wassily kandinsky 1866-1944

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Wassily Kandinsky 1866-1944

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Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could - PowerPoint PPT Presentation

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Page 1: Wassily Kandinsky 1866-1944

Wassily Kandinsky1866-1944

Page 2: Wassily Kandinsky 1866-1944

I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could

Colour is the keyboard , the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul.

Wassily Kandinsky

Page 3: Wassily Kandinsky 1866-1944

• Born in Moscow, Russia in 1866.

• Was a lecturer in Law at University,(1895) in Russia but gave up his job to study painting in Munich.

• He was a member of the avante-garde painting group called the Blue Rider. Show his abstract style of paintings with the group.

Page 4: Wassily Kandinsky 1866-1944

• Kandinsky was very spiritual about his art making.

• He was commented as saying, That his belief in art is based on the harmony of colour and form.

• He believed that every colour had an inner voice and a meaning.

Page 5: Wassily Kandinsky 1866-1944

• He carefully plans each painting to express, through the colours and abstract forms, exactly the feelings and spiritual ideas he wishes to communicate.

Page 6: Wassily Kandinsky 1866-1944

"It was from the catalog I learned this was a haystack. I was upset I had not recognized it. I also thought the painter had no right to paint in such an imprecise fashion. Dimly I was aware too that the object did not appear in the picture..."

Page 7: Wassily Kandinsky 1866-1944

Claude MONET1840–1926Haystacks at Giverny, the evening sun 1888 (Morning Snow Effect)

The End of the Summer, at Giverny, 1891

Page 8: Wassily Kandinsky 1866-1944

Wassily Kandinsky. Volga Song. 1906. Tempera on cardboard. 49 x 66 cm. Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France.

Page 9: Wassily Kandinsky 1866-1944

Russian Woman in a Landscape (1906)

Page 10: Wassily Kandinsky 1866-1944

Old Town II

Page 11: Wassily Kandinsky 1866-1944

Gabriele Munter

Page 12: Wassily Kandinsky 1866-1944

Gabriele Munter Painting in Kallmunz

Page 13: Wassily Kandinsky 1866-1944

Cemetery and Vicarage in Kochel

Page 14: Wassily Kandinsky 1866-1944

Picture XVI; The Great Gate of Kiev

Page 15: Wassily Kandinsky 1866-1944

Improvisation 26 (Oars) Oil on canvas, 1912 42.1" x 38.2

Page 16: Wassily Kandinsky 1866-1944

Study for Painting with White Lines (Bild mit weissen Linien), 1913. Watercolor, india ink, and pencil on paper, 15 11/16 x 14 1/8 inches

Page 17: Wassily Kandinsky 1866-1944

Improvisation 31 (Sea Battle)

1913; Oil on canvas, 145 x 119.7cm (57 x 47 in);

Page 18: Wassily Kandinsky 1866-1944

Small Pleasures 1913

Page 19: Wassily Kandinsky 1866-1944

Composition VII

Page 20: Wassily Kandinsky 1866-1944

To The Unknown Voice

Page 21: Wassily Kandinsky 1866-1944

Wassily Kandinsky, White Line, No. 232, oil on canvas, 1920.

Page 22: Wassily Kandinsky 1866-1944

Composition VIII 1923

Page 23: Wassily Kandinsky 1866-1944

On White II 1923

Page 24: Wassily Kandinsky 1866-1944

Wassily Kandinsky, Black and Violet, oil on canvas, 1923.

Page 25: Wassily Kandinsky 1866-1944

Contrasting Sounds

1924

Page 26: Wassily Kandinsky 1866-1944

Yellow, Red, Blue 1925

Page 27: Wassily Kandinsky 1866-1944

Wassily Kandinsky, Several Circles, oil on canvas, 1926.

Page 28: Wassily Kandinsky 1866-1944

Wassily Kandinsky, Softened Construction, oil on canvas, 1927.

Page 29: Wassily Kandinsky 1866-1944
Page 30: Wassily Kandinsky 1866-1944
Page 31: Wassily Kandinsky 1866-1944

Red Oval

Page 32: Wassily Kandinsky 1866-1944

On Points

Page 33: Wassily Kandinsky 1866-1944

Dominant Curve

Page 34: Wassily Kandinsky 1866-1944

Decisive Pink

Page 35: Wassily Kandinsky 1866-1944

Capricious

Page 36: Wassily Kandinsky 1866-1944

Around the Circle

Page 37: Wassily Kandinsky 1866-1944

Wassily Kandinsky, Composition X, oil on canvas, 1939.

Page 38: Wassily Kandinsky 1866-1944

Composition: Storm Guided student questions

What colours do you see?

What colours do you see the most of?

What types of lines do you see?

Does anything in this painting remind you of a storm?

How does this painting make you feel?

Is there any place in this painting that seems restful to you? How?

Would you like to be standing in the middle of this painting?

What do you think it would feel like? Why?