vocal score. •ruddigore; · ruddigore or,thewitch'scurse. overture contents. pagf. 1 beti...
TRANSCRIPT
VOCAL SCORE.
•RUDDIGORE;OR
THE WITCH'S CURSEBY
W. S. GILBERTAND
ARTHUR SULLIVAN.
Vocal Score (complete) ... Price, net 8s. od.
Do. (bound) ... ... „ „ ios. 6d.
Pianoforte Score (complete) ... „ „ 4s. od.
LibrettoH „ is. od.
CHAPPELL & CO., Ltd., 50, NEW BOND ST., LONDON, W.l,AND SYDNEY
CHAPPELL ic CO Inc., NEW YORK
All Rights under the Copyright Act, 1911, and the International Copyright Conventions are reserved
Applications for the right 0/ performing the above Opera, including the use of band barls, must he made to
Rupert D'Oyly Carte, Savoy Hotel, London, II. C. 2
932
Uhtmr, Vtmr. «f
Niorth ( jtTokrm
RUDDIGORE; or, THE WITCH'S CURSE!
JBrninatiS ^nsonae.
MORTALS.
Sir Ruthven Murgatroyd (Disguised as Robin Oakapple, a Young Farmer)
Richard Dauntless (His Foster-Brother—A Mand rears-man)
Sir Despard Murgatroyd (Of Ruddigore—A Wicked Baronet)
Old Adam Goodheart (Robiris Faithful Servant)
Rose Maybud (A Village Maiden)
Mad Margaret
Dame Hannah (Rose's Aunt)
Zorah}j- (Professional Bridesmaids)
GHOSTS
Sir Rupert Murgatroyd (The First Baronet)
Sir Jasper Murgatroyd (The Third Baronet)
Sir Lionf.l Murgatroyd (The Sixth Baronet)
Sir Conrad Murgatroyd (The Twelfth Baronet)
Sir Desmond Murgatroyd (The Sixteenth Baronet)
Sir Gilbert Murgatroyd (The Eighteenth Baronet)
Sir Mervyn Murgatroyd (The Twentieth Baronet)
ANDSir Koderic Murgatroyd (The Twenty-first Baronet)
Chorus of Officers, Ancestors, Villagers, and Professional Bridesmaids
Act I.—The Fishing Village of Rederring, in Cornwall.
Act II.—Picture Gallery in Ruddigore Castle.
(7
r
RUDDIGOREOR, THE WITCH'S CURSE.
OVERTURE
CONTENTS.pagf.
1
Bet I
No.
1 Chorus of Bridesmaids (Solo Soprano, Zorah) " Fair is Rose ". .
2 Song (Hannah, and Chorus) " Sir Rupert Murgatroyd his leisure"
3 Song (Rose) " If somebody there chanced to be"
4 Duet (Rose and Robin) " I know a youth ".
.
5-6 Chorus of Bridesmaids and Song (Richard) " From the briny sea'
6a Hornpipe
7 Song (Robin) " My boy, you may take it from me "
8 Duet (Rose and Richard) " The battle's roar is over"
9 Entrance of Bridesmaids " If well his suit has sped"
10 Trio (Rose, Richard and Robin) " In sailing o'er life's ocean wide"
11 Recit. and Aria (Margaret) " Cheerily carols the lark"
12 Chorus " Welcome, gentry"
13 Song and Chorus (Sir Despard) " Oh, why am I moody and sad ?'
14 Duet (Richard and Sir Despard) " You understand ? I think I do "
15 Finale " Hail the bride"
9
15
19
22
26
30
30
33
36
38
44
48
54
59
62
act u
1 Duet (Sir Ruthven and Adam) " I once was as meek "
2 Duet and Chorus (Rose and Richard) " Happily coupled are we "
3 Song (Rose, with Chorus of Bridesmaids) " In bygone days"
4 Chorus of Ancestors (with Solos, Sir Ruthven and Sir Roderic) " Painted <
5 Song. (Sir Roderic and Chorus) " When the night wind howls"
6 Chorus " He yields"
7 Duet (Margaret and Despard) " I once was a very"
8 Trio (Margaret, Sir Ruthven and Despard) " My eyes are fully open"
9 Melodrame
10 Song (Hannah, with Sir Roderic) " There grew a little flower"
11 Finale " Oh, happy the lily when kissed by the bee"
94
97
103
i emblems "106
111
118
. 122
126
. 134
135
137
RUDDIGOREWords by
W. S. GILBERT
ORMusic by
THE WITCH'S CURSE ARThur sullivan4.
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OVERTURE
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Act 1
CHORUS OF BRIDESMAIDS- (Solo Soprano.Zorah)
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10CHORUS OF WOMENSOPRANOS
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Fair is Rose as bright May day,
CONTRALTOSSoft is Rose as warm west wind, Sweet is
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CHO. Rose as new-mown hay — Rose is Queen of maid - en - kind! Rose, all
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CHO.Is
mar - ry you to - day?
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Ev - 'ry day, as the days roll on, Brides-maids' garb we gai - ly don,
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sSure that a maid so fair - ly famed Can't long re-main un - claimed.
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ZORAH sm m 4 4 *S ¥
Though she's the fair- est flow'rthat blows, No one has mar - ried Rose!
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CHO.an - y - bo - dy go - ing To mar - ry you to - day?
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13
ZORAH
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»^Hour by_ hour and day by day Months have pass'd a - way.
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Rose, all glowing With vir-gin blush- es, say
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Is an-y - bo - dy go - ing To
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Is an-y - bo - dy go - ing To
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is the Queen of_ maid- en-kind!CHO. Rose, Rose
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Rose . is the Queen of_ maid-en-kind!
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15
N? 2 SONG-(Hannah'iand CHORUS
Hannah
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Rupert Mur-gatroyd His lei - sure and his rich-es He ruth-less-ly em-ploy'd In per- se
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ting witch-es. With fear he'd make them quake — He'd duck them in his
CHORUS. SOPRANOS& CONTRALTOS
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¥lake.— He'd break their bones With sticks and stones,And burnthem at_the stake! This
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CHO.y? % j j^
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pi - ty came To Ru-pcrt Mur - ga - troyd! Once, on the vil - lage green, A pal-sied
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17
HANN. iyjjij jm j-jj^iiJ M jh
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e i * g i pa^ fewrith-ing dame 'Mid fire. and flame Yelled forth this curst on him!
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"Each lord of Rud-di-gore, De-spite his best en-deav-our, Shall do one crime, or more,
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Once, ev-'ry day, for ev- er! This doom he can't de - fy How - ev- er he may
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mFor should he stav His hand, that day In torture he shall die!'2_ The
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HANN. tem m Bjglp w> jjj j> j i'lj jjjjpro-phe-cy came true: Each htir who held the ti-tle Had, ev - 'ry day, to do Some crime of
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Un-til,witb guilt o'er-plied, "I'll sin no more!" he cried,
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CHORUS
HANN.
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thus with sin - ning cloyed, Has died each Mur - ga-troyd; And so_ shall fall, Both
CHO.
and all, Each com - ing Mur - ga - troyd!
18311 Chappell
19
N? 3 SONG-lRose'
Tempo diValse moderato _
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POSE
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1. If some - bo-dy there chanced to be
2. If a - ny well-bred youth I knew,
Who loved me in a man- ner true,
Po-lite and gentle, neat and trim,
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J' ^ e»KOSE »My heart would point him out to me,
Then I would hint as much to you,
And I would point him out to you.
And you could hint as much to him.
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Mr xx?33EKOSE
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But here.
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m^m mmof those who point, Their man- m-rs must be out of
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18311 Chappell
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ROSE =& P *' 'I t
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hint 1 '-
You may not point— you must not point— It's man - ners out of
You may not hint, you must not hint— It says you must-ift
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Ah!.
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Had I the love of such_ as
And if I loved him through and
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he, Somt qui - et spot
through- (True love and not
hed take me to,
a pass ing whim, 1
Then he could
Then I could
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whi- - per it to me,_speak of it to you,_
And I could whis - per it to you.
And you could speak of it to him.
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21
ROSE wmBut whis
But here
per
1 find
I've some - where met,
it does - n't do
Is con - tra
To speak un
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ken to.
Where can it be?
Where can it be?
Now let meNow let me
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M Yes, yes!
Yes, yes!
It's con-tra - ry to e - ti - quette
"Don't speak un- til you're spoken to!'
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22
N?4 DUET-'Rose and Robin)
Robin
Piano
SAllegretto grazioso mas inii
1. I know a youth who loves a lit-tlemaid-
2.He can-not eat, and he can-not sleep-
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<Hey,_ but his fact is a tight for to see!)
'Hey,_ but his face is a sight for to see!)
Si - lent is he, for he's
Dai - ly he goes for to
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mod-est and a - fraid-
wail- for to weep,
(Hey,_ but he's ti-mid as a youth can beli
(Hey,_ but he's wretched as a youth can be!)
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ROSE tu>J
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I know a maid who loves a gal-lant youth,
She's ve - ry thin, and she's ve - ry pale,
iHey, but she sick-ens as the
(Hey, but she sick- ens as the
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ROSE
days go by!)
days go by!)
She can-not tell him all the sad,_ sad truth-
Dai - ly she goes for to weep- for to wail-
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J-iJ' J> J i^ROSE
(Hey, but I think that lit - tie maid will die!i
(Hey, but I think that lit - tie maid will die!)
rail.
Poor lit - tie man!
Poor lit - tie maid!
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w> j «y>J sROSE
ROBIN
Poor little maid!
Poor little man! ROBINm £p^t
Poor lit-tle maid!
Poor lit-tle man!Now tell me pray, and
Poor lit-tle man!Poor lit-tle maid!
Now
^tell me pray, and
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ROBIN
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tell me true, What in the world should the maid -en do? 3. If
m m ;jn j* *tell me true, What in the world should the young man do?
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24
ROSE jjs J ;. j i ?ji l i Ju>^ i J^ J i J^
I were the youth, I should of - fer her my name- 'Hey, but her face is a
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sight for to set!) If I were the maid, I should fan his hon-est flame-
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Se ^ jj' |J J'J' J JEgfcii^'U i J
ROBIN
'Hey but he's bash-ful as a youth can be! 1 If I were the youth I should
yj" j j j>* i7 n E •> ^EiFW
s^ b==^s^ BO in)
* m
ROBIN
Vp P'T i H JnJ' J' J'ji j, I j I J *jjsROSE
(Hey, but she sick- ens as the days go by!) Ifspeak to her to - day-
fe i,^iiT J"'
5 £ 3 vSP
18311 Chappell
25
ROBINP J J>
rail.
i j j) i i JuJ'Js
- j> j>i j>ji I j» ^fl I a g» I a ^5
I were the maid I would meet the lad half- way— (For I real - ly do be - lieve that ti - mid
Iw fpEi^ I j j1
^ p j'l
iHfjiJLjLpra//.
^^1 "j> V g » J^\ g *
ROSE « tempo ROBIN ROSE
S J? j | |
i-^i'J tflj jy i j tflrJ, J)J iROBIN
youth will die!) Poor lit-tle man! Poor lit-tle maid! Poor lit-tle man!
PWW P^f P=ffI*
yg'i, j\j l».hfi
a tempo
\ \n hijgj J^T7 ipj 1 3 jf
t
£^S 5ROSE
ROBIN
*
thank you, sir, for your coun - sel true; I'll
5 J b =££¥ #-= 0-
thank you, miss, for your coun - sel true; I'llPoor lit - tie maid!
r|
c£ rrrfff
|
F^fiHf »
f»JWm
ROSE
ROBIN
18311 Chappell
5J6
NQ? 5 & 6 CHORUS OF BRIDESMAIDS AND SONG-(Richard)
Allegretto con spirito
rrWAAA m m& : 3 rryl»^8rXT
^r &rPiano f
^S PS f P§y SOPRANOS
IB a
*From the bri - nyy CONTRALTOS
U3
—
o -o
¥ ^ M yg
^^ sa a
CHO sea Comes young Rich-ard, all vie - to - rious! Va - lo-rous is he— His a - chieve-ments all are
^^ i^^ *^ i^3fc± K*
. g * g t g k6< gJ
CHO. glo - rious! Let the wel - kin ring With the news we bring.
j J J J =r¥^4 J
n ' . as;
18311 Chappell
27
CHO.
i wm mSing it- shout it- Tell bout it- Shout^rw . p§1mu lu/^,^ . r
CarcInfl
rOf^3
##• *i i *• #
| J j j J ir- p r r i rS=F ^ ^
CHO. Safe and sound re-turn-eth he, All vie - to - rious from the sea! Safe.
r 'r r if
CHO.
ill
and sound, All vie - to from the
S ^J lJ ) J ¥sound re - turn-eth he. All vie - to - rious
H^H j^-ffff
9#^ ^^RICHARD
£•. £• i. I
£££££ i
^H^=h % %.is 3^E
18311 Chappell
•i8
T^ fmM T"f jHI(
i
1
p g1 J g
shipp'd, dye see, in a Re - ve - hue sloop, And,_ off Cape Fi - msCapt'n he up and he says, says he, That_ chap we need notup with our helm, and we scuds be - fore the breeze, As we gives a com - pas - sion - at - ing
$ im ¥
$ m p rs£
i m p r- tere, A mer - chant -man we see, Afear,— We can take her, if we like, She is
cheer; Frog - gee an - swers with- a shout As he
French-man, go -
sar - tin for
sees us go
ing free, Soto strike, Fora - bout, Which
weshe's
was
f f 3.
E^ F
^=d gpPFMM mmade for the bold Moun - seer,
on - ly a darned Moun - seer,
grate - ful of the poor Aloun - seer,
D'ye see? We made for the bold MounD'ye see? She's on - ly a darned MounD'ye see? Which was grate -ful of the poor Moun
i ^Nn mm ^^3=*
j i j> m i^ h 1) J^ J' J ^e#'PMC P£
*
seer
. seer
- seer
§E
But she proved to be a Fri - gate, and she up with her ports, And—But to fight a French fal - lal— it's like hit - tin' of a gal,— It's a
And I'll wa - ger in their joy they kissed each o - ther's cheek, (Which is
p* %
18311 Chappell
29
RICH.r MPMpif * j y
I p m f rEEEF?
fires with a thir - ty - two!
lub - ber - ly thing for to do;
what them fur - ri - ners do),
It come un - com - mon near, But weFor we, with all our faults, Why we're
And they blessed their luck - y stars We were
I i i i I *= i
y*r~T *==
3fe J> J^ J £5r>^mmmRICH. * m £Wt?
an-swer'd with a cheer, Which pa-ra-lysed the Par - ly - voo,
stur - dy Brit - ish salts, While she's on - ly a poor Par-ly - voo,
har - dy Brit - ish tars, Who had pi - ty on a poor Par-ly - voo,
p ir-i-M
D'ye see? WhichD'ye see? While she's
D'ye see? Who had
I
,.rr\
i 1 j 1
i^£*—
#
m s/"CHORUS OF BRIDESMAIDS
^5 ^W t\f*t t t
RICH.
pa - ra - lysed the Par - ly - voo! Whichon - ly a poor Par - ly - voo! While she's
pi - ty on a poor Par - ly - voo! Who had
pa - ra - lysed the Par - ly
on - ly a poor Par-ly-
pi - ty on a poor Par-ly-
4— t if
3 rd verse
r 'fj f p i i w p r j i i r -^Imhi'oo, D'ye see? which pa - ra - Ivsed the Par - ly - voo! 2. Then our
SOLO RICHARD fy
CHO.
voo, Dye see? Which" pa - fa - lysed the Par - ly - voo!
voo, D'ye see? While she's on - ly a poor Par-ly - voo!
voo, D'ye see? Who had pi- ty on a poor Par-ly - voo!
