocop! TX:013 December 88 Pirates - an investigation of the wrong side of the law! TX:014 January 89 The Gift of the Guppie! Confrontation Coin-op! TX:015 February 89 Flight Formation - Diary: Creation of a new 16-bit flight game. TX:016 March 89 The Power Generations: The Konix Multisystem. TX:017 April 89 The Rising Sons: Ninetendo's 16-bit Super Famicon and Sega's Mega Drive. TX:018 May 89 DPaint 3 reviewed! Argonaut's F117A Agressor preview. TX:019 June 89 Console Dawn! Japans 16-bit attack on Europe. TX.020 July 89 Indy's back! Interview with Lucasfilm's ace pro-grammers - Vector Graphics. TX:021 August 89 Batman is back! • Hand held and LCD:CES Report. TX:022 September 89 Amiga Into Mac! The latest in emulation. Plus David Crane — exclusive interview! TX:023 October U S Exclusive:lmagination Workshop — Licensed to sell: A look at the real-life Bonds — New series on MIDI. TX:024 November 89 Affordable A'rchimedes: TGM looks at the hard-and software — Our Man In Japan special — Mel Croucher looks at CD-ROM. TX:025 December 89 Skydiving with subLogic — Our Man in Japan reveals the new Super PC Engine — Play By Mail John Woods on GAD games. TX:026 Janurary 90 American sup-plement— Disney World exposed — Review of all the latest joysticks — Sound sampling — PC sound cards. TX:027 Feburary 90: Space Ace — it's flippin crazy mate! David Wolf — He's a special agent! First EVER reviews of new Atari LYNX games' The CD side of computers, plus more action than you'll find in a fer-ret! TX:028 March 90: Smash it up! The beat 'em ups compared! Exclusive

j CES report! Consoles — which one I for you?

r T G M ~ M A I L O R D E R Description Format Price

Total

NAME ADDRESS

POSTCODE PHONE No Method of payment (please tick)

Access • Visa • Cheque • Postal Order • Credit Card No Expiry date Signature

iq«i(|tK Au ia i f ry . OFFFini&Kti

P OWERPLA CRYSTAL

S p e c t r u m 48K/128K/Pius/Plud COMPETITION

PRO GliO GREEN V X K ^ L A Y MOJLTI OLOURED

[ 3 b o p

Make cheques and postal orders payable to: TGM Magazines Ltd. Send this form to: T O M M A I L O R O E R , N E W S F I E L D , L U D L O W , S H R O P S H I R E , S Y 8 1 J W .

£3!

£1 £1 £1 A

v 1 2 M O N T H S UK MAINLAND £15 OUTSIDE UK £22 OUTSIDE EUROPE £35 outside Europe goes Air Mail

GAMING WITHOUT FRONTlCW

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machine READER CLASSIFIEDS

W A N T E D T R A P wanted for the C64. Published years ago by Alligata. Does anyone have and ORIGINAL tape that I can buy? Phone (0933) 55273 or write to Mark, 296 Newton Road, Rushden, Northants. NN10 OSY.

Boulder D a s h game wanted for Amiga 500. If anyone knows where I can buy a new copy of this game please write to PO Box 2502. Auckland. New Zealand.

P C Engine , Sega, Nintendo: Games and add-ons wanted (joysticks etc.). Will pay up to £10.00 per item. Send your lists to: G. Schofield, 15 Beech Road. Bedfont, Middx. TW14 8AH or ring 01 890 9744 between 5.15pm and 10.00pm.

F O R S A L E Atar i 520 S T F M plus external one Meg second drive, with lots of software and accessories, plus mouse, mouse mats, disk box, two joysticks, joystick extension leads. Perfect condition, fully boxed, all for £300. Phone 0344 779970.

Pal PC Eng ine plus four games incl. Dungeon Master and Galaga '88. Worth £300. will sell for £170. Phone (0634) 245 248 (Kent).

Sega Maste r S y s t e m with light gun and 13 games including Double Dragon, Shinobi, Space Harrier. Altered Beast, California Games. Out Run. Mint condition and boxed. New £480 offers around £270. Call on 01 959 4860.

