twenty years salon verlag · the french author georges perec wrote the astonishing novel ‚la vie:...

2015Twenty Years Salon Verlag

Salon Verlag & Edition

EX LIBRIS EDITION A library of artist‘s books with reprints of the “favourite books” of important contemporary artists

Since 2002, the publisher Gerhard Theewen has been inviting internationally acclaimed artists to suggest a book, which has had the greatest impact on his or her own work, to be reprinted. Each of these limited-edition reprints is then furnished by the artist with a newly designed cover or dust jacket and complemented by its own personal, signed and numbered ex libris (bookplate) in the form of an offset print, colour photograph, silkscreen etc.

In this way, books from the most varied fi elds and disciplines (including medicine, physics, literature, philosophy, travel, art history and urban planning) which, in some cases, have been out of print for many years, are once again made available to the interested public, albeit in a highly different context, namely as artist’s books, which provide insight into the creative backgrounds of contemporary artists.

Each book is published in two editions:

a) The Book Edition with a signed and numbered ex libris. Edition size: 150 – 300 (exception: 750 for Lawrence Weiner)

b) The Collector’s Edition: a box set including one copy of the Book Edition and an additional larger-format work by the respective artist (also signed and numbered). Edition size: 15 – 50

In some cases, unsigned test prints have been used for illustrations in this brochure. All fi nal bookplates and collector’s editions are, of course, signed and numbered by the respective artist.

Salon Verlag & EditionGerhard TheewenAm Wassermann 36 (Etrium Haus)50829 CologneGERMANY

To place orders on editions presented in this brochure, please contact the publisher: Tel./Fax: +49 (0)221 - 4995822E-Mail: [email protected]

All prices (incl. VAT) are subject to confi rmation.Offers are subject to prior sale and error.The publisher’s general terms and conditions apply.

www.salon-verlag.de

multiples & books on contemporary art

Edition Ex Libris # 28 Karin SanderEdition Ex Libris # 29 Franz Erhard WaltherEdition Ex Libris # 30 …

ToCome Edition Ex Libris # 27 Martin Parr (2015)

Collector‘s Edition:

C-Print: 36,1 x 23,4 cm / 15 x 10 in.

Edition size: 20 signed and numbered.

Price: EURO 500,00

Book: „Be Bold With Bananas“, 1996 (Cooking)

Format: 24,7 x 18,4 cm / 10 x 7,2 in.

Hardcover, 64 pages

Bookplate:

C-Print: 14,2 x 9,1 cm / 6 x 4 in.

Edition size: 150 signed and numbered.

Price: EURO 150,00

NEW2015

Martin Parr: I was immediately struck when I saw „ Be bold with Bananas“ It had some wonderful sexual undertones, and was just plain surreal. The title is also very ambivalent , so when invited to participate in this project , I had no hesitation in selecting this title. Published by the South African Banana board, it is a surprisingly scarce title.“

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Book: Gustave Flaubert „La Légende de Saint Julien“ 1946 (dutch) (Literature)

Format: 15,9 x 10,1 cm./ approx. 6 x 4 in.,

Softcover, 80 pages

Bookplate: offset print, 11,2 x 7,1 cm./ approx. 4 ½ x 3 in.

Edition size: 100

Price: EURO 100.00

Edition Ex Libris # 25 Berlinde De Bruyckere (2015)

Gustave Flaubert „La Légende de Saint Julien“

Format: 15,9 x 10,1 cm./ approx. 6 x 4 in.,

Softcover, 80 pages

Book: Book:

Berlinde De Bruyckere: When I received the book ‚The Legend of Saint Julian The Hospitaler‘ from my youngest son Andreas, I read it in one sitting. At that time, he himself wasn‘t able to read yet. I told him the story with the same passion and in the impressive words I found in the Gustave Flaubert novel, during a walk in the woods. I couldn‘t have found a better place, a better time to do so. I cherished this experience such, that it may well have inspired me to translate it into the small woolen blanket covering the book. It was a unique experience to read the book in this archaic version of the Dutch language, beautifully documented with wood-cut illustrations. It almost seems disrespectful to make sloppy notes in such a precious book, but for me this is the only way to appropriate a book. To fi nd the quotes that I fi nd crucial. „The maddened stags fought, reared, climbed on each other‘s back; and their bodies, with their antlers entangled, formed a great mound, crumbling and shifting. At length they died, lying on the sand with slavering muzzles, disembellowed, the heaving of their bellies growing less and less by dregrees. Then all was still.“ This quote has been an important inspiration for the sculptures and the drawings titled ‚Romeu my deer‘ and later on for the sculptures titled ‚Actaeon‘. Never literally, but fi guratively.

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Collector‘s Edition:

Edition of 100 unique woollen blanket objects of which the even numbers (2, 4, 6, 8, 10, 11, …) are for trade and the uneven numbers (1, 3, 5, 7, 9, 11, 13, …) are artist‘s proofs.

Signed and numbered with embroidered ribbon-labels.

Price on request

Edition Ex Libris # 26 Peter Buggenhout (2015)

Collector’s Edition:

Medium: Sculpture

(plaster, cow stomach

(leather), multiplex, iron pins) Format: ca. 38 x 26 x 25 cm

Edition size: 6 each signed and numbered underneath the base.Together with artist`s book and bookplate (offset print) in a box.

Price: EURO 3,000.00

Book: Hermann Melville „Moby Dick“ (with the illustrations by Rockwell Kent)

(originally published in 1930) (Literature)

Format: 21 x 14 cm. / approx. 8 1/3 x 5 1/2 in., Hadcover, 824 pages

Bookplate:colour offset on silverlaminated material

print, 18 x 13 cm. / approx. 7 x 5 in.

Edition size: 100

Price: EURO 200.00

Peter Buggenhout: With the rise of Romanticism in the early 19th century, people became aware of the fact that it was almost impossible to truly understand the complex world in which they were living. The unique and individualistic world view (both on a sensory and a cognitive level) that was so typical for this era seemed to be the only way to deal with this complexity. Not much has changed since then. In a way, the Romantic era has not yet come to an end; we are still struggling with a sense of pow-erlessness and the incapability of profoundly understanding our surroundings. More than 100 years after Melville‘s ‚Moby Dick’, the French author Georges Perec wrote the astonishing novel ‚La vie: mode d’emploi’. In timing and approach, these two novels could not be more diff erent - whereby the contents reveal a remarkable resemblance. Melville, writing at the beginning of a new era, begins with a whale and ends up in an impressive analysis of life, death, infi nity and the unaccountable nature of what surrounds us. Perec derives his views on topics such as infi nity, death and the incapability to understand life‘s complexities from an endless summary of details from everyday life. Regardless of the diff erences in approach, the contents of both novels are highly analogous and I personally feel a strong aff inity between these themes and the essence of my own work.

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“(originally published in 1930) (Literature)

Format: 21 x 14 cm. / approx. 8 1/3 x 5 1/2 in., Hadcover, 824 pages

Bookplate:colour offset on silverlaminated material

print, 18 x 13 cm. / approx. 7 x 5 in.

Edition size: 100

Price: EURO 200.00

NEW2015

NEW2015

Book:Dick Bengtsson (Art)Format: 20 x 24 cm / approx. 8 x 9,5 in.,Softcover, 32 pages

Bookplate: OffsetEdition size: 100, signed and numbered

Price: EURO 100.00

Collector’s Edition:Original Polaroid

Edition size: 15 (different views ofthe artist`s Studio), signed and numbered.

Price on request

Edition Ex Libris # 23 Mamma Andersson (2015)

Mamma Anderson: In a way this was the most obvious book for me to choose. In 1983 I started working extra as a watchman at Moderna Museet in Stockholm, while studying art. I loved my bywork, walked around in the art history, fantasizing and vegetating. The book shop became a gold mine, where you could fi nd all kinds of interesting stuff . This catalogue/book was brand new at the time. Dick Bengtsson‘s exhibitions was one of the fi rst I watched over, not a very big exhibitions, but I found it exciting. It took a few years before I was really taken by his paintings, but when it happened it was with a great hullabaloo. One could say that his work is the foundation for much of my work. During the 90‘s this book became a sort of bible for me, I started every day with a cup of coff ee and the Dick Bengtsson catalogue. I sometimes copied paintings that I later painted over, sometimes I stole elements from them to my own work. That‘s why it‘s so worn out and stained. Sometimes when I see one of his works I think for a second that it‘s one of mine. That‘s how much I have inter-nalized his imagery. Weirdly enough, there was no publication about his artistry before this one, and it was more than 20 years until a new one came out. The next one was done in 2005, in conjunction with a large Dick Bengtsson exhibition, also this one at Moderna Museet, this exhibition was much larger, containing most of his works. For many years he was seen as an outsider artist, an artist for artists, he was an autodi-dact. His production wasn‘t very large, but on the other hand he didn‘t become very old, he died in 1989 only 53 years old. Today his position is something else, everyone with the least interest in Swedish painters know about him and his paintings are sold at very high prices. I‘m very happy to get the chance to do this project, so that the book can spread to more art souls, also outside of Sweden.

