two-wheeled revolution: how bicyclists shaped philly
DESCRIPTION
This book details the design and construction of an exhibition in Rosenwald-Wolf Gallery of the University of the Arts. The exhibition explores the history and culture of bicyclists in Philadelphia from the introduction of the high-wheeler at the Centennial to recent rise of bike commuters today.TRANSCRIPT
How Bicyclists Shaped Philly
How Bicyclists Shaped Philly
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
2sheet
table of contentsExhibition ContEntMission Statement & Big Idea 3Audience & Visitor Take-Aways 3Goals and Objectives 4Look & Feel 5Color Palette 5Bubble Diagram 6Thematic Floor Plan 7Axonometric Drawing 8
Visitor WalkthroughApproaching the Building 9Introduction to the Highwheeler to Philadelphia 10Hart’s Riding School 11Workshop 12-13Icon: Portrait of a Bicyclist 14Timeline of Activism 15-16Culture of Bicyclist 17-19
arChitECtural DraWingsCurrent As-Built Plan 21Demolition Plan 22On-Site Construction 23Partition Plan 24Exhibition Plan 25Reflected Ceiling Plan 26A/V & Electrical Plan 27
Exhibition DraWingsExhibition Sections 29-32Curved Wall Detail 33-34Small Partition 35
Bike Pedestal 36Touch-Screen Kiosks 37Glass Reader-Rails 38Bicycle Floor Plan 39Bicycle Reflected Ceiling Plan 40
graphiCsExhibition Plan - Graphics 41 Graphics Schedule 43Typical Graphic: Type F 44Typical Graphic: Type G 45 Type Treatment 46Logo 47
appEnDixProject Timeline 49Budget 50 A/V Schedule 51Lighting Schedule 52Object list 53-55
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
3sheet
MissionIn exploring the history of bicyclists in Philadelphia and
the culture of biking today, this exhibition demonstrates
how bicyclists have helped shape Philadelphia over the
past century while creating a dialogue about advantages
and challenges of biking in the city today.
auDiEnCE• University of the Arts community
• Students from other universities in Philadelphia
• Urban adults that live in Philadelphia
exhibition frameworkbig iDEaBicyclists have been fighting for their right to ride long
before bike lanes.
Visitor takE-aWays• City planners, motorists awareness and responsible
riding can all make commuting by bicycle safer.
• Visitors will leave with the knowledge to ride through
the city more safely.
• Biking is linked to the first paved roads, the women’s
liberation movement, and
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
4sheet
goals & objectivesgoal 1The exhibition will show the relationship between
Philadelphians and their bikes.
Objective 1Visitors will understand the history of biking in Philadelphia and in Fairmount Park.
Objective 2Visitors will understand the history of conflict between bicyclists, the city and people using other modes of transportation.
goal 2The exhibition will encourage safe and responsible
bicycle commuting in the city.
Objective 1Visitors will learn guidelines for responsible riding, proper bike security and the current bike laws.
Objective 2Visitors will become familiar with commonly used safety gear, and understand basic criteria with which to select a bicycle.
goal 3This exhibition will highlight the beauty and simplicity
of the design that fosters easy maintenance and
modification by the owner.
Objective 1Visitors will appreciate the diversity of bicyclists in Philadelphia, bikes and accessories available.
Objective 2Through interactives and workshops, visitors will learn basic bicycle maintenance.
goal 4The exhibition will convey a sense of freedom and thrill
that riding offers.
Objective 1Visitors will learn how biking helped encourage women’s liberation movement.
Objective 2Visitors will appreciate the city from a different point of view, and learn about how accessible the city becomes on a bike.
Objective 3Visitors will learn about opportunities to play on a bike — including races, bicyclist meets in Fairmount Park, etc.
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
5sheet
Color palEttE
historiC iMagEry
ContEMporary photography
look & feel
WooD & MEtals
c:0 m:98 y:83 k:0 c:0 m:100 y:0 k:0 c:66 m:0 y:22 k:0 c:45 m:1 y:100 k:0 c:20 m:0 y:10 k:0
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
6sheet
D.I.Y.
Bikes and Philly
Timelineof Biking
Activism in Philly Pimp My Ride
Interactive Photo display
Video InterviewWith a cross-section of Philly bicyclists
Commuter Culture
Hands-On InteractivesEffective Bike-LockingBuild/modify a bike
WorkshopsBike MaintenanceBiking safely in a city
InteractiveJunkyard RallyAlleycat Race
Mapsof historic bike paths
and bike lanes today
Sense of Freedom
Bike Coalition
Bike Messengers
NeighborhoodBikeWorks
L.A.W. Phlly
Fairmount Park
Hanging Bikes Installation
Wall of Accessories
bubble diagram
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
7sheet
Bicycles in Philly/Fairmount Park
D.I.Y/Neighborhood Bike Works
Introd
uction
of Bicycle/B
ike Sch
oolCommuterCulture
Bike HangingInstallation
thematicfloor plan
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
8sheet
axonometricplan
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
9sheet
visitorwalkthroughapproaChing thE builDing Our visitor walks North on Broad Street crossing Pine. She pauses
as a bicyclist speeds past. She passes Starbucks and the parking
garage with cars lined up out into the street. She approaches the
first window of the gallery, and sees a mosaic of images of people
riding or posed next to their bicycles. Some images that look historic,
could easily pass for a “hipster” today. With the skull cap and handle-
bar mustache. One man in particular is posed with a high-wheeler
looking indifferently out at the street.
At the second window, the she sees a large historic photograph of
men lined up with high-wheelers in front of Memorial Hall. Within
the image is the title of the exhibition: Two-Wheeled Revolution: How
Bicyclists Helped Shape Philly.
Coming up to the third window she sees students and people on the
street gathered around it. They are watching through the window as
people inside the gallery mount a high-wheeler then pose while their
friends capture a photo of them astride the giant “steed”.
This exhibition seems fun, historic and informative and since she is
curious about past bicyclists and with all the bicyclists riding around
Philly today, our visitor decides to check out this exhibition.
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
10sheet
visitorwalkthroughthrEsholD: introDuCtion of thE high WhEElEr to philaDElphia
The visitor first enters a space that looks like Machinery Hall of the Centennial
Exposition. There is a high wheeler high up on a pedestal in front of a backdrop
of an image of the interior of Memorial Hall. The visitor reads about the
introduction of the bicycle to America in the English exhibit in the Machinery
Hall at the Centennial. This machine, captivated Albert Pope, a factory owner
in town from Connetecut. He would buy all the bicycles on display and bring
them back to his factory where he began manufacturing them.
Our visitor turns to the alcove with a reproduction of a high-wheeler. It is
positioned in front of two backdrops, so when people mount it, they look like
they are in one of those historic photographs. Other visitors climb up, and pose
triumphantly on top of the “steed” while their friends cheer them on and snap
photos with their phones.
She takes the opportunity to climb up as people outside and within the
exhibition watch. Once atop this tall bike, she feels a bit nervous. The bike is
solidly anchored to the ground and doesn’t move, but she is still a little afraid
of falling. She starts to appreciate the patience and skill needed to mount a
moving bike as tall as this. She notices a quote,
“I shall not attempt to describe my emotion of when I conquered this wheel.”
She thinks she can start to understand that emotion. And she now
understands why so many men in the portraits look so proud in those
photographs. Riding a bicycle like this was no small feat!
Once down off the bike, she moves past the quote and reads about how
Albert Pope eventually comes back to Philadelphia to convince Mr. H.B. Hart
to sell bicycles in his shop. Pope sends a bicycle to Hart to display in the
window of his shop. He describes his first encounter with it:
“...the (to me) infernal machine arrived and was unboxed. I handled it with
extreme caution, and so akwardly that, in walking with it, I somehow becaume
tangled up in the machine, and we both fell against the glass case. This was
rather discouraging, so I hitched the animal up, just outside the store door.”
He goes on to describe the instant interest by Philadelphians and that
his storefront was crowed with over 100 people inspecting it and asking
questions. When people ask Hart if he knows how to ride it, he admits he
doesn’t. Pope then invites Hart to his shop and riding school in Boston to
learn how to ride one himself. After many spills, he finally conquers a bike
and promptly buys it. This inspires the quote above.
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
11sheet
visitorwalkthroughhart’s riDing sChool
Our visitor moves along to the second window. There is a small
panel that explains this image that she has seen when she
approched the school. This again, is a large image of a row of men,
posed with their high-wheelers in front of Memorial Hall and the
title of the exhibition. She learns how this photograph was taken
perhaps moments before they took off through Fairmount Park —
outside the approved bicycling time — before dispersing. This small
act of defiance against the Fairmount Commission would resemble a
contemporary critical mass.
Moving further along, the visitor sees an antique bicycle displayed in
front of a wall-sized photograph of people posed with their bicycles
in what looks like a riding rink. She learns that the men in the “First
Bicycle Meet” most likely organized through the help of Columbia
Bicycle School, originally set up by Mr. Hart, located on Broad Street.
These schools were common in the late 1800’s, resembled horseback
riding schools of that era, and were set up for bicyclists to safely
master riding their bicycles. And because they were also adjacent to
bicycle shops, this also helped sell bicycles.
“I shall not attempt to describe my emotion when I had conquered this wheel.”
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
12sheet
visitorwalkthroughWorkshop
The visitor approaches a curved gallery that is rustic and noisy and
looks like a workshop. The floor is covered in rubber tiles and the
walls are covered in plywood. Stopping at the introductory panel, she
learns that this workshop is a collaboration with Neighborhood Bike
Works, an organization where teenage urban youth learn urban bike
skills and how to build and repair a bike while building their own bike
with parts from abandoned bikes.
Moving to the opposite wall she approached two touch-screen kiosks
positioned in front of a large image of boys in a class where they are
learning about the parts of a bicycle. At one of the kiosks, she tests
her knowledge of bikes laws in Philly today. Set in a multiple choice
format followed by animations demonstrating the correct action, she
answers a couple of questions and learns that riding on the sidewalk
is actually against the law, as well as riding the wrong way on the
street. But she can walk her bike on the sidewalk if she needs to.
Another section in the interactive, demonstrates what aren’t laws, but
possible actions in normally dangerous situations, like when a car is
turning right and may not see a bicyclist on the right side of the car.
Again, through animations, she learns that in some cases it’s safer to
move into the left lanes and pass on the left of a car turning right.
Further along, she sees 4 larger panels that explains basic bicycle
maintenance skills including checking air in the tires, greasing the
chain, checking pedals and shifters. The visitor makes a mental note
about needing to check this on her own bike when she gets home.
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
13sheet
Looking around, she see tools hung on a pegboard with names called
out, and a large drawing of a bicycle with the names of the different
parts of the bike called out. Other visitors are huddled around two
bikes in the center of the space. A few people seem to be trying to
lock and unlock a bike with a U-lock and they are discussing the
advantages and disadvantages of their different approaches.
Another group is intently working on a bike. Moving closer, she sees
they are putting a bike together. It kinda looks like a frankenstein
bike, with big knobby mountain-bike tires on a frame made for a
woman. People’s hands are covered in grease and a teenage boy, who
appears to be the instructor, is directing the assembly and pointing
out key parts in the process. The people are discussing the advantages
of the knobby tires in winter over skinny road tires.
visitorwalkthroughWorkshop (Continued)
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
14sheet
visitorwalkthroughiCon: portrait of a biCyClist
Coming back out the gallery, she approaches a large curved wall.
The portion of the wall closest to her has a montage of historic
photographs of young, white men posed next to or on their bikes. The
panel on this part of the wall describes the typical bicyclist of the late
1800’s: white, educated, wealthy men.
As she moves along the curve of the wall into a part of the gallery
she starts seeing more photographs of women, and people of color.
A panel mentions how bicycling helped propel women’s liberation
movement by providing a safe way for women to explore the world
outside their home alone. When she gets to the opposite end of
the curve and there is an explosion of diversity of bicyclists and
bicycles. From kids to elderly men and women, to people looked
like they are about to start a race and are wearing all spandex and
aerodynamic helmets to young women in dresses and heels posed
with their bright city cruisers. There are bearded, pierced, tattooed
bike messengers next to middle-age men in business suits. A panel in
this section mentions the many bicycling subcultures. Finally, a panel
entitled “Who’s Missing” explains how people in under-served urban
communities are the least likely to ride and how city planners, the
Bike Coalition and Neighborhood Bike Works are working to promote
biking in these communities.
The visitor turns and walks around an older bike, she reads the label
and learns that it is a “safety” bicycles because they had breaks. She
thinks about how scary it would be to ride a bike fast but to not be
able to stop quickly and how terrifying that would be.
She passes through this open space and come back near the entrance
to a timeline interspersed with bicycles.
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
15sheet
visitorwalkthroughtiMElinE of aCtiVisM
Moving along the long wall of the gallery, the she learns about the
history of advocacy between bicyclists and government officials. She
first learns about the bicyclists petitioning the Faimount Commission
to allow them to ride freely on the roads in Fairmount Park, not just
during the restricted hours from midnight to 8am. Eventually, when
they are able to demonstrate to the commission that bicyclists don’t
scare horses any more than any other park user, they are allowed free
access to the park.
On a second panel, she learns about how the changing design of
bikes reflects the needs of the bicyclists. The first panel points to the
invention of the pneumatic tire and break system to provide a safer,
smoother ride. In the back, there are large graphics of advertisements
from the time periods discussed in the reader rails.
During the “Gay 90’s” bicyclists enjoy free use of the park, which is
also a hazard to some people who aren’t skilled enough to handle
their “silent steed.” Because many of these bicycles were yet to be
equipped with breaks. The Fairmount park guards are given bikes to
help rescue riders on their runaway bicycle.
In the 1920’s, the automobile begins to rise in popularity and just
like with the bicycles, there is a debate within the Fairmount Park
Commission about whether to let automobiles into the park. However,
this debate lasts more than 6 years. When the automobile is finally
allowed into the park, both horses and bicycles are forced out of the
park by the speeding automobile. And the design of bicycles change to
resemble the curved bodies of automobiles.
What happens in Philly mirrors what happens all over the country:
bicycling is seen as a recreational activity that is primarily ridden by
children and college students around campus.
In the 1970’s, with the energy crisis, city planners and the Fairmount
Park Commission see the importance of adding bike and pedestrian
trails to the park. Bob Thomas, a recent graduate from the University
of Pennsylvania’s Architecture program, a member of Sierra Club,
and a past Peace Corp participant, and a bicyclist helps Sierra club
advocate for bike and pedestrian lanes along the length of the park.
When Fairmount Park is awarded money by PennDot to build the
paths, they had laid off their planners. Mr. Thomas and his partner bid
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
16sheet
visitorwalkthroughtiMElinE of aCtiVisM (Continued)
for the job and are awarded it.
This event sparks a chain of events that will continue to shape the
landscape of Philly up to today. Bob Thomas and his partner will
be instrumental in conducting studies for and designing bike trails
throughout the region.
In 1972 Bob and some friends at a bar near the 30th Street Station
decide to start the Bike Coalition of Philadelphia. This volunteer-
based advocacy organization would lobby and protest for bike and
pedestrian lanes on bridges throughout the city and region. Bikes
like the 1976 Panasonic Touring Bike are built light and sturdy with a
cargo rack for people to travel long distances.
In the 1990’s the focus of the organization shifts when it becomes
less volunteer-based and the staff grows. They move to work with the
local government, going so far as to writing grants seeking federal
funding for bike lanes and trails. They do all the “heavy-lifting” and
the government officials just need to sign sign the grant application.
“A bike route is not safe until
an 8-year-old girl feels safe riding on it.”
— Dutch Urban Planner
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
17sheet
visitorwalkthroughthE CulturE of biCyClists
Our visitor turns to the center of the space is winning
prototype of a commuter bike from the Oregon Manifest. The
bike has touches for classic designs like leather seats, and
second passenger seat that is detachable, pannier bags and
lots of extra storage. The second is a foldable bike that is small
and can easily be carried onto public transportation. There is
a contrast between the one with all the things a bicyclists may
need: long frame, a back and front racks, and the other smaller,
lighter, stripped-down commuter bike.
Looking up, the visitor is amazed by the diversity of bikes and
can imagine the diversity of people who ride these different
bikes. There is a BMX, a mountain bike, scratched up and
dented from heaving riding and what looks like many spills.
There is a bright-colored vintage Shwinn Varsity that looks
very stylish and they can picture a female collage student
casually biking to class on it.
A video plays on a wall nearby and it is Philadelphians talking
about their bike, and their relationship with it: how long
they’ve had it, what adventures they’ve had with it or any
conflicts with their partners as a result of the number of bikes
they own. Located nearby are two touch-screen interactives
mounted like reader rails that offer the visitor the opportunity
to pick their ideal bike. They specify what they would want
from a bike, like “I can easily take it on a train.” “I want my bike
to look cute” I want to be able to wear a skirt” “I want to travel
long distances without my rear hurting” “I want it light enough
for me to carry up the stairs to my apartment” Each selection
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
18sheet
visitorwalkthroughthE CulturE of biCyClists (Continued)
of additional criteria eliminates or greys out bikes. Until the
user arrives at their perfect “steed.”
Along another wall, the visitor can see a projection of a
map of Philly. With a nearby touchscreen. The nearby panel
describes how Tyler drew up the first bike map of Philadelphia
based on the knowledge from the bicyclists of his time. Then
how Bob Thomas and the Bicycle Coalition maps safe bike
routes throughout the city. In the menu of the interactive,
she is given two options: they can see where road hazards
unique to bicyclists can be found in the city or they can map
safe bicycle routes throughout the city. In learning about
hazards throughout the city, she can click on the beacon and
see an image of the hazard and description of it along with
ways to avoid it. The visitor learns that this information is
currently available online at the Bicycle Coalition’s website, but
appreciates being able to drop in whenever they want to access
this information.
In a smaller gallery with a curved wall made of translucent
plexiglass, a word cloud projected onto it. It has words like
“Rain” “Sweat” “Work Clothes” “Women’s Helmet” “Biking in a
Skirt” “Bikes on Septa” “Trolly Tracks” “Narrow Roads” Visitors
to this multi-touch table can pose questions like “How do I
commute to work without getting all sweaty?” “What is the
best kind of clothes to wear in cooler weather to keep me
warm yet still comfortable?” “How do I bike in a skirt without
flashing everyone?” “How do I bike around trolly tracks?”
At this same multi-touch table visitors seek answers and
those who are also experienced bicyclists can answer these
questions. They can either type the answers directly into the
interactive or they can capture photos or video and submit
them to be added.
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
19sheet
visitorwalkthroughthE CulturE of biCyClists (Continued)
The visitor is talking to her friend about how she wants to
bike more but she would have to carry so much. She looks for
an answer to this question but can’t seem to find one and is
about to type in the question in hopes that it will be answered
when she drops by again. But another visitor overhears the
discussion and suggested panniers from public. She points
them out on the wall of accessories and explains how they are
bright and reflective not just to be cute but for safety purposes.
And that it can easily be locked to or unsnapped from the bike.
In the another, smaller gallery, which consists of a seat and
a video projected on the wall, she watches a biker’s view of
riding. The video switches from riding through the city of
Philadelphia. The video switches to a junkyard where the
rider is going over bridges over cars and in-between other
demolished cars. The third video is shows what one would
experience if they were to play bike polo at a rink in FDR park.
As our visitor leaves the exhibition, she realizes that even
though it seems like bike lanes and biking throughout the
city is a recent phenomena, there really has been a long-time
interest in biking in the city. And it is because of the work
of groups like the Wheelmen, Mr Hart, Bob Thomas and the
Bicycle Coalition that there are bike trails in Fairmount Park
and bike lanes throughout the city. And that these people,
are working to make biking safer. Though she is still a little
nervous about the risks, she feels more informed about how to
bike smart and decides she will try commuting by bicycle to at
least one place this weekend.
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
20sheet
architecturaldrawings
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
21sheet
19'-9
3/8
"
48'-2 1/4"
7'-5 1/4"
64'-5 3/8"
45'-2
5/8
"
33'-0 1/8"
As-BuiltScale: 3/32" = 1'-0"1
0 5 10 15 20 25 FT
14'-3 1/8" 14'-7 1/4"12
'-2 1
/8"
18'-1
1/2
"9'
-7 1
/2"
17'-6
"
13'-9"
as-built plan
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
22sheet
demo planWalls removed
Patch corner
Remove false floor
Remove Ramp
Patch WallPatch Wall
Demo Plan1/8" = 1'-0"2 0 5 10 15 20 25 FT
Patch Wall�
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
23sheet
26'-4 1/2" 12'-4 5/8"
0 5 10 15 20 25 FT
R 14'-11 7/8" R 10'-8 1/8"
3'-5 1/2"
Build custom door for office
Install false floor to a height of
Install ramp from entrance to raised floor height.
