what do good history detectives want to know?

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M.Lisanti/D.Hicks 1 Summarize, Contextualize, Infer (informed guesses), Monitor (More questions) Corroborate Finding and using evidence to answer difficult questions!!!! Summarize: What does our evidence say “out loud”? What is the evidence? Who created the evidence? Why? Who was involved? What do we know about them? What facts/details can we pull from the evidence Contextualize: When did something happen? Why does our evidence exist? Was it left on purpose or by accident? Do we know anything else about what was happening or going on about the same time? What do we know about the people involved? Where did our evidence come from? Infer: What is the evidence saying “between the lines? Could our evidence include/hide personal opinions? What does the evidence suggest? More Questions/Monitor: What questions would we still like to answer? What other sources of evidence should we look for?What evidence are we missing? Are there any missing ideas/perspectives? Corroborate: How does the evidence come together to help me answer the big question? What information, similarities and differences exist in the evidence to help me explain /answer the question? DETAILS! EVIDENCE! DETAILS! DETAILS! EVIDENCE! DETAILS! WHAT DO GOOD HISTORY DETECTIVES WANT TO KNOW?

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M.Lisanti/D.Hicks

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Summarize,Contextualize,Infer(informedguesses),Monitor(Morequestions)Corroborate

Findingandusingevidencetoanswerdifficultquestions!!!!

Summarize:Whatdoesourevidencesay“outloud”? Whatistheevidence? Whocreatedtheevidence?Why? Whowasinvolved?Whatdoweknowaboutthem? Whatfacts/detailscanwepullfromtheevidence

Contextualize:Whendidsomethinghappen? Whydoesourevidenceexist?Wasitleftonpurposeorbyaccident? Doweknowanythingelseaboutwhatwashappeningorgoingon

aboutthesametime? Whatdoweknowaboutthepeopleinvolved? Wheredidourevidencecomefrom?

Infer:Whatistheevidencesaying“betweenthelines? Couldourevidenceinclude/hidepersonalopinions? Whatdoestheevidencesuggest?

MoreQuestions/Monitor:Whatquestionswouldwestillliketoanswer?

Whatothersourcesofevidenceshouldwelookfor?Whatevidencearewemissing?

Arethereanymissingideas/perspectives?Corroborate:Howdoestheevidencecometogethertohelpmeanswerthebigquestion?

Whatinformation,similaritiesanddifferencesexistintheevidencetohelpmeexplain/answerthequestion?

DETAILS!EVIDENCE!DETAILS!DETAILS!EVIDENCE!DETAILS!

WHAT DO GOOD HISTORY DETECTIVES WANT TO KNOW?

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HISTORYDETECTIVECOMPLETINGREPORT___________________________PREPAREYOURCASEABOUT:_____________________________________________

EVIDENCEA.ANALYSISREPORTWHATAREYOUSUREYOUKNOWFROMTHEEVIDENCE?JUSTTHEFACTS/DATES(Summarize/Contextualize)__________________________________________________________________________________________________________________________________________________________

_____________________________________________________________________________

_____________________________________________________________________________

WHATARESOMEGOODGUESSESYOUCANMAKEANDWHATEVIDENCESUPPORTSTHEM?(Infer)__________________________________________________________________________________________________________________________________________________________

_____________________________________________________________________________

_____________________________________________________________________________WHATQUESTIONSWOULDDOYOUSTILLHAVEABOUTTHECASE?(monitor)__________________________________________________________________________________________________________________________________________________________

_____________________________________________________________________________

_____________________________________________________________________________

M.Lisanti/D.Hicks

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EVIDENCEB.ANALYSISREPORTWHATAREYOUSUREYOUKNOWFROMTHEEVIDENCE?JUSTTHEFACTS/DATES__________________________________________________________________________________________________________________________________________________________

_____________________________________________________________________________

_____________________________________________________________________________WHATARESOMEGOODGUESSESYOUCANMAKEANDWHATEVIDENCESUPPORTSTHEM?__________________________________________________________________________________________________________________________________________________________

_____________________________________________________________________________

_____________________________________________________________________________WHATQUESTIONSWOULDDOYOUSTILLHAVEABOUTTHECASE?__________________________________________________________________________________________________________________________________________________________