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Collector’s Edition:Medium: sculpture (cardboard with pencil and watercolour)Format: ca. 9 x 14 x 8 cm. / approx. 3 1/2 x 5 1/2 x 3 1/4 in.Edition size: 15 unique works (including 6 A.P. and 1 E.P.), each signed and numbered underneath the base. Together with artist’s book and bookplate (offset print) in a folding box.


Book: Barnteckningar och dikter på anhalten före döden“ (Children‘s Drawings and Poems from Terézin, 1942-1944“ (originally published in 1959) (History)

Format: 27,5 x 18 cm. / approx. 10 3/4 x 7 in.,

Hardcover, 80 pages

Bookplate: colour offset print, 9 x 12 cm./ approx. 5 3/4 x 5 in.

Edition size: 150

Price: EURO 150.00

Edition Ex Libris # 24 Jockum Nordström (2014)

Jockum Nordström: The book I chose is „Barnteckningar och dikter på anhalten före döden“ (Children`s Drawings and Poems from Terèzin, 1942-1944) Why did I choose it? Because I think it‘s an earnest, grave and beautiful book that sets one’s ima-gination and mind off wandering. I think that it is a catalogue actually. An exhibition catalogue of drawings and poems made by children who were imprisoned in a concentration camp. Most of them were killed later. Really damn terrible. I bought the book at a shabby second-hand bookstore in Skärholmen, a suburb south of Stockholm. Found it by accident, it‘s probably ten or fi fteen years ago. This book has never been the basis for my own work. I think above all that it is very nice as a book in itself, a nice piece of printed matter. It was diff icult and challenging to make a new cover. The book was already complete before.

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Book: Barnteckningar och dikter på

NEW2015

Edition size: 100, signed and numbered

the artist`s Studio), signed and numbered.

Mamma Anderson: In a way this was the most obvious book for me to choose. In 1983 I started working extra as a watchman

Edition Ex Libris # 21 Jack Pierson (2012)

Book: „Stardust“ (originally published in 1957) (Pin-Up Magazine)

Format: 32 x 22 cm. / approx. 12 5/8 x 8 2/3 in., hardcover

88 pages

Bookplate: colour offset print, 10 x 13 cm. / approx. 3 7/8 x 5 1/8 in.

Edition size: 150

Price: EURO 150.00


Medium: C-print

Format: 30 x 20 cm. / approx. 11 7/8 x 7 7/8 in.

Edition size: 40, each signed and numbered on the reverse

Together with artist’s book and bookplate in linen-lined slipcase with golden embossings

Price on request

Edition Ex Libris # 22 Marcel van Eeden (2012)

Book: Joris Karl Huysmans, „Matthias Gruenewald“ (originally published in 1922) (Art History)

Format: 17 x 12 cm. / approx. 6 2/3 x 4 ¾ in., saddle stitched brochure

64 pages

Bookplate: colour offset print, 9 x 12 cm. / approx. 3 ½ x 4 ¾ in.

Edition size: 150

Price: EURO 100.00


Medium: drawing

Format: 28.5 x 19.5 cm. / approx. 11 ¼ x 7 2/3 in.

Edition size: 15 unique works, each signed and dated on the reverse

Together with artist’s book and bookplate (offset print) in a folding box

Price on request

Marcel van Eeden: Ever since I was a teenager, I have always been fascinated by the life and work of J. K. Huysmans. For a long time, ‘À rebours’ (in the Dutch translation) was my favourite book. In ‘After Nature’, a poem by one of my other favourite authors, W. G. Sebald, I discovered a very impres-sive description of the life of Matthias Grünewald. Later, I often used Grünewald and his works in my narrative drawings series. In this book on Grünewald by Huysmans, everything seems to come together. The book is not large and heavy; it fi ts perfectly well into a pocket. It thus comes very close to the much-touted ‘ideal’ book, which makes all other books seem superfl uous. (26 March 2012)

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Edition Ex Libris # 19 Peter Piller (2011)

Book: Gottfried Benn, „Altern als Problem für Künstler“ (“Aging as a Problem for Artists”, originally published in 1953) (Literature)

Format: 16.5 x 11.5 cm. / approx. 6 ½ x 4 ½ in., saddle stitched brochure with dust jacket

56 pages

Bookplate: offset print, 11.5 x 7.5 cm. / approx. 4 ½ x 3 in.

