troubairitz cycle.pdf

8/17/2019 Troubairitz cycle.pdf

1/24

What I Write Now...

Anon. (Marie de Ventadour?) Translated by Derek Mahon

What I write now I write with grief and pain,those troubadours of a previous generation,dead now, committed a most grevous sinand threw their epoch into dire confusionwhen they were frankly critical of women;for those who hear, believing their glib song,decide there must be truth in the aspersionand so perpetuate a serious wrong.

Those gentlemen, great poets though they be,only pretended to be serious lovers

since he who speaks of love ambiguouslydishonours love and is a great deceiver.And if, against the truth of his own nature,he should deceive himself, it's his disgrace:without a woman he can have no future;the love of women is his best resource.


2/24

e = 126 sombre but rhythmical and dance-like

Tansy Davies

Anon.translated by Derek Mahon

What I Write Now...

Soprano

Tombak or Darabuka

5

12

20

#%

#

%

#%

#

%

&

&

#

%

#

%

&

&

&

&

&

&

(

%

(

%

#

%

#

%

#

%

#%

&

&

#

%

#%

&

&

&

&

&

&

#

%

#%

&

&

#

%

#%

#

%

#%

)

What

p

I write now I write with grief

*

use hands, create contrasting sounds/pitches and varied attacks.

low notes should be resonant, high pitches should be dry & bright, unless marked otherwise.

p

)

and pain: those

mf

trou ba- dours-

f

+

of

mf

a pre vi- ous-

*

mf

f

)

ge

f

ne- ra- tion- dead now,

,

com

mp

mi- ted-

*

f

dead sound-

,

mp

)

a

p

most grie vous- sin

mf

and

p

threw

mf

their

mp

e poch- in toto-

*

p

mf

p

mf

mp

. . . ./ 0 0 . . . ./ 0 0

0

.

1

0

.

1

0

.

1

2

.

3

0 0

.

1

0

.

1

0

.

1

2

.

3

0

.

.

/

0 0 4

.

.

6

.

6

.

6

.

0

.

1

.

.

6

.

6

.

6

0

.

1

2

.

3

0 4 0

.

1

2

.

1

2

.

1

2

.

6

.

3

0 4 2

.

1

2

.

1

2

.

1

. . . .

6

3

.

3

.

+

/

0 0

.

/

0 0

.

/

0 0

.

6

.

6

.

6

.

+

0 0 .

/

06 .

/

0 . . 2 .3 0 2 .3 0 2 9+3 0 2 .

1

2 .

1

2 . 6

2

.

6

.

. .

. .

/

0 0

.

.

/

0 0 2

.

6

. . . .

. 0 0 . 2 ./ 06 . . 0 0 .1 2 .

3

. 0 .1 0 .1 0 .1

2


3/24

26

31

36

41

46

#

%

#

%

&

&

&

&

#

%

#%

&

&

&

&

#

%

#%

#

%

#%

#

%

#%

#

%

#%

&

&

#

%

#%

#

%

#%

&

&

#

%

#%

)

dire

f

con fu- sion- when

mp

they were frank ly- cri

f

ti- -

*

f

f

)

cal of women; for

p

those who hear, be

mf

lie- -

*

p

mf

)

ving their glib

f

song,

p

de

mp

cide- there

mf

must be

*

f

-

pp

:

mp

mf

)

truth in the as

f

per - sion- and

p

so per pe- tu- -

*

f

p

)

ate

mf

a se

f

rious- wrong. Those

mp

*

mf

f

pp

.

7

0 0

.

6

.

6

.

6

.

+

4 2

.

6

. .

. .

.

6

.

6

2

.

3

.

2 .1 2 .1 2 . 6

. .

.1 0 4

;

2 .1 2 .1

.

6

.

+

8

2

.

6

. .

;

. . .

.

/

0 0

.

6

3

.

6

3

2 . 6 . 0 4 ; 0 .1 0 .1 0 .1 2 .

3

. 2 .1 2 .1

.

6

.5

2

.

6

.

