theoria praxsis poiesis learning by making
TRANSCRIPT
Learning by making
Theoria | Praxis |Poiesis
Matti Vesa Volanen Institute for Educational Research
University of Jyväskylä Finland Stockholm 14.11.2012
“HAPPY ARE those ages when the starry sky is the map of all possible paths — ages whose paths are illuminated by the light of the stars. Everything
in such ages is new and yet familiar, full of adventure and yet their own. The world is wide and
yet it is like a home, for the fire that burns in the soul is of the same essential nature as the stars; the world and the self, the light and the fire, are
sharply distinct, yet they never become permanent strangers to one another, for fire is the soul of all
light and all fire clothes itself in light.
Thus each action of the soul becomes meaningful and rounded in this duality: complete in meaning — in sense —
and complete for the senses; rounded because the soul rests within itself even while it acts; rounded because its action separates itself from it and, having become itself,
finds a centre of its own and draws a closed circumference round itself. ‘Philosophy is really homesickness,’ says
Novalis: ‘it is the urge to be at home everywhere.’
Georg Lukács 1914 The Theory of the Novel
The question then: What is the relationship between our
inside-world and the inside of the world?
Mediators? Touch, concept, language, tool, machine,
production process, production machinery ...
The unity of in activity realized concept and reality
conceptualized as activityDrüe, H. Psychologie aus dem Begriff 1976
Machines have learned to use languages, languages have learned to use machines,
languages are fundamental factors of production
Theorie/praxis/poiesis
Schole/polis/oikos
Nous theoritikos/praktikos/poetikos
Leisure/play/producing
Episthemis/Ethics/Aesthetic
Head/heart/hands
Being/Doing/Making
Philo-sophy Philo-techny
Craft vs. skill (Webster, 1913)
Craft strength, skill, art, cunning; akin to OS., G., Sw., & Dan. kraft strength, D. kracht, Icel. kraptr; perh. originally, a drawing together.
Skill \Skill\, n. [Icel. skil a distinction, discernment; akin to skilja to separate, divide, distinguish, Sw. skilja, skille to separate.
Potter - Learning by making
Making is to give a form to a piece of clay and to be in-formed by the clay the borders of possibilities of
the forms to express the content with a concept in the context at hand.
The potter ...
Potter does not learn only the results of work but the process to produce the product has a hand-mark of producer not only “inter-action” but “intra-action”, i.e constitution.
Imagenary in ironwork
Concepts without
language
Keller&Keller,1996
Craft, then ...
productive leisure experimental play making nicely self-management of work situation social prestige producer and product constitution
Craft ...
Leisure
TheoryBeing
Epistemology
PlayPraxis
DoingEthics
ProducingPoiesis
MakingAesthetic
In other words...
Leisure Play
Labour
Theory Praxis
Poiesis
EpistemelogyEthics
Aesthetics
...and again in other words
Praxis Poiesis
Theoryreference
representation present
Leisure
LabourPlayWork situation of craftsmen
Movements of craft workConcept
Context
Content
Master
Hand
Clay
concept
context
content
The Demiurge - the worker for the people - was the very starting point of
making philosophy ...
contextslaveryHand
ClayTool
MasterPotteryConcept
content2
The first modern solution
Craft
Content/Fine ArtConcept/ScienceContext/Policy
Labour Learning of skills
New constitution:labour with tools
owned by other persons
The situation of making
machines have learned to use languages,
languages have learned to use machines
languages are fundamental factors of production
In knowledge society
Economic Reality – a complex construction
Values in use Goods produced “family style”
Values in Exchange Goods and labor power as Commodities
Prices of production Uniform profit rates
Money as a commodity
Small Commodity Production
Physical basis
Stock market based economy Stocks as commodities
Credit based economy
Contemporary economic system Market prices
Competitive Production Fixed capital present
Peter Fleissner, 2002
Three basic questions are open and have to be solved at the same time and the
same place:
How are things?
How should they do to be good?
How to make them real, nicely?
The situation of making
The expert is able to produce the situation via which all the tree questions can be solved at the same time and the
same place.
Who is an expert?