Amiga , brand new computer, has never been used, box

hasn't even been opened. Unwanted gift, all invoices and guarantees. Quick sale only £360. Phone 0860 664824 any time.

Atar i 520 S T F M + 1 Meg double sided disk drive, 2 mice, mat. joystick and over £1000 original games. Only £600 ono inc. Xenon II, Falcon and Stunt Car Racer. Phone (0734) 482879 after 4.30pm. Ask for Stefan.

Atar i S T software for sale, all originals. £2.50 to £7.50, very latest. Also swap or buy original prg. Free PD software. Send disk to PO Box 76. 2995 Zj, Heerjansdam, Holland.

Atar i 520 S T F M , £400 worth of games, only £270. Includes joysticks, new mouse, mags, manuals. Boxed as new. Excellent value. Call Steve on 01 959 3662.

C B M 64, tape deck, two joysticks, over £800 of original software, mags, books, £400. Also Spectrum 48K, tape deck, two joysticks, ovr £100 of software, £70. Good condition. Phone Jason after 5pm on 031 669 8603. Buyer collects. Edinburgh.

Atar i S T 5 2 0 with over £800 worth of software, games, mouse, joystick, demos and mags. Games include Hard Drivin', Batman (Movie), Chase HQ, Double Dragon 1 and 2. Excellent condition £360 ono. Phone (0676) 33424 and ask for Steve (anytime).

S e g a System, one month old. boxed, excellent condition. Includes two joypads and seven games including Rastan, Vigilante, Afterburner and others. Worth £230. selling for £130 ono. Call Charles (0624) 813991 after 4pm thanks.

3 5 W O R D S F O R O N L Y £ 4 . 5 0 ! Fill In the fo rm bolow and enclose wi th your £4.50 payment cheque or postal ordor made payable to NEWSFIELD LIMITED. Photocopies of the form are acceptable.

TGM Reader Classif ied sect ion Is not Fanzines may use I t Headings FANZINES and EVENTS DIARY Small ads wi l l be printed In the f i rst available l*sue. t h e editor reserves the r ight to

Id be

not open to trade or commercial advertisers, but • WANTED. FOR SALE. USER GROUPS, PENPALS,

(for club/user groups). The maximum wordage Is 35. f i rst available Issue. Th

P E N P A L S A m i g a contac ts . Beginners welcome. Write to Anthony McWilliams. 9 Old Park Road. Leeds LS8 4JT. 1.000.000 % reply.

A m i g a contac ts wanted to swap with. Write to Reuben, Harbledown, Westland Green, Little Hadham, Herts. SG11 2AQ, England. 100% reply.

P C p e n p a l s wanted worldwide. PD. demos, games etc. 5.25", 360K or 1,2MB. Everyone welcome. 100% reply. Write soon: Marko Jalonen, Paavonp, 6 as 10. 40200 Jyvaskyla, Finland.

Atar i • A m i g a contacts wanted. Lots of games. Beginners most welcome. 100% and fast reply. Remember Amiga or Atari ST. Also Megadrive contacts wanted as well. Write now to Don, 3 Mosslingal. East Kilbride, Glasgow G75 0HH.

A n d y ( ITV) wants hot contacts on VHS/Amiga. Just phone 0670 515052 or write to 40 Heathfield, Stobhill Grange. Morpeth, Northumberland NE61 2TR, England. Overseas/UK

£ SSI FIE DS H I

VHS contacts are more than welcome.

M I S C E L L A N E O U S M a k e m o n e y fast i For a quick and easy way to make a fortune from the comfort of your own home send a SAE to Philip Bailey, 15 Chaseley Avenue. Cannock. Staffs. WS11 1JG.

ADVENTURE HELPLINE

Do you play computer adventures? Have you ever been faced with a seemingly impossible situation?

WE CAN HELP

Our adventure rescue

team work 7 days and 7

evenings a week and will

be pleased to answer

your queries. Open

noon ti l l midnight.

We offer help with any

games or any computer

- so if you are tearing

your hair out ring this

number now!

0898 338 933 T M I . P K | I * I M N V L U I R < U X M.I* IK*VI ML*

refuse ads which do not comply wi th normal decent practice, or which could I Interpreted as ancouraglng software | " piracy.

