this latest incarnation of
TRANSCRIPT
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This latest incarnation ofPride and Prejudiceprompts the question: why do we need
another version of Jane Austens classic tale? Weve seen this particular bit of storytelling
done well so many times that unless a filmmaker is positive theyre going to be making the
definitive version of the film, theres really no need to tell the same old story yet once again.
And unfortunately, despite some terrific performances by the veterans in his cast, director Joe
Wright didnt bring anything new to the table with this version of Pride and Prejudice.
The story follows the Bennet sisters, a group of fine young women who, with the assistance
of an overbearing mother, are in search of appropriate men to marry. Only the father seems
immune to the high drama going on in the household as Mother Bennet strategizes over how
to get her brood married off.
Elizabeth (Keira Knightley) is the defiant one of the bunch, struggling against class
restrictions and only wanting to marry for love. She meets up with the taciturn Mr. Darcy
(Matthew Macfadyen) and is both repulsed and attracted to the wealthy gentleman. As the
two are forced together in various social situations, Darcy soon wises up to the fact hes
smitten with the fair Elizabeth. Meanwhile Elizabeth rejects a foppish suitor, becomesenamored with Darcys enemy, and watches her sisters fall in and out of love before
ultimately giving into the fact she and Darcy are meant for one another.
The cinematography is outstanding and youd have a hard time naming a film released in
2005 with better costume and set designs. But in this case the old saying beauty is only skin
deep definitely applies as theres simply nothing appealing below the films skillfully
designed surface.
Positive marks do go to the filmmaker for casting actors closer in age to the characters in the
book than usually found in adaptations of Jane Austens classic novel. A handsome and
talented group, the cast of Pride and Prejudice do justice to the piece in parts, but the film
fails to connect with its audience. Theres an emotional pull to the story thats completely
missing from Wrights film. Its all too cold and distant, as if the entire production was taking
its cue from the brooding character of Darcy.
The most engaging performances ofthe cast were turned in by the films older generation of
actors: Donald Sutherland, Dame Judi Dench and Brenda Blethyn. The younger group
headlined by Keira Knightley and Matthew Macfadyen never came close to achieving the
same caliber of performances as their more senior co-stars. I never felt drawn in by
Knightleys Elizabeth and Macfadyen as Darcy left me cold. Darcys supposed to be
standoffishthats how Austen wrote the character yet Macfadyen plays him so completelydour that hes rendered uninteresting. Hes so unengaged in whats going on that Elizabeths
attraction to the man is unexplainable.
The actresses cast as Elizabeths sisters, including the lovely Rosamund Pike andJena
Malone, just simply arent convincing as siblings. None of the women cast as sisters look
anything alike and their interactions never sell the bond of sisterhood.
As strange as it may sound, I actually preferred the Bollywood/Hollywood mix ofBride and
Prejudicemore than this slick yet stale adaptation of Austens book. At least writer/director
Gurinder Chadhas colorful and engaging take on the novel was something completely
different from the same old rehashed, warmed-over story. This Pride and Prejudice is a flat,tired regurgitation thats been done better many, many times before.
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Review
Jane. Austen. Two words which when taken together strike fear and apprehension into the hearts of
men everywhere. Possibly the most inaccessible author to the male species, conversely Austens
work is celebrated and revered to an almost religious degree by ladies the world over. What exactly
this epic tale of unlikely romance in the face of Georgian class-issues does for a womans psyche is
still beyond me, and no amount of curiosity makes most men brave enough to go near any of her
work something even other movies, for example Youve Got Mail, have acknowledged in the past.
So when I was given the task of reviewing the latest movie version of what is possibly Austens most
famous novel, I walked into the theatre ready to loathe every long bodice-filled minute of it. To my
surprise however, while I cant claim to share the same frighteningly passionate (for want of a
more appropriate phrase) reaction two of my female viewing companions seemed to experience
from watching it, Joe Wrights interpretation ofPride & Prejudicewasnt the pretentious bore I was
expecting.
As Ive mentioned, doubtless most women who read this review will know the story backwards and
will email me to point out all my errors, but for the benefit of you men folk out there I will try my
best to give you the lo down.
The Bennets are a moderately well-off, if slightly uncouth family living in late 18th century England.