_____________________________________________________________________________

_____________________________________________________________________________

M.Lisanti/D.Hicks

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EVIDENCEC.ANALYSISREPORTWHATAREYOUSUREYOUKNOWFROMTHEEVIDENCE?JUSTTHEFACTS/DATES__________________________________________________________________________________________________________________________________________________________

_____________________________________________________________________________

_____________________________________________________________________________

WHATARESOMEGOODGUESSESYOUCANMAKEANDWHATEVIDENCESUPPORTSTHEM?__________________________________________________________________________________________________________________________________________________________

_____________________________________________________________________________

_____________________________________________________________________________WHATQUESTIONSWOULDDOYOUSTILLHAVEABOUTTHECASE?__________________________________________________________________________________________________________________________________________________________

_____________________________________________________________________________

_____________________________________________________________________________

M.Lisanti/D.Hicks

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WRITEYOURREPORTTOTELLWHATYOUHAVEDISCOVEREDABOUTYOURMISSION.YOUMUSTUSEYOUREVIDENCETOBUILDASTRONGARGUMENTABOUTWHATYOUKNOW.____________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ ________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________

DEARMSROOSEVELT….

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What’supwithallthismail?Weobviouslyhavesomekindofsituation,sowhatisit?QUESTION:WhatwaslifelikeforchildrenintheGreatDepression?EVIDENCEA.

JUNE271938STANTONVILLETENNDEARMRS.PRESIDENTIAMALITTLEGIRL5YEARSOLDIHAVEALITTLEBROTHERHECALLSMESISTIEICALLHIMBUZZIE.AFTERYOURLITTLEGRANDCHILDREN.IWISHIHADASHIRLEYTEMPLEDOLL.DADYCANTNOTBUYONEILOVEYOUPATRICIAANACARROLLhttp://newdeal.feri.org/eleanor/index.htmEvidenceB

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PortMorrisN.J.March20,1934MyDearMrs.Roosevelt,Doyourealizethat"Easter"isathand?Doyourealizehowmanyheartsarebrokenonthisaccount?Doyourealizehowharditsgoingtobeformostpeople?Likeme,forinstance,IamayounggirloffifeteenandIneedacoat,sobadIhavenomoney,noranymeansofgettingany.Myfatherhasbeenoutofworkfortwoyears.http://newdeal.feri.org/eleanor/index.htm

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TheMysteryofthe“TiredOldLady”Wehaveasituation!Amysterywomanhasbeenarrestedandshe’snottalking.We’vegatheredsomeevidenceandnowweneedtoknow:QUESTION:Whoisthiswomanandwhyisshesoimportant?EVIDENCEA‐‐www.loc.gov/exhibits/brown/images/br0119s.jpg

EVICENEB:http://library.kentlaw.edu/Exhibit/Montgomery/otherarrest.htm

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EvidenceC EvidenceD

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EVIDENCEESource:http://library.kentlaw.edu/Exhibit/Montgomery/policereport.htm

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EVIDENCEF:http://www.loc.gov/exhibits/brown/images/br0118p1s.jpg

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ThePeculiarInstitution…Slavery…(Alittlemorecomplex‐maybe)QuestionstoExplore

Whoweretheabolitionists?Whatdidtheyhopetochange/abolish?Why? Whatargumentsdidsomehaveagainstchangeandabolition? Howdidpeople“talk”aboutslaveryinpoliticalcartoons,broadsheetsand

posters?Whattypesofviewsdidpeoplehaveregardingslavery,AfricanAmericans,andhowdidtheychangeovertime?