TGM READER CLASSIFEDS Send to TGM READER CLASSIFIED. Newsfield Ltd. Ludlow, Shropshire SY8 1JW

Name

Address

Postcode Please tick: • Wanted • For Sale • Penpals • User Groups O Fanzines • Events Diary • Miscellaneous Write your advertisement here, one word per box and include address and phone number if you want them printed.

T

93 TGM April 1990

Have your say! Is something really annoying you? Or do you just want to voice your opinions? Whatever you do, make it a literary masterpiece and you could win £50-worth of software. WRITE TO: READERPAGE, TGM, NEWSFIELD, LUDLOW, SHROPSHIRE SY8 1JW.

Spanish lateness Dear TGM Yesterday, I went into a shop, a great shop. This shop had all kinds of magazines. I was looking for a foreign computer and console mag. I found two British mags, one of them was TGM. I bought both. When I

was reading them a thought dawned on me: what Spanish lateness!

What would you think of a country where an 8-bit Nintendo is new!? It's not an African country! It's Spain! A console grey market doesn't exist in Spain (nor a black one). That means Spain won't have a PC Engine till Barcelona '92 at least!

If I want to buy a PC Engine or a Sega Mega Drive, I have to

go to England. Germany, etc. So, I think British people are lucky people (more than you think!). Maybe, the Spanish console Prehistoric Age will finish soon (hopefully!). David Castillo, Pamplona, Spain.

Roll on Barcelona 92! Whatever that is. If you seriously want a console to brighten your life, check out the mail order companies offering the PC Engine and Mega Drive in this issue of TGM.

Points of view Dear Anne Robinson Why, oh why, oh why, do the BBC never broadcast any interesting programmes about computers? Micro Live? You must be joking — fine if you've got a BBC micro and want to download weather satellite pictures; but it's not going to help me beat Operation Thunderbolt is it?

I was hoping the recent QED show would offer something interesting, but NO! It implied anyone who has a computer is in danger of becoming a junkie and in need of a serious talking

Gameplay gripes Dear TGM About two years ago I bought a Commodore Amiga (having sold my C64), a computer which I thought would change my life. I marvelled at the super stereo sound and amazing graphics. At that time there were few games released, and an even smaller number which managed to hold my interest for long. But I thought that with time more games would rely on gameplay and less on graphics and sound. Two years later, I have found that absolutely nothing has changed.

True, there are some good games around, such as Carrier Command and Elite. However, many games lying on the shelves suffer from major problems, primarily gameplay. For example, having recently bought Hard Drivin' for almost £20,1 was surprised that it only lasted about two days in total. What some reviewers seem to forget, and this is a particularly good example, having played a game is that the review should be focused on gameplay and not the accuracy of the conversion. I found Hard Drivin'extremely tedious —

although I did gain some enjoyment spotting the numerous bugs in the game.

Commodore 64 owners don't realise how lucky they are. with games costing half the price of Amiga software, and usually a damn sight more playable (Turbo Out Run for example).

It's hard enough getting the money together to buy a game, never mind the eventual disappointment with the lack of depth. If the software houses don't start getting their act together, the future looks very bleak indeed. Daniel Hamer, Reading, Berkshire

You've hit the nail on the head! This has been the problem with 16-bit games since they hit the software scene — programmers get carried away with the graphic and sound capabilities of the machines. As a result, programmers may say, 'Well, there's plenty of colourful sprites and 37K of music so no-one will notice if the gameplay is slightly lacking.' A good test for 16-bit programmers would be to write a game in black and white with

to! Come on BBC; pull your socks up! Matthew Howard, Norfolk

Erm, are you sure you got the right address. Matthew? We can see your point — there is a serious lack of computer entertainment coverage on the telly. But maybe this is all set to change. Rumours have it that the BBC have been in touch with leading software houses checking all kinds of information. Stay tuned!

