twice killed _ a farce in one a - john oxenford

119

Upload: annthems

Post on 08-Sep-2015

224 views

Category:

Documents


3 download

TRANSCRIPT

  • The Project Gutenberg EBook of TwiceKilled, by John Oxenford

    This eBook is for the use of anyoneanywhere in the United States and mostother parts of the world at no cost andwith almost no restrictionswhatsoever. You may copy it, give itaway or re-use it under the terms ofthe Project Gutenberg License includedwith this eBook or online atwww.gutenberg.org. If you are notlocated in the United States, you'llhaveto check the laws of the country whereyou are located before using this ebook.

    Title: Twice Killed A Farce in One Act

    Author: John Oxenford

    Release Date: July 18, 2015 [EBook#49481]

  • Language: English

    *** START OF THIS PROJECT GUTENBERGEBOOK TWICE KILLED ***

    Produced by Paul Haxo from page imagesgenerously madeavailable by the HathiTrust, Ohio StateUniversity andGoogle, and with special thanks to theVictorian PlaysProject.

  • FrontispieceRECKLESS. My old friend Facile. I

    cant be mistaken. (slaps onback.) Facile, my boy!

    FACILE. (aside.) Thats the constable.No, sir, not here; it came fromthe window next door.

    Act I, Scene ii

  • TWICE KILLEDA FARCE

    INONE ACT

    BY

    JOHN OXENFORDAUTHOR OF

    Five Pounds Reward; Only aHalf-penny; Reigning

    Favourite; Dice of Death, &c.&c.

  • THOMAS HAILES LACY,89, STRAND,

    (Opposite Southampton Street, CoventGarden Market,)

    LONDON.

  • TWICE KILLED.

    First performed at the Royal OlympicTheatre, November 26th, 1835.

    CHARACTERS.

    Mr. Euclid Facile Mr. KEELEY.Mr. Ralph

    RecklessMr. J. VINING.

    Tom, (hisservant)

    Mr. SALTER.

    Mr. Holdfast Mr. W. VINING.

  • Mr. Fergus Fable Mr. COLLIER.Robert Mr. BRAYNE.

    Mrs. Facile Miss PAGET.Miss Julia Flighty Miss

    MALCOLM.Fanny Pepper Mrs. ORGER.

    COSTUMES.

    FACILE.Brown dress coat, blackpantaloons, white waistcoat.

    RECKLESS.Green Newmarket cutcoat, light waistcoat, fashionabletrousers.

    FABLE.Black suit.

  • MR. HOLDFAST.Brown coat, darktrousers, and shoes.

    TOM.Grey livery coat, white kneebreeches, top boots.

    ROBERT.Green livery coat, white kneebreeches, ditto gaiters.

    MRS. FACILE.Black dress, ditto netapron, embroidered with flowers.

    MISS FLIGHTY.Plain white bookmuslin dress, white satin slip.

    FANNY PEPPER.Red dress, brownholland apron embroidered withgreen, cuffs to match, red ribbon incap.

  • Time of representation, 45 minutes.

  • TWICE KILLED.SCENE I.A view by a river side; on

    the opposite bank are seen the backsof housesimmersed in water, as atBlackwall, &c.

    Enter TOM, with a large hamper, L. H.

    TOM. Come, this will do; though itsutility exceeds its beauty; a

  • confoundedly ugly basket, thoughdestined to hold most rare contents:several sugar loaves, a canister of teablack and green, almonds and raisins inabundance, coffee, rice, and spices, barsof soap, starch and powder, blue enoughto stock a small shop. Dear Fanny! if herheart is not won by such a store ofvaluables, it is indeed hard.

    Enter RECKLESS, L. H.

    RECK. Ha, ha, ha, Ive found herWhat you here?

    TOM. Yes, sir.

    RECK. I have found her, Ill tell you;congratulate your fortunate master, most

  • faithful Thomas.

    TOM. Have you indeed found MissJulia, and how?

    RECK. Simply saw her at a housewindow.

    TOM. But you cannot get into thathouse.

    RECK. No; but I have got my mark, themeans of hitting that mark are still infortunes hands.

    TOM. And in worse hands they couldnot be; sir, do give up this scheme. Youfall in love with a young lady at aboarding school, correspond with herunder a feigned name

  • RECK. Yes, you know that arose fromthe fear of my cousin, old Guineamore,hearing of these matters. I dared not trustmy own lady love. You are aware I haveimmense expectations from him, and thathe hates anything like adventures.

    TOM. Yes, and Reginald de Mowbrayis a much prettier name than RalphReckless, but where was I? Oh, afeigned name. Well, the young ladysgoverness finds out the correspondence,and very properly sends her to herguardians, who takes her into thecountry, also very properly; give up thisscheme, sir

    RECK. Not I; when I have found the

  • retreat of my charmer, the cavern wherethe treasure is hid, shall I be cravenknight enough to fear the dragon thatguards it? No, man, not Iso if you havenot better advice to give, well changethe subject. What the devil is that greatbasket for?

    TOM. What? oh, that is an affair of theheart; you have confided all your tendersecrets to me, therefore I will do thesame to you, sir, if you will allow me.

    RECK. Certainly, good Thomas, goon.

    TOM. Why, a sort of a relation ofminea grocer, died the other day,without a will, and his stock in trade got

  • divided among six of us. I haveborrowed this large crate from Delfs, thecrockery-warehouseman, to stow myshare in; and am thinking I could not dothe genteel thing better, (as mysweetheart Fannys in service, and has tofind such articles out of her wages,) thanto make her a delicate present of thegroceries, to sweeten my progress in heraffectionseh, sir?

    RECK. Delicate indeed! that I shouldhave so gallant a man in my service; andwhere does this happy maiden reside?

    TOM. You see that white house, theother side of the water? one of thosehouses in the water.

  • RECK. What! the white one?

    TOM. Yes, she is housemaid there.

    RECK. Oh! ha, ha, ha! Ri tol de rol.(dances.)

    TOM. Hey day. Did you tell me toorder a straight waistcoat, sir?

    RECK. No! tol de rol, I have a thought

    TOM. Why, you do look remarkablethoughtful.

    RECK. You see these three bright goldsovereigns?

    TOM. Yes, sir! perhaps you willallow me to feel them too?

  • RECK. So I will, Tom, on onecondition! send me in that basket insteadof the grocery, and carry me to the housewhere my Julia is secluded.

    TOM. Well, sir, but what will Fannysay?

    RECK. Never mind her, there shall bea genteel note pinned outside the basket,explaining the contents. Then, Ill giveher a couple of sovereigns, so pack upand be gone.

    [Exeunt L. H., TOM dragging thehamper.

    SCENE II.A parlour.In centre of

  • stage a sofa, capable of being madeinto a bed. At the back a globe,covered with a glazed cover. Adining table and chair. A cupboardto open at top and bottom, R.Alarge window to open, L.

    (MRS. FACILE, with a pestle andmortar, and JULIA, R. H.,discovered.

    MRS. F. Really, my dear, the bestadvice I can give you, is to employyourself about something, it will divertyour mind.

    JULIA. Divert? I dont want to bediverted, I want to be miserable; itsvery unkind of you to try to console me.

  • MRS. F. I can only say I mean well,and I believe your guardian means well.

    JULIA. Yes, so is every horrid thingmeant well. Our governess used to makeus wash our hands in icy water in winter,and tell us it was all for our good. I hatewhat is for our good.

    MRS. F. But consider the improprietyof your forming at school, a clandestineattachment with a young gentleman, ofwhose very residence you are ignorant.

    JULIA. And what is propriety? Acreature of imagination, framed by oldmaids under the inspiration of green tea.

    MRS. F. Stop, stop

  • JULIA. Oh, what times were those,when I used to look for a note fromMowbray, in the key hole of the greengate, when I used to read it to sixespecial confidants, who were all dyingwith envy; till one quarrelled with meabout a slice of my last cake, betrayedme to the French teacher, who told thehead teacher, who told the governessand then what an explosion! dragged offhither, without letting me even send myaddress to De Mowbray. It is a fine thingto be a victim of cruelty at seventeen.And now as you are so fond of givingadvice, let me ask you why you are sovery severe to that unfortunate little man,your husband?

  • MRS. F. What you call severity, arisesfrom my strict sense of propriety, ofwhich I am sorry to say, Mr. Facile hasnot so strict a sense.

    JULIA. No! why for all I can see, thepoor dear little man does nothing but sitwith his mathematical books before himall day, looking just like our geographymaster. Then he is such a very easy man.

    MRS. F. The very thing I dread; he notonly lets me have my own way, butevery one else too. He is the confidant ofall the young ladies in the village; thevery servants ask his advice on everysingle point, and he gives itis neveraffronted.

  • JULIA. Dear, good-natured soul!

    MRS. F. Theres that Fanny Pepperhas innumerable points to consult himupona forward slut, who apes me ineverything. If I wear ringlets, she wearsringletsmakes her caps like mine.Now how do I know what she may askhimand if he can refuse nothingthinkof that!

    Enter EUCLID, reading, R. H.

    EUCLID. X plus Y equal to Ah,my dear, what are you doing?

    MRS. F. Can you address me in thatcalm manner, after what I said this

  • morning about Fanny the housemaid?

    EUCLID. True, my love, you did saysomething; but I dont remember what itwas.

    MRS. F. Only been married threeweekscome down to spend thehoneymoon with your relation, Mr.Holdfastand already the confidant ofall the maid servants, and dontremember what I said!

    EUCLID. No, dear, I only rememberthe agreeable things you say.

    MRS. F. How provokingly good-tempered! I am cruelly used by yourindifference.

  • EUCLID. Are you? upon my word Idid not mean it. I am not indifferent, amalways thinking of yougiven, a, b.

    Enter FANNY, L. H.

    FANNY. Please maam, Miss

    EUCLID. Oh, I forgot! while I was outthis morning, I bought this case ofdrawing instruments for youthere,dear.

    MRS. F. And so, sir, you hope to atonefor your conduct by a paltry present.(runs to window and opens it.) Thus youatone, and thus I treat the atonement.(throws case out of window.)

  • FANNY. (aside.) Lauk-a-dasy me;how fine that was. I wish my sweetheartwould quarrel with me, and send mesomethingwould not I shy it out ofwindow!

    MRS. F. There, sir, you see what Ihave done.

    EUCLID. Yes, love, you threw thecase out of the window.

    MRS. F. And does it make noimpression?

    EUCLID. Why, it was your own; youhad a right to do with it as you liked; itwas nothing to me, you know.

    MRS. F. Oh! obduracy, in the disguise

  • of good nature.

    FANNY. Please maam

    MRS. F. What, Fanny, you here! (asideto JULIA.) There, as I told you, her hairdressed the samethe ribbons in the captoo. Well, Fanny.

    FANNY. Please, maam, MissWeakley has sent to know if you aregoing to call there this afternoon?

    MRS. F. Oh, yes, certainlypoorMiss Weakley. Yes, I shall call.

    FANNY. (whispers to EUCLID.) I havesomething to shew you, sir, when yourgood lady goes out.

    MRS. F. I shall callwhats the girl

  • waiting for? do you think I cant call?

    FANNY. Yes, you can, maam, prettyloud, too.

    [Exit, L. H.

    MRS. F. And now, Mr. Facile, youought to be ashamed to stand before methus.

    EUCLID. Ought I? Well, then, Ill takemyself down stairs. (reads.) On gravitydescending bodies.

    [Exit, L. H.

    JULIA. How can you be so cross?

    MRS. F. Discipline, I tell you. Butreach me the decanter of wine from the

  • shelf, thats a dear. (pours contents ofmortar into decanter.) Theretheresthe sleeping draught for Miss Weakley; Imade it from a receipt book belonging tomy grandmama. Such a draught! it willmake her sleep like Juliets drug, worthyof the book from which it was extracted.

    Enter TWO MEN with basket, L.

    Well, my good people.

    1st. MAN. We have brought thishamper for Miss Fanny Pepper, and thefootman told us to bring it up stairs.

    MRS. F. Miss, indeed! Yes, its rightMiss Fanny Pepper is Mr. Holdfastshousemaidyou may leave the basket.

  • [MEN do so and exeunt, L. H.

    JULIA. Well, while your are finishingyour draughts, and the like, I will go andput on my bonnet to accompany you.With very different feelings from thetime when I used to put it on to meet DeMowbray at the garden gate.

    [Exit R. H., with the bottle.

    MRS. F. Whats that? Oh! goodness,the basket movesa man!

    RECKLESS. (jumps out.) Madam,madam! do not cry out, I entreat you! Iam a stranger, yet rely on yourgenerosity.

    MRS. F. But this strange intrusion?

  • RECK. It is useless to concealanything. You have doubtless heard ofDe MowbrayI am he.

    MRS. F. The clandestine lover ofMiss Julia, a person about whom no oneknows anything. But as you have reliedon my mercy, I will not betray youIwill assist you.

    RECK. Dear, kind madam!

    MRS. F. I will assist you to get out, Isay. Return into that basket; two of thefootman shall carry you out to any placeyou may name, no one shall know ofyour being here.

    RECK. (aside.) Oh, curse suchkindness! Madam, considerget into the

  • basket again? I have a pattern of thewicker work impressed upon me fromhead to foot at present, independent ofthe lumps and bruises I have received.

    MRS. F. I can offer no otheralternative. I cannot encourage youraddresses to Miss Julia; then I mustconsider my own character. Return intothe basket, and I will go and order thefootmen to come up immediately.

    RECK. Well, madam, if there is noalternative, send me to this direction.(gives card, and re-enters basket.) Besure to tell them to keep the right sideupwards.

    MRS. F. I will, sir; the contents of the

  • basket shall be taken care of to the fullvalue of the article.

    [Exit, R. H.

    RECK. And I am to go back like aglass milk-pot, am I not? (gets out.)Snail! leave thy shell. In thy mistressshouse, Ralph Reckless, and suffer thyselfto be packed up like a fish, and sent offas mute? No, no; Ive given the lady mytailors card for a direction. Ha, ha, ha!(looks in closet.) what have we here?a broken pestle and mortar, and a stoneball from the garden entrance. Theseshall go in the basket, (puts them in.)they will pass for me as well as I did forgrocery.

  • [Exit L. H.

    Enter FANNY, L. H.

    FANNY. How cross Missus Facile is,and only a visitor too! I shall give her abit of my mind if she goes on so, not butI like a woman of spirit. How beautifulshe did throw the thingummy-gig out ofthe windowthat was fine now; I cangive the devil his due. (goes to window.)But, oh! theres a boat partyand, oh!theres my admirer, Thomasand, oh!hes sitting by a femaleand, oh! (hidesher face.) how shocking, horrid,disgustinghe kissed her; it is so low-lived to kiss in the open air! He shall see

  • how Ill trim his jacket when I meet himagain! Ill givebut whats this, abasket? M-i-ss, MissF-a-n, Fan-n-y-ny, FannyMiss Fanny P-e-p, PepMiss Fanny Pep-p-e-r, perMiss FannyPepper. Its horrid writing, (tears offnote.) a present, but I wont keep it; IllIll do as Mrs. Facile did, Ill shy itout of window into the water. (tries tolift it.) Oh, gemini, how heavy it is.Hush! theres footsteps.

    EUCLID. (without.) So is B to C.