Edition size: 200

Price: EURO 90.00

Peter Piller: Already as a student, I was fascinated by Gott-fried Benn, the writing physician for skin and venereal disea-ses. From 18 January through 28 January 1987, I read the nearly 700-page Fischer pocketbook edition of poems (I noted this on page 1; I used to note the exact dates in the books I read, now only the months). I did not understand very much. Then as now, I enjoy reading things that I do not completely understand.

‘Someone had clamped a light dark

purple aster between his teeth.’

Or: ‘Whether roses, snow or seas,

Everything that blossomed has faded.’

Can you really like Benn? And if you do, can you say so? I put the book aside and only picked it again when I moved house. As a student, I probably would not have read ‘Aging as a Problem for Artists’. I had to get closer in age to the target group. To my surprise, I discover someone else in the Benn I used to know. Someone who writes sentences that you do not want to forget, such as: ‘To be mistaken and yet still needing to believe in one’s inner self, this is what it means to be human, and glory begins somewhere beyond victory and defeat.’ And next to this a stranger, one with humour, who does not write for himself, but rather speaks directly to the listener.(17 May 2010)

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Medium: coloured drawing of a mimosaFormat: drawing 15 x 10 cm. / approx. 6 x 4 in., mount: 30 x 24 cm. / approx. 11 7/8 x 9 ½ in.Edition size: 20 unique works, each signed on the reverseTogether with artist’s book and bookplate in a slip lid box with title label

Price: EURO 500,00

Edition Ex Libris # 20 Marcel Dzama (2011)

Book: Marcel Duchamp & Vitali Halberstadt „Opposition and Sister Squares Reconciled“ (originally published in 1932) (Chess)

Format: 28 x 24.5 cm. / approx. 11 x 9 2/3 in., saddle stitched brochure with coloured dust jacket

224 pages, with 20 plates on transparent paper

Bookplate: offset print, 15 x 10.5 cm. / approx. 5 7/8 x 4 1/8 in.

Edition size: 200

Price: EURO 150.00

Collector’s Edition: Sold

Edition Ex Libris # 17 Thomas Struth (2010)

Book: A.E.Brinckmann, „Deutsche Stadtbaukunst in der Gegenwart“ (“Contemporary Urban Architecture in Germany”, originally published in 1921) (History of Urban Development) Sold


Edition Ex Libris # 18 Gert & Uwe Tobias (2010)

Book: Herta Wilk, „Siebenbürgisch-Sächsische Leinenstickereien aus Tartlau“ (“Transylvanian-Saxon Linen Embroideries from Tartlau“, originally published in 1976) (Folk Art)

Format: 34 x 24 cm. / approx. 13 3/8 x 9 ½ in. (portfolio with one 10-page booklet, 52 pattern sheets as loose plates and eight black and white illustrations)

Edition size: 200, each signed and numbered in the portfolio

Price: EURO 150.00


Gert & Uwe Tobias: “The original edition has belonged to the family for a long time now. Our series of works titled ‘The Portfolio’ is based on this collection of embroidery patterns.“ (10 May 2010)

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originally published in 1976) (Folk Art)

Format: 34 x 24 cm. / approx. 13 3/8 x 9 ½ in. (portfolio with one 10-page booklet, 52 pattern sheets as loose plates and eight black and white illustrations)

Edition Ex Libris # 15 Thomas Huber (2009)

Book: Benedikt Huber, „Das Haus Huber in Riehen“ (“The Huber House in Riehen”, originally published in 2004) (Architecture) Sold


Medium: watercolour on pigment print on thick laid paper

Format: 30 x 40 cm. / approx. 11 ¾ x 15 ¾ in.

Edition size: 20 unique works, each signed, dated and numbered

Together with artist’s book and bookplate in a linen-lined clamshell box


Thomas Huber: Tradition: In 1928, my grandfather, the Vicar of Basle, commissioned Artaria and Schmidt to build a modern house for his family. One generation later, my father, an architect, took care of the restoration of this architectural monument and wrote a report on this. I grew up with the ideo-logy and language of Modernity, both in my grandparents’ house and later in the home of my parents, who are both architects. It was thus only logical in the succession of generations as son and grandson that I should republish the book written about this house. (12 May 2010)

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“Edition Ex Libris # 14 Rachel Whiteread (2008)


Medium: zinc cast of a cement mixer truck on cleaning rag

Format: truck 9.5 x 5.5 x 3.5 cm. / approx. 3 ¾ x 2 1/8 x 1 1/3 in.,

cleaning rag 38 x 34 cm. / approx. 15 x 13 1/3 in.

Edition size: 40, each cast monogrammed and numbered on the base; each cleaning rag numbered on the label

Together with artist’s book and bookplate in a linen-lined clamshell box


Book: M. Sasek, „Mike and the Modelmakers“ (originally published in 1970) (Children’s Book) Sold

Rachel Whiteread: I chose this book because it is related to where I live and how I work. My old studio was next to the site of the original matchbox factory. As a child I played with matchbox cars, now my children play with them. A lot of those industrial buildings have been demolished in readiness for the 2012 Olympics. I found an original copy of this book in a junk shop in the late 1980‘s, it seemed like a fi tting tribute to those old buildings and the author / illustrator M.Sasek and to those great matchbox cars. I was happy to give it a new lease of life

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Edition Ex Libris # 16 Candida Höfer (2009)

Book: K.von Spruner, „Historisch-Geographischer Schul-Atlas“ (“Historic-Geographic School Atlas”, originally published in 1860) (Geography) Sold


Edition Ex Libris # 13 Gregor Schneider (2012)

Book: „Mein erster Brockhaus“(“My First Brockhaus Encyclopaedia”, originally published in 1972) (Children’s Encyclopaedia)

Format: 22 x 24 cm. / approx. 8 2/3 x 9 ½ in., hardcover

132 pages with hundreds of colour drawings

Bookplate: colour offset print on the endpaper, 22 x 24 cm. / approx. 8 2/3 x 9 ½ in.

Edition size: 150

Price: EURO 150.00

Gregor Schneider: I have almost no memories of my earliest childhood. There are, of course, a few drawings and children’s books. ‘My First Bockhaus’ is one of the few books that I can remember. My ‘Ex Libris’ is my impossible attempt to recall my own childhood. (It is an attempt to redraw my own childhood drawing and to reprint the corresponding children’s book.)” (28 March 2012)

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Medium: drawing (printed in the fi rst book, unique in the second book)

Format: 22.5 x 22.5 cm. / approx. 8 7/8 x 8 7/8 in.

Edition size: 20, both books signed and numbered

Together with both books in a linen-lined slipcase (signed and numbered), in a slip lid case with title label


Edition Ex Libris # 12 Norbert Schwontkowski (2007)

Book: Roberto Bazlen, „Der Kapitän“ (“Il capitano di lungo corso” / “The Captain”, Ger-man edition originally published in 1998) (Literature) Sold


Edition Ex Libris # 11 Peter Doig (2007)

Book: Hannes Schneider & ArnoldFanck, „The Wonders of Ski-ing“ (originally published in 1933) (Sport) Sold


Edition Ex Libris # 10 Wolfgang Tillmans (2006)

Book: Krishnamurti, „Freedom From The Known“ (fi rst published circa 1975)

(Religious Philosophy) Sold


Edition Ex Libris # 9 Thomas Demand (2006)

Book: Rudolf Carnap, „Scheinprobleme in der Philosophie. Das Fremdpsychische und der Realismusstreit” (“Pseudo Problems in Philosophy. The Psyche oft he Other and the Confl ict of Realism“, originally published in 1928) (Philosophy) Sold


Edition Ex Libris # 8 Louise Bourgeois (2005)

Book: „Recueil des Secrets de Louise Bourgeois“ (“Secret Collection of Louise Bourgeois”, originally published in 1635) (History of Medicine) Sold


Edition Ex Libris # 7 Luc Tuymans (2005)

Book: Christopher Caudwell, „Illusion and Reality“ (originally published in 1937) (History of Literature) Sold


Edition Ex Libris # 6 Lawrence Weiner (2005)

