timeline for extinct

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Timeline for Extinct: 1.0-5.0 Universal presents a GPM Production productions 6.0-9.0: Produced by James Ginn 10.00-14.00 Directed by Sophie Perry and Lydia 10.00 20.0 0 30.00 40.0 0 50.00 1.0 0 1.10 1.20 1.30 1.4 0 1.5 0 2.0 0 Continuo us music for the 2 full minutes 1.51- 1.55 EXTINC T 1.56- 2.00 Phone Shown hanging (using a long shot) 15.00- 19.00: Establis her shot of James’ eyes, 20.00-24.00: Panning shot of James gathering his possessions from his room into his bag (his costume 25.00-29.00 Low Angle shot panning showing James 30.00- 35.00: Floor shot showing James run out the 36.00-40.00: High angle shot into tilted angle shot of James 41.00-45.00: Flash back (black and white) of the busy street 46.00- 49.00: P.O.V shot of James checking 50.00-55.00: Wide angle shot of James looking at the continuous red traffic light 56.00-1.00; Flash Back shot of James crossing the road pre 1.01-1.05: over the shoulder shot of James noticing a number of newspapers on the 1.06-1.10: P.O.V James looks at abandoned car left at the 1.11-1.15: Flash back of previously busy street 1.16-1.20: Close up of James’ face looking worried (sound f guns 1.21-1.23: Wide shot of James standing up again 1.24-1.27: P.O.V shot of James rechecking his phone 1.28- 1.33: Tracki ng shot of James runnin g 1.34- 1.1.39: James notices 1.40- 1.45 slow pan of James looking 1.46-1.49: Low angle shot of James’ feet slowly walking 1.50-1.52: O.T.S shot of James looking

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This is a rough timeline for out thriller, Extinct. It includes not only the title sequence timings but also the type of cinematography used and the length of shots

TRANSCRIPT

Page 1: Timeline for Extinct

Timeline for Extinct:

1.0-5.0 Universal presents a GPM Production productions

6.0-9.0: Produced by James Ginn

10.00-14.00 Directed by Sophie Perry and Lydia McCarthy

10.00 20.00 30.00 40.00 50.00 1.00 1.10 1.20 1.30 1.40 1.50 2.00 Continuous music for the 2 full minutes

1.51-1.55 EXTINCT

1.56-2.00 Phone Shown hanging (using a long shot)

15.00-19.00: Establisher shot of James’ eyes, close up of his deliriously waking up

20.00-24.00: Panning shot of James gathering his possessions from his room into his bag (his costume clearly shown)

25.00-29.00 Low Angle shot panning showing James running down the stairs quickly

30.00-35.00: Floor shot showing James run out the already open door

36.00-40.00: High angle shot into tilted angle shot of James walking down an empty street

41.00-45.00: Flash back (black and white) of the busy street before the apocalypse

46.00-49.00: P.O.V shot of James checking his phone

50.00-55.00: Wide angle shot of James looking at the continuous red traffic light

56.00-1.00; Flash Back shot of James crossing the road pre apocalypse (black and white)

1.01-1.05: over the shoulder shot of James noticing a number of newspapers on the floor warning the public of the apocalypse

1.06-1.10: P.O.V James looks at abandoned car left at the side of the road and starts to run towards it

1.11-1.15: Flash back of previously busy street with a number of cars

1.16-1.20: Close up of James’ face looking worried (sound f guns overlapping) as he kneels to the ground

1.21-1.23: Wide shot of James standing up again

1.24-1.27: P.O.V shot of James rechecking his phone

1.28-1.33: Tracking shot of James running towards the pay phone

1.34-1.1.39: James notices the ringing payphone

1.40-1.45 slow pan of James looking towards phone

1.46-1.49: Low angle shot of James’ feet slowly walking towards the phone

1.50-1.52: O.T.S shot of James looking directly at the phone box