typography101 092012

82
Typography 101

Upload: valarie-martin-stuart

Post on 27-Jan-2015

115 views

Category:

Design


5 download

DESCRIPTION

Slides accompanying presentation on typography, Sept. 20, 2012.

TRANSCRIPT

Page 1: Typography101 092012

Typography 101

Page 2: Typography101 092012

101Ty!ograph"

Page 3: Typography101 092012

HISTORYreally, really condensed.

Page 4: Typography101 092012

image: http://commons.wikimedia.org/wiki/File:Metal_movable_type.jpg

movable type

Page 5: Typography101 092012

‘‘Gutenberg's achievement created

a new and wonderful earthbut at the same time also a new hell.‘‘

—Mark Twain

source: http://www.twainquotes.com/Gutenberg.html

Page 6: Typography101 092012

image: http://en.wikipedia.org/wiki/Claude_Garamond

GaramondCLAUDE

1490-1561

Page 7: Typography101 092012

image: http://en.wikipedia.org/wiki/William_Caslon

CASLONWilliam

1692-1766

Page 8: Typography101 092012

image: http://en.wikipedia.org/wiki/John_Baskerville

BaskervilleJOHN

1706-1775

Page 9: Typography101 092012

image: http://en.wikipedia.org/wiki/Giambattista_Bodoni

BODONIGiambattista

1740-1813

Page 10: Typography101 092012

image: http://www.ericgill.org.uk/

Eric GILL1882-1947

Page 11: Typography101 092012

SETTING TYPEthe {relatively} modern processes

Page 12: Typography101 092012

UPHILL BOTH WAYSback when I walked to work

barefoot in the snow

1. Get copy approved

2. Spec text

3. Send out to typesetting house

4. Wait a day or two for type to come back

5. Return to step two because you did it wrong

Page 15: Typography101 092012

image: http://ffanzeen.blogspot.com/2009/03/trading-travel-agent.html

<LL><PS>

Like writing HTML

but not getting to see

what it looks like

until tomorrow

Page 16: Typography101 092012

images: http://commfaculty.fullerton.edu/woverbeck/dtr5.htm

Wax machines

Paste-up production

Page 20: Typography101 092012

image: http://en.wikipedia.org/wiki/File:Original_Mac_fonts.png

Page 21: Typography101 092012

image: http://www.youtube.com/watch?v=8Vj37x2jScU&trackingid=JSDWE

Page 22: Typography101 092012

image: http://www.fontlab.com/font-editor/fontlab-studio/fontlab-studio-tutorials/

Page 23: Typography101 092012

LETTERFORMS

Page 24: Typography101 092012

Type is funbaseline

Page 25: Typography101 092012

Type is fun x-height

Page 26: Typography101 092012

Type is funcap height

Page 27: Typography101 092012

Type is funascender height

Page 28: Typography101 092012

Type is fundescender height

Page 29: Typography101 092012

Tall x-heights can make type friendlier and easier to read…

PT Sans

Page 30: Typography101 092012

…even when your fonts have feet.Fonts with feet are called serif.

Georgia

Page 31: Typography101 092012

Fonts without feet are called sans serif.

Helvetica

Page 32: Typography101 092012

Fonts with a smaller x-heightcould be considered more formal.

Bernhard Modern

Page 33: Typography101 092012

Contrast adds interest.A serif font for headlines along with a sans serif font for body copy is a successful combination. The reverse is also effective. When choosing your serif and your sans serif faces, keep the x-height of each font in mind. Do they complement each other?

Page 34: Typography101 092012

Similarity looks like a mistake.

Are these two font combinations as effective as the

previous screen? Probably not. The two serif fonts have

different characteristics and drastically different x-heights

and ascender heights. The two faces conflict with, rather

than complement, each other.

Page 35: Typography101 092012

leading

Page 36: Typography101 092012

image: http://commons.wikimedia.org/wiki/File:Metal_movable_type.jpg

leading

Page 37: Typography101 092012

Letterpair kerning

Page 38: Typography101 092012

the truck I could drive through those unkerned letterpairs

Page 39: Typography101 092012

TYPE TRICKSYou gotta know the rules

before you can break them.

But you might not want to.

Page 40: Typography101 092012

the vertically centered optical illusion

Page 41: Typography101 092012

is is centered on the page.

Page 42: Typography101 092012

But it looks top-heavy.

Page 43: Typography101 092012

Balance placement to adjustfor the optical illusion.

Page 44: Typography101 092012

hanging punctuation

Page 45: Typography101 092012

—Charles Mingus

source: http://www.pickthebrain.com/blog/10-quotes-to-inspire-creativity/

Page 46: Typography101 092012

—Charles Mingus

source: http://www.pickthebrain.com/blog/10-quotes-to-inspire-creativity/

Page 47: Typography101 092012

—Charles Mingus

source: http://www.pickthebrain.com/blog/10-quotes-to-inspire-creativity/

Page 48: Typography101 092012

—Charles Mingus

source: http://www.pickthebrain.com/blog/10-quotes-to-inspire-creativity/

Page 49: Typography101 092012

line length

Page 50: Typography101 092012

Too long – if a line of text is too long the visitor’s eye will have a hard time focusing on the text. This is because the length makes it difficult to get an idea of where the line starts and ends. Furthermore it can be difficult to continue from the correct line in large blocks of text.

source: http://baymard.com/blog/line-length-readability

Approx. 110 characters per line

Page 51: Typography101 092012

Approx. 30 characters per line

Too short – if a line is too short the eye will have to travel back too often, breaking the reader’s rhythm. Too short lines also tend to stress people, making them begin on the next line before finishing the current one (hence skipping potentially important words).

source: http://baymard.com/blog/line-length-readability

Page 52: Typography101 092012

TOO LONGIf a line of text is too long the visitor’s eye will have a hard time focusing on the text. This is because the length makes it difficult to get an idea of where the line starts and ends. Furthermore it can be difficult to continue from the correct line in large blocks of text.

TOO SHORTIf a line is too short the eye will have to travel back too often, breaking the reader’s rhythm. Too short lines also tend to stress people, making them begin on the next line before finishing the current one (hence skipping potentially important words).

source: http://baymard.com/blog/line-length-readability

Just right. Approx. 60 characters per line

Page 53: Typography101 092012

Just right. Approx. 60 characters per line

Page 54: Typography101 092012

small caps

Page 55: Typography101 092012
Page 56: Typography101 092012

Whoa. These caps are far heavier than the other characters.

Page 57: Typography101 092012
Page 58: Typography101 092012

The trick:Define BOLD for your primary text, and ROMAN for your small caps.

Page 59: Typography101 092012

uppercase vs. lowercase

Page 60: Typography101 092012
Page 61: Typography101 092012
Page 62: Typography101 092012
Page 63: Typography101 092012

letterspacing

Page 64: Typography101 092012

Tr a c k i n g o u t l o w e r c a s e t y p e i s u s u a l l y n o t a g o o d i d e a .

Page 65: Typography101 092012

When you want users to read yourbody copy, let them see shapes.

Page 66: Typography101 092012

THESE CAPS AREN’T TRACKED OUT.

Page 67: Typography101 092012

THESE CAPS HAVE SOME EXTRA TRACKING.

Page 68: Typography101 092012

unlike lowercase text,UPPERCASE TEXT READABILITY IMPROVES

when tracking is increased.

Page 69: Typography101 092012

PAGE LAYOUT

Page 70: Typography101 092012
Page 71: Typography101 092012
Page 72: Typography101 092012
Page 73: Typography101 092012
Page 74: Typography101 092012
Page 75: Typography101 092012
Page 76: Typography101 092012
Page 77: Typography101 092012
Page 78: Typography101 092012
Page 79: Typography101 092012

and in conclusion…

Page 80: Typography101 092012

e

Page 81: Typography101 092012

Thank you.

Page 82: Typography101 092012

V I S U A L + D E S I G N + S T R A T E G I S T

— M A D E W I T H K E Y N O T E O N A M A C —

View����������� ������������������  my����������� ������������������  portfolio����������� ������������������  and����������� ������������������  resume����������� ������������������  at����������� ������������������  www.valarie.infoor����������� ������������������  email����������� ������������������  [email protected]