On-Site Construction1/8" = 1'-0"3
partition planon-sitE ConstruCtion
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
24sheet
26'-4 1/2" 12'-4 5/8"
22'-3"
3/4" curved plexi
3/4" curved plexi weighted down under attached seating
0 5 10 15 20 25 FT
R 7'-3 7/8"[R 2231]
R 16'-11"R 4'-8 3/4"
All partitionsanchored to walls
Partition Plan1/8" = 1'-0"4
3'-5
5/8
"
R 5'-10 1/8"
31
partition planoff-sitE fabriCation
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
25sheet1 31
1 31
132
132
230
230
1 291 29
Exhibition Plan1/8" = 1'-0"5
1 301 30
33
3536
37
38
exhibition plan
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
26sheet
reflected ceiling plan
kEy
Projector
Barn Lign Pendant (B)
Philips FXESS Track (A)
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
27sheet
a/v & electrical plan
Av.2.1
Av.2.2
Av.3.3
Av.3.4
Av.3.5
Av.3.6
Av.3.11
Av.3.12
Av.3.7
Av.3.8
Av.3.9Av.3.10
kEy
Electric
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
28sheet
exhibitiondrawings
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
29sheet
exhibition sections
Exterior ElevationScale: 3/16" = 1'-0"
129
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
30sheet
exhibition sections
Workshop-South Wall1/8" = 1'-0"
230 0 5 FT
4'-1
0"
Center line for all graphic panels
Hart's Bike School Section1/8" = 1'-0"
130
0 5 FT
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
31sheet
Culture of Biking Gallery-SectionScale: 3/32" = 1'-0"
431
0 5 FT
Culture of Biking Gallery-Section3/16" = 1'-0"
131
Bikes suspended withcables and hooks from
ceiling
8'-0
"
8'-9
5/8
"8'
-7 1
/4"Custom casework
fabricated off-site
Curved 3/4" plexiglass walls fabricated off-site
0 5 FT
exhibition sections
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
32sheet
exhibition sections
Timeline of Activism-Section1/8" = 1'-0"
132
7'-1
1 1/
2"
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
33sheet
8'-0
"
3'-0
"4'
-6"
6"
24'-0"
4'-0"
Icon elevation1/4" = 1'-0"1
6" x 6" grid for laying outphotographs
4'-1
0"
Center line for all graphics
Workshop elevation1/4" = 1'-0"2
construction detailCurVED Wall
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
34sheet
Ø 33'-5 3/8"
Curved wall plan1/8" = 1'-0"1
4'-1 3/8"
6 panels piece together
Curved panel-plan1/2" = 1'-0"2
4'-1 3/8"
6"
4'-0"
Curved panel-elevation1/2" = 1'-0"3
8'-0
"
Panels bolted orlocked together
Panels bolted to the floor
Gypsum board withdark wood stain
veneer
construction detailCurVED Wall (ContinuED)
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
35sheet
construction detailsMall partition
R 5'-7 7/8"
Small Partition- Plan1/2" = 1'-0"1
Small partition - Elevation1/2" = 1'-0"2
8'-0
"
6'-6 1/4"
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
36sheet
Plan View- With Bike1/2" = 1'-0"1
3'-1
3/4
"
2'-1
3/8
"
6'-0 3/4"
Sögreni Bike Standbolted to base
Side ElevationScale: 1/2" = 1'-0"2
Constructed tosupport 150 lbs
Dark Stainedwood veneer
Axonometric ViewScale: 3/8" = 1'-0"3
Front View - Interior1/2" = 1'-0"4
2" x 4" wood supports
2'-0
"
Plan View - Interior1/2" = 1'-0"5
typical caseworkbikE pEDEstals
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
37sheet
2" wood with plywood veneer
Vartech 17" All-in-one computer
3 1/2" diameter steel tubes
Exploded elevation1" = 1'-0"1
Power cords run through tube�
2'-5
3/4
"
2'-6"
1'-8 1/4"
Front Elevation1" = 1'-0"2
1'-6"
1'-3
"
Deck- Plan view1" = 1'-0"3
typical caseworktouChsCrEEn kiosks
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
38sheet
Front Elevation3/4" = 1'-0"2
3'-0"
2'-7
"
1'-0
" 1'-1
1 1/
4"
Side Elevation3/4" = 1'-0"3 Axonometric View3/4" = 1'-0"4
1" clear glass with graphic attached underneigh
Brass fitting to attach railto bike platform or floor
1" translucentglass with a
blue tint
Deck - Plan View3/4" = 1'-0"1
3'-5 3/4"2'
-6 7
/8"
typical caseworkglass rEaDEr-rails
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
39sheet
bicycle floor plan
o 222
o 208o 227
o 210
o 216
o 486276-12-2
n-3
n-4
o 196
n-1
n-2
2011 fuji 1
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
40sheet
bicycle reflected ceiling plan
n-5n-6
n-7n-8
n-9
n-10
n-11n-12
o 100
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
41sheet
graphicspackage
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
42sheet
graphic floor plan
G.1.A.1
G.1.F.2
G.1.D.3
G.1.D.4
G.1.G.5
G.1.E.6
G.1.E.7G.1.A.8
G.1.D.9
G.2.F.10
G.2.H.11G.2.D.12
G.2.D.13
G.2.B.14G.2.B.15G.2.B.16
G.2.B.17
G.3.F.18
G.3.F.19
G.3.B.20G.3.D.21
G.4.D.22
G.4.A.23G.4.A.24G.4.A.25G.4.A.26G.4.B.27G.4.B.28G.4.B.29
G.4.G.30G.4.G.31G.4.G.32
G.5.K.33
G.5.K.34
G.5.K.35
G.5.K.36
G.5.K.37
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
43sheet
graphic scheduleCode TiTle/desCripTion ConsTruCTion dimensions
ZONE 1
G.1.A.1 Behold the High Wheeler Graphic panel addached to under-side of glass reader rail
3’- 6” x 2’ 7” oval
G.1.H.2 Photograph of Machinery Hall
Printed scrim netting, hung from ceiling
7’ x 6’
G.1.D.3 Historic photogrph of Fairmount park trail
Printed on Vinyl and attached to wall
8’ x 9’
G.1.D.4 Historic photogrph of Fairmount park trail
Printed on Vinyl and attached to wall
8’ x 9’
G.1.G.5 Hart’s quote Vinyl lettering applied directly to wall
2’ x 4’
G.1.E.6 The First Bicycle Meet Printed vinyl decal applied to window
11’ - 3 1/2” x 8’ - 11”
G.1.E.7 Mosaic of Bicyclists Printed vinyl decal applied to window
11’ - 3 1/2” x 8’ - 11”
G.1.A.8 Hart’s Bike School Graphic panel addached to under-side of glass reader rail
3’- 6” x 2’ 7” oval
G.1.I.9 Hart’s Bike School - Historic Photograph
Printed vinyl decal applied to wall 8’ x 9’
ZONE 2
G.2.F.10 Neighborhood Bike Works Vinyl title applied to wall, graphics printed directly to metal
3’ x 3’
G.2.H.11 Tools and Pegboard Outlines and call-outs on a peg-board
4’ x 8’
G.2.D.12 Diagram of a Bike Printed vinyl decal applied to wall 8’ x 9’
G.2.D.13 Bike School image Printed vinyl decal applied to wall 8’ x 9’
G.2.B.14 Bike Maintenance: Grease
and Oil
Direct- printed or vinyl applied to 7’ x 3’ translucent plexi attached to steel wires strung from ceiling to floor
7’ x 3”
G.2.B.15 Bike Maintenance: Wheels
and tires
Direct- printed or vinyl applied to 7’ x 3’ translucent plexi attached to steel wires strung from ceiling to floor
7’ x 3”
G.2.B.16 Bike Maintenance: Hand
Breaks and Changer
Direct- printed or vinyl applied to 7’ x 3’ translucent plexi attached to steel wires strung from ceiling to floor
7’ x 3”
G.2.B.17 Bike Maintenance: Pedals direct- printed or vinyl applied to 7’ x 3’ translucent plexi attached to steel wires strung from ceiling to floor
7’ x 3”
ZONE 3
G.3.F.18 The Freedom of Biking Vinyl title applied to wall, graphics printed directly to metal
3’ x 3’
G.3.F.19 Mapping a Bike Network Vinyl title applied to wall, graphics printed directly to metal
3’ x 3’
G.3.B.20 The Things We Carry Vinyl graphics applied to 7’ x 3’ translucent plexi attached to steel wires strung from ceiling to floor
7’ x 3”
G.3.G.21 Commuter bike Advertise-ment
10’x4.5’ graphic applied to gatorboard attached with metal stand-offs
10’ x 4’ - 5”
ZONE 4
G.4.D.22 Quotes about biking Graphic Decal applied to wall 4’ x 6’
G.4.A.23 Wheelmen vs. The Fair-mount Commission
Graphic panel addached to under-side of glass reader rail
3’- 6” x 2’ 7” oval
G.4.A.24 The Automobile Debate Graphic panel addached to under-side of glass reader rail
3’- 6” x 2’ 7” oval
G.4.A.25 The First Bike Paths Graphic panel addached to under-side of glass reader rail
3’- 6” x 2’ 7” oval
G.4.A.26 Philly’s Bicycle Network Today
Graphic panel addached to under-side of glass reader rail
3’- 6” x 2’ 7” oval
G.4.B.27 Design of the “Ordinary” Direct- printed or vinyl applied to 7’ x 3’ translucent plexi attached to steel wires strung from ceiling to floor
7’ x 3”
G.4.B.28 Design of the Shelby Air-stream
Direct- printed or vinyl applied to 7’ x 3’ translucent plexi attached to steel wires strung from ceiling to floor
7’ x 3”
G.4.B.29 Design of the Road bike Direct- printed or vinyl applied to 7’ x 3’ translucent plexi attached to steel wires strung from ceiling to floor
7’ x 3”
G.4.G.30 Columbia Advertisement 10’x4.5’ graphic applied to gatorboard attached with metal stand-offs
10’ x 4’ - 5”
G.4.G.31 Shelby Advertisemnt 10’x4.5’ graphic applied to gatorboard attached with metal stand-offs
10’ x 4’ - 5”
G.4.G.32 70’s Road Bicycle Advertise-ment
10’x4.5’ graphic applied to gatorboard attached with metal stand-offs
10’ x 4’ - 5”
ZONE 5
G.5.K.33 Portraits of Bicyclists Direct-printed onto metal. (7)12”x12”; (8)18”x12”; (7)12”x18”; (2)18”x18”; (2) 24”x18”; (1) 30”x30”; (2) 36”x24”
G.5.J.34 Who were these Bicyclists? smaller panel, on translucent plexi 1’ x 2’
G.5.J.35 What About the Ladies? smaller panel, on translucent plexi 1’ x 2’
G.5.J.36 Who are Today’s Bicyclist? smaller panel, on translucent plexi 1’ x 2’
G.5.J.37 Who’s Missing? smaller panel, on translucent plexi 1’ x 2’
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
44sheet
typical graphics
neighborhood bike works
Started in 1996 as Youth Cycle & Recycle, a program of The Bicycle Coalition of the Delaware Valley, it became
1999.