2. Then our
3. So we
(j^-p^lp^m*r\
m
j= TT
18311
Altacca Hornpipe
Chappell
30
N9 6a HORNPIPE
PianoI
2nd time melody gve higher
£
mms
WzmmPPP
J-cctof
M£ » »—»-#a
I*=t w
# s JI7].rrr Sg cccfcEcr'[/CuT
gpp H HIe P^N Hift::
N9 7
Robin
SONG - ( Robin, with Richard
)
Allegro molto vivace
m ^m 5=£=im^* * —*
Piano
i. My boy, you may take it from2. Now take, for ex - am-ple, my3. As a po - et, I'm ten-der and
hn * 1
1
-*-0-3- *
ri 1**11
t ' . t '
1 1 L i=^
^O I JJ, p|g j
>| J> I J' I I ISROBIN
me,case:
quaint
That of all the af - flic-tions ac - curstI've a bright in - tel - lee - tu - al brain-I've pas - sion and fer-vour and grace-
With which a man's sad-died AndIn all Lon-don ci - ty There's
From O - vid and Hor-ace To
18311 Chappell
31
ROBIN I n p 1 1 s j j 1 1 J'i j § /'prrnr^^
ham-pered and ad-dled, A dif - fi-dent na-ture'sthe worst. Though cle-ver as cle-ver can
no one so wit - ty— I've thought so a - gain and a- gain. I've a high-ly in - tel - li - gent
Swin-burne and Mor-ris, They all of them take a back place. Then I sing and I play and I
m ± mi j F^:3F=!F ^^ ^=^ =$=5=1\ \ *
i^ ^«r i pippP J> J 1 ^ i t- »f 'if rrROBIN *^—#•
be— A Crich-ton of ear- ly ro-mance-face
—
My fea - tures can-not be de - nied —paint: Though none are ac - com-plished as I,
You must stir it and stump it, AndBut, what- ev - er I try, sir, I
To say so were trea-son: Youpmm fn f~n mm *—
^
'H\ \ <l 1 pis p ' p p^#^^^ 1 1 7 f*=z Z3F=SF
2nd & 3rd verses
i i J' i j j up j^ j ^ i «M hi$.ROBIN
blow your own trum-pet, Or trust me, you have -n't a chance,
fail in— and why, sir? I'm mod-es - ty per - son - i - fied!
ask me the rea - son? I'm dif- fi - dent, mod- est, and shy!
, I J)i a =6 11 j 1 1 JUL-l
j j >~p j»
| P 3 5 B 5—
S
j |||j j f :¥^ 3BE
Maggiore
S 1 *hJ JlA J> J' J' 1) h k|V ? hi I J^ J) 3^1ROBIN
3-*—
*
If you wish in the world to ad-vance, Your me - rits you're bound to en.^^±Lli
S ^^
bpej?p ff^fis ^^ ^=^
wit7 7 ^¥^:
H M? 1 j)
t>=sfl
18311 Chappell
32
ROBIN ^=^ £ I J' J- ii^^ e I? p
j
hance, You must stir it and stump it, And blow your own trum - pet, Or,
mm ,11y
1 i PiH-Js*—
s
* *
I j1
) s s k s i 7 7 f l=g7 7 g 1 t
1st & 2nd times 3rd time f
ROBIN S^*" #chance. If you wish in the world to ad
y RICHARDtrust me, you have - n't a chance.
i j j § i m m*—
#
If you wish in the world to ad .
r"pi
r r r
j jo J^ i a 1 5 n J' iy5=$= i^pf^sROBIN
RICH.
* ^vance, Your me - rits you're bound to en - hance, You must stir it and stump it, And
J JQ J^E=fc
| J>* j J^JO1 I J1
J> =p ^s#vance, Your me - rits you're bound to en - hance, You must stir it and stump it, And
''UJ^ I cJ-f-E^ ' cUulJ ' LlJ (MJl J' j p p
J'i p »p j J- I
Jii p b j
viaROBIN
RICH.
blow your own trum - pet, Or, trust me, you have - n't a chance!
Ji I i p p jmp upp j' J' J 1
i
f m i pblow your own trum - pet, Or, trust me, you have - n't a chance!
t^k * * * * h
18311 Chappell
33
N?8 DUET- (Rose and Richard)
Richard P Allegro moderato
Piano
W feSMP VJ PJ
P .J J ^ J^^#^ £
The bat- tie's roar is o - ver, O my
dfc=
nftn?^
^f#^
tt==m &=£p p P' p
p' ERICH.
love I Em - brace thy ten - der lov - er, O my love! From
¥m tn i'\n^n^ \yi^nm
si
*ife*
j. j>j W '
i r' ^p r p p ^RICH.
tem - pests wel - ter, From wars a-larms, O give me shel - ter With- in- those
n^MWiJHrfW i fl'MH W JJ, J
g rr
rr
rr
r If^£
*a? fe*Cf^'P 1
P
#RICH.
arms, O give me shel - ter With-in those arms!
n&m18311
34
RICH. £ m m-lur-ing, AU heart - ache cur-ing, Gives peace
3» J
en - dur-ing, O my
&^k £ &h=±m
gg pffl^rt^ rf^aa, #«&
rit.
#sa>. *2&
ROSE
^i>
r , rlrr%p i
J '| J l^-frm 1 1'
'RICH.
lovel O- my lovel If heart both true and ten-der,0 mylovel
P$ iEES jj- ^ i ^ PiSJ»n7.
!* jj r j- ^
fe^P-fVWfW Hi fc ^^^ROSE
Slife-lovecan en-gen-der,0 my love!
7Pt# f##*i
A truce to sigh-ing, And tears of brine, For
il^fi'l ^Wi^
gp ^ ^=£
.IeMsg PP f BE
r r r r nggpi^ROSE
joy un-dy -ing Shall aye be mine, For joy un - dy - ing Shall aye be mine, And
m$wmm ^m§
ffjWmm^mrsr h^hCV I, r
•i>v r' r plpp ^
18311 Chappell
35
I
ROSE
te^fe -f-w
*
thou—RICHARD
££p |
*: £ £and I, love, Shall live_ and die, love, With
£^E s=pAnd thou and I, love, Shall live and die, . love, With
-A I m i-j &
cmim dlfiS dS^# $*>. #«&>. *
m 0—p—p- mROSE
RICH.
• out _ a sigh, love, With-out a sigh,. My own, my
M^w m #
—
—p-
-out a sigh, love,
mF=^ s w**^*i¥*
With-out a sigh,_ My own, my
tW $^ rs
^* £*
*W£>
dim.i&r
p "if^S*
PROSE
RICH.
r * g r f^love! And thou and I, love, Shall live and
mI ri * 00* 1= 1 J J 1lovel And thou and I, love, Shall live and
m mm& d^1^ MJ^h mmi
#«ai * 5a. * $a.
18311 Chappell
36
ROSE
RICH.
%mROSE
RICH.
r r r
Ivv ) r f
My own, my love!
IE
My own, my love!
p I Mi i -.^. a * &^
«p?—?—
*
rs
^P=*= 3^£ feE* S&l *
N9 9 ENTRANCE OF BRIDESMAIDS
Piano
SAllegretto
jty
SISS E I i £e=e
feEEfe
»
azzrl*
N#
' 5 P?P Tr ^l^ ^ ^ki VtViV * i* ^v iV ^Tvp *i hf'jMk
18311 Chappell
37
BRIDESMAIDSF=# fe^g
fe^E
If well his suit has sped, Oh, may they soon be
^^gfe
m. m. *.
LLtI i M4 fc H py 5 B 1
5
J^E^fr
BRImds
I
say? In sing - ing are we jus - ti-fied, In sing - ing are we
f ^Pj^P t j^lJ^ jlHJ^^S ? Ji =$FJftlJh Jh3s
§S ^^ te=fi 7 gg P a I3=E E g 7 g 7 BE ^=Pf
BRImds 3^ r r r r if
jus-ti-fied, "Hail the Bride-groom,hail the Bride, Let the nup-tialknot be tied: In-fair
33P^rm3^£^ ^S ^^ £
iO^^^1BRImds. ^T^
phra - ses Hymn their prais - es, Hail the Bride -groom-hail the Bride?
g
ag
r>
r>
18311 Chappell
38
N?10 TRIO- (Rose, Richard,and Robin)
Rose
Richard
Robin
$M
Piano
Ite
Allegro vivace
ImAllegro vivace
i i m \p m t g gIn sail - ing o'er life's o - cean
\ \ ^g (I g P g g?==»
i ) gjj EJ | J^ i J^ IIn sail - ing o'er life's o - cean
j £Tp p lJ iP" g p p p?
j> p p p p p gROSE
RICH.
ROBIN
wide Your heart should be your on - ly guide; With sum-mersea and fav-'ring
>\\> f> PT P J ^^ Igi B i i iS
wide Your heart should be your on- ly guide; With sum-mersea and fav-'ring
g i-
—
*m r= $ ^EEJ 3^5 fe^ £E$
wide Your heart should be your on-ly guide; With sum-mersea and fav-'ring
pig^ E il l^s » *
n^siiu-
18311 Chappell
39
ROSE
RICH.
ROBIN
IWee 1 1 i Mf r r r p &
wind. Your - self in port
.
you'll find.
*^ wind Your -self in port you'll sui
E£you'll sure-ly find.
RICHARD
My heart says, To this maid-en strike— Shes cap-turd you. She's just the sort of girl you like—
gjj g gg Egg rrfy^rre1 g tfr^r^ Hf r h h?=S
^^ iit-* te pi> i £^
ft> j^ *p p i
p p J h^pRICH.
^j p p
"
p p j hp i p rRICH.
says to me quiteplain, Thisheart of minel This heart of minel
18311 Chappell
40
ROBIN
Ib.
My heart says, "You'vea pros-pr°us l oti
With a - cres wide; You mean to set-tie allyouVegot
±Ffc 1m y i a a I i ^S p^ 7fppgp <H J
J p/i»
§gs -msh» gjfcg i§i
a i j^ j> H> ihA J>J> i
^ROBIN m^ ^ ij,j i '^>j'^j±rai
Up-onyourbride. It dont pre - tend to shapemy acts By word or sign; It mere - ly
$** i J'ki-
J'J i»v ^
Jir r^^ROBIN
states these sim-ple facts, This heart of mine, This heart of minel
ROSE
M i J \ l\k h i i hJ s ttBP^g H ^' * f * d' *wTen min-utes sincemy heart said"white— It nowsays"black". It then said "left- it now says right—
18311 Chappell
41
ROSE it> m 5
1
^s I V J;j i^ J;j^^
eHearts of- ten tack. I must o - bey its la-teststrain— You tell me so. But should it
F i ^^gar7
jj jg 1 K5g eg V =f*
^^ S Hi m i
^ M k ^pp R3 SROSE
change its mind a - gain, 111 let you know, 111 let you know.
I3t
In
RICHARD
) I E3
IMpa
In
ROBIN
t ) Hh-
N
In
^Lf_Lf P '""LfJ P l"E H T ^
S ten
Hill » 1/5
I fin lT ir pitm HMH IC^ a p g p SROSE
RICH.
ROBIN
sail - ing o'er lifes o - cean wide No doubt the heart should be your guide.
feb HHHir IT
p p j I 1 | I
But
^5sail - ing o'er life's o - cean wide No doubt the heart should be your guide, But
^ ^ jgj j g j>|
jnpp j m g i j, g i ^
sail - ing o'er life's o - cean wide No doubt the heart should be your guide,
V* -0. *
But
gs E*
WiH»r frf a edii-f18311 Chappell
43
ROSE
RICH.
ROBIN
*^ it k owb - vuarA mjViot* vnn f\nr\ A hport a li«»ar+ that rlnoc «n+ l?nrtw f+cit is awk-ward when you find A heart, a heart that does not know its
k\> i p p g g Mr g i g P IP ^E P ^^it is awk-ward when you find A heart, a heart that does not know its
to ijj Jt3t-j» | ;. |jfTp | | | | g | p p p
I
it is awk-ward when you find A heart, a heart that does not know its
kfc ULlJJ !
| } IS r t r t t r
* *- ^^i k$>=£ feROSE
RICH.
ROBIN
mind, heart,
s |g H P P jmind. A heart thatdoes not know its mind,
ROSE
RICH.
ROBIN
18311 Chappell
43
ROSE
RICH.
ROBIN
fe J I ? £ *=*=mind!
I
heart,
Mes feEi 3=£mind!
* mind!
heart,
J i Is^
heart,
i^wm
ROSE
RICH.
ROBIN
ROSE
RICH.
ROBIN
18311 Chappell
44
N911 RECIT. and ARIA-(Margaret)
Piano
y V'j'hj^i^na.hnjwu" j 1 ^^MARG. *lark O-ver the cot. Mer-ri - ly whis-tles the clerk. Scratching a
3SPS ~*^ b§ niifiv w*?1,
^&
18311 Chappell
45
MARG.
B I S l\,b ,ft I
J)-V 5 J-|i> J' J J-MARG.
I re - mark, Com - fort me not!
^^| ^3w^m &ppj
trcm.
vvv^ii J :
*f^ s &i ^ i ynif
sa
ti i j> i i jg> i gggi i VM')))[^MARG.
O - ver the ri - pen-ing peach Buz-zes the bee. Splashon the bil-low-y beach Tumff-les the
Mm fe#= H?S
thfe
fflz: W*
Tp-. jp * aa. t^
S -> ji jil J>JiJnJ> 1 J'hJ- J^J>|J.J^ |> ^aMARG.
sea. But the peach And thebeach.Theyare each No-thingto me!.. And
MARG.
18311 Chappell
46
MARG. Ega J> 17 g *> t,ii
|s | gj|j h^^ «fr«h
(Chuckling) He ! he', he! Mad. I? Yes. ve-ry! But why? Mys - te-ry!
B f=£
i^^ ^ g 1 1 iii i
tfj i.j
i it j inpMARG.
. Dontcall No crime— Tis on-ly That Im love-lone-ly
iMARG. ' 4 JH=3&
That's all l.To a
fef pi fe Ii^ f^ f*¥f—Z7
S I J«F j
Silent
i ^
P i=^ s5 5 5 JMARG. &
Pgar
nest
- den full of po - sies Com - eth one to ga - ther flow-ers, And he
of weeds and net - ties, Lay a vi - o - let, half hid- den, Hop-ing
f jtt-j.¥ W*=£LP J>m j^-t^ WW^^»f=
rP i=3sMARG. -v-
r
wanthat
ders through its bow - ers Toy - ing with the wan - ton ro - ses,
his glance un - bid - den Yet might fall up - on her pe - tals,
r^j^18311 Chappell
47
MARG. m > B a i ,^ M J*J ig *-rfc
iri
J
thewan-ton ro
up -on her pe
f sses, Who. up - ris - ing from their beds, Hold on high thelrshame-less
tals, Though she lived a -lone, a - part, Hopelay nest - ling at her
^^m m pw$mm^^^ iQfc;
j»
i^ft ^r*^—
'
*
Se P=^=
P J- 7>^th-^J b.Mb^rrr^-^^J JOJ^MMARG.
heads With their pret - ty lips a - pout -ing. With their pret - ty lips a - pout-ing, Nev-er
heart, But, a - las, the cruel a - wak-ing, But, a - las, thecruel a- wak-ing Set her
iiSi * i mw^£ § m j^4i
3=* WT=^
nu'Tr \ ^<f l^5~k m [2$ Ezj
p r t .
:P
tft %t=S=±be
MARG.
fy\J i^ "IIS"
1 1 j i| ) 7j«Nl^
r\
MARG. =^?ah
sies He would ga - ther aught but ro - ses!
sies On - ly ro - ses, on - ly ro
2. In a
k!v g >hjiJ J>
3BFP
i fcEE
fefc
1 fPfr\
f*f^ J.
18311 Chappell
48
N?12 CHORUS
Piano
Allegro con brio
Iff ,.li»s#%^ rffr r , iffSy
JVffrPr r.rEiu" ^3
mmm?fffir h,ffr
I tnn,.r tgUT ruj*
,^ta!^«e
fffrrfffism i iilfc
ss ^fftffffffg rr r ilrrffffjfern^g gf^tf^F^^ ^
GIRLS
J Cj J J iJJff «=3T* *
Wei - come.gen-try, For_ your en - try
#^^?f Egging
itii# p j 11 1 I
Qfsfzmf
^s %J J J J J J J J£5^:
f>jJ,Jji/V^'Svn
f
nJ^i3Ji'S
^&&aGIRLS
ft=^f
Sets our ten-der hearts a - beat-ing. Men of sta-tion, Ad- mi - ra-tion Prompts this un - af
PHI*! * f r f f
a j j j TTT=f
r r f f
18311 Chappell
49
GIRLSl fi> §! 1 i j!J J NT I U~f J 1 Jj: Pff^l
feet- ed greet-ing. Heart - y greet - ing, heart y— greet - ing
ttat iip> I I t 'TrrFrr? rrfT^fTTT
S g 5 p lii iH
GIRLS
we!of - fer
MENm m > i MM i ^ M I i=MM=
When thor-ough- Iy tir-ed Of be- ing ad-mir-ed By
*fe^^fe ^^ ^ Prrrr
'>:>n J 3 i i
f fr*M ^ \ iP * fr ^
ia £#£ MM r PTT lH P ^ E M 4MM^MEN
la -dies of gen- tie de- grce- de- gree, With flat -to- ry sa - ted, High-flown and in-fla-ted A
j\ | j | , g5^ j, , j v j ^pg [j j
^>
^3^ f
g I Mi) p »r p r 1 1 | i
"rt M p MT pf i§MEN
way from the ci - ty we flee- we fleel From charms in - tra - mu - ral To pret-ti-ness ru-ral The
pmgj I ^ O^ Jl
18311 Chappe.'I
50
MENsud-den tran-si-tion Is sim-ply E-ly-sian. Come, A- ma-ryl- lis. Come.Chlo-e and Phvl-lis. Yoi
kp *rr | -^;
I j j1
g j1 ^^
Hi J' i HH j a B^j j g j 8 j P
to nip | g 1 1 1 r f
i [ | tf*T gs slaves, for the mo-ment, axe we! Your slaves, for the
MEN
^ ri ^^ Jk
^^ 1^1 i § p \ p v p ^
^^ *^ppMEN
*
ment,_ your slaves. are we!
m , t ,.,„ tta j < j j J3 P¥P PW
GIRLS
il^_ I | Jl l jmJ^J'J'JlJIpllplgBPJ) . !!^ J^J?The sons of the tillage Who dwell in this village Are peo-ple of low-ly degree- degreeXhough
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^^PI Iv
£ * Pj M I "b * P
y Pg»ll j! Ji J,
JJ> J* J' Jljlpp pIPp t J> Jl.J| JiJ I EGIRLS
hon-est and act- ive They're most un- at-tract-ive And awk-ward as awk-ward can be— can be.Theyre
* *i fes^
<» f18311 Charjpell
61
GIRLS
clum-sy clod-hop-pers With ax-es and choppers,And shep-herds and ploughmenAnddrovers and cow-men,
I '-
£ * l^F f P^P( Wk piP j B j | j J1
I J)^7
p g | j, a | j g | g A j> j.iy^
p p j r^i Qraf^GIRLS
Hedg-ers and reapers,And carters and keepers, But nev-er a lov-er for me, But nev
j1
' j1
* j> * j ' m Me e"felc
3t I'*fy p ||g j B ^ F 3 J' 7 J j gp
sfe
*
ife^ j iJ i g=iGIRLS
J. JKi>^N ^ fgBE^rt
lov - er for me!
MENHeart -y greet - ing of - fer
^ I Plfffp^^W |g | Pfo ^ P*J j
Then come, A-ma-ryl- lis,
p a p i^^ m Come,Chloe and Phyllis,
3^E^
gjj| itJ: mi il i=^ *
GIRLS
MEN ^S3 mi fi p p Pm PPpWhen thor-ough-ly tir-ed Of be- ing ad-mir-ed By
P ^tJ J^ J 7
f J f ^^^F§SP^E
j9 marcato
$18311 Chappell
5:2
GIRLS
MEN
o o r^ ^^For your en - try Sets our
m MSder
m g m p^^
pffp p r g r p^e^
la-dies of gen-tle de-gree- de-gree, With flat-te-ry sa - ted, High-flown and in-fla-ted, Am m - T -
f-
ir p r r
P3jf^ >
'» ,J = } IJ^ m ^^GIRLS
MEN
f=f :
hearts a - beat - ing. Men of sta - tion,
>»nf Hff
ptp p r p r p i*^ PpPPpp py-^
*jway from the ci - ty we flee— we flee! From charms in -tra-mu- ral To pret - ti - ness ru - ral The
1 1 mg j ^ f^jf ,f
>
f ^93^ 1
-^ j^j j^j r^ttti~~3 ^GIRLS
MEN
r=fAd - mi - ra - tion Prompts- this. I
mii M'H P "P" ff
p p i fe i'PM? p p Pp jgsud-den tran-si-tion Is sim-ply E - ly-sian, Come, A-ma-ryl- lis,Come,Chloe and Phyllis, Your
GIRLS
MEN
18311fr
' p" V
"
Chappell
53
GIRLS
MEN
(
HI fofifijii
GIRLS
MEN
=^3T
SWei come, wel-come,wel-come,wel-come we!
SL a _ - * - ..j a.^^Wei come, wel-come,wel-come,wel-come we!
H^V IIPH»MM »
*>
GIRLS
a o> /?\
MEN\
fgj ^ h-i-^-
PCs
fi**^* 5-^i-^ i ^<y sf xr if
^rmmm ^ m>*/" D^ rv
*/" If
|S§ 1^«M -Y-«: 5
rs18311
Attacca
Chappell
54
N9.13 SONG— (Sir Despard) and CHORUS
Sir Despard
Chorus
Piano
#tAndante misterioso
j j jii ji-fcM- JO i
j'^ v j ^p
inOh why am I mood-y and sad? And
I g hi 1
mCan't guess!
Pi 1 g a v
Andante misterioso^ Anaame nusienusuCan't guess!
g iMg sM
j V 5 5P^=^
gg 7 ffgIj^m^-
|g 5 j
i ml Mi^ j j ^» i i^-i J> J', -frff ip 7^p^fSir DBS.
CHO.
why am I guil - ti - ly mad? Be - cause I am thor-ough-ly bad! You'll
* J) i i i j I h r 7
Con-fess! Oh yes-
mj P ff j 5 7 H 7 7£
Con-fess! Oh yes-
i
"
7
n1 1 i
f) *i EEg 7
I7 7 1 £ 5 > 7
*>'# B 7 7 ff 7 7 J 7 7 I V^T 7 ff 7 7 frff 7 7 1
^ J'- ^j^^ftjrl^^ Wflip" pp JjHj-^^
see it at cnce in my face. Oh why am I hus - ky and hoarse? It's the
Sir DES.
CHO.i j i s \ \
Ah, why?
SE HH ^sAh, why?
^ f 7 7 }^7 7 N 7 7 Lh7>5f P i 7 h t ^^
*P I p I j I p g J l^^-M> 7 7I flJ^^^
18311 Chappell
55
Sir DES.
CHO.
PTpiiJ- JJ' l j i 'iiJ*
1 -N |JW* J'
J|
F IT' 1 1work-ings of con-science, of course,
^"iJVAnd hus - ki - ness stands for re - morse, „ At
I J)g" l
Fie, fiel
mOh ray!
3BE£:¥=¥:
Fie, fiel
IV Ws i 3a s LA if* i\ h i * Jm * i 4'* * t=*P P mm
Oh my!
^^ Ir\
1 j ,ir^^3 ^n ) ^ e 5 5 7^S 7
** *
Sir DES
CHO.
fe^E5 1 5 F=5Sir DES.
ployed - Your ex - pres - sion gets warped and des troyed: It's a
j j J>1 |j ^ ^
CHO. Like you-P
It do.
;*» j (7 pt p p ^^=^
Like you- It do.
5 8 5 \-?—r-"^E ^ 5 h S
ggg i g 4, =fc p * * *^18311 Chappell
56
SirDES.
CHO.
* g J l J'J'- JpI f^l p I
J" AJi g Jl,
t, l
rv^ ff
ipen - al-ty few can a - void; I once was a nice look-ing youth; But like
j B BHow truel
^1 t §j EgHow true!
^-" J» » |j'? > * V a^ <r li If 1
\ n \)1 1 1^I p
gjj j?rr'7j
7'rylflfftr^t 'y
| p 7 *? g 7 *y
f1 S j 5
j pp i iJ. jj, i j g pp ppiiJ. jji i
j I * jSir DES.
CHO.
stone from a strong cat- a - pult- I_ rushed at my ter - ri - ble cult- Ob
j jj H 5 ^^SA trice- That s vice —
S ^m ^&==beA trice— That's vice
i
*
,
j i 'i
j' v»
p
f^ 5 _h ^:z:3y: 7 1 * i ill i
jjjjjj S 5 N 5 1 55EE3 S P V 1 s^F=$ \1 1 I E
Sir DES.
CHO.
18311 Chappell
57
4AI bn 11 it 7 jj^jji.jj^ g jiji |J-
j ISir DES.
truth!
fM
Oh in - no-cent, hap - py though poor! If
WE ^N -^r-^r-
CHO.That s we—
mm mi } i i
That's we-
g j j BIB J- J J -J. ) Ji
2>
n ) 7-t—r-
7 7 I7"
Sir DES. (fa tt E MJ' i P iJ - 7 J> i
i
w
$
j^ u ?* ^' 4 < m
1 had been vir-tuous,Im sure-
*' « ' '»
I should be as nice-look-ing as you're!
*u
You are
IS i a n v 7 *fjn
f*—
^
Like meCHO. May be.
ggi ^ \ J> ft 7 aE
£
Like rne—
f41
May be.
SS WRw^mftz___z_r
§^^f
i=i *7 7~1~ 7 >7 7 j 7 7 $ 7 V 7 7 /
ve - ry nice-look-ing in - deed! Oh in - no-cents, lis - ten in time
—
A -
Sir DES.
-&U.mage
j—jhlrrCHO.
Ue do?,
3=1= 6 7 7
m j j
ater «
fr
We doc,^^^^|^;-j i
_#rn
18311 Chappell
68
Sir DES.iA(ijJ'^aji
i j j > m s& jiJ'Um^ T i-void an ex - is-tenceof crime—
i£.m i 1111
Or youll be as ug - ly as Im
—
And
1 M MJust so-
CHO.
gj j P § j j
"No! no!
J? £ rsi> 6 !
' ij
Just so- No! no!» i j j,.n f^-r-r*xi
J. J"TOag fc—
-j .h
ijF
7 5 t.^PTl*=P
Afe ; '-
1 i 5 i 5 5 5Sir DES. P
&m§
if you please.well pro - ceed.
±^ 1
j;1 '- h 1 5 fe3EP
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,
F ^ HHf5 7 m
j^raogjf ^^ 5hr p
7P {jjj jCj^O X* V9 «-«-*
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^rt* **
ij^
»» ^=»\&& * m f
1 H ES efP?
1 5 ; S-EE^SKS.
at is
jMJflJ.MJP/
*|^jSp^JJi
h»»E ^
M) 7
18311 Chappell
59
N914 DUET— (Richard and Sir Despard)
Allegro vivace
te|B gfe mm IsiiJm fefe
Piano /
gl §f ^ f I
£fe; e^m^g p-0-
m.
^rrfrrf ^^ Jl Hi^.Kj^JW^^^»—*=
S rrfic JS j |j 7 jj j j j5 1 7 '^=\^m
RICHARD, 1st Verse
m i 7 ) p if p p 7
1
*
You un - der-stand?
RICHARD, 2nd Verse
? j nig ij j*ij> gj i j j i jw^>mls
I
Like-wise theBride—The maid-ens are ve - ry E - lat-ed and mer-ry; They
Sir.DESPARD, 1st Verse
m ) 7 ) Ml ft J jiUW^1 Mi-MJW^ P^* * «c?
I
I think I do, With vi - gourun-shak-en This stepshall be ta- ken, Its
Sir DESPARD, 2nd Verse
Egj g p
l rEFpf
TheBride-groomcomes—
<ft^T?J> J^^vT
^^4 V> V* V-*I^F^ jh 7
j-
*>B i iii #f#P^7-7-#^#^R^T I5 5 3 5 BE
18311 Chappell
60
1st Verse
RICH.
2nd Verse
1st Verse
SirDES.
2nd Verse
Be i s j ^U B J J>IJ>,hMNj> |.hJ^ sj)j>^j,j,j'j^j^^j.j'i r p r n
I think so too: 111 read-i - ly bet it Youllne-ver re-gret it! For du - ty, du - ty
m r P i j^ir ^are her chums. But du - ty, du - ty
&m i m ;>u ^§^mneat - ly plannd. For du - ty. du - ty
i'\> i v i J'
I J p J J' I J)J^' hh^UU^' iil^ ' U J' J^To lash theirprideWere al-most a pi - ty, The pret-ty com-mit-tee! But du - ty, du - ty
f*==i m^ ^m m^ m $i Jrii i=* V4 V* V*
gg j 7 j
j
^7 7^7 7 j 7 7 j 7E5E ?i i i'
p
tz/^Lf-J7—7-
&PRICHARD, each verse
J'r m P•
r P r i rjl
i r P r Mr P r aRICH.
SirDES.
must be done; The rule ap-plies to ev - 'ry one, And pain - ful though that du - ty be, To
Sir DESPARD. each verse |> I/i , Sir DESPARD. each verse ±j'U j. j a ^^nmmust be done: The rule ap-plies to ev - 'ry one, And pain- ful though that du - ty be, To
j^-JTWTj ^ ^trrj-t^:^^t ^m ^fUr UL,f ULf'
^f ^tlf tlf ti f LifSS
m «M J^I N N J^ J i'U J^m p j p u'j>(^^RICH.
Sir DES.
shirk the task were fid-dle-de- dee. To shirk the task were fid-dle-de-dee. To shirk the task-
a J>j ^11)1)^' j ^ij-^m
p g p i
j»j>p j^ » »—*shirk the task were fid-dle-de-dee, To shirk the task were fid-dle-de-dee. To shirk the taskr
|jjj I 7 7 ^E^SSiJtf
j j p lfl" P18811 Chappell
61
RICH.
Sir DES.
M \ l r g if p p p p if pxp p p | j p^pTo shirk the task were fid -dle-de. fid-dle-de. fid-dle-de, fid-dle-de, fid- dle-de,
Si b j m j>j>,mi jj>j>j>j>«hj>j>j>j>J'>
To shirk the task were fid -dle-de. fid- dle-de. fid-dle-de, fid- dle-de, fid- dle-de.
j^LU-Llf ps HP HPS r=*=? PF=|
W[J i tai: g 7 7 p ^^ 7 5 r~T3: 7 7 B 7 £
# g P P P PP P l"JRICH.
Sir DES.
fid-dlede,fid-dlede - dee!
.
|i''i> ;>w;>jfid-dlede.fid-dlede- dee!.
mmm §Mm m Mf
V :
l,h> Y^^^sf
0M £S ggEg#-# s #-» s3aFf 3a
sea.
jA^yfrnrrrrfel"IIS"
isi SS§^mms/>
ag^m ?*-Tr» S J177J77 lis^ S ^^
P ^ t^tTEI77^ 73EE3 3S5 \Wi^g^E " Vi V-i 'vl Vg^ ^*=^
18311 Chappell
62
N9 15 FINALE— ACT I
Allegro non troppo
feP % w$m t^&if¥ ^s f=*
Piano
•
mm i?m m m w m m *
S^ lf: f: fH F:J
|
r- 7 :J|f-
J T :JIf-Hi
-«
® yGIRLS
E(i i cj p r p i r gppp» »
pesanteHail the Bride of seven - teen sum-mers: In fair phra-ses
W¥f^ifi j p i ifffw*
* F=* F=#J'l-T? g r J' l J?W c_r p i r (ir ^^^ PPGIRLS
iHymn her prais-es: Lift her song on high, all com-ers, She re-joi-ces In— your voi - ces.
