visual communication—owl

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Visual Rhetoric for Student Writers Purdue Writing Lab

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How to communicate with visual images: photos, illustrations, graphs, charts, etc. By the Purdue Online Writer's Lab (OWL)

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Page 1: Visual Communication—OWL

Visual Rhetoric forStudent Writers

Purdue Writing Lab

Page 2: Visual Communication—OWL

Overview

• This presentation will cover– Definition(s) of visual rhetoric– Why visual rhetoric is important today– Visual rhetoric and

• Text• Color• Graphics• Overall design

Page 3: Visual Communication—OWL

What is Visual Rhetoric?

• Definitions and applications– Use of images as argument

– Arrangement of elements on a page

– Use of typography (fonts, etc.)

– Analysis of existing images and visuals

Page 4: Visual Communication—OWL

What is Visual Rhetoric?

Page 5: Visual Communication—OWL

Why is Visual Rhetoric Important?

• We use visual thinking as a major part of our cognition (thinking process)

• We live in a visually dominated world, so…

• We must be able to read, dissect, and produce effective visuals

Page 6: Visual Communication—OWL

Why is Visual Rhetoric Important?

“Visual thinking pervades all human activity,

from the abstract and the theoretical to the

down-to-earth and everyday…”

Robert McKim, Experiences in Visual Thinking, 1980

Page 7: Visual Communication—OWL

Visual Rhetoric and…

• Text elements– How type functions and choosing fonts– Headline versus body text– Text and the Web

• Color• Visuals and graphics

– Clip art– Illustrations and diagrams– Graphs– Photographs and manipulated images

• Overall design

Page 8: Visual Communication—OWL

How Type Functions

• “Personalities” of type

– Formal and informal fonts

– Consequences and font choices• Consider effect of font choice

• Personality and appropriateness

Page 9: Visual Communication—OWL

Font Personalities Example

Page 10: Visual Communication—OWL

Choosing Appropriate Fonts

• Font choice will build or harm ethos (author’s credibility)

–Context and purpose of document is

important

–Cultural and visual associations of fonts should fit document

Page 11: Visual Communication—OWL

Font Choice Example 1

Page 12: Visual Communication—OWL

Font Choice Example 2

Page 13: Visual Communication—OWL

Headline Versus Body Text

• How text functions

–Type of text dictates font choice

• Emphasis and attention

• Information

–Sustained readability

Page 14: Visual Communication—OWL

Headline & Body Text Example

Page 15: Visual Communication—OWL

Text and the Web

• Differences between print and the

Web

– Accommodating users and browsers

– HTML standard fonts

– Screen readability

Page 16: Visual Communication—OWL

Color and Contrast

• Most basic and critical choice

–Black text on white background

shows high contrast and is most

common

–White text on black background is

not ideal

Page 17: Visual Communication—OWL

Font Contrast Example

Page 18: Visual Communication—OWL

Computer Screens and Color

• Pixels and colors on screen

–RGB values

–Color saturation

• Cultural associations of color

Page 19: Visual Communication—OWL

More Color Examples

Page 20: Visual Communication—OWL

Clip Art

• Using packaged clip art–Avoid the “cartoony” effect

–Choose clip art that truly fits the purpose of the document

–Match design schemes

• Consider creating images

Page 21: Visual Communication—OWL

Clip Art Examples

Page 22: Visual Communication—OWL

Illustrations and Diagrams

• Purpose to inform– Conveys specific information– Relates to content in document– More than an accent

• Striving for clarity– Avoid clutter– Choose selective pictures of reality– Break up large amounts of information

Page 23: Visual Communication—OWL

Graphs

• Choosing how to represent quantitative information

– Pie charts and showing parts of a whole

– Bar graphs and numeric comparisons

– Line graphs and plotting changes

Page 24: Visual Communication—OWL

Photographs

• Found images versus captured photographs

–Copyright–Composition and quality

• Achieving effects with photos

Page 25: Visual Communication—OWL

Photo Examples

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Overall Design

• Creating paths for the eye– Striking, eye-catching elements– Finding information easily

• Design as rhetorical organization

• Consistency in design– Avoid “kitchen-sink syndrome”– Pitfalls of pre-fab templates

Page 27: Visual Communication—OWL

Stepping Back

• Is your design clarifying your information?

• Is your design unique enough to make it stand out?

• Is your design readable from its intended distance?

• Have you checked for typos and errors?

• When designing for the Web, have you checked your design on different computers and in different browsers?

Page 28: Visual Communication—OWL

Additional Resources

• The Non-Designer’s Design Book and The Non-Designer’s Web Book, both by Robin Williams

• Color Index by Jim Krause

• Idea Index by Jim Krause

• What is Graphic Design? by Quentin Newark

Page 29: Visual Communication—OWL

For More Assistance

The Writing Lab at Purdue

226 Heavilon Hall

765-494-3723

OWL: http://owl.english.purdue.edu

Page 30: Visual Communication—OWL

The End