    FANNY. It is Mr. Facile; he has nopride, though he is a gentlemanIll callhim. Mr. Facile!

    Enter EUCLID, L. H.

  • EUCLID. Well, Frances Pepper?

    FANNY. (aside.) I knew hed come. Ihave a favour to askAre you strong,Mr. Facile?

    EUCLID. (aside.) Now what the deuceshould she ask that for?

    FANNY. Strong in the arm, I mean?

    EUCLID. Pretty well.

    FANNY. Youll excuse the libertyyou are such a kind gentleman; but couldyou oblige me by throwing this basketout of the window?

    EUCLID. Why?

  • FANNY. Oh, sir, pardon me, its adelicate affair.

    EUCLID. Delicate affair, indeed, tothrow that great basket out of thewindow; a coal heaver would shineparticularly in such a delicate affair! Oh,nonsense!

    FANNY. Please do, sir, Ive a motiveheigho!

    EUCLID. Oh, wellwhat will theyask me to do next? Here, girl, ask me todo no more. Its confoundedly heavy!(they lift the basket between them, restit on the window ledge, and push it off.)Oh, my shoulder!

    FANNY. What a splash! Thankye, sir,

  • thankye; its gone to the bottom of theriver.

    EUCLID. Yes, and nearly took my armwith itoh! oh! oh! Let me impress onething on your memory. Frances Pepper,next time you want a delicate affairmanaged, hire a ticket porter.

    FANNY. Thankye, sir, thankye, sir,for throwing my basket out of window.That faithless monsters present; I wishhe had been here, Id have asked Mr.Facile to throw him after it; Im surehed have done it, he is so good-natured.

    [Exit, L. H.

    EUCLID. Ha! ha! a whimsical request

  • enough. See what it is to be of an easydisposition. What the servants will asknext it is impossible to say. I havealready written six letters for thefootman, and read as many valentines forthe women; and the other day the oldnurse asked me to tell her fortune,because she said my books looked likeconjuring books; but this basket-throwing

    Enter MRS. FACILE, L. H.

    is the strangest adventure I ever knew.

    MRS. F. Oh, my dear, have you seen abasketa large basket?

    EUCLID. Yes.

  • MRS. F. Like a hamper, big enough toput you in.

    EUCLID. Yes, yes, well(aside.) Ihad better not say I helped Fanny, orshell blow up.

    MRS. F. Well, youll promise not tosay anything, give me your word.

    EUCLID. My love, not I; upon myword.

    MRS. F. What do you suppose is inthat basket?

    EUCLID. Oh, I dont knowpickledsalmon. He! he! (aside.) I shall learnsomething.

    MRS. F. It is a man.

  • EUCLID. Heywhat?

    MRS. F. A man!

    EUCLID. (aside.) The devil it was.My sweetest, you must be mistaken.

    MRS. F. I heard him talk; he is DeMowbray, Julias unknown lover. Hewanted to get out of the basket, but I toldhim I would have him carried out of thehouse. You see I want to break off theconnexion.

    EUCLID. Egad! the connexion is brokeoff with a vengeance.

    MRS. F. But how serious you lookquite uneasy.

    EUCLID. Uneasy, I? Ha! ha! quite a

  • mistake! man in a basketdevilishdroll! Ha! ha! ha! Oh! oh! oh!

    Enter ROBERT, R.

    ROBERT. Please, maam, we cantfind any basket; we have lookedeverywhere.

    MRS. F. No!

    EUCLID. Not found it? Howextraordinary! You could not havelooked.

    MRS. F. Ah! Fanny must have seen itand taken it. You may go. [Exit ROBERT,R.] Im uneasy.

    EUCLID. So am I. Uneasy, my dear

  • how absurd!

    MRS. F. Why suppose that wildfellow has got out of the basket, Mr.Holdfast may meet him.

    EUCLID. My love, you need not giveyourself the slightest uneasiness on thatscore. I dare say he has escaped with thebasket, out of the window perhapsoh!oh! oh!

    MRS. F. Why you know that windowlooks upon the river.

    EUCLID. (aside.) I should rather thinkI did know it. La, so it does, ha! ha! Hecould not get out of the window withouttumbling into the water. Ha! ha! Oh-h-h!

  • MRS. F. But Ill go and see after Julia;for if the mad headed couple shouldmeet, I dread the consequences. Be sureyou do not tell Mr. Holdfast, if he comeshome, there was a man in the basket.

    [Exit, R. H.

    EUCLID. No, I shall not betray thesecret. Heres a pretty kettle of fish!heres a nice business! I turned Noyade;Oh, but its overyes, over! I wontthink about it. What business had a manin that basket? Ill be comfortable; itwas not my fault. Ill readdivert mymind with study. Hydrostaticsto findthe specific gravity of bodies, immersethe body in water. Curse Hydrostatics!

  • Enter FANNY, L.

    Oh, you are here, are you? You are apretty article.

    FANNY. Well, so all the men say.

    EUCLID. How can you look at mewith that confounded smirk, youabandoned woman?

    FANNY. Sir! do you mean to say Im

    EUCLID. Noyou are a damned dealworse; you are an accessory before thefact.

    FANNY. What fact?

    EUCLID. An enormous factmurder!

  • FANNY. Oh, Mr. Facile! Ha! ha! youare joking.

    EUCLID. Joking, eh! Its all very finefor you to pretend you didnt know aman was in that basket.

    FANNY. Oh, a very fine trick. Ah, no,you are in fun; there was a note tied; Ihave it in my pocket. (pulls it out.)There, sir; pardon me blushing if it saysanything soft.

    EUCLID. (reading.) Dear Fan

    FANNY. Deceitful wretch!

    EUCLID. Inclosed herewith you havemy master.

    FANNY. (screams.) Oh!

  • EUCLID. Dont screamdontscream! We shall be hanged if youscream.

    FANNY. Oh, dear! oh, dear, oh, dear!Let me look; m-a-s, mast-e-r, termaster. Its rightoh, dear! oh, dear!(sobs.) were in a pickle!

    EUCLID. Yes, and so is ourunfortunate victim. Then you did notknow it?

    FANNY. No; you know I cannot readwithout help. I determined to throw thatwretchs presents out of the window. Iwas only thinking of the present.

    EUCLID. Ay, but Im thinking of thefuture; I did you wrong. I see you are

  • innocent. We are both a couple ofinnocentguilty, miserable wretches.Why didnt you throw it in yourself?Well finish this letter though.

    (they stand close together, reading aletter.

    Enter RECKLESS, R.

    RECK. (aside.) I cant find Juliaanywhere; and I dread every minute lestI should meet some cursed person orother who might be more curious thanpleasant. Whos that? Bless my luckystars! my old friend Facile. I cant bemistaken. (slaps on back.) Facile, myboy!

  • EUCLID. (aside.) Thats the constable.No, sir, not here; it came from thewindow next door. What, Reckless! Ah,how do you do? (aside.) Where thedeuce did he come from?

    RECK. I wont say a word about thebasket; Ill feign I called to see him.How do you do, my boy? We have notseen one another these

    EUCLID. These four years. So youremember me, and came to call?

    RECK. Yes, ahem!

    EUCLID. Very kind. But how did youknow I lived here?

    RECK. Oh, I saw you at the window.

  • EUCLID. Come, come, we dontoccupy the front, and the back of thehouse is in the water.

    RECK. Ahem! Oh, ah! I was rowingpast a quarter of an hour ago.

    EUCLID. Ahhh! And you saw meat the window, did you? You did not seeme do anything particular, did you?

    RECK. No. (aside.) Good reason, Inever saw you at all. No.

    EUCLID. Ha! ha! no, of course not.What was there particular for me to do,eh?

    RECK. (aside.) What a strange mannerhe has!

  • FANNY. And I was not standing byhim, was I?

    RECK. No.

    EUCLID. No, to be sure not.

    RECK. What the devil does this mean?They seem uneasy about something. Isuppose he has been kissing the girl atthe window. Ha! ha! I understand you.

    EUCLID. Eh? do you though?

    FANNY. Oh, gemini, oh!

    RECK. You are a sly fellow, Euclid.(whispers.) Eh?

    EUCLID. (aside.) Its all rightno,no, wrong, I assure you. But you always

  • had such odd ideasstill in the samespirits.

    RECK. Yes, I can always smile; likethat water which wears a smoothcountenance, whatever is beneath itssurface.

    EUCLID. (aside.) Curse his similes!

    FANNY. (aside.) I hates figurativelanguage.

    RECK. Gad! what a lumping I had inthat basketI feel quite knocked up!(aside.) A little refreshmentEuclid,my old friend, you know I dont mindtaking liberties with youcould yougive me a glass of wine?

  • FANNY. Yes, sir, I saw a bottle in theroom where the bas

    EUCLID. Ahhhem! the store-room you mean. Fetch it.

    [Exit FANNY, R.

    RECK. It will be rather acceptable, Iassure you. I have just come off a veryunpleasant journey.

    EUCLID. What? by the coach?

    RECK. (aside.) No, by the basket. Youmentioned your wife. You are marriedand these are your lodgings?

    EUCLID. For the present; I dont thinkI shall stay here.

  • RECK. Where shall you go then?

    EUCLID. (aside.) To Newgate, mostlikely. That, sir, depends entirely uponcircumstances.

    Enter FANNY with bottle and glass, R.

    RECK. (drinking.) Ha, ha! another(drinks.) very goodno, I dont knowthat it is so very good. Theres a queertwang in this winehave you evernoticed it?

    EUCLID. Noyou know I never touchwine.

    RECK. Oh, I remember you patronisewater. How queer I feel!

  • EUCLID. Patronise water! what doyou mean by patronising water? Ohha,ha! you mean I drink it.

    RECK. Of course I do. Egad, I wish Ihad drank water instead of this infernalstuff. I feel quite uncomfortable.

    EUCLID. (aside.) So do I.

    FANNY. (aside.) So do I.

    RECK. Really, there was somethingwrong

    EUCLID. Nonsensefancy

    RECK. (puts his hand to his eyes.)Theres a swimming

    (EUCLID and FANNY run to window.

  • EUCLID. What is afloat?

    RECK. OhhhIm going! Therewas something wrong about that wineohwrongvery wrongpoisonwinebad winepoison! (fallssenseless on the sofa. EUCLID andFANNY stare.)

    FANNY. (rubs her eyes.) What doesthis mean?

    EUCLID. It means theres anothervictim. Oh, Fanny!

    FANNY. Oh, sir!

    EUCLID. (smells.) There is somethingwrong in this wine.

    FANNY. (sobs.) Ohhh! Now I

  • shall be hanged!

    EUCLID. In all human probability. Youhave got two strings to your bow. Soshall I. What makes you pitch upon mefor an accomplice?

    FANNY. It was a mistakeohh!

    EUCLID. But yours are suchconfounded mistakes. Theres Mr.Basket in the riverReckless is herepoisonedyou and I shall be hangedthat makes four. We shall have seriouslydiminished the population.

    FANNY. He had no business to wantwine.

    EUCLID. Dissipated wretch, to drink

  • wine, except after dinner! How intrusiveto call on meI did not ask him.

    FANNY. What shall we do with him?Throw him out of the window after Mr.Basket? Oh

    EUCLID. There are half a dozen boatspassing. (a double knock.) Oh, theres aknocktheyll come up stairs!

    FANNY. Oh, I shall faint!

    EUCLID. At this crisis, stupid, thickheaded girl! you must not faint at thiscrisisI want all your assistance. Lockthe door. (she locks R. door.) Well lethim fall into the well of the sofa. (theydo so, by pulling the mattress fromunder him. VOICES heard outside.)

  • HOLDFAST. (withoutknocking, R.)Euclid! Euclid!

    MRS. FACILE. (without, R.) Euclid!Euclid, my love!

    FANNY. Oh dear, how heavy!

    EUCLID. And there they are outside.There, put the mattressthats rightoh! Now Ill let them in.

    FANNY. But Mrs. Facile must not findme locked up with you. You know ofwhat a queer turn of mind she is.

    EUCLID. Well, here(takes cover offglobe, and puts it on her head. Takes upbook.)

  • HOLD.

    MRS. F.} Euclid! Euclid!

    EUCLID. (opens R. door.) Well, comein.

    Enter MR. HOLDFAST and MRS. FACILE,R.

    MRS. F. Well sir, you hear us at last.

    EUCLID. At last!what did you callmore than once, dear?

    MRS. F. Once, indeed! we thought youhad lost your hearing.

    HOLD. Yes, and the door locked. Thelady began to grow jealous. She thought

  • some one else might be locked in. Nevermind, says I, theres no murder going on.

    MRS. F. But what were you doing, eh,dear?

    EUCLID. Studying, to be surea newsubjecthow to make bodies occupy thesmallest space. Dont you see my book?

    MRS. F. Yes, I see a bookupsidedown.

    EUCLID. Eh? ahem! Ah, my dear,when you are so used to reading as I am,you wont care which way a bookstands.

    MRS. F. And whats the matter?youlook as pale as a ghost.

  • EUCLID. Ghost!

    HOLD. Ha! ha! ha! talking aboutghosts, I expect my friend Fable. Youwill be delighted with Fablea strangefellow, who thinks a legend is attachedto every housea firm believer inghosts, goblins, and all sorts ofcuriositiesand no wonder, for hehimself is a greater curiosity than all hebelieves in. But I hope we have notinterrupted your studies? We want yourdecision on a geographical discussion. Imaintain that Petersburgh is sixtydegrees, north latitude

    MRS. F. Sixty-one and a half, my dearsir.

  • EUCLID. Sixty

    MRS. F. One and a half. Obstinatecreature.

    HOLD. Well, do not quarrel. Mr.Fergus Fable, my old friends son, willbe here in a minute, and expects to findus a quiet family.

    Enter JULIA, R.

    Here, Julia, you were at school lastwhat is the lattitude of Petersburgh?

    JULIA. I forget, I am sureand theterrestial globe is gone to be repaired.(pointing to cover, which concealsFANNY.) It seems to have come home.

  • HOLD. Take off the cover, Euclid.

    EUCLID. (aside.) Another incident!No, nothis globe is dreadfullyinaccuratefull of mistakes.

    MRS. F. Nonsense, dear, it will do.

    EUCLID. No, no, no.

    JULIA. How very warm he is.

    MRS. F. What is come to you? I maylook at it, and will!

    EUCLID. No, no; dont touch it!

    MRS. F. But, Mr. Euclid, I insist

    HOLD. True, truethe globe wasmade to be looked at. Let us settle ourdispute.

  • EUCLID. The dispute will never besettled. (MRS. FACILE advances againto globe, EUCLID keeping her back;globe moves off, L.)

    HOLD. Ha, ha, ha! the globe moves inan eccentric orbitha! ha!

    MRS. F. I see it all; it is some evilcreature concealed under the globecover! Ill follow it.

    JULIA. So will I.

    EUCLID. (holding her back.) No, no,no!

    HOLD. Ha! ha! ha!

    Enter FABLE, L. as they approach door.

  • Ah, Fable, my friendhow are you?You have come in time to meet

    EUCLID. A quiet family.

    MRS. F. Sir, you are the murderer of

    EUCLID. Murdererof what?

    MRS. F. Of my happiness, sir.

    EUCLID. Oh, thats all, is it? Ha! ha!thats nothing.

    HOLD. Nay, Mr. Facile, you are goingtoo far.

    JULIA. He is getting a most horridhusband.

    MRS. F. Hell break my heart!

  • (crying.)

    FABLE. Crying, too! A charmingfamilyand I seem to have called at acrisis.

    EUCLID. (aside.) I have a thought! Mydear, you know the gentleman whom Ithrewahem!

    MRS. F. Sir!

    EUCLID. You knowthe gentleman inthe basket I mean.

    MRS. F. Well?

    EUCLID. (aside.) He came in hereyou lost him, you knowand hearingMr. Holdfast, I popped the cover on himit was he. (aside.) I wish it had been!

  • MRS. F. Oh, is that all?what aclever man you are, Euclid. That wasnothing, Mr. Holdfastnothing at all.

    HOLD. How very satisfactory!

    MRS. F. Only a frolic of myhusbands, funny little man. He meant toastonish you.

    HOLD. Egad, he succeeded, too! Inever was so struck in my life!

    FABLE. Nor I. I thought there was alegend attached to the house!

    EUCLID. And yet, you see, you haddoubts of my fidelity, when I was onlyguilty of(aside.)murder.

    MRS. F. Do not be angry; you know

  • appearances were against you.

    HOLD. Well, what say you to a strollon the banks of the river, while supper isgetting ready?

    JULIA. Oh, delightful! this is the mostromantic time, twilight.

    FABLE. Yes, the very moment for aghost story!

    MRS. F. Come, Euclid

    FABLE. Well, then, come along, and Iwill tell you a most pleasant story aboutthe ghost of a man who was drownednear this spot.

    [Exeunt all but EUCLID, R.

  • EUCLID. Here I am alone at last. Whatan awful day I have had. Two murdersand a row! I wonder where myunfortunate accomplice is?

    Enter FANNY, L.

    Ah, Fanny, heigho! How do you do,Fanny?

    FANNY. Very ill, indeed, Mr. Facile;think of my nerves being in such a weakstate, from you know what.

    EUCLID. Yes.

    FANNY. And then my having to cutcapers with that nasty thing over myhead; I should not wonder if I took to my

  • bed and died.

    EUCLID. Then you may think yourselfvery fortunate, I assure you. I expect nosuch luck as to die in my bed.

    FANNY. I tried to amuse myself; I tookup an old volume of the NewgateCalender.

    EUCLID. Horrid book! It will beincreased some pages soon, I dare say.

    FANNY. It was about a man whomurdered another man.

    EUCLID. Only killed one man! A merebabe of innocence compared with youand me; but I shall sit up all night, andyou must do the same, and well convey,

  • you know what, out of here, and pitch itin the river.

    Enter ROBERT, R., with cloth, knives,&c.; lays cloth.

    Seem as if nothing had happened.

    FANNY. Yes; but dont talk, Robert islooking.

    ROBERT. Here, Fanny, help me tomove this sofa. How remarkably heavyit is; it feels heavier than usual.

    FANNY. Heavy! I think it feels lighterthan usual. Oh dear! there that will do.

    Enter HOLDFAST, MRS. FACILE, JULIA,

  • and FABLE, R. Exit ROBERT, L.

    FABLE. A delightful family; the younglady evidently voted me a bore everytime I opened my mouth, and the old mancalls ancient traditions a humbug.(aside.) Goths!

    HOLD. You must be hungry, sirhavean appetite for your supper.

    FABLE. Why, to tell you the truth, I amrather so; have not tasted a morsel sinceone oclock.

    HOLD. Fortunate! we have a gamesupper to-nightgrouse and ptarmigan,which I think youll enjoy.

    FABLE. (aside.) Thats the first

  • pleasant thing Ive heard since I camehere.

    EUCLID. (aside.) But I have noappetite.

    Enter ROBERT, L.

    ROBERT. (entering.) Please, Mr.Fable, your man says theres not alodging to be had in the village.

    HOLD. How unfortunate, and everybed here is occupied. (FANNY, who isgoing in and out with supper things,during this dialogue enters R. with atray.) Stop! I have it; that sofa will makeup into a bed; you shall have that.

  • (FANNY screams and drops the tray.)

    FABLE. Capital family! servants dropthe supper.

    MRS. F. Careless slut, what did youdrop the tray for?

    FANNY. I tell you what, maam, Idont get no wages of youyoure onlya visitor, and I wont stand being talkedto by you. So if you attempts to blow meup, Ill give you a bit of my mind, moremayhap than you like.

    FABLE. Theres another row! morequietness. Servants so civiloh,beautiful!

    HOLD. Ha, ha, ha! a pretty business;

  • its too late to get anything. Well, ladiesand gents, I am very sorryvery sorryto send you supperless to bed; but yousee all the circumstancesthe supper isdropped, so Ive no other course than todrop the subject.

    FABLE. Splendid entertainment!

    HOLD. We have nothing to do but toretire for the night, and leave you, Fable,to repose on the sofa bed.

    FANNY. Sir! Oh, oh!sir, the sofacant be made upwe have no bed.

    EUCLID. (aside.) Some good spiritinspired that thoughta reprieve.

    FABLE. Oh, very well then, Ill lay

  • down on the sofa as it is. (aside.)Charming accomodation!

    HOLD. Why, my dear sir, I see noother course. I am very sorry you came

    EUCLID. (aside.) So am I.

    HOLD. Under such awkwardcircumstances; always happy to see you,you know.

    MRS. F. Well, I think we may as wellretire; dont you, Mr. Facile?

    EUCLID. Ahem! My dear, I mustthatisyes, I must sit up rather late, tofinish a job I have in handan articlefor the Philosophical Repository.

  • MRS. F. Ah, if your gallantry wereequal to your philosophy, what adifferent husband you would be.

    [Exeunt MRS. FACILE and JULIA,with candle, R.

    HOLD. Good night; you will not findyour nights rest spoiled by a hot supper,Fergus, ha, ha, ha!

    [Exit, R.

    EUCLID. (whispers.) Fanny, as soonas he is asleep, you must come here withme, bring your scissors, and well cut acertain gentleman out of the side of thesofa; for we shall not be able to fish himup while this fellow is asleep over him.

  • FANNY. Suppose we wake him.

    EUCLID. Then we must kill him too.

    [Exit, R.

    FABLE. Rather a pretty girl that! Illtalk to her. You need not hurry yourself,my dear.

    FANNY. I dont wish to keep you fromsleeping, sir.

    FABLE. I aint at all sleepy.

    FANNY. Horrid man! howinconvenient! (aside.) You must besleepy; you ought to be sleepy; and thebest thing you can do is, to go to sleep asfast as you can, and continue sleeping as

  • soundly as possible.

    [Exit FANNY, R.

    FABLE. Ill go to-morrow. Hang me ifever I met with such a family in my life!(lies down on sofa.) Such capering,quarrelling, blowing up and fasting. Ugh!let me go to sleep and forget theirexistence. (EUCLID and FANNY are seenat the door R. with scissors and darklanthorn.) Charming familysupperdropped(dosing.)

    EUCLID. Hes going off.

    FANNY. Yes, so shall I to-morrow. ToMerrikey most likely.

    EUCLID. But now to business.

  • FANNY. Heigho! this is not making abusiness of a pleasure.

    EUCLID. Look at his ugly facehe isasleep.

    (holds lanthorn in Fables face.

    FABLE. (starting up and knockinglanthorn out of Euclids hand with hishead.) What the devil is that? Oh, myhead! There was a flashand a rap onthe skulland a jingle! What the devilcan it mean? (stage dark.)

    EUCLID. Now what shall we do? Weare extinguished.

    FANNY. Oh, my poor nerves! Howthick-headed of the man to wake! We

  • shall never get the poor gentleman out.

    FABLE. There is a kind of whisperingnoise. Egad! there must be a legendattached to this house. Imuncomfortable.

    FANNY.

    EUCLID. } So am I.EUCLID. Well find the way out.

    Wheres the door?

    (groping aboutsneezes.

    FABLE. The cats in the room, sure.(the mattress rises up and down.) Whaton earth is this? theres something movesthere must be a legend! Oh! keep quiet

  • there!

    FANNY. I cant find the door. Someone must have taken it off its hinges.

    EUCLID. Yes, and that cursed fellowis going to hallo.

    (RECKLESS darts up, throws themattress, with FABLE on it, to aconsiderable distance.

    FABLE. Murder! the devil! thieves!fire! Mr. Holdfast!

    Enter HOLDFAST, with candle, R.EUCLID and FANNY throw their arms

    round Recklesss neck.

  • HOLD. What an infernal noise! Whatis the meaning of all this? Three huggingone another, and a fourth bawling outmurder! Who the deuce is this?

    EUCLID. Oh, I forgotyou are notintroduced. Mr. Holdfast, Mr. RecklessMr. Reckless, Mr. Holdfast!

    HOLD. Very proudvery happy. Howthe devil did he get here?

    FANNY. You dear man, for keepingalive. Oh, you dear.

    EUCLID. A particular friend of mine.

    HOLD. A particular friend of Fannystoo, it seems? And what was the matterwith you, Fergus?

  • FABLE. Matter! Everything. Your sofachucks people on the floor, Mr. Holdfast.

    (bell rings.

    HOLD. More visitors?

    Enter ROBERT, L.

    ROBERT. A man wants to see FannyPepper. He has found a basket in theriver directed to

    FANNY. Send him away. I dont wantit. Oh, I forgot that in my joyI forgotthere was two of them. I will not havethe basket.

    EUCLID. No. Robert, kick the man

  • down stairs and the basket after him.

    HOLD. Nonsense! You dont knowwhats in the basket.

    FANNY. Oh, but I do.

    EUCLID. No, you dont.

    FANNY. No, nono more I do. But Ihate baskets; they frightened me, when achild, with a wicker-work rattle.

    HOLD. It may be something valuable.

    EUCLID. Well, whats that to us, if thegirl dont want it? We have no right tocram things down her throat.

    TOM. (without.) Mr. Reckless is hereI know he is.

  • RECK. Thats my rascals voice. Imhere.

    Enter TOM, drunk, L.

    FANNY. That faithless Tom!

    TOM. (hiccups.) Ive brought a letter,sir. (gives letter.) I knew you was here,cos you know I haha And I knowwhat the letter is about, the bearerthereof told me thereofoldGuineamore is no more.

    RECK. I am De Mowbray; my realname is Reckless. This letter willconvince you I have a handsome fortuneat my disposal, if I may be allowed to

  • lay it at the feet of Miss Flighty.

    EUCLID. Mowbray! Mowbray! here!You did not come in a basket, and seemy wife?

    RECK. Yes, but I did though.

    EUCLID. Then theres nobody killed,tol-de-rol! Fanny, theres nobody killed.

    Enter MRS. FACILE and JULIA, R.

    JULIA. De Mowbray!

    RECK. Reckless, dear Julia, if youplease.

    HOLD. Yes, my dear, he is agentleman of whom I approve, and you

  • may take him as soon as you please.

    TOM. And, Fanny, we cannot dobetter than follow so good an example.(takes her hand.)

    FABLE. A monstrous pleasant joke.Catch me here again in a hurry.

    HOLD. Whats all this about a basket?

    EUCLID. Why this gentleman has beentwice killed. Ill tell you all at breakfast;now let us retire to rest after the troublesof this eventful night, and contrive not todream.

    FANNY. At any rate not of bottles andbaskets.

    EUCLID. And now, ladies and

  • gentlemen, that youve seen my friend,Reckless Twice Killed, let us hopethat you will, at length, allow him to liveuninterruptedlyuninterruptedly, did Isay? No; for if my innocentdelinquencies did serve to amuse you, Ishall feel the greatest pleasure in killinghim twice more to-morrow.

    TOM ., FAN., MRS.F., EUC., JULIA, RECK., HOLD.,

    R.

    CURTAIN.

  • Transcribers Note

    This transcription is based on imagesdigitized by Google from a copy madeavailable by the Ohio State University andposted by the HathiTrust at:

    catalog.hathitrust.org/Record/ 100593073

    Because a few page scans had text cut offnext to the margin, this transcription hasbeen compared with the text posted by theVictorian Plays Project at:

    victorian. nuigalway.ie

    In general, this transcription attempts toretain the punctuation and spelling of thesource text. Variant spellings have beenretained, including calender, terrestial,accomodation, and dosing (fordozing), as have inconsistent spellings

  • such as lattitude and latitude. Obviouserrors have been corrected. The use of itsand its has been made consistent.

    The following changes were noted:

    Frontispiece: The punctuation of thecaption text has been made consistentwith the script text.

    p. 3: though its utility exceeds itsbeautyChanged its to its in bothcases.

    p. 5: its very unkind of youChangedits to its.

    p. 6: X plus Y. equal toDeletedthe period after Y.

    p. 8: [MEN do so and exeunt., L. H.Deleted the period after exeunt.p. 13: FANNY. (screams,) Oh!Changed the comma after screams to

  • a period.

    p. 14: I was rowing past a quarter of ahhour ago.Changed ah to an.

    p. 17: Mr. Feargus Fable, my oldfriends son, will be here in a minuteChanged Feargus to Fergus forconsistency.

    p. 17: what is the lattitude ofPetersburgh.Changed the periodafter Petersburgh to a question mark.

    p. 20: Careless slut, what did you dropthe tray for:Changed the colon afterfor to a question mark.

    p. 21: always happy to see you, youknowInserted a period after youknow.

    p. 21: I must sit up rather rate, tofinish a jobChanged rate to late.

  • p. 24: TOM., FAN., MRS. F., EUC.,JULIA., RECK., HOLD., FAB.Deleted the period after JULIA.

    End of the Project Gutenberg EBook ofTwice Killed, by John Oxenford

    *** END OF THIS PROJECT GUTENBERG EBOOKTWICE KILLED ***

    ***** This file should be named 49481-h.htm or 49481-h.zip *****This and all associated files of variousformats will be found in: http://www.gutenberg.org/4/9/4/8/49481/

    Produced by Paul Haxo from page imagesgenerously madeavailable by the HathiTrust, Ohio StateUniversity and

  • Google, and with special thanks to theVictorian PlaysProject.

    Updated editions will replace theprevious one--the old editions willbe renamed.

    Creating the works from print editionsnot protected by U.S. copyrightlaw means that no one owns a UnitedStates copyright in these works,so the Foundation (and you!) can copyand distribute it in the UnitedStates without permission and withoutpaying copyrightroyalties. Special rules, set forth inthe General Terms of Use partof this license, apply to copying anddistributing ProjectGutenberg-tm electronic works to protectthe PROJECT GUTENBERG-tmconcept and trademark. Project Gutenbergis a registered trademark,and may not be used if you charge forthe eBooks, unless you receive

  • specific permission. If you do notcharge anything for copies of thiseBook, complying with the rules is veryeasy. You may use this eBookfor nearly any purpose such as creationof derivative works, reports,performances and research. They may bemodified and printed and givenaway--you may do practically ANYTHING inthe United States with eBooksnot protected by U.S. copyright law.Redistribution is subject to thetrademark license, especially commercialredistribution.

    START: FULL LICENSE

    THE FULL PROJECT GUTENBERG LICENSEPLEASE READ THIS BEFORE YOU DISTRIBUTEOR USE THIS WORK

    To protect the Project Gutenberg-tmmission of promoting the freedistribution of electronic works, byusing or distributing this work(or any other work associated in any way

  • with the phrase "ProjectGutenberg"), you agree to comply withall the terms of the FullProject Gutenberg-tm License availablewith this file or online atwww.gutenberg.org/license.

    Section 1. General Terms of Use andRedistributing ProjectGutenberg-tm electronic works

    1.A. By reading or using any part ofthis Project Gutenberg-tmelectronic work, you indicate that youhave read, understand, agree toand accept all the terms of this licenseand intellectual property(trademark/copyright) agreement. If youdo not agree to abide by allthe terms of this agreement, you mustcease using and return ordestroy all copies of Project Gutenberg-tm electronic works in yourpossession. If you paid a fee forobtaining a copy of or access to aProject Gutenberg-tm electronic work and

  • you do not agree to be boundby the terms of this agreement, you mayobtain a refund from theperson or entity to whom you paid thefee as set forth in paragraph1.E.8.

    1.B. "Project Gutenberg" is a registeredtrademark. It may only beused on or associated in any way with anelectronic work by people whoagree to be bound by the terms of thisagreement. There are a fewthings that you can do with most ProjectGutenberg-tm electronic workseven without complying with the fullterms of this agreement. Seeparagraph 1.C below. There are a lot ofthings you can do with ProjectGutenberg-tm electronic works if youfollow the terms of thisagreement and help preserve free futureaccess to Project Gutenberg-tmelectronic works. See paragraph 1.Ebelow.

  • 1.C. The Project Gutenberg LiteraryArchive Foundation ("theFoundation" or PGLAF), owns acompilation copyright in the collectionof Project Gutenberg-tm electronicworks. Nearly all the individualworks in the collection are in thepublic domain in the UnitedStates. If an individual work isunprotected by copyright law in theUnited States and you are located in theUnited States, we do notclaim a right to prevent you fromcopying, distributing, performing,displaying or creating derivative worksbased on the work as long asall references to Project Gutenberg areremoved. Of course, we hopethat you will support the ProjectGutenberg-tm mission of promotingfree access to electronic works byfreely sharing Project Gutenberg-tmworks in compliance with the terms ofthis agreement for keeping theProject Gutenberg-tm name associatedwith the work. You can easily

  • comply with the terms of this agreementby keeping this work in thesame format with its attached fullProject Gutenberg-tm License whenyou share it without charge with others.

    1.D. The copyright laws of the placewhere you are located also governwhat you can do with this work.Copyright laws in most countries arein a constant state of change. If youare outside the United States,check the laws of your country inaddition to the terms of thisagreement before downloading, copying,displaying, performing,distributing or creating derivativeworks based on this work or anyother Project Gutenberg-tm work. TheFoundation makes norepresentations concerning the copyrightstatus of any work in anycountry outside the United States.

    1.E. Unless you have removed allreferences to Project Gutenberg:

  • 1.E.1. The following sentence, withactive links to, or otherimmediate access to, the full ProjectGutenberg-tm License must appearprominently whenever any copy of aProject Gutenberg-tm work (any workon which the phrase "Project Gutenberg"appears, or with which thephrase "Project Gutenberg" isassociated) is accessed, displayed,performed, viewed, copied ordistributed:

    This eBook is for the use of anyoneanywhere in the United States and most other parts of the world at nocost and with almost no restrictions whatsoever. You may copyit, give it away or re-use it under the terms of the ProjectGutenberg License included with this eBook or online at www.gutenberg.org.If you are not located in the United States, you'll have to checkthe laws of the country where you

  • are located before using this ebook.

    1.E.2. If an individual ProjectGutenberg-tm electronic work isderived from texts not protected by U.S.copyright law (does notcontain a notice indicating that it isposted with permission of thecopyright holder), the work can becopied and distributed to anyone inthe United States without paying anyfees or charges. If you areredistributing or providing access to awork with the phrase "ProjectGutenberg" associated with or appearingon the work, you must complyeither with the requirements ofparagraphs 1.E.1 through 1.E.7 orobtain permission for the use of thework and the Project Gutenberg-tmtrademark as set forth in paragraphs1.E.8 or 1.E.9.

    1.E.3. If an individual ProjectGutenberg-tm electronic work is postedwith the permission of the copyright

  • holder, your use and distributionmust comply with both paragraphs 1.E.1through 1.E.7 and anyadditional terms imposed by thecopyright holder. Additional termswill be linked to the Project Gutenberg-tm License for all worksposted with the permission of thecopyright holder found at thebeginning of this work.

    1.E.4. Do not unlink or detach or removethe full Project Gutenberg-tmLicense terms from this work, or anyfiles containing a part of thiswork or any other work associated withProject Gutenberg-tm.

    1.E.5. Do not copy, display, perform,distribute or redistribute thiselectronic work, or any part of thiselectronic work, withoutprominently displaying the sentence setforth in paragraph 1.E.1 withactive links or immediate access to thefull terms of the Project

  • Gutenberg-tm License.

    1.E.6. You may convert to and distributethis work in any binary,compressed, marked up, nonproprietary orproprietary form, includingany word processing or hypertext form.However, if you provide accessto or distribute copies of a ProjectGutenberg-tm work in a formatother than "Plain Vanilla ASCII" orother format used in the officialversion posted on the official ProjectGutenberg-tm web site(www.gutenberg.org), you must, at noadditional cost, fee or expenseto the user, provide a copy, a means ofexporting a copy, or a meansof obtaining a copy upon request, of thework in its original "PlainVanilla ASCII" or other form. Anyalternate format must include thefull Project Gutenberg-tm License asspecified in paragraph 1.E.1.

    1.E.7. Do not charge a fee for access

  • to, viewing, displaying,performing, copying or distributing anyProject Gutenberg-tm worksunless you comply with paragraph 1.E.8or 1.E.9.

    1.E.8. You may charge a reasonable feefor copies of or providingaccess to or distributing ProjectGutenberg-tm electronic worksprovided that

    * You pay a royalty fee of 20% of thegross profits you derive from the use of Project Gutenberg-tm workscalculated using the method you already use to calculate yourapplicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under thisparagraph to the Project Gutenberg Literary Archive Foundation.Royalty payments must be paid within 60 days following each date onwhich you prepare (or are

  • legally required to prepare) yourperiodic tax returns. Royalty payments should be clearly marked assuch and sent to the Project Gutenberg Literary Archive Foundationat the address specified in Section 4, "Information aboutdonations to the Project Gutenberg Literary Archive Foundation."

    * You provide a full refund of any moneypaid by a user who notifies you in writing (or by e-mail) within30 days of receipt that s/he does not agree to the terms of thefull Project Gutenberg-tm License. You must require such a userto return or destroy all copies of the works possessed in aphysical medium and discontinue all use of and all access to othercopies of Project Gutenberg-tm works.

    * You provide, in accordance withparagraph 1.F.3, a full refund of

  • any money paid for a work or areplacement copy, if a defect in the electronic work is discovered andreported to you within 90 days of receipt of the work.

    * You comply with all other terms ofthis agreement for free distribution of Project Gutenberg-tmworks.

    1.E.9. If you wish to charge a fee ordistribute a ProjectGutenberg-tm electronic work or group ofworks on different terms thanare set forth in this agreement, youmust obtain permission in writingfrom both the Project Gutenberg LiteraryArchive Foundation and TheProject Gutenberg Trademark LLC, theowner of the Project Gutenberg-tmtrademark. Contact the Foundation as setforth in Section 3 below.

    1.F.