/

0 0

<

;

. .

.

2

.

6

. .

2 .6 .

3

0 2 .

3

9 2 ./ 2 .1 . 0 0 .1 0 .1

.

/

0 0

. .

.

6

.

6

.

6

. 2

.

6

. . . .

2 .

3

. 0 .1 0 .1 2 .1 2 .1 2 . 6 .

3

0 4 0 .1 0 .1 0 .1

.

.

/

2

.

6

. .

. 2

.

/

0 ; ;

.

0 . . . 0 2 ./ 2 .1 . . . . . . 4

3


4/24

51

57

63

70

76

&

&

#

%

#

%

&

&

&

&

#

%

#%

#

%

#%

#

%

#%

&

&

&

&

#

#

#

%

#%

&

&

)

gen tle- men,- great

mf

po ets- though they be on ly-

*

mp

p

mf

)

pre tend- ed- to be se rious- lo vers- since he

*

)

who

p

speaks of love

f

am bi- gu- ous- ly-

*

p

f

p

f

p

f

p

f

p

f

)

: :

dis

f

ho- nours- love

*

p

f

p

f

p

f

)

and

p

is a great de

f

cei- ver.- And

p

if, a gainst- the truth

f

*

p

f

f

.

6

.

6

.

6

.

0

.

. .

.

2

.

/

0 0 2

.

2

.

4

. .

2 .1 2 .1 2 . 6

.

3

0

.

2 ./ 2 .1

. .

0

. .

4 4

.

6

.

6

.

6

.

+

2

.

6

.

. .

+

.

2

. . .

0

.

1

.

/

0 0

2 .1 2 .1 2 . 6 .

3

0 4 2 ./ 2 .1 .

3

0 ; 2 .

3

.

. . .

.

/

0 0 .

.

7

.

.

7

. .

7

.

.

7

. .

0 .1 0 .1 0 .1 2 .

3

0 2 . . . . 2 . . . . 2 . . . . 2 . . . . 2 . . . .

.

/

0 0

.

+

6

.

+

6

.

+

6

.

2

.

/

0 0

2 . . . . 2 . . . . 2 . . . . 2 .1 2 .1 2 . 6 . . .

2

.

6

. . .

.

6

.

6

.

6

. 4 2

.

6

.

. .

.

.

/

0 0

. . 0 4 ; 2 .1 2 .1 2 . 6 .

3

0 .1 0 4 .1 0 .1 0 2 .

3

.

4


5/24

81

86

90

95

&

&

#

%

#

%

#

%

#

%

#%

#

%

#%

#

%

#

%

#

%

#

%

#

%

#

#

&

&

&

&

#

%

#%

&

&

)

of his own na ture,- he

p

should de ceive-

*

p

) him self,- it's his dis

f

grace:- with

mp

out- a wo

f

man-

*

f

)

he

p

can have no

mf

fu

f

ture;- the

p

love

*

p

mf

f

p

)

of wo

mf

man- is

f

his best re source.-

,

*

p

f

f

,

2

.

6

.

.

/

0 0

. .

.

4

. .

. .

.

.

.

0 0

.1

2

.

3

. .

.

2

.1

.

0 4 4 2

./

2

.1

2 . . 0 .1 . . . . 4 2 . . . . . .

.

0 0

.

1

0

.

1

.

.

2

.

1

.

3

0

.

1

0 4

.

.

2

.

1

4

. . .

.

/

0 0

. .

.

;

.

.

/

0 0

.

3

0 0

.

1

0

.

1

0

.

1

2

.

3

0

.

.

2

.

1

.

0

;

2

.

0

4

.

. .

4 4 0

.

1

.

.

/

0

6

4

. .

. <

; 2 . . 2 . . 2 . . 2 . . 4 2 .6 4 . . 2 .1 <

5


6/24

Secret Wishes

Text by Garsenda de Forcalquier, translated by Derek Mahon

You with the air of a whole-hearted lover,

I'm more than pleased you like me if you do;I wish you wouldn't be so shy, however,since I am similarly in love with you.I know the timidity from which you suffer.You hesitate to speak of what you feel;but a young woman simply daren't uncoverher secret wishes lest she seem a fool.

