timeline for extinct
DESCRIPTION
This is a rough timeline for out thriller, Extinct. It includes not only the title sequence timings but also the type of cinematography used and the length of shotsTRANSCRIPT
Timeline for Extinct:
1.0-5.0 Universal presents a GPM Production productions
6.0-9.0: Produced by James Ginn
10.00-14.00 Directed by Sophie Perry and Lydia McCarthy
10.00 20.00 30.00 40.00 50.00 1.00 1.10 1.20 1.30 1.40 1.50 2.00 Continuous music for the 2 full minutes
1.51-1.55 EXTINCT
1.56-2.00 Phone Shown hanging (using a long shot)
15.00-19.00: Establisher shot of James’ eyes, close up of his deliriously waking up
20.00-24.00: Panning shot of James gathering his possessions from his room into his bag (his costume clearly shown)
25.00-29.00 Low Angle shot panning showing James running down the stairs quickly
30.00-35.00: Floor shot showing James run out the already open door
36.00-40.00: High angle shot into tilted angle shot of James walking down an empty street
41.00-45.00: Flash back (black and white) of the busy street before the apocalypse
46.00-49.00: P.O.V shot of James checking his phone
50.00-55.00: Wide angle shot of James looking at the continuous red traffic light
56.00-1.00; Flash Back shot of James crossing the road pre apocalypse (black and white)
1.01-1.05: over the shoulder shot of James noticing a number of newspapers on the floor warning the public of the apocalypse
1.06-1.10: P.O.V James looks at abandoned car left at the side of the road and starts to run towards it
1.11-1.15: Flash back of previously busy street with a number of cars
1.16-1.20: Close up of James’ face looking worried (sound f guns overlapping) as he kneels to the ground
1.21-1.23: Wide shot of James standing up again
1.24-1.27: P.O.V shot of James rechecking his phone
1.28-1.33: Tracking shot of James running towards the pay phone
1.34-1.1.39: James notices the ringing payphone
1.40-1.45 slow pan of James looking towards phone
1.46-1.49: Low angle shot of James’ feet slowly walking towards the phone
1.50-1.52: O.T.S shot of James looking directly at the phone box