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JPR Tom Armstrong Flute

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Page 1: Tom Armstrong - epubs.surrey.ac.ukepubs.surrey.ac.uk/841520/2/Flute complete.pdf · Resume after hpd. cue Viol. 1 and 2 o d o [TACET: Harpsichord solo Tambourin #2] d d d &b &b &b

JPR

Tom Armstrong

Flute

Page 2: Tom Armstrong - epubs.surrey.ac.ukepubs.surrey.ac.uk/841520/2/Flute complete.pdf · Resume after hpd. cue Viol. 1 and 2 o d o [TACET: Harpsichord solo Tambourin #2] d d d &b &b &b

2

Notes for Performers

Each instrumental part in JPR is based on one movement from Rameau's Pieces de Clavecinen Concert. These parts are superimposed to form a set of five trios, any or all of which may be performed as part of a concert programme.

Coordination of entries is usually achieved using cues given by the lead instrument and indicated by vertical arrows in its part. The lead instrument's part is always the longest in minutes and seconds. Clock timings are given for reference but are not usually required for coordination purposes (stop watches need not be used*). Moment to moment coordination of parts (which differ in one or more of key, meter, tempo and phrase structure) is not necessary, indeed it contradicts the free floatingaesthetic of the music.

It is important that the metronome marks, derived from a 1999 recording by Haugsand, Mackintosh and Dreyfus, are observed strictly and it may well be necessary for each performer to use a metronome (with a light rather than a click!) during performance. The superimposition of parts differs for each trio and is indicated in diagrammatic form on a prefatory page.

*Except possibly in Trio No. 2.

Page 3: Tom Armstrong - epubs.surrey.ac.ukepubs.surrey.ac.uk/841520/2/Flute complete.pdf · Resume after hpd. cue Viol. 1 and 2 o d o [TACET: Harpsichord solo Tambourin #2] d d d &b &b &b

Trio No. 1 superimposition of parts

Page 4: Tom Armstrong - epubs.surrey.ac.ukepubs.surrey.ac.uk/841520/2/Flute complete.pdf · Resume after hpd. cue Viol. 1 and 2 o d o [TACET: Harpsichord solo Tambourin #2] d d d &b &b &b

™™

Copyright © Tom Armstrong 2015

Flute

q = 58

12

™™ ™™22

34

43

53

™™58

24&###Begin on viol. cue

U

Trio No. 1Tom Armstrong after Jean-Philippe Rameau

&###

&###0.521.44

&###

&### U

&###

&###3.054.26

fiœj œ œ Œ Œ œj ‰ Œ œj ‰ ˙#

Œ œR ≈œR ≈ Œ œR ≈œR ≈ Œ œR ≈œR ≈ Œ œR ≈œR ≈ Œ œR ≈œR ≈ ˙ ˙

œ œ ˙ Œ œ œ œ œ œ œ Œ

Œ œR ≈œR ≈ Œ œR ≈œR ≈ Œ œr≈œR ≈ Œ œr≈œR ≈ Œ œR ≈œR ≈ Œ œ œn

Œ œJ ‰ Œ œJ ‰ ˙ Œ œR ≈œR ≈ Œ œR ≈œR ≈

Œ œR ≈ œR ≈ Œ œR ≈ œR ≈ Œ œR ≈ œR ≈

˙ ˙ œ œ ˙

Page 5: Tom Armstrong - epubs.surrey.ac.ukepubs.surrey.ac.uk/841520/2/Flute complete.pdf · Resume after hpd. cue Viol. 1 and 2 o d o [TACET: Harpsichord solo Tambourin #2] d d d &b &b &b

NB The harpsichord and viola da gamba require either a stopwatch each (to time their entries) or copies of bars 1-15 of the flute part which contain the cues for their latest points of entry.They could also simply memorise where these points occur in the flute part.

Page 6: Tom Armstrong - epubs.surrey.ac.ukepubs.surrey.ac.uk/841520/2/Flute complete.pdf · Resume after hpd. cue Viol. 1 and 2 o d o [TACET: Harpsichord solo Tambourin #2] d d d &b &b &b

Tom Armstrong after Jean-Philippe Rameau

Copyright © Tom Armstrong 2015

FluteLead instrument

q = 84

Trio No. 2

Ä8 ™™ 1st Reprise

Ä15

22

2nd Reprise29

36

41

12 22

12 22

12

&bbb¯

&bbb

Hpd. latest pointof entry (3rd beat1 )

0.230.46

&bbb

Viol. latest pointof entry (3rd beat)

1.17

&bbb

&bbb1.40

dd

&bbb2.06

&bbb2.29

œ œ œ ™ œJ Ó Œ œ œ ™ œJ Œ ‰ œJ Ó Ó œ œ œ ™ œJ Ó œ ˙ ™

w ˙ Œ ‰ œJ œ œ Œ ‰ œJ œ œ Œ ‰ œJ œ œ Œ ‰ œJ œ œ Ó

˙ œ œ Œ Ó ‰ œJ Œ Ó ‰ œJ Œ Ó œ œ

œ ™ œJ Ó Œ œ œ ™ œJ Œ ‰ œJ Ó Ó œ œ œ ™ œJ Ó œ ˙ ™ w

˙ œ œ ™œœ œ Œ Ó Ó œ ™ œJ ˙n Ó Ó œ ™ œJ œ ™ œJ Ó

˙ œ œ œ ™ œJ Ó Œ œ œ ™ œJ

Œ ‰ œJ Ó Ó œ œ œ ™ œJ Ó œ ˙ ™ w ˙

Page 7: Tom Armstrong - epubs.surrey.ac.ukepubs.surrey.ac.uk/841520/2/Flute complete.pdf · Resume after hpd. cue Viol. 1 and 2 o d o [TACET: Harpsichord solo Tambourin #2] d d d &b &b &b
Page 8: Tom Armstrong - epubs.surrey.ac.ukepubs.surrey.ac.uk/841520/2/Flute complete.pdf · Resume after hpd. cue Viol. 1 and 2 o d o [TACET: Harpsichord solo Tambourin #2] d d d &b &b &b

™™

Flute

© Tom Armstrong 2015

h = 80

10

18

26

35

44

54

63

72

™™80

22&b

Tom Armstrong after Jean-Philippe Rameau

Trio No. 3

&b

&b

&b

&b

&b

&b

&b

&b

&b2.114.22

Œ œ œ œ Œ œ œ œ

Œ œ œ œ Œ œ œ œ Œ œ Ó Œ œ Ó Œ œ Ó

Œ œn Ó Œ œ Ó Œ ˙ Œ Œ œ Ó Œ ˙ Œ

Ó Œ œ Ó Œ œ Œ œ œ œ w œ Œ Ó

Œ œ œ œ Œ œ œ œ Œ œ œ œ w w

w w w ˙ ™ Œ Œœ œ œ

Œ œ œ œ Œ œ œ œ Œ œ œ œ w

w w w w ˙ ™ Œ Œ œ Ó Œ œ Ó Œ œ Ó Œ œn Ó

Œ œ œ œ Œ œ œ œ œ Œ Ó

Œ œ œ œ œ Œ Ó w

Page 9: Tom Armstrong - epubs.surrey.ac.ukepubs.surrey.ac.uk/841520/2/Flute complete.pdf · Resume after hpd. cue Viol. 1 and 2 o d o [TACET: Harpsichord solo Tambourin #2] d d d &b &b &b
Page 10: Tom Armstrong - epubs.surrey.ac.ukepubs.surrey.ac.uk/841520/2/Flute complete.pdf · Resume after hpd. cue Viol. 1 and 2 o d o [TACET: Harpsichord solo Tambourin #2] d d d &b &b &b

™™

FluteLead instrument

q = 69

Trio No. 4Tom Armstrong after Jean-Philippe Rameau

© Tom Armstrong 2015

8 Ä15

24 Ä™™

™™32 Ä39

47

54 ™™

34&bd d

o

d d

&b d dViol. 1 and2o d d

&bo

&bHpd. 2

1.212.42

&bResume after hpd. cue

Viol. 1 and2 o d

o

[TACET: Harpsichord solo Tambourin #2]

d d d

&b

&b

&b1.182.36

Œ œ ™ œJ œ ™ œJ Œ Œ œ ™ œJ œ ™ œJ Œ Œ œ ™ œœ ˙ œ œ ˙ ™Œ œ ™ œJ œ ™ œJ Œ Œ œ ™ œJ œ ™ œJ Œ Œ œ ™ œ œ ˙ œJœ œ ˙# ™

œ œ ™ œJœJ ˙ Œ œ œ ™ œJœJ ˙ ™ œ œ Œ Œ

‰ œj œ œ œ œ ‰ œj œ œ œ œ ‰ œj œ œ œ œ

Œ œ ™ œJœJ œ œ ™ œJœJ œ œ ™ œJœJ œ œ ™ œJ œ# ˙n œ ™ œ œ# Œ

‰ œnJ œ œ œ œ ‰ œnJ œ œ œ œ ‰ œnJ œ œ œ œ

‰ œJ œ œ œ œ ‰ œJ œ œ œ œ ‰ œJ œ œ œ œ

Œ ˙ ˙ ™ ˙ ™ ˙ Œ

Page 11: Tom Armstrong - epubs.surrey.ac.ukepubs.surrey.ac.uk/841520/2/Flute complete.pdf · Resume after hpd. cue Viol. 1 and 2 o d o [TACET: Harpsichord solo Tambourin #2] d d d &b &b &b
Page 12: Tom Armstrong - epubs.surrey.ac.ukepubs.surrey.ac.uk/841520/2/Flute complete.pdf · Resume after hpd. cue Viol. 1 and 2 o d o [TACET: Harpsichord solo Tambourin #2] d d d &b &b &b

™™

Flute

h = 69

Tom Armstrong after Jean-Philippe Rameau

© Tom Armstrong 2015

Trio No. 5

8

14 ™™ ™™

21

27

35

41 1. ™™ 2.

12 22

12 22

12 22

&##Begin on viol cue 2¯

&## d

&##Begin on viol cue 1 and 2¯ ¯

&##

0.280.56

&##

&##

&##1.41 2.26

œ œ œ œ Ó œ œ œ œ Ó œ œ œ œ Ó œ œ œ œ

Ó œ œ# œ œ Ó œ œ œ œ Ó œ œ œ œ Ó œ œ œ œ Ó œ œ œ œ

Ó œ œ œ œ Ó œ œ œ œ

Ó œ œ œ œ Ó œ œ œ œ Ó œ œ œ œ Ó œ œ œ œ Ó œ œ œ œ

Ó œ œ œ œ Ó œ œ# œ œ Ó œ œ œ œ

Ó œ œ œ œ Ó œ œ œ œ Ó œ œ œ œ Ó œ œ œ œ

Ó œ œ œ œ Ó œ œ œ œ Ó œ œ œ œ