790

BIBLIOGRAFIA Bibliografia específica sobre Caravaggio

AA. VV., The Age of Caravaggio, Nova Iorque, The Metropolitan Museum of Art, Electa/Rizzoli, 1985.

AA. VV., Darkness & Light: Caravaggio & His World, The Domain, Art Gallery of New South Wales, Melbourne, National Gallery of Victoria, 2003. AA. VV., Caravaggio: The Final Years, Nápoles, Electa, 2005. AA. VV., Rembrandt Caravaggio, Zwolle, Waanders Publishers, Amesterdão,

Rijksmuseum, 2006. Argan, Giulio Carlo, L’Europe des Capitals 1600-1700, Skira, 1964. Baglione, Giovanni, Le Vite de’ Pittori, Scultori, e Architetti Moderni (1672), em The

Lives of Caravaggio, Londres, Pallas Athene, 2005 Bal, Mieke, Quoting Caravaggio: Contemporary Art, Preposterous History, The

University of Chicago Press, 2001. Bayer, Andrea (org.), Painters of Reality: The Legacy of Leonardo and Caravaggio in

Lombardy, Nova Iorque, Metropolitan Museum of Art, 2004. Bellori, Giovanni Pietro, Le Vite de’ Pittori, Scultori et Architetti Moderni (1672), ed. ut.:

The Lives of the Modern Painters, Sculptors, and Architects, Cambridge University Press, 2005.

Benedetti, Sergio, «Darkness and light», em AA. VV., Darkness & Light: Caravaggio &

His World. Berne-Joffroy, André, Dossier Caravaggio (1959), ed. ut.: Il Dossier Caravaggio:

Psicologia delle Attribuzioni e Psicologia dell’arte (trad.), Milão, 5 Continents, 2005. Berenson, Bernard, Caravaggio: Delle sue Incongruenze e Della sua Fama (1950),

Abscôndita, 2006. Bersani, Leo e Ulysse Dutoit, Caravaggio’s Secret, Cambridge, Mass., The MIT Press,

1998. Brown, Jonathan e Robert Engrass (orgs.), Italian and Spanish Art, 1600-1750:

Sources and Documents, Chicago, Northwestern University Press, 1993.

791

Burckhardt, Jacob, Cicerone (c. 1860), Londres, T. Werner Laurie, 1968. Calvesi, Maurizio, Caravaggio, Florença, Giunti, 1998. Chiesa, Ângela Ottino Della, Tout L’Ouvre Peint du Caravage (1967), Paris,

Flammarion, 2008. Freedberg, Sydney Joseph, Painting in Italy 1500-1600 (1969), Pelikan, 1982. Freedberg, Sydney Joseph, Circa 1600: A Revolution of Style in Italian Painting,

Harvard University Press, 1983. Fried, Michael, «Thoughts on Caravaggio», Critical Inquiry, 24 (2), The University of

Chicago Press, Outono, 1997. Friedlaender, Walter, Caravaggio Studies (1955), Nova Iorque, Schocken, 1969. Friedlander, Walter, Mannerism and Anti-Mannerism in Italian Painting (1957),

Columbia University Press, 1990 Gregori, Mina (org.), The Age of Caravaggio, Nova Iorque, Metropolitan Museum of

Art, Milão, Electa, 1985. Gregori, Mina, Caravaggio, Milão, Electa, 1994. Hibbard, Howard, Caravaggio, Nova Iorque, Harper and Row, 1983. Hommes, Margriet van Eikema e Ernst van de Wetering, «Light and colour in

Caravaggio and Rembrandt, as seen through the eyes of their contemporaries», em AA. VV. Rembrandt Caravaggio.

Lambert, Gilles, Caravaggio (2001), Taschen, 2001. Langdon, Helen, Caravaggio: A Life, Boulder, Westview Press, 2000. Longhi, Roberto (org. comissário), Mostra del Caravaggio e dei caravaggeschi,

Florença, Sansoni, 1951 (reed.: Servizi Editoriali, 2005). Longhi, Roberto, Caravaggio (1926), ed. ut.: Le Caravage (trad.), Paris, Éditions du

Regard, 2004. Longhi, Roberto, Studi Caravaggeschi (1935-1969), Florença, Sansoni, 2000. Longhi, Roberto, Me Pinxit e Questi Caravageschi, Florença, Sansoni, 1992. Mahon, Denis, Studies in Seicento Art and Theory, Oxford, Greenwood, 1971. Mancini, Giulio, [Caravaggio] Considerazioni Sulla Pittura (1617), em The Lives of

Caravaggio, Londres, Pallas Athene, 2005 Manuth, Volker, «”Michelangelo of Caravaggio, who does wondrous things in Rome”:

on Rembrandt’s knowledge of Caravaggio», em AA. VV. Rembrandt Caravaggio.

792

Marin, Louis, Détruire la Peinture (1977), To Destroy Painting, The University of Chicago Press, 1995.

Moir, Alfred, Caravaggio, Nova Iorque, Harry N. Abrams, 1982. Ndalianis, Angela, «Caravaggio reloaded: neo-baroque poetics», em AA. VV.,

Darkness & Light: Caravaggio & His World. Nicolson, Benedict, The International Caravaggesque Movement: Lists of Pictures by

Caravaggio and His Followers Throughout Europe From 1590 to 1650, Londres, Phaidon, 1979.

Spike, John T., Caravaggio, Nova Iorque, Londres, Abbeville, 2001. Puglisi, Catherine, Caravaggio (1998), Londres, Phaidon, 2002. Röttgen, Herwarth, Caravaggio (sd), ed. ut.: Il Caravaggio: Ricerche e Interpretazione,

Roma, Bulzoni, 1974. Satié, Alain, Du Caravage à Rembrandt: Maîtres, Adeptes et Plagiaires du Clair-

Obscur, Paris, Jean-Paul Rocher, 2002. Schama, Simon, Power of Art, BBC Books, 2006 Spear, Richard E., From Caravaggio to Artemisia: Essays on Painting in Seventeenth-

Century Italy and France, Londres, The Pindar, 2002. Strinati, Claudio, «A new naturalism», em AA. VV., Darkness & Light: Caravaggio & His

World. Varriano, John L., Caravaggio: The Art of Realism, Pennsylvania University Press,

2006. Venturi, Lionello, From Leonardo to El Greco, Skira, 1956. Venturi, Lionello, Four Steps Toward Modern Art: Giorgione, Caravaggio, Manet,

Cèzanne, Columbia University Press, 1965. Wittkower, Rudolf, Art and Architectures in Italy 1600-1750: I. Early Baroque (1958),

Yale University Press, 1999.

Bibliografia específica sobre Rembrandt

AA. VV., Rembrandt’s Late Religious Portraits, The University of Chicago Press, 2005. AA. VV., Rembrandt Caravaggio, Zwolle, Waanders Publishers, Amesterdão,

Rijksmuseum, 2006. Alpers, Svetlana, The Art of Describing: Dutch Art in the Seventeenth Century, The

University of Chicago Press, 1984.

793

Alpers, Svetlana, Rembrandt’s Enterprise: The Studio and the Market, The University of Chicago Press, 1995.

Bal, Mieke, Reading Rembrandt; Beyond the World-Image Opposition, Amsterdam

Academie Archive, 2006. Berger Jr., Harry, Fiction of the Pose: Rembrandt Against the Italian Renaissance,

Stanford University Press, 2000. Blankert, Albert, Rembrandt: a Genius and His Impact, Londres, Reaktion Books, 1997. Bonafoux, Pascal, Rembrandt: Le Clair, l’Obscur, Paris, Gallimard, 2006. Brown, Christopher, Jan Kelch e Peter van Thiel, Rembrandt: The Master & His

Wokshop – Paintings, Yale University Press, Londres, National Gallery, 1991. Brown, Christopher, Jan Kelch e Peter van Thiel, Rembrandt: The Master & His

Wokshop – Drawings & Etchings, Yale University Press, Londres, National Gallery, 1991.

Clark, Kenneth, Rembrandt and the Italian Renaissance, New York University, 1966. Copplestone, Trewin, Rembrandt (1960), Londres, Hamlyn, 1984. Freedberg, David, Art in History/History in Art : Studies in seventeenth-century Dutch

Culture, Los Angeles, Getty Research Institute for the History of Art and Humanities, 1990.

Golahny, Amy, Rembrandt’s Reading: The Artist Bookshelf of Ancient Poetry and

History, Amsterdam University Press, 2003. Harrison, Charles, Paul Wood e Jason Gaiger (orgs.), Art in Theory, 1648-1815: an

Anthology of Changing Ideas, Oxford, Blackwell, 2000. Held, Julius, Rembrandt Studies, Princeton University Press, 1991. Hommes, Margriet van Eikema e Ernst van de Wetering, «Light and colour in

Caravaggio and Rembrandt, as seen through the eyes of their contemporaries», em AA. VV. Rembrandt Caravaggio.

Houbraken, Arnold, [Rembrandt] De Groote Schouburgh der Nederlandtsche

Konstschilders en Schilderessen (1718-21), em Lives of Rembrandt, Londres, Pallas Athene, 2007.

Jansen Adams, Ann (org.), Rembrandt’s Reading King David’s Letter, Cambridge

University Press, 1998. Manuth, Volker, «”Michelangelo of Caravaggio, who does wondrous things in Rome”:

on Rembrandt’s knowledge of Caravaggio», em AA. VV. Rembrandt Caravaggio. Rosenberg, Jakob, Rembrandt: Life and Work (1948), Ithaca, Cornell University Press,

1980. Sandrart. Joachiam von, [Rembrandt], em Teutsche Academie (1675), em Lives of

Rembrandt, Londres, Pallas Athene, 2007.

794

Satié, Alain, Du Caravage à Rembrandt: Maîtres, Adeptes et Plagiaires du Clair-

Obscur, Paris, Jean-Paul Rocher, 2002. Schama, Simon, Rembrandt’s Eyes, Nova Iorque, Alfred A. Knopf, 1999. Schama, Simon, The Embarrassment of Riches: An Interpretation of Dutch Culture in

the Golden Age, Nova Iorque, Vintage, 1997. Schwartz, Gary, Rembrandt’s Universe: His Art, His Life, His World, Thames &

Hudson, 2006 Simmel, Georg, Rembrandt (1916), Routledge, 2005. Slive, Seymour, Dutch Painting 1600-1800, Yale University Press, 1998. Sluijter, Eric Jan, Seductress of Sight: Studies in Dutch Art of the Golden Age, Zwolle,

Waanders Pub., 2000. Sluijter, Eric Jan, Rembrandt and the Female Nude, Amsterdam University Press,

2007. Vergara, Alejandro (org.), Rembrandt: Pintor de Historias, Madrid, Museo nacional del

Prado, 2008. Vidal, Carlos, «Da luz como elemento do vocabulário plástico, da técnica e significado

do claro-escuro» [trabalho apresentado na FBAUL, disciplina de Forma Visual], dactiloscrito não publicado, 1986.

Westermann, Mariet, Rembrandt, Phaidon, 2000. Westermann, Mariet, A Wordly Art: The Dutch Republic, 1585-1718, Yale University

Press, 2005. Wetering, Ernst van de, Rembrandt: the Painter at Work, University of California Press,

2000. White, Christopher (org.), Rembrandt by Himself, Londres, National Gallery, 1999. Winkel, Marieke de, Fashion and Fancy: Dress and Meaning in Rembrandt’s Paintings,

Amsterdam University Press, 2006.

Bibliografia específica sobre Velázquez

AA. VV., Velázquez, Nova Iorque, The Metropilitan Museum of Art, Harry Abrams, 1990.

AA. VV., Otras Meninas, Madrid, Siruela, 1996. AA. VV., Velázquez, Nova Iorque, Harry N. Abrams, 1990.

795

AA. VV., Velázquez, Londres, National Gallery, 2006. Alpers, Svetlana, The Vexations of Art: Velázquez and Others, Yale University Press,

2005. Bardi, P. M., L’Opera Completa di Velázquez (1969), Rizzoli, 1981. Bermúdez, Juan Agustín Ceán, Diccionario Histórico de los más Ilustres Profesores de

las Bellas Artes en España (1800), Madrid, Akal, 2001. Brown, Jonathan, Images and Ideas in Seventeenth-Century Spanish Painting,

Princeton University Press, 1978. Brown, Jonathan, Velázquez: Painter and Courtier, Yale University Press, 1986. Bronw, Jonathan, Collected Writings on Velázquez, Centro de Estudios Europa

Hispánica, 2008. Brown, Jonathan e Carmen Garrido, Velázquez: The Technique of Genius, Yale

University Press, 1998. Foucault, Michel, Les Mots et les Choses (1966), ed. ut.: As Palavras e as Coisas,

Lisboa, Portugália, sd. Gallego, Julián, Velazquez, Barcelona, Anthropos, 1992. Garrido, Carmén e Jonathan Brown, Velázquez: The Technique of Genius, Yale

University Press, 1998. Harris, Enriqueta, Velázquez; Phaidon, 1982. Harris, Enriqueta, «Las Meninas at Kingston Lacy», Burlington Magazine, Fevereiro,

1990. Harris, Enriqueta, Velázquez, Madrid, Akal, 2003. Iñiguez, Diego Angulo, Velázquez: Como Compuso sus Principales Quadros y Otros

escritos sobre el Pintor, Madrid, Istmo, 1999. Justi, Carl, Velázquez und Sein Jahrhundert, ed. ut.: Velázquez y su Siglo, Madrid,

Istmo, 1999. López-Rey, Velasquez (1978), Londres, Studio Vista, 1980. López-Rey, José, Velazquez: A Catalogue Raisoné, Colónia, Taschen, 1996. Marin, Juan, Guernica, ou, Le Rapt des Ménines, Lagune, 1994. Maxwell, William Stirling, Velázquez and his Work, Londres, John W, Parker an Son,

1855. Morales, Alfredo J. (org.), Symposium Internacional Velázquez, Junta de Andalucía,

2003.

796

Ortega y Gasset, José, Papeles Sobre Velazquez y Goya (1950), Madrid, Alianza, 1987.

Pacheco, Francisco, L’Art de la Peinture (1649), Paris, Klincksieck, 1986. Palomino, Antonio A., Vida de don Diego Velázquez da Silva (ca. 1724), Madrid, Akal,

2008. Pinto de Almeida, Bernardo, O Plano de Imagem, Lisboa, Assírio & Alvim, 1996. Portús, Javier (org.), Velázquez Fables: Mythology and Sacred History in the Golden

Age, Museu nacional del Prado, 2007. Prater, Andreas, Venus Ante el Espejo: Velázquez y el Desnudo, Centro de Estudios

de Europa Hispanica, 2007. Salas, Xavier de, Velázquez, Phaidon, 1972. Sanchez, Alfonso Perez, Pintura Barroca en España 1600-1750, Madrid, Cátedra,

1992. Serraller, Francisco Calvo (org), Teoría de la Pintura del Siglo de Oro, Madrid,

Cátedra, 1991. Stoichita, Victor I. El Ojo Místico: Pintura y Visión Religiosa en el Siglo de Oro Español

(versão espanh. Ana Maria Coderch). Madrid, Alianza, 1995, Stratton-Pruitt, Suzanne L. (org.), The Cambridge Companion to Velázquez,

Cambridge University Press, 2002. Stratton-Pruitt, Suzanne L. (org.), Velázquez-Las Meninas, Cambridge University

Press, 2003. Tolnay, Charles de, «Velázquez’ Las Hilanderas and Las Meninas (an interpretation)»,

Paris, Gazette des Beaux-Arts, 35, 1949. Turina, Miguel Morán, Estudios sobre Velázquez, Madrid, Akal, 2006.

Bibliografia específica sobre Vito Acconci

AA. VV., Vito Acconci, Phaidon, 2002. Acconci, Vito (entrevistado por Richard Prince), Nova Iorque, Bomb, 36, Verão, 1991. Acconci, Vito (entrevistado por Claude Gintz), Paris, Artpress, 166, Fevereiro, 1992. Acconci, Vito, «Television, Furniture and Sculpture: the Room with the American

View», Londres, Art & Design, 7-8 (8), Julho-Agosto, 1993. Acconci, Vito (entrevistado por Jeff Rian), Flash Art, 174, Janeiro-Fevereiro, 1994.

797

Acconci, Vito (Gloria Moure, org.), Vito Acconci: Writings, Works, Projects, Barcelona, Polígrafa, 2001.

Acconci, Vito (Vito Acconci e Bernadette Mayer, orgs.) 0 to 9: The Complete Magazine

1967-1969, Nova Iorque, Ugly Duckingly, Lost Literature Series, 2006. Acconci, Vito (Craig Dworking, org.), Language to Cover a Page: The Early Writings of

Vito Acconci, The MIT Press, 2006. Cavell, Stanley, The World Viewed: Reflectiosn on the Ontology of Film (1971).

Harvard University Press, 1979 Celant, Germano, «Dirty Acconci», Nova Iorque, Artforum, Novembro, 1980. Diserens, Corine (org. e comiss.), Vito Hannibal Acconci Studio, Barcelona, MACBA,

Nantes, Musée des Beaux-Arts, 2005. Hall, Doug e Sally Jo Fifer (orgs.), Illuminating Video: An Essential Guide to Video Art,

Aperture Foundation, 1990. Joselit, David, No Exit: Video and the Readymade, October, 119, Inverno, 2007. Kaprow, Allan, «Vídeo art: old wine, new bottles», Artforum, Junho, 1974. Krauss, Rosalind, «Video: the aesthetics of narcissism» (1976), republicação em John

Hanhardt (org.), Video Culture: a Critica Investigation, Layton, Nova Iorque, Peregrine Smith, Visual Studies Workshop, 1986.

Linker, Kate, Vito Acconci, Nova Iorque, Rizzoli, 1994. Morgan, Robert C., «Vito Acconci [A Nightmare in Suburbia]», Flash Art, 140, Maio-

Junho, 1988. Parfait, François, Vídeo: un Art Contemporain, Paris, Éditions du Regard, 2001. Rorimer, Anne, New Art in the 60s and 70s: Redefining Reality, Thames & Hudson,

2001. Rush, Michael, Video Art, LondresThames & Hudson, 2003. Shearer, Linda (org.), Vito Acconci: Public Places, Nova Iorque, Museum of Modern

Art, 1988. Sichel, Berta (org.), Primera Generación: Arte e Imagen en Movimiento (1963-1986),

Madrid, MNCARS, 2007. Vito Acconci Studio, Vito Acconci: Diary of a Body – 1969-1973, Milão, Charta, 2006.

798

Bibliografia específica sobre Bruce Nauman

AA. VV., Bruce Nauman: Work from 1965 to 1972, Los Angeles County Museum of Art, 1972.

AA. VV. Bruce Nauman Collaboration (dossier), Parkett, 10, 1986. AA. VV., Bruce Nauman, Madrid, Museo Nacional centro de Arte Reina Sofia, 1994. AA. VV., Bruce Nauman: Image/Text, 1966-1996, London, Hayward Gallery, 1998. AA. VV., Bruce Nauman: Raw Materials, Londres, Tate Modern, 2004. Benezra, Neal, «Bruce Nauman: raw material», Paris, Artpress, 184, Outubro, 1993. Bismarck, Beatrice, Bruce Nauman: The True Artist, Ostfilddern-Ruit, Cantz, 1998. Bruggen, Coosje van, Bruce Nauman, Nova Iorque, Rizzoli, 1988. Cavell, Stanley, The World Viewed: Reflectiosn on the Ontology of Film (1971).

Harvard University Press, 1979. Cross, Susan (org. e comiss.), Bruce Nauman: Theaters of Experience. Nova Iorque,

Guggenheim (e Berlim, Deutsche Guggenheim), 2003. Graw, Isabelle, «Bruce Nauman: being is nothing», Flash Art, 169, Março-Abril, 1993. Fogle, Douglas (org.), The Last Picture Show: Artists Using Photography, Minneapolis,

Walker Art Center, 2003 Hall, Doug e Sally Jo Fifer (orgs.), Illuminating Video: An Essential Guide to Video Art,

Aperture Foundation, 1990. Hanhardt, John (org.), Video Culture: A Critical Investigation, Layton, Nova Iorque,

Peregrine Smith, Visual Studies Workshop, 1986. Kozloff, Max, «9 in a warehouse», Artforum, 7 (6), Nova Iorque, Fevereiro, 1969. Lewallen, Constance M. (org.), A Rose Has no Teeth: Bruce Nauman in the 1960s,

Berkeley, University of California Press, 2007. Morgan, Robert C. (org.), Bruce Nauman, Baltimore, Johns Hopkins University Press,

2002. Nauman, Bruce (Janet Kraynak, org.), Please Pay Attention Please: Bruce Nauman’s

Words, The MIT Press, 2003. Nauman, Bruce (entrevistado por Robert Storr), «Sound Waves», Londres, Tate etc, 2,

Outono, 2004. Nauman, Bruce (Laurence Sillars, org.), Make Me Think Me, Tate Liverpool, 2006.

799

Nauman, Bruce (Ulrich Look, org.), One Hundred Fish Fountain, Hanôver, Kestnergesellschaft, 2007.

Nauman, Bruce, Audio-Video Underground Camera, Nuremberg, Verlag für Moderne

Kunst, 2005. Nauman, Bruce, Elusive Signs: Bruce Nauman Works with Light (Joseph D. Ketner II,

org.), Milwaukee Art Museum, 2007. Nesbitt, Lois E., «[Bruce Nauman] Lie down, roll over», Londres, Artscribe, 82, Verão,

1990. Parfait, François, Vídeo: Un Art Contemporain, Paris, Éditions du Regard, 2001. Rorimer, Anne, New Art in the 60s and 70s: Redefining Reality, Thames & Hudson,

2001. Rush, Michael, Video Art, LondresThames & Hudson, 2003. Sichel, Berta (org.), Primera Generación: Arte e Imagen en Movimiento (1963-1986),

Madrid, MNCARS, 2007. Simon, Joan (org.), Bruce Nauman: Exhibition Catalogue and Catalogue Raisonné,

Minneapolis, Walker Art Center, 1994. Vidal, Carlos, «Bruce Nauman», Madrid, Exitbook, 4, 2005. Vidal, Carlos, João Onofre: Aquilo que Nunca Acontece/That Wich Never

Happens, Porto, Mimesis, 2003. Tucker, Marcia, «PheNAUMANology», Artforum, 9 (4), Dezembro, 1970. Wagner, Anne M., «Nauman’s Body of Sculpture», October, 120, Primavera, 2007. Whitney, David, «Bruce Nauman», Nova Iorque, Leo Castelli Gallery (catálogo), 1968.

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Alain Bois, Benjamin H. D. Buchloh, Hal Foster, Denis Hollier, Silvia Kolbowski), Cambridge, Mass., The MIT Press, 1997.

AA. VV., Circa 1968, Porto, Fundação de Serralves-Museu de Arte Contemporânea,

1999. AA. VV., Alexander Sokurov, Lisboa, Museu do Cinema / Cinemateca Portuguesa,

1999. AA. VV. (orgs. John Elderfeld, P. Reed, Mari Chan, Maria del Carmen Gonzalez),

Modern Starts, Nova Iorque, The Museum of Modern Art, 2000. AA. VV., The Third Memory: Pierre Huyghe, Paris, Centre Pompidou, Chicago,

Renaissance Society, 2000. AA. VV., Qu’est-ce que le Cinema, Paris, Trafic, 50, Verão, 2004. Adorno, Theodor (com Max Horckeimer), Dialektik der Aufklärung: Philosophische

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Badiou e Ronald Rocha, Belo Horizonte, Projeto, 1995. Badiou, Alain, Deleuze: “La Clameur de l'Être”, Hachette, 1995. Badiou, Alain, Saint Paul: La Fondation de l’Universalisme, Paris, Collège International

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