villa savoye le courbiser ppt by teja gatti

26
LE CORBUSIER ------- VILLA

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LE CORBUSIER ------- VILLA SAVOYE

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BIOGRAPHYLE CORBUSIER CHARLES-EDOUARD JEANNERET, WAS BORN ON OCTOBER 6, 1887 IN THE TOWN OF LA CHAUX-DE-FONDS, SWITZERLAND. ALTHOUGH BORN SWISS, HE LIVED MOST OF HIS LIFE IN FRANCE. IN 1900 CHARLES-EDOUARD JEANNERET STARTED HIS STUDIES AT THE ÉCOLE D'ART IN HIS BIRTH TOWN.

HE TRAINED AS AN ENGRAVER AND GOLDSMITH BUT, FROM 1904, HE BEGAN HIS STUDIES IN ARCHITECTURE. HIS WORK AS AN STATUS. UNDOUBTEDLY ONE OF THE ARCHITECT MADE HIM VERY FAMOUS AMONGST HIS COLLEAGUES AND BEGAN HIS ASCEND TOWARDS LEGENDARY GREATEST ARCHITECTURAL MINDS OF THE 20TH CENTURY, HIS UNIQUE APPROACH USING REINFORCED CONCRETE, SEPARATED HIM FROM ORDINARY ARCHITECTS OF HIS TIME. IN 1917 HE MOVED TO PARIS AND ASSUMED THE ALIAS LE CORBUSIER.

6/10/1887 – 27/08/1965

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BIOGRAPHYIT WAS AT THIS POINT IN TIME THAT THE WORLD TURNED ITS ATTENTION TOWARDS HIS WORK. IN 1943 LE CORBUSIER APPLIED A SIMILAR INTERDISCIPLINARY APPROACH TO DEVELOPING "MODULOR", A SYSTEM OF QUANTITY, USED TO DETERMINE THE PROPORTIONS OF UNITS IN ARCHITECTURE AND TECHNOLOGY.

THIS WAS ALSO THE FOUNDATION OF LE CORBUSIER'S WORK IN FURNITURE DESIGN. THERE ARE COUNTLES WORKS OF FURNITURE, DESIGNED BY LE CORBUSIER THAT ARE CONSIDERED MODERN DSAY CLASSICS. “MODULOR” IS STILL USED TODAY ONE OF HIS MOST NOTED POST-WAR HOUSING COMPLEXES IS UNITED HABITATION IN MARSEILLES AND HIS PILGRIMAGE CHAPEL, NOTRE-DAME-DU-HAUT, IN RON-CHAMPS. THESE TWO STRUCTURES WERE BY ALL MEANS SOME OF HIS MOST RADICAL WORK. LE CORBUSIER DIED ON AUGUST 27, 1965.

6/10/1887 – 27/08/1965

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SUN PATH AND WIND DIRECTION

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THE VILLA SAVOYE, IS A BRILLIANT EXAMPLE OF LE CORBUSIER'S 5 POINTS OF NEW ARCHITECTURE. THE HOUSE IS FIRMLY DRIVEN INTO THE GROUND WITH WHAT SEEMS TO BE LONG NARROW PILES TO WHICH ALL WEIGHTS ARE POSITIONED ON. THIS MAKES SENSE BECAUSE THE SITE WHERE THE HOUSE IS SITUATED IS A DARK AND OFTEN DAMP SITE. THE REINFORCED CONCRETE PILES, GIVE US THE SENSE THAT THE HOUSE IS FLOATING, THE HOUSE COULD NOT BE BUILT ON THE LAND BECAUSE OF THE TYPE OF SOIL AND NATURE OF THE GROUND. LE CORBUSIER HAS USED HIS RESTRICTIONS IN THE DESIGN OF THE HOUSE. THE HOUSE IS BUILT ON A RELATIVELY FLAT SURFACE. GEOMORPHOLOGY TELLS US THAT THIS MEANS THAT SURFACE RUNOFF IS A MINIMUM. IN TURN, THE HOUSE CANNOT BE BUILT DIRECTLY ON THE GROUND WITH STRIP OR RAFT FOUNDATIONS BECAUSE WATERPROOFING THESE ON A SITE LIKE THIS WOULD BE A NIGHTMARE AND THERE WOULD ALSO BE A RISK OF MASS SETTLING AND MOVEMENT. THE SOIL IS DESCRIBED AS MOIST AND DARK, AND SINCE IT IS ALWAYS RAINING HERE (200/365) THE DESIGN IS SUITABLE.HAVING SAID ALL OF THIS IT IS JUST, TO SAY THAT THE SITE IS VERY WET AND THE SAND/ CLAY SOFT AND AS A RESULT PILE FOUNDATIONS, WHICH IS WHAT WAS USED, ARE NECESSARY.   

ANALYSIS OF THE SITE

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Sciography of villa savoye

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TO COMPREHEND VILLA SAVOYE AND LE CORBUSIER’S CREATIVE APPROACH, ONE HAS TO LOOK BACK SEVERAL YEAR BEFORE ITS COMPLETION DATE. IN THE 1920S A NEW ARCHITECTURAL LANGUAGE WAS DEVELOPING THAT GOT TO BE KNOWN AS ‘INTERNATIONAL STYLE’. DEVELOPMENTS AT THE TIME WERE EMERGING AROUND THE WORLD ADOPTING THE NEW STYLE AND ITS PURPOSES. THE STYLE CONCENTRATED ON THE PREVAILING TENDENCY OF CREATING THE BUILDING AS A BLOCK AND DECORATING THE OUTSIDE ENCLOSURE WITH ORNAMENTS. THE NEW STYLE TOOK AWAY THE ORIGINAL VIEWS OF THE BUILDING AND SAID THAT THE OUTSIDE SHOULD WORK WITH THE INSIDE SIMULTANEOUSLY. THIS NEW STYLE ASPIRED TO REPRESENT WHAT WAS THOUGHT TO BE THE MACHINE AGE. IT USED THE NEW CONSTRUCTION TECHNIQUES BASED ON CONCRETE,  STEEL, AND INDUSTRIAL GLAZING TO BUILD ITS HOVERING PLANES AND INTERACTION OF THE SOLID CONCRETE AND STEEL WITH THE LIGHTER GLASS. THE STYLE WANTED TO PROJECT A UTOPIAN IMAGE OF THE FUTURE WHERE THE MACHINE BROUGHT A HIGHER LEVEL OF LIVING. HAVING CONSIDERED THE ABOVE MENTIONED STYLE AND CONCEPTS, IT BECOMES MUCH SIMPLER TO DESCRIBE VILLA SAVOYE. CONTRASTING TO THE STRUCTURES HE DESIGNED BEFORE THIS ONE WHERE HE WAS RESTRICTED BY THE STRUCTURES URN SURROUNDINGS VILLA SAVOYE IS LOCATED IN A SMALL TOWN OUTSIDE PARIS. THIS LIBERATED LE CORBUSIER TO INGENIOUSLY BUILD ON HIS CONCEPTS TO PROVIDE THE MOST POWERFUL EXPRESSIONS OF HIS IDEAS. HE ALSO ADDED THE ELEMENT OF TIME AS A FOURTH DIMENSION  IN THE PROJECT. HE SUGGESTED THAT THE APPROACH TOWARDS THE HOUSE BE BEST EXPERIENCED BY A PASSENGER IN A CAR. PAST THE ENTRANCE GATE, THE VISITORS SIGHT IS

LE CORBUSIER CONCEIVED THE APPROACH TOWARDS THE HOUSE TO BE BEST EXPERIENCED BY A CAR PASSENGER. PAST THE ENTRANCE GATE, THE VISITOR’S VISION IS OBSTRUCTED BY TREES. THE HOUSE REVEALS ITSELF ALL AT ONCE AS A GRAND WHITE BOX, HOVERING ON COLUMNS.  

CONCEPT IDEA

Priliminary drawings of Le Corbusier

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CONSTRUCTING OF VILLA SAVOYE

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Villa Savoye, Poissy-sur-Seine, 1929-30

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GROUNDFLOORPLAN

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DIMENSIONALPLAN

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MAINFLOORPLAN

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ROOFPLAN

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Detailed ground fl oor plan

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ELEVATIONNS

EAST

WEST

NORTH

SOUTH

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STRUCTURALDETAILS

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PRESENTED BY

FATHIMAPRATYUSHA

ANUSHASWATHI

MANGALATEJARAVI