gabriella disler

gabr

iella

dis

ler

// w

ww.

gabr

iella

disl

er.c

h //

art

@ga

brie

lladi

sler

.ch

remote memories, 2015Master Degree SHOW, ECAV Sierre, Usego Hall

a metaphorical photographic process in space. my works explores on the poetic essence and the non obvious presence in space in this installation in situ. fragile objects, in precarious situation, apparently unfinished, supplemented by a carrier of a reflection as an image. the sense of impermanence and an instability of the pieces. the combinations of structures , stable and fragile as well evoke a choreographed setting - a mise-en-scene.a dialogue between what exists and the things derived from what exist beforehand. and to have the opportunity to see and experience its physicality and the quality of the material.

remote memories, 2015in situ installation approx 5.50mx9.80mx4.10mwood sticks in space (4 items:943cmx3cmx4cm//105cmx3cmx4cm//57cmx1,5cmx1,5)wood sticks on wall (2 items: 267cmx1,5x1,5cm//250cmx3,3cmx4,0cm ), masking tape, scotch in pink - diff. lenght, 267cm, 250cm, 943cmlacquer coating: approx.175 x 320cm (made by hand) and water

remote memories, 2015partial view Master Degree Show ECAV, USEGO Hall, Sierrewoodensticks, pink scotch and lacquer coating

a dr

aft

/ a n

ote

for N

°00

... ,

2014

IO

N +

Proj

ects

pace

, Zür

ich ‚t

out v

a trè

s bi

en. m

erci

a pr

ecar

ious

sen

sitive

inte

rven

tion

/ ins

talla

tion

in s

itu ,

woo

d, g

las, t

rans

pare

nt s

cotc

h, te

xtil s

cotc

h

a draft / a note for N°00 ... , 2014 (partial view) ION + Projectspace, Zürich ‚tout va très bien. mercia precarious sensitive intervention / installation in situ, wood, glas, transparent scotch, textil scotch

a draft / a note for N°00 ... , 2014 (partial view) ION + Projectspace, Zürich ‚tout va très bien. mercia precarious sensitive intervention / installation in situ, wood, glas, transparent scotch, textil scotch

note N°003, 2014in-situ installation - part I, transparent tape dimension variable

ShowShowedShown LeManoir, Martigny

note N°003, 2014in-situ installation - part I, partial view in the stairways

transparent tape dimension variableShowShowedShown LeManoir, Martigny

note N°003, 2014in-situ installation - part II, transparent tape, wood dimension variable

ShowShowedShown LeManoir, Martigny

‚sphère‘ 2013

Light Space Light 2013Kunsthalle Wil, St Gallen

sphè

re 2

013

a sit

e sp

ecifi

c wor

k in

the

kuns

thall

e w

il, st

galle

n.

selec

ted

Phot

ogra

phs r

ecor

ded

over

mon

th fr

om th

e va

rious

nat

ural

day a

nd n

ight

light

situ

atio

ns in

the

kuns

thall

e ar

e pr

ojec

ted

on th

ree

pend

ously

refle

ctio

n sh

eets

in th

e ha

ll.”I

obs

erve

d th

e tra

nslu

cenc

y of t

he tr

ansit

ions

from

the

outsi

de to

the

insid

e an

d I e

xper

ience

d ho

w lig

ht fi

lled

the

spac

e an

d ho

w

it va

nish

ed fr

om it

”. Li

ke a

circ

ular

visu

al da

nce,

the

imag

es p

rojec

ted

by th

e tw

o be

amer

s ont

o th

e tra

nspa

rent

are

as a

re o

f var

ying

inte

nsity

and

in co

mbi

natio

n w

ith th

e pr

evail

ing

dayli

ght,

the

effe

cts s

hift

from

the

mor

e to

the

less s

uccin

ct. T

hey b

reak

up

and

over

lap. S

tepp

ing

into

the

spac

e on

e be

com

es p

art o

f the

“pr

ojec

tion

area

” an

d so

is a

par

ticip

ant i

n th

e ric

h an

d m

any f

acet

ed

inte

rplay

of l

ight

and

shad

ow, e

xper

iencin

g th

ereb

y, th

e ce

asele

ssly

chan

ging

pat

tern

s as a

par

t of o

nese

lf.