Lynx found! Dear TGM Marshal M Rosenthal's reviews of Atari Lynx games were great as I only bought a Lynx a few days before TGM027 came out. As there are only a few games on the market and they are quite expensive I had to choose carefully. Thanks to your review I brought Blue Lightning and what a game! It knocks all my ST games for six. (I've also ordered Electrocop.) All I can say to TGM readers is that the Lynx is a brilliant little machine. Buy one.

You can now buy the Lynx in Tottenham Court Road. London

no sound. If it's great, apply colour and sound then hey presto! The best game ever! Perhaps...

All reviews are focused on gameplay, it would be silly if they weren't! Scores are always based on how good the

actual game is: conversion or original. Naturally, if the conversion's a very good one then it bumps up the overall score, but not a lot.

To cheer you up have £50-worth of software — and spend it on playable games!

94 TGM April 1990

W1. To all those people who brought a Game Boy, all I can say is never mind. Lee Poulson, Hayes.

Currently, Marshal is the best man for reviewing the Lynx games — he's had more experience than anyone! Glad to see you agree with him.

Play and enjoy Dear TGM I felt I just had to reply to Mark Hewstone's attack on the Archimedes in Issue 27. He seems to think that he has just won this argument. His argument is ill thought out and heavily biased. While I accept that nearly everyone will be

slightly biased towards their own machines, Mr Hewstone seems to have neglected to mention any of the Archie's other superior specifications. In fact he doesn't even mention any of the Amiga's good points.

The home computer just seems to have been turned into a status symbol. All the 'my computer's better than yours' letters in magazines just go to prove this point. People should be thankful that they own a computer. So what if someone has a better computer than yours? Good luck to them. The worst thing is when someone says that their computer's the best and slags off computers that are meant to be poorer in comparison. If their computer is so good why do they need to attack lesser computers? Maybe they are insecure individuals with a persecution complex.

So let's just enjoy what we have. Games and computers are meant to be fun. not all out war between different machine

Op Wolf bug Dear TGM I have a bug to report in Operation Wolf. I'd never heard of the game, but a friend explained that you shoot men

(crack commandos) with an Uzi machine gun and that he'd just bought it for his C64. So I went to his house with the artillery and started shooting. Imagine my surprise when the TV exploded and shards of glass several inches long embedded themselves in my friend's face and upper torso. How can a reputable company

like Ocean get away with some glaring bugs

in production? J o h n Cassidy,

G l a s g o w

Do you have similar problems

following simple instructions, folks? If so, send your stories to Utter Rot, Viz

Comic...

iirnimz: Pick warning Dear TGM I'm writing to warn your readers about the serious danger of pickpockets in arcades. I thought I had my wallet pinched (with a tenner in it!) while playing a coin-op. I was so into the game, and what with all the people pushing past me I just didn't notice my wallet disappearing from my back pocket. Luckily, it was just one of my 'mates' mucking about — but it could have been stolen. So, can I advise readers not to carry large sums of money around in arcades. If you have to, carry coins and keep them in your front pocket. The same goes for bags — it would be so easy for ^ — ^ ^ someone to pick up a bag while the ^ & real owner is engrossed in a game. Be warned! A n d r e w J o h n s o n , Br ighton

You do have to be careful, but most arcades are fitted with cameras, and staff are often wandering around keeping an eye out for pickpockets. But. yes. do be extra cautious with your money when you're concentrating on something else.

owners. By the way, I own an ST and am neither jealous of Archie owners nor do I look down upon Spectrum owners. That doesn't mean to say I wouldn't like an Archie.

Play and enjoy and leave pointless bickering to the politicians. Ian Slater, Brighton.

Amen. This really ends the debate on which computer is the best (everyone knows the Spectrum is...).

Polska dotty Dear Sir! I am interested your firm. I have a great request, send me, please, prospect and labels from your firm. Adam Ciszewski, Gdansk, Polska My firm what? (Phurrt!)

A NEW SHED! Forever in t h e m o s t luxur ious of f ices. T h e G a m e s M a c h i n e t e a m have u p p e d st icks a n d m o v e d to a new s h e d — if all

g o e s a c c o r d i n g to plan. W e ' r e n o w s i tua ted at t h e b o t t o m of Lud low, in an o ld mi l l bu i ld ing by a s t ream. Sadly, a s y e t

there 's no s ight of Nel l ie D e a n . T h e new a d d r e s s is:

THE GAMES MACHINE, NEWSFIELD, LUDLOW, SHROPSHIRE SY8 1JW.