Bike program takes urban youth through 14 classes where they learn bicycle repair and maintenance and urban riding skills as well as health and nutrition, while refurbishing an abandoned bike.
After students complete the program, they leave with a new skill that could become a career, and with a sweet new ride they built themselves.
30”
24”
typE f: introDuCtory panEl
6”
36”
Vinyl lettering applied
directly to wall
Graphic printed directly to
brushed metal substrate
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
45sheet
typical graphicstypE g
7’-0”
3’-0”
Graphic printed directly to trans-
lucent plexi panel
Plexi panel attached to galvanized steel cables
strung from floor to ceiling
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
46sheet
type treatment
bikesSection Titles: Pistilli Regular 234 points
WheelmenSubtitles: Caecilia, Bold, 54 points
High-WheelerBody: Caecilia, Roman, 36 points
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
47sheet
logo
How Bicyclists Shaped Philly
How Bicyclists Shaped Philly
How Bicyclists Shaped Philly
How Bicyclists Shaped Philly
How Bicyclists Shaped Philly
How Bicyclists Shaped Philly
How Bicyclists Shaped Philly
How Bicyclists Shaped Philly
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
48sheet
appendix
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
49sheet
project timeline
2011 2012
June July August September October November December January February March April May June July August September October November December
Reasarch Mission, Goals & Objectives
Design Phase
Thematic � oor plan
Look & Feel
Sketches/ perspectives
Schematic Design Presentation
Approval
Graphics
Element Schedule
Drawing Package
Design Develop-ment Presenta-tion
Approval
Construction Documents
Construction Fabrication
Installation
Evaluation
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
50sheet
budgetdemolition 5% $25,000
wall demo
fake floor demo
stair demo
General Construction
25% $125,000
Artifial floor with rubber covering
$65,000
Artifical floor install $30,000
On-site wall construction
Lighting
exhibit Fabrication 20% $100,000
Bike stands
Pegboard
Mechanic’s stand
hooks and containers
Hanging Bike installation
Walls
Plexi walls
Reader Rails
cable
High-Wheeler replica $1,000
Contingency
A/V 20% $100,000
Solid-state video player
multi-touch table $18,000
(3) projectors $15,000
(5) Vartech Touch-screen computers
$16,000
Multimedia/video production
An interactive on interviews with people who bike in Philadelphia, biking through Philadelphia interactive, Alleycat video, Junkyard rally video
10% $50,000
Graphic production
5% $25,000
Portraits for portrait wall
Bike repair booklet
Reprint permissions Penn Historical Society, U of Penn Archives, Temple Urban archives, Franklin Institute
Hanging system
Bike Diagram
(2) Large window vinyl decals
(4) Large wall decal
All large-scale printing
Graphic printed on fabric scrim
Exhibition Design This includes the billable hours of two staff members up through the completion of the construction documents
10% $50,000
Purchase of objects What objects aren’t donated or loaned will be purchased to fill out the wall of accessories, bike installations. Fuji bikes
5% $25,000
Krypotonite Locks
Tools crescent wrench, screwdrivers, cable clipper, hammer, pliers, lubricants,multiple spanner wrench, vise-grip, channel lock pliers, chain tool
chains
Artifacts Conservation/currier service of objects from Franklin Institute, Metz Bicycle Museum, Pennsylvania Historical Society, insurance coverage for objects
10% $50,000
Education and Workshops
Collaboration with Neighborhood Bike Works on hosting workshops in the exhibition, buying bikes for the urban youth that complete their hours in the program. Also includes bike parts for demonstrations.
5% $25,000
Total 500,000
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
51sheet
a/v schedule
Code equipmenT desCripTion AreA mounTinG
ZONE 2
AV.2.1 Vartec Touch-screen and computer in one
Learn Bike Laws interactive Workshop Mounted to stand
AV.2.2 Vartec Touch-screen and computer in one
Learn Bike Laws interactive Workshop Mounted to stand
ZONE 3
AV.3.3 Sanyo PLC-XP200L Projector
Experience biking in the city Bike Theater Attached to Ceiling
AV.3.4 Solid-State video player Experience biking in the city Bike Theater Mounted near projector
AV.3.5 MT55 multi-touch table Bike Commuting Q&A Biking Culture Installed in center of space
AV.3.6 Sanyo PLC-XP200L Projector
Bike Commuting Q&A Biking Culture Mounted to ceiling facing back wall, connected to video out on multi-touch table
AV.3.7 Vartec Touch-screen and computer in one
Mapping bike routes Biking Culture Mounted to stand, connected to ceiling mounted projector (AV.3.6)
AV.3.8 Sanyo PLC-XP200L Projector
Mapping bike routes Biking Culture Mounted to ceiling facing corner above touch-screen, connected to touch-screen
AV.3.9 Sanyo PLC-XP200L Projector
Me and My Bike video Biking Culture Mounted to ceiling, connected to solid state video player (AV.3.9)
AV.3.10 Solid-State video player Me and My Bike video Biking Culture Mounted near projector (AV.3.8)
AV.3.11 Vartec Touch-screen and computer in one
Choose Your Steed Biking Culture Mounted to stand
AV.3.12 Vartec Touch-screen and computer in one
Choose Your Steed Biking Culture Mounted to stand
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
52sheet
lighting scheduleFixture Type Fixture name description manufacturer Catalogue number number/length lamping Voltage mounting
A Tangent Track Lighting System
Spot Phillips FXESS 40 HalogenMR16
120 Track
Tangent Track Lighting System
Suspensio Track-Clear Anondized
Phillips FXS08 13/8’ Ceiling
B Decorative Pendant
Barn Light Electric 9 Incandescant Ceiling
a b
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
53sheet
object listobject description object number host institution exhibit location photoRover Safety #11 O 206 Franklin Institute Zone 1
High Wheeler Stan-dard Columbia
O 222 Franklin Institute Zone 1
High Wheel Repro-duction
N-1 Workman Cycles Zone 1
Linus N-2 Bicycle Revolution Zone 2Man and Women’s Tandem
O 100 Franklin Zone 3
Facile - London O 208 Franklin Institute Zone 4
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
54sheet
Victor Safety O 227 Franklin Institute Zone 4
Monarch Women’s Safety
O 216 L Franklin Institute Zone 4
Hickory Safety O 210 Franklin Institute Zone 4
Shelby “Airflow Model No. 72
O 4862 Franklin Institute Zone 4
Panasonic Tourist Bicycle
O 76-12-2 Franklin Institute Zone 4
Fuji Feather 2011 Fuji 1 Fuji International or Eastern Mountain Sports
Zone 4
object list
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
55sheet
Commuter Proto-type
N-3 Oregon Manifest Zone 3
Fold-up Bike N-4 Zone 3Double-decker N-5 Zone 3BMX N-6 Zone 3Public M-8 N-7 Public Zone 3
Fixed Gear N-8 Zone 3TBD N-9TBD N-10TBD N-11
object list
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
56sheet
image sourcesFranklin Institute Historic Colletion
Historical Society of Pennsylvanian
Elizabeth Russell
Public Bikes
Fuji International
http://www.ebbc.org/?q=taxonomy/term/107
http://legitbikepolo.com/category/photo/page/3/
http://www.gridphilly.com/griddle/2011/4/20/bikeadelphia-city-plans-for-
north-south-bike-lanes.html
http://www.designreformation.com/Gallery.html
http://www.jimlangley.net/brake/1940sMonarkSuperDeluxe.html
http://partdesigner.posterous.com/insanely-accessorised-japanese-70s-
bicycle-ad
EXHIBIT DESIGNER
elizabeth russell
324 North Preston StreetPhiladelphia, PA 19104
Philly ProjectDesign Development Package
November 10, 2011
Client:University of the ArtsRosenwold-Wolf Gallery320 South Broad Street 19102
How Bicyclists Helped Shape Philly
57sheet
resourcesBruce L. Balshone, Paul L. Deering, Brian D. McCarl Bicycle Transit: Its Planning
and Design. New York: Praeger, 1975.
Pryor Dodge, The Bicycle. New York: Flammarion, 1996.
Sue Macy, Wheels of Change: How Women Rode the Bicycle to Freedom
(With a Few Flat Tires Along the Way)
Greater Philadelphia Bicycle Facts 2008
Women Cycling Project: Why Do You Use Your Bicycle for Trips?
Association of Pedestrian and Bicycle Professionals
http://neighborhoodbikeworks.org Accessed 9/20/11
Anybody’s Bike Book: An Original Manual of Bicycle Repairs by Tom
Cuthbertson Illustrated by Rick Morrall, Ten Speed Press, Berkely California,
1971
Bicycle Diaries, by David Byrne U.S. 2010 Penguin Books
Interview with Bob Thomas of Campbell Thomas & Co.
Interview with Rob Armstrong, Preservation & Capital Projects Manager for
Philadelphia Parks & Recreation
Interview with Sarah Clark Stuart, Campaign Director of the Bicycle Coalition
of Greater Philadelphia
Email interveiw with Kitty Heite of Neighborhood Bike Works