'Thorn lane'Storyboard

1 Long Shot

WS

MS

This will be an establishing shot of the church the wedding will be held from the outside to allow the audience to become familiar with the location.

2

3

4

Static camera

Edited: Demons – Tanner Howe

Slow Track of the bride walking into the church

This will be a shot from the perspective of the bride walking in to the church, the place the characters are situated in

Thorn lane

This shot will be of the bride entering the church, introducing her to the audience

This will be a mid shot of the bride playing with her ring while walking down the aisle, connoting she's nervous?

N/A

POV N/A

Cut

Cut

Cut

N/A Static camera

Cut

N/A

Edited: Demons – Tanner Howe

Edited: Demons – Tanner Howe

Edited: Demons – Tanner Howe

Slow Back Track from the front of the bride as she walks down the aisle

EL

EL

EL

EL

Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes

2 secs

2 secs

1 secs

2 secs

Edited: Demons – Tanner Howe

Edited: Demons – Tanner Howe

Edited: Demons – Tanner Howe

Edited: Demons – Tanner Howe

5

6

7

8

EL

EL

EL

LA

LS

CU

CU

LS/GS

Cut

Cut

Cut

Cut

Bride making her way down the aisle. View of the guests looking onto her connotes to the audience that the guests are judging the bride; feels distant from the altar.

Bride turning to look at her left side towards the guests connotes that the bride is looking for some sort of approval from the audience or reassurance.

Bride turning to look at her right side towards the guests connotes that the bride is looking for some sort of approval from the audience or reassurance.

Bride finally reaches the groom at the end of the aisle and takes his hand. Shows to the audience that there’s a connection between the two despite the judgmental looks and her own “event”.

N/A

N/A

N/A

N/A

Static Camera

Static Camera

Static Camera

Camera closes in on the bride and groom (sort of a zoom)

Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes

4 secs

2 secs

2 secs

1 secs

Thorn lane

9

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11

12

EL

LA

HA

EL

Bride finally reaches the groom at the end of the aisle and takes his hand. Shows to the audience that there’s a connection between the two despite the judgmental looks and her own “event”.

MS (not shown in image)

Cut

MS

Cut

MS

Cut

Cut

CU

Edited: Demons – Tanner Howe

N/A Static Camera

Bride and groom walk up the platform towards the altar. Bride looks back at best man sitting on first row. This presents to the audience the affair between the two.

Edited: Demons – Tanner Howe

N/A

Edited: Demons – Tanner Howe

N/A

Edited: Demons – Tanner Howe

N/A

Tracking of bride and groom walking up the platform

Best man looks back at her (sorrowful/regretful expression), which connotes to the audience that the best man isn’t happy with her getting married to someone else.

Static Camera

Sorrowful/regretful expression continued then looks away. This connotes to the audience that the best man isn’t happy with her getting married to someone else

Static Camera

Thorn lane

Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes

2 secs

2 secs

1 secs

2 secs

13

14

15

16

EL

OTS

EL

HA

Bride and groom looking into each others eyes. Connotes to the audience some form of romance.

Thorn lane

MS N/A

Edited: Demons – Tanner Howe

Static Camera

Cut

View of the best man over the shoulder of the bride looking discerned. Connotes he’s uncomfortable with what’s happening.

OTS

Cut

CU

Cut

MS

Cut

N/A

N/A

N/A

Edited: Demons – Tanner Howe

Edited: Demons – Tanner Howe

Edited: Demons – Tanner Howe

Close up of bride looking down at the best man. Connotes to the audience she’s thinking about him in some way.

Close up of bride looking down at the best man. Connotes to the audience she’s thinking about him in some way.

Static Camera

Static Camera

Static Camera

Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes

2 secs

1 secs

2 secs

3 secs

17

18

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20

EL

HA

EL

HA

Thorn lane

MS

Cut

CU

Cut

MS

Cut

CU

Cut

N/A

N/A

N/A

N/A

Edited: Demons – Tanner Howe

Edited: Demons – Tanner Howe

Edited: Demons – Tanner Howe

Edited: Demons – Tanner Howe

Best man hands over the ring in a mid shot to the groom while the groom looks angry. Connotes to the audience that he may be suspicious.

Cut in of the groom putting the ring on the bride. Connotes to the audience 1 of the 2 meanings. Bride is being tied down to that man, or the man is willing to continue even with his suspicion.

Mid shot of the ring being put on, cut from previous shot. Connotes the same as above.

Close up of groom holding brides hand tightly with the ring fully on. Connotes to the audience the confirmation of 1 of the 2 meanings to be the latter as if he’ll forgive her.

Static Camera

Static Camera

Static Camera

Static Camera

Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes

2 secs

1 secs

1 secs

3 secs

20

21

LA

LA

Thorn lane

MS

Cut

MS

Fade

N/A

N/A

Low angle mid shot of bride to connote her conflicting emotions through facial expression.

Low angle mid shot of the groom to portray his approval of the marriage and happiness to the audience.

Edited: Demons – Tanner Howe

Edited: Demons – Tanner Howe

Static Camera

Static Camera

Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes

2 secs

3 secs

2 secs

4 secs

MS

Cut

Fade into new setting where the bride and groom are pulling away from a kiss.

WS

Cut

All characters are eating and laughing.

Edited: Demons – Tanner Howe

Edited: Demons – Tanner Howe

Static Camera

Static Camera

N/A

N/A

22

23

EL

EL

Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes

2 secs

3 secs

4 secs

MS/ broken Shots

cut

Static Camera

Static Camera

cut

cut

OTS

MS

Characters moving around, broken frame by Groom.

Best man receives text from bride, who is out of focus in background.

Angry; groom drops phone on table after reading the text.

Static Camera

Edited: Demons – Tanner Howe

Edited: Demons – Tanner Howe

Edited: Demons – Tanner Howe

N/A

N/A

N/A

Thorn lane

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26

EL

HA

EL

Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes

5 secs

3 secs

3 secs

2 secs

Wide

CU

cut

Swipe

Cut

OTS

MS

cut

FLIPS THE TABLE

Bride tries to stop the groom from looking at the best man.

N/A

N/A

N/A

N/A

Best man walks off.

Best Mans POV of the couple.

Static camera

Static camera

Static camera

Static camera

Edited: Demons – Tanner Howe

Edited: Demons – Tanner Howe

Edited: Demons – Tanner Howe

Edited: Demons – Tanner Howe

Thorn lane

27

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30

HA

EL

EL

EL

Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes

3 secs

5 secs

4 secs

3 secs

Broken frame/ Mid shot

CUT

CUT

CUT

CUT

WIDE SHOT

Mid Shot

OTS

Best man walks off.

Bride tries to hold back the best man from investigating.

Best Man checks out phone.

Bets man is staring at his bride.

30 seconds from Mars- Up in the air.

30 seconds from Mars- Up in the air.

Static Camera

Static Camera

Static Camera

Static Camera

Edited: Demons – Tanner Howe

Edited: Demons – Tanner Howe

Thorn lane

31

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32

LA

EL

EL

EL

Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes

Static CameraBride looks upset.

30 seconds from Mars- Up in the air.

30 seconds from Mars- Up in the air.

30 seconds from Mars- Up in the air.

Thorn lane

35

EL

Groom walking overwith phone

Best man outsideBuilding distraught/upset

Point of call

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36

36

N/A

N/A

N/A

N/A

CUT

POC

CUT

LS

CUT

MS

CUT

MS

Static Camera

Static Camera

Static Camera

5 secs

4 secs

3 secs