^WWgfHPf1 P fff^
*18311 Chappell
63
GIRLS r^f j*i cj p JTJ
p
Smil-ing sum-mer beams up-on_ her
^mm i ^^^P ii | g i r^
* fe /O k=^ I J*T) Jii—J i feM^* I jTT),
sa. sa.
Shed-dingev-'ry bles-sineon her: Maid-ens,ereet her -Kind-ly treat her-You may all be
GIRLS
^M^P^^&M^m §§§§
a IJ 't^ji feggj^i ^ E= -» •
i
GIRLS pEE3Efbrides some day!
MEN./" A4Hail the Bride-groom who_ ad - van- ces, A - gi - ta - ted, Yet e -
# P;z^ mw
mf
^
MEN
la - ted. He's in eas - y cir - cum - stan - ces. Young and lust - y. True— and
^ffe£'Wf
k> p g ;
18311 Chappell
64
GIRLS
MEN
t© f
i hptf I—0-
**F=* ^3Smil-ing sum-mer beams up-on her,
TT
trus - ty.
^ ©Smil-ing sum-mer beams up-on her,
«h^Hr jNM# i-ahKI
2z3z F^r=fr r^rfo
m m±±1 *-= L-0^ #-= L*-1
3a. *
^jy «N^^M ^^mGIRLS
MEN
* sa. # sa. * sa.
if m ^m^ iGIRLS
MEN
i=2:You may all, may all.
tr .f:Jtf:,€
in^Fif'Tif if
be brides some day!
£ h2- -f2- ,,..
23
You may all, may all be brides some day!
ip »*-
^
j^2%* r-r 7
£J£If
18311 Chappell
65
ROSE
» m r \ J>X3=0& +J-AROSE s
*buds_ are blos-som-ing, Smil-ing wel-come to the spring, Lo - vers choose a wed -dingm mF^^ r rrfl7
A — M.
g ifo B 7 * 8 B3 JI^JI?2 2Fjj p*f a 653.
gj HI mDri if
i r J m P i *c££rcrf r |
ROSE a
#day Life is love in mer - ry May, Life is love, life is love,.
j mm J J =i s£3
g p jjEl <?*
p gjmm
p*> i?*i
n^raj ) ff v *
Frff> J J'J^j)|Ji.hj - i ripp pfROSE
in mer - ry May! Fa la la la la la la la!
HANNAHFa la la la la
I J J'J^im t r J^ J»JFa la la la la la la la!
RICHARDFa la la la la
^^ft=f=F
mFa la la la la!
ADAMFa la la
i £= i F^CHORUS. SOPRANOS y Fa la la la la! Fa la la
jSiSpring is green
.
Sum-mer's rose.
J 9-
m i &
18311 Chappell
66
ROSE
HANN
RICH.
ADAM
fa^Sj iHg r r tf
r mJ J r i^^ nj
-
p i gla la la! It is sad when sum-mer goes, Fa la. la la la lal Fa la!
M> lJ3JU J I ^m
la la lal It is sad when sum-mer goes, Fa la la la la! Fa la la!
"f ft f.
J r nr crcrrrin&i iJTJJ r j rW?la la! It is sad when sum-mer goes, Fa la! Fa la la la la la la!
m i r m .r r j \r u
J ^^^^^?te
la la! It is sad when sum-mer goes, Fa la! Fa la la la la la!
CHO. CHORUS. TENORS
Au-tumn's
^^ J J4
ItJJz ^ *sirw^ *f ills
^^Ff B pi ^£g>»J» p> j>^ *d±^^p
r p'ppiHPE*ROSE
HANN
RICH.
ADAM
CHO.
Fa la la la la la la la! Win-ter still is far a
mrfrTj^Fa la la la la la la la! Fa la la la la! Win-ter still is far a
j r ff gip Piaipr= m ^w
Fa la la la la la la la! Fa la la la la! Win-ter still is far a -
'>*I J r r ^^ J g J 1 1 g f
Fa la la la la! Fa la la la la! Win-ter still is far a
£=£gold, Win-ter's grey,.
fpf PPim pfppH 1 j r
s=tm ^^ St&18311 Chappell
67
It H
jCHORUS
^S P P P PROSE
HANN.
RICH.
ADAM
s m- way, far a - way- Fa la la la la!
a*
Leaves in au - turan fade and fall,
P^- way, far a - way- Ta la la la la!
r M r r i i I v^^Leaves in au-tumn fade and fall,
P*=+ i t t t
way, far a - way- Fa la la la la! Fa la la la la la
la!
Leaves in au-tumn fade and fall,
*>* 1 Hr r f^ftp £
l^teE^way, far a - way- Fa la la la la! Leaves in au - tumn fade and fall,
¥m iW'ffwmttfrPh
pp
1 \. 1 1y yr^ f
tg */; t/* ^ jg «r
W r^FWin-ter is the end of all. Fa
cresc.
la la
* mP=Mu^r r
CHO.
^"* P-
Win-ter is the end of all. Spring and sum-mer teem with glee:
cresc.
Spring and sum-mer
Win-ter is the end of al
gg fefefr
Spring and sum-mer teem with glee: Spring and sum-mer, then, for
Cresc, ^r i r i' r
«• £^Win-ter is the end of all. Fa la la! Spring andsum-mer teem with glee: Spring and
$
^jsYj'T
Prf-^f
PPf ^^= ^^ ^^5=
S 7 L 7~J" ^EEjEr Hr J r HI r i r j
18311 Chappell
68
f ff?
PPrp pppp J^'PPr J 1 1
if
la la, la la la la la la la la! Fa la
-X-
la la la la la la! Fa
J J IPffnpJ'^&
M*CHO. then, for me! Fa la la la la la la la la la! Fa la! Fa la la la la! Fa
-£*fe ^=0 ftmm r nr m
a*Fa la la la la la la la la la la! Fa la la la la! Fa
immT=Esum-mer, then, for me! Fa la la! Fa la la la la la! Fa
m wm^m^iW r
ir
j4 ^3^ <CCT
HANNAH 2nd versem &m m--0— w
In the spring-time seed is sown: In the
mla la la
=§=
la la la la la la la la la!
0
la!CHO.
*la la la la la la
& =3=
la la la IaH_ la la la!
i <r r fr ir r
la la la la la la la!
^m ipoW y
J J J J I j j=4
HANN
18311 Chappell
69
HANN.I ife g ^^the time
si SS for sleep, Win is the_ tne iiOf*ir
—
e
8?
H ^ i I fai~>
rose y,
Fa la la la la la la la! Fa la la fa la
)
rJ J» J.
>
j, I J» j. j-
—
h-r^htiHANN.
time_ forX)—
sleep.RICHARD
Fa la la la la la la la!
£Fa la la la la
£ i r r r
mFa la la
_AX)AM f m_la la!
^- iFa la la
£= i
CHORUS. SOPRANOS J*Fa la la la la! Fa la la
y im Spring is hope
.
Sum-mer's joy.m m3H*
ss i 4y
* i»
4 ££3E ^fei
r r r »r 1 H p pnJ
-
j_ la la la la! Fa
ROSE
HANN
RICH.
ADAM
la la la! Spring and sum-mer nev-er cloy, Fa la_
m £5m u ttw0^la la la! Spring and sum-mer nev-er cloy, Fa la la la la! Fa la
rJ r r i r gssgg r4¥-r--wg
la la! Spring and sum-mer nev-er cloy, Fa_ la! Fa la la la la la la!
m sr r r r i f r r i i r »J Ie^=f
la la! Spring and sum-mer nev - er c I°yi Fa la! Fa la la la la la!
CHO. V a CHORUS. TENORS
Au-fumn,
J t"rf 1J
r f'
J
. l
' J i ^'^Ij'^t-TT*^rV^a- *^~"
Lij $ "Hh-p- p j jg j| . >,
1 jjj ttJ1
! jj j^^^:ttXr ^
^18311 Chappell
70
ROSE
HANN
RICH.
ADAM
CHO.
'r f'MCK""1 m m fFty
Fa la la la la la la la! Win-ter. af - ter_ all.
±>-j m^^^m *&±0
Fa la la la la la la la! Fa la la la la! Win-ter, af - ter_ all, is
i r ff p>p ff i gpp r-
i ) rflf r ir r r r I Mr r fFa la la la la la la la!
&mFa la la la la! Win-ter, af - ter all, is
mm '
Fa la la la la! Fa la la la la! Win-ter, af - ter all, is
Win-ter, rest.
fPP PPPPm+*=*
tk i
^** r v s
i v \c£CHORUS
m cjr r r i r gROSE
HANN
RICH.
ADAM
best, af - ter all, Fa la la la la! Spring and sum-mer plea - sure you,
&best, af-ter all, Fa la la la la Spring and sum-mer plea - sure you,
best, af-ter all, Fa la la la la! Fa la la la la la Spring and sum-mer plea - sure you,
m r ii U £^ r ' r" r
best, af-ter all, Fa la la la la Spring and sum-mer plea - sure you,
Pm t'ti'i1 pp
pp
18311 Chappell
71
P &if -if, if If
Au - tumn, aye, and win - ter too- Fa la
cresc. m/J J J !
'->* m—m—a
CHO.Au - tumn, aye, and win - ter too- Ev - Vy sea - son has_ its_cheer,
cresc.
J J rr i~jf r f r
-739- pcz*:
r wf;^Au - tumn, aye, and win - ter too-
m ^EEv - 'ry sea - son_ has its cheer, Life is
cresc.
j. m ?=£Au - tumn, aye, and win - ter too— Fa la la Ev - 'ry sea - son has its
* ^^ mptit—i~ W^&
m =s3 ^B3EE3E
*7 y y i ^ ?=F
«f «f £/• /^P P P P P Pla la la la la la la la I Fa la.
Ife£E§
/r r r
; p j^j. j^ j.|
j
jJ"~j r r i ii-CjCHO.
Life is love - ly all the yearl Fa la la la la la la la la la! Fa lal Fa,
I f r> Egp f
i r j J m^m^love - ly all the year. Fa la la la la la la la la la la! Fa
m f> v.ti s
cheer, Life is love - ly all the year Fa la la! Fa
fl'll^
M :
* r i r j^
?s g^? • ? ;
i -+—«l A
i J H
18311 Chappell
72
mppp ?=£^
la la la la la
pila! Fa
•if
JlJl Mr Jif' ^
la la la la la la la la
^3£la!
* # 1—&
la!CHO.
la la la la! Fa la la la la la la
E=^• # £sE e =§=
Sla la la! Fa la la la la la la
fe e£=
la!
/T\»la la la la lal Fa la la la la la la la!
J*.
mL'istesso tempo
mi i m ^s ±=^± Jee5WA
n ^GTjjfai I I
-2
> r r r *^^
P rjilaj^ g
a-s^ ^Pggjjiiii
fly *»
^%T m^
18311 Chappell
73
m Mpm u *=^± r-m <L-jtmmT ga
^QTa^s J3L M I ii
j
p Tf^ 3=f
1§ 1 7l J- TEjEg
I rj j \^^=
y&
^ * £f*
a tempo
3 ^ "? :?::=:
Allegro agitatoHKCIT.SIR DESPARDs tri
s[>fta£
Hold, Bride and Bride 'groom, ere you wed each
»— < —*ff
§»'
g IP '
a tempo Piu lentoSSir DES.*
—
o - ther,
i
I claim young Rob -in as my eld - er bro - ther!
m ^^£:
S"Ct
a tempo
TT L* PP trem. sempre
*>. .-* 3^ = : = !M 'P
Sir DES.
18311
74
Sir DES. I ii
77
right - ful
* \1
*
Hti - tie I have long en - joyed: I claim him
) I M , I< * P1^ Pfw% f=^tW l i U ' f
m ^^ ^g^ pup J mJ isROSE Guz7dZy)
1Sir DES.
CHO.
as Sir Ruth-ven Mur - ga - troyd!
y_De
O won
/^ \>sx
der!
as Hi ^^O won der!
u *r £#"u i r j
-
ri
J gROSE
ny the false -hood, Rob - in, as you should! It is a plot!
&w%m "7^3 ^P /IT
r^T^^T^ ^#p
r i t r r * ? rd
ROBIN
> <<p J ^ i JOJ^j J i J OrI would, if con-sci - en- tious-ly I
IU 4
could, But I
^F=fte ., * Bii
iilliill^-4/
if _ f 1^£
18311 Chappell
75
ROBIN
CHO.
Segue
,Andante moderato*3 "
l> *Ji l
p |
7 M i^j^p-^ij * J> lp^pROBIN
As pure and blameless pea-sant, I can- not, I re - gret, De-ny a truth un-
¥*m m wn mWr W rr n w Tr
•xtyyi E* 5 J 1 f J 1 m r=ff ? T i T i T ? T i
I1
^ g j> i;.j>-&pg M)J) J>LMi J^^ROBIN
fplea-sant, I am that Ba-ro-net! „
SOP./*But when com-plete-ly ra-ted Bad
j i |J>jij) hi i^
#CON
He is that Ba-ro-net!
4L
BgiCHO.
tHe is that Ba-ro-netITEN./f k. L .
9iBASSy
He is that Ba-ro-net!
r7 1 1 g imiI
He is that Ba- ro - net!
^Wu ^ZZM^ ^ ^n &
*>» ; j -^
f=f U ' PTf
C ^ T-^Rl^ Jbl^18311 Chappell
76
ROBIN j J'Jlpl J E|P J > JlJ>J>|Jlj
l ja^ %I
Ba-ro-net am I, That I am what he's sta-ted 111 reck-less-ly de-ny
SOP. & CON.mf p
JJftittHe'll reck-less-ly de -
TEN.k
i r I P P p1
p miiCHO.
Hell reck-less-ly de
^£BASS
£*4I pS
IHell reck-less-ly de
( M UI*>=&w W r9* 5l ^5 i fe m s s^ f^
r > f^pi
Vivace
* y) 1 1
^ 1
1 J'(
i |» p i n pn f^ROBIN
When Im a bad Bart. I will tell ta - ra- did -dies!
ny!
I 1 I
CHO. He'll
n.ivt ij ; i m ~g
ny!
VivaceHe'll
, A,
TUTTI ROPIN . TOTTI
tell ta- ra-did-dles when he's a bad Bart.! Ill play a bad part on the fals-est of fid-dies. On
TUTTI
ve- ry false fid-dies he'll play a bad part! But un-til that takesplace I must be con-sci-en- tious Hell
iiiiii liUfUk) :^ w
ntifi'iilfiiifiii **=*?
ROBIN TUTTI
h*> rnn-sri-pn-tinns nn - til that takesnlace.Then a - dieu with pooderaceto mv mo-rals sen-ten-tious* ToTUTTI
be con-sci-en-tious un - til that takes place.Then a - dieu withgoodgraceto my mo-rals sen- ten-tious! , To
frumt r r r l>J^ffifff
gj ^ 7 y ^=^ J) 7 7 J) JEJi &ES fe*^-
li
tvAJ'm j j>a ; j ^^^^#fCHO.
mo-rals sen-ten-tious A - dieu with good grace! A - dieu with good grace to his mo-rals, his mo-rals sen
4m g 1 1 1 1 PEfffEf yfHffigl^
mo-rals sen-ten-tious A - dieu with good grace! A - dieu with goodgrace to his mo-rals, his mo-rals sen-
m cJJ
"
m ) ^ ) ^^ J^p a g ||)-p.p | | J)ROBIN
CHO.
ikil p^^p
When Im a bad Bart. I will tell ta - ra - did - dies! OnV
i
tes H'i'i' i'l i'i'i'^ten - tious!
a IWhen he's a bad Bart, he will tell ta - ra - did - dies! On
i s i
/» « * «
ii# r-M * # 0—0
P^PPPPlPPPP Pgten - tious! When he's a bad Bart, he will tell ta - ra - did- dies! On
7_ 7 ft 7 5ZIJb^^T- ft 7 7
18311 Chappell
78
ROBIN
CHO.
fcf PM 1
.
MJiJ'i.bMj'J'p |IP I P pp ^ave - ry false fid-dies 111 play a bad part! Ill play a bad part on the fals-est of fid- dies, And
j^ jjm i j jJH i j j'jm ijmjj'•—*—*ve - ry fafse fid-dies He'll play a bad part! Hell play a bad part on the fals-est of fid-dies, And
g ppgp [?Flfy(?p(?^t?lgpp(?p^l(yppF p pve - ry false fid-dies He'll play a bad part! He'll play a bad part on the fals-est of fid- dies, And
1> J> i ]> I J J> i i^^ ^F^FROBIN
CHO.
*^tell ta - ra - did-dles when I'm a bad Bart.!M^^^ I JlJlJlJ^^ I
^Jp PP I ff PP J ' ^tell ta - ra - did-dles when hes a bad Bart.! Whenhes a bad Bart, he will tell ta - ra-did-dles! On
j^l g g gggn i
^yg g gis mm>mhp
tell ta - ra - did-dles when he's a bad Bart.! Whenhe's a bad Bart, he will tell ta- ra-did-dles! On
^p pj j> j) j, i
jij> j ;^ -Mj^r p $ m p^^
CHO.ve-ry false fid-dies he'll play a bad part, He'll play a bad part on the fals-est of fid-dies, And
r-\)'Jt p m b ic p P PtP iP p F
p?P|Hy^^s ve-ry false fid- dies he'll play a bad part, He'll play a bad part on the fals-est of fid-dies, And
V :
\>\ p «? ? p ^ ? lp^p?[
Hp^* p^ T 1
ft^ Tp p*l
18311 Chappell
ft pp Jrj* Ji A IJl J* J A=4^ 4
79
•a k.,, Bart.! L WheCHO. tell ta - ra - did- dies When he's a bad Bart., A bud
$^m m i f p Wm fif r r r r"p is
:.! L When
mv
tell ta - ra-did-dles When he's a bad Bart., Whenhe's a bad Bart, he will tell ta - ra - did-dles, Whpn
P §£# LLTOff §=£^=
S 7 5 S P 5 1 l [T 8 ^ ^f^^ F
<Hh*^HEH>l> *=4J i g!f=f rw» c
CHO. he's a bad Bart, he will tell ta - ra-did-dles, A bad Bart.!. On
» Hff ffffi f 1 1 f | | iFT IT y y>p
|
P P impfs
he's a bad Bart, he will tell ta - ra-did-dles, He'll play a bad part on the fals-est of fid-dies. On•0- »'
S^m % ^3^ -* 1 .»S| ji jii
i
JJipp | g p u p "p
\i
p
: -^pHECHO. ve - ry false fid-dies, on ve - ry false fid-dies he'll play. a bad
mHnn if if hi f~~ I
s
yive - ry false fid-dies, on ve - ry false fid-dies he'll play_ bad
fm m^ i$m turn•*" oj-oj- mm m^m
CHO.
18311 Chappell
80 SOLOZORAHJ-
RICHARD
m rp~ g
i
p Jijpj v ir m i js j j> i j fry \«Let him stand furthl Twas^Who is the wretch who hath be - trayd thee?
m u** tf'iw^m s ^m $ E
bMolto vivace
"r - mmm J iRICH.
ifell ~~f~ inp jj
Hold, my conscience made me!
CHO. Die, trai-tor!
m - i I iDie,
Molto vivacetrai-tor!
RICH. IffkH * W tfi
Allegrettomaestoso
asi j jWithhold your wrath!
^ TB^ofrcfr^^With-
^SW Aijflj^a
.#•
S^_p
^g^s^ $w Ti?
j^Jif ,, |
JJJf ^3
3^
^ 7 i'^f^-^RICH.
in _ this breast there beats a heart Whose voice cant be gain - said. It bade me thy true
18311 Chappell
RICH. ^^81
r O j; yr r*< flLfJ'^^C3
rank impart, And I
3 3mmm 1 EgP HIPPat once o - bey'd.
3
I knew'twouldblight thy
ffPP P=F'"Hi UJVf * * * *~cg~*"
| c [ | r. ' :
:
§§§Pf E&5 I 5
%hm tj p r giiii i i s ^^ tRICH.
bud-ding fate— I knew 'twould cause thee an- guish great =_~3~
But did. I there - fore
3_
RICH.
yrt
hes - i-tate? No! I at once o-bey'd!
m W m PP nCHO.
Acclaim himwho,whenhis trueheart
agf w ff fif ys
p^ j*^*?^ 1 ^r.J fjeEf
gggijj fff^m UtifM b.ft
^[m
i? T
Radehim vnunpRn- bin's rank imnart. Im - me - diate-lv o - be\CHO. Badehim yuung Ro - bin's rank impart, Im - me - diate-ly o -bey'd!
j"iV«f f I T Ifif fr p if:~#
M^fcfffffeji# # # Ma
<ii%^ gf *f fjflf^fr^18311 Chappell
88
Ifat&
Andante
fP^ I Uf fm VThouhadst myFare well!
«ih}^di7l\^j,>yf
f»-i
jm m2==t * ^
as < <
hh ii",) j-^—
v
ess
#rt J ^ J-
1
^^ ^^5 ^5ROSE Pfe4
heart— 'Twas quick-Iy wun! But now we part— Thy face I shun! Fare-
m wm j m p^ t ehs
Wi+-PP
lib
*^ tt»»Hl Cin hftlH th*» Irnpp At vi _ f*»\: cVirin»» Of 1 i f*> \i/ i t h mo All Vinn^ t-o _
ROSE
fat
well! Go, bend the knee At vi - cVs shrine, Of life with me All hope re-
m i a:
g c a r tfillli^
'> :¥» J I f f I
*-* 0t «r itini m mBROSE
ROSE
18311 Chappell
83
MAllegretto
ROSE m£Bride!
BRIDESMAIDS
ps (jjIij i i i a -J j m §Hailthe Bride-groom-hail the Bride! Whenthe nup-tial knot is tied Ev -'ry
pfh^pj ^lX W)7i>
7p W)7
J>
71* i)7 ^J)7
P i1^^
v#i,»fii - ^ ^ 3s
«» Sir DESPARDIt=»
Ex-
P a j j \p j i i j p*BRimds.
fPday will bring some joy That can nev - er, nev-er cloyla ii aay win cnng some
£fffa* ^ ^iAn
ROSE
81 saSir DESPARD
irpi r gSir DES. *—&
._
cuse me,— Im a vir-tuous per-son now— That's why I wed you!
PmAnd
m m *m ^m*—
*
*—
#
U^l^MWW^Va 4a at £ t
m^m ^a^cf
A^
HECIT.MARGARET
ft 1 H r r"Pr> p a rz
Sir DES. mmI to Mar - ga-ret must keep my vow! Have I mis-
mmmmmmm nana &^* 9=9
v-hh ^h^h iPtC y$ *im m * f * Uf i$i$ieF^J18311 Chappell
84
MARG.
a tempo
MARG. Im nr~r ^m ISir DESPARD
% m^ m mkneel
-
# M
j [ft F~Fj£f
be - fore you'. I once dis - liked you; Now thatlve re-
i* W?fi * i^j^ zfe
imnwtft ?)n
i-Bp
H^ B f*l
ff
rs§^=§^
ium *=& TT
Sir DES. 5 > gt
IM • formed, How I a - dore you! BRIDESMAIDS
g| •jlgg \ \ \ \ d e^^
PipsHail the Bride-groom, hail the Bride! When the
wm p^ ^^~n~j J>WJ^ ^ ltj»
j*V ES
^ft g=g§§ 2ee£
BRimdsP N ',i Ii
1 3/ in f f pg inup - tial knot is tied, Ev - 'ry day will bring some joy.— That can
j''*' j^-*j*f-F#f* i H'^ 1 FPfr^F
^ m18311 Chappell
85ROSE
BRpnds.
~u fj *gjnev - er, _ nev - er cloy!
t„
jl nev-er,_ nev - er cioy:
^5 5 7 5f n i i ISB J r J
love be
J J. Jyj 5 rteftlROSE ^
be-reft,Throughthy de - sign, Thou art the on- ly one thats
ftiJJ^J\i^jl^iWJiMjJiw# r j r J »r J ^r J gs^i a
*rosei aSac
tlE
left, So I am thine! BRIDESMAIDS
m §mmm n; 8%
Hail the Bride-groom-hail the Bride! Hail the
3K W^m m m%^^=^«l!s i
y
1 f ?y?fr?i>f ? p?f ?iry S y vP v gE
±rfF SiROSE ^
ap-py the
I &Oh, hdp-py the li-lyWhenRICHARD
¥W ^^g ffi££
pMM p i '^"
Oh, happy the li-IyWhen
BRimds.
piBride-groom-hai! the Bride!
-0- * ^Allegro con spirito
^h;^j»7yJb te j''iifi > joy-»^3I i"A1 '
!
,!* J3^BF^ a n npn r^s 3d3b * I 5 pF¥
18311 Chappell
86
ROSE
RICH.
n i FFf =fefe£ gkiss'd bv the bee; And sipping tran-quil-ly, Quite h.ip - py is he;
s f P p p p irr r p r
1
*
kiss'd by the bee; And sipping tranquil-Iy,Quite hap - py is he;
fe^= 5 Ei
^ 7
j17
"j l^F5 5 ,
X5:Z5=a !1 V t 5 -j 3^ E^^B ^O
Wi.|
m <$ 2=fc=£3E3E r^^r^^ff^'?-q-^- 5 S -?—T-
S ^^ S=5 tr.M^^ROSE
RICH.
-»—3F-
#And hap-py the fil- ly That neighs in herpride; But happier than a - ny A
\)\ r } J> i 1 i 1 J 1 & m =£r r p P g p ip p p
And hap-py the fil - ly That neighs in herpride; But happier than a ny A
jggj jg j ja s ia j I J 1
? 7 In 5 iiif ^ l .^-v— ? J) 7 s r3^^
ei» F^ 5 a r ^ ^=^=^"V—T- 3 3 3rd
E
1 V F 1 >h ^^|fe J. JTJ -J>
p rp iiJ- J~? p p p P i
r- f
" nmifiH tn a npn.nv A In - vpt i« whpn hp Pm.hra _ rp'
ROSE
RICH. *pound to a pen-ny, A Io - ver_ is, when he Em-bra - ces his
HH faJ jepound to a pen - ny, A lo-ver is, when he Em-bra - ces his
fejj j' nj'M J'm IiJ'? ? Jt i j I-1MH Jr—3b -JMh -^f—
^
P£93 EE3fcEgSE3E5 7*?
P7 7
fB P7 7
P^ Tj'n zs M 1 £ j 5 a :5rffc
MARGARET
i gj jjji,^ROSE
RICH.
*—i-^ y ^Oh, hap-py the flow-ers That bios - som in June,
Sir DESPARDbride!
P^ a ^ j a abride! Oh, ha - py the fluw-ers That bios -. som in June,
IB j 7 7 J^^^RF^
18311 Chappell
MARG.
Sir DES.
Im M'JUiJ i* J .
And hap-py the bowers That gain^m BS 87
I
p g jg m n l "
by the boon, But hap-pi«r by hours The
JO ,|J n J J la
P*And hap-py the bower? That gain by the boon, But
H r p ggj f p * *
hap-pier by hours The
s #¥^5 *rrr
1
* if ir 1 if ? C ? if |C if if g ? if rr^r^ l 5 7 Eg 5 5 ^151
Ifcfefc ff^S Si li^'F p MMARG.
Sir DES.
man of descent, Who, fol-Iy re-gret-ting,Is bent on for-get- ting His
ffi Is 1 1V
1
E¥f¥^
Urnman of des-cent, Who, fol-ly re-gret - ting, Is bent on for-get - ting His
M v i S g g r g ea a >=¥
v :
^, »=5=e i i * | g 7 #^= ? 1 ^ s F^v^ I -*-*- jgg 5 5
MilJ- J? he Mr r^" had har _ i^n- <>t _tin» 4n/1 m*»anc to t**»
3=EMARG.
Sir DES.
bad bar - on- et-ting,And means to re - pent!
fi i j p i ^^ E£$^i
bad bar- on - et - ting, And means to re - pent!^^ffia ^—_^=^ F^^ a a s a a s 5 5
I»
» iI
| 5 If I T EJEff9$ =S±E f^fS?r a -»—y- "T^ff
i
ZORAH Sf M M p lr r P F M M
i
Oh, hap-py the blos-som That blooms on the lea
HANNAHLike-wise the o - pos-sumThat
i b i i s ^ P*SOh, hap-py the blos-som That blooms on the lea,
ADAM m m m * ft m ft-
Like -wise the o - pos -sum Thatnuam m m m m a
g ri
j. g m g g g:£
I
Oh, hap-py the blos-som That blooms on the lea, Like- wise the o - pos-sumThat
Ifcfem ¥=m-*-*- ^%-^-^i-
* # f- ,--i^s ^T=F -?—
V
^^F EE1E!3E± =5=:*
18311 Chappell
88
ZORAH
HANN.
ADAM
tei ^^ i
1
r P ir r ^=f=?sits on a tree, When you come a-cross 'em, They can - not corn-pare
J' J. I J. 1 mm
sits on a tree,
-#j *
—
m*
When you come a-cross 'em, They can - not corn-pare With
fMffhf r gftsits on a tree, \X'hen you come a-cross 'em,They can - not corn-pare
ft r I PM Hlf cTrffP-g. p l
r- ltef^ZORAH
HANN.
ADAM
With those who aretreading The dance at_ a wed-dingWhile peo - ple_ are spreadingThe
fr j> jqJ- I jii ^ja ^^
those who are tread - ing The dance at awed - ding, While people are spread - ing The
§s g FF ff ff fff £p p p
i r f fmsWith those who aretreadingThe dance at a wed-ding,Whiiepeo - pie are spreadingThe
Ig^g r ex r r lj= r gj §g
|||j I s^F s «, p~<> v fy «> ? p\ «? £=7 •?
|
P'?vp?vt5 5 I 5 5E
I
ROBIN
I i ,j i r nVJ'jJ'jiu. j ^ISZORAH
HANN.
ADAM
t= ^ E g±
best of good fare! Oh, wretched the debtor Who's sign - ing a deed!
mj
7j
7
j7
y^^
best of guod fare!
gj I V ^F^ 3=T=best of good fare!
18311 Chappell
89
ROBIN £ njy^j^j*» w.—
-
And wretched the let-terThat no one canreadl But ve - rymuch bet-ter Their
|ijj ^m I,JT^^B Hs^ =5=fc 5 5
IB
>fffri
"^=g **« f^f P=Pgg 5
'
k 5 5 *P S § 7 5 i 7 ¥= > g 7^ 5 7 L 5 T -t-T-*-
lot
J) J. Iii J- jitf
j4-«M«HiiJ. j i^iROBIN
it must be Than that of the per-son I m mak - ing this verse on.Whose^ ) 7 7 J- |Ifl»JT3iJ
- J1J Ji
-7—
E
I * I
'^'p^p ^p ^?a*=P -V^g-*>—3-
I NTObp 3=^ROBINr r r ^lu - ding to mihead there's a curse on-Al - lu - ding mel
i^s §S '
i
J ' C-U££iiE
E jg . II
eremi
PSP
CHORUSX= ££ U I T « n * J> i'-hll i h
J * M B p p * I* i gwOh, happy the li-lyWhen kissd by the bee; And, sipping tran-quil-ly,Quitehap - py is he;
mr-mm i J> i j) j j)£ £
POh, happytheli-IyWhenkiss'd by the bee; And, sipping tran-quil-ly,Quite hap - py is he;
An £
pfppppT, r^ pp mj r, ' rOh, happytheli-IyWhenkiss'd by the bee; And, sipping tran-quil-ly,Quite hap - py is he;
Wf^p rr f f p ir r g PF B B B B IS2=F
Oh, happytheli-IyWhenkiss'd by the bee; And, sipping tran-quil- ly.Quite hap - py is he;
IT : % ff,,if,-tfJT tTti^f.ff^SE5
wM^n ^nrn 33|ni7 7 B 7 ^ I ^^77 IT1
? ? ^g
18311 Chappell
90
gin W-m r tpyttv i r gffiB*^—#—#
And happythefillyThatneighs in herpride; But happier than a- ny A pound to_ a pen-ny, A
ft.j- JJ'Jwij. j j' j.
i j. j^;j^, i j. J JBjCHO. And happythefillyThatneighs in herpride; But happierthana-ny A pound to a pen-ny, A
tk m i^^ JEES3ppppppt r ^ t
And happythefillyThatneighs in herpride;But happierthana ny A pound to a pen - ny, A
s g r- ir pp p p p p ir r ^^PW?W
And happythefillyThatneighs in herpride; But happierthana-ny A pound to a pen-ny, A
ft.M^ttr F^r^r p^" f rffPPf i mm
^jp-fm^ ;^ |p? yM"f 'rr Tr p
iM^^=- ?y » D«f Tr p^^ -l 1 IV 1 1 V V 1
IP7?P
P £^feJ.- >J>
s i * [7 I f sI
s r^71
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7 t— flo - ver is, when he Em-bra - ces his bride!. Em-bra - ces his
pm ^m v i jp^fCHO.
lo - ver is, when he Em-bra - ces his bride Em-bra - ces his
g pppr r f i r ^r ^r »ir p^>lover is,when he Em-bra - ces his brideL
lo - ver is,when he Em-bra - ces his bride!
Em-bra - ces his
Em-bra - ces his
§B til** IV Hf
18311 Chappell
91
J^ -i»
iU B
Jr
see=? ^bride !- Em - brB
I& iU J^^CHO.
bride !
.
Em -bra
v;-~*-p^M^f
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bride! Em - bra
PFTEbride! Em -bra
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IS1.
g i r j jp=^
ibhis bride !
.
£3*j— -«^
CHO.
Khis bride !
.
3EES
*mhis bride!-
E—
i
r i j
his bride!
18311 Chappell
92
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18311 Chappell
93
M^'H'J"^
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18311END OF ACT I
Chappell
94
Act II.
N?l DUET- (Sir Ruthven and Adam)
Andante moderato
SE?Piano
,BSP
»-6-r
£ £# #
EE^# #
^ ^=5
Sa*
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18311 Chappell
95
J i .f.fr.-f .Oi.n . A
Sir RUT.
k±±-y?jl
\j>.^-H<
=£Sir RUT. r g p p p§g=^ ^
i*
troyd— ha! ha! With great - erpre-cis - ion/With-out the e -li-sion)Sir Ruth - ven Mur - ga
g^Z l n) 5 PW 3T3F i5^11 iT±
g 7 7 & I 4
ADAM
j% i » nrr^ 1 1 1 1 1 ^p 1 1 r p nP
-
pf^Sir RUT
-troyd— ha! ha! And I, who was once his vol -ley -de-sham, As stew-ard Im now em-
te jjjpi i9^ah> j
»
7 ^^^^'^»
p f ¥
ADAM ^S p m h?
'? i lil yy hnn; i
1S3H Chappell
96
SIR RUTHVEN
^ i^'ij jo hJinjjjj jas * ^
*
,How dread - ful when an in - no-cent heart Be-
^j g g i r i i ^ 1 1-1
1 J' BijibHrr-^r 1 1fr f^r^ADAM
fe
stew-ard Im now em-ployd— ha! ha! How dread -ful when an in - no-cent heart Be-
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I J J' J iiJM iiJ ^ Jm
p up i r"c^Sir RUT.
ADAM
-comes, per- force, a bad young Bart., And still more hard on old A - dam His
m r p-f-J* Is^Ea a mp r P ir p s
-comes, per -force, a bad young Bart., And still more hard on old A - dam His
t^t P LCf
Sir RUT.
ADAM
I «M^r J* B ^P rr ^p i^v^'r ^ @s*=*
form - er faith - ful ua/ - ley-de-sham, His form - er faith-ful val ley-de -
'nvr p r pip" g pr 'Hr p Lrp ^^t*n
form - er faith - ful val - ley -de-sham, His form - er faith-ful val - ley-de-
it
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=*r i^*
S *te ^i % m=?
1 1 P g IM a^# ro//.
^3 i v E 5 ESir RUT.
ADAM
^=^-jftam, His val -ley -de - sham,- His val-ley-de- sham, de
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l p PJ^i JHpp JJjijilj I I
sham!far-
-sham, His val-ley-de-sham, His val-ley -de-sham, His val-ley,his .val-ley-de - shgmf
S J^>^T1^ -^
P j Eg E
18311 Chappell
97
N9 2 DUET- (Rose and Richard) and CHORUS OF GIRLS
Piano
teAllegro giojoso^fbU-tt-
§gf&hMF^?
^=^
£*=*=*^=^
tt
£JrMg^*±±
fel4—«-T^*• -»
RICHARD
18311 Chappell
98
RICH. I ji JJ'b j J> iji J> J*p P
J>iJ>J*p ppp i p of
you are the fair-est, The rich-est and rar-est Of in - no-cent lass - es you are, By far=_
p j n« \nm mm pfpi
^,.bfM IfJLJlf 7 jj J 7 =^ S—5—
#
g-
im :£eep p V J' Mr I *ip p mRICH.
Of in- no -cent lass-es you are! Fanned by a fa-vour-ing
pfi1! m>rn ^^ i i "ii^i~r*
TO~rrr r g j a s I t=^ g g B g
^f=rPft , S fl i *
-
r t r7
|
p P 8 p p ki r t r p i
j>"pt p^gale, Youll sail O-ver life's treach-er - ous sea With me, And as for bad wea-ther We 11
RICH.
PpiPiiUiU ^il^ w^^m ^ r i r r i r ^^^'T S h P
l
Jl
P I p-p
jlI r
b
P iRICH. :7=iF
brave it to - geth - er, And you shall creep un - der my lee, My wee!
B ii^—i i \ i mm^«=3t
m t » r-
''07 7 '
l>fl 7 1 ft 7 7?
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„ fe > g j i J»-JJ> J>-
J
> J> i
t !fi£ gg^iRICI
And you shall creep un-der my lee, My wee! For you
18311 Chappell
99
RICH. i | | pp' p i r jj p i
Jl- ^ I i'^'ir^^
are such a smart lit-tle craft— Such a neat lit-tle, sweet lit-tle craft. Such a
tfafe J^,
,^
j 1 1 (j 1 1I p11«1-F
B f jfe
e
p jg ir
m p->j-n mmg^f p ^m1 1 ff
'F^ EEE
| Jv JJ> p-fJMjV j p [
IP I P' *tf PP
- pp I f jRICH.
bright little, tight little, Slight little, light little, Trim little, prim little craftl
CHORUS
> \ r ir^
p j^ A7^ S SiFor she
^ C g ¥^^ F
P 5 s n i i l
f? 5
p? =*
iir^jmB P 5 3 Ti ff T^f»=*f
fe p- 'pp ?• pp- if ; r g 1
1
M ^hr^r-f*is such a smart little craft— Such a neat little, sweet little craft. Such a
CHO.
is such a smart little craft— Such a neat little, sweet little craft. Such a
kT*tf f*ff fe^ g gj f Vf fe^'is
35; pi F f^ |H*i fe j 1 , 1 ^^&|
ROSE
j •"§!?
;^umiji N jh 10^p^uJjjVli
My
CHO. 1 j 1
blight little.tight little, Slight little, light little, Tiim tittle, ptim little craftl
fela gft£i£ irir^fif r(M>± \
iit'i^rhf m £ b£ BB r i r a -Li ggg£ drm*e^
18311 Chappell
100
ROSE j i I p i g p I I J 1
J' 1 1 ^ J 1
J'J'J'J'N i, ^shopes will be blighted, I fear, Mydear; In a monthyoifll be go-ing to sea, Quite free And
fit7? m i-r ¥m wa—
±
^'i, r j r r^ r^rni r » ^^ ^^ ^H-
E
j^nn Jmj..Mb b ji; J^^jgpp P g MM JROSE
all of rny wish-es You'll throw to the fish-es As though they were nev-er to be; Poor me!.
p\ jj-3 m j n n~3 PP P¥PP
g i j f f i
*fU-E-rU-E- i s r j - j g a g g a i*'
etae £^f£J7 I f J-p I M I HROSE PP
As though they were nev-er to be, And I shall be left all a -
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g Is r | r r s ig—&—g
—
* ~ *mmi 5 n a=a
p r 'Tr p i ppJ P »*»
71 r T r P
'
J"M^ROSE
lone To moan, And weep at your cru- el de - ceit, Complete; While you'll be as-sert-ing Your
^fPf^FP^
FPPfI 1 r r i r
*i=*ff^r 1 r r ; r
18311 C happell
101
ROSE
freedom by flirting With ev-e - ry wo-manyou meet, You cheat- Ah,- With
A AhJi>> J^ ^E3EROSE
ev - e-ry wo- manyou meetl Ah- Though I
WWfefej=3=*=*=5 * g «—j z5=*=t?
:
firr * r? j
m 3=.f->r r j r p£E5Ef_3_p_^fe 1 B 1 1
-te
am such a smart little craft— Such a neat little, sweet little craft. Such a
ROSE
M J7^^ h.. j-> D-^n ^ 5 i j-J 1
l i t j=Eg3 gg
S6=pxr_un fiiiH j 1
1
s iff ^^^ t i a 3 a
¥¥=^¥ =t=rt
fe I juy J^ijon
pp i
p"=^pj ppir ?ROSE
CHO.
bright little, tight little, Slight little, light little, Trim little, prim little, craftl
P ^m
t\ JUJ J7T3 j7^ | m CT,nT3
Thoughshe
fif=Ht
a«« m m jt~^ jm 7i
OilSHEp
•? if '[? *? T=y=^ f ^ 5 I ff 9 tf
18311 Chappell
108
CHO. mis such a smart lit- tie craft-
1^ - - *r
Such a neat lit-tle , sweet lit- tie
1 T r i ?r f^^ *^* i I f , 1 f £S i a
^^^ J'ia £
P i ps ^^ght lit-
CHO.
craft, Such a bright lit-tle, tight fit-tie, Slight lit-tle, light lit-tle
i—is *
ROSE A RICHARD I IAh!.
fn m t mi i ^ jjj ^Trim lit-tle, prim lit-tle craftl Such 'a bright lit-tle, tight lit-tle,
CHO.
I sU Y iff- i hMMiMm -i—i-
» * ±Am > i
ROSE*RICH.
mm*> Ah!
Slight little, light lit-tle, Trim lit-tle, prim lit-tle craft!
5
mm a ££l£3lsI :if i [J ii EgB £ 3f=*=i #=^=#
S S * m. i^n^]7 if a
B
1B g i:e
sax
18311 Chappell
103
N9 3 SONG— (Rose, with Chorus of Girls, Sir Ruthven and Richard!
Andante
Rose
Piano
j'ih > rlJ'J^JypIr r \ PU t
J ^^pIn bygonedays I had thy love-Thouhadst my heart. But Fate, all humanvows a
uI*=£ t^
^^fe^
s *^mt=^ $=£
M \ ^ujjj^u j ^ijjjJbROSE
bove, Our lives did part! By the old love thouhadst for me, By the fond heart that beat for
j'~H% + + ?
r x r i r M PP i P f jROSE -1—-f-
thee- By joys thatnev-er now can be, Grant thou my prayerl
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PPr>
CHORUS
Grant thou her prayerl
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f=0
2_j¥
ssf3
SE&
18311 Chappell
104
Sir ruthven Allegro vivace
Up pE ^Take her
Ii
I yieldl
I-^
3^3f=yCHO.
* %{T~Allegro vivace
Oh rap turel
f r-an
S3 4 *£^f
* SBftiruc r ^rcr ^rr ?rr r vr ' ^rrr jg-«4-
*
-way to the par- son we go— Say we're so-li - ci-tous ve-ry That
CHO.
^^ 5=fJ * J- >§3Bff rvr m£ *—•—*f-* » a » * * a *^?rf?rf~fTT ^rrnr
m s m m—wm iff g |* 5
RICHARD
M> ^r ;
i^M For she^^^ m h^t
CHO.«->-«
T j f-r-;—*~*—*—*—*
—
^r~- *
—
tt * • w—*
—
he will turn two in- to one— Sing-ing hey, der - ry down der-ryl
RICHARD
RICH.
„ ROSE . l v . RICHAI
is such a smart lit-tle craft— Such a neat lit-tle, sweet lit-tle craft— Such a
h=k fefem
j I1 p 1 -I
I B 1 1 g 1 E
^a;uLf P^rmjnw^ -r-T-
18311 Chappell
105
ORUStROSE RICHARD ROSE BOTH f CHORl
| | j% rJ^>J%>| i
r te pp ir,|i ;r?
bright little-Tight little- Slight little- Light little- Trim little, prim little craft! For shbright little-Tight little- Slight little- Light little- Trim little, prim little craftl For she
Jr~2>
I »nn an ^jj .npma Ws f¥ fet^«
' nit 0m xn$nm•? ? ' fl -R? Tf ' fM 1 (f •? =¥
is such a smart little craft, Such a neat little,sweet little craft-Such a bright little,tight little.
CHO.
f£frfftif^2^4^rcacrggr |gg ^febe
Pi** *
I, g l„ I PI ia± |^
*ROSE & RICHARD
Ah!.
§fe A J^ i'm^,^/
p imj M ii' m mpCHO.
Slight lit-tle, light lit-tle, Trim lit-tle, prim lit-tle craft! Such a bright lit-tle, tight lit-tle,
a- * s
l^fjTf L£f frffrfiff'; ti C ig| J'fl S E i
1*A l*J* 4^
i n 5^ *—
g
ROSE 4RICH.
CHO.
•* Ah!.
?, * M^frJh'a =£»Slight lit-tle, light lit-tle, Trim lit-tle, prim lit-tle craftl
J—^n r^n
m :fS¥=•si = 3=E±a:« gjjjg aji
i 1l[il1 ^jW-T^r
r^ g^t=t
S ^nJgjSeS=
4;^tH f?
|kit j i
t831i Chappell
106
N94 CHORUS OF ANCESTORS, with SOLOS-(Sir Ruthven and Sir Roderic)
Grave maestoso
Piano<
Eg K11 Eg
S >i b g i Hp ii=
Db^ l ^Jit^c;^^
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jGf
Ma
SItEZZ
If 1 -Jy P-l r-
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dim.
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CHO.
s.TENORS
ggsE^ ^ i j. j» 3=£
Pain - ted
BASSESblems of. a race,. All ac
T^fpn*r^pfa^rtFPf
CHO.
fc ^^curst in days
.
sp It p j gabz ^
of yore, Each from his ac
gjj l p
:
>-^ g 5 r d Id: i
18311 Chappell
107
3±± ^mSK=*
CHO.
zmtomed place
SiSteps in - to the world once more!
feM^^tt
f^P^PlFPfFPfFPfFR^^ j'^ JTj ji 7§ fe JT3 JmJT]
f r
^ h^ a
jf^f P^ 5 5 fr 5tat 3t3t i^ TTj-JT)' ^^77
%=% !?=£ 5 5 fr 5
ty* *
P*P
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7 7 ft 7 7 1 7 ft 7 7^
P^f P^f E&a=3t t=± ^W wm f
S > i ' J' ^g i7 7*7^ fl 77^77^77 (J 77
| ^n^t^mfi'i'hi: j'l lij: j ^
I JtJiJiJi>j^i
CHO. Baronet ofRuddigore, Last of our ac-cur-sed line,
BASSES
Down up-on the oaken floor—
Sip VJM^'J'J'J' I J: j'l fliJ: j j l i l
i'; p p V^ II
18311 Chappell
108
CHO.
Imi'i'i'i'lii: j'in j : j j i^J> > J'J'i
| p j ^Down up-on those knees of thine Cow-ard, pol-troon, sha-ker, squeamer,
nt^'i'i'hi: imi: i j U'J' n J»jm UUm mi ^J
iiJjj^jj.'ji ^JJj-^
sm&•+*+-B3 ^ s^ +— "g aH tmmm-m -rfr
^ pitp ^ j p j i p g j p p j i h|! ipj j rp if lijg j
CHO. Blockhead, sluggard, dul-lard, dreamer, Shirk-er, shuf-fler, crawl - er, creep-er,
m V^f fe|| |p pt p ^ I fl^ W'l Ili^liH^I^
i *^gfwff **B£tf*i£CgfrW«"JWj xEJj Ml
% I j p p Hip p j p P i ip p ; p P nfr p g p t g
CHO. Snif-fler, snuf-fler, wail-er, weep-er, Earthworm, mag-got, tad-pole, wee-vil!
B i Jlj J 1
Jl» g jl mil B Jl
j i'Jl
j @ Jlj I Jl
s ^zjy=^5 i §s=*§ §s2i B^^ w-^—
r
* #-—* 99~^—9 9 r—9 9
41: \w3g f=f k=j m ^^ iH18311 Chappell
109
K£S^m tat: 3*& 0'
CHO.Set up - on thy course of e - vil Lest the King_ of Spec - tre-Land
kh j mi ^\o m g ij jiii j^i r p f
CHO.
W W ** jp1
Tg l
s'-^
SRBCIT. Sir RODERIC RKCIT. Sir RUTHVEN
ErBe-ware! be-ware! be -ware! Gaunt vi-sion, who art thou_That
i> nil >-, N •> i K ? r 1 , K i i I tW 1 *
" H - - i f/
g§ j^f) jj i
kF^±t g g I 5
18311 Chappell
110
Sir RUT.
Sir RODERIC
H i sl
*^ p p JUi ppp" p p pit g g CiSir RUT.
how? I am the spectre ofthelateSirRoderic Mur - ga-troyd, Who
Oh 3m . 1 3 J ftf if* t#: iif? J^
#**•##•*IS
S 1 M | Pi fil
Sir RUTHVEN^SSir ROD. *=* -JMhcomes to warn thee that thy fate Thou canst not now a - void. A - las, poor
i mi fU mm mfeE i 'nt £« ^ saa:If*
3 • 1133 • M —m—m-
»• ** J--J" -J- -J- -J-
m nj 7«-=-« *-*- *-4-—**. ###*• -»•» ~* 7
Sir RODERIC
I feg g 6 t=£=£ ffnPF frf^#?Mr g
i
w g M ? 1 gSir RUT. t=i=i
ghost! The pi - ty you Express,for nothinggoes: We spec-tres are a jol-lier crew Than
g ^§ El
k? b^ r i»»CHORUS
s p pgrtf i f- (ih y. i i jii,ji jnJ»J' J aSir ROD
you, per-haps, sup-pose! We spec-tres are a jol - lier crew Than you, per-haps, sup-pose!
1 ) j>%!?' f pp 'f i (i (i up- p«p
i
t r a
s r i
18311
Attacca
Chappell
Ill
N9 5
Allegro energico8
SONG-(Sir Roderic)and CHORUS
Piano
jJ g V
'gi gjg iijV i i jjjil
rSir RODERIC
' f m v m$When the night wind howls in the
|'-
n>«frffiffiffi i ffiffiffi«tf
«
i£j« £*f «gj^|m *t i >
«•i if Mr ^jSir ROD. *r
chim-ney cowls, and the bat in the moon - light flies, And
§_ gjf<^^f«^|gJ^gjf«fTf«|
gJ«gJ«g^m r r r jg i*^
£==$=$=££VSir ROD.
ink - y clouds, like fu-neral shrouds, sail o - ver the mid - night
l^^#^ ?lE^^^^tf?^^t^
s ^ #r j —
*
2?2=
) 8 I ^SSir ROD. *skies— When the foot - pads quail at the night - bird's wail, and
f^^^^/^l^^^f^l1
18311 Chappell
112
Sir ROD.
£g g p
l^i^-of; EfesSir ROD.
ho - Ii - day . then is the ghost's high _ noon! For
, CHORUS.//"' »
> 7 (j f7 fe
^Ha! ha!
7 H 5 )
^^^^^^^^^^^^^^^^9^-^4* e
£e f if »r SiSir ROD.
then is the ghost's high noon, high noon,.
i^m ipSEEj
CHO.Ha! ha! high noon,.
m ^—e
—
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1I' a
ft ^^^^ i ^*^«gj'^«|
EJ*'E!f«l
tff^^I M
18311 Chappell
113
Sir ROD.g^#then is the ghosts high
^F ^^ is
CHO.
m kf g
then is the ghosts high
<j j=
^ gJ^^^yJitgjJ^^JT]^ s* l:, g
*^:K *M£
^
<?nrf Tfri'?
Sir ROD.
CHO.
f ff gfnoon! As the sob of the breeze sweeps
noon!
Pf^
fe j lf^^ ^^^0^'i^^msf P
f=Ess ^§ * #
tefefgSir ROD. ^over the trees and the mists lie low on the fen, From
ft^*ffiffi|ffiffiffiffiqffi |EftEftffig
m £ £
Sir ROD.kH i ^ e ££fa I r s^ji*
grey tomb-stones are gathered the bones that once were women and
i gggim0s^^% J p T ^^
18311 Chappell
114
Sir ROD.9& ^$m **= V m _ a! g g
men, And a - way they go, with a mop and a mow, to the
1 frg
tf^gftgf«fo<f«ffigfttf ;fg"jgpp^ 4* V- ^>
S ^r j g P T r e b^Sir ROD.
re - vel that ends too soon, For cock crow Il-mits our
i ^gftffigftgfti fgjf*tf«gjf«(jf« i nffiffi^f<g^
^ ij > ^ > m
£ r Mr ^rirsj £=Sir ROD.
ho - li - day— the dead of the night's high— noon! The
/A .
\ m t j i
CHO.jcr
Hal ha!
i eM i i*
^ tf^^^ ltf^^f^l^^^^si ^
^=g=£ le t i fif *r SgSir ROD.
CHO.
dead of the night's high noon, high noon,
j s ft i rHalhal High noon,.
^ 1 5 V V <,4=^^ If i
f m^m^m^ *mf *m>*^f*^f «i ^j^'rjfi"^j^^
18311 Chappell
115
Sir ROD. if^=*fm mB r& P-
I
the dead of the nights high
i l g | i t » g
CHO.the dead of the nights high
*rf 1wr m I
$b gjJ^O g|g j JT3 ^
i t
jT3 ini»
mi
^r== imin.g a
SIJrd Verse
Sir ROD.
CHO.
r ipp
And then each ghostF=f
noon I
#with his
noon!
Pj^g
£ j^^^ i^f^^^ i^^^^if P
a^is^ f r r jf EE5
Sir ROD. ^ * '
la - dye-toast to their church -yard beds take flight. With a
f Eif*EiN£iNEJ ^gf4ifcf^
m i -# ^~ lS>-"
18311 Chappell
116
Sir ROD. §5 % i rkiss.per-hapv.
j | g i r
on her lan-tern chaps.
^*# j » f^jf Vnd a gris - ly grim "good
|l |af^##B^*^#fS^#WB ^
i | [1
v vvmSir ROD. ^
night I" Till the wel - come knell ofthe mid - night bell rings
Mi ihh^itt^&^tztwmmm ^^mmawmv V
w^z f=^1£^^2Sir ROD. ^
#
forth its jol - li - dst tune,
.4
And usb-ers in our next high
uNiNiNiNne?r^?^»ag
s r j
^£ #—*—(* tf^f £=^Sir ROD.
ho - li - day— the dead of the nights high noon!
^ff
The
f=#3=fc
CHO.Hal hal
g=g=f?m
ft EiW*£W*f iW«EjW Ef*Etf*EiW^ s
18311 Chappell
117
g | | t*r r g ,f ,f »r ¥
Sir ROD.
CHO.
dead of the nights high noon. high noon,.
F^F*f r j |Hal ha! high noon.
m i ,it ^=fe
Sir ROD. ZZ:
ithe dead
M ^eeee^of the nights high
SP^> EICHO.
the dead
mmof the nights high
n ir kH^-^^/?g5 ^|
g^j^J?Tir?^ i &2
* V, 8 :^ *;£=l£=
i 51 ir\
S iSir ROD.
CHO.
noonl.
I£
»» p"? *p |M 7 g IF
7-»noon! Ha! ha! ha! ha!
.1 fep p m p ^^^f"T 7 f if 7 7 f j j j j if 7ij 3EEfe
3E£
^EEjF
ZSF=SF 5 J 7 g -r-^ 1 < : 5 <z^
18311 Chappell
118
N?6 CHORUS
Allegro con fuoco
Chorus
TENORSf
Piano
S \ Effl 1 i &M }
if
%mHe yields!
BASSES fwm
Heyitldsl He an-swersto our
"if
) ggg n *p i' ? r
i ri
Allegro con fuoco
1* -—^ -*t*>-^yn^jjjrcrrf/cfjjjj^
JC
SI^elil
I
*;
^gg
ampeps
i p^i* \ a
CHO.calll We do not ask for more.
as£ £i ^^^g #^-—#-*—
^
A stur-dy fel-low, af - terall. This
'II
\ >J j m* ^
•^ ^ j j ' j iB=ro mffl ^ mn; xiro» » » »
f
j > h a - a pSpii# * *-=—=-#
=r== S * r i T * r^
i J U r gr i g j iJ^^ffCHO.
A stur-dy fel-low, af - terall. This la - test Ruddi -
m r I Ila - test Ruddi - gore!
a mro ITo:». a =»= ^ rw^-»m
ft r * r
^^plpi
i J i i J I
18311 Chappell
CHO.I I .1 ) 8fc ^1 r"> b J J ^prf *
I P 5119
gore! All per - ish in un - heard of woe Who dare our wills de - fy: We
jBg- j J 6 IHH Ijj iJiJ J U- J'jf i
PH e^ iPfp ^tfjfrfBOS
I '^l l I > - ^ Cj b'-J U J ^ E^Bs
?-r*—X—
*
For hav-mg a - goCHO.
want yourpar-don, ere we go,
m m faeil £=P £^f^ We want yourpar-don, ere we go, For hav-lng a - go -
piipB ffff^3
7« KTOJP] HS3 333 033 mmS > I > ^m r^Ff ^ r=rn
I »FJ J3e
CHO.
anized you so So par - don us
—
So
g^£ SE ^^*
- nized you so
—
So par - don us
—
D i ll *m) 5 J)j gg Z3 &Sit*
as;>IMI^Jf3jJS rffgjEjty >
* # mi*F»
r inif is ^
CHO. par don us— Or diel So par - don us
—
So
Vh - feEOr die! So par - don us— So
3E&#^ nn r
18311 Chappell
120
hecit. Sir RUTHVENlentoirniv I .
I par-donyoul I par-don you!
pr m t
a tempo
f=¥= BCHO.
par - don us— Or die! He
>> hr t r r ^ 3EEEpar - don us— Or die!
a tempo
*=*= J^Z m SSECHO. par - dons us, He par - dons us, He par - dons us— Hur - rah!
*> h r p <^ f rr r f££ £EE
* sa & sa.
* if s9S w w m w US 1sif n *-++
*s* sfz dim.
I*»«ijf >- gfe^ pp
i^ s R
18311 Chappell
181
ICHORUS of MENP
i=i s r np i 'r*• »
Pain - ted em - blems of_
Va race All ac - curst in days of yore.
-*s
—
0' ' ctz gf rzgf g fin r nr r r r pi9^- r r Qiff
i
1,
* *-«*!
*§^s «-=-
* s& & aa. *
H p fr
J " l#J- ij3*
CHO. Each to his ae
?!, r- *r g
cus - tomed place
1 |HnSteps
_
&1
un - wil - ling •
>• feE tf
* iffete P^
s i rf te£m he*Pf^r
/^
CHO.ly, once morel
s i r- i
r
r\^IR1 i if
-<2-
jn> 7fei ^E m! 7
jots-r^
**pi >if) a ^)>
18811 Chappell
122
N?7 DUET— (Margaret and Despard)
#iiAndante quasi allegro^ m w^f
A A
J^JJJfife P3Piano
•
B fg ee »
frify">
/>
US
P JTjJ.Jjh j^ff^feS ^Ss^P
DESPARDm i j^J'J'jijiji
itI oncewas a ve - ry a -
« P fPHhh;g ^» iH ^mm ^h 5 ) 5 5 j 5*=?
AI a
MARGARET, . DESPARD
DES. ^-ban-dondper-son Mak-ing the most of e - vilchan-ces. No - bo-dy could con-ceive aworseun
—
P I j'i I m fpf wifpigjj r j t ^^ g jj 5 J si 5 "F*^F
f j I 5
A . MARGARET. . DESPARD,
, k
7 f 7
^E-venin all the old ro-man-ces. I blush for my wild ex-tra - va-gan-ces
T—
a
IffJ"n
[1 j j
fe££3^ J J) J h JAJP£l£TdaleeJ i
» —#
gig r ^ ^ j'^f i
18311 Chappell
123
MARGARET
m i 1 JiJ j'j j>U i'j ^uU'j^pDES.
But be So kind To bear In mind, We were the vic-tims of
frf Ity ^^ Iff11) E
fff I
!%^4l slu i i ) i 11)1 gj 1 ) E
I§MARG.
cir - cum-stan-cesl
g SI Ml iPgg ^ ££§fsps*
'y^l,
*=*=j=3=*=¥i#* £i
£ *^*^tEE^^?P £3=£3
2wrf uer^i?
ipsj jg.j^iJ j^^ ^E3MARG. P
That is one of our blame-less dan-ces. I was
m m t^p as Pf fpf^S r^f P^1=T PEE pi ps
#DESPARD
S i i f ij i j i j.. j j) i j j, j, j, qp ; i J" J'i j J' Je=p
once an ex-ceed-ing-ly odd young la-dy— Suf-fer-ing much from spleen and va-pours.
MARG.
fe ¥PfV:
^ i , f j E=e
nfS•? ? %
£ Wfs )! s
3E #J H 1
18311 Chappell
134
IMARGARET
BfegS"U mmDESPARD
U) >«Ml I
a5= 5=3Cler - gy-men thought my con- duct sha-dy— She did -n't spend much up-on li - nen-dra-pers.
m ppp i iS PW £
I£^£ J £*=*s v | v 5 fr 5 S fr 5 JM | p ^
MARGARET
j jJ^AAJ^ J»J JlVw j } U J^
It cer-tain-ly en - ter-tain'd the ga-pers
! J> JT JMe j hi * § H*??My
dnlce~mt fj i > i*
m i i*ii a SHi*=£=S
iEifeDESPARD
hi j 1 1 a^^^ h h h7MARG.
J»J)' J J^»J»*—#-
5t—e—
—
*'«ig.' ' at—#*_ways were strange Be -yond all range— Par - a-graphs got in-to all the pa-pers.
5 7 1 BE* 7 v ) l I
3 V j E gg a h? 7
^ p j §N ^Ifjjf FS 7 ) 7 1
T
£siDES. m#
;, g m $m t=M
We
P^HI . j i§
»f fE^|=£^
.?rrf iw.ff
j j>.tj ju-J'j^ ! *>i
J- J' I J -SDES. fon - ly cut_ re-spect-a-hle ca-pers.
m k r
7^i h 7 ^3 Iff
I've gi-ven up all my
ifflP ii J l
^s p==?7 ) 7 1 ) 1 1 ! 5
18311 Chappell
125
MARGARET DESPARD
j i J, jijj)^1 J j*
i j J 1
j j,^i j- jj- j J-sDES.
wild pro-ceed-ings. My taste for a wand - 'ring life is wan-lng, Now I'm a dab at
m m £ ¥m £ £ WW* £ £IT* *
S r j \3EE$ &E£ ^ ? 5
DESPARD* MAKUAKtl .JJCSrAKLI
DES.
pen- ny read-ings. They are not re - mark - a - bly en - ter - tain-ing. A mod-er-ateSW^*^3E fpi £ Pf i J^'TjJA A
11 r I j! a ? v
1 J^7 a =ff=? e^ #
fe J I J j>iVu j
MARGARET
P ^^J=s3DES.b w
In fact we rule Alive - li-hood we're gain-ing.
ft j m i s pp ^P rr > * 1
1
Irfo,
g# #• MBE^ ^
DESPARD
MARG.
Na-tion-al School. The du-ties are dull,but I'm not complaining!
IS PPifft W 7 FfH W^0ZBE mm
H7 7 j i W- •> a J -* 3E?7 7 J 5
77 J 77
l^O 'O^DES.
18311 Chappell
126
No 8 TRIO-( Margaret, Sir Ruthven,and Despard)
Allegro vivace
Sir Ruthven
Piano
I4= M J> J. J' J' tes3=£ J'HV J' J' J' g Jy i J^J JiJJi
nJi | j ,
Sir RUT.
My eyes are ful - ly o - pen to my aw - ful sit - u - a - tion— I shall
ff¥¥ J J J J I J h.
^s « ^^ii r r r r
t a J^ i > i J^iSir RUT.
J> J> 3 J> j) .M P j> | J^)j) J> a P ''K g J) g * Sgo at once to Ro-der-ic and make him an o - ra-tion, I shall tell hira I've re-co-vered my for
m p f f p f f ri= f « «
p V' J> | JV JU' 1
J>«M-jrj> J> iPp J>^Sir RUT. ^5
-got-ten mor-al sen-ses, And I don't care two-pence half-pen-ny for a-ny con-se-quen-ces. Now I
m M. JL
mm f P r f P P r r
18311 Chappell
127
Sir RUT. j'11
1 m h ¥S i h Ui|i mi g i
hi '
i
1
iii i'
i' fdo not want to per-ish by the sword or by the dag-ger, But a mar-tyr may in-dulge a lit -tie
gig f f p-tf f | | |T T if f 1
I'^' pM I C J>J>U' J'H J-H p lff^Sir RUT. #^ * m
par-don-a-ble 6wag.ger, And a word or two of com-pli-ment my van-i-ty would flat-ter, But I've
^m ^^ P*1!1s=ssfe=l £ «p=4
r i »p
MARGARET
C
$So it
^J'aJ'iJ'JQJ' M jl jtSir RUT. i^&
got to die to-mor-row, so it real-ly does-n't mat-tur!DESPARD
j ''Hip j p pp S5«
So it real-ly does -n't mat-ter, mat-ter,
te*p^ hb^^ J'J^J^' a JjtJ>J>)MARG.
Sir RUT.
DES.
wzmwmwmreal-ly does-n't mat-ter, mat-ter, mat-ter, mat-ter, mat-ter— So it real-ly does-n't mat-ter
£5^=3So It
yuj JU j> ji hip f p p »p p jw^ ij>j> j^ jm
mat-ter, mat-ter, mat-ter— So it real-ly does-n't mat-ter, mat-ter, mat-ter, mat-ter, mat-ter—
gj t f ij j p *
i r f f 118311 Chappell
128
MASG.
Sir RUT.
DES.
> j>j>I S i J' $ J> J> ni' £' »' *
So it real-ly doea-n't mat-ter, mat-ter,
P i'fflf g j J,J,|K
J, j J^^* » '
So it real-ly does- n't mat-ter, mat-ter,real-ly does-n't mat-ter!
•>:>«- > gr i p rPPP p pp i
rppp F
Eff^^So it real-ly does-n't mat-ter! So it real-ly does-n't mat-ter, mat-ter,
« f f ffif f f fh2nd verse
j i p 1 1 i j >MARG.
Sir RUT.
DES.
mat-ter, mat-ter, mat-ter!
fc£dim.^m * xijHitmM^mm*
mat-ter, mat-ter, mat-ter, mat-ter, mat-ter, mat-ter, mat-ter, mat-ter, mat-ter, mat-ter, mat-ter, mat-ter,
P dim.vuH iv*V I9 i'-MJ^J'JW^ JJOJi J>^~*^
—
— — — — —mat-ter, mat-ter, mat-ter, mat-ter, mat-ter, mat-ter, mat-ter, mat-ter, mat-ter, mat-ter, mat-ter, mat-ter,
i j j j i j j i
»31r r r r r r r r
«4iJ> J' j. J» J' J'|j*i vjj l jv l
jtj ,i
j, <t j)j) j|j t j>j tMARG.
Sir RUT.
DES.
J?£I were not a lit - tie mad and gen-er-al-ly sil-ly I should give you my ad-viee up-on the
3Ej' i J 1 1 1 1 1 J'
mat-ter, mat-ter, mat-ter, mat-ter, mat-ter!mm *e£m i' j> j* i j'* *—* »mat-ter, mat-ter, mat-ter, mat-ter, mat-ter!
18311 Chappell
129
MARG.
J>j> J)J)j>aM Jgg*j^i'juj^ ^ a ii J> i J^i)^p# —
r
sub-ject, wil-ly nil-ly; I should show you in a mo - ment how to grap-ple with the ques-tion, And you'd
d * d
3^iiJ'jij) J' J'J' l jiiJijiji JJ'J'I J'^'^MARG.
real-ly be as-ton-ished at the force of my sug-ges-tion. On the sub-ject I shall write you a most
^^^=^P \ p r rI f f f
P J
W
Jl
p P»p P W J| MM^1 JVMSMARG.0—0^-
val-u-a-ble let-ter, Full of ex-cel-lent sug-ges-tionsWhen I feel a lit -tie bet-ter, But at
ih ftp q^ i^=§^ ^m»^if i i i i i ^ i
i=ip
#
P^ JH)J-; MJ>JiJ,J'ii
J,J 'lj) jJ'J' J^J^MARG.
pre-sent I'm a-fraid I am as mad as a-ny hat-ter, So I'll keep'em to my-self, for my o-
18311 Chappell
130
MARG.
-pin-ion doe8-n't mat-ter! Sir RUTHVEN
> IJiJ'lJiJt s V J J'J* ''
It'"Her o- pin-ion does-n't mat-ter, mat-ter,DESPAKD
?h -j
'J:
f Hj p-f-lp g J^ g J^ J^ J^ Jr^nHHer o - pin-ion does-n't mat-ter, mat-ter, raat-ter, mat-ter, mat-ter, Her o
i' LT7»3 J' * -TJ £ • * » p **=f
ggj | I |Sig^ i
> ^i i i i I
I j J^pP F^^MARG.
Sir RUT.
DES.
My o - pin-ion does-n't mat-ter,
a iIa J' I trlrfi^rf
1 1 J' I 1
1
--<r~Jry« i
' *
mat-ter, mat-ter, mat-ter, Her o - pin-ion does-n't mat-ter
''V J J PP JW>I JJ> J^^S ^^I
pin-ion does-n't mat-ter, mat-ter, mat-ter, mat-ter, mat-ter! Her o.
sfeP^**f g f i r f f I f i iM|g
i ;»;>ij)j» .m JW J1iiiJ) p^ i ^|jMARG.
Sir RUT.
DES.
My o - pin-ion does-n't mat-ter, mat-ter, mat-ter, mat-ter, mat-ter, mat-ter,
'- • > j> .n j j> j> J j Jy JmVp »
i) i jff
Her o - pin-ion does-n't mat-ter, mat-ter, mat-ter, mat-ter, mat-ter, mat-ter,
>:
*i i p ff PPPppp i ppgr M'^ i
'M^fpj
pin-ion does-n't mat-ter, Her o - pin-ion does-n't mat-ter, mat-ter, mat-ter, mat-ter, mat-ter
m } } } \} } 'i i
18311 Chappell
131
3rd verse
MARG.
Sir RUT.
DES.
1 1 1 $ 1 1 1
1
' j 1 1 J 1 1 J I f 1 1 1 1 1 a J-
mat-ttr, mat-ttr, mat-ttr, mat-ter, mat-ter, mat-ter, mat-ttr, mat-ttr, mat-ttr, mat-ttr, mat-ter, mat-ter,
i7- uiiii^ruiiiiiriii^^mat-ttr, mat-ttr, mat-ter, mat-ter, mat-ter, mat-ttr, mat-ttr, mat-ttr, mat-ter, mat-ter, mat-ttr, mat-ter,
m t_, p |p ffff P g g ff tl' l
(!
N i i i 1 wIf I had been so luck-y as to
» g a
^^MARG.
Sir FUT.
DES.
=fe
mat-ter!
^FPmat-ter!
•^gipp ppyJ JmjJ'J'J'J^pp
U'J^';jiP
gfhave a stea-dy bro-ther Who could talk to me as we art talk-ing now to one an- o-ther,Who could
T~i } jl i JJJJJJ J J
f f r f f f r r
ns. in p"p p p p p p "pi p »p p p
p^'p •fi ^i>^^i
J'j'p p pi
give me good ad-vice when he dis - covered I was er- ring, (Which is just the ve-ry fa-vour which on
a > J' * ^ i>-r^if p »p p n' pp
i p »p p p p'p iDES. £you I am con- ftr- ring.) My ex - is-ter.ce would have made a ra-ther in-ter-est-ing i-dyll,AndI
18311 Chappell
132
DES. ggg p 1 1 ^r^ p ip pp?^ fp ffff yp
g P 1 P P' ' B
might have lived and died a ve-ry de-cent in-di-wid-dle. This par - tic-u-lar-ly rap-id, un-in
H ,rrn [J I?
;
jT * f^*
ai 1 I ij i # «F=>
Sir RUTHVEN
my
T fn J'J'f g UJ'^p p
Up »P P lp Up B»ff 9 mif it
DES.
ttl-li - gi-ble pat-ter Is- n't gen-er-al-Iy heard, and if it is it does-nt mat-ter!
MARGARET
9t= I .m i]' h * a
If it is it does- n't mat-ter, mat-ter, mat-ter, mat-ter, mat-ter, If it
fe^S 5B 1 i»j)ij) iSir RUT. Eaw^w^wmwww FW#
is it does- n't mat-ter, mat-ter, mat-ter, mat-ter, mat-ter, If it is it does-nt mat- ter, mat-ter,
J J J ftJ «!
^
a^ *• ^f r f f If
i^y
E JmJ^p p p JJJMJJ^'J J^i^E
e J> J) J) J>MARG.
Sir RUT.
mis it does-nt mat-ter!This par- tic-u-lar-ly rap- id, un-in - tel -li - gi-ble pat-ter Is-nt
mat-ter, mat -ter, mat- ter! This par- tic-u-lar-ly rap-id, un-in- tel- li - gi-ble pat-ter Is-nt
DESPARD fDESPARD ./ -### mH— i gg MP PFFTp p p i p g fU p p pThis par- tic- u - lar- ly rap- id, un-in - tel- li- gi-ble pat-ter Is-nt
18311 Chappell
133
MARG.
Sir RUT.
DES.
ft j, hjij j> vJ' nJ'-iyp j j. n-1' J^rrr ''Bgen-tr-al-ly heard,and if it is it does - n't mat- ter, This par - tic-u - lar- ly rap- id,
i i j,^; ji y i 1 g I v § jj,nJ' J'
i N'fiM J 1agtn-er-al- ly heard,and if it is it does-n't mat-ter,This par- tic-u-lar-ly rap-id, un-in
n j »m g p'ppft gfrfr yp f ippyp^pp ^
gtn-er-al- ly heard, and if it is it does-nt mat- ter, This par- tic-u-lar-ly rap-id, un-in
h jt j> J> J* J» > j. j> i
jt j. ji > jyJ'nJypfrp j,pMARG.
Sir RUT.
DES.
£tel- li - gi - ble pat-ter Is -n't gen- er- al - ly heard, and if it is it does-n't mat- ter, mat -ter,
ii J> J> J' ^'
j
,;,
>
i .M j> > 1 V-J'liiJ'P
'
ipiippj, p |
ttl- li - gi - ble pat-ter Is- n't gen-tr-al-ly heard, and if it is it does-n't mat-ttr, mat-ttr,
^«*ppppppppipppp t wn'tt'wv J*- tel- li - gi- ble pat-ter Is-n't gen-tr-al-ly heard, and if it is it does-n't mat-ter, mat-ter,
tftf PPPPPPPPIp PPPPf^PPiP J)^MARG.
Sir RUT.
DES.
mat-ter, mat-ttr, mat-ter, mat-ter, mat-ttr, mat-ter, mat-ttr, mat-ttr, matter!r\
"*ppppppppipp- p ppp nno?mat-ttr, mat-ttr, mat-ttr, mat-ttr, mat-ttr, mat-ttr, mat-ttr, mat-ttr, mat-ttr!
gfepmmff ipm pi-ifep^F^ n
fmat-ttr, mat-ttr, mat-ter, mat-ttr, mat-ttr, mat-ttr, mat-ttr, mat-ttr, mat-ttr!
18311 Chappell
134
N?9 MELODRAME
Allegro
Piano
S§e
I^Hi^i
Sw—
*
s%^mf& m
tem>-9oi
^^
#&(During dialogue)
Agitato
m ^aspa BBl a^^^ ;,JhJ ^ r ^r F m hjjjB l,J
Ij J J^*frtMEHi"g] iiU^'lHtf^
CODA
V :
i> fell 5 £?£•?
^ 1 ^~
^rs, f f^ftr
18311 C happell
135
N910 SONG.-Hannah (with Sir Roderic)
Hannah Iffij^t
Andante allegretto
Piano
* j thiih^m*
pi
1. There grew a lit- tie flower'Neath a
found that he was fic-kle,Was that
she"He loved me nev-er,Did that
E
§^a*
fcx1
I •
ffi9a '# to. I*
5 jsgiSi
i»
te
=***—
—
* #— —
#
)i U I' j Lf«a. *
|a jJ
^ ^ \^nnm J^ ^.u^i'j'jQiHANN.
great oak tree:Whenthetempestgantolow€rLit-tIe heed-ed she No need had she to cow-erForshe
great oak tree,Shewas in a pret-ty pickle,As she well might be- But his gal-lant-ries weremickle^brdeath
great oak tree, But Im neitherrichnorclever,Andsowhyshouldhe?Butthoughfateourfortunes sev-er,To be
p'h JiijSjWJ pp p^^r5nfp » J a J aj
j f j -r i j
^ ftVU hUhHm'B mmw^ ji jij*j >
jyj >j i j»;j>j| j | j'j |
j i >sHANN.
dread-ed not its power- She was happy in the bower Of her great oak tree! Sing hey, Lack-a-day!_
followedwithhis sickle, AndhertearsbegantotrickleFor her great oak treelSing hey, Lack-a- day!-
constant 111 en-deavour,Aye,for ev- er and for ev-er, To my great oak tree! Sing hey, Lack-a - dayL
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N911 FINALE- ACT II
Chorus
Piano
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bride!
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DANCE
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