Book: „Bremerhaven“ – three early artist’s books by Lawrence Weiner, originally published in one volume each in German and English by Kabinett für aktuelle Kunst in Bremerhaven, bound together as one book each in German and English:

a) „Within Forward Motion“ / „Innerhalb vorwärtsgerichteter Bewegung“ (1973)

b) „Towards a Reasonable End“ / „Auf ein vernünftiges Ende zu“ (1975)

c) „With a Touch of Pink“ / „Mit einem Hauch von Rosa“ (1978) Sold


Medium: silkscreen print on cardboard slipcaseFormat: 17 x 11 cm. / approx. 6 2/3 x 4 1/3 in.Edition size: 150, each signed and dated (numbers 1/750 – 150/750)Together with artist’s books and bookplates in silksreened cardboard slipcase

Price: EURO 250.00

LAWRENCE WEINER: THE PURPOSE OF A REPRINT IS TO MAKE AVAILABLE THAT WHICH NO LONGER IS. THE PURPOSE OF THE BOOK IS EXPLICIT IN ITS TITLE.

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“Edition Ex Libris # 3 Thomas Ruff (2004)

Book: Joh. Müller, „Atlas zum Lehrbuch der kosmischen Physik“ (“Atlas as Manuel of Cosmic Physics”, originally published in 1861) (Physics) Sold

Collector’s Edition: SoldEdition Ex Libris # 5 Hans-Peter Feldmann (2005)

Book: „Abstrakte Kunst. Theorien und Tendenzen“ (“Abstract Art. Theories and Trends”, originally published circa 1952)

(Art Magazine)

132 pages, with numerous illustrations and nine colour plates; saddle stitched brochure

Format: 21 x 28 cm. / approx. 8 ¼ x 11 in.

Bookplate: offset print, 11 x 8 cm. / approx. 4 1/3 x 3 1/8 in. (glued down)

Edition size: unlimited

Price: EURO 49.80

Edition Ex Libris # 4 Rosemarie Trockel (2005)

Book: Pierre Klossowski/Pierre Zucca, „Lebendes Geld“ (“Living Money”, originally published in 1982) (Literature) Sold


Medium: original silkscreen print, each printed over in gold with various fragments of a drawing. The position and/or the number of fragments vary with each print.

Format: 120 x 90 cm. / approx. 47 ¼ x 35 ½ in., folded to Din A4 (standard letter size) format

Edition size: 30 unique works

Together with artist’s book and bookplate in a folding box of bonded leather


Edition Ex Libris # 2 Günther Förg (2003)

Book: Karl von Pidoll, „Aus der Werkstatt eines Künstlers. Erinnerungen an den Maler Hans von Marées“ („From the Artist’s Atelier. Reminiscences of the Painter Hans von Marées“) (Art History) Sold


Edition Ex Libris # 1 Mark Dion (2002)

Book: „Die geöffnete Raritäten- und Naturalien-Kammer“ (“The Opened Cabinet of Curiosities and Natural Wonders”, originally published in 1704) (Art History) Sold


Edition SéparéeCollector‘s Editions 1996 - 2006

Salon Verlag

Edited byReiner Speck and Gerhard Theewen

Altogether 49 (of the planned 50) artist books from the édition séparée were published between 1996 and 2006.

Some of the collector‘s editions for this series of artist books are still available…

Please have a look: www.salon-verlag.de/en/rarities-edition-separee and click to the cover to see the collector‘s editions.