  • 1.F.1. Project Gutenberg volunteers andemployees expend considerableeffort to identify, do copyrightresearch on, transcribe and proofreadworks not protected by U.S. copyrightlaw in creating the ProjectGutenberg-tm collection. Despite theseefforts, Project Gutenberg-tmelectronic works, and the medium onwhich they may be stored, maycontain "Defects," such as, but notlimited to, incomplete, inaccurateor corrupt data, transcription errors, acopyright or otherintellectual property infringement, adefective or damaged disk orother medium, a computer virus, orcomputer codes that damage orcannot be read by your equipment.

    1.F.2. LIMITED WARRANTY, DISCLAIMER OFDAMAGES - Except for the "Rightof Replacement or Refund" described inparagraph 1.F.3, the ProjectGutenberg Literary Archive Foundation,the owner of the Project

  • Gutenberg-tm trademark, and any otherparty distributing a ProjectGutenberg-tm electronic work under thisagreement, disclaim allliability to you for damages, costs andexpenses, including legalfees. YOU AGREE THAT YOU HAVE NOREMEDIES FOR NEGLIGENCE, STRICTLIABILITY, BREACH OF WARRANTY OR BREACHOF CONTRACT EXCEPT THOSEPROVIDED IN PARAGRAPH 1.F.3. YOU AGREETHAT THE FOUNDATION, THETRADEMARK OWNER, AND ANY DISTRIBUTORUNDER THIS AGREEMENT WILL NOT BELIABLE TO YOU FOR ACTUAL, DIRECT,INDIRECT, CONSEQUENTIAL, PUNITIVE ORINCIDENTAL DAMAGES EVEN IF YOU GIVENOTICE OF THE POSSIBILITY OF SUCHDAMAGE.

    1.F.3. LIMITED RIGHT OF REPLACEMENT ORREFUND - If you discover adefect in this electronic work within 90days of receiving it, you canreceive a refund of the money (if any)you paid for it by sending a

  • written explanation to the person youreceived the work from. If youreceived the work on a physical medium,you must return the mediumwith your written explanation. Theperson or entity that provided youwith the defective work may elect toprovide a replacement copy inlieu of a refund. If you received thework electronically, the personor entity providing it to you may chooseto give you a secondopportunity to receive the workelectronically in lieu of a refund. Ifthe second copy is also defective, youmay demand a refund in writingwithout further opportunities to fix theproblem.

    1.F.4. Except for the limited right ofreplacement or refund set forthin paragraph 1.F.3, this work isprovided to you 'AS-IS', WITH NOOTHER WARRANTIES OF ANY KIND, EXPRESS ORIMPLIED, INCLUDING BUT NOTLIMITED TO WARRANTIES OF MERCHANTABILITY

  • OR FITNESS FOR ANY PURPOSE.

    1.F.5. Some states do not allowdisclaimers of certain impliedwarranties or the exclusion orlimitation of certain types ofdamages. If any disclaimer or limitationset forth in this agreementviolates the law of the state applicableto this agreement, theagreement shall be interpreted to makethe maximum disclaimer orlimitation permitted by the applicablestate law. The invalidity orunenforceability of any provision ofthis agreement shall not void theremaining provisions.

    1.F.6. INDEMNITY - You agree toindemnify and hold the Foundation, thetrademark owner, any agent or employeeof the Foundation, anyoneproviding copies of Project Gutenberg-tmelectronic works inaccordance with this agreement, and anyvolunteers associated with the

  • production, promotion and distributionof Project Gutenberg-tmelectronic works, harmless from allliability, costs and expenses,including legal fees, that arisedirectly or indirectly from any ofthe following which you do or cause tooccur: (a) distribution of thisor any Project Gutenberg-tm work, (b)alteration, modification, oradditions or deletions to any ProjectGutenberg-tm work, and (c) anyDefect you cause.

    Section 2. Information about the Missionof Project Gutenberg-tm

    Project Gutenberg-tm is synonymous withthe free distribution ofelectronic works in formats readable bythe widest variety ofcomputers including obsolete, old,middle-aged and new computers. Itexists because of the efforts ofhundreds of volunteers and donationsfrom people in all walks of life.

  • Volunteers and financial support toprovide volunteers with theassistance they need are critical toreaching Project Gutenberg-tm'sgoals and ensuring that the ProjectGutenberg-tm collection willremain freely available for generationsto come. In 2001, the ProjectGutenberg Literary Archive Foundationwas created to provide a secureand permanent future for ProjectGutenberg-tm and futuregenerations. To learn more about theProject Gutenberg LiteraryArchive Foundation and how your effortsand donations can help, seeSections 3 and 4 and the Foundationinformation page atwww.gutenberg.org

    Section 3. Information about the ProjectGutenberg Literary Archive Foundation

  • The Project Gutenberg Literary ArchiveFoundation is a non profit501(c)(3) educational corporationorganized under the laws of thestate of Mississippi and granted taxexempt status by the InternalRevenue Service. The Foundation's EIN orfederal tax identificationnumber is 64-6221541. Contributions tothe Project Gutenberg LiteraryArchive Foundation are tax deductible tothe full extent permitted byU.S. federal laws and your state's laws.

    The Foundation's principal office is inFairbanks, Alaska, with themailing address: PO Box 750175,Fairbanks, AK 99775, but itsvolunteers and employees are scatteredthroughout numerouslocations. Its business office islocated at 809 North 1500 West, SaltLake City, UT 84116, (801) 596-1887.Email contact links and up todate contact information can be found atthe Foundation's web site and

  • official page atwww.gutenberg.org/contact

    For additional contact information:

    Dr. Gregory B. Newby Chief Executive and Director [email protected]

    Section 4. Information about Donationsto the Project GutenbergLiterary Archive Foundation

    Project Gutenberg-tm depends upon andcannot survive without widespread public support and donations tocarry out its mission ofincreasing the number of public domainand licensed works that can befreely distributed in machine readableform accessible by the widestarray of equipment including outdatedequipment. Many small donations($1 to $5,000) are particularlyimportant to maintaining tax exemptstatus with the IRS.

  • The Foundation is committed to complyingwith the laws regulatingcharities and charitable donations inall 50 states of the UnitedStates. Compliance requirements are notuniform and it takes aconsiderable effort, much paperwork andmany fees to meet and keep upwith these requirements. We do notsolicit donations in locationswhere we have not received writtenconfirmation of compliance. To SENDDONATIONS or determine the status ofcompliance for any particularstate visit www.gutenberg.org/donate

    While we cannot and do not solicitcontributions from states where wehave not met the solicitationrequirements, we know of no prohibitionagainst accepting unsolicited donationsfrom donors in such states whoapproach us with offers to donate.

    International donations are gratefully

  • accepted, but we cannot makeany statements concerning tax treatmentof donations received fromoutside the United States. U.S. lawsalone swamp our small staff.

    Please check the Project Gutenberg Webpages for current donationmethods and addresses. Donations areaccepted in a number of otherways including checks, online paymentsand credit card donations. Todonate, please visit:www.gutenberg.org/donate

    Section 5. General Information AboutProject Gutenberg-tm electronic works.

    Professor Michael S. Hart was theoriginator of the ProjectGutenberg-tm concept of a library ofelectronic works that could befreely shared with anyone. For fortyyears, he produced anddistributed Project Gutenberg-tm eBookswith only a loose network of

  • volunteer support.

    Project Gutenberg-tm eBooks are oftencreated from several printededitions, all of which are confirmed asnot protected by copyright inthe U.S. unless a copyright notice isincluded. Thus, we do notnecessarily keep eBooks in compliancewith any particular paperedition.

    Most people start at our Web site whichhas the main PG searchfacility: www.gutenberg.org

    This Web site includes information aboutProject Gutenberg-tm,including how to make donations to theProject Gutenberg LiteraryArchive Foundation, how to help produceour new eBooks, and how tosubscribe to our email newsletter tohear about new eBooks.

  • CHARACTERS.COSTUMES.TWICE KILLED.Transcribers Note