total lighting november 2014

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www.tlmagazine.co.uk • N O V E M B E R 2 01 4 • 9

inside

PEOPLE11 Comment

Editor, Gill Anderson discusses lighting, and more …

13 News, News, appointments & diary dates

for the month ahead

16 Airey on … Brendon Airey, the industry’s industry

columnist

21 Interview – Driven Mariana Figueiro, a brilliant mind

79 10 minutes with … Edward Lees of Havells-Sylvania

COMMERCIAL29 News32 Eye of the beholder Building facades

39 Case study – Keep a note Document management company, Synertec

ENERGY EFF IC IENT43 News47 Elegant illumination Light sources for chandeliers

51 Case study – If Carling made LEDs

Probably the biggest public sector LED project

EVENT55 News57 The final countdown 2014 LuxLive preview

58 Case study – Kentfest Stage lighting for Swedish rock band

RETA IL63 News66 Bums on seats Create a successful ambience from

breakfast to evening service

70 Case study – Sky’s the limit Sky Retail’s new Westfield outlet

SPECIAL IST73 News75 Case study – Oh, là là British chic for a Parisian getaway

77 Opinion – Evolving control Ian Hamilton believes the age of control

for all has arrived

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THE TEAMEditorGill [email protected]

Design/productionQuentin [email protected]

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My least favourite time of year is when the clocks change at the end of October. I detest the dark mornings and dark evenings that the change brings, as I suspect do most of the working population.

However, there was a bit of a silver lining this year, as I’ve been lucky enough to receive not one, but two smart lighting systems to play with – which of course, need the dark.

I’ve been reading and writing about these domestic systems for some time, but this is the fi rst opportunity I’ve had to get touchy-feely with them. I will admit to wondering who would buy these kits – techno geeks, keepers up with the Jones’, or possibly desperate women whose partner’s have everything they could possibly need or want?

Well, now I know; it’s people just like me, who want to control their lighting in a simple-ish way. For instance, we went away this month, and instead of asking my neighbour to open and close blinds and put lights on to deter burglars, I simply set an ‘away from home’ scene for different rooms, and ‘Bob’, as the saying goes, ‘was my uncle’. It seems to have worked too – we weren’t burgled, and no squatters took up residence, and all controlled from my iPad. Job done!

So, apart from driving the family mad with 1970s-style disco scenes through the long dark evenings, the other bit of fun on my horizon is the fi nal event of the UK lighting show year, LuxLive.

Hopefully, all of the blisters from London Design week will have healed, and we’ll all be ready and willing for another round of ‘who’s showing what’. However, in the case of this event, there’s a lot more to see and take part in. For the defi nitive guide, have a look at page 55.

This month, I’m delighted to report that TL has secured an interview with possibly the world’s busiest woman. Despite carrying a workload that would make a humming bird with two sets of wings blanche, Mariana Figueiro, light and health program director, LRC, and Professor at Rensselaer Polytechnic Institute in the US, found time to share information on her work with the effects of light on health – a subject that’s catching the global lighting fraternity’s imagination right now.

Enjoy the month!

Gill Anderson| editor

Technology - in the dark


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P E O P L E

H I G H L I G H T

Spotlight on sustainability

Appointments

GlassGuard has appointed Stephen Szmidt as quality and

health & safety manager.He is a member of the

Chartered Quality Institute and holds a Diploma in Quality and Lean Six Sigma Black Belt certification.

Szmidt said of his appointment: ‘This will be a challenging role. GlassGuard is already a strong advocator of manufacturing standards. I am looking forward to bringing further leaner, quality and health and safety improvements which will benefit the company, our customers and our suppliers.’

Managing director Chris Payne added: ‘We are pleased to welcome Stephen to the team. He has already made a telling contribution to the company by overseeing GlassGuard’s ISO9001 re-certification for a further three years with no non-conformances.’

Lighting Controls has added to its sales force with the appointment

of Robert John Garner. Garner began his career as

an electrical engineer, later switching to sales. During the past nine years, has secured a solid working relationship within the lighting controls industry, working with Modular Wiring Systems, Open Technology, Honeywell and Prolojik.

Lighting controls specialist, BEG has appointed Jan Glynn as its

new business development manager.

With 25 years’ experience in the lighting industry, Glynn will be responsible for developing new business opportunities in the north east of England, and will work with consultants, architects, and engineers on the best ways organisations can reduce their energy costs.

Speaking on his appointment, Glynn said: ‘I’m delighted to be joining a company that has such a rich history as BEG, ahead of its forthieth anniversary next year.

‘BEG continues to produce a range of award-winning products, from occupancy

sensors, and KNX to LED floodlights and I look forward to working with a great team.’

Milos Group welcomes Marc Hendriks, a well-respected

expert who has enjoyed a long and successful history within the truss and support structure industry.

His appointment to the Milos Group team is expected to strengthen brands, and offer value added to its customer base. He will drive efficient product development and effectively manage the product portfolio across all three brands.

Optoma has expanded its LED lighting

business with the appointment of two regional sales managers: Ian McNeill and Daniel Holden.

Speaking of his appointment, Holden said: ‘The lighting industry saw very little change in almost six decades. There has been an all too slow progression in energy conscious lighting.

But in the last five years there has been a huge sea change reflecting the importance of LED to the lighting world. As a consequence, there is a lot of cheap lighting being manufactured.

‘I have joined Optoma because I know the products are of a high quality and will last.’

McNeill trained as a lighting engineer with an LIF qualification, and has been working at Collingwood Lighting and previously, Litelite.

He said: ‘I am looking forward to this new challenge. LED lighting is absolutely the way forward because of cost saving, energy efficiency and aesthetics.’

BRAND Lighting Design has announced the appointment of Ashley Pearson as

technical director, responsible for leading the lighting design and control specification team.

Of his move, Pearson said: ‘Whilst of course I’m sad to be leaving Gil-lec and the great team there, I am really pleased to be joining BRAND.

It’s a very exciting time in lighting design – particularly in terms of control - and I’m looking forward to working on the more unusual and probably challenging projects, which BRAND specialises in.’

Wireless Solution Sweden has appointed Bo Wendemo as R&D engineer, effective immediately.

Wendemo has 25 years’ experience with wireless technology, and spent the past 10 years at Nokia Denmark, which included an 18-month stint helping to build and train a team in Beijing.

He commented: ‘I’m looking forward to keeping the W-DMX brand on the leading edge of technology, to maintain its status as the most reliable wireless DMX on the market.’

Niclas Arvidsson, CEO of Wireless Solution added: ‘We’re very happy to add Bo to our R&D team. He has a very strong background, and his experience in China further strengthens his position. I believe our products will benefit hugely and continue to be even more innovative.’

Interlight Moscow11-14 November 2014Expocentre, Moscow www.interlight.messefrankfurt.ru

LuxLive 19-20 November 2014ExCeL, London www.luxlive.co.uk

Light Festival Expo4-5 December 2014Lyon, France www.lightfestivalexpo.com Strategies in Light 24-26 February 2015Las Vegas, Nevada www.strategiesinlight.com

LED China2-5 March 2015Guangzhou, China www.chinaexhibition.com

TILS25-28 March 2015Taipei WTC, Taiwan www.tils.com.tw

International Light Fair6-9 April 2015HKCEC, Hong Kong www.hktdc.com Lightfair International3-7 May 2015Javits Center, New York www.lightfair.com

It’s a date...

PhotonStar’s marketing and business development director, Fenella Frost, has been invited to speak at the annual GHA annual conference at Senate Place, London on 6 November.

As a sustainable homes and communities organisation, GHA raises awareness of environmental developments, and is committed to promoting sustainable housing.

Frost joined PhotonStar

in 2008, bringing with her specialist knowledge of low-carbon building design, engineering and manufacture. As an experienced speaker, she focuses primarily on energy and sustainability, and is a recognised expert in the emerging topic of light and health.

She chaired the Lighting and sustainable building design panel discussion at the 2013 Ecobuild event.

14 • N O V E M B E R 2 01 4 • www.tlmagazine.co.uk

P E O P L E

H I G H L I G H T

In 2008, Sutton Vane Associates was appointed to design the lighting for the park and public areas of London’s Olympic venue.

As part of the project, principal, Mark Sutton Vane designed the iconic ‘Memory Masts’, used to light large open spaces around the Olympic stadium. Now those masts are featuring in the park’s advertisements on the London Underground.

Each 31m high mast has its own wind turbine, lit to stand out after dark. Below the turbine is a ring, which hides the down lights that light the ground below. All around the ring are hundreds of tiny LED lights, which can be made to change colour independently or in in rhythms that run along the line of masts.

Sutton Vane’s lighting was so successful that he was subsequently appointed London 2012 Learning Legacy Ambassador for Lighting.

His connection with the Olympic movement continued after the London games, as he designed the lighting for the museum at the headquarters of the International Olympic Committee in Lausanne, Switzerland. Some of the museum graphics also include photos of Memory Masts in action in London: completing the circle.

Sutton Vane commented: ‘I was on the Underground; the train stopped at a station, and I saw through the window one of my lights on an advertisement for the Olympic Park. It was a real surprise to see my design in the Underground!’

What goes

around

Cheer on UK manufacturingDextra Group has received the Lighting Manufacturing Company of the Year Award, from Building and Facilities News.

Rupert Martin, Group chairman and owner, commented: ‘We are very proud that after 37

years, a privately owned and managed UK lighting company has been recognised and appreciated for their commitment to UK manufacturing.

‘The past 12 months have seen a major investment in square

metres, staff, and advanced technology systems across the Group. In addition, major contracts have been won, resulting in a huge increase on predicted sales, and there has been a large increase in LED sales.’

Asked about the Group’s plans and direction for the future, Martin added: ‘Our chief aim is further investment in advanced technology, and to increase our production capacity here in our UK-based facility.

‘The whole industry is currently switching its focus to LED lighting. The significant shift in consumer demand highlights the growing desirability of high performing and energy efficient LED technology.’

Hamilton Litestat has revealed that its latest innovation, the LEDstat Intelligent Dimmer, has been shortlisted in the Innovative Residential/Domestic Product of the Year category, of the Electrical Industry Awards 2014.

The dimmer, which resolves compatibility issues between LEDs and the dimmer when used with the same, or mixed branded LED

lamps, is part of the company’s range of lighting control and audio solutions.

MD, Ian Hamilton said: ‘We were confident that we had a strong entry with our new LEDstat dimmer, because reaction and feedback from the market to the product launch has been extremely positive. Resolving compatibility issues between LEDs and dimmers has been the source of much

frustration for contractors ever since LEDs were first introduced.

‘We are now looking forward to the next stage of the Electrical Industry Awards selection process.’

Orluna LED recently tweeted that the company had independently tested the dimmer and reported that it worked ‘beautifully with their products’.

Fingers crossed...

MHA Lighting is officially launching its brand new LED lighting technology from Stand G11 at Lux Live 2014. This will be the first opportunity for you to see this ruthlessly efficient brand new technology, developed by MHA, an award-winning UK manufacturer.

Tel: 01942 887400 : E-mail: [email protected] : Web: www.mhalighting.com

The future of lighting is here...

This is not an incremental improvement on existing technology – it is a fundamental step change in LED technology and its capabilities.

MHA Lighting’s new LodeStar product range will also be officially unveiled at Lux Live. The range has been engineered to provide exceptional light quality, optical distribution and energy efficiency to heights of 2.5m to 25m.

Unlike other LED luminaires, MHA’s solution uses Total Internal Reflection to transmit and direct the light into the workspace. Powerful CoB LED modules are located at each end of acrylic tubes - hiding the LEDs from view, thus dramatically reducing glare and creating even light distribution similar to that of a T8 array.

Dr Gareth John, Photometric and Optical Testing’s technical director, writes in Total Lighting’s Photometry Focus: “MHA has demonstrated an approach to LED lighting that is both innovative and interesting and is sure to pay dividends. This creates a pleasant, even light distribution, not unlike a T8 array but with the obvious advantages of LEDs.”

A sample of the new product range is now available at MHA Lighting's new website: www.mhalighting.co.uk

For further information on any of the new products please call 01942 887400 or email [email protected]

Lux Live takes place at the Excel, London on November 19-20 2014. For further information about Lux Live or to register for FREE attendance please visit: www.luxlive.co.uk/register-2014/

MHA Lighting is officially launching its brand new LED lighting technology from Stand G11 at Lux Live 2014. This will be the first opportunity for you to see this ruthlessly efficient brand new technology, developed by MHA, an award-winning UK manufacturer.

Tel: 01942 887400 : E-mail: [email protected] : Web: www.mhalighting.com

The future of lighting is here...

This is not an incremental improvement on existing technology – it is a fundamental step change in LED technology and its capabilities.

MHA Lighting’s new LodeStar product range will also be officially unveiled at Lux Live. The range has been engineered to provide exceptional light quality, optical distribution and energy efficiency to heights of 2.5m to 25m.

Unlike other LED luminaires, MHA’s solution uses Total Internal Reflection to transmit and direct the light into the workspace. Powerful CoB LED modules are located at each end of acrylic tubes - hiding the LEDs from view, thus dramatically reducing glare and creating even light distribution similar to that of a T8 array.

Dr Gareth John, Photometric and Optical Testing’s technical director, writes in Total Lighting’s Photometry Focus: “MHA has demonstrated an approach to LED lighting that is both innovative and interesting and is sure to pay dividends. This creates a pleasant, even light distribution, not unlike a T8 array but with the obvious advantages of LEDs.”

A sample of the new product range is now available at MHA Lighting's new website: www.mhalighting.co.uk

For further information on any of the new products please call 01942 887400 or email [email protected]

Lux Live takes place at the Excel, London on November 19-20 2014. For further information about Lux Live or to register for FREE attendance please visit: www.luxlive.co.uk/register-2014/


P E O P L E

W e should be doing this - not just to our lighting, but to our people too. Lighting has changed dramatically in the last five years, but the industry, like a stubborn mule, is hanging on to dinosaurs on the verge of

extinction (both with products and people), when they should be consigned to the rubbish bin of history.

For example, why are 4x18 watt T8 cat2 luminaires still being produced and sold? They are outmoded and inefficient compared to current technology, and they will only become more obsolete as the industry pushes forward.

Why are there still people working in the lighting industry who have not yet invested time or money into new lighting technology, or who fight against the LED or induction producers? They are as obsolete as their outdated technology.

We have all seen a huge shift in the market, where companies and individuals are happy to invest capital for something that will save them energy and revenue funds in the future. Companies are now happier to look for proven long term savings instead of a cheap quick fix that will cost them more in the long run.

Many of the individuals in the lighting industry have been around for years, and are not about to move on any time soon. The majority have a real passion for lighting and lighting design, and are always looking for new and innovative products to improve what they can offer to a customer.

Unfortunately, there are also some who are stuck in their ways, who don’t understand new lighting technology, and who have no desire to even try. To put it simply, they are dinosaurs. They are used to selling/using products and services based on price or brand, but you cannot sell quality LED luminaires in this way.

The cost of producing solid-state lighting is higher than making a box for fluorescent tubes to sit in, and the sales process has also changed.

So how do we, as an industry, overcome this issue? Should we educate or humiliate?

Luckily, this will happen naturally over time - those individuals that understand the market, will evolve with the technology, and those that don’t will be stuck trying to sell T8 luminaires, which meet neither the form nor function requirements of the market until they stop making the lamps.

Next year we shall be celebrating the International Year of Light. I have read most of the marketing material regarding this, and I think you will all agree that it all looks a bit ‘techy’ for us lighting people.

However, I don’t remember an International Year of Light in the past, and I am not sure that we shall have one again in my lifetime. Being ever the opportunist, I think it’s come at quite a good time for our part of the lighting industry.

2014 has been a pretty impressive year for our industry - and what better way to celebrate than by having an even better 2015!

2015 should be the year that we take our industry out to the global community. Inform and educate our peers about the innovation and evolution within our industry, but don’t let the dinosaurs hold us back.

Discontinue old products that have had their day. Educate our distribution networks on the new products, and how to show their customers the light.