Gabr

ielle

Obris

t, Cu

rato

r Kun

sthall

e W

il

partial view of ‚sphère‘ 2013Presentation in ‚Light Space Light ‚Kunsthalle Wil 2013two projections of photographs on three pendously reflection sheets

partial view of ‚sphère‘ 2013 by daylightPresentation in ‚Light Space Light ‚Kunsthalle Wil 2013

two projections of photographs on three pendously reflection sheets

‚clearing‘ 2013Light Space Light 2013 Kunsthalle Wil, St Gallen

cutted foil on the floor in the dais, approx. 3,5 x 14,5 m‚cle

arin

g‘ 2

013

... T

he ri

chly

acce

ntua

ted

varia

tions

crea

ted

by th

e lig

ht fa

lling

on th

e up

per fl

oor t

hrou

gh th

e sk

yligh

t, is

the

starti

ng p

oint

of G

Ds

inte

rven

tion

in th

e da

is. Tr

ansp

aren

t she

ets f

rom

whi

ch h

as b

een

cut a

repr

esen

tatio

n of

how

the

light

falls

ont

o th

e su

rface

, unf

olds

like

a dr

awin

g in

spac

e fro

m th

e re

ar w

all in

to th

e ro

om; t

he in

divid

ual b

ut co

nnec

ted

com

pone

nts r

unni

ng in

to th

e sp

ace

like

a fre

e-flo

win

g sp

ring

from

its s

ourc

e.Ga

briel

la Di

sler h

owev

er, l

eave

s the

illus

trativ

e be

hind

, sho

win

g in

stead

an

inte

rpre

tatio

n of

the

mar

ks cr

eate

d by

th

e su

n in

an

unus

ual w

ay. T

hese

ext

ract

ed fo

rms c

onvin

ce a

s an

abstr

act r

epre

sent

atio

n of

the

flow

ing

and

trans

ient n

atur

e of

light

. Ga

briel

le Ob

rist,

Cura

tor k

unsth

alle

Wil

‚clearing‘ 2013partial and details views

‚Light Space Light‘ 2013 Kunsthalle Wil, St.Gallen

disappearance memories I, 20125 photos, fine art print, 33x47cm

edition 3 & 2a.p display in ‚void and profusion‘ 2013 at chelsea gallery, laufen

disappearance memories I I, 20125 photos from the serie of 7, fine art print, 33x47cm

edition 3 & 2a.p display in ‚void and profusion‘ 2013 at chelsea gallery, laufen

notes of a journey 20122 photos from the serie of 8, fine art print, 60x45cm edition 3 & 2a.p, display in the show

‚study I‘ 2013‚searching for the balance of the inner structure of the space itself‘

woodenledges, japanese ink, color, origamipaper, glasses, mirrorsize variable

‚transitional fields‘ 2012a site specific work at Neues Kunstforum Köln, DE

Gabriella Disler beobachtet, wie sich Licht und Schatten, Atmosphären und Stimmungen im Ausstellungsraum verändern und fotografiert diese vergänglichen Spuren.Ausschnitte dieser Photographien platziert Sie in einem sorgfältigen Suchprozess und rhytmisch kombiniert mit Glasscheiben und Holzleisten zurück an den Ort, wo sie entstanden sind.›transitional fields› nennt die Künstlerin die Überlagerungen, die auf diese Weise zwischen Raum und Bild entstehen und worin sich ein zeitlicher Verlauf einschreibt. Katharina Ammann, Kuratorin Bündner Kunstmuseum Chur

‚transitional fields‘ 2012 partial views of the site specific work at Neues Kunstforum Köln, DE

‚time and moment‘ 2012photography, fine art print, hand cutted. limited edition of 5 & ea20x30cm, 30x40cm,Kobo Chika Gallery, Tokyo 2012

‚time and moment - another time note‚ 2012photography, fine art print, hand cutted. limited edition of 5 & ea

20x30cm, 30x40cm, 100x150cm, display at Kobo Chika Gallery, Tokyo 2012