Jus t st ick R e a d e r p a g e (or wha tever ' s appl icable ) at t h e f r o n t And . a l though w e ' d love t o if w e had the t ime, n o

c o r r e s p o n d e n c e c a n be e n t e r e d into other t h a n o n th is page . W h i c h bas ica l ly m e a n s don ' t e n c l o s e a s t a m p e d - a d d r e s s e d e n v e l o p e b e c a u s e w e real ly don ' t have t h e t ime to research

a n d wr i te a reply to every letter! O k a y ?

95 TGM April 1990

ARE YOU IN COMMAND?

. • A i c

r ' M f i M M l i M l y ^ j j j T T p

A . t . •M

Actual V ' ronsbo ts

FLIGHT M M A N D m

• ELIMINATOR (THE MACHINE THAT KILLS - BUT CANNOT BE KILLED)

• STRIKE FORCE HARRIER (A FULL FLIGHT AND COMBAT SIMULATION IN ONE OF BRITAIN'S

MOST EXCITING FIGHTER AIRCRAFT)

• SKYCHASE (FIND OUT WHAT COULD HAPPEN WHEN THE SPEED OF A MIG 31

FOX HOUND MEETS THE AGILITY OF AN F16 FALCON)

• LANCASTER (ALL ACTION SIMULATION OF THE FAMOUS BOMBER AND I T S

MISSIONS DURING WORLS WAR II)

• SKYFOX II (BLAST THE FEDERATION

ENEMIES OUT OF THE (}ALAXY - CARRY ON

THE SKYFOX LEGEND!)

THE NAME BEHIND THE GREAT GAMES

Ill, nti

I On the production line: CO 'sons' are used as stampers to produce thousands ot CDs each day.

digital editing suite. Here track timings are checked precisely. All the details about track timings and muting between tracks form a table of contents. On the final CD this appears as a narrow band around the centre of the disc — that's how your CD player knows how many tracks etc there are on a disc.

The coded tape is put into a device known as a CD encoder this adds all the error correction to a CD. When a CD gets dust, finger prints, scratches etc on the side with the recorded information it interferes with quite a few of the pits. The encoder breaks up the digital information for each 'word' (a collection of bits that make up a single piece of information) and spreads it across the disc's surface, check digits are also added at this stage. So scratches etc won't usually destroy an entire piece of information because it is usually spread across more than one area of the disc. The CD player can often (with multi-oversam-pling) reconstruct the damaged signal.

This tape is then transferred to the Laser Beam Recorder. Here the bits of informa-tion cause a laser beam to switch on and off. What you end up with is a glass master disc with a spiral of pits. A thin layer of pure silver is then deposited on the disc making

You missed it last month, but there's no avoiding it this month. What is i t? The amazing CD development f ea tu re . Robin Candy went behind the scenes at Philips and DuPont Optical, one of the North's top CD manufacturers, and talked to Dave Wilson who told him just how it's done... Both Code Masters and Rainbow Arts have recently released games on CD. and NEC already having over 30 games on CD-ROM for their PC Engine. But how does the infor-mation get onto the disc in the first place? It's not as easy as saying SAVE CD Space Blaster'. However, a lot of the principles are very similar to putting computer data onto normal floppy disk.

Information is recorded onto CD as a series of very tiny pits. When the disc is played in your CD player the laser travels over these pits and translates them into a binary code of ones and zeros. A smooth surface will reflect the laser beam back and the microprocessor translates this as a one. while a pit will diffuse the beam so that no reflection is produced, the microproces-

sor translates this as a zero. This binary code is then translated into an electrical voltage. When this voltage is fed through a speaker it produces sound.

With CD-ROM the binary code is fed directly to the computer's processor and corresponds to instructions which the com-puter understands. Code Masters' game CDs (which are not strictly speaking CD-ROM, as they are not completely interac-tive) work along similar lines to the more traditional tape storage method. The binary code is converted to an electrical voltage and sent along the connecting cables between the CD player and the computer. The electrical voltage is then converted by the computer into a binary code that it can understand. The advantage of using Code Masters-type CD rather than tape is that it is a lot faster and more reliable.

Computer games are recorded onto CD in exact ly the same way as a normal soundtrack. As the pits on the disc are very tiny, manufacturing standards are extreme-ly high. Some areas of production are maintained scrupulously clean. Areas where the pre-production master discs are most prone to damage from dust etc are called "Class 100'. Here, special air-condi-tioning filters the air so that it contains less than 100 microscopic particles per cubic foot.

The tape is passed to a Sony DAE-3000

it electrically conductive and reflective. The disc is then checked for any timing errors by a digital master player.

The next stage is to produce discs that will be used as stampers on the production line. The master disc is coated with nickel, producing a silver and nickel sandwich. This is then peeled away from the glass. Next the silver is removed leaving a nickel 'father' disc with bumps instead of pits. This 'father' disc is then recoated with another layer of nickel. When this is peeled away a mother' disc with pits is created. This in turn is repeatedly electro-plated to produce several 'sons'. These discs with bumps will act as the stampers in the pro-duction line.

On the production line optical-grade poly-carbonate granules are dried then filtered. The batch is then vacuum fed into the moulding machines. Here it is heated then forced against the stampers at high pres-sure. At this stage the CDs are transparent. The discs are then coated with aluminium to make them reflective, a lacquer is also added to stop the aluminium from oxidising. While further down the production line the discs are robotically trimmed. Finally they are hardened in an oven before the label is inked on the top side of the CD.

And there you have. Pretty simple really. Remember, for the most comprehensive

coverage of everything CD. stick with TGM.

97 TGM April 1990

NEXT MO EEETM// tee 4 1 — 0 machine NEXT MONTH

What it takes to become a top-rated games designer. Take tips from established designers and find out how you could make

big bucks by generating ideas.

So, you want to be Warren Lapworth? Revealed! The perks, the pleasures and the pain of being a games reviewer. How do you

relax at home when you play games for a living?

The most exciting entertainment machine in Japan, the CD-ROM-based Fujitsu FM Towns, looks set to make a splash in the UK soon. Developers already have the hardware. TGM

investigates the software possibilities. .

Marshal M Rosenthal reports on a new animation package for the Amiga from the wonderful world of Disney.

A look at how US Gold are developing games for the Sega console, together with sneak previews of Gauntlet and

Impossible Mission. P\ PLUS P

E-Motion survival guide • Latest happenings in Japan • Hot Slots • Interviews with a top programming team • Pages and

pages of power-packed game reviews

ALL DEPARTMENTS NawsfieM, The Games Machine, Ludlow, Shropshire SY8 1JW (0584) 875851. EDITORIAL Consultant Editor. Richard Montelro Deputy Editor Richard Eddy Sub Editor Dominic Handy Staff Writera: Robin Candy. Mark Caswell, Warren Lapworth Editorial Assistant: Viv Vickress Photography: Cameron Pound. Michael Parkinson PRODUCTION Editorial Director Otrver Frey Production Manager Jonathan Rignai Production Supervisor: Matthew UffindeU Reprographics: Robert Milllchamp. Tim Morris. Jenny Reddard. Rob Hamilton Design: Mark Kendrlck. Me*vyn Fisher Systems Operator: Ian Chubb ADVERTISING Advertisement Manager: Neil Dyson Advertisement Sales Executives: Caroline Blake (assistant) Jackie Morris. Group Promotions Executive: Richard Eddy Malt Order Carol Kinsey. Subscription rates available from main address. Designed and typeset on Apple Macintosh II computers running Quark Xpress and Adobe Illustrator 88, with systems support from Digital Print Reprographics, Wirral Business Centre, Merseyside. Colour origination by Scan Studios. Islington Green, London Nt. Printed in England by BPCC Business Magazines (Carlisle) Ltd. Newtown Trading Estate. Carlisle, Cumbria CA2 7NR — a member of the BPCC Group. Distributed by Comag. Tavistock Road. West Drayton. Middlesex.

COMPETITION RULES The Editcf t docaon 10 final n a* matter*, and whda we oflar prtzas In good faith. twtonng Hem to be avalabe. 1 somefrwg untoward happens we ruerw the right to substitute prueo of comparable vafcje List ot winner* are evalabe from Vtv NAckresa at the main address. No person who hat any reta&ontftp to anyone who worts tor NswiMd Lid or any sponsonng omperUa may enter the ccmpettona. No material may be reproduced in part or in «Me without toe wrtten consent d be copjUQM notoen We cannot Lndwlake to rebn anyetng sant In to TGM - ndubng written and ptotajraphlc material, hardware and software — unless I is accompaned by a sutabta SAE We regret Out readers' postal enquiries cannot ba always be anvMced. Ltoaotcted Mitten or ptotogrephc material it welcome, and 1 uaad in the magazine it pad (cr at our current rates — we reserve the right to e « any written rrefenal The views expreeaec « TGM m* not nacestarty tfmo of »» pubto*e»* Copyright 1»0 TGM MegaUim LM. A NewefteH PuMcaMon i$3N MS44M2 Com Deelgn Ofcer Frey

98 TGM April 1990

UNCLE MEL'S TRIVIA

QUIZ 1) What 's unusual about the Russian £ 2 0 0 M C - 2 h o m e micro? 2 ) What 's unusual about Artronic's Soldier 20007 3 ) A lan Blumlein invented electronic monitor screens, stereo recording and radar. From what handicap did he suffer? 4 ) In which titles do the following cops a p p e a r Eliot N e s s , John McClane . Alex Foley? 5) H o w long has Doctor Who b e e n running in Earth Years? 6) A Group-2 did it in three minutes, a Group-3 does it in 3 0 seconds. W h a t ? 7) Apart f rom the guy w h o runs Llamasoft , what is a Flying E r a s e H e a d ? 8) What 's the difference be tween a sick bag and a n Amiga? 9) W h a t sort of data discs use a 3". 5", 8" and 12" format? 10) Which 1 M b g a m e is set in Lizard Breath, California? 11) W h a t are the following acronyms short for: PIP. M I P S , T W I T S ? 12) In which R P G would you meet the St range Little Girl? N a m e two bands who had hits with this title. 13 ) W h a t hardware outfits lurk in these vermin: A I Rat . M A D RATS. PI R A T C O ? 14) Apart f rom bad taste, what h a v e Johnny Fartpants. the Fat S lags and Nintendo got in c o m m o n ? 15) W h o would you associate with Tin Machine . S e x Machine . G a m e s Machine? 16) Which King uses a n Amiga for his work? 17) Screen 7 re leased Crossbow, The Legend of William Tell, but in which century did Wil l iam Tell live? 18) W h a t is the significance of Magic Bytes' B l u e A n g e l 6 9 ? 19) W h a t begins on M a r c h 16th 1990: a) Ch inese year of the Winkle , b) International Computer Security W e e k , c) M S X owners b e c o m e illegal? 20) Which of the following is N O T a unit of electricity: Coulomb. Farad . Tesla. Henry?

A N S W E R S 1) It works on the user's own brainwaves. 2) Sex. Their soldier is a woman. 3) He couldn't read. 4) The Untouchables, Die Hard. Bev&rty Htts Cop. 5) 26 years. 6) The time taken for a fax machine to transmit one sheet of A4 7) A frame-by-frame videotape eraser 8) One's got great graphics, the other's an Am»ga. 9) Laserdiscs 10) Clnemaware's H Came From The Desert 11) Picture In Picture; Milton Insttuctlons Per Second; Domark 12) Shades Sad Cafe. The Strangters. 13) Atari. Amstrad. Apncot. 14) They as appeared In a recent issuo of Viz. 15) David Bowie. James Brown, a bunch of loonies. 16) BB King. 17) None. He never existed 18) I don't know, but then. I could never tell my ASCII from my emulator. 19) B) International Computer Security Week. 20) They are all units of electricity.

MONSTER ISLAND

VERVBES1 IN ORIGINAL V t m t PLAI

rr . \ I I IDIK(i .111 i

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