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Page 1: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,
Page 2: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin, Van Gogh, Seurat, Renoir, and Toulouse-Lautrec. Toulouse-Lautrec observed and captured in his art the Parisian nightlife of the period.

Henri de Toulouse-Lautrec was born on Nov. 24, 1864, in Albi, France. He was an aristocrat, the son and heir of Comte Alphonse-Charles de Toulouse and last in line of a family that dated back a thousand years. Henri's father was rich, handsome, and eccentric. His mother was overly devoted to her only living child. Henri was weak and often sick. By the time he was 10 he had begun to draw and paint.

At 12 young Toulouse-Lautrec broke his left leg and at 14 his right leg. The bones failed to heal properly, and his legs stopped growing. He reached young adulthood with a body trunk of normal size but with abnormally short legs. He was only 1.5 meters tall.

Page 3: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

Deprived of the kind of life that a normal body would have permitted, Toulouse-Lautrec lived wholly for his art. He stayed in the Montmartre section of Paris, the center of the cabaret entertainment and bohemian life that he loved to paint. Circuses, dance halls and nightclubs, racetracks--all these spectacles were set down on canvas or made into lithographs. Toulouse-Lautrec was very much a part of all this activity. He would sit at a crowded nightclub table, laughing and drinking, and at the same time he would make swift sketches. The next morning in his studio he would expand the sketches into bright-colored paintings.

In order to become a part of the Montmartre life--as well as to protect himself against the crowd's ridicule of his appearance--Toulouse-Lautrec began to drink heavily. In the 1890s the drinking started to affect his health. He was confined to a sanatorium and to his mother's care at home, but he could not stay away from alcohol. Toulouse-Lautrec died on Sept. 9, 1901, at the family chateau of Malrome. Since then his paintings and posters--particularly the Moulin Rouge group--have been in great demand and bring high prices at auctions and art sales.

Page 4: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

Thinking and Practicing Arguments

Page 5: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

What elements are Neoclassical and

what elements are Romantic?

Page 6: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

François RudeMarch of the Volunteers of 1792 (La Marseillaise)1833-36Chérence stoneArc the Triomphe de l'Étoile, Paris

Page 7: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

What elements are Romantic and what

elements demonstrate naturalism?

Page 8: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

Eugène DelacroixLiberty Leading the People (28th July 1830)1830oil on canvas

Page 9: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

Can you compare the two figures of Liberty?

What argument would you make?

Page 10: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,
Page 11: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

Is this a Neoclassical painting?

Why?

Page 12: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

Oedipus and the Sphinx1808-25

Page 13: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

Is this a Neoclassical painting?

Why?

Page 14: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

The Bather1808

Page 15: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

Who made The Bather 1808 and Oedipus and the Sphinx 1808-25?Who was this artist’s teacher? Why does it matter?

Page 16: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

Is this a Neoclassical painting?

Why?

Page 17: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

Large Odalisque1814

Page 18: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

History Painting

Is it a document or a work of propaganda?

What doesn’t work in this image?

What does serve the artist’s purpose?

Page 19: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

Jacques-Louis DavidNapoleon Crossing the Saint Bernard1800-1801

Page 20: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

History Painting

Is it a document or a work of propaganda?

What doesn’t work in this image?

What does serve the artist’s purpose?

Page 21: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

Eugene DelacroixThe Massacre at Chios1824Oil on canvas

Page 22: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

What event inspired this sculpture?

Is it a document or a work of propaganda?

What doesn’t work in this image?

What does serve the artist’s purpose?

Page 23: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

Hiram PowersThe Greek Slave1844marble

What elements are Neoclassical and what elements are Romantic?

Page 24: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

Hiram PowersThe Greek Slave1844marble

Hiram PowersLast of the Tribe1870-72 marble

What is the “problem” with these two sculptures?

Page 25: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

Adolphe-William BouguereauNymphs and a Satyr1873

What elements in this work are Romantic and what elements demonstrate naturalism?

How can you tell that this work is influenced by the expectations of the “Academy?”

For whose gaze is this work intended?

Is it art?

Page 26: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

Rosa Bonheur Plowing in the Nivernais: The Dressing of the Vines 1849

What elements in this work are Romantic and what elements demonstrate naturalism?

How can you tell that this work is influenced by the expectations of the “Academy?”

Page 27: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

Rosa Bonheur The Horse Fair 1855

What elements in this work are Romantic and what elements demonstrate naturalism?

How can you tell that this work is influenced by the expectations of the “Academy?”

Page 28: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

Can you compare these two landscapes?

What argument would you make?

Page 29: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

Caspar David FriedrichMonk by the Sea

1809 oil on canvas

Page 30: Toulouse-Lautrec, Henri de (1864-1901). Many immortal painters lived and worked in Paris during the late 19th century. They included Degas, Cézanne, Gauguin,

Travelers among Mountains and StreamsFan Kuan Northern Song Dynasty, early 11th century CEhanging scroll, ink and colors on silk


Gauguin, Study of a Nude, 1880. Gauguin, Mme Gauguin 1884 and Self Portrait 1885

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