M.Lisanti/D.Hicks

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ProcedureIdeas1.ProvidestudentswithSCIM–Cmaterialse.g.(a)QuestionFrame/Checklist(b)GraphicOrganizerforIndividualSources,and(c)CorroborationChart.(Ifyoucanuselargepaperandhaveitonthewallsthatworkswellforsharing)2.Workingeitherindividuallyorinpairs/triadshavestudentsexamineaseriesofdifferentindividualsources.(Teachervoice:“Usingtheindividualsourcegraphicorganizerandthe4initialphasesofSCIM‐Cexaminetheindividualsourceinordertobegintoanswertheinvestigativequestionsabove.AsyouuseSCIMremembestostudytheimageandalsotheaccompanyingreferencematerialtocompleteyourchart.Useonegraphicorganizerforjustonesource.AfteryouhavecompletedonecallmeoverandIwilldetermineifyouarereadytoexamineanothersource”)Note:Determinehowmanysourcesyouwanttouse‐somegroupscouldhavethesamesource.Oftenyoudonotneedtousemanysources‐youcankeeptheinitialinvestigationtightanfocused.Determinenumberbythetimeyouhaveandthenatureofthequestion.3.Afterstudentshaveworkedon1‐3sourceshavethemsharetheirSCIManalysiswiththeclass.Remindstudentsoftheguidinghistoricalquestionandshowtheclassthesourceandreferencematerialsasstudentsgoovertheiranalysis.ProvidefeedbackandsupportusingtheSCIMquestionstoreinforcetheiranalysisortohelpstretchthemfurther.4.After2‐4individualgrouppresentationsoftheirindividualsourceanalysis,theteachercanbegintoleadthecorroborationphaseoftheanalysisusingthecorrobarationchartandguidingquestionsforcorroborationwiththewholeclass.(TeacherVoice:“Wehavebeguntogetsomeniceindividualsourceanalysis,let’susewhatwearenowgleaningasevidencetobeginthecorroborationprocesstohelpanswerthekeyhistoricalquestions.Usingthischartandthequestionframewhatsimilaritiesarewenowseeing..”(Usethequestionsincorroborationphasetoguidestudentinsightsandrecordappropriatelyonthecorroborationsheet)5.Afterrecordingkeyinsightsoncorrobationchartwithaseriesofsource–gobacktomoreindividualsourceanalysis.After2‐4havebeenpresentedtheteachercangobacktothecorroborationprocessusingthecorroborationchart(s).(Youmayneedmoreroomormorethanonechartforcorroboration).6..Uponcompletionofindividualsourcepresentations–completethecorroborationprocess–theteachermayleadoryoumaynowtransferthisresponsibilitydirectlytostudents.7.Developinganaccount:Youcandeterminethetypeofaccountyouwantthestudentstoconstruct—butitisimportanttobeexplicitinyourdirections(TV:“InordertoanswerthehistoricalquestionyoumustprimarliyuseonlytheevidencegleanedthroughtheSCIM‐Cprocesstodevelopyourhistoricalaccount.”(thiswillpreventstudentspullingideasoutofthinairthatarenotsubstantiated).

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SourceA

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SourceA.Provenance

AlfredR.Waud.

"TheFirstVote."

FromHarper'sWeekly,November16,1867.Copyprint.

TheFifteenthAmendmenttotheU.S.Constitution,ratifiedMarch30,1870,

providedthatallmalecitizenswereentitledtovote.Becausetheblackpopulation

wassolargeinmanypartsoftheSouth,whiteswerefearfuloftheirparticipationin

thepoliticalprocess.Nevertheless,theRadicalRepublicansintheU.S.Congress

weredeterminedthatAfricanAmericansbeaccordedalloftherightsofcitizenship.

LibraryofCongress

http://www.loc.gov/exhibits/odyssey/archive/05/0521001r.jpg

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Source B

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SourceBProvenance

TITLE:[Journeyofaslavefromtheplantationtothebattlefield]

CALLNUMBER:PGA‐Queen‐‐Journeyofaslave(Bsize)[P&P]

REPRODUCTIONNUMBER:LC‐DIG‐ppmsca‐05453(digitalfilefromoriginalprint) LC‐USZC4‐6677(colorfilmcopytransparency)

RIGHTSINFORMATION:Noknownrestrictionsonpublication.

SUMMARY:Uncutsheetoftwelveillustratedcardspresentingthejourneyofaslavefromplantationlifetothestruggleforliberty,forwhichhegiveshislife,asaUnionsoldierduringtheCivilWar.

MEDIUM:1print:chromolithograph.

CREATED/PUBLISHED:[ca.1863]

CREATOR:

Queen,JamesFuller,1820or21‐1886,artist.

Exhibited:"AmericanVisionsofLibertyandFreedom"atVirginiaHistoricalSociety,Richmond,VA,2004‐2005.

REPOSITORY:LibraryofCongressPrintsandPhotographsDivisionWashington,D.C.20540USA

DIGITALID:(digitalfilefromoriginalprint)ppmsca05453http://hdl.loc.gov/loc.pnp/ppmsca.05453

M.Lisanti/D.Hicks

18

SourceC

M.Lisanti/D.Hicks

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SourceC.Provenance

Title:Reward.

PrintedEphemeraCollection;Portfolio186,Folder26.

CALLNUMBERPortfolio186,Folder26

PARTOFBroadsides,leaflets,andpamphletsfromAmericaandEurope

100dollarsreward.Ranawayfromthesubscriber,livingnearCharlestown,JeffersonCounty,Virginia,onthenightofthe4thinstanttwonegromenRobert&Lewis...JohnLock.October6,1834.Charlestown:PrintedattheVirginiaFreePress

Lock,John.

CREATED/PUBLISHED Charlestown,1834.

DIGITALIDrbpe18602600http://hdl.loc.gov/loc.rbc/rbpe.18602600

M.Lisanti/D.Hicks

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Source D

M.Lisanti/D.Hicks

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SourceD.Provenance

TITLE:America/E.W.C.

CALLNUMBER:PGA‐Clay‐‐America(Asize)[P&P]

REPRODUCTIONNUMBER:LC‐USZC4‐5950(colorfilmcopytransparency) LC‐USZ62‐89745(b&wfilmcopyneg.)

SUMMARY:AnidealizedportrayalofAmericanslaveryandtheconditionsofblacksunderthissystemin1841.TheLibrary'simpressionoftheprintisafragment‐‐theleftpanelonly‐‐ofalargerprintentitled"BlackandWhiteSlavery,"whichcontraststheplightofBritain'sabused"whiteslaves"(actuallyfactoryworkers,portrayedintherightpanel)andAmerica's"contented"blackslaves.WeitenkampfrightlysuggeststhatprintslikethesewerepublishedbyNorthernapologistsforslavery.Theworkofonesuchapologist,E.W.Clay,displaysaconsistentlackofsympathyforblacks.Hereheshowsanattractiveandwealthy,slave‐owningwhitefamily,includingahusband,hiswife,andtheirtwochildren.Theyoungdaughterplayswithaleangreyhoundwhichstandsbeforethem.Thesongesturestowardanelderlyblackcouplewithasmallchildsittingattheirfeet.Agroupofhappyslavesdanceinthebackground.Theoldslavesays,"GodBlessyoumassa!youfeedandclotheus.Whenwearesickyounurseus,andwhentoooldtowork,youprovideforus!"Themastervowspiously,"Thesepoorcreaturesareasacredlegacyfrommyancestorsandwhileadollarisleftme,nothingshallbesparedtoincreasetheircomfortandhappiness."

MEDIUM:1printonwovepaper:lithographwithwatercolor;image31x25.2cm.

CREATED/PUBLISHED:[NewYork]:Publ.byA.Donnelly,no.191/2CourtlandSt.,N.Y.c1841.

http://hdl.loc.gov/loc.pnp/cph.3b36116

M.Lisanti/D.Hicks

22

SourceE

M.Lisanti/D.Hicks

23

SourceE.Provenance

Thefugitive'ssong

CALLNUMBER:LOT10615‐59[item][P&P]Checkforanonlinegrouprecord(maylinktorelateditems)

REPRODUCTIONNUMBER:LC‐USZ62‐7823(b&wfilmcopyneg.)

RIGHTSINFORMATION:Noknownrestrictionsonpublication.

SUMMARY:AsheetmusiccoverillustratedwithaportraitofprominentblackabolitionistFrederickDouglassasarunawayslave.Douglassfleesbarefootfromtwomountedpursuerswhoappearacrosstheriverbehindhimwiththeirpackofdogs.Ahead,totheright,asignpostpointstowardNewEngland.Thecover'stextstatesthat"TