week 12.modernism through early twentieth century
DESCRIPTION
TRANSCRIPT
Modernism
describes many different styles and reactions Impressionism and
Postimpressionism
Abstract Expressionism
CubismDada
Surrealism
Modernism
REMEMBER:Modernism moves from a…
Truth Centered World
1. Existence of meta-narratives
2. God as creator
3. Truth is absolute
4. There is order to the world
World of Individuation
1. Meta-narratives collapse
2. Individual is creator
3. Truth is contextual
4. Order is false; the world is disordered
Early Twentieth Century1900—1945 in Europe and the US
Guiding Questions
What are ideal justifications for war?
How does culture respond to war?
Guiding Historical Events• World War I—1914-17
• Begun with the promise that bravery and the wills of men can continue making progress
• Welcomed by European youth who wanted to destroy any remnant of the past. It was to be the culmination of the promises of modernism.
• Russian Revolution—1917
• Spanish Civil War—1936-39
• World War II—1939-1945• The bombing of Hiroshima and Nagasaki show that technology has gone
insane.
1900-1914
Before WWI Modernism is hopeful that mankind can return to something pure and untainted by language
Kandinsky’sImprovisation No. 30, 1913
BLUE RIDER GROUP
• Seeking spirituality in painting• A synesthete,
Kandinsky hears colors
• Influenced by Arnold Schoenberg, an atonal composer• The goal is to lose the
subject of art, so leads to abstraction
Braque’s Portuguese, 1911 and Picasso’s Young Ladies of Avignon, 1907
A reordering of the world based on geometry and the subjectivity
of the artist—Artist as God
CUBISM
• Influenced by African and Oceanic masks
• Shameless women of the red light district sexuality celebrated
Severini’s Suburban Train Arriving at Paris, 1915
FUTURISM
• War is a cleansing agent for civilization
• Only war can reform society• Get rid of the
feminine• Replace with the
masculine—speed, aggressive movement
World War IWhy is it so devastating?
It completely demolished the hopes of modernism.
What was supposed to end quickly and gloriously brought about machine guns, flame throwers, fighter aircraft, poison gas
In 1916 alone, Germany lost 850,000, France, 700,000, and England, 400,000
Political leaders use patriotism to mask war profiteering. Food is rationed. WWI is the most brutal in human history at this time.
SO, if man, not god, is the center of the universe, mankind is evil.
If man, not god, holds his own destiny, he is lost.—and so the “Lost Generation” of writers and poets.
Mankind is at the mercy of its own inadequacies. This is the disillusionment of Modernism.
1917-1936
Between the Two World WarsArtists return to romantic gestures to explore why we are so evil (Freud) or they become anti-art
Duchamps’ The Fountain, 1917
DADA
• Artist is not God, but dead• Art is what the artists
says it is
• Responds to the disillusionment of Modernism• Art cannot take us away
from our associations• Art cannot bring
progress• Life is absurd
Dali’s,The Persistence of Memory, 1931
SURREALISM
• Tries to explore the unconscious, that which can tell us who we are
• A vision of the dream world
• Tries to escape language without abstraction (unlike Kandinsky)
Picasso’s Guernica, 1937
Response to the brutality of Spanish Civil War
Devastation in Literature
T.S. Eliot’s “The Love Song of J. Alfred Prufrock”
• A poem about a man who does not fit in with women
• Prufrock cannot profess his own feelings for a woman
W. B. Yeats “Second Coming”
• Explores chaos
• Explores the demise of traditional religious ideas• Salvation• A paradise to come
US Reactions to World WarsArtists give in to stoicism, loneliness, and escapism
Georgia O’Keefe’s Yellow Calla, 1926
BIOMORPHISM• Abstract Art takes its
cues from nature (rather than industry and technology)
• O’Keefe leaves behind a life in the modern world for one in Sante Fe, New Mexico—her attempt to find the pure and primitive
Dorothea Lange’s Migrant Mother, Nipomo, California, 1917
SOCIAL REALISM• Portrays workers devastated
by the Depression and drought
• This is what the Depression looks like• Soup lines• Displaced Americans
• Part of a Works Progress Administration (WPA) project with the “New Deal”
Hopper’s Nighthawks, 1942SOCIAL REALISM
• Modernism brings only loneliness, detachment• Stoicism is an American expression to cultural discontent--
Lacks the “hysterical” reaction of the Europeans
Frank Lloyd Wright’s Fallingwater, Bear Run, Pennsylvania, 1936
• Combines interior and exterior, and the industrial with the organic
• Combines man made architecture and natural forms
• Individual movements/expressions of Modernism through Manifestos
In Subsequent materialsyou will learn more about: