volume 1 viola part international edition - content.alfred.com · beginning viola student the...

3
AMPV:1.03 © 2018, 2013, 2009, 1981 International Suzuki Association Sole publisher for the entire world except Japan: Summy-Birchard, Inc. Exclusive print rights administered by Alfred Music All rights reserved Produced in USA Available in the following formats: Book (0241S), Book & CD Kit (40685), CD (0543) Book ISBN-10: 0-87487-241-3 ISBN-13: 978-0-87487-241-5 Book & CD Kit ISBN-10: 0-7390-9705-9 ISBN-13: 978-0-7390-9705-2 The Suzuki name, alone and in combination with “Method” or “Method International”, International Suzuki Association, and the Wheel device logos are trademarks (TM) or Registered Trademarks of the International Suzuki Association, used under exclusive license by Alfred Music. Any duplication, adaptation or arrangement of the compositions contained in this collection requires the written consent of the Publisher. No part of this book may be photocopied or reproduced in any way without permission. Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by law. VIOLA PART I VOL. 1 VIOLA SCHOOL Volume 1 Viola Part International Edition ®

Upload: others

Post on 10-Sep-2019

44 views

Category:

Documents


2 download

TRANSCRIPT

AMPV:1.03

© 2018, 2013, 2009, 1981 International Suzuki Association Sole publisher for the entire world except Japan:

Summy-Birchard, Inc. Exclusive print rights administered by Alfred Music

All rights reserved Produced in USA

Available in the following formats: Book (0241S), Book & CD Kit (40685), CD (0543)

Book ISBN-10: 0-87487-241-3 ISBN-13: 978-0-87487-241-5

Book & CD Kit ISBN-10: 0-7390-9705-9 ISBN-13: 978-0-7390-9705-2

The Suzuki name, alone and in combination with “Method” or “Method International”, International Suzuki Association, and the Wheel device logos are trademarks (TM) or Registered Trademarks of the

International Suzuki Association, used under exclusive license by Alfred Music.

Any duplication, adaptation or arrangement of the compositions contained in this collection requires the written consent of the Publisher.

No part of this book may be photocopied or reproduced in any way without permission. Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by law.

VIOLA PART I VOL. 1

VIOLA SCHOOLVolume 1

Viola PartInternational Edition

®

3

CONTENTS

1 Twinkle, Twinkle, Little Star Variations, Shinichi Suzuki ................................................. 8 ............... 1

2 French Folk Song, Folk Song ............................................................................................. 10 ............... 2

3 Lightly Row, Folk Song ...................................................................................................... 11 ............... 3

4 Song of the Wind, Folk Song ............................................................................................. 11 ............... 4

5 Go Tell Aunt Rhody, Folk Song ......................................................................................... 12 ............... 5

6 O Come, Little Children, Folk Song ................................................................................. 12 ............... 6

7 May Song, Folk Song .......................................................................................................... 13 ............... 7

8 Long, Long Ago, T. H. Bayly ............................................................................................. 14 ............... 8

9 Allegro, Shinichi Suzuki ...................................................................................................... 15 ............... 9

10 Perpetual Motion, Shinichi Suzuki .................................................................................... 16 ............. 10

11 Allegretto, Shinichi Suzuki ................................................................................................. 17 ............. 11

12 Andantino, Shinichi Suzuki ................................................................................................ 18 ............. 12

13 Bohemian Folk Song, Folk Song ....................................................................................... 20 ............. 13

14 Etude, Shinichi Suzuki ........................................................................................................ 21 ............. 14

15 Minuet No. 1, J. S. Bach ..................................................................................................... 22 ............. 15

16 Minuet No. 2, J. S. Bach ..................................................................................................... 23 ............. 16

17 Minuet No. 3, J. S. Bach ..................................................................................................... 24 ............. 17

18 The Happy Farmer, R. Schumann ..................................................................................... 25 ............. 18

19 Gavotte, F. J. Gossec ........................................................................................................... 26 ............. 19

20 Practice Suggestions, D. Preucil ....................................................................................... 27

Transcribed for viola and piano by Doris Preucil

PageTrack

Numbers

This transposition of the SUZUKI VIOLIN SCHOOL makes available to the beginning viola student the carefully structured repertoire of The Suzuki Method®- a method that teaches basic playing skills and develops listening and memorizing ability through the playing of beautiful music.

Regardless of the age of the student, it is hoped that Dr. Suzuki’s principles of learning by listening, training the memory, and concentrating on producing a beautiful tone will be observed. Remember that ability develops after a composition has been learned - in the mastering process. The practice suggestions emphasize the need to isolate technical and musical problems, and encourage the teacher to use all the opportunities inherent in the repertoire for orderly growth toward mastery of the instrument.

This volume is also recommended for violinists who wish to become familiar with the viola and reading of the alto clef. For this reason, finger numbers have been kept to a minimum in order that reading will progress by note rather than by finger. The teacher is urged to stress knowledge of names of first-position notes on the viola before note reading progresses to the higher positions.

Many of the solos in this volume are written in the same keys as those in the corresponding SUZUKI CELLO SCHOOL repertoire; also, some solos can be played with the compositions in the SUZUKI VIOLIN SCHOOL.

Doris Preucil

IntroductIonFOR THE STUDENT: This material is part of the worldwide Suzuki Method® of teaching. The companion recording should be used along with this publication. A piano accompaniment book is also available for this material.

FOR THE TEACHER: In order to be an effective Suzuki teacher, ongoing education is encouraged. Each regional Suzuki association provides teacher development for its membership via conferences, institutes, short-term and long-term programs. In order to remain current, you are encouraged to become a member of your regional Suzuki association, and, if not already included, the International Suzuki Association.

FOR THE PARENT: Credentials are essential for any Suzuki teacher you choose. We recommend you ask your teacher for his or her credentials, especially those related to training in the Suzuki Method®. The Suzuki Method® experience should foster a positive relationship among the teacher, parent and child. Choosing the right teacher is of the utmost importance.

In order to obtain more information about the Suzuki Association in your region, please contact:

International Suzuki Associationwww.internationalsuzuki.org

B ## cC œ. œ œ œ. œ œ œ. œ œ œ. œ œ œ. œ œ œ. œ œ œ. œ œ œ. œ œ

B # #3 œ. œ œ œ. œ œ œ. œ œ œ. œ œ

etc.

œ. œ œ œ. œ œ œ. œ œ œ. œ œ

B ## cD œ œ œ œ œ œ œ œ œ œ œ œ3 3

3 3

œ œ œ œ œ œ œ œ œ œ œ œ

B # #3 œ œ œ œ œ œ œ œ œ œ œ œ

etc.

œ œ œ œ œ œ œ œ œ œ œ œ

B ## cE œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

B # #3 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

etc.

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

B ## c œ̄≥0

fœ̄ œ̄0 œ̄ œ̄ œ̄ -̇ œ̄

≤3 œ̄ œ̄2 œ̄ œ̄1 œ̄ -̇0

B # #5 œ̄≥ œ̄ œ̄ œ̄ œ̄ œ̄ -̇ œ̄≤ œ̄ œ̄ œ̄ œ̄ œ̄ -̇

B # #9 œ̄≥ œ̄ œ̄ œ̄ œ̄ œ̄ -̇ œ̄ œ̄ œ̄ œ̄ œ̄ œ̄ -̇

Stop bow without pressure after each note.

Theme

9

B ## cC œ. œ œ œ. œ œ œ. œ œ œ. œ œ œ. œ œ œ. œ œ œ. œ œ œ. œ œ

B # #3 œ. œ œ œ. œ œ œ. œ œ œ. œ œ

etc.

œ. œ œ œ. œ œ œ. œ œ œ. œ œ

B ## cD œ œ œ œ œ œ œ œ œ œ œ œ3 3

3 3

œ œ œ œ œ œ œ œ œ œ œ œ

B # #3 œ œ œ œ œ œ œ œ œ œ œ œ

etc.

œ œ œ œ œ œ œ œ œ œ œ œ

B ## cE œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

B # #3 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

etc.

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

B ## c œ̄≥0

fœ̄ œ̄0 œ̄ œ̄ œ̄ -̇ œ̄

≤3 œ̄ œ̄2 œ̄ œ̄1 œ̄ -̇0

B # #5 œ̄≥ œ̄ œ̄ œ̄ œ̄ œ̄ -̇ œ̄≤ œ̄ œ̄ œ̄ œ̄ œ̄ -̇

B # #9 œ̄≥ œ̄ œ̄ œ̄ œ̄ œ̄ -̇ œ̄ œ̄ œ̄ œ̄ œ̄ œ̄ -̇

Stop bow without pressure after each note.

Theme

9