v. beowulf: two parts or three? tolkein argues that the poem is in two parts looking at the...
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V. Beowulf: Two parts or Three?
Tolkein argues that the poem is in two parts Looking at the “digressions” in the poem, I will
argue that it actually breaks into three parts, a reading that acknowledges the importance of Grendel’s mother
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VI. “Digressions”
A. The Opening B. ForeshadowingsC. Flashbacks/insertions
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VI. Digressions
A. Opening passage (lines 1-11) 1. Genealogy 2. Circular structure 3. Representing a “good king” 4. Ironic Foreshadowing
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VI. Digressions
B. More Foreshadowing— Future Destruction of Heorot
Lines 20, 81, 1016
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VI. Digressions
C. The Fight at Finnsburg/Lay of Finn (1062) 1. Sung to Hrothgar’s court after
Grendel’s defeat 2. Story of failed alliance by marriage 3. Linked to situation of Queen
Wealtheow/Grendel’s mother
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VII. Gender in Beowulf
A. Connected figures in Wealtheow/Grendel’s Mother
B. Refutation of Tolkein thesis
C. Status of women in Anglo-Saxon culture
D. The monstrous feminine
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Gender in BW
Connected figures in Wealtheow/Grendel’s Mother
Wealtheow’s speech, line 1167 ff. and esp. 1214 ff.
Grendel’s mother attacks—1250 ff. Both defined as mothers and connected
passionately to their sons
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VII. Grendel’s Mother
Tolkein’s thesis doesn’t recognize importance of Grendel’s mother
Grendel’s mother is at the center of the poem (Niles)
Her part takes up 13% (400 lines)—almost as much as Grendel
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Women in Anglo-Saxon society
Women in Anglo-Saxon society were limited in their roles, but not powerless
Scandinavian saga
Carol Clover: the importance of power vs. gender in societal hierarchies
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Grendel’s Mother as monster
The concept of abjection (Kristeva) “that which is expelled from a society in order
to define cultural borders” (Trilling 3) Abjection and the maternal
(Lacanian Psychoanalysis)
Abjection—me and not me
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Grendel’s Mother
She represents horror at maternal power (and women who crosses boundaries (female power, the human/not-human)
But unlike Grendel, Grendel’s mother’s actions are very understandable within feud culture and her emotional ties to her son make her like the Danes
(Trilling)
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Grendel’s Mother
Represents a fundamental threat to the society
Notable that Beowulf arms so thoroughly to meet her, dispatches her so immediately and doesn’t not bring her head back as a trophy
Is she a greater threat than her son? Why?
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The heroic in Beowulf
A. Defining good king in opening lines B. Hrothgar’s parting speech to Beowulf
(l.1699 ff.) C. Heremod as counter-example (l. 1708) D. Beowulf’s decision to fight dragon alone—
Is it heroic? Line 2529 ff
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Chaucer Challenge
Optional contest – extra credit toward course participation grade
Write your own General Prologue—set at UCSD
E-Submit to Prof. Lampert-Weissig by 5 pm Oct. 14 ([email protected]) Subject heading: Chaucer challenge
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Thinksheet Week 2 Due at the beginning of your section Double-spaced, typed. ½ to one full page. No more than one page. Read through each of the following portraits carefully: The Monk (lines 165-207) The Friar (lines 209-271) The Clerk (lines 287-310) The Parson (lines 480-530) Pick ONE of these portraits and respond to the following about it: 1. Make a list of 3-5 important details in the pilgrim’s portrait. 2. What kind of details are these? Ironic? Serious? What is their effect? How do they work to create this effect? 3. How would you characterize the point of view of the narrator?
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Chaucer—social chameleon
Died. 1400. Wrote in Middle English
A poet with a good day jobMaster of irony “Father of English Poetry”
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Chaucer reading
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The Canterbury Tales
Frame Tale—The General ProloguePilgrimageFirst 18 lines
Spring feverVirtuoso poetry
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Canterbury Cathedral
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The Canterbury Tales
Frame Tale—The General ProloguePilgrimageFirst 18 lines
Spring feverVirtuoso poetry
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Frame Tale
Perspective and Point of ViewThe Host’s Proposal