volume iii: the andy warhol photographic legacy program

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The Andy Warhol Foundationfor the Visual Arts

20-Year Report 1987–2007The Andy Warhol Photographic Legacy Program

Andy Warhol’s Photographic LegacyIndex of Photographs

Grantees of The Andy Warhol Photographic Legacy Program

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©2007 The Andy Warhol Foundation for the Visual Arts, Inc.65 Bleecker Street, 7th FloorNew York, NY 10012telephone 212-387-7555fax 212-387-7560www.warholfoundation.orgWorks appearing in this publication may not be reproduced without authorization from The Andy Warhol Foundation for the Visual Arts.ISBN 0-9765263-1-X

� � Andy Warhol’s Photographic Legacy

From 1970 to 1987 Andy Warhol took scores of polaroid and black and white photographs, the vast majority of which were never seen by the public. These images often served as the basis for his commissioned portraits, silk-screen paintings, drawings, and prints. In 2007, to commemorate its twentieth anniversary, the Warhol Foundation launched the Andy Warhol Photographic Legacy Program. Designed to give a broad public greater access to Warhol’s photographs, the program donated over 28,500 of Warhol’s original polaroids and gelatin silver prints to more than 180 college and university museums and galleries across the country. The gift of such an extraordinary number of photographs not only brought Warhol’s astoundingly prolific photographic production to light, it also enabled new insights into his work pro-cess and his use of the photographic medium.

After a year spent reviewing and selecting the photographs to be donated through the Legacy Program, it was determined that participating institutions would be given a group of images that reflected both the sheer quantity and the remarkable range of figures and subject matter that Warhol captured with his camera. Each institution received a curated selection of over 100 polaroids and 50 black and white prints. An example of such a selection is presented on the following pages. While the polaroid portraits reveal Warhol’s profound and frank engagement with the personal-ity in front of his lens, the gelatin silver prints point to his extraor-dinary compositional skill, his eye for detail, and his compulsive desire to document the world around him. Taken together, these photographs survey the scope of Warhol’s aesthetic interests and demonstrate the reach of his curious, far-roaming eye.

I’ve never met a person I couldn’t call a beauty. —Andy Warhol

Warhol’s polaroids have been widely presented in exhibitions and publications as singular images depicting a glittering array of celebrities — the models, actors, artists, business tycoons, sports heroes, and socialites that populated his world. However, in looking through the polaroids selected for the Legacy Program, it becomes clear that celebrities were not the only figures Warhol photographed with his Polaroid Big Shot, the distinct plastic camera he used for the majority of his sittings. Over half of those who sat for him were little-known or remain unidentified. And the number of images he took at each session varied as greatly as the figures he shot: of some sitters he made only a dozen polaroids; of others he made hundreds.

A wealth of information about Warhol’s process and his interac-tions with his sitters is revealed in these images. Strikingly evident is the intense, though perhaps brief, emotional engagement Warhol had with these individuals. His attraction to their beauty, fascination with their power, or interest in their personae is palpable. So too are their reactions to Warhol. While some figures display relative ease in front of the camera, others present a stiff and studied countenance that appears unaffected by Warhol’s instructions to turn this way or that, to look over a shoulder, or to pose with the hands. Warhol positioned his sitters in a variety of similar, classical poses, over and over again, striving to obtain the perfect composition that matched their personalities, revealed their best features, and preserved them at their finest.

Repetition, a recurring motif in Warhol’s paintings, plays both a conceptual and practical role in his photography. By making several polaroids, he had more material from which to work. By shooting at length, more about the sitter was exposed. Only after seeing many photographs from the same sitting can one discern that the consistency in poses for a star like Dolly Parton, for example, is the result of a celebrity’s attempt to control her own “image”, while the consistency in the poses of other figures is more likely due to their concentration on Warhol’s instructions or to their unease at being in such close proximity to Warhol himself. Seen all together, the polaroids also destabilize the iconic status that a Warhol image assumes when displayed singly. On its own, a polaroid image is fully identified with the artwork that ultimately grew out of it; the face depicted becomes a kind of signifier for larger cultural concepts of beauty, power, and worth. In series however, the sitter’s individuality remains intact, resistant to the idealizations that result once the image is transferred from photograph to silkscreen to painted portrait.

Warhol’s use of repetition and ritual in his portrait sittings was not limited to the choice of poses. Many sitters (mostly women, but sometimes men) were subjected to a treatment of thick white makeup, black eyeliner, and red lipstick—to increase contrast and obscure any unsightly “imperfections.” One can’t help but notice that the majority of figures who tolerated such treatment were not the most beautiful individuals, nor the youngest.

The polaroids of nudes and the figures and objects Warhol shot as source material for other paintings, prints, and drawings present yet another side of his photographic practice. Provocatively explicit

and colored by desire, the nudes — which Warhol coyly referred to as “landscapes”— display an erotic charge and raw sexual intensity absent from much of his other work. The “idea” polaroids provide a view into the numerous subjects and compositions he considered for translation into other media. Humorous and witty, they reveal that Warhol, even at his most playful or experimental, always worked with great intention.

Color makes it more like a photograph….But in black and white it’s just a picture….A picture just means I know where I was every minute. That’s why I take pictures. —Andy Warhol

In contrast to the formal posing and tight compositions that are the hallmarks of his polaroid photography, Warhol’s black and white prints are a study in casual spontaneity. Shot with a Minolta SLR, the automatic 35 mm camera that enabled him to take a picture without concern for focus or light levels, the images serve as the visual diary of Warhol’s life. Anyone and everyone was subjected to his lens, most delightfully when they were looking their most unglamorous. “A good picture,” Warhol once wrote, “is one that’s in focus and of a famous person doing something unfamous.”

As drawn to the pedestrian and commonplace as he was to the spectacular and glamorous, Warhol considered the settings and stages for his subjects just as important as the subjects them-selves. The parties he attended, the neighborhoods he walked through, the discos he frequented, and the countries, hotels, airports, and homes he visited are all documented from ballroom to bathroom. It is interesting to note that even shooting spontane-ously, he returned time and again to the same compositions and the same arrangements of detail, in much the same way that he arranged his sitters in similar poses over and over again. It was through this rigorous — though almost unconscious — consistency that the true idiosyncrasies of his subjects were revealed.

At times, Warhol shot a person or event with both cameras, cropping one in polaroid color as a “photograph” and snapping the other in black and white as a “picture.” By presenting both kinds of images side by side, the Photographic Legacy Program allows viewers to move back and forth between moments of Warhol’s “art”, “work”, and “life” — inseparable parts of a fascinating whole.

Andy Warhol’s Photographic Legacy

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�2 �3 Grantees of The Andy Warhol Photographic Legacy Program

Grantees of The Andy Warhol Photographic Legacy Program

Turchin Center for the Visual Arts, Appalachian State University, Boone, North CarolinaArizona State University Art Museum, Arizona State University, Tempe, ArizonaArt Institute of Chicago, Chicago, IllinoisJule Collins Smith Museum of Fine Art, Auburn University, Auburn, AlabamaAugustana College Art Museum, Augustana College, Rock Island, IllinoisHessel Museum of Art & CCS Collection, Bard College, Annandale-on-Hudson, New YorkSidney Mishkin Gallery, Baruch College, City University of New York, New YorkWright Museum of Art, Beloit College, Beloit, WisconsinHeuser Art Center, Bradley University, Peoria, IllinoisRose Art Museum, Brandeis University, Waltham, MassachusettsBrenau University Art Galleries, Brenau University, Gainesville, Georgia Brigham Young University Museum of Art, Brigham Young University, Provo, UtahDavid Winton Bell Gallery, Brown University, Providence, Rhode IslandSamek Art Gallery, Bucknell University, Lewisburg, PennsylvaniaMain Art Gallery, California State University, Fullerton, CaliforniaUniversity Art Museum, California State University, Long Beach, CaliforniaHarriet & Charles Luckman Fine Arts Complex, California State University, Los Angeles, CaliforniaCalifornia State University Northridge Art Galleries, California State University, Northridge, CaliforniaRobert V. Fullerton Art Museum, California State University, San Bernardino, CaliforniaMeadows Museum of Art at Centenary College, Centenary College of Louisiana, Shreveport, LouisianaCoe College Permanent Art Collection, Coe College, Cedar Rapids, IowaColby College Museum of Art, Colby College, Waterville, MaineThe Gahlberg Gallery/Harold D. McAninch Arts Center, College of DuPage, Glen Ellyn, IllinoisJohn and Anne Marion Center for Photographic Arts, College of Santa Fe, Santa Fe, New MexicoThe College of Wooster Art Museum, The College of Wooster, Wooster, OhioClara Hatton Gallery, Colorado State University, Fort Collins, ColoradoMuseum of Contemporary Photography, Columbia College Chicago, Chicago, IllinoisMiriam and Ira D. Wallach Art Gallery, Columbia University, New York, New YorkSchool of Art, The Cooper Union for the Advancement of Science and Art, New York, New YorkThe Corcoran Gallery of Art, Corcoran College of Art and Design, Washington, D.C.Cranbrook Art Museum, Cranbrook, Bloomfield Hills, MichiganHood Museum of Art, Dartmouth College, Hanover, New HampshireBelk Visual Arts Center, Davidson College, Davidson, North CarolinaSoutheast Museum of Photography, Daytona Beach Community College, Daytona Beach, FloridaDePaul University Museum, DePaul University, Chicago, IllinoisRichard E. Peeler Art Center, DePauw University, Greencastle, IndianaThe Trout Gallery, Dickinson College, Carlisle, PennsylvaniaNasher Museum of Art at Duke University, Durham, North CarolinaThe Wellington B. Gray Gallery, East Carolina University, Greenville, North CarolinaSlocumb Galleries, East Tennessee State University, Johnson City, TennesseeMichael C. Carlos Museum, Emory University, Atlanta, GeorgiaEvergreen Galleries, The Evergreen State College, Olympia, WashingtonMuseum of Fine Arts, Florida State University, Tallahassee, FloridaSchmucker Art Gallery, Gettysburg College, Gettysburg, PennsylvaniaLuther W. Brady Art Gallery, The George Washington University, Washington, D.C.

Georgetown University Art Collection, Georgetown University, Washington, D.C.Jundt Art Museum, Gonzaga University, Spokane, WashingtonYager Museum of Art and Culture, Hartwick College, Oneonta, New YorkHarvard University Art Museums, Harvard University, Cambridge, MassachusettsHofstra University Museum, Hofstra University, Hempstead, New YorkHousatonic Museum of Art, Housatonic Community College, Bridgeport, ConnecticutPermanent Art Collection, Indiana State University, Terre Haute, IndianaIndiana University Art Museum, Indiana University, Bloomington, IndianaWeeks Gallery, Jamestown Community College, Jamestown, New YorkMarianna Kistler Beach Museum of Art, Kansas State University, Manhattan, KansasThorne-Sagendorph Art Gallery, Keene State College, Keene, New HampshireSchool of Art Galleries, Kent State University, Kent, OhioLa Salle University Art Museum, La Salle University, Philadelphia, PennsylvaniaMorris R. Williams Center for the Arts, The Gallery, Lafayette College, Easton, PennsylvaniaLehigh University Art Galleries, Lehigh University, Bethlehem, PennsylvaniaBakalar and Paine Galleries, Massachusetts College of Art, Boston, MassachusettsMIT List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, MassachusettsKresge Art Museum, Michigan State University, East Lansing, MichiganMiddlebury College Museum of Art, Middlebury College, Middlebury, VermontNorthcutt Steele Gallery, Montana State University, Billings, MontanaGeorge Segal Gallery, Montclair State University, Montclair, New JerseyFine Arts Gallery, Charles Stewart Mott Community College, Flint, MichiganMount Holyoke College Art Museum, Mount Holyoke College, South Hadley, MassachusettsMartin Art Gallery, Muhlenberg College, Allentown, PennsylvaniaNew England College Gallery, New England College, Henniker, New HampshireUniversity Art Gallery, New Mexico State University, Las Cruces, New MexicoGrey Art Gallery, New York University, New York, New YorkCastellani Art Museum, Niagara University, Niagara University, New YorkNorthern Illinois University Art Museum, Northern Illinois University, DeKalb, IllinoisMichael & Barbara Dennos Museum Center, Northwestern Michigan College, Traverse City, MichiganMary and Leigh Block Museum of Art, Northwestern University, Evanston, IllinoisAllen Memorial Art Museum, Oberlin College, Oberlin, OhioPennsylvania Academy of the Fine Arts, Philadelphia, PennsylvaniaPalmer Museum of Art, Pennsylvania State University, University Park, PennsylvaniaAddison Gallery of American Art, Phillips Academy, Andover, MassachusettsPomona College Museum of Art, Pomona College, Claremont, CaliforniaPrinceton University Art Museum, Princeton University, Princeton, New JerseyNeuberger Museum of Art, Purchase College, Purchase, New YorkGodwin-Ternbach Museum, Queens College, City University of New York, Flushing, New YorkDouglas F. Cooley Memorial Art Gallery, Reed College, Portland, OregonEdward Mitchell Bannister Gallery, Rhode Island College, Providence, Rhode IslandRhode Island School of Design Museum, Rhode Island School of Design, Providence, Rhode IslandPhilip J. Steele Gallery, Rocky Mountain College of Art + Design, Lakewood, ColoradoThe George D. and Harriet W. Cornell Fine Arts Museum, Rollins College, Winter Park, FloridaJane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, New Brunswick, New JerseyUniversity Art Collection, Saint Joseph’s University, Philadelphia, PennsylvaniaSaint Louis University Museum of Art, Saint Louis University, St. Louis, Missouri

�� Grantees of The Andy Warhol Photographic Legacy Program �� Grantees of The Andy Warhol Photographic Legacy Program

Hearst Art Gallery, Saint Mary’s College of California, Moraga, CaliforniaUniversity Galleries at Salisbury University, Salisbury, MarylandSan Francisco Art Institute, San Francisco, Californiade Saisset Museum, Santa Clara University, Santa Clara, CaliforniaThe Visual Arts Gallery, Santa Fe Community College, Santa Fe, New MexicoSavannah College of Art and Design Museum of Art, Savannah College of Art and Design, Savannah, GeorgiaRuth Chandler Williamson Gallery, Scripps College, Claremont, CaliforniaTrustman Art Gallery, Simmons College, Boston, MassachusettsThe Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Skidmore College, Saratoga Springs, New YorkSmith College Museum of Art, Smith College, Northampton, MassachusettsI.P. Stanback Museum and Planetarium, South Carolina State University, Orangeburg, South CarolinaThe University Museum, Southern Illinois University, Carbondale, IllinoisSchneider Museum of Art, Southern Oregon University, Ashland, OregonThe Regina A. Quick Center for the Arts, St. Bonaventure University, St. Bonaventure, New YorkFlaten Art Museum, St. Olaf College, Northfield, MinnesotaIris and B. Gerald Cantor Center for Visual Arts, Stanford University, Stanford, CaliforniaUniversity Art Museum, State University of New York, Albany, New YorkSamuel Dorsky Museum of Art, State University of New York, New Paltz, New YorkPlattsburgh State Art Museum, State University of New York, Plattsburgh, New YorkGibson Gallery, State University of New York, Potsdam, New YorkLore Degenstein Gallery, Susquehanna University, Selinsgrove, PennsylvaniaUniversity Art Gallery, Texas Christian University, Fort Worth, TexasMuseum of Texas Tech University, Texas Tech University, Lubbock, TexasNewcomb Art Gallery, Tulane University, New Orleans, LouisianaMandeville Gallery, Union College, Schenectady, New YorkEmily Davis Gallery, University of Akron, Akron, OhioVisual Arts Gallery, University of Alabama, Birmingham, AlabamaCenter for Creative Photography, The University of Arizona, Tucson, ArizonaThe University of Arizona Museum of Art, The University of Arizona, Tucson, ArizonaFine Arts Center Gallery, University of Arkansas, Fayetteville, ArkansasBerkeley Art Museum and Pacific Film Archive, University of California, Berkeley, CaliforniaRichard L. Nelson Gallery & Fine Arts Collection, University of California, Davis, CaliforniaArmand Hammer Museum of Art and Cultural Center, University of California, Los Angeles, CaliforniaCalifornia Museum of Photography, University of California, Riverside, CaliforniaUniversity Art Museum, University of California, Santa Barbara, CaliforniaDavid and Alfred Smart Museum of Art, University of Chicago, Chicago, IllinoisColorado University Art Museum, University of Colorado, Boulder, ColoradoUniversity Museums, University of Delaware, Newark, DelawareVictoria H. Myhren Gallery, University of Denver, Denver, ColoradoSamuel P. Harn Museum of Art, University of Florida, Gainesville, FloridaGeorgia Museum of Art, University of Georgia, Athens, GeorgiaBlaffer Gallery, University of Houston, Houston, TexasKrannert Art Museum and Kinkead Pavilion, University of Illinois, Urbana-Champaign, IllinoisUniversity of Iowa Museum of Art, University of Iowa, Iowa City, IowaSpencer Museum of Art, University of Kansas, Lawrence, KansasUniversity of Kentucky Art Museum, University of Kentucky, Lexington, KentuckyPaul and Lulu Hilliard University Art Museum, University of Louisiana, Lafayette, Louisiana

Museum of Art, The University of Maine, Bangor, MaineReed Fine Art Gallery, University of Maine, Presque Isle, MaineUniversity of Maryland University College Arts Program, University of Maryland University College, Adelphi, MarylandUniversity Gallery, University of Massachusetts, Amherst, MassachusettsArt Museum, The University of Memphis, Memphis, TennesseeUniversity of Michigan Museum of Art, University of Michigan, Ann Arbor, MichiganTweed Museum of Art, University of Minnesota, Duluth, MinnesotaMuseum of Art and Archaeology, University of Missouri-Columbia, Columbia, MissouriSheldon Memorial Art Gallery, University of Nebraska, Lincoln, NebraskaThe Art Gallery, University of New Hampshire, Durham, New HampshireUniversity of New Mexico Art Museum, University of New Mexico, Albuquerque, New MexicoAckland Art Museum, The University of North Carolina, Chapel Hill, North CarolinaWeatherspoon Art Museum, The University of North Carolina, Greensboro, North CarolinaSnite Museum of Art, University of Notre Dame, Notre Dame, IndianaFred Jones Jr. Museum of Art, University of Oklahoma, Norman, OklahomaJordan Schnitzer Museum of Art, University of Oregon, Eugene, OregonFine Arts Center Galleries, University of Rhode Island, Kingston, Rhode IslandJoel and Lila Harnett Museum of Art, University of Richmond, Richmond, VirginiaKathryn Hicks Visual Arts Center, University of South Carolina Upstate, Spartanburg, South CarolinaContemporary Art Museum, University of South Florida, Tampa, FloridaFisher Gallery, University of Southern California, Los Angeles, CaliforniaNew Harmony Gallery of Contemporary Art, University of Southern Indiana, Evansville, IndianaScarfone/Hartley Gallery, The University of Tampa, Tampa, FloridaCress Gallery of Art, University of Tennessee, Chattanooga, TennesseeStanlee & Gerald Rubin Center for the Visual Arts, University of Texas, El Paso, TexasUtah Museum of Fine Arts, University of Utah, Salt Lake City, UtahUniversity of Virginia Art Museum, University of Virginia, Charlottesville, VirginiaHenry Art Gallery, University of Washington, Seattle, WashingtonLawton Gallery, University of Wisconsin, Green Bay, WisconsinChazen Museum of Art, University of Wisconsin-Madison, Madison, WisconsinUniversity of Wyoming Art Museum, University of Wyoming, Laramie, WyomingBrauer Museum of Art, Valparaiso University, Valparaiso, IndianaFine Arts Gallery, Vanderbilt University, Nashville, TennesseeThe Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New YorkStaniar Gallery, Washington and Lee University, Lexington, VirginiaMuseum of Art, Washington State University, Pullman, WashingtonMildred Lane Kemper Art Museum, Washington University in St. Louis, St. Louis, MissouriDavis Museum and Cultural Center, Wellesley College, Wellesley, MassachusettsArt Gallery, Western Wyoming Community College, Rock Springs, WyomingUlrich Museum of Art, Wichita State University, Wichita, KansasWilliams College Museum of Art, Williams College, Williamstown, MassachusettsUniversity Art Galleries, Wright State University, Dayton, OhioYale University Art Gallery, Yale University, New Haven, ConnecticutYeshiva University Museum, Yeshiva University, New York, New York (list in formation)

Copyright © The Andy Warhol Foundation for the Visual ArtsAll artwork © The Andy Warhol Foundation for the Visual ArtsCurator and Author: Jenny MooreEditor: Rachel BersImage Preparation: Ben Fenton, Emily Liebert, Rachel MattesDesign: Claudia Brandenburg, Language Arts, NY

front cover: Self-Portrait in Drag, 1��1, Polacolor 2, � 1/� x 3 3/� inches

back cover: Self-Portrait, 1��, Polacolor Type 10�, � 1/� x 3 3/� inches

volume iii: the andy warhol photographic legacy program

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