01 Lawrence Weiner: A Tale of a Maiden of Two. 199602 Klaus G. Gaida: Portraits. 199603 Günther Förg: Munchs Bettdecke. 199604 Peter Gilles: Là-Bas. 200405 Felix Droese: Anonymus. 199606 Ingo Meller: Ölfarbe auf Leinwand. 199607 Georg Herold: image (engl.) perdu (franz.) 1. 199708 Walter Dahn/Markus Steinweg: The Abandoned House. 199709 Dan Asher: Nature dispossessed / dispossessed by nature. 199710 Mark Dion: Theatrum Mundi. 199711 Haralampi G. Oroschakoff: Die Akte Odessa. 199712 Brigit Kahle: Camera Obscura. 199713 Sery C.: Julius in Pink. 199714 Peter Wütrich: Lesend („Es war einmal“). 199715 Irmel Droese: Ich im Du. 199716 Mischa Kuball: Six-Pack-Six. 199717 Michel Sauer/Owen Griffith: Kamel & Fisch (A Radio Play). 199718 Jack Pierson: Sing a song of sixpence. 199719 Inge Mahn: Stadtbad. 199820 Iskender Yediler: Albüm. 199821 Georg Herold: image (engl.) perdu (franz.) 2. 199822 Nora Schattauer: Ca-hu-chu. 199823 Paul Noble: Nobson Newtown. 199824 Eva-Maria Schön: Canaletto (zerlegt). 199825 Peter Bömmels: Wenig besungene Helden. 199826 Christain Boltanski: So schnell. 199927 Antje Dorn: Shuddup. 199928 Roland Schappert: America. 200529 Jack Sal: Wire/Works. 200130 Not published31 Hans-Peter Feldmann: Paris. 200532 Stefan Bohnenberger: Prinz Stufitz. Indienalbum. 200333 Curtis Anderson: Danse bipolaire. 200434 Alexander Roob: Our Artist. 200635 Rosemarie Trockel/Markus Steinweg: Mutter. 200636 Thomas Ruff: JPEG NYO3. 200537 Martin Noël: New York between Orange and Yellow. 199938 Thomas Huber: Die Bühne/La Scène. 200539 Jochen Lempert: Physiognomische Versuche. 200240 Alexander Roob: Pioniere! 200441 Gerd Bonfert: Sehungen. 200442 Leiko Ikemura: Isola. 200443 Bittermann & Duka: Geheim. 200444 Chris Newman: Godded. 200245 Michael von Biel: 54/55. 200546 Martin Schwenk: Tragant Hahnenfuß Schraubpalme Kopfkraut Mantelsamer. 200547 Horst Münch: Sprachgerüst. 200548 Siegfried Anzinger: Engel von Forte dei Marmi. 200549 Norbert Schwontkowski: Hotel. 200650 Jürgen Paas: Index. 2006

Mark Dion Snakestone (2013)

SNAKESTONE, edition of 12 unique painted plaster-casts with individual worked over “snake’s heads”

cast: ca. 32 x 30 x 7 cm

box: ca. 40 x 36 x 10 cm

inside a loose 2-colour-print (signed, numbered, titled) as a certifi catesnakestone-item is monogr., titled, numbered in white on the backsidebox with label

The Snakestone is wrapped in a woven cotton blanket.

Apr 2013

Price: EURO 1.600,00

Marcel Dzama Descending Pawns (2011)

Edition Softcover Nr. 1

Cotton blanket in jacquard-technique woven after a watercolour from 2011 in book-case-box (48 x 36,5 x 7 cm)

Size of the blanket: ca. 170 x 130 cm

Sewn onto the back of the blanket is a cotton label with unique bat-drawing signed, numbered and dated by the artist.

Bat-drawing-label: ca. 12 x 13,5 cm

Edition of 5 plus 4 A.P.

For an additional fee we can offer you an aluminium-frame on which the tissue is stretched.

Price on Request!

Marcel van EedenOswald Sollmann – Der Traum (2014)

Edition Softcover Nr. 2

Cotton blanket in jacquard-technique woven after a watercolour from 2014 in book-case-box (48 x 36,5 x 7 cm)

Size of the blanket: ca. 170 x 130 cm

Sewn onto the back of the blanket is a cotton label with unique gun-drawing signed, numbered and dated by the artist.

Gun-drawing-label: ca. 12 x 18 cm

For an additional fee we can offer you an aluminium-frame on which the tissue is stretched.

Price: EURO 3.800,00

Limited Artist’s Books and Collector’s Editions: 1) Mark Dion (Sold) 2) Günther Förg (Sold) 3) Thomas Ruff (Sold) 4) Rosmarie Trockel 5) Hans-Peter Feldmann 6) Lawrence Weiner 7) Luc Tuymans (Sold) 8) Louise Bourgeois (Sold) 9) Thomas Demand (Sold)10) Wolfgang Tillmans (Sold)11) Peter Doig (Sold)12) Norbert Schwontkowski (Sold)13) Gregor Schneider14) Rachel Whiteread15) Thomas Huber16) Candida Höfer (Sold)17) Thomas Struth (Sold)18) Gert & Uwe Tobias19) Peter Piller20) Marcel Dzama21) Jack Pierson22) Marcel van Eeden23) Mamma Andersson24) Jockum Nordström25) Berlinde De Bruyckere26) Peter Buggenhout27) Martin Parr28) Karin Sander29) Franz Erhard Walther30) …

Limited Artist’s Books Limited Artist’s Books

30) …30) …

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Edition Ex Libris

twenty years salon verlag · the french author georges perec wrote the astonishing novel ‚la vie:...

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