Mr. Bennet (Sutherland) is getting on in years and if he dies his estate will go entirely to a distant
cousin, the weasly Mr. Collins (Tom Hollander). The only way to prevent this is if at least one of his
daughters marries well, a goal which Mrs. Bennet (Blethyn) is determined to achieve at any cost. So,
when the aristocratic Mr. Bingley (Simon Woods) arrives in the area with his equally well-bred friendMr. Darcy (MacFadyen), the women go into romance overdrive. While shy eldest sister Jane
(Rosamund Pike) falls for the bumbling Bingley, the more independent and head-strong Elizabeth
(Keira Knightley) clashes with the seemingly aloof and inaccessible Mr. Darcy. Could the verbal
fencing between Elizabeth and Darcy be hiding their true feelings, and if it is, can it and the other
sisters relationships survive the rigid and snobbish class structure of the time?
This is director Joe Wrights first big screen outing, though youd never guess it. On the other hand,
itd be hard to go far wrong on a novel adapted for stage and screen so many times before. Wright
and scribe Deborah Moggach (with a little help from period movie expert Emma Thompson) have
made a clever and funny film which once you swallow your apprehension, is far more engaging than
youd expect and far more interesting than most other movies set in the same era. It helps that
Wright and his cinematographer Roman Osin have created what could possibly be one of the best
looking, CGI-free movies of the year. Wright makes full use of the stunning landscapes of the English
countryside, while Osin helps bring the right mood to every shot. Whether its a warm, sunny,
summer day or a cold, dewy, spring morning, Pride & Prejudice looks amazing.
But all the nice scenery in the world cant save a movie so heavily entrenched in character study, so
it is with a lot of apprehension that people have taken to the idea of Keira Knightley in the lead role
of Elizabeth. Fortunately, Knightley copes well in the part, bringing life to the only interesting one of
the Bennet siblings. While that wacky grin that she cant seem to keep from her face for much of the
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movie occasionally gets a little grating, she centers what is going on around her, which could
otherwise have teetered between too stuffy (the verbose talky scenes) or too silly (Whenever Mrs.
Bennet is on-screen). Keira manages to convincingly convey the struggle between her attraction to
Darcy and her contempt for his apparent unwavering, humorless snobbery.
Matthew MacFadyen will only be familiar to those who have seen the BBC TV show MI-5on A&E.
MacFadyen had his work cut out for him here in the role of Mr. Darcy, following in the footsteps of
both Sir Laurence Olivier and more infamously Colin Firth, whom women worldwide unilaterally
swooned over during the airings of the BBC Pride & Prejudice mini-series. MacFayden takes
admirably to the task, bringing both the authoritative stoic arrogance of Darcys outward
appearance and the hapless awkwardness he suffers while trying to deal with his true feelings
perfectly. But I am a man and cannot judge the power of the Darcy properly, so the votes are in and
two out of two Pride & Prejudice loving women assure me that, rather controversially, he is a far
better Darcy than Mr. Firth.
It is veteran actor Donald Sutherland, who provides some of the movies best moments as the hen-
pecked, world-weary Mr. Bennet. Bennet realizes the importance of his familys predicament, but at
the same time only wants what is best for his daughters. Sutherland steals every scene he is in with
his laconic dry wit and contrasts Brenda Blethyns hyperactive, one-track-minded Mrs. Bennet nicely.
If there are any real problem to be found it is in the casting of films the more minor characters. The
actor cast as Darcys ex-friend Wickham appears to have been won his role more because of his
passing resemblance to Orlando Bloom rather than due to any acting prowess. The supposed
relationship between Jane and Bingley is so underplayed and chemistry-free that I had trouble
believing they were really in love, never mind the characters in the movie. Also, aside from Jane and
Elizabeth, the Bennet sisters are quite bland and seem, one subplot aside, to exist in the movie solely
to keep up the same running joke.
There is also a small pacing issue at the end of the second act where the movie starts to drag and
then suddenly rushes forward towards a conclusion as the pressure of trying to compress the rest of
the novel into the remaining running time starts to catch up with the storys deliberate pace. While I
appreciate that a lot of sacrifices have to be made in translating such a large novel into a 2 hour
movie, there are some places where you wonder if maybe the reason the mini-series was so
successful is that it didnt have to rush.