So a warning for all those dinosaurs: look out, because there’s a meteorite coming. As Bob Dylan said: ‘Your old road is rapidly ageing, please get out of the new one if you can’t lend your hand, for the times they are a-changing.’

According to Brendon Airey, it’s time to change that old light for a nice LED one – and while we’re at it, consign the producers of outmoded technology to the scrap heap alongside their products ...

A dinosaur in an obsolete world

B R E N D O N A I R E Y


C O M M E R C I A L F E A T U R E

LED Linear GmbH manufactures an extensive range of high quality, specifi cation grade,

fl exible LED tapes that are ideal to use across the widest array of architectural and interior design lighting projects. Experts in solid-state lighting technology, since its foundation in 2006 the company has employed only the fi nest Japanese LEDs, resulting in a product line that provides market leading effi cacy values of up to 142lm/W, across the broadest of power ranges, from 6 to 50 Watts per metre.

Quality of light is also assured. By using LEDs from “One Bin Only, Today and Tomorrow”, every LED Linear tape delivers consistent pure white light, in colour temperatures from 2200K to 5000K - without the unsightly pink or green tinge often seen from inferior products. Completing their unique, modular LED tool-kit approach, a wide selection of matching mounting profi les and covers are listed in the new 2014/2015 catalogue.

When tasked with revitalizing the lobby of a prestigious offi ce building located in central London, leading lighting design practice Light Bureau specifi ed LED Linear’s new 2700K Hydra HD15 in coves throughout. At 15 watts and 1807 lumens per metre, the combination of the small form factor and high lumen output resulted in seamless integration, with suffi cient light refl ected into the circulation space so that no downlights were needed – reinforcing the concept that the curvilinear lines and form of the architecture, rather than the fi ttings, should be the primary focus.

Light Bureau principal Paul Traynor comments, “LED Linear has become a go-to for most of our projects. For several years we’ve been adherents of the natural colours offered, fi nding nothing comparable anywhere in the market. Of all the feedback we’ve had from our clients, LED Linear’s products always attract the most positive comments. Add to this the wide variety of housings and diffusers available and the service their specialist distributor AFX offers, we will continue to keep them at the top of our specifi cation list.”

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Go with the Flow


P E O P L E

etting to know what makes someone like Mariana Figueiro tick, isn’t easy, but in this instance, the lady in question made it a pleasure.

Passionate about her work, dedicated to making a difference, interested in new ideas, Figueiro is, in her own words, ‘a person who never takes no as an answer; someone looking for new ways to grow, learn and move forward; a little bit of a workaholic but for a good reason; someone who believes that research and design are interchangeable and should always be hand-in-hand, and a person who strives for excellence - always.’

She’s also ‘someone who loves her family even though I am miles away from them.’

Below, Figueiro shares the decisions that led to her current, and I think it fair to say, exalted position as light and health program director, LRC, and Professor at Rensselaer Polytechnic Institute.

Can you tell us a little about your life ‘before lighting’?‘I am originally from Brazil, where I grew up. My father is Brazilian and my mother was Cuban. I have been immersed in American culture since I was a little kid because my mother’s family lives in the US. I used to visit my grandfather every July and fell in love with the American way of life.

‘I studied in a Jesuit school (Loyola) until I started Architecture school in Brazil. I always thought I would spend the rest of my life working as an architect. Soon after I graduated, I was hired by one of the largest construction companies in Brazil.

‘I got married at age 24. My ex-husband wanted to come to the US for an MBA. I came as a spouse and quickly began searching for a post-graduate program here at Rensselaer.

GIn search of one of the most brilliant minds in lighting

Driven But in the end, someone needs to be a driving force, and that is probably one of my biggest roles here


P E O P L E

‘It was then that I found the Masters of Science in Lighting program offered by the Lighting Research Center. I was accepted into the program late, but cannot thank enough those at the LRC who accepted me as a student.

‘When I started my graduate studies, I thought I would be back to Brazil as a lighting designer. Well, I fell in love with research after taking the research design class taught by LRC director, Mark Rea. I then decided to pursue a career in research and quickly realised that I wasn’t going to be able to succeed as a researcher in Brazil. That’s when I decided to stay in the US and pursue my new goal in life.

‘I completed my Master’s and was hired as research staff at the LRC. Mark Rea convinced me to obtain my PhD. He said that if I wanted to be successful in my career and have independent research, I needed to have a PhD. I took his advice and enrolled in a part-time PhD program in Multidisciplinary Science at the School of Science at Rensselaer. My advisor was in the biology department and my thesis was on light’s effects on the circadian system.’

Where did your interest in the specific area of lighting on health and wellbeing come from?‘My interest in light’s effect on health and wellbeing began when I was working in a new-born intensive care unit (NICU) while collecting data for my Master’s thesis. I was looking at the effects of daytime and night-time light exposure on alertness and

performance of daytime and rotating shift nurses. During my data collection, I was not sleeping more than three hours in a row during an entire month! I then started appreciating how hard it was to stay up at night, and moreover, the full importance of alertness and performance in a critical care situation, like the NICU.

‘I learned a lot about circadian rhythms, why we are so miserable trying to stay awake at night, and how light can help minimise the pain of fighting our body’s need to sleep.’

I see. So what does your role at LRC involve these days?I direct the Light and Health Program, and that means I need to write successful grant applications, design experiments, interpret data, write manuscripts, coordinate research staff activities, manage budgets and timelines, and present our work at technical conferences. I teach courses and supervise graduate students at MS and PhD levels.

‘I also teach the Light and Health Institute, a seminar for industry professionals, held twice each year in spring and autumn. I travel to visit our partners and represent the LRC at various venues.

‘Last year, we launched the Light and Health Alliance, a collaborative initiative with lighting manufacturers. The goal is to provide manufacturers with information about the topic of light and health, so that new products designed to deliver circadian

light to users can be manufactured and made available in the market.’

Can you share a little information about the research that led to your projects working with elders, and those suffering from Alzheimer’s?When I was just starting my career at the LRC as research staff, I was charged with establishing the Light and Health Program. I was looking for applications of light that could have an impact on people’s health and wellbeing. I learned about a study published by Eus van Someren, a neuroscientist in Amsterdam, which showed that high levels of white light (above 1200 lux at the eye), could consolidate rest/activity rhythms in individuals with Alzheimer’s disease and increase sleep consolidation at night. That was fascinating. Light could be used to help people with Alzheimer’s disease sleep better.

‘Since we knew that the circadian system was maximally sensitive to short-wavelength (blue) light, we thought we could reduce the amount of light by tuning the spectrum of light to the maximum sensitivity of the circadian system.

‘Dr Nadarajah Narendran, director of research at the LRC, was working with the ASSIST Program at the LRC, and they were looking for a successful application for LEDs. Blue LEDs peaking close to 460 nm are a great light source for activating the circadian system. So we did a project together. We applied 30 lux of blue LED to individuals with Alzheimer’s disease living

That was fascinating. Light could be used to help people with Alzheimer’s disease sleep better


P E O P L E

in a nursing home and saw very promising results. That was the start of our work in this area.

‘We then tried to get funding to continue the work, and it took us close to 10 years to finally receive funding. But, we joined efforts with clinicians and were able to receive a large amount of funding from the National Institute on Aging, to perform a study looking at the effects of light on sleep and behaviour in individuals with Alzheimer’s disease.’

You were recently promoted to full Professor at Rensselaer and have been elected Fellow of the Illuminating Engineering Society. You must be very proud of your achievements; could you share an insight into what it has taken to achieve this level of success and recognition?‘Passion and excellence! And of course, a lot of hard work and dedication. But, what drives me is my passion for this topic and always making sure I do my best when running a study, writing a paper, preparing a grant proposal, advising a student or teaching a class.’

You have received many awards, including the 2007 NYSTAR James D Watson Award, the 2008 Office of Naval Research Young Investigator Award, and the 2010 Rensselaer Polytechnic Institute James M Tien ’66 Early Career Award for Faculty. Is there one that stands out as your finest achievement to date? And if so, why?‘The Office of Naval Research Young Investigator Award is a very prestigious

award, and is associated with funding to perform research. It was a great award because it allowed me to do research in the area of light and alertness - and the results of these studies were very fruitful.

‘We are currently working with the US Navy and the US Special Operations Command on follow-up studies, looking at using light to increase alertness. We are also working with the Navy to change the lighting inside submarines as a result of some of these studies.’

So far-reaching effects? You’ve also authored an impressive list of more than 60 scientific articles. How do you find the time?‘Not many free weekends or vacation time!

‘Dedication is key. It takes time, focus and a lot of dedication to write a paper. I also have great help at the LRC, including someone who edits and formats the papers for me, someone who prepares the images, and a lot of help with data analyses. So, collaboration is also key.

‘But in the end, someone needs to be a driving force and that is probably one of my biggest roles here.’

What are you currently researching? Is it something you can share with our readers?‘We just got awarded another grant from the National Institute on Aging to extend our work with individuals with Alzheimer’s disease. We will be looking at effective ways to deliver light and long-term (six months’) light treatment to improve their sleep and

behavioral symptoms.‘We are using a light mask to deliver

light through closed eyelids during sleep for older adults with early sleep onset. The goal is to deliver pulsing blue light to delay the timing of sleep in those who tend to fall asleep too early. The project is funded by the National Institute on Aging.

‘Under a contract with the General Services Administration (GSA), we are measuring personal light exposures using the Daysimeter, a calibrated circadian light meter developed by the LRC, in those working in a federal building designed to increase daylight penetration into the space. We are also looking at how light exposure in buildings may affect health and wellbeing.

‘We are investigating the effects of red light, which does not affect melatonin levels, on measures of alertness and performance during the day and at night. This has important implications for shift workers, because red light can increase alertness without affecting melatonin levels. The suppression of melatonin by light at night has been implicated in increased risk of breast cancer in shift workers. Red light is also a strong alerting stimulus during the post-lunch dip hours.

‘We are starting to work with the Swedish Energy Agency on developing the concept and demonstration of a “healthy home.” We have completed a white paper laying out what constitutes a healthy home, and are awaiting future funding to perform the


P E O P L E

technology development and demonstration. ‘We are working on developing a lighting system that can be

used with premature infant incubators in the NICU, to provide cycled lighting to improve circadian function in premature infants, and to provide doctors and nurses with good visibility, including good colour, uniformity, and light levels, for infant care and surgeries.

‘We continue to investigate how night lights providing horizontal/vertical perceptual cues can reduce fall risks in older adults in the field.

‘We are working with the US Navy to determine whether light can be used to maintain circadian entrainment and improve alertness in nighttime operations.

‘We are investigating the impact of light on biomarkers associated with hunger (leptin and ghrelin), diabetes (insulin and glucose) and seasonal depression (serotonin).

‘Through a new collaborative initiative, the Light and Health Alliance, we are providing manufacturers with information about the topic of light and health, so that products designed to deliver circadian light to users can be manufactured and made available in the market.’

So not much time to spare then? How hard has it been to bridge the two sciences – light and health? There is still so much work to be done into the effects of light on health, have you encountered difficulties, or has all of the research had a positive impact?‘There are some areas that the effects of light are very clear, such as the ageing population, including individuals with Alzheimer’s disease. But in other areas, such as light and performance, it is harder to show an effect.

‘The biggest challenge is to specify and control the stimulus (light) correctly. There are individual differences in how people respond to light, so understanding these differences is crucial for obtaining positive effects. Also, a lot of what we know is from laboratory studies under very controlled conditions. It is still not known how these effects can be translated from the lab to the field. Our contributions have been in translating the theory into practical applications.’

Can you explain a little about TEDMED, and your involvement?‘I was invited to speak at TEDMED, a three-day event that brought together a series of speakers from diverse backgrounds, all related to human health. My talk was about how light can affect health and wellbeing. TEDMED is a sister organisation of TED.’

Rensselaer’s LRC is world-renowned. Can you share a little of the background to its history, it’s current role, and plan for the future?‘The Lighting Research Center at Rensselaer Polytechnic Institute was established in 1988 by the New York State Energy Research and Development Authority (NYSERDA), and, since that time, the LRC has been pioneering research in energy and the environment, light and health, transportation lighting and safety, and solid-state lighting.

‘In 1990, the LRC became the first university research centre to offer graduate degrees in lighting and, today, the LRC offers both MS and PhD programs. LRC also offers training for industry professionals, including our popular LED Lighting Institute and our new Light and Health Institute.

‘LRC’s mission is to advance the effective use of light for society and the environment.’

So, what’s next for you?‘Convince the world that lighting is much more than vision, and that we need to pay attention to our lighted environment!

‘I hope to continue to show to the world that lighting can be used as a non-pharmacological tool to improve people’s lives in many different ways.

Convince the world that lighting is much more than vision, and that we need to pay attention to our lighted environment

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C O M M E R C I A L

Sussex-based CLD Distribution has taken a major shareholding in bespoke lighting manufacturer, Iberian Lighting in a dynamic merger that unites CLD’s expansion into LED technology with Iberian’s experience in the design of specialist commercial and architectural products.

Iberian, this year celebrating its fiftieth anniversary in 2014, is renowned for designing stylish lampshades and custom feature lighting elements.

CLD has a fast-growing technical department dedicated to the development of LED lighting technologies, and producing an increasing range of LED luminaires aimed at a wide range of commercial and industrial applications.

CLD managing director, Rob Platt commented on the move: ‘The merger amalgamates both these specialities. With CLD’s strong sales force and Iberian’s talented and imaginative creative team, the two companies have a perfect synergy with one another.

‘The move will offer an even more diverse and comprehensive range of tailor-made solutions to clients, and a greater choice of LED products for Iberian to be able to integrate into their designs. It was a really logical decision to bring the two together.’

Both companies will continue to trade independently, retaining personnel and the distinctive brand identities that have helped establish each as a market leader.

Stronger togetherWhich? choice of LED

LED Hut has merged with Batteries Plus – the largest battery and light bulb franchise in the US – in an £18m deal that should see the business quadruple in size by 2017.

Since launching in 2011, LED Hut has

grown from a five-person start-up to a 60-strong team, with a 550 per cent increase in turnover in three years.

This growth has seen the company move to a 26,000sq ft warehouse facility in Manchester, open a dedicated call

centre and flagship store, and successfully target new markets in Europe and beyond.

Set up by entrepreneur Jonathan Ruff, the partnership with Batteries Plus was the logical next step in LED Hut’s ambitious

growth strategy. He explained: ‘We were looking for a well-established partner that would support us in our next expansion phase, and Batteries Plus was the perfect fit. It has a solid standing in the marketplace, and

the team brings with it strong experience in the retail sector, with a franchise network of 625 stores across the US. This, matched with LED Hut’s strength in e-commerce, makes for a particularly powerful partnership.’

Verbatim has received the top score from the consumer champion, Which? and has been awarded Best Buy status.

The Which? 2014 Light Bulb Test assessed brightness, light quality, energy efficiency, durability, and power factor (how closely a lamp meets its power consumption claim).

The test included CFLs, halogens and LED lamps, widely available to British customers. LEDs consistently outperformed other light sources.

Reviewing Verbatim’s 9.5W Classic A LED lamp, the Which? team commented that it was: ‘very durable and efficient, and as bright as it claims to be – it’s the best bulb we’ve tested. Verbatim is honoured to be recognised as a producer of the most reliable and best LED lamps by Which?’, commented Mats Nordin, the

company’s LED sales manager for Northern Europe. ‘Being endorsed after such rigorous, independent testing illustrates our

commitment to creating a world of energy-saving lighting.’

A match made in... commerce

Cree has announced revenue of $436m fourth quarter fiscal 2014. This represents a 16 per cent increase compared to revenue of $375m reported for the fourth quarter of fiscal 2013, and an eight per cent increase on the third quarter of fiscal 2014.

‘Fiscal 2014 was another great year, as we achieved record revenue and grew our non-GAAP net income by over 30 per cent,’

said Chuck Swoboda, Cree chairman and CEO. ‘The strength of our operating model gives us the flexibility to make investments to support our goal to grow the business and increase operating margin.

‘Our new product pipeline, brand momentum and strong balance sheet put us in a great position to enable our long term customer goal of 100 per cent upgrade to LED lighting.’

Following last year’s collaboration with Tom Dixon, Megaman has announced further partnerships with internationally renowned lighting and product designers.

Megaman International Project Division’s Ciaran Kiely said: ‘We are always looking at ways to promote the use of LED lighting technology in decorative lighting solutions, and are pleased to announce the expansion

of our designer partnerships programme to include internationally renowned designers, such as Tom Dixon, Terence Woodgate, Northern Lighting, David Trubridge, Wrong for Hay, and 7Gods.

‘All our design partnerships demonstrate the stunning results possible when high-design and LED lamp technology are blended together.’

Going up

Developing partnerships

H I G H L I G H T

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We have many clients. And all of them have specifi c requirements. Which is why we don’t work on a one-size-fi ts-all basis. LOONGA has massive product customisation possibilities – and we’ll work closely with you, your engineer or specifi er to give you the exact requirements you need.

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C O M M E R C I A L

irst things first; is there a right and a wrong way to approach lighting building exteriors?

‘Each building needs to be considered firstly on its own merits to understand the architecture and form in order to determine the most appropriate lighting approach that will best show its features,’ suggested

Allan Howard BEng(Hons) CEng FILP, FSLL, technical director for lighting, WSP.

‘Just as importantly, the building must also be considered within the environment in which it sits, which may be urban or rural in nature, and the lighting scheme needs to be complementary to this environment. Rural locations need a higher consideration of the impact of obtrusive light in terms of sky glow. Urban locations require a consideration of potential light nuisance and impact on residents as well as perhaps the adjacent highway. The designer also should consider the total urban lit scene, and ensure the building’s lit levels complement, and do not fight against those of other lit buildings.’

F

Using lighting techniques to enhance our universal

building heritage

EYE OF THE BEHOLDER


C O M M E R C I A L

Correctly and sensitively lit, a building has the power to change the perception of an area, creating a very special night-time ambience.

But ‘correctly’ and ‘sensitively’ are not always easy to achieve. So what’s the answer without drowning the entire façade in light?

‘When considering the most appropriate lighting for public buildings, the focus must be on the aesthetics of the building in its natural state,’ explained Craig Lewis, MD of Novah. ‘It is best to try to accentuate the important features of the structure – columns, statues, glass curtain facades. Using a mixture of wide and narrow beam angle fittings allows the building’s attributes to be enhanced, with intelligent and careful positioning of the floods, and likewise, by varying the power of the floods in the same area, a different effect can be achieved across the same frontage, rather than a whitewash.’

Allan Howard’s approach means positioning is vital: ‘The choice of luminaire location is key, together with an understanding of the observer’s location and how they will see the building at night.

‘Not everything needs to be lit and features can be emphasised, for instance, by the use of grazing the light over the surface that causes shadows, or the placing of luminaires behind features to give some feeling of relief. If luminaires are located from where the observer will view the building, then the result will be a flattening of the features.’

Of course, certain building materials are more

difficult to achieve a good result with than others, such as glass. ‘When considering new buildings, the use of glass facades are of course a problem both from the point of view of internal light emitted from within the building and the reflective nature of the surface,’ agreed Howard. ‘However, it is not so much the nature of the building materials that present the difficulty, but the ability to locate luminaires on the building to achieve the desired result from the point of view of installation and future maintenance access, as well as being able to run power to them. This aspect tends to lead to compromises to achieve the desired result.’

What about historic buildings, cathedrals and the like; is a different approach needed to modern edifices? Mark Elliot, principal of PointofView (PoV) said: The major difference would be that the integration/concealment of lighting equipment on a heritage building is more critical than on a new building, The buildings are often very ornate and an architectural, modern spot or floodlight can look out of place. Also on many heritage buildings the level of detail is much higher, so washing a façade wouldn’t highlight the quality and detail of the building; each detailed element needs to be treated separately, it’s like lighting jewellery boxes versus a shopping mall.’

To lessen the effects of light pollution on our cities, should lighting of building facades as a matter of course, be restricted to iconic structures rather than every office block that goes up? ‘Each building should be considered


C O M M E R C I A L

on its own merits,’ believes Howard. ‘It will not always be appropriate to look to external lighting on all public buildings, especially where they are perhaps in more urban locations. Where such buildings are in an area of public interest, the effective lighting can enhance an area, create interest, which may aid the local economy and draw people in, which may support adjacent local businesses.’

Elliot takes a different view: ‘Light pollution is a huge factor, especially in Sydney, where my studio is based. The observatory sits on the highest point, and the stargazers hold high command over the control of external lighting.

‘My view is that there should be a curfew on external lighting; after midnight they should be off, this allows city beautification through the use of light whilst stargazers are welcome to look into the night sky.

‘The biggest issue is the one-upmanship we experience, where the new building has to be brighter than every other. Its not about brightness, its about appropriate design. This is what should be controlled.’

C O L O U R I N G I NAnd what about colour – growing in popularity faster than Pinocchio’s nose, it seems. Does every building need to be permanently coloured in, so to speak?

I think the good people of Boston, Mass., had the right idea when the rather utilitarian exterior of City Hall was turned into a stage backdrop using a fantastic array of colour for the 2014 Boston Calling music festival.

Twelve Robe BMFL Spot luminaires were utilised by lighting designer, Preston Hoffman of Pulse Lighting for a stunning installation that transformed City Hall.

It was of course, a temporary installation, and in my opinion, all the better for that.

When it comes to colouring in, Elliott believes: ‘Colour is good when used with restraint, or as an option for festivals or occasions. Using colour for the sake of it is not always the best way to reveal a building; subtle shifts in colour tone or temperature is a much more sophisticated use of this medium.’

‘The use of colour can benefit a building and the materials used within its construction but it needs to be considered within the area in which the building is located to ensure that it complements and suits the overall scene,’ said Howard, who continued: ‘The use of colour changing is a different issue, is over-used and is quite often inappropriate for what is being lit.

‘The use of colour may not be just inappropriate from the point of view of the building, but also the safety of those using the surrounding areas. For example, a building may be adjacent to a busy highway which has traffic signals installed: should the building be lit in red, amber or green light either permanently or through colour changing where the building forms the background, then motorists approaching signals may not see the signals as they may be lost in the lighting.’

Lewis believes the use of colour can work, but with restraint. He added: ‘The use of coloured light can either improve or detract from the impact,’ he said, ‘dependent upon whether there is a need to compete against surrounding architecture – using colour to differentiate, or whether it is the use of colour for its own sake.’

However, it seems that the majority of Novah’s clients prefer the traditional white approach. ‘Novah’s LED floods have been used to light public buildings, from corporate head offices, to local authority buildings, as well as governmental facilities. In all instances, we have supplied cool white, which is the preferred colour temperature for most lighting installers in order to achieve a crisp, bright and focused light.

‘Whether up-lighting columns, or highlighting specific features, the success is in the location of the luminaires, rather than the colour.’

E M O T I O N A L C H A L L E N G ETalking of success, the best façade lighting schemes can literally bring a building to life during the hours of darkness, which would otherwise be overlooked, even in a brightly lit city environment. It allows buildings to compete with their showier, possibly newer, neighbours on an even footing, and will serve to encourage visitors to enjoy the architecture on offer out of daylight hours, often adding a further dimension to the building.

Take, for instance, the ANZAC War Memorial in Sydney’s Hyde Park. The elegant Art Deco structure, which dates from 1930, serves as the State memorial to Australian citizens who served their country in time of war.

The task of lighting it, however brought mixed emotions for PointofView (PoV), as principal, Mark Elliott explained: ‘The brief to light it was a pleasure, such bold architecture leads a design direction, and technically lighting each element without imposing on the building with visible light fixtures was a challenge. But when it came to installing degrees of feeling, raw emotion, subtlety and reverence, the degree of difficulty was off the scale.’

C O N T A C T

Novahwww.novah.com.uk

PointOfView Lightingwww.pov.com.au

Robe www.robe.cz

WSPwww.wspgroup.com

‘When it came to installing degrees of

feeling, raw emotion, subtlety and reverence, the degree of difficulty

was off the scale.

33.ad.ukled.indd 1 21/08/2014 11:55


C O M M E R C I A L

The company’s senior lighting designer, Arama Clarke added: ‘This is not the type of structure you add to or take away from lightly. The Memorial requires that you spend so much quiet time just sitting and absorbing the atmosphere before you raise even one finger to change it.’

It had however, spent the past 80 years hidden at night in the darkened park. So change was needed.

POV was originally briefed three years ago to redesign the lighting, but the plans were subsequently put on hold, to be revived for the ANZAC Centenary in 2014.

‘In a way,’ explained Elliott, ‘this project is a living example of how far lighting has come in such a short period of time. Back then, we would have used metal halide - and the result would have been excellent. But today, with the control we can impose on the LED spots used, the vision is truly remarkable.’

The new design focuses spots of light on each of four bronze sculptures (representing the four seasons), and an additional 16 seated bronze figures, using existing pole locations. Now, under the cloak of darkness they have a real presence.

‘The use of artificial light and shadow on a building enables us to sculpt the architecture by focusing only on key elements, such as the buttresses and the Zagarat atop the memorial,’ Elliott added.

‘The availability of LED fixtures of such a small scale means that we were able to integrate lighting to anchor the corners of the building, something that would not have been possible at the time of the original briefing.’

The revised brief had a very short lead-time of just six weeks - in time for ANZAC Day 2014. ‘This project is testament to what a talented and dedicated team can deliver within a strict deadline, and under a strict Government-imposed budget’, said Elliott.

‘I guess it will require more siting time. This is a building that will occupy the thoughts of hundreds of thousands of people for centuries to come. We will get it right.’

This is a building that will occupy the thoughts of

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C O M M E R C I A L

With three sites across the UK, in Warrington, St Albans and Bristol,

Synertec needed to control its on-going energy costs with the introduction of a technologically advanced lighting upgrade.

Thanks to ruthlessly efficient new LED technology, MHA has been able to reduce the overall lighting energy consumption by 80 per cent across all three sites, providing the company with a lifetime saving of £509,000 and 1,921 tonne reduction in Co2.

At the same time, lux levels in each facility were improved, with MHA’s LightStar providing controlled levels for different areas – in this case 500 lux for machines, 400 lux to the floor, and 200 lux on storage shelving.

MHA MD, Tom Harrison said: ‘Our new LightStar luminaire is undoubtedly one of the most ruthlessly efficient products on the market. It is also incredibly versatile – allowing the client to select from a range of wattages (15 to 121w) to deliver between 100 to 123 lumens per circuit watt, and providing a total lumen output of between 1845 and 12,100.

‘Combining this high performance with unrivalled light distribution from the luminaire, enables us to install fewer fittings too, creating a multiplier effect in terms of energy savings and payback periods for clients like Synertec.

‘We are delighted that this has been such a successful project. It has been a pleasure

to work alongside the Synertec team in devising a made-to-measure lighting scheme that really matches Synertec’s requirements.

‘To see such fantastic results from the fitting is incredibly rewarding, and that, coupled with the results for Synertec, means that this has been a victory for all parties.’

LightStar 204 (85w) and 205(120w) luminaires, including ballasts, replaced 142 metal halides, at 400w each without ballasts. Both of the replacement light engines can be driven at a range of wattages to increase or decrease light levels.

Tom Baldock, Synertec’s project and facilities manager, explained that switching to LED lighting was part of the forward-thinking company’s strategy to improve light levels across their sites, ultimately reducing associated energy costs and Co2. ‘We are very happy with the lighting,’ he said. ‘It has cut our costs dramatically whilst increasing the quality of the light we have in all of our production sites. All our staff are extremely pleased with the results.

‘We reviewed several luminaires and the MHA product came out on top, with fastest pay-back and best long term savings.

‘As promised, we have had no maintenance issues, which is a vast improvement on the previous luminaires, saving further money in maintenance costs.’

A

A British-based document management company makes huge savings with an energy efficient lighting upgrade

C O N T A C TMHA Lightingwww.mhalighting.co.uk

Keep a note

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C O M M E R C I A L

P R O D U C T S

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TAMLITE L IGHTING

Tamlite have been lighting for a living since 1967. During that time we

have been at the forefront of British lighting design, innovation and manufacture.

LIGHTING FOR A LIVING

TODAY AND BEYOND

BRITISHManufacturing

Tamlite Advert Sept 14 - DRAFT 14.indd 1 25/09/2014 10:01

44.ad.aurora.indd 1 21/08/2014 13:46


E N E R G Y E F F I C I E N T

8point3 LED has launched a range of linear LED fittings. Sabre Architectural combines the benefits of remote phosphor with an unusual delivery system, offering designers a flexible solution for high lumen areas and decorative systems.

The range delivers high quality white light that is uniform, glare free, and has a diffuse luminance, even when dimmed. Available in 2700K, 3,000k, 4,000k and 5,000k, excellent colour rendering (90+CRI for 2,700k and 80-90 CRI for 3-5,000k), and colour

consistency (3 SDCM) and high lumen maintenance (L70) are standard..

Richard Whitbread from 8point3 LED said: ‘We have already had great interest from designers, as its high luminance values and low surface brightness minimise glare and maximise light distribution.

‘Also, thanks to the fact that it is fully dimmable via DALI, 0-10V and DMX, and has a compact profile, Sabre Architectural brings together the ultimate in functionality and flexibility.’ Elgato has launched Avea, a smart LED lamp, which can be

controlled directly from an iPhone or iPad app, via Bluetooth.A single tap on one of the pre-programmed lighting scenes

creates different atmospheres for focused working, a romantic meal, or relaxing after a hard day’s work.

Set up is a breeze: simply fit the lamp to an existing screw fitting, download the free app from iTunes, and Avea is ready to go - without the need for a bridge.

The Avea app offers a selection of seven dynamic scenes and colours with fully adjustable brightness levels. The scenes feature fluid colour transitions. When the Wake-Up Light function is activated, Avea will turn on 15 minutes before the configured wake-up time, getting gradually brighter, and then play a wake-up sound via the app, such as soothing birdsong or a favorite song from the library.

Avea is available from Elgato’s online store for a suggested retail price of £39.95.

Domestic bliss...

Seeing is believingThetford Town Council asked Earlsmann to design and install new lighting for the Carnegie Room, a venue for public and private functions for the local community. The original lighting comprised 300w tungsten lamps, which were failing

regularly – leading to complaints from hirers. The fittings were obsolete, difficult to source, and located five metres up.

Earlsmann supplied 12 Brighton low bay LED replacement units for the space: eight 90w with 120-degree beam, and

four 60w with 20-degree beam. The combination ensures different areas can be lit according to use. All units include Active Thermal feedback control to prevent overheating.

Earlsmann installed the units in three rows of

four. The average light level is now 300 lux, with up to 700 lux directly above the centre walkway. The LED units use just 1kW – compared to a consumption of 7kW with the old lighting.

The Blood Donor Service is a frequent user

of the space, and had requested an upgrade. David Brooks, Guildhall complex coordinator for the Council, said: ‘The Blood Donor Service immediately noticed, and commented on the improvement in light level.’

Megaman has supplied MR16 LED lamps to London’s Savoy Hotel after a refurbishment of the corridors.

Following the refurbishment, the corridors were noticeably warm, despite being unheated. The lighting was found to be responsible, so Mark Gee from Lamp Spec replaced the 35W halogen MR16’s with Megaman’s 6W MR16 2400K LED lamps.

Gee commented: ‘The Megaman Ultra Warm White MR16’s were perfect, as their colour complimented the Savoy’s colour scheme, whilst offering a far cooler solution in the corridors.

‘Energy consumption has been reduced by 85 per cent and payback on the initial expenditure achieved in under nine months.’

Sustainability is a core value for the hotel group, so the lamp changeover helps to reduce the overall impact of its operation on the environment, under the guidance of Fairmont’s Sustainability Partnership Programme.

After extensive research, Integral LED has launched the Metropol LED downlight range - every aspect of the 32 models conceived with the electrician and maintenance professional in mind, to deliver a no-fuss, no-nonsense solution.

‘The principle of the new LED downlight range is to save money, from the point of installation through to the operational life cycle of the product,’ commented Gerald Burke, sales and marketing director at the company. ‘Just as important was to provide the installer with a no fuss product, in terms of wiring and final fit; electricians don’t want over-complicated fixings or wiring to contend with.’

Next generation LED

H I G H L I G H T

All happy at the Savoy

Newer, better, faster, brighter

Join us on the CLD stand at LUX LIVE 2014

19 - 20 November 2014 | ExCeL London

19-20 November 2014 - ExCel London (Stand 33) www.luxlive.co.uk


hey’ve had a really bad press since Liberace planted one atop his piano lid,

and many incredibly precious pieces were consigned to rubbish skips as the first big

waves of interior design fever gripped the UK, and we all went ‘clean, uncluttered and neutral’. But the not-so-humble chandelier is big news again.

Suddenly, chandeliers are turning up in boardrooms, city firms are using them to grace contemporary reception areas, and instead of being the preserve of grand country houses with even grander dining rooms and ballrooms, they’re suddenly the ‘must-have’ finishing touch in the kitchen, of all places (Mrs Beaton is no doubt spinning grave-side at the thought of all the unhygienic particles collecting high above food preparation areas, but presumably one’s staff deal with the dirt?).

As Robert Chelsom, managing director of Chelsom commented: ‘As long as there are buildings with high ceilings, either historic buildings being converted to modern use, or new buildings with atriums, there will always be a need for the chandelier.’

He continued: ‘From a design perspective, if we take the principle that a room should largely be divided into thirds, both vertically and horizontally, and apply that to the height of a tall-ceilinged room, then the top part is an empty void, for which the chandelier is the ideal solution from a decorative and functional perspective, commanding the open space perfectly.’

H O P I N G F O R A M I R A C L ELove them or hate them, one thing we can all agree on when it comes to the showiest of fittings is that using a suitable light source is paramount to present them to their best advantage.

Robert Chelsom continued: ‘Following the death of the incandescent lamp, there was a period where it was difficult to select the right light sources for chandeliers; early compact fluorescent lamps were bulky, cold and ugly, halogens often produce too much heat, and short lamp life is a problem because of accessibility for lamp changing (a scaffold to change one lamp?).

‘Then along comes the LED to answer our prayers. Far from LEDs replacing chandeliers, they serve to enhance them, and certainly optimise light output and efficiency. Anytime a lampshade is used on a chandelier, a retrofit, candle or GLS lamp shape can be used. In terms of the more traditional chandelier, without shades, clear LED candle-shaped lamps are now available for a more authentic look, and if the chandelier is a much more contemporary statement piece, then integral LED boards can be used to produce dramatic down lighting, such as acrylic rods with bubbles.’

M A D E T O S P A R K L EWenTao Kuang, managing director at Kosnic has come up against resistance to LEDs for use in traditional chandelier designs: ‘People have come to expect a certain level of warmth and sparkle from their chandelier lamps. However, even though the switch from traditional light sources

Elegant illuminationSelecting light sources for chandeliers

T



to LED equivalents makes economic sense, we still find that many are reluctant to make the change. People are concerned that LED lamps will look too modern in their classic or heritage chandeliers, and that they won’t work as well. So, we have a two-fold challenge when designing chandelier light sources; the lamp has to look good, whether it is turned on or off, and it must deliver in terms of sparkle and overall light quality.’

Having identified a problem, Kosnic got to work producing a candle lamp specifically for decorative fittings.

‘The secret to the success of our popular decorative candle lamp range is that light is delivered from LED chips mounted on a 3D array that protrudes from the

centre of the base,’ explained Kuang. ‘This unusual configuration ensures that the light distribution is non-directional and encourages the fabric of the chandelier to gleam, as well as lighting the space around it. We have designed the range with the comfort factor in mind for end users.’

As well as standard, bent-tip and twisted traditional shaped, clear glass candle lamps, the Kosnic range also includes silver, bronze and brass bases to suit heritage and modern installations.

‘We have even taken the step of printing product information on the glass, not the base, so that when placed into a chandelier, nothing is visible to the user. This isn’t the case with many old LED candle lamp designs,’ he added.

‘It is ironic, but we love it when our lamps are used in an LED refurbishment project, and the feedback from staff and guests in the establishment is that they haven’t noticed anything different in the lighting!

‘The warmth, look, and feel of the space remain excellent, but maintenance cycles have been dramatically reduced - along with their lighting electricity bills.’

R I S E T O T H E C H A L L E N G EA particular challenge that Chantelle Lighting kept coming up against was the increasing number of requests by its customers for chandeliers using LED bulbs that didn’t detract from the aesthetic appeal of the fitting.

The problem the company faced was that most LED bulbs were manufactured to be functional rather than decorative, so didn’t improve the look of the chandelier.

Chris Astin, Chantelle Lighting research and development manager, explained: ‘After extensive research and discussions with LED manufacturers, we found that there was not a good looking, high

powered LED bulb on the market, because the technology isn’t ready yet!

‘We did however find a solution, which met the needs of our many clients in the leisure and hospitality industry, who wanted warm, dimmable light from an LED with a long lifespan. We became the exclusive UK stockist of this new generation of LED bulbs, and they are already revolutionising our customer’s lights – both existing fittings and new.

‘Our customers didn’t want their fittings to produce the harsh white light, which is often associated with LED lighting, so the bulbs are the perfect light temperature for their venues.

‘Whilst they don’t match the light produced by a 60 watt bulb, we find that, when used as a feature chandelier, they produce the perfect light and look fantastic.

‘The warm colour temperature brings a new perspective to bespoke lighting projects, and produces incredible ambiance in restaurants, pubs and other public venues, or in residential projects. We do however warn our customers that these lights aren’t suitable for all projects – such as in an office.’

as there are buildings with high ceilings, there will always be a need for the chandelier

C O N T A C TChelsomwww.chelsom.co.ukChantelle Lightingwww.chantellelighting.co.ukKosnicwww.kosnic.com

As long


46.ad.exor.indd 1 01/11/2013 14:08

Trinity Mirror UpgradeKeylighting were recently approached toupgrade the installed lighting at TrinityMirror’s UK production sites. Theseconsisted of 400 watt metal halide lowbayswith emergency lighting in the form of1500mm non corrosive fittings.Impact III LED Lowbay fittings wereinstalled, DALI Dimmable control gear,programmable sensors and self-test LEDemergency.

Scheme Facts213 x 400 watt Metal halide lowbay fittings.

213 x twin 1500 mm T8 non corrosive fittingsrun from a central battery .

Total power 213 x 460 Watts 97.9 kW213 x 116 Watts 24.7 kW

8760 hours per year.

Total Power 1,073,976 kW per annum.

New Installation213 x 144 watt LED Impact III c/w emergencyrunning at 70% light output 105 watts perfitting.

213 x 105 LED 22.4 kW.

Total Power 196,224 kW per annum.

Annual power saving 877,752 kW per annum.

Payback on the scheme was significantly lessthan 2 years including installation costs.

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North Brook Works, Alkincote Street, Keighley, West Yorkshire BD21 5JTTel: 01535 616 300 Fax: 01535 616301 Email: [email protected]

Unit 1B Rutherglen Park Glasgow G73 1AETel: 0141 647 4499 Fax: 0141 647 4418 Email: [email protected]

Impact III LED

• 105 lumens per luminaire watt

• Nichia 170 lumen / watt LEDs

• CRI Ra80 4000, 5000 or 6500K

• Tridonic control gear

• Outputs from 7200 to 21600 lumens

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IMPACT-III-72-LED 72 WATT LED 750 x 262 x 70 4.80 80 96 7680





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IF CARLING MADE LEDS...Probably the biggest public sector LED project in Finland

ED tubes are playing an important role in making savings in energy consumption, which are being used to finance investment

in energy-efficiency in 14 public properties, including schools, in Vantaa, Finland.

The City of Vantaa’s prize-winning ESCO project is saving in excess of 200,000 euros on energy costs annually. In the ESCO project, energy savings pay for all investments required by the project; in other words, the ESCO system helps to provide free public procurement.

The project was launched in 2012 in the city of Vantaa. At the time, there was concern about the investment in the new technology.

‘Even though the ESCO procurement process was cumbersome, the end result was as originally planned,’ says Marita Tamminen, the project manager and energy efficiency expert for the city of Vantaa.

So far, the lighting element of the project has been completed in three of the 14 properties: Ilola school, Tikkurila upper secondary school and Varia vocational college. The next property to switch to LED lighting will be Tikkurila library.

According to Tamminen, the properties were selected for the project based on their average specific consumption.

‘They are typical buildings belonging to the real estate stock of municipalities: schools, day-care centres, sports facilities, libraries and a multi-purpose property.’ The City of Vantaa owns 783 buildings, so there is still more energy-saving potential.

LEDs have been introduced alongside the project on a small scale at Tamminen’s workplace, the real estate department. ‘Last October, during an energy saving week, approximately 200 LED tubes manufactured by Valtavalo

were installed in our offices, and they have worked flawlessly. There was more light and energy was saved,’ she explained.

Schneider Electric Buildings Finland was selected to deliver the ESCO project, after competitive tendering. Petri Tuominen, the project manager, says that compared with the old solution, typical energy savings of 50–90 per cent are being achieved with Valtavalo’s G3 LED tubes, depending on the type and age of the of the light source being replaced.

‘In this project, fluorescent lights were easily replaced with LED tubes without having to renew the lighting fixture frames. Additional savings are achieved in installation and maintenance costs, since the life cycle is typically three to five times longer than with fluorescent lights. Moreover, the recyclability rate of LED tubes is currently very high – over 95 per cent,’ enthused Tuominen.

He explained that LED tubes accounted for a significant part of

the 1.5-million-euro project. ‘This means 5,000 LED tubes. And, when proportioned with savings projections, approximately one quarter of electricity and thermal energy savings (in euros) comes from LED tubes.’

Markku Laatikainen, CEO of Valtavalo, is happy to help promote the benefits of LED: ‘LED lights and tubes have raised doubts in Vantaa on previous occasions, but now this technology is ripe for even more implementations everywhere,’ he said.

L

LED lights and tubes have raised doubts on previous occasions, but now this technology is ripe for even more implementations everywhere

C O N T A C TValtavalowww.valtavalo.fi



Celebrating its 25th Anniversary this year, the UK-based developer and manufacturer of LED and solar powered lighting solutions has a

long heritage of delivering high quality, robust and clever product designs for use in a large variety of lighting applications, and its comprehensive multi-award winning range includes a number of patented innovations.

In 2010 the company won funding from the Technology Strategy Board and Defra, through the Small Business Research Initiative. This supported the design and development of the revolutionary new LifeBulb - a replacement for the traditional 60W incandescent light bulb.

This energy-efficient innovation has a unique design that keeps the LEDs cool, which results in a longer life, and it provides instant light - there’s no warm-up time delay, associated with most energy efficient bulbs.

The LifeBulb is fully dimmable and can be used in all common domestic triac dimming systems which makes it simple to install in homes. It lasts for 30,000 hours which translates to around 20 years in a domestic

environment. Plus, as it only uses 12W of energy, equating to 20% of the running cost of a normal 60W bulb, the LifeBulb is cheaper to run and is extremely low on energy consumption, resulting in lower CO2 emissions.

The LifeBulb took centre stage at Buckingham Palace earlier this year. At an event organised by Prince Andrew in conjunction with the Technology Strategy Board which was attended by 350 fast moving technology companies; Zeta was one of only eight firms selected to set-up a display stand and exhibit their products to The Queen and Prince Philip.

After viewing the LifeBulb, Her Majesty the Queen requested the bulbs to try in her private quarters.

The revolutionary new LifeBulb is now available to order online at Zeta’s new web shop www.lifebulb.co.uk.

Lifebulb.co.uk supplies high quality LED light bulbs, light fittings and specialist solar LED lighting systems at competitive prices, and is committed to providing innovation-driven products such as the LifeBulb.

FOR THE LOVE OF LIGHT A £3.5 million investment programme was integral to Zeta Specialist Lighting’s strategy to further expand its LED and solar powered lighting solutions. A significant chunk of the monies was spent enhancing its Bicester-based dedicated research and development centre and upgrading its manufacturing facility, moves that have enabled the firm to bring to market a ground-breaking new product - the LifeBulb - and launch a dedicated online store (www.lifebulb.co.uk) for its energy-efficient, cost saving lighting products.



The LifeBulb has a unique design that keeps the LEDs cool, which results in a longer life

Zeta Specialist Lighting is a UK-based developer and manufacturer of LED and solar powered lighting systems. The company designs, develops and manufactures intelligent, robust and reliable engineered products suited to a wide range of applications. From LED solutions that lower energy bills and carbon emissions for customers across the world, including custom luminaires for street lighting, amenity lighting, signage and LED commercial lighting solutions; to the design and manufacture of complete solar lighting solutions. www.zetaled.co.uk

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E V E N T

Lighting designer, Daniel K Boland specified 64 Robe ROBIN Pointe moving lights for the Eminem X Rihanna Monster stadium tour, which played six dates in three US cities.

Boland has worked with Eminem for almost 10 years, so when the show’s set design by Bruce Rodgers was approved, he created a lighting plot that would, as he commented; ‘cover all bases’ for both artists.

The dramatic set comprised two large angled 50 mm semi-transparent LED panels and three video spines. The majority of the lighting was hung on these spines.

Boland chose Pointes as he needed a fixture with a good zoom. Once the programming phase commenced, he said; ‘they proved so useful in so many other parts of the show, that I really regret not getting more!’

Backstage Monster

Rock in Rio

When the Rock in Rio festival returned to Portugal this year, the façade of the main Palco Muno stage was spectacularly lit using 120 GLP Impression X4 LEDs, providing the perfect setting for acts, including The Rolling Stones, Arcade Fire, and Justin Timberlake.

Having worked on the event for the past ten years, lighting design company, bright! again turned to GLP’s successful platform.

Thomas Giererich, who runs the company with his brother,

Michael, confirmed they had built on the legacy of the original Impression 90 model.

‘We used the X4 to bring the metal stage structure to life,’ he explained, ‘something we had done with the Impression 90 years’ before. It really highlighted the façade.’

Giererich believes the fittings are strong on attributes, adding: ‘They are rugged, produce very good colours, and are extremely fast. In the end, the price was part of the decision too.’

‘Fashion Rocks Live,’ a celebration of music and fashion, was broadcast live from the Barclays Center in New York.

An LED and video projection system for the annual international fundraiser, which features fashions by the world’s top designers, was supplied by Pete’s Big TVs. More than 2,000 LED tiles were needed to wrap the geometric-styled set, designed by Anne Brahic and constructed by Atomic Design.

A mix of resolutions was chosen, from 5mm to 15mm, depending on the visual requirements for TV and the live audience. There were 200 CS5 (5 mm) LED tiles, 700 digiLED MC7 (7mm), 800 digiLED MC15 (15mm) and 500 Barco MiStrips to create a fast-paced video fortress for the performers.

‘This is the most LED we’ve ever provided for one show,’ said Guy Benjamin, VP of Pete’s Big TVs. ‘Anne Brahic’s set design was stunning, as always, and it was made a reality by our friends at Atomic. Art director, Aaron Black had miles of tiles to work with as his canvas.’

Fashion Rocks

The opulent Sayers Club in Hollywood is an intimate space, which attracts artists such as Macy Gray and Florence and the Machine to perform in a room that holds only 250.

Owners, Micah Otano and Jason Scoppa have recreated the Hollywood magic in Las Vegas with the opening of a new location at the SLS Casino, even adding a dash of extra visual sizzle with the help of some pixel mapped Chauvet Professional fixtures provided by PRG’s Las Vegas branch.

True to the spirit of the brand, the Las Vegas Sayers Club kicked off with an appearance by Lenny Kravitz, who performed in front of an eye-popping pixel mapped stage wall display, created with an array of ÉPIX Strip 2.0 and ÉPIX Bar 2.0 units.