Virtues of experts (Kirkeby, 2000)
Euboulia • Broadminded prudence
Euphoria • Enthuastic sense of reality
Hyponomé • Brave patience
Prolépsis • Competence for anticipatory visualisation
Epibolé •Practical intuition
Maieutike téchne • Craft of giving birth to Goodness, Faithfullness and Beauty
Moments of learning
On Two Metaphors for Learning and Dangers of
Choosing Just One Anna Sfard
Educational Researcher 1998, 27, 2, 4-13
Acquisition - Participation
On Three Metaphors for Learning and Dangers of
Choosing Just Two
Acquisition - Participation - Production
What is impresent?
Person - per - son
Fundamental is the immediated sensuous texture with three questions:
What is impresent?
What is represent in impresent?
What is refpresent in impresent?
Moments of learningMoments
RelationsContext Concept Content
Reference
Representation
Present
Learning by being
Learning the Being
Acquisition of a theory
Learning by doing
Learning the Doing
Partisipation in praxis
Learning by making
Learning the Making
Producing with poiesis
Movements of learningConcept
Context
Content
Learning and movement
Can I say at the same time:
I am building the house - I have built the house
I am living, I have lived
I see - I have seen
Learning and movement
I learn - I have learnt
learning process has a result,
something stop with the result
Objectives of learning
to learn a product of a process concept, image
to learn a process upkeeping learn to learn
to learn to produce a product
Movements in learning
to learn with inner-moving
to learn with moving oneself
to learn actualisation
Activity theory
Hegel and the development of subjective mind
Anthropology - anpassung/adaptation Phenomenology - aneignung/approriation - anerkennung/recognition Psychology - entwicklung/development
- anpassung/adaptation/tätigkeit - aneignung/approriation - object
activity/ gegenständliche tätigkeit/unrecognition
of the object before activity
- anerkennung/recognition: battle of life and death/mutual
recognition, learning behave oneself before activity
entwicklung/development: tätige verhalten
activity with behaving oneself
theory - praxis - poiesis concept - context - content
Being - Doing - Making
to constitute a content via a concept in a context
CON -quartet
Context
Content
Concept
Constitution: a constellation
between the three
other CONs
Juncture: texture of
con/disjunctures
Basic College?
Bildung
Bildung has the capacity, the will and the craft to set, to value and to solve the basic
problems of our era
THE MAIN INSTITUTIONAL STRUCTURE of upper secondary education comprises two sectors: general
education and vocational training. It also assigns young people to different social tracks in life.
Our understanding of social individualization is intrinsically related to the division between Bildung
and Beruf, education and vocation.
The basis of this division is at the very heart of the process of social individualization, within the division between theoria, being, praxis, doing, and poiesis,
making. The learning by making, not by doing, opens a new possibility to understand social
individualization.
General and vocational education
Philotechne – the love of craft – is an old idea, but has not been much cultivated by the lovers of
knowledge, by philosophers. Philosophers have forgotten what to do with their hands.
Craftwork binds the three basic questions of philotechne: What are things? How are things when they are in a good state? How can we produce them beautifully? In other words, epistemological, ethical and aesthetical questions are practical challenges
combined in the collaborative work of the head, heart and hands. Craftwork is, at its best, educative work.
We can use it as a methodological mirror to cross-enlighten modern industrial labour and its three
cousins: science, politics and fine arts.
In knowledge society
• machines have learned to use languages,
• languages have learned to use machines
• languages are fundamental factors of production
Modern craftspeople do not dip their hands into clay. They are producers who produce social situations in which all the three questions of philotechne are posed
and solved.
This is the new poetics of communities - poeta faber – which we need in the industries based on knowledge and
commons. It is then a negation of negation of traditional craft. A negation which "does not
re-establish private property for the producer, but gives him individual property", a property, "which is proper to the proper
subject" , i.e. the general intellect of producing commons.
J-L. Nancy 2010
To be an expert (i.e. a person wise through experience), knowing is not
enough. The questions of truth, goodness and beauty, abstracted from craftwork, as
a result of the first modern industrial production, have to be embedded back
into everyone's labour again.
Bildung has the capacity, the will and the craft to set, to value and to solve the
basic problems of our era
Matti Vesa VolanenDr. of psychologySenior researcher
Institute for Educational ResearchUniversity of Jyväskylä
http://mattivesavolanen.blogspot.fi/2012/05/theoria-praxis-poiesis.html
Thank you for your attention!