6


7/24


8/24

Since I Refused

Text by Béatrice de Die, translated by Derek Mahon

Great pain has come to me

from a young man I lost.Of the young men I knowI fancy him the most;and now I've been betrayedsince I refused my love.What was I thinking of,lying there cold and hard?

If he should come againI'd clasp him with my thighsuntil he gasped for breathand gravely take him in

since I would be his wife;like some great herioneI'd give him my bright eyes,my heart, my soul, my life.

Dear friend, should you once moredecide to be my loverand spend a night with me,I'll love you ardently;no pleasure could comparewith what we shall find there,believe me, if you do just what I ask you to.

Performance note:

Four (or more) different sounds/pitches should be producedon the Bohdran, the 3 lines on the stave indicate low, medium,and high pitches, the performer may determin the technique/ colours/attack. Crosses indicate dry, 'clicking' sounds, to be playedon the rim of the instrument. All sounds should be as resonant aspossible.

* Note: here the percussionist should vocalise a 'breathy' sound byexhaling noisily, no pitch should be produced. The sound shouldemphasise the lyric- 'gasped'. The performer should also produce a'swishing' sound with fingernails on the skin of the Bohdran, whilevocalsing the 'Ah' sound.

8


9/24

Béatrice de Die,translated by Derek Mahon

q = 60 soulful, rhythmically flexible

Tansy DaviesSince I Refused

Soprano

Bohdran

4

7

11

14 A

#

#

#

#

)

Great

mf

pain has cometo me froma youngman I

*

use a rute

mf

)

lost. Of the young men I know I

*

)

fan cy- him the most;

f

and

p

nowI've been be trayed- since I re-

*

p

)

fused my love.

mf

What

p

was I think ing- of,

*

mf

p

)

ly

mp

ing- there cold

mf

and hard?

f

If

p

he should

*

mf

'click' on rim-

f

-

:

.

+

. <

0

.

1

.

+ .

< . . .

.

.

6

.

1

.

; 4

.

1

0 ; 0

.

1

4 ;

.

1

0 0

.

1

.

+

1

.

6

.

4

. .

.

+

.

<

0

.

1

.

+

.

<

0

.

; 4 2

. .

4 ; 4

.

1

0 ; 4

.

1

0

. . < .

. <

6

0

. . . <

0

. .

.

. 0 . . .

; 0

6

.

/

.

1

0 ; 4

.

1

0 ; 4

.

1

0 ;

.

1

0 4

.

.

.

6

.

3

. .

3

.

6

.

0

.

1

. .

.

.

<

6

;

.

1 0 0

.

1 ; 06

.

/

.

1 0 4 ; 4 0

.

1

.

.

<

6

<

.

6

.

1

.

+

1

.

6

<

; 0

.

1

. .

; 4 0 .1 4 0 .1 4 .1 0 ; 4 2 9 9+

9


10/24

18

22

26

29

32

B

#

#

#

#

)

come

mf

a gain- I'd clasp

f

him with my thighs

*

mf

f

)

un

p

til- he

*see note

gasped

ff

,

for

mp

breath and grave ly- take him in since

f

*

*see note

Ah! mp

)

I would be his wife; like some great her o- ine-

mp

*

f

)

I'd

p

give him my bright

mf

eyes, my heart, my

*

p

mf

)

soul, my life.

f

,

Dear

mp

friend, should you

* -

-

f

mp

.

.

<

0

.

.

.

.

6

.

3

. . . .

3

.

6

.

; 0

.

1

. 0 4 0

.

1

. 0 . 0 . 0 . ; 0

.

1

0 .

3

. .

9

+

0

.

1

.

.

.

0

6

. .

6

.

. .

.

.

6

.

6

.

. 0 4

9

; 0

.

1

. 0 0

.

1

. 0 4 ; 0

.

1

. 0

.

. < 0

. .

.

. 0 . . . .

.

.

6

.

3

<

; 2

. .

. 0 4 2

. .

. 0 4 4 2

. .

. 0 4 0

.

1

0

.

1

.

1

. .

1

.

.

<

0

. .

.

< 0 .

3

. 0 4 . 0 ; 0 .1 . . 0 ; 0 .1 . . 0

.

.

<

0

.

3

.

3

.

6

<

.

+

. <

. .

; 2 . . . . 0 ; 0 . . . . 9 9+ 4 06 . . . . 4

10


11/24

35

38

41

44

47

#

#

#

#

)

once more de cide- to be my lo

f

ver - and

p

spenda

*

- - -

p

-

)

night

mp

with me, I'll

mf

love you ar

ff

dent- -

*

mp

-

mf

-

f

)

ly; no

mp

plea sure- could com pare with what we

*

mp

- - - -

)

shall find there,

mf

be

mp

lieve- me,

*

mf

- -

mp

)

if you do just what I ask you to.

,

* - - ,

.

+

.

<

0

.

1

.

.

.

6

.

1

. . .

+

1

.

6

.

0

.

1

. .

; 2

9 9

.

. 0 4 2

. .

.

. 0 0

.

1

0

.

1

; 2

9 9

.

. 0 4

.

.

<

0

.

3

.

. <

.

.

< .

.

; 2

. .

.

. 0 4 0

6

9 9

.

. .

3

0 4 2

. .

.

. .

<

6

0

. .

. < 0

. .

.

. 0 . . .

. 0 4 2

9 9

.

. 0 ; 2

. .

.

. 0 4 2

9 9

.

. 0 4

.

.

< .

. .

3

.

6

.

4 0

. .

.

<

4

.

1 0 4 2 . .

.

. .

.

1 0 4 4 2 9 9

.

. . ; 06 . .

.

.

.

.

< .

. .

.

.

6

.

1

.

<

<

. 0 4 2 9 9 . . 0 4 2 . . . . 0 0 .1 4 0 .1 ;

11


12/24

Beloved Friend

Text by Tibors, translated by Derek Mahon

Beloved friend, believe me when I sayI haven't spent an undesirous daysince first I met and chose you for my love,nor let an hour pass when I didn't givesome thought to you and that the most devout.I've known no moment of regret or doubt;nor, if you left me with an angry word,have I had peace of mind till you returned.

12


13/24

Tibors, translated by Derek Mahon

q = 66 warm, intimate

Tansy Davies

Beloved Friend

6

10

15

19

23

28

31 rit.

&

&

&

&

)

Be

p

lov- ed- friend, be

f

lieve- me when I

)

say

pp

I

f

have n't- spent an un de- si- rous- day

p

since

)

I first met and

f

chose you for my love,

p

)

nor

mp

let an

mf

hour pass

p

when I did

f

n't- give

p

some

)

thought to you

f

and

mp

that the most

mf

de vout.

f

-

)

I've

p

known no mo ment- of re gret- or doubt; nor

mf

, if you

)

left

f

me with an an gry- word,

,

have

p

I had

)

peace

mf

of mind till you re turned.

,

-

.1 < . < 06 ./ . 6 .

1

. . . . . .6 . .

.

.

1

.

6

.

..

0 0

6

. .

.

1

.

.

.

1

.

.

.

1

.

.

.

.

.

. .

.

1

< 0

.

1

<

.

<

0

1

.

3

. 6

.

. <

1

.

.

=

1

.

6

.

<

.

4

.

1

.

1

.

.

+

1

.

.

<

.

6

.

1

.

.

4

. .

.

1

6

.

.

.

1

.

.

.

.

6

.

3

0 .

.

.

6

1

.

.

.

6

.

. .

6

.

.

+

5

1

6

.

1

.

6

.

.

<

6

4

0 .

3

. .

.

1

.

6

. .

6

.

.

7

.

66

0

.

1

< .

.

6

.

.

6

.

. .

.

1

6

.

. . . <

0

.

1

< .

.

6

.1

. . . . . .6 . . 6

5 1

.3 . 6 .3


14/24

14


15/24

Now He Is Gone

Text: Anon. Translated by Derek Mahon

Heart veiled in sorrow, I've made up my mind

to renounce love and love's society,for on this earth I never hope to finda friend so genial and so fine as he.He was courageous, honourable and clever,so madly brave he died as a result:if I should ever take another lover,now he is gone, my heart would be at fault.

performance note:

The tremolandos (represented by 3 lines between

two notes) should have the same effect as trills (iethey should be sung as fast as possible and withoutpulse).

* one note trill / Montiverdi trill.

** may be a smaller, folk bass drum.

15


16/24

Anon.Translated by Derek Mahon

q = 72 tearful mourning, Montiverdi-style lamenting

Tansy Davies

Now He Is Gone

Soprano

Bass Drum**

4

7

11

14

$$

$$

$

$

%

%

%

%

%

%

>

>

>

>

(

(

(

(

#

#

$$

$$

#

#

)

Heart

p

veiled

*

in sor row,

-

,

I've made up my

*

semprepppp

,

@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

?

@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

)

mind

+

,

to re nounce

+

- love

*

?

#

@@@@@@@@@@@@@@@@@@@@@@@

,

?

@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

)

andlove's soc

+

i

+

- et

+

- y,

+

- for on this earth I ne ver -

*

?@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ ?@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ ?@@@@@@@@@@@@

)

hope to find

+

a

,

friend so

,

*

?

#

@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ , ?@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ ,

)

gen i- al- and so fine as he.

,

He

f

was cour a- geous-

* ?@@@@@@@@@@@@@@@@@@@@@@@@ : ?@@@@@@@@@@@@@@@@@@@@@@@@, ?@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

.

$

A . <

$

.

$

< .

$

A . .

. A .

1

A . A .

6

A

A

0 .

.

A

A

.

+

1

A

A

A

0

.

6

A A

0 .

.

.

.

.

.

.

.

.

.

0

. . .

<

<

<

<

0

. . .

0

.

6

A

0

. < A

0

. <

A

A

.

3

<

<

<

< .

.

.

.

.

.

.

.

.

.

A .

1

< <

4

< <

4

.

.

.

.

<

<

.

. A

A

.

3

.

. . .

$

<

$

<

A A .6 . 6 A

16


17/24

19

21

24

28

32

#

#

&

&

&

&

(

(

&

&

&

&

&

&

%

%

%

%

&

&

&

&

)

hon our - ab- le- and cle ver,-

*

?

#

@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ ?@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

)

so mad ly- brave he died

* : ?@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

)

as a res ult:- if I should ev er -

* : ?@@@@@@@@@@@@@@@@@@@@@@ : ?@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

)

take an oth- er - lov er,-

p

now he is gone,

* : ?@@@@@@@@@@@@@@@@@@@@@@@@@@@ : ?@@@@@@@@@@@@@@@@@@@@@

)

my heart would be at fault.

* : ?@@@@@@@@@@@@@@@@@@@@@@ : ?@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

.

.

.

.

.

.

.

.

0 .

<

<

<

<

< < 4 A

0

. . . A

A

.

A

A

A .1 A

0

.

3

. . A

A

0

.

3

. .

<

<

<

<

A A

0

.

. . . <

<

<

<

0

. . .

A

A

A A

0

.

A

A

0

. . .

A

A

$

A

A A A

17


18/24

18


19/24

Winter

Text by Azalais de Portiragnes, translated by Derek Mahon

Winter is here, the frozen timeof frosty nights of snow and slush;the singing birds we love are dumband silent in the blackthorn bush.Hedges are bare beside the road,no leaf or flowering branch in sight;there is no nightingale to be heardwho wakes the soul on a spring night.

My furious heart is so distraughtI am estranged from everyone;I realise we lost the fightmore quickly than it takes to win.

We are at fault if we don't lovea man of honour, a man of worth;I've lost the one who was my lifeand mourn the fact from this day forth.

19


20/24

Azalais de Portiragnestranslated by Derek Mahon

e = 132 light, agile

WinterTansy Davies

Tombak /

Darabuka

5

8

11

13

C17

% # % #

%

%

#

#

%

%

#

#

%

%

#

#

%

%

#

#

% # % #

%

%

#

#

*

use hands, decorate freely with grace-notes & 3/4 stroke 'rolls' ad lib.

f

)

Win

f

ter - is here, the froz en- time of fros ty- nights of

*

)

snow and slush; the sing ing- birds we love are dumb and

*

)

sil ent- in the black thorn- bush.

*

*

)

Hed ges- are bare bes ide- the road, no

*

.6

.

6

.

+

.

.

+

2

.

6

. 6

.

6

. 6

.

6

.

+

.

.

+

2

.

6

. 6

.

6

=

1

1

.

+

=

1

.

.

.

.

.

+

5

1

.

3

.

5

1

.

+

5

1

3

.

1

2

.

+

5

1

.

/

.

.

+

5

1

.

.

.

.

+

5

1

.

3

.

6

.

6

.

6

.

6

.

6

.

6

.

.

.

6

.

6

.

6

.

6

.

+

5

1

.

.

+

5

1

.

.

2

.

+

5

1

.

.

.

+

5

1

.

.

5

1

.

+

5

1

.

3

.

.

+

5

1

.

+

5

1

.

3

.

2

.

.

6

.

6

.

.

.

6

.

6

.

6

.

6

.

6

.

6

.

.

.

+

5

1

.

5

1

.

+

5

1

3

.

.

+

5

1

.

+

5

1

3

.

+

5

1

.

+

5

1

.

+

5

1

.

.

.

.

.

6

.

6

.

6

.

6

.

6

.

6

.

.

.

6 . 6

.

+ .

.

+ 06 . 6

3

.

6 .

.

6 . 6

.

+ .

.

+ 06 . 6

3

.

6 .

.

+

1

.

1

.

+

1.

.

5

1

5

1

.

5

1

5

1

1

.

.

.

.

2

.

.6 . 6 . 6 . 6 . 6 . 6 . 6 .

20


21/24

19

22

25

D29

32

35

%

%

#

#

%

%

#

#

%

%

#

#

% # % #

%

%

#

#

%

%

#

#

%

%

#

#

%

%

#

#

)

leaf or flower ing- branch in sight; there is no night in- -

*

)

gale to be heard who wakes the soul on a spring night.

*

*

) My fur ious- heart is so dis traught- I am es tranged- from

*

)

ev ery- one;- I re a- lise- we lost the fight more

*

)

quick ly- than it takes to win.

*

5

1

5

1

5

1

.

+

8

1

.

.

.

5

1

.

.

5

1

.

+

8

1

.

+

5

1

.

.

5

1

.

6

.

.

5

1

.

.

.

.

+

8

1

.

0

6

.

6

3

.

6

.

6

.

6

.

6

.

6

.

0

6

.

6

3

.

6

.

6

.

+

1

.

+

1

.

+

1

1

.

.

.

1

6

. .

5

1

.

.

.

+

1

.

+

1

. .

1

.

1

.

+

5

1

. . .

.6 . 6 . 6 . 06 . 63 . 6 . 6 . 6 . 6 . 6 .

.

6

.

6

.

+

.

.

+

0

6

.

6

3

.

.

6

.

6

.

6

.

+

.

.

+

0

6

.

6

3

.

.

6

.

+

= 1

.

+

= 1

=

1

. . . . .

=

1

=

1

3 .

=

1

=

1

.

3 2

.

.

=

1

.

.

=

1

.

3

.

6

.

6

.

6

.

6

.

6

.

6

.

.

6

.

6

.

6

.

6

.

6

=

1

.

=

1

.

.

.

2

.

+

=

1

.

.

+

=

1

.

.

=

1

.

+

=

1

.=

1

.

+

=

1

=

1

.

.

.

. 2 .

.

6

.

6

.

.

6

.

6

.

6

.

6

.

6

.

6

.

6

.

.

6

=

1

.

.

+

=

1

=

1

.

3

.

.

+

=

1

.=

1

.=

1

.

+

=

1

=

1

.

.

.

.

.6 . 6 . 6 . 6 . 6 . 6 . . 6

21


22/24

37

E41

43

46

49

52 rit.

% # % #

%

%

#

#

%

%

#

#

%

%

#

#

%

%

#

#

%

%

#

#

%

%

#

#

%

%

#

#

*

)

We are at fault if we don't love a

*

)

man of hon our,- a man of worth; I lost the one who

*

)

was my life I've lost the one who was my life and

*

)

mourn and mourn the fact from this day

*

)

forth. and mourn the fact from this day forth.

,

*

.

6

.

6

.

+

.

.

+

2

.

6

.

6

.

6

.

6

.

6

.

+

.

.

+

0

6

.

6

3

.

6

.

.

+

=

1

.

+

=

1

5

1

. .

.

. .

.

+

=

1

.

+

=

1

3

.

.

+

=

1

8 1

.

3

. 6 .

.

6

.

6

.

6

.

6

.

6

.

6

.

.

.

+

= 1

.

.

+

= 1

.

.1

.

+

= 1

.6 . .

.

+

= 1

. . 2

.+= 1

/ .

1

. . .

.

+

8 1

.3

.

6

.

6

.

6

.

6

.

6

.

6

.

6

.

0

6

.

6

3

.

6

.

6

=

1

.

.

+

8

1

1

3

=

1

6

.

.

.

+

1

=

1

.

.

.

+

1

.8

1

3

.

1

.

+

1

=

1

.

.

.

3 2

.

.

6

.

6

.

6

.

.

6

.

6

.

6

.

6

.

6

.

6

.

.

6

=

1

.

=

1

.

.

.

.

1

.

.

1

.

1

.

+

=

1

.

.

.

+

=

1

6

. .

.

+

1

.

+

=

1

.

.

+

1

.

.

6

.

6

.

6

.

6

.

6

.

6

.

6

.

0

6

.

6

3

.

6

.

6

.

1

.

1

.

1

1

. . .

.

+

=

1

6

. .

.

+

1

.

+

=

1

.

.

+

1

.

1

.

1

.

+

1

.

+

1.

.

.

.6 . 6 . 6 . 06 . 63 . 6 . 6 . 6 . 6 .

22


23/24

I Walk Alone

Anon. translated by Derek Mahon

I walk alone in a green wood

with no friend at my side.I lost him through ineptitudeand walk alone in a green woodI should write to let him knowI'll make it up to him somehow.I walk alone in a green woodwith no friend at my side.

23


24/24

1

Anon.translated by Derek Mahon

q = 60 lonely, chilling

Tansy Davies

I Walk Alone

5

9

13

18

22

26

30

33

% # %

% %

% # %

% %

% #

%

#

# %

% #

)

I

p

walk al one- in a green wood with no friend at my

)

side. I

mp

lost himthrough in ep- tit- ude- and

)

walk al one- in a green wood

p

I

mf

shouldwrite to lethim

)

know I'll make it up tohim some how.-

,

I

p

walk a-

)

lone in a green wood with no

mf

friend at my side I

)

lost him through in ep- tit- ude- and walk al one

mp

- in a

)green

p

wood I

mf

should write to let him know I'll make it up to

)

him some how.-

p

B

I walk al one- in a

)

green wood with no friend at my side

,

p

< .

6

. <

6

.

. < A

0

.

3

.

<

.

6

.

<

A

0

.

3

.

6

.

.

6

. .

. <

<

6

0

.

.

<

.

6

.

<

6

.

. <

A

4

. .

.

6

.

1

.

.

<

A

<

.

6

.

1

.

6

. .

6

.

1

<

A

<

.

6

.

1

<

6

.

. <

troubairitz cycle.pdf

Documents