today: the cameralazebnik/spring09/lec02_camera.pdf · projection properties • parallel lines...
TRANSCRIPT
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Today: The Camera
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Overview• The pinhole projection model
• Qualitative properties• Perspective projection matrix
• Cameras with lenses• Depth of focus• Field of view• Lens aberrations
• Digital cameras• Types of sensors• Color
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How do we see the world?
Let’s design a camera• Idea 1: put a piece of film in front of an object• Do we get a reasonable image?
object film
Slide by Steve Seitz
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Pinhole camera
Add a barrier to block off most of the rays• This reduces blurring• The opening known as the aperture
object filmbarrier
Slide by Steve Seitz
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Pinhole camera model
Pinhole model:• Captures pencil of rays – all rays through a single point• The point is called Center of Projection (focal point)• The image is formed on the Image Plane
Slide by Steve Seitz
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Point of observation
Figures © Stephen E. Palmer, 2002
Dimensionality Reduction Machine (3D to 2D)
3D world 2D image
What have we lost?• Angles• Distances (lengths)
Slide by A. Efros
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Projection properties• Many-to-one: any points along same ray map
to same point in image• Points → points
• But projection of points on focal plane is undefined
• Lines → lines (collinearity is preserved)• But line through focal point projects to a point
• Planes → planes (or half-planes)• But plane through focal point projects to line
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Projection properties• Parallel lines converge at a vanishing point
• Each direction in space has its own vanishing point• But parallels parallel to the image plane remain parallel• All directions in the same plane have vanishing points on the
same line
How do we construct the vanishing point/line?
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One-point perspectiveMasaccio, Trinity, Santa
Maria Novella, Florence, 1425-28
First consistent use of perspective in Western art?
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Perspective distortion• Problem for architectural photography:
converging verticals
Source: F. Durand
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Perspective distortion• Problem for architectural photography:
converging verticals
• Solution: view camera (lens shifted w.r.t. film)
Source: F. Durand
Tilting the camera upwards results in converging verticals
Keeping the camera level, with an ordinary lens, captures only the bottom portion of the building
Shifting the lens upwards results in a picture of the entire subject
http://en.wikipedia.org/wiki/Perspective_correction_lens
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Perspective distortion• Problem for architectural photography:
converging verticals• Result:
Source: F. Durand
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Perspective distortion• However, converging verticals work quite well
for horror movies…
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Perspective distortion• What does a sphere project to?
Image source: F. Durand
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Perspective distortion• What does a sphere project to?
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Perspective distortion• The exterior columns appear bigger• The distortion is not due to lens flaws• Problem pointed out by Da Vinci
Slide by F. Durand
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Perspective distortion: People
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Modeling projection
The coordinate system• We will use the pinhole model as an approximation• Put the optical center (O) at the origin• Put the image plane (Π’) in front of O
x
y
z
Source: J. Ponce, S. Seitz
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x
y
z
Modeling projection
Projection equations• Compute intersection with Π’ of ray from P = (x,y,z) to O• Derived using similar triangles
)',','(),,( fzyf
zxfzyx →
Source: J. Ponce, S. Seitz
• We get the projection by throwing out the last coordinate:
)','(),,(zyf
zxfzyx →
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Homogeneous coordinates
Is this a linear transformation?
Trick: add one more coordinate:
homogeneous image coordinates
homogeneous scene coordinates
Converting from homogeneous coordinates
• no—division by z is nonlinear
Slide by Steve Seitz
)','(),,(zyf
zxfzyx →
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divide by the third coordinate
Perspective Projection MatrixProjection is a matrix multiplication using homogeneous
coordinates:
⎥⎥⎥
⎦
⎤
⎢⎢⎢
⎣
⎡=
⎥⎥⎥⎥
⎦
⎤
⎢⎢⎢⎢
⎣
⎡
⎥⎥⎥
⎦
⎤
⎢⎢⎢
⎣
⎡
'/1
0'/10000100001
fzyx
zyx
f)','(
zyf
zxf⇒
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divide by the third coordinate
Perspective Projection MatrixProjection is a matrix multiplication using homogeneous
coordinates:
⎥⎥⎥
⎦
⎤
⎢⎢⎢
⎣
⎡=
⎥⎥⎥⎥
⎦
⎤
⎢⎢⎢⎢
⎣
⎡
⎥⎥⎥
⎦
⎤
⎢⎢⎢
⎣
⎡
'/1
0'/10000100001
fzyx
zyx
f)','(
zyf
zxf⇒
In practice: lots of coordinate transformations…
World to camera coord.
trans. matrix(4x4)
Perspectiveprojection matrix
(3x4)
Camera to pixel coord. trans. matrix
(3x3)
=2D
point(3x1)
3Dpoint(4x1)
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Orthographic ProjectionSpecial case of perspective projection
• Distance from center of projection to image plane is infinite
• Also called “parallel projection”• What’s the projection matrix?
Image World
Slide by Steve Seitz
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Building a real camera
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Camera Obscura
• Basic principle known to Mozi (470-390 BCE), Aristotle (384-322 BCE)
• Drawing aid for artists: described by Leonardo da Vinci (1452-1519)
Gemma Frisius, 1558
Source: A. Efros
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Abelardo Morell
Camera Obscura Image of Manhattan View Looking South in Large Room, 1996
http://www.abelardomorell.net/camera_obscura1.html
From Grand Images Through a Tiny Opening, Photo District News, February 2005
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Home-made pinhole camera
http://www.debevec.org/Pinhole/
Why soblurry?
Slide by A. Efros
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Shrinking the aperture
Why not make the aperture as small as possible?• Less light gets through• Diffraction effects…
Slide by Steve Seitz
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Shrinking the aperture
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Adding a lens
A lens focuses light onto the film• Rays passing through the center are not deviated
object filmlens
Slide by Steve Seitz
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Adding a lens
A lens focuses light onto the film• Rays passing through the center are not deviated• All parallel rays converge to one point on a plane located at
the focal length f
object filmlens
Slide by Steve Seitz
focal point
f
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Adding a lens
A lens focuses light onto the film• There is a specific distance at which objects are “in focus”
– other points project to a “circle of confusion” in the image
object filmlens
“circle of confusion”
Slide by Steve Seitz
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Thin lens formula
fDD’
Frédo Durand’s slide
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Thin lens formula
fDD’
Similar triangles everywhere!
Frédo Durand’s slide
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Thin lens formula
fDD’
Similar triangles everywhere!
y’y
y’/y = D’/D
Frédo Durand’s slide
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Thin lens formula
fDD’
Similar triangles everywhere!
y’y
y’/y = D’/Dy’/y = (D’-f)/D
Frédo Durand’s slide
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Thin lens formula
fDD’
1D’ D
1 1f+ =
Any point satisfying the thin lens equation is in focus.
Frédo Durand’s slide
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Depth of Field
http://www.cambridgeincolour.com/tutorials/depth-of-field.htm
Slide by A. Efros
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How can we control the depth of field?
Changing the aperture size affects depth of field• A smaller aperture increases the range in which the object is
approximately in focus• But small aperture reduces amount of light – need to
increase exposure Slide by A. Efros
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Varying the aperture
Large aperture = small DOF Small aperture = large DOFSlide by A. Efros
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Nice Depth of Field effect
Source: F. Durand
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Manipulating the plane of focusIn this image, the plane of focus is almost at a
right angle to the image plane
Source: F. Durand
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Tilt-shift lenses• Tilting the lens with respect to the image plane allows
to choose an arbitrary plane of focus
• Standard setup: plane of focus is parallel to image plane and lens plane
image planelens planeplane of focus
shift
tilt
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Tilt-shift lenses• Tilting the lens with respect to the image plane allows
to choose an arbitrary plane of focus
• Scheimpflug principle: plane of focus passes through the line of intersection between the lens plane and the image plane
image planetiltedlens plane
plane of focus
shift
tilt
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“Fake miniatures”
Olivo Barbieri: http://www.metropolismag.com/cda/story.php?artid=1760
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Field of View (Zoom)
Slide by A. Efros
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Field of View (Zoom)
Slide by A. Efros
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f
Field of View
Smaller FOV = larger Focal LengthSlide by A. Efros
f
FOV depends on focal length and size of the camera retina
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Field of View / Focal Length
Large FOV, small fCamera close to car
Small FOV, large fCamera far from the car
Sources: A. Efros, F. Durand
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Same effect for faces
standardwide-angle telephoto
Source: F. Durand
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Source: Hartley & Zisserman
Approximating an affine camera
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Real lenses
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Lens Flaws: Chromatic AberrationLens has different refractive indices for different
wavelengths: causes color fringing
Near Lens CenterNear Lens Center Near Lens Outer EdgeNear Lens Outer Edge
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Lens flaws: Spherical aberrationSpherical lenses don’t focus light perfectly
Rays farther from the optical axis focus closer
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Lens flaws: Vignetting
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No distortion Pin cushion Barrel
Radial Distortion• Caused by imperfect lenses• Deviations are most noticeable for rays that pass through the edge of
the lens
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Digital camera
A digital camera replaces film with a sensor array• Each cell in the array is light-sensitive diode that converts photons to electrons• Two common types
– Charge Coupled Device (CCD)– Complementary metal oxide semiconductor (CMOS)
• http://electronics.howstuffworks.com/digital-camera.htm
Slide by Steve Seitz
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CCD vs. CMOSCCD: transports the charge across the chip and reads it at one corner of the array.
An analog-to-digital converter (ADC) then turns each pixel's value into a digital value by measuring the amount of charge at each photosite and converting that measurement to binary form
CMOS: uses several transistors at each pixel to amplify and move the charge using more traditional wires. The CMOS signal is digital, so it needs no ADC.
http://www.dalsa.com/shared/content/pdfs/CCD_vs_CMOS_Litwiller_2005.pdf
http://electronics.howstuffworks.com/digital-camera.htm
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Color sensing in camera: Color filter array
Source: Steve Seitz
Estimate missing components from neighboring values(demosaicing)
Why more green?
Bayer grid
Human Luminance Sensitivity Function
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Problem with demosaicing: color moire
Slide by F. Durand
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The cause of color moire
detector
Fine black and white detail in imagemisinterpreted as color information
Slide by F. Durand
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Color sensing in camera: Prism• Requires three chips and precise alignment• More expensive
CCD(B)
CCD(G)
CCD(R)
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Color sensing in camera: Foveon X3
Source: M. Pollefeys
http://en.wikipedia.org/wiki/Foveon_X3_sensorhttp://www.foveon.com/article.php?a=67
• CMOS sensor• Takes advantage of the fact that red, blue and green
light penetrate silicon to different depths
better image quality
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Issues with digital camerasNoise
– low light is where you most notice noise– light sensitivity (ISO) / noise tradeoff– stuck pixels
Resolution: Are more megapixels better?– requires higher quality lens– noise issues
In-camera processing– oversharpening can produce halos
RAW vs. compressed– file size vs. quality tradeoff
Blooming– charge overflowing into neighboring pixels
Color artifacts– purple fringing from microlenses, artifacts from Bayer patterns– white balance
More info online:• http://electronics.howstuffworks.com/digital-camera.htm• http://www.dpreview.com/
Slide by Steve Seitz
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Historical context• Pinhole model: Mozi (470-390 BCE),
Aristotle (384-322 BCE)• Principles of optics (including lenses):
Alhacen (965-1039 CE) • Camera obscura: Leonardo da Vinci
(1452-1519), Johann Zahn (1631-1707)• First photo: Joseph Nicephore Niepce (1822)• Daguerréotypes (1839)• Photographic film (Eastman, 1889)• Cinema (Lumière Brothers, 1895)• Color Photography (Lumière Brothers, 1908)• Television (Baird, Farnsworth, Zworykin, 1920s)• First consumer camera with CCD:
Sony Mavica (1981)• First fully digital camera: Kodak DCS100 (1990)
Niepce, “La Table Servie,” 1822
CCD chip
Alhacen’s notes
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Next timeLight and color
Slide by Steve Seitz