Pride & Prejudicestill isnt a movie for everyone. Ruffled shirts and bodices fill the screen at every
opportunity. People talk in that protracted, grating, Olde English rambling, where 15 words and 30
syllables are used when half that would do. Romance and love are the order of the day, and like a
long-distance runner it jogs along for much of the course then suddenly makes a mad dash at the
end. Despite these flaws there is an enjoyable and occasionally very funny movie to be had here.
Women will love it more than men, that goes without saying, but the many many men who will no
doubt get dragged along to see it may, like me, come out surprised. Hey, Im not racing to the library
and picking up the novel, nor am I about to lose my mind and rent Sense and Sensibility, but I didnt
come away feeling like Id lost part of my masculinity. Thats good enough for me.
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Analysis of major character
Analysis of Major Characters
Elizabeth Bennet
The second daughter in the Bennet family, and the most intelligent and quick-witted,
Elizabeth is the protagonist ofPride and Prejudice and one of the most well-known female
characters in English literature. Her admirable qualities are numerousshe is lovely, clever,
and, in a novel defined by dialogue, she converses as brilliantly as anyone. Her honesty,
virtue, and lively wit enable her to rise above the nonsense and bad behavior that pervade her
class-bound and often spiteful society. Nevertheless, her sharp tongue and tendency to make
hasty judgments often lead her astray;Pride and Prejudice is essentially the story of how she
(and her true love, Darcy) overcome all obstaclesincluding their own personal failingsto
find romantic happiness. Elizabeth must not only cope with a hopeless mother, a distant
father, two badly behaved younger siblings, and several snobbish, antagonizing females, she
must also overcome her own mistaken impressions of Darcy, which initially lead her to reject
his proposals of marriage. Her charms are sufficient to keep him interested, fortunately, while
she navigates familial and social turmoil. As she gradually comes to recognize the nobility of
Darcys character, she realizes the error of her initial prejudice against him.
Fitzwilliam Darcy
The son of a wealthy, well-established family and the master of the great estate of Pemberley,
Darcy is Elizabeths male counterpart. The narrator relates Elizabeths point of view ofevents more often than Darcys, so Elizabeth often seems a more sympathetic figure. The
reader eventually realizes, however, that Darcy is her ideal match. Intelligent and forthright,
he too has a tendency to judge too hastily and harshly, and his high birth and wealth make
him overly proud and overly conscious of his social status. Indeed, his haughtiness makes
him initially bungle his courtship. When he proposes to her, for instance, he dwells more on
how unsuitable a match she is than on her charms, beauty, or anything else complimentary.
Her rejection of his advances builds a kind of humility in him. Darcy demonstrates his
continued devotion to Elizabeth, in spite of his distaste for her low connections, when he
rescues Lydia and the entire Bennet family from disgrace, and when he goes against the
wishes of his haughty aunt, Lady Catherine de Bourgh, by continuing to pursue Elizabeth.
Darcy proves himself worthy of Elizabeth, and she ends up repenting her earlier, overly harshjudgment of him.
Jane Bennet and Charles Bingley
Elizabeths beautiful elder sister and Darcys wealthy best friend, Jane and Bingley engage in
a courtship that occupies a central place in the novel. They first meet at the ball in Meryton
and enjoy an immediate mutual attraction. They are spoken of as a potential couple
throughout the book, long before anyone imagines that Darcy and Elizabeth might marry.
Despite their centrality to the narrative, they are vague characters, sketched by Austen rather
than carefully drawn. Indeed, they are so similar in nature and behavior that they can be
described together: both are cheerful, friendly, and good-natured, always ready to think thebest of others; they lack entirely the prickly egotism of Elizabeth and Darcy. Janes gentle
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spirit serves as a foil for her sisters fiery, contentious nature, while Bingleys eager
friendliness contrasts with Darcys stiff pride. Their principal characteristics are goodwill and
compatibility, and the contrast of their romance with that of Darcy and Elizabeth is
remarkable. Jane and Bingley exhibit to the reader true love unhampered by either pride or
prejudice, though in their simple goodness, they also demonstrate that such a love is mildly
dull.
Mr. Bennet
Mr. Bennet is the patriarch of the Bennet householdthe husband of Mrs. Bennet and the
father of Jane, Elizabeth, Lydia, Kitty, and Mary. He is a man driven to exasperation by his
ridiculous wife and difficult daughters. He reacts by withdrawing from his family and
assuming a detached attitude punctuated by bursts of sarcastic humor. He is closest to
Elizabeth because they are the two most intelligent Bennets. Initially, his dry wit and self-
possession in the face of his wifes hysteria make him a sympathetic figure, but, though he
remains likable throughout, the reader gradually loses respect for him as it becomes clear that
the price of his detachment is considerable. Detached from his family, he is a weak fatherand, at critical moments, fails his family. In particular, his foolish indulgence of Lydias
immature behavior nearly leads to general disgrace when she elopes with Wickham. Further,
upon her disappearance, he proves largely ineffective. It is left to Mr. Gardiner and Darcy to
track Lydia down and rectify the situation. Ultimately, Mr. Bennet would rather withdraw
from the world than cope with it.
Mrs. Bennet
Mrs. Bennet is a miraculously tiresome character. Noisy and foolish, she is a woman
consumed by the desire to see her daughters married and seems to care for nothing else in the
world. Ironically, her single-minded pursuit of this goal tends to backfire, as her lack of social
graces alienates the very people (Darcy and Bingley) whom she tries desperately to attract.
Austen uses her continually to highlight the necessity of marriage for young women. Mrs.
Bennet also serves as a middle-class counterpoint to such upper-class snobs as Lady
Catherine and Miss Bingley, demonstrating that foolishness can be found at every level of
society. In the end, however, Mrs. Bennet proves such an unattractive figure, lacking
redeeming characteristics of any kind, that some readers have accused Austen of unfairness in
portraying heras if Austen, like Mr. Bennet, took perverse pleasure in poking fun at a
woman already scorned as a result of her ill breeding.
Key Facts
full title Pride and Prejudice
author Jane Austen
type of work Novel
genre Comedy of manners
language English
time and place written England, between 1796 and 1813
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date of first publication 1813
publisher Thomas Egerton of London
narrator Third-person omniscient
climax Mr. Darcys proposal to Elizabeth (Volume 3, Chapter 16)
protagonist Elizabeth Bennet
antagonist Snobbish class-consciousness (epitomized by Lady Catherine de Bourgh and
Miss Bingley)
setting (time) Some point during the Napoleonic Wars (17971815)
setting (place) Longbourn, in rural England
point of view The novel is primarily told from Elizabeth Bennets point of view.
falling action The two chapters of the novel after Darcys proposal
tense Past tense
foreshadowing The only notable example of foreshadowing occurs when Elizabeth visits
Pemberley, Darcys estate, in Volume 3, Chapter 1. Her appreciation of the estate
foreshadows her eventual realization of her love for its owner.
tone Comicor, in Jane Austens own words, light and bright, and sparkling
themes Love; Reputation; Class
motifs Courtship; Journeys
symbols The novel is light on symbolism, except on the visit to Pemberley, which is
described as being neither formal, nor falsely adorned, and is clearly meant to symbolize
the character of Mr. Darcy.
Biography:
Keira Knightley's Birth Date:
March 26, 1985
Place of Birth:
Teddington, Middlesex, England
Role That Got Her Noticed:
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Playing Elizabeth Swann, pretty much the only female character in thePirates of the
Caribbeanfilm franchise, really catapultedKeira Knightleyinto the spotlight.
Born to Act:
Keira's father is actor Will Knightley. Her brother, Caleb, is a composer.
Notable Movie Credits:
Innocent Lies (1995)
Star Wars: Episode I - The Phanton Menace (1999)
After the Hole (2001)
Bend It Like Beckham(2002)
Pure (2002)
Pirates of the Caribbean: The Curse of the Black Pearl(2003)
Plot Summary forPride & Prejudice(2005)More at IMDbPro
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The story is based on Jane Austen's novel about five sisters - Jane, Elizabeth, Mary, Kitty and
Lydia Bennet - in Georgian England. Their lives are turned upside down when a wealthy
young man (Mr. Bingley) and his best friend (Mr. Darcy) arrive in their neighborhood.
Written byMarcy Gomez
Pride and Prejudice is a humorous story of love and life among English gentility during the
Georgian era. Mr Bennet is an English gentleman living in Hartfordshire with his overbearing
wife. The Bennets 5 daughters; the beautiful Jane, the clever Elizabeth, the bookish Mary, the
immature Kitty and the wild Lydia. Unfortunately for the Bennets, if Mr Bennet dies their
house will be inherited by a distant cousin whom they have never met, so the family's future
happiness and security is dependent on the daughters making good marriages. Life is
uneventful until the arrival in the neighbourhood of the rich gentleman Mr Bingley, who rents
a large house so he can spend the summer in the country. Mr Bingley brings with him his
sister and the dashing (and richer) but proud Mr Darcy. Love is soon in the air for one of the
Bennet sisters, while another may have jumped to a hasty prejudgment. For the Bennet sistersmany trials and tribulations stand between them and their happiness, including class, gossip
and scandal. Written byDom
This tale of love and values unfolds in the class-conscious England of the late 18th century.
The five Bennet sisters - including strong-willed Elizabeth and young Lydia - have been
raised by their mother with one purpose in life: finding a husband. When a wealthy bachelor
takes up residence in a nearby mansion, the Bennets are abuzz. Amongst the man's
sophisticated circle of friends, surely there will be no shortage of suitors for the Bennet
sisters. But when Elizabeth meets up with the handsome and - it would seem - snobbish Mr.
Darcy, the battle of the sexes is joined. Written byfocus features
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In Georgian England, Mrs. Bennet raises her five daughters - Jane, Elizabeth, Mary, Kitty
and Lydia with the purpose of getting married with a rich husband that can support the
family. They are not from the upper class, and their house in Hertfordshire will be inherited
by a distant cousin if Mr. Bennet dies. When the wealthy bachelor Mr. Bingley and his best
friend Mr. Darcy arrive in town to spend the summer in a mansion nearby their property, the
shy and beautiful Jane falls in love for Mr. Bingley, and Lizzie finds Mr. Darcy a snobbishand proud man, and she swears to loathe him forever. This is the beginning of their wonderful
love story. Written byClaudio Carvalho, Rio de Janeiro, Brazil
Fitzwilliam Darcy, Basic Character Information
Fitzwilliam Darcy is Pride and Prejudice's snobbish but good principled leading man.
Basic Information:
Age: 28 (probably), he mentions his age at the end of the novel (most likely in the month of
October). However since he is referring to a change that began back in April, he could have already
turned 29 (unlikely in my opinion) or he could have more recently turned 28.
Spouse: Elizabeth Darcy nee Bennet (end of novel)
Income: 10,000 per year, this is one of the first things we learn about him. However, in chapter 16,
Wickham, the son of a former Pemberley steward, describes his income as a clear 10,000, meaning
the 10,000 would be after estate expenses were paid.
Primary Residence: Pemberley Estate, in Derbyshire, where his housekeeper estimates he spends
half his time, it is speculated that he will spend more time there after he marries. He also keeps a
house in London.
Physical Characteristics: Tall, with handsome features and a noble mein.
Personality Characteristics: Our dear Darcy is a bit of a snob, but as I said above he does have good
principles (which in the end triumph over his snobbery). Almost immediately after his introduction,
his manners disgust the people of Meryton as they show he is proud, inconsiderate and uninterested
in them. The narrator describes him as being clever but that he was also "haughty, reserved, and
fastidious, and his manners, though well bred, were not inviting[,]" making it perhaps not surprising
that he "was continually giving offense." In spite of all of this he does have some good qualities
beyond well bred but uninviting manners, he is a conscientuous landlord who takes care of his
tenants and does good among the poor, takes care of his sister and is helpful towards his friends, as
well as the ability to forgive those he cares about.
What to call him:
http://www.imdb.com/search/title?plot_author=Claudio%20Carvalho,%20Rio%20de%20Janeiro,%20Brazil&view=simple&sort=alphahttp://www.imdb.com/search/title?plot_author=Claudio%20Carvalho,%20Rio%20de%20Janeiro,%20Brazil&view=simple&sort=alphahttp://www.imdb.com/search/title?plot_author=Claudio%20Carvalho,%20Rio%20de%20Janeiro,%20Brazil&view=simple&sort=alphahttp://jastoryandhistory.blogspot.com/2009/02/fitzwilliam-darcy-basic-character.htmlhttp://jastoryandhistory.blogspot.com/2009/02/fitzwilliam-darcy-basic-character.htmlhttp://jastoryandhistory.blogspot.com/2009/02/fitzwilliam-darcy-basic-character.htmlhttp://www.imdb.com/search/title?plot_author=Claudio%20Carvalho,%20Rio%20de%20Janeiro,%20Brazil&view=simple&sort=alpha -
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Darcy - This is what the narrator calls him, as well as his friends Bingley and ColonelFitzwilliam.
Mr. Darcy - Following his father's death, people who are not entitled or privileged to call himDarcy or by some other name. Before his father's death he might have been Mr. Darcy in
circumstances where his father was not present or where it was obvious that his father was
not being referred to, he might also have been called young Mr. Darcy. Mr. Fitzwilliam Darcy - Before Darcy's father died, this would have been the primary way for
people who weren't friends or family to address Darcy as he was not the most important Mr.
Darcy around. Following his father's death, not so much though still if you wanted to
distinguish him from another past Mr. Darcy it might be used.
Master Fitzwilliam / Master Darcy - It is likely that Darcy was called this by servants andother people who were not close enough or did not hold enough social clout to use his first
name when he was a young child. It is possible that some might still use it.
The master/your master/my master - this is in reference to his position as the owner ofPemberley Estate or as his position as a servant's employer.
Posted by Melissa at9:33 PMLabels:Character Info,Darcy Family,Fitzwilliam Darcy,Pride and Prejudice
4 comments:
Sylwiasaid...
Oh, I like the way you're collecting the details. Just to add to your observations...
Lady Catherine too calls Darcy "Darcy", while his father is "Mr. Darcy" to her. Mrs.
Gardiner called Darcy "Mr. Fitzwilliam Darcy" referring to the times when his father
was still alive.
I don't think that anyone would still call Darcy "Master Fitzwilliam". It'd be
patronising in reference to an adult man and a master of Pemberley. I also think that
as the eldest son he was always called "Master Darcy" by servants or school teachers.
At school "Master" tended to be dropped when one was about 15.
March 10, 2009 7:45 PM
Melissa Reneesaid...
Thank you for the added information
I think you are right that "Master Darcy" would be the most common usage, but I do
think that when he was a very young child "Master Fitzwilliam" would have been
possible, particularly when he was very young. As far as someone still using the title
"master" with his name, I was thinking along the lines of a very elderly servant
(someone who has been around even longer than Mrs. Reynolds) who acted as his
nurse.
It does appear that I need to do some more digging on the proper use of that title.
March 10, 2009 8:28 PM
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austenettesaid...
I know what you mean, but I'm not sure people sought this kind of familiarity.
I think that, like many things in Austen's times, it was in transition. I.e. we never see
the older generations addressing each other per Christian names, but we assume thatthe younger will, so Darcy will call Lizzy "Elizabeth", and not "Mrs. Darcy", while
her own father calls her mother "Mrs. Bennet" in a strictly family setting - only the
two of them and their kids.
People were slowly becoming less formal, but within the older generation of the upper
class it's very likely that Darcy was never "Fitzwilliam" to anyone, not even his own
mother. He is "Darcy" to his aunt, and likely it's true that she's his nearly closest
relation. Georgiana might call him "Brother" instead of "Fitzwilliam". I.e. Fanny often
thinks of Edmund as "Edmund" but addresses him as "Cousin".
Additionally, the problem with Fitzwilliam is that it's not very personal a name.Actually it's stiff and official, since it's given after his mother's grand family. Perhaps
he had some second name women would use instead, but I think that if he did he'd use
it in his letter to Elizabeth. The fact that he used his first name at all makes the letter
more personal. People like him usually signed with their last name only.
On the other hand, the Fitzwilliam in him symbolizes what's grand and proud, linking
him to the Earl and Lady Catherine, while the Darcy part in him is less formal and
kinder, linking him to his father. Hmm... just musing aloud. See? Thats what happens
when peoples thoughtful posts make me think of the novel! :)
March 10, 2009 9:12 PM
Melissa Reneesaid...
Thank you! I try to be thoughtful in my posts.
You do have some good points. I'm not going to make any changes as yet, but I do
wish the novel included Georgiana or (post-engagement) Elizabeth addressing him by
name so we could know what they would call him, maybe Jane Austen herself wasn't
certain.
I agree that if he had some other name that the women in his life used, he would have
most likely used it in The Letter. I had never considered your final point that it is the
Darcy part of him that is actually less formal, though it would make sense since
everyone is always referring to his father's goodness and compassion etc. while his
mother's family does include Lady Catherine. ;)
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