ufd 43 outils d’analyse critique : image -...
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Année 2017-2018 Enseignant : Réjan MANGINOT Responsable d’UFD : Réjan MANGINOT Nombre d’heures de cours : 6 h CM
Département d’anglais — Site de Metz
UFD 43 OUTILS D’ANALYSE CRITIQUE : IMAGE
COURSE OUTLINE
INTRODUCTION A. METHODOLOGY — ANALYSING PICTURES
A. I. Definitions
A. II. Functions of the picture
A. III. Barthes’s ‘rhetoric of the image’
A. IV. Methodology
A. IV. 1. Introduction A. IV. 2. Description A. IV. 3. Interpretation A. IV. 4. Conclusion
B. RELATIONSHIPS BETWEEN TEXT AND IMAGE
B. I. Image as text B. I. 1. Codes and genres B. I. 2. The narrative dimension B. I. 3. The symbolic dimension
B. II. Text as image
B. II. 1. Descriptions and portraits B. II. 2. Focalisation and point of view B. II. 3. Imagism in poetry
B. II. 4. Imagery in text
B. III. Image within text
B. III. 1. Illustrations B. III. 2. Book covers
B. IV. Text within image
B. IV. 1. Comic strips B. IV. 2. Cartoons B. IV. 3. Advertisements CONCLUSION
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BIBLIOGRAPHY AND WEBOGRAPHY
Barthes, Roland. La Chambre claire : Note sur la photographie. Paris: Gallimard, 1980. Barthes, Roland. Mythologies. Paris: Seuil, 1957. Barthes, Roland. ‘Rhétorique de l’image’. Communications 4 (1964): 40-51. Fromilhague, Catherine. Les figures de style. Paris: Armand Colin, 2005. Gadoin, Isabelle. Le commentaire de document iconographique à l'épreuve orale de synthèse. Paris: Editions
du Temps, 2001. Gombrich, Ernst Hans. Histoire de l’art. Paris: Phaïdon, 2001. Hilton, Timothy. The Pre-Raphaelites. London: Thames & Hudson, 1970. Joly, Martine. Introduction à l’analyse de l’image. Collection « 128 ». Paris: Armand Colin, 2005. Lièvre-Crosson, Elisabeth. Comprendre la peinture. Toulouse: Milan, 1999. Mark, Lise. ‘Picture Analysis’. Fakultet for Sprog og Erhvervskommunikation. Aarhus School of Business,
2005. Web. 30 Jun. 2016. <http://www.sprog.asb.dk/lma/analysis.htm>. Pastoureau, Michel, and Dominique Simonnet. Le petit livre des couleurs. Paris: Points, 2007. Pastoureau, Michel. ‘Les couleurs du Moyen-Age par Michel Pastoureau’. Louvre. Musée du Louvre, 2013.
Web. 30 Jun. 2016. <http://www.louvre.fr/les-couleurs-du-moyen-agepar-michel-pastoureau>. Sontag, Susan. On Photography. New York: Farrar, Straus and Giroux, 1977. ‘The Tate Glossary’. Tate Online. Tate, 2012. Web. 30 Jun. 2016. <http://www.tate.org.uk/learn/online-
resources/glossary>. Wilton, Andrew. Five Centuries of British Painting: From Holbein to Hodgkin. London: Thames & Hudson,
2001.
DOCUMENT No. 1: Roman JAKOBSON’s linguistic model of verbal communication
DOCUMENT No. 2: Roman JAKOBSON’s functions of language
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DOCUMENT No. 3: « Symboles des vanités », exposition Un cabinet imaginaire, Musée départemental Georges de La Tour, Vic-sur-Seille, 2005
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DOCUMENT No. 4: Patrick BACRY, Les figures de style et autres procédés stylistiques, Belin, 1992
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DOCUMENT No. 5: Ezra POUND, ‘In a Station of the Metro’, 1916
The apparition of these faces in the crowd Petals on a wet, black bough.
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DOCUMENT No. 6: Haiku : Anthologie du poème court japonais, Gallimard, 2002
PRINTEMPS
Les montagnes au loin — reflet dans les prunelles
d’une libellule
(Buson)
De la narine du grand Bouddha jaillit
une hirondelle
(Issa)
Mille petits poissons blancs — comme si frétillait la couleur de l’eau
(Konishi Raizan)
Couvert de papillons l’arbre mort
est en fleurs !
(Issa)
ETE
Sur la pointe d’une herbe devant l’infini du ciel
une fourmi
(Hôsai)
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DOCUMENT No. 7: Kanika PUNWANI, ‘Cover Story’, in JetWings, April 2013
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DOCUMENT No. 8: Martine JOLY, Introduction à l’analyse de l’image, Armand Colin, 2005
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DOCUMENT No. 9: Roald DAHL, Charlie and the Chocolate Factory, 1964
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DOCUMENT No. 10: Lewis CARROLL, Alice’s Adventures in Wonderland, 1865