Arranged with the bars in the middle of the array, and

the strips flanking either side, the fixtures bathed the stage in vibrant colours, displaying dynamic images to accent Kravitz’s performance.

‘Micah and Jason realised their vision

for this club, just as they did for Hollywood,’ said Tim Brennan, VP of PRG. ‘They create a relaxed sophisticated ambience in the

club and a vibrant look on stage that

supports the music. I would certainly say that the

ÉPIX products contributed to making their vision a reality. The products, which were selected by Micah, are all subtle, but clear. It’s amazing what you can get out of the ÉPIX units; they are a really impactful, cost effective solution.’

Also included in the rig are two Rogue R1 Beam and two Rogue R1 Spot moving yoke fixtures, as well as three COLORdash Par-Hex 12 RGBAW plus UV LED par-style fixtures.

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E V E N T

Day one highlights include:Lighting Talk Live: A panel discussion with representatives from across the NHS, including Paul Smyth of Salix Finance and Myles McCarthy of the Carbon Trust. Does smart lighting boost sales: Retailers and designers share experiences and best practice. Dragon’s Den: Innovators pitch their lighting ideas and prototypes to a panel of seasoned professionals, including Richard Taylor of Erco, Annie Rawlinson of NJO Technology, and Spiers+Major’s Iain Ruxton. How LEDs can mimic halogen dimming: Gerrit-Willem Prins of LED Engin explains how tunable white light really works.

Day two highlights include:

Are LED streetlights bad for us: Is there anything in the claim that LEDs can affect sleep, wellbeing and health? Panellists include David Lodge of CU Phosco and Kevin Kelly of Lighting Reality.

Young Lighter of the Year: Hear innovative ideas from the next generation of lighting professionals as the finalists deliver a presentations before a panel of judges in this prestigious annual competition, organised by the Society of Light and Lighting. This year the finalists include Nitika Agrawall of Aecom (Lighting for ageing vision and dementia), James Duff of Arup (An objective metric for subjective lighting), Ting Ji of Speirs + Major (Blue light: why and why not), Katerina Konsta of Atkins Global (Daylight in school environments), Veronika Labancova of Isometrix (Impact of aging on light quality perception), Janna Witt of Lichtkompetenz (Daylight-Art-Atmosphere) and Cehao Yu of Aecom (Configuring dynamic feature lighting).

When: 19-20 November, 2014

Where: ExCeL, London

What: A forum for lighting innovators, and those who want to know all about the latest technology

2014


E V E N T P R O G R A M M EDesigned to entertain with a Dragon’s Den-style pitching process for new products, and the nattily named Great British Light Off quiz, visitors to LuxLive could be forgiven for thinking it’s all about fun.

However, the event has a serious side too. Visitors are in for an educational couple of days, with a series of debates, expert analysis, makeovers and free-to-attend discussions and demonstrations.

The two-day event programme is packed from 9.30am to lights out, and is supported by the Design Clinic Live, plus all day Tech theatre events – and that’s before you even consider a stroll around the exhibitor’s stands.

There are around 150 trade stands where you’ll be assured of a warm welcome – and once in a while, a welcome coffee and a chair too (easy to spot as they’re always the most crowded).

The final countdownLuxLive, the last event of the UK lighting season takes place this month

C O N T A C TYou can register for tickets by visiting www.luxlive.co.uk/register


E V E N T

The Recolight team will be available to discuss all things WEEE on stand G33. Nigel Harvey commented: ‘LuxLive presents Recolight with a great opportunity to meet current and prospective members. The exhibition is always full of industry experts that are passionate about the challenges within the lighting industry.’

With funding from 138 members in the lighting industry, Recolight is able to provide a

comprehensive compliance scheme for producers of lamps, LEDs and luminaires. The new luminaire compliance service is responsible for more than 40 per cent of the 984 tonnes of luminaires recycled by WEEE schemes during 2013. Recolight also offers a fully integrated lamp and luminaire collection service for members’ major, multi-site LED luminaire roll out projects.

On stand C11, Harvard Engineering will be showcasing its LED solutions – CoolLED, LEDeng and Custom LED – to offer customers an all-in-one LED package.

Visitors will be able to engage in interactive live demonstrations showcasing the company’s drivers, see how they work in conjunction with its range of light engines, and also learn about Harvard’s ability to create bespoke solutions.

Another energy saving solution on display will be Retro LED gear trays. Offering a simple and cost effective way to convert SON, SOX and CFL street lights to LED without a full luminaire replacement, the gear trays present energy savings of up to 60 per cent and reductions of up to 75kg of carbon per light per year.

The all things WEEE on stand G33. Nigel Harvey commented: ‘LuxLive presents Recolight with a great opportunity to meet current and prospective members. The exhibition is always full of industry experts that are passionate about the challenges

comprehensive compliance scheme for producers

The exhibition is always full

of industry experts that

are passionate about the

challenges within the

lighting industry

M A K E A B E E L I N E F O R ...

As well as higher lumen effi ciency, next generation GU10 and GLS LED equivalents, Kosnic will be launching its extended LUMI range of architectural and commercial luminaires, Bluetooth and RF LED lamp ranges on stand E11.

The company’s fi rst UK-designed and manufactured LED fi tting, the Kurve modular luminaire will also be on show. Ideal for commercial and retail fi t outs, its lay-in, recessed design makes it the perfect, easy to install, 600mm x 600mm retrofi t solution.

WenTao Kuang, managing director at Kosnic commented: ‘LuxLive 2014 is the ideal opportunity for us to show our existing and new customers the even wider range of LED solutions that is now available. From commercial and industrial interior solutions to general lighting and OEM components, we have created a competitively priced range of LED products to meet every specifi cation requirement.

In addition we will be showing a new range of Bluetooth and RF enabled lamps that will bring fl exibility and control to any domestic application.’

comprehensive compliance scheme for producers of lamps, LEDs and luminaires. The new luminaire compliance service is responsible for more than 40 per cent of the 984 tonnes of luminaires recycled by WEEE schemes during 2013. Recolight also offers a fully integrated lamp and luminaire collection service for members’ major, multi-site LED

comprehensive compliance scheme for producers

Tamlite Lighting will be launching its 2020 range of high-specifi cation products for designers, architects and installers on stand D11.

2020, which encompasses a full range of internal and external lighting, was developed with the demanding requirements of designers, architects and installers in mind. This means products that produce excellent light quality, combined with low energy consumption.

Quality of light has been the main platform of the Tamlite Infi nity program, and the 2020 range includes these high-specifi cation solutions for commercial, retail, architectural and urban applications.

Headlining the range are several products that are true home-grown successes: linear systems PRIMA and MICRO-LED are British designed and British manufactured, while wall lighting solution, LUNAR features a British designed LED board.

Jewel-in-the-crown Micro-LED has a distinctive, modern profi le that can be used in industrial and retail areas. Its high performance diffuser optic produces excellent glare control and light transmission, and uses the latest Philips Fortimo LED boards for outstanding lumen performance and effi ciency. It has been designed with a simple, click-fi x installation method and is also available as a continuous linear system.

Colin Lawson, head of sales, marketing and product development commented: ‘We’re very excited to show off the new 2020 portfolio of products for the fi rst time. This range is the culmination of intense R&D activity to deliver lighting products that combine high performance with excellent light quality.’

This range is the culmination of intense R&D activity to deliver lighting products that combine high performance with excellent light quality

2014


LIGHTING

350 new decorative indoor & outdoor light fittings in our new 2014 catalogueVisit our showroom to see over 2,000 products on display: Elstead Lighting Ltd, Elstead House, Mill Lane, Alton, Hampshire, GU34 2QJ, UKwww.elsteadlighting.com • [email protected] • +44 (0)1420 82377


he lighting design for rock band, Kent’s new show features a strong package of specialist SGM products.

Hysterical Design’s lighting designer on the project, Uffe Jansson took on the task of delivering Kent’s two festival events, as part of the band’s new concept show,

Kentfest. The Swedish band, which is celebrating its twenty-fourth anniversary, devised Kentfest to provide its vision of how a music festival should be.

As the festival’s headline act, Uffe Jansson was determined to create a light show that matched the band’s status.

‘For me, the important thing is to accentuate the band’s music with lighting - to make it a great concert. It is a fi ne line to use the right amount of effects for each song, when you have about 600-700 fi xtures,’ he explained. Besides the regular festival rig, Jansson added 120 P-5 wash lights, and 35 XC-5 colour strobes, exclusively for Kent’s performance. ‘My goal was to incorporate the entire stage, which is 80 metres wide, as one complete piece for the audience to view, instead of just the 15-metre opening at the centre of the stage,’ explained the designer.

The large expanse to be lit was the result of the set designers’ concept to create the look of an abandoned industrial site, covering scaffolding with different fabrics and plastic materials, in shades of grey and white.

To create a wash of light, Jansson deployed P-5s with different spread angles (21 and 43 degrees), placing some to light the scaffold, fabrics and plastic material on the outside of the main stage, others for the Kentfest fl ags, and again more as blinders, fi lling the entire width of the stage, as well as front and side lighting for the band.

For this impressive and powerful lightshow, there was no alternative to LED lighting. Jansson explained: ‘LED was the only option. I needed a powerful RGB fi xture that could stand outdoor conditions. Maximum light output and vibrant colours were the most important criteria.’

A product rating of IP65 was also essential, since the shows are open air. And further to the massive output and the vibrant colours provides by the P-5 wash light, the strobe function was a defi nite plus for the designer, who revealed that there would defi nitely be a ‘next time’, when it comes to deploying the P-5.

T

Kentfest Stage lighting for Swedish band, Kent’s latest show

C O N T A C T SGM www.sgmlight.com

It is a fi ne line to use the right

amount of effects for each song, when you have 600-700 fi xtures

S P E C I A L I S T

Low Bay Compact Factory LightUnique to the market, PJR Lighting has developed a

new low bay compact LED factory light fi tting which

comes in a range of sizes, using latest generation

LED boards for improved power consumption, cooler

running temperature and improved light output. Ideal

for a variety of factory applications such as small

factory units or where operatives are stationed such

as bench work/assembly work, and for machine

lighting.

Options include PIR sensing, daylight dimming

and emergency, while fi tting can be either surface

mounted or suspended to suit the application.

Offered with a fi ve year warranty.

Inta Bay IndustrialPJR Lighting has developed an LED high bay unit. This has been

designed especially for warehouse and industrial applications

in two versions, a high bay or mid bay. The luminaire offers low

power consumption and high light output and can be fi tted

with PIR sensing and daylight dimming to further maximise

energy savings, which also comes complete with an emergency

package. This product is offered with a fi ve year warranty.

• NEW PRODUCT RELEASE • NEW PRODUCT RELEASE • NEW PRODUCT RELEASE • NEW PRODUCT RELEASE •

PJR Lighting SolutionsTelephone: +44 (0) 1264 850763Web: www.pjrengineering.co.uk email: [email protected]

New products from PJR Lighting Solutions

TEL: 024 7638 1559EMAIL: sales@lightique WEB: www.lightique.co.uk

CONTEMPORARY, CLASSICAL & ESSENTIAL LIGHTING

www.danlers.co.uk

DANLERS Limited, Vincients Road, Chippenham, Wiltshire, SN14 6NQ.T: 01249 443377. E: [email protected]

DANLERS UK manufactured controls for lighting, heating, ventilation and air conditioning can signifi cantly reduce energy usage and save money by ensuring connected loads are automatically switched off when not required. Products can start making savings as soon as they they are installed. Projects can be tackled room by room, area by area, and are ideal for use in classrooms, corridors, toilets, changing rooms, offi ces and storage areas.

For more information, or a free catalogue.

Telephone: 01249 44 33 77

Are you looking to simply save energy?

The Relco trademark is well known in the fi eld of lighting technique. It is a stylish Italian company that has a wide range of lighting goods.

www.relcogroup.com

Clifton lighting are the exclusive UK Distributors for all Relco products.

Call or email our UK offi ce

• LED Drivers• Transformers • Ballasts• Dimmers • Huge indoor and outdoor lighting range • Control gear • Flood Lights • Segno Decorative Lighting • Leuci Lamps

T: 01484 712097 F: 01484 714029 Email: [email protected]


R E T A I L

H I G H L I G H T

Stadium Power has launched a range of LED drivers for indoor and outdoor lighting and signage applications.

The new LDP series offers 24, 36 and 48V constant current outputs over 25, 40 and 60 Watts, with an optional dimming function via a signal from a dimming controller, with PWM/1-10Vdc control signal. Typical applications include industrial LED lighting and moving signs.

Designated LDP25, LDP40 and LDP60, standard features include: wide universal AC input range from 90-305Vac; active power factor correction (PFC) > 0.9; low inrush current <5A; low profile; narrow footprint; low flicker; continuous short circuit and over voltage protection; fully isolated plastic case; and optional IP67 water proofing.

The LDP60 model may be specified as dual 30W outputs or a single 60W output.

Something for everyone

Every little helpsTesco and Eaton have announced that Typhoo and three of the supermarket’s suppliers have formed an energy-efficient lighting Buying Club, developed by Tesco and 2degrees in partnership with the Carbon Trust and Eaton’s Cooper Lighting and Safety business.

Typhoo took part in a six-month pilot scheme, which will help suppliers invest in energy efficient lighting equipment and

installations by offering expertise and competitive prices. As part of the pilot, Typhoo trialled the lighting model, replacing fittings in its 14,700sq m Merseyside factory. As the chosen provider, Cooper Lighting and Safety worked closely with installer, Briggs & Forrester Special Projects and Typhoo to understand the needs for the new lighting installation.

‘The existing lighting was predominantly a metal-halide solution,

but this needs regular maintenance and frequent lamp replacement,’ said James Cosgrove, energy solutions manager at Eaton’s Cooper Lighting and Safety business. ‘We recommended a much more energy-efficient, full LED solution, that consists of Litex LEDs with in-built controls in the higher bay areas and robust weather-proof Tufflite Plus LEDs.’

Since trialing the system, Typhoo is proposing to replace all

its lighting in a four-phase project during the next two years.

‘We’re delighted to be helping the UK’s much-loved tea brand to meet its carbon targets as well as creating an aesthetically pleasing working environment and reducing maintenance,’ added Cosgrove.

Bruno Gardner, director, energy efficiency ventures at The Carbon Trust, said: ‘Energy efficient lighting is one of the

best investments many businesses can make right now. In theory, it should be an easy decision, but in practice that’s not always the case. By joining forces with Tesco and 2degrees, we were able to make the business case for energy efficient lighting even more compelling for Tesco’s suppliers – giving them the confidence they needed to invest in saving money and cutting carbon.’

Olivewood Technology has launched an energy-efficient light that solves the problem of lighting increasing temperatures in chilled warehouses.

The company’s Chil-LED system promises to save the food and pharmaceuticals industries significant cooling costs, by channeling the heat generated by the lights directly into the area above the ceiling of the chiller, where it naturally escapes into the surrounding air.

The fittings are designed with the electronics, controls and wiring positioned outside the cold store area, allowing easy access for maintenance.

‘We have used a combination of well-proven technologies to design a remarkably powerful, efficient lighting system, that works in harmony with the building design,’ commented Simon Leggett, business development director at Olivewood. ‘With Chil-LED, only the light enters the cold area, eliminating the compromise between good lighting and efficient cooling.’

The big freeze

Accessories brand, Fossil needed an inviting environment for its new Oxford Street store, so Atrium worked with Fossil’s in-house design team to produce custom fittings from its Flos architectural lighting range.

Atrium focused on spot and track lighting to complement the sleek design of Fossil’s

new store. Clean lines were important to showcase Fossil’s extensive product portfolio and highlight the different merchandise areas.

These were created by using the Flos custom Pure track spot, and combining a custom Pure Spot within a recessed trim-less, battery housing.

Clean lines

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We look forward to your call on 01582 88 77 60 or please email us at [email protected] day delivery as standard throughout mainland UK. Availability, while stocks last.

MLA_TL_Full_page_RH.indd 1 22/09/2014 10:22


t’s not unreasonable to suggest that the success or failure of a hospitality venue can be based on something as ‘simple’ as the lighting.

Whether something as simple as scene setting is available (and staff are trained to operate it), to change the ambience of a restaurant from a bright, welcoming daytime environment for families, to a romantic place for couples to meet and eat, can be the difference between empty tables and a bustling order book.

So, how can you create the right mood at the right time of day – or night?

Robert Chelsom, managing director of Blackpool-based Chelsom says: ‘In short, the answer is a combination of downlights and feature lighting.

‘Downlights need to be strategically positioned and individually dimmable, to create sparkle and drama when illuminated, and mood and ambience when dimmed. They also need to be used to pick out key features, such as pieces of art, or used for wall washing.

‘If LEDs are the main light source, then this enables coloured light and colour changing options to be used, and decorative lighting remains to create the style of the venue and be fundamental to the whole bar and café culture.’

Sounds great, so how do you achieve it? Chelsom explained: ‘Over tables and bar areas, you need low hung lighting, which can either be coloured glass providing downlight and ambient lighting, or metal pendant shades with painted exteriors and contrasting metallic interiors in sumptuous gold and copper tones to project warm and dramatic downlight.’

Of course, there’s often more than just lighting the tables to consider. At Claridges

Fera restaurant, TM Lighting was called on to light a six-metre high mural and tryptic by artist, Linn Meyers.

The company, which specialises in museum-grade LED luminaries for the art market, engages the latest and most sophisticated energy-efficient LED technology to create specialist solutions to achieve unprecedented levels of colour rendition and light distribution.

Andrew Molyneux from TM Lighting explained: ‘We used a customised version of the TM Picture Light, which illuminated the striking mural and triptych, being mindful to prevent any glare from the lights due to their high elevation.

‘The gold relief of the floor-to-ceiling mural surrounding the kitchen entrance was brought to life with the high colour rendition achieved by the LEDs.’

The company was also responsible for accent lighting of artworks at the Hyatt Regency’s Churchill Bar.

W O R K W I T H F U N C T I O NAt the British Film Institute’s new restaurant and lounge, .PSLAB crafted a lighting experience in keeping with the BFI’s legacy.

Elegant, white-and-brass insertions, custom-designed and fabricated by .PSLAB, evoke the essence of cinema.

Fixtures on columns in the lounge, which feature both in the interior of the building and on the exterior façade, were produced using a craftsmanship developed by the design team, which follows a manual, recto/verso bending technique applied to corrugated brass sheets. The resulting cylinders are given a powder-coated exterior finish, while the natural brass interiors reflect a burnished glow. They are hinge-mounted to the columns, providing

IWhat difference does lighting really make to the bottom line for hospitality venues?

BUMS ON SEATS

R E T A I L

CHELSOM

.PSLAB


R E T A I L

the space with a modular aspect, allowing the light scheme to be subtly manipulated according to the desired mood.

The design is echoed in the separators between the seating booths. Utilising a smaller-scale version of the column fittings, table lamps finished in brass, are outfitted with a custom black base, lending ambiance to the dining experience.

H I D I N G T H E L I G H TLamps and Lights regularly supplies lighting for bars, restaurants and cafes.

The company’s Hen Cox said: ‘Lighting is essential when creating an atmosphere. Firstly your design brief is key; are you designing a bright airy daytime cafe, a soft

romantic restaurant, a cosy intimate bar, or a funky shiny nightclub? When you know what mood you want to evoke, you often then decide on colours and furniture, but lighting must not be left as a last thought. Tied in with the right furnishings, it can totally change a look and feel.

‘The value of well-designed lighting should not be overlooked. A good lighting scheme is often not recognised, but

this is what makes it good; well placed ambient and accent lighting can create an atmosphere without always being the focus, so you may not recognise what makes such a great atmosphere actually great’.

So, once you’ve got the design elements in place, how do you choose lighting to create ambience?

Cox continued: ‘Any dining establishment relies on ambiance, environment and dining experience; all enhance the quality of the food, and any good restaurateur knows you can’t have one without the others. ’

The choice though, is wide, indeed. How to choose between vintage and modern? ‘The vintage look is very effective with the retro up-cycling market; teaming aged

brass lamp holders, galleries and ceiling plates with retro shades is a very popular look today,’ agrees Cox. ‘At the opposite end of the spectrum, contemporary chrome metal and black plastic fittings are paired with funky Plumen bulbs, combined with lengths of coloured braided flex and hung from ceilings to create modern vibrant pendants.

‘Clear glass shades available in all shapes and sizes, from small domes and ribbed globes to tulip bells and large railroad, these shades, often known as vintage holophane luminaries, are very popular and extremely useful in the restaurant industry; their reeded prismatic glass add that touch of sparkle whilst still offering maximised light - a must if you want your diners to see what culinary delights you have in store for them!’

K E E P I N G T R A D I T I O NPaul Nulty Lighting Design (PNLD) recently completed the interior lighting for Fischer’s, the new Corbin and King restaurant in Marylebone, London; the third time PNLD has designed for the renowned restaurant partners.

The concept for the Viennese restaurant was an early 20th Century informal neighbourhood café. PNLD’s brief was to maintain a warm, intimate atmosphere from early morning breakfast right through to evening service. The team’s solution was to bring a fresh concept to traditional lighting by using established lamp technology, rather than LEDs.

The result is a space that exudes warm tones and encourages conviviality, using a flexible lighting system that produces the intimate hue of the old-fashioned lamp.

PNLD ensured the space was permeable by carefully balancing illumination levels across the floor space, with the rear dining areas being subtly brighter to enhance the depth of the restaurant. Layered lighting that blends wall and pendant lights was applied to create the ambient illumination of picture lights, and track mounted spotlights provide feature and accent lighting. The overall effect is the illumination of artwork and murals that adorn the walls, as well as a soft glow across the floor area.

One of the challenges for PNLD was to create a lighting system that was modern, efficient and flexible, that would deliver the intimate atmosphere of a traditional café, but which complemented natural light throughout the day. PNLD used a lighting control system that enables scene setting to balance the stages of daylight and maintain the interior’s warm tones.

The system also helps reduced energy consumption where possible without comprising on the quality of illumination.

Paul Nulty, head of practice, said: ‘The concept behind our design was to create the required intimate environment, but with a system that is flexible and energy efficient.

‘Working with the design studio from the initial phase means that we can implement a solution that truly complements interior design, not diminish it, which can so often be the case if left too late.’

C O N T A C T

Chelsomwww.chelsom.co.uk

.PSLABwww.pslab.net

Lamps and Lightswww.lampsandlights.co.uk

PNLDwww.paulnulty.co.uk

TM Lightingwww.tmlighting.com

PNLD

TM LIGHTING


R E T A I L

P R O D U C T S

EYE LIGHTING01895 81 44 18 | www.eyelighting.com

High Bay goes higherOur LED High Bay, LEDioc HB200, has been given a boost in output and is now rated at 22500lm (up from 21000lm).Thanks to its magnesium alloy body the compact unit weighs in at only 6.5kgs, and its unique design aids longevity by dissipating heat effectively.The visual quality of the lighting environment produced by LEDioc HB200 is enhanced thanks to its glare-reducing cover, and also its ‘soft-start’ function which allows for a more gentle switch-on than the instantaneous ‘zero to 100%’ normally seen with LED light sources. With a rated product life of 60000hrs, the 210W LEDioc HB200 offers both a cost and energy efficient solution for illuminating large indoor spaces, including industrial, retail, and sporting facilities.

UK LED0808 198 2844 | www.ukledlighting.com

Quazar or QZR is our flagship high power UK designed LED wall wash, which can be supplied in numerous RAL colours fixed on a robust bracket that can rotate and swivel through almost 180 degrees for maximum projection and effect; it’s the perfect architectural solution for small or large project indoor and outdoor washer applications with a reliability that has been tested and proven. With numerous CCT colour options and beam angle choices making QZR a stand out product which has already installed in many prestigious projects around the world.

ANDY THORNTON+44 (0)1422 376000 | www.andythornton.com

Andy Thornton Ltd has launched its latest ‘Urban Vintage’ collection, which features industrial-style lighting as well as contract furniture and visual merchandising products. The range which targets the hospitality and retail design sectors includes a stunning selection of pendants including this model in chrome with eye-catching red dome. Andy Thornton Ltd have been sourcing original vintage lighting from the 20th century for many years, so it was a logical step to introduce a range of retro-style pendants. Influenced by Britain’s proud industrial heritage and copied from originals they have acquired over the years, they have created a collection of factory-style pendants, perfect for bars, restaurants and the retail environment. The complete collection can be viewed and purchased online, or request the new 56 page brochure.

LIGHTIQUE024 7638 1559 | www.eltorrent.com

Why not bring the glitz and glamour of Hollywood to your project with this exciting range of wall lights and pendants available in Chrome, Copper or Brass. For more information drop us an email at [email protected] Subject “Hollywood” and we will email you the pdf by return.

www.fibreopticlighting.com | tel +44(0)1890 883416 | [email protected] Fibre Optics

A new family of high performance LED fittings that feature the latest magnetic articulationfor 360° rotation.

The magnetic ball within the Mega, Nano and Micro provides complete freedom of movement, allowingthe fittings to be fully rotated and tilted to point the light exactly where it is required.

Available in a range of colour temperatures and with a high CRI option, the Cria is both mains and 1-10vdimmable.

Finished in a choice of colours to complement almost any décor within the commercial, museum andresidential sectors.

UFO. Lighting the way to superior LED technology.

Introducing CriaInstall anywhere. Point anywhere. Light anything.

Total Lighting - November 2014_Layout 1 16/10/2014 16:50 Page 1


avid Atkinson Lighting Design (DALD) has completed the lighting scheme for the Iconic SKY

store at Westfield, White City, London.

With lighting playing such an important part in the overall concept, DALD was bought into the project at a very early stage.

The Sky design team’s brief to DALD was for the lighting to create a dynamic, energy enhancing scheme within an area of Westfield that has high ambient levels of both natural and artificial light.

The main structure consists of eight large fins, which support glass panels, and have a graduated, printed dot manifestation applied to the glass. Set in the fins, high output RGBA LED strips with a heat sink edge illuminate the glass dot

manifestation. The LED strips are controlled over a series of DMX channels, which allow for varying hues to be applied to the glass.

Two internally illuminated Sky logos are positioned centrally at the top of the structure on each elevation. The logos are pre-programmed to run Sky’s spectrum sequence.

To help accentuate the form of the structure, and tie the elements of the fins, glass and logo together, cool white LED strips are recessed behind a narrow opal diffuser within each vertical fin edge.

Positioned centrally, a demonstration unit is used as a

promotion point for the various products on offer. To help offset the variety of products, and keep continuity between the glass fins, a low strip of glass with a graduated dot manifestation is edge-lit from below, via a series of RGBA LED strips. The base of the unit is fitted with an RGBA LED strip set within a shadow gap, with a diffuser to add a soft glow of colour around the base.

Positioned on either side of the store, two ‘Sky Attract’ pillars house HD 3D screens and products, which are underlit by edge illuminated LED panels fitted with an opal top for soft illumination. As with the ‘Sky Go’

unit, the base of the pillars is lit with RGBA strips.

The control of all the lighting is via a Pharos control system, pre-programmed by the lighting management team at Lighting Assist, with various scenes, which include the graduating Sky spectrum. The system is linked to a light sensor to allow for adjustment of the lighting levels according to ambient lighting conditions.

Future proofing is built into the design with remote access to the control system via the Internet for additional uploading of programs and sequences.

The integration of lighting within the Sky Iconic store helps to give a sharp, clean, dynamic quality to the space, which creates good contrast within the Westfield site.

DSky’s the limit

Sky Retail’s new outlet at Westfield shopping centre presented plenty of lighting challenges

C O N T A C TDALD www.dald.co.ukLighting Assist www.lightingassist.co.uk

R E T A I L

Then look no further

[email protected] www.franklite.net T: +44 1908 691818

Need LED lighting with presence detection?

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We make light, we make sense

Too many people listen to dinosaurs as they roar - but an empty vessel makes the most noise.

Here at LightSense® we believe that there is a better way for a brighter future.

Call us today to discuss how we can help you to meet your lighting needs.

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Don’t let the dinosaurs scare you away from trying something new


H I G H L I G H T

Joint force benefits all

More height, less waste

BRE Academy and the ILP are joining forces to provide training for best practice lighting solutions.

The first course, Obtrusive Light: Navigating the Compliance Minefield, will be held during January 2015.

‘We believe this will be just the start of a partnership that will develop a number of further training courses on best practice lighting provision for buildings,’ explained Pauline Traetto, BRE Academy’s director. ‘Many industry professionals have

professional responsibilities for lighting, but are not always given the specialised training needed to optimise a solutions and prevent obtrusive light issues.’

The ILP will provide trainers for the courses, at the BRE Academy

in Hertfordshire. ‘Our first course, in January, will help those attending to meet the National Planning Policy Framework requirements and reduction of light pollution and responsible construction

practices for BREEAM developments,’ said Richard Frost, chief executive of ILP. ‘The course will also help them to confidently and fluently communicate on design and maintenance issues, in a way that prevents and resolves obtrusive light conflicts.’

SABIC has produced an expanded portfolio of materials for cost-efficient hybrid heat sinks for LED lights.

Lightweight hybrid aluminum/thermoplastic solutions are emerging as an attractive alternative to conventional metal heat sinks, as they exhibit high thermal conductivity but don’t require expensive secondary processing. SABIC’s PX13012 and PX11311U compound grades deliver improved mechanical properties while keeping manufacturing costs down.

‘SABIC’s new Konduit compound grades will help our customers design light bulbs that can compete on design, useful life, and brightness, as well as cost,’ explained Venugopal Koka, director of electrical and lighting marketing. ‘Unlike other appliance and electronics categories, in which consumers and end-users are willing to pay a premium for a better product, purchasing decisions in the lighting category are highly price-driven. As material manufacturers, we have an important role to play in building light bulbs that meet the demands of our customers - and our customers’ customers.’

Cost cutting heat sinks

Steinel UK has launched an, indoor occupancy sensor for high-ceilinged industrial applications.

The HBS 200 is highly sensitive, even when mounted at a height of 14m. It uses passive infrared (PIR) sensor technology to cut the energy that’s wasted by lighting spaces when they aren’t in use.

The HBS 200 can be mounted onto high bay luminaires or junction boxes, reducing wiring needs and making for a straightforward installation process. It provides 360-degree coverage, with a 30m x 4m detection zone.

Time delay control is possible; the sensor’s time threshold can be adjusted, from 15 seconds to 30 minutes, and response light level can be adjusted from 2–2000 lux, which means no more energy

wasted on lighting spaces already lit by daylight.

Designed for use in the aisles of warehouses,

distribution centres, and loading docks, the HBS 200 is suitable for both extreme conditions, with full function retained at temperatures between -20°C and +50°C. Peter Lawrence, managing director of Steinel,

commented: ‘Warehouses and other high-ceilinged spaces present a unique set of challenges when seeking to control the lighting. However, the launch of the HBS 200 now makes it simple to take advantage of occupancy sensors. Even when mounted at a great height, the sensor switches on the lights instantaneously when a person enters the space.

S P E C I A L I S T

Eaton has announced an addition to Zero 88. The Chilli Pro Bypass lighting cabinet, a 24-channel, slim-line cabinet featuring 24 bypass switches, is designed for use when direct mains power is needed in place of theatrical dimming. Available in 10A and 16A variants, individual channels can be set for dimming or to deliver mains power for intelligent lights, LED fittings, and other stage specials.

The cabinets save wiring and simplify set up, to connect lights exactly where they are needed. For peace of mind, bypass switches, user interface, and breakers are protected by a lockable, hinged cover with a viewing window for status checks.

Added security

GE Lighting has revealed the Spinella Low Watt Roadway fixture, providing an intelligent, cost-effective lighting solution for highways.

Designed to balance the technical needs of a sophisticated LED system with the functional demands of a reliable outdoor fixture, Spinella provides a platform for controls and intelligence with a feasible 70 per cent energy saving, inside a slender, weather-proof housing, which achieves an IK09 rating, capable of withstanding an impact energy of 10 joules. With a range of output levels, from 19 up to 91 watts, and advanced optical reflector technology for precise illumination, the new fixture is ideal for a variety of street and roadway applications.

The advanced ability to control the direction and level of illumination means that designers can minimise light loss and reduce nuisance light pollution to nearby residents or wildlife. The high photometric performance and reflective optical design also minimises glare, while improving horizontal and vertical uniformity.

Lane lighting

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S P E C I A L I S T

fter it’s involvement with the successful refurbishment programme of three Mövenpick hotels in the Netherlands last year, Chelsom was commissioned to supply the lighting for the extensive refurbishment of the brand’s four-star Mövenpick

Hotel Paris Neuilly.The superior graded venue is located in the heart of the city,

with views of the iconic Eiffel Tower and Arc de Triomphe. During the renovation of 281 guestrooms and suites, Chelsom

collaborated with the teams at ARA Design and Chandler KBS, project manager for the complex roll out, to ensure that the exacting design requirements were met, and that stringent French regulations were adhered to.

MD, Robert Chelsom commented: ‘We are extremely proud to have been commissioned to work on this project, as we were up against some tough international competition. At almost 300

guestrooms, the refurbishment of Movenpick Paris was a great opportunity to refl ect the scope of work we can and do deliver.’

Working closely with ARA Design, Chelsom devised a lighting solution, which delivered the utmost in terms of style and functionality, and was in keeping with the wider interior scheme, effortlessly balancing contemporary design with the elegant atmosphere of Parisian chic.

The scheme incorporated a mixture of existing fi ttings, standard products from Chelsom’s collection and custom-designed pieces, featuring clean, contemporary lines and neutral tones.

Custom-made pendants with striking French Drum shades in off-white silk with a black trim were commissioned for bedside lighting. Suspended from the ceiling and supported from the wall gives the illusion that they are hovering above the bedside tables.

LED reading lights in a polished chrome fi nish with bullet heads were also specifi ed, along with inverted wall lights, providing the perfect balance of functionality and design for the bedside lighting requirements.

Stylish cone-shaped shade fi ttings were chosen for the wall lighting, while standard Chelsom fl oor and table lamps from the Swing range were customised to provide an elegant look in keeping with the interior scheme. The Swing fi ttings were teamed with colour-matched shades in off-white to complement the colour palette of the guestrooms, offering ambient lighting to enhance the guest experience.

‘The scale and timings we were working to meant that it certainly wasn’t without its challenges,’ explained Chelsom. ‘The logistics involved in order to deliver large volumes of product to central Paris on time were instrumental to its success.’

AOh, là là British chic is right on trend for a Parisian getaway

The logistics involved in order to

deliver large volumes of product to central

Paris on time were instrumental to

its success

C O N T A C TChelsom www.chelsom.co.ukARA Design www.aradesign.co.uk

4

FM20640

A copy of our 2014 catalogue can be downloaded from our web-site or a printed copy is available on request

S.Lilley.new2014.indd 1 21/01/2014 16:44

www.tlmagazine.co.uk • M O N T H 2 01 4 • 77

S P E C I A L I S T

ighting and audio control systems are no longer a luxury, exclusive to the homes of the rich and famous. Control systems are becoming more and more

mainstream and affordable in domestic situations.

The evolution of technology is an obvious reason for the proliferation of new affordable systems, but that’s not the whole story….

In my view, the breakthrough, which is enabling us to reach a broader domestic market, has been achieved with two key factors – consumer demand and ease of installation. Both are actually similar, in that it’s simplification, which is making control systems desirable and accessible for both.

For homeowners, control systems can be easily operated by familiar technology, such as infrared remote control or wireless control via iPad and iPhone using a downloadable app.

Compatible with most leading LED brands, basic day-to-day lighting scenarios, from simple dimming to scene setting programmes, can be set, stored and recalled – all at the touch of a screen or button. Customers can now control their lighting via wall-mounted control plates available as ‘capacitive touch’ and ‘mechanical push-button’, in a range of styles and finishes. Some manufacturers are in a position to offer a wide range of complementary decorative switch plates and sockets so the important home décor user end of the system looks fantastic too.

Whilst large-scale, multi-faceted systems require design and fitting by custom installers, the new generation of control systems, built using familiar interface modules, offers lucrative installation opportunities

L

EVOLVING CONTROLThe age of lighting control for all is here, says Ian Hamilton, MD of Hamilton Litestat

to electrical contractors confident enough to up-sell the use of lighting, audio and building control to their customers.

The reality is there are now lots of reasons to promote the use of control systems to domestic customers. Saving energy, and therefore money, by reducing energy bills is towards, if not top of the list. Even the most basic dimmer, when turned down slightly, uses less power. The more sophisticated controls encompassing latest technology yield even more power and cost savings. Figures for this are generally available on industry-wide websites.

There are products that can automate an entire home from top to bottom, and these are great for projects that warrant them, and customers that can afford them. But for clients who want a taste of the ‘automated’ lifestyle, introducing systems on a small scale that can be built on in the future could be the answer.

Smaller scale systems that can be expanded are accessible to a much broader cross section of the market than an entire home automation system. Standardisation of lighting control, and the offering of starter packages, has brought the entry-level price down, making it a very realistic option for anyone fitting out or refurbishing their home. There is always the option to extend and invest more in the system at a later date.

Also RGB DMX control; the DMX standard is being used more frequently in domestic interior design projects, including for accent lighting and illumination of building exteriors.

So, we are living in a time of change where demand for new and better is high, but is equaled by a need to achieve value for money and cut costs. No longer a luxury fit only for the affluent, we expect lighting control, and integrated audio to become even more mainstream over the next few years. The industry will continue to develop products in line with the latest technology and style whilst being able to tailor special products when requested by the consumer.

C O N T A C THamilton Litestat www.hamilton-litestat.com

We are living in a time of change where demand

for new and better is high, but is equaled by a need to

achieve value for money and cut costs

Cords and Cables Ltd. - November 2014 Importers, Distributors & Manufacturers

Unit Q1, Hawthorn Industrial Estate, Middlemore Road, Birmingham B21 0BH Tel: 0121 523 2574 Fax: 0121 523 9531 E: [email protected] Web: www.cordsncables.co.uk

Valid for November 2014 Payment: Pro-forma. Carriage & VAT extra.

Cords and Cables Ltd. Probably the Largest Stockists Of lighting components & specialist lighting cable in the UK. A vast product range all Ex-stock

Travel Adaptor

3 & 5 Pole

3 & 5 Pole

500+ 9p ea

4.UNIADP.B Universal travel

adaptor.

1000+ 62p ea

4.ADP.USB USB Multi-travel adaptor for: UK, Europe, North

American and Australia.

20+ £2.50 ea

UK, Europe, USA & Australia

3.5039.15.BFH GU10 15cm fly lead.

1.2512 3A 12W PVC Connector

IP68 Under-water Cable Connectors

A smart on-site wiring solution product.

A versatile re-wireable cable

connector suitable for cable from

3 x .75 upto 3 x 2.5mm sq., also

available pre-wired fitted with

cable to buyers specification.

A comprehensive range of E27 porcelain lamp holders.

G9 Lamp holders . The full range ex-stock

750.E27.BFH

400+ 29p ea

Metal Components. A truely vast range

M3 Screws

1 Mt. Long

pull cord & toggle

500+

55p ea


P E O P L E

Tom HarrisonTom HarrisonM I N U T E S W I T H

Tom Harrison, managing director of MHA shares thoughts on lighting, design, and the technology of the future

Tom Harrison has more than 25 years’ experience in manufacturing in the high tech arena, with UK contract manufacturers. A skilled strategic planner and lighting technology specialist, he has successfully led MHA Lighting from start up in 2009 to an award-winning organisation.

What is your favourite light source, and why?The sun.

It provides the highest quality light human beings will ever experience. It helps me to see the green of the trees and the nitrogen rich blue sky in their truest colours. It feeds me vitamin D, and basically makes me feel good.

Should more be done to control light pollution, or is it not really a big issue?Yes, of course more should be done, as there is no reason for so much light pollution in this day and age. If you are putting light in any place where it is not wanted, it is redundant light and can contribute to unnecessary and wasteful light pollution. Who is your favourite designer of anything that’s not lighting?Unquestionably Steve Jobs. He just understood great design in terms of what it means for the end user. None of the Apple products are ever over designed – they just provide meaningful solutions that are smart and easy to use.

Which lighting project would you like to have worked on?Apart from most of the jobs that we’ve lost…. the Olympic Park would have been a wonderful project to have been involved with. I’m also genuinely looking forward to being involved in some of the architectural projects that we’ll be able to work on this year using LED technology.

After the huge changes LED has brought to the industry, what do you think will be the next big advance?OLEDs - but before we get there, there are still a lot of advances to come in the improvements of LED technology, and advancements to be made integrating LED with more advanced controls.

There is still so much scope to see how LED lighting can be linked with building management systems and telecoms, to offer remote controls in

both a domestic and a commercial setting.

Do you see a time when all lighting is sustainable? If so, how can we achieve it?That time has to come if predictions that, by 2020, the dominant lighting technology will be LED, are to be realised. More education is still needed and better regulation within the lighting industry is a must if the adoption of solid-state lighting solutions is to become absolute.What trends do you forecast in domestic lighting?Everything is being done to drive down the price of quality LED luminaires and make them justifi able in a domestic setting, so logically there should be a huge rise in the use of LEDs at home. Couple these improvements with advances in remote control technology, and I can envisage a time where we all use Apps on our phone to turn our LED lights on and off at home remotely - whether we are in or out.

Why do you think lighting is bucking the general trend and showing such strong growth?Initially, the market was being driven by the major energy savings’ that LED could offer, coupled with superb long life and little to no maintenance. It has gone beyond those factors now, and people are becoming increasingly aware of the high quality illumination that good LED lighting solutions can offer.

Chandelier or candle?A candle. I’m a romantic at heart.Is there one declining light source that you’ll miss above all others? If so, which is it, and why?No. We have believed for a long time that the future of lighting is in quality LED solutions. We are delighted that the tipping point has been reached, and LED lighting is now being accepted as mainstream.

We also have a motto: ‘Don’t look back – we’re not going that way!’

C O N T A C TMHA Lightingwww.mhalighting.com


S P E C I A L I S T

P R O D U C T S

DANLERS01249 443377 | www.danlers.co.uk

ControlZAPP – The Smarter way to Save EnergyWith the continued pressure to reduce operating costs, more efficient and flexible controls are in great demand. Indeed, for some companies a reduction in energy costs has been essential to their survival. As a result, DANLERS have designed the innovative ‘ControlZAPP’ a ground-breaking link between stand-alone controls and sophisticated but expensive managed systems.Featuring Bluetooth ‘Smart’ communication (Android 4.3 or later) ControlZAPP can be simply used to remotely set-up, adjust or override settings such as occupancy detection, time lags, daylight response etc into a pre-determined real time schedule. Simply download the FREE ControlZAPP APP from the DANLERS website onto any mobile or tablet with Bluetooth ‘Smart’ capability, then easily adjust or override a ControlZAPP enabled product. This unique combination of a stand-alone energy saving control plus real time scheduling potentially increases energy saving AND improves end user comfort at a low cost.

FOCUS SB01424 858060 | www.focus-sb.co.uk

Focus SB launches Trimless Dolly Switch as part of their Morpheus screwless range.Unique to Focus SB®, the Morpheus range is a semi-raised plate design that is fitted without screws, giving a sleeker, smoother finish to your electrical accessories.

The range incorporates a full range of British made interiors, including the latest audio visual fittings, along with the more standard rocker switches and sockets. The latest addition is the Trimless Dolly Switch which gives a modern twist to a traditional design and is available in one, two, three and four gang switch plates.All Focus SB plates are hand-finished in their Sussex factory to the highest standards and are available in a large range of finishes. Bespoke solutions are also available to suit a client’s specific requirements.

ASTRO01279 427001 | www.astrolighting.co.uk

Ravello – family harmony from Astro.With its distinct cantilever profile, Ravello is one of a growing number of

product families in Astro’s range which provide design cohesion across different lighting functions.

Each of Ravello’s wall light, table and floor lamp variants is a sleek, modern, clean-lined luminaire in its own right. But, thanks to their unity of form, the Ravello family combine to create striking yet harmonious lighting schemes.

Ravello comes in polished chrome, matt nickel and bronze combined with standard shade options of white, black and oyster with built-in diffuser. Ravello is compatible with LED.

V-TAC02072 991212 | www.v-tac.co.uk

New Stylish SMD LED FloodlightV-TAC recently launched a complete range in SMD LED Floodlights. The SMD LED Flood gives off very little heat. It also has a low voltage and current requirements. Like a standard light emitting diode, a surface mount LED gives off almost no heat. It also typically has similar low voltage and low current requirements. Available in 100W, 150W, 200W & 300W, V-TAC offers 6000K as well as 3000K color temperature.

These SMD LED Flood Light are designed to replace the old halogen flood light. Consuming only 25% of the power of the old halogen the LED SMD Flood Light is an entire new fitting that is smaller, longer lasting and consumes much less energy that the old style halogen Flood lights.

The SMD LED Flood Light comprises of SMD LED chips, is a new fitting ready to be wired into 240v mains energy supply and a 25,000 life expectancy. It has a 120 degree beam angle. Prices for wholesalers starting from £79.99 (excl VAT).

P R O D U C T S

S P E C I A L I S T

78 • O C T O B E R 2 01 4 • www.tlmagazine.co.uk

HAMILTON01747 860088 | www.hamilton-litestat.com

Go for bronze.Bronze is the switch plate and socket fi nish of the moment according to Hamilton Litestat. Demand for the company’s Bronze fi nishes has hit an all time high during 2014 and looks set to continue into 2015 and beyond.

Hamilton is seeing an exceptional trend towards its Connaught, Copper, Etrium and Richmond fi nishes as-well as the Bronze themed Italian style Verdigris. With

in projects across the UK, Europe and the Middle East, the appeal is truly international. Working closely with interior designers to create bespoke plate designs is another area of its business where Hamilton is seeing an increase in demand.

When a non-standard plate confi guration is needed, such as a special fi nish or colour, or a special plate function or technical element for a challenging project

All styles of plates and switches can be fi nished to required specifi cations giving a seamless look throughout.

LIGHTIQUE02476 381559 | www.eltorrent.com

El Torrent presents KOORD The latest edition to their ever growing collection ofdesigner pieces.

For every space, a moment; for every moment, a mood; for every mood, artistic inspiration; with sensitivity, with endless possibilities and sinuous lines. Our art is for you to feel and enjoy. Eltorrent sets the mood by creating light. The pendant is available in turquoise, gray, orange and fuchsia. LED lighting and E27 Diameter: 40cm X 70cm & 100cm.

EYE LIGHTING01895 814418 | www.eyelighting.co.uk

High Bay goes higher:Our LED High Bay, LEDioc HB200, has been given a boost in output and is now rated at 22500lm (up from 21000lm). Thanks to its magnesium alloy body the compact unit weighs in at only 6.5kgs, and its unique design aids longevity by dissipating heat effectively.

The visual quality of the lighting environment produced by LEDioc HB200 is enhanced thanks to its glare-reducing cover, and also its ‘soft-start’ function which allows for a more gentle switch-on than the instantaneous ‘zero to 100%’ normally seen with LED light sources. With a rated product life of 60000hrs, the 210W LEDioc HB200 offers both a cost and energy effi cient solution for illuminating large indoor spaces, including industrial, retail, and sporting facilities.

New Stylish SMD LED Floodlight. V-TAC recently launched a complete range in SMD LED Floodlights. The SMD LED Flood gives off very little heat. It also has a low voltage and current requirements. Like a standard light emitting diode, a surface mount LED gives off almost no heat. It also typically has similar low voltage and low current requirements. Available in 100W, 150W, 200W & 300W, V-TAC offers 6000K as well as 3000K color temperature.

These SMD LED Flood Light are designed to

replace the old halogen fl ood light. Consuming only 25% of the power of the old halogen the LED SMD Flood Light is an entire new fi tting that is smaller, longer lasting and consumes much less energy that the old style halogen Flood lights.

The SMD LED Flood Light comprises of SMD LED chips, is a new fi tting ready to be wired into 240v mains energy supply and a 25,000 life expectancy. It has a 120 degree beam angle. Prices for wholesalers starting from £79.99 (excl VAT).

V-TAC02072 991212 | www.v-tac.co.uk

brief, Hamilton delivers creative and efficient solutions.

C

M

Y

CM

MY

CY

CMY

K

products_editorials.pdf 1 29/09/2014 12:24

A Company of BWF Group, Germany

For further information please do not hesitate to contact us:BWF Kunststoffe GmbH & Co. KGBahnhofstr. 20 | 89362 Offingen | GermanyTelephone 0800-917-7003 | [email protected]

Profile

Function

Design

Anzeige_Total_Lighting_Satzspiegel_86x262_10_2014_rz_BWF Profiles 09.09.

On Stand

G70

01273 431600 | [email protected] www.metway.co.uk

SMDflat345 The new SMD connectors

for LED modules

* 3.45mm height, the lowest version in the market minimising formation of shades in application* Funnel shaped wiring ports for easy and automatic access of solid or flexible access of solid or flexible wires up to 0.75mm2

* Current rating 9A at 0.75mm2 * 1 and 2 pole versions* Tape and reel packaging for automatic process

For all your connector solutions

Metway in response to our LED lighting customers’

needs have launched the SMDflat345 range for

board to board connection of LED modules

Launched in 2006, we quickly established ourselves as one of the market leaders in LED ‘retrofit’ lamps. Today, we differentiate ourselves by offering a broad range of high quality products and services at competitive prices, combined with a strong focus on new product development and innovation.

TEL: 02380 632 059EMAIL: [email protected]: www.kymanledtex.com

COMMERCIAL LIGHTING

The leading UK manufacturers of brass lampholders and lighting components offering quality products for the Lighting Industry. Full catalogue available on request or on our web-site. We also offer a bespoke service for customers own component designs. A long established family business with a professional approach. Full ISO 9001:2008 and LIA Code of Practice Quality approvals.

TEL: 0121 622 2385 EMAIL: [email protected]: www.s-lilley.co.uk/ADDRESS: 80 Alcester Street, Birmingham B12 0QE

LAMP HOLDER

Iberian lighting Ltd. The UK’s leading bespoke lampshademanufacturer/supplier for commercial or domestic projects.Our complete in-house manufacturing allows us to takeyour bespoke lampshade & lighting ideas from concept tocarefully designed reality.

TEL: 01424 428 161WEB: www.iberianlighting.co.ukADDRESS: Design & Innovation Centre, Drury Lane, St Leonards on Sea, East Sussex, TN38 9XP

DECORATIVE LIGHTING

• Kemps are the UK’s largest manufacturer of high quality Cold Cathode lighting

• Temperatures range from 1800k to 8000k, plus various colours• Dimmable by Mains, 0-10v, DMX and Dali• Lamplife over 50,000hrs• Energy Efficient• UK and Global projectsTEL: 0113 271 5777EMAIL: [email protected]: www.kempsarchitecturallighting.comADDRESS: Unit 2, Matrix Court, Middleton Grove, Leeds LS11 5WB

COLD CATHODE

Emergency lighting products limited (elp) is a small and focused UK manufacturing company dedicated to providing superior service and products to all customers requiring Emergency Lighting Equipment and Emergency Lighting Conversion services.

TEL: 01403 786601EMAIL: [email protected]: www.elp.uk.com/ADDRESS: Unit 9 Gillmans Industrial Estate, Natts Lane, Billingshurst, West Sussex, RH14 9EZ

EMERGENCY LIGHTING

D I R E C T O R Y

We have a comprehensive range of industrial, commercial, amenity, retail and exterior lighting. We supply through all the major wholesalers, and we provide a complimentary lighting design service too. If you need experienced advice, we have 20 lighting sales engineers covering the whole of the UK and Ireland. Our LED product range is expanding all the time – for details please get in touch or ask one of our engineers to call.

TEL: +44 (0)121 457 6340 EMAIL: [email protected] WEB: www.nvcuk.comADDRESS: NVC Park 201, Hollymoor Way, Rubery, Birmingham B31 5HE, UK

COMMERCIAL LIGHTING

With over 35 years’ experience, Mackwell has grown to become the leading technology supplier to the global lighting industry. Our experience has helped us develop ties with many major international companies and having a wealth of experience in lighting markets across the World enables us to work closely with our clients to create innovative solutions.

TEL: +44 (0)1922 458 255WEB: www.mackwell.comADDRESS: Vigo Place, AldridgeWalsall, West Midlands, WS9 8UG, UK

COMMERCIAL LIGHTING

Specialists in coloured lighting effects. All aspects of lighting for health and safety. Waterproof light fittings, led fittings.

TEL: 01704 841073EMAIL: [email protected]: 01704841362WEB: www.covershield.co.ukADDRESS: 10 Heaton Bridge, Scarisbrick, Ormskirk, Lancashire, L40 8JG

GENERAL LIGHTING

Ark Lighting Ltd have manufacturing and warehousing facilities in the heart of Yorkshire, we develop cutting edge LED products and systems to ensure that we remain at the forefront of lighting technology. We work with leading component firms from around the globe to offer some of the most efficient, innovative and attractive lighting solutions in the market today. TEL: 01226 320737EMAIL [email protected]: www.arklighting.coADDRESS: McGann House, Chesham Rd, BarnsleySouth Yorkshire S70 2NT

LED LIGHTING

RCL specialise in the design and manufacture of high-quality remote controlled luminaires. Its patented technology allows spotlights mounted on high ceilings to be individually aimed and dimmed from floor level using a simple hand-held controller.

TEL: +44 208 404 2400EMAIL: [email protected]: www.rclighting.comTWITTER: @RCL_ltdADDRESS: 42 Riverside Road, London SW17 0BA

COMMERCIAL LIGHTING

Liteplan are Specialists in the design and manufacture of a wide range of emergency lighting conversion kits including a comprehensive variety of LED kits and devices.

TEL: +44 (0) 1708 372 223EMAIL: [email protected]: www.liteplan.comADDRESS: Liteplan Ltd, Apex House, Bryant AvenueRomford, Essex RM3 0AP

EMERGENCY LIGHTING


• LED Drivers • Ballasts • Dimmers • Lamps/Lighting • Transformers

Many other high quality Italian styled lighting and electrical components. Call or email our UK office. Clifton Lighting exclusive distributors throughout the whole of the UK,

TEL: 01484 714029FAX: 01484 714029EMAIL: [email protected]

COMPONENTS

LIGHTING LAMPOSTS AND LANTERNS

Period Cast Iron Lamp PostsWe’ve Created the UK’s largest stockholding of Lamp Posts & lanterns. For “lighting retailers” we provide free standing display units. For “Designers & Specifiers” we offer a unique design & development service. For “Architects & Councils” we offer a full commercial support, from supply to installation.

TEL: 0800 6888372 EMAIL: [email protected] WEB: www.blackcountrymetalworks.co.ukADDRESS: Whitehall, Aston, Oswestry, Shropshire, SY11 4JH

Pace Uk, LED Design and LED Manufacture with 10 years experience in designing LED products, we can offer our customers a fast turn around on prototype designs. We also have access to all key manufacturers of high flux LEDs. We specialise in producing cost effective design solutions, believing that price of product is always important. TEL: 01934 733121EMAIL: [email protected]: www.paceuk.comADDRESS: The Rising, The Square, Axbridge, Somerset, BS26 2AP

LED LIGHTING

The leading UK manufacturers of brass lampholders and lighting components offering quality products for the Lighting Industry. Full catalogue available on request or on our website. We also offer a bespoke service for customers own component designs. A long established family business with a professional approach. Full ISO 9001:2008 and LIA Code of Practice Quality approvals.

TEL: 0121 622 2385 EMAIL: [email protected]: www.s-lilley.co.ukADDRESS: 80 Alcester Street, Birmingham B12 0QE

LIGHTING COMPONENTS

Focus SB, Luxury and designer light switches and sockets for contemporary and period interiors of all types. Large range of styles and finishes. Bespoke plate designs and finishes available.

TEL: 01424 858060FAX: 01424 853862 EMAIL: [email protected]: www.focus-sb.co.ukADDRESS: Napier Road, Castleham Industrial Estate, St Leonards-on-Sea, East Sussex, TN38 9NY

ACCESSORIES

To advertise here contact Damien Ward T.0203 617 4683 [email protected]

Timage (GB) LLP is renowned in the yacht industry for its beautifully crafted Italian LED and traditional bulb lighting. Timage specialises in nautically styled brass bulkhead lights, waterproof step and courtesy lights, reading lights and ceiling lights. Substantial stock holding for fast delivery.

TEL: 01376 343087 EMAIL: [email protected] WEB: www.timage.euADDRESS: PO Box 141, Lakes Road, Braintree, Essex. CM7 2SG

LED MARINE LIGHTING

D I R E C T O R Y

As an established UK manufacturer with over 30 years of lighting experience, we understand that design, quality and service must underpin all that we do. This philosophy ensures that we lead the way in creative, practical and cost effective lighting solutions for the commercial, retail and leisure sectors. A five-year guarantee and comprehensive product stock assures product performance and delivery within tight project timeframes. TEL: +44 (0)1332 818 200EMAIL: [email protected]: www.illuma.co.ukADDRESS: Sills Road, Willow Farm Business Park, Castle Donington, Derbyshire DE74 2US

LIGHTING DESIGN

Arditi UK offers a wide range of electric and electronic components and accessories for lighting; Lampholders, Switches, Plugs, Dimmers, Cord Sets, LED Modules, Power Supplies and Transformers. Catalogues available on request or download from our website.

TEL: 01933 223862EMAIL: [email protected]: www.arditi.comADDRESS: 55 Leyland Trading Estate, Wellingborough, Northants NN8 1RS

LIGHTING COMPONENTS

Recolight operates the UK’s most comprehensive free lamp recycling network, taking away the burden of compliance from the lighting industry. We are funded by our members as a not-for-profit organisation, enabling us to offer a FREE service. Since 2007, Recolight members have recycled over 30,000 tonnes of lamps and luminaires; this is more than all other UK WEEE schemes put together.

TEL: 0845 601 7749 EMAIL: [email protected]: www.recolight.co.ukADDRESS: Recolight Limited, Suite 265 Airport House, Purley Way, Croydon CR0 0XZ

LIGHTING RECYCLING

The Selux Group is a leading provider of sustainable lighting solutions for interior and exterior applications. Our high standards in energy efficiency, ergonomics and product design drive our fascination for enhancing quality of life using sophisticated lighting concepts. TEL: 0044 (0) 1926 833455EMAIL: [email protected]: www.selux.co.ukADDRESS: Selux UK Ltd, No 10 Spartan Close, Royal Leamington Spa, Warwickshire, CV34 6RR

LED LIGHTING

www.tlmagazine.co.uk • N O V E M B E R 2 01 4 • 8 9

BEG Luxomat® is one of Europe’s leading suppliers of oc-cupancy sensors, with the largest range of products available in the UK. The products are easy to install, such as separate mounting plates for the surface products and with our remote control you can set the controls from the ground. With over 30 years in providing sensor solutions for saving energy and providing control, you can be confident that our products will provide the performance that you require.

TEL: 0870 850 5412, EMAIL: [email protected].

LIGHTING CONTROLS

B.E.G. LUXOMAT®

Spirit Circuits have great experience in the latest developments in the LED Lighting industry, and are the UK’s leading manufacturers of metal clad PCB’s (MPCB), as well as standard FR4 products. As an independent supplier, we are able to offer advice on material selection, thermal management and most efficient panelisation formats to achieve best material yields.

TEL: +44(0) 2392 243000 EMAIL: [email protected]: www.spiritcircuits.comADDRESS: 22-24 Aston Road, Waterlooville, Hampshire, PO7 7XJ

LIGHTING COMPONENTS

Hilclare Lighting manufacture and supply luminaires and lighting solutions for business and the public sector. Having over 20 years of expertise in the lighting industry, enables us to deliver cost effective projects with a high level of efficiency.

TEL: 0161 274 3626 EMAIL: [email protected]: www.hilclare.comADDRESS: Hilclare Ltd Head Office, Unit 1, Bond St Ind Estate, Mancunian Way, Manchester M12 6HW

LED LIGHTING

Competent designers compliant with CDM

regulations IEng, MILP & MSLL certification

Circadian lighting specialists, with an emphasis on solutions

for Alzheimers, health & the elderly

Finalist in two catagories in the 2014 Lighting Design Awards and Judge in 2013

Lighting Expert for theEuropean Commission

in Brussels

The only accredited & approved Secured by

Design (SBD) company

RIBA lighting company

Section 278 & 38 specialists for developments

CPD accredited lightingtraining provider

LED lighting specialists

Lighting & ecology specialists

CREATIVE LIGHTING DESIGN • SUSTAINABLE SOLUTIONS • LIGHTING INNOVATION

A dynamic, innovative lighting consultancy with experience in various projects from domestic to large scale developments…

Contact us NOW to see how we can enhance your projects lighting requirements and save you energy.

01908 698869www.itdoes.co.uk [email protected]

it does Lighting LtdMilton KeynesBusiness CentreFoxhunter DriveMilton KeynesMK14 6GD

86.ad.microlight.indd 1 21/08/2014 16:22

86_87.ad.ecopac.indd 86 24/07/2014 12:52

86_87.ad.ecopac.indd 87 24/07/2014 12:52

30_31.inspiredrpt.indd 30 30/01/2014 11:52

30_31.inspiredrpt.indd 31 30/01/2014 11:52

Elektra Lighting - Baku Hilton

LDP International - Bahrain W

orld Trade Center

Magic M

onkey - ‘t Walletje

Precision lighting for incredible architecture.

L I G H T I N G W I T H O U T L I M I T S S I N C E 1 9 7 0

[email protected]+44 (0) 1223 403 500www.pulsarlight.com · ·

PUL LWL.N.indd 2 22/10/2014 12:27

Cinimod Studio - Snog St John’s W

ood

ACSP - Madam

e Tussauds London

Ingo Maurer - Belval Blast Furnaces

Bespoke solutions forexacting designs.

L I G H T I N G W I T H O U T L I M I T S S I N C E 1 9 7 0

[email protected]+44 (0) 1223 403 500www.pulsarlight.com · ·

PUL LWL.N.indd 3 22/10/2014 12:27

Emergency Lighting Products Limited

Parbrook House, Gilmans Industrial Estate, Billingshurst, West Sussex, RH14 9EZ

Tel: +44 1403 786601 Fax: +44 1403 786602 e-mail:[email protected]

www.elp.uk.com

ELP – Elegance IP65 LED luminaires

Understatedly smart!Small. Attractive. Intelligent.

Delivering outstanding energy efficiency from 24 white LEDs, the new ELP Elegance LED range provides 1200 luminaire lumens, offering an ideal solution for general lighting and emergency lighting applications in corridors, stairwells, kitchens, washrooms — and with an IP65 rating — even exterior locations.

Measuring just 330mm dia. x 126mm and available withmains only or with self-contained maintained operation, Elegance LED luminaires can be option specified for intelligent integral DALI/Self-Test functions and have provision for the installation of a highly sensitive ELP PS-RS02Microwave photocell/motion detector.

As with the whole Elegance range, the LED versions offer a neat understatement in aesthetic design, discreet conduit side-entry, single lever release for the opal diffuser, compact size and full compliance with the requirements of EN60598.2.22

Optional:

PS-RS02 Microwave Motion Detector shown in situ.

total lighting november 2014

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