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ART I UNDERSTANDING STILL LIFE STILL LIFE APPLICATION OF PRIOR KNOWLEDGE HISTORY & CHARACTERISTICS TALKING AESTHETICS PURPOSE FRAMEWORK OF CONCEPT & TECHNIQUE APPLICATION OF NEW KNOWLEDGE “The first cut is the deepest,” by Paul Coventry Brown

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Page 1: UNDERSTANDING STILL LIFE - artwithjohnson.weebly.com · UNDERSTANDING STILL LIFE STILL LIFE •HISTORY The still life painting genre is as diverse as its history is long. From the

ART I UNDERSTANDING STILL LIFE

STILL LIFE

• APPLICATION OF

PRIOR KNOWLEDGE

• HISTORY &

CHARACTERISTICS

• TALKING AESTHETICS

• PURPOSE

• FRAMEWORK OF

CONCEPT &

TECHNIQUE

• APPLICATION OF NEW

KNOWLEDGE

“The first cut is the deepest,” by Paul Coventry Brown

Page 2: UNDERSTANDING STILL LIFE - artwithjohnson.weebly.com · UNDERSTANDING STILL LIFE STILL LIFE •HISTORY The still life painting genre is as diverse as its history is long. From the

ART I UNDERSTANDING STILL LIFE

STILL LIFE

• APPLICATION OF PRIOR KNOWLEDGE

• Render a 3D object onto a 2D surface

• Contour Technique • Line Quality

(Weighted Lines) • Frame of Reference • Composition

Page 3: UNDERSTANDING STILL LIFE - artwithjohnson.weebly.com · UNDERSTANDING STILL LIFE STILL LIFE •HISTORY The still life painting genre is as diverse as its history is long. From the

ART I UNDERSTANDING STILL LIFE

STILL LIFE

• HISTORY

The still life painting genre is as diverse as its history is long. From the times of the Egyptians when paintings of food and

valuables were depicted on tomb walls to contemporary still life painting of today, the genre has always been one that artists turn to again and again. Objects that still life painters gravitate toward are also as varied, from items of the

natural world to those crafted by human hands. Through them, still life art compositions articulate ideas about luxury and excess, religious symbolism, personal as well as allegorical explorations, and universal human reflections on life and death.

Precarious Perch by Sarah Siltala, 2007,

oil on board, 12 x 12.

Page 4: UNDERSTANDING STILL LIFE - artwithjohnson.weebly.com · UNDERSTANDING STILL LIFE STILL LIFE •HISTORY The still life painting genre is as diverse as its history is long. From the

ART I UNDERSTANDING STILL LIFE

STILL LIFE

• CHARACTERISTICS

• INAMINATE OBJECTS (not alive, animal or human)

• DRAMATIC LIGHT

• FOCAL POINT • CONTRAST • EMPHASIS • COLOR • IMPLIED TEXTURE • SHAPE & FORM • SPACE • VALUE

Still Life with Watch by Willem Van Aelst, oil on canvas, 1665

“Symbolically, artists

and viewers were

interested in the

nature of a flower's

existence—from

freshly cut and

blooming to wilting

and dying—because

of the implied "moral"

lesson behind the

work, namely that life

is fleeting and death, a

certainty”

Page 5: UNDERSTANDING STILL LIFE - artwithjohnson.weebly.com · UNDERSTANDING STILL LIFE STILL LIFE •HISTORY The still life painting genre is as diverse as its history is long. From the

STILL LIFE

ART I UNDERSTANDING STILL LIFE

• CHARACTERISTICS

What is this artist saying to us in

this Still Life?

Page 6: UNDERSTANDING STILL LIFE - artwithjohnson.weebly.com · UNDERSTANDING STILL LIFE STILL LIFE •HISTORY The still life painting genre is as diverse as its history is long. From the

STILL LIFE

Why do you think this artist placed a skull

in this painting? What symbolism do you

think he is implying?

Page 7: UNDERSTANDING STILL LIFE - artwithjohnson.weebly.com · UNDERSTANDING STILL LIFE STILL LIFE •HISTORY The still life painting genre is as diverse as its history is long. From the

ART I UNDERSTANDING STILL LIFE

STILL LIFE

VALUE IN GRAYSCALE

Page 8: UNDERSTANDING STILL LIFE - artwithjohnson.weebly.com · UNDERSTANDING STILL LIFE STILL LIFE •HISTORY The still life painting genre is as diverse as its history is long. From the

ART I UNDERSTANDING STILL LIFE

STILL LIFE

VALUE IN COLOR SCALE

TINT/ LIGHTER

+ WHITE

SHADE/ DARKER

+ BLACK

Page 9: UNDERSTANDING STILL LIFE - artwithjohnson.weebly.com · UNDERSTANDING STILL LIFE STILL LIFE •HISTORY The still life painting genre is as diverse as its history is long. From the

ART I UNDERSTANDING STILL LIFE

STILL LIFE

VALUE IN COLOR

Page 10: UNDERSTANDING STILL LIFE - artwithjohnson.weebly.com · UNDERSTANDING STILL LIFE STILL LIFE •HISTORY The still life painting genre is as diverse as its history is long. From the

ART I UNDERSTANDING STILL LIFE

STILL LIFE

• AESTHETICS

1. What is the Emphasis of this

painting? Consider the artist use of lighting, does it confirm your idea of Emphasis?

2. How do you think this painting looks?

1. What do you like that is

going on in the picture?

2. What basic shapes or forms

are you seeing in the art?

Page 11: UNDERSTANDING STILL LIFE - artwithjohnson.weebly.com · UNDERSTANDING STILL LIFE STILL LIFE •HISTORY The still life painting genre is as diverse as its history is long. From the

ART I UNDERSTANDING STILL LIFE

STILL LIFE

• AESTHETICS

1. What forms do you

see?

2. Can you imagine what forms or 3D objects that are mundane that these could be?

Page 12: UNDERSTANDING STILL LIFE - artwithjohnson.weebly.com · UNDERSTANDING STILL LIFE STILL LIFE •HISTORY The still life painting genre is as diverse as its history is long. From the

ART I UNDERSTANDING STILL LIFE

STILL LIFE

• APPLICATION OF PRIOR KNOWLEDGE

• Render a 3D object onto a 2D surface

• Contour Technique • Line Quality

(Weighted Lines) • Frame of Reference • Composition