thomas dacosta kaufmann arcimboldo visual jokes, natural history, and still-life painting 2010
TRANSCRIPT
Visual Jokes Natural History and Still-Life Painting
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xiii
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INTRODUCTION
1
figure 01
figure 02
figure 03
figure 04
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7
figure 05
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Arcimboldorsquos Lombard Origins
19
A R C I M B O L D O rsquo S E A R LY C A R E E R
figure 11
figure 12
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21
figure 13a
figure 13b
figure 14
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figure 15
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figure 16
figure 17
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A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y
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29
figure 18
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31
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33
figure 19
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figure 110
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E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S
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Arcimboldo from 1562 The Creation of Composite Heads
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figure 21
figure 22aacute
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figure 23
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T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S
figure 24
figure 25
figure 26 6
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figure 27
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figure 28
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figure 29
figure 210
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figure 211
figure 212
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T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S
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figure 213
figure 214
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T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S
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71
Learning Poetry and Art
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figure 31
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figure 32
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A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M
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87
figure 33
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91
Serious Jokes
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figure 41
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A R C I M B O L D O rsquo S A L L E G O R I E S
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figure 42
figure 43
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A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S
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του ἀισχρου ἐστι τograve γєλοιόν μόριον
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A R C I M B O L D O rsquo S S I L E N I
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Natural Philosophy Natural History and Nature Painting
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figure 51
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A R C I M B O L D O A N D N A T U R A L H I S T O R Y
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A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D
figure 52
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figure 53
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figure 54
figure 55
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figure 56
figure 57
figure 58
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figure 59
figure 510
figure 511
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figure 512
figure 513
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figure 514
figure 515
figure 516
figure 517
figure 518
figure 519
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figure 520
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figure 521
figure 522
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figure 523
figure 524
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figure 525
figure 526
figure 527
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Nature Studies
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figure 61
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A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R
ě
153
figure 62
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ě
T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E
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figure 63
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A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S
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Arcimboldo and the Origins of Still Life
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A R C I M B O L D O rsquo S A N T E C E D E N T S
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figure 71
figure 72
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figure 73
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figure 74
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A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G
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figure 75
figure 76
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figure 77
figure 78
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figure 79
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figure 710
figure 711
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figure 712
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Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
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A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E
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Figure 81
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figure 82
figure 83
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T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S
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figure 84
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S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S
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S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S
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CONCLUSION
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Arcimboldo in the History of Art
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Arcimboldo the Facchini and Popular Culture
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Arcimboldo and Meda at Monza
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Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo
Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo
Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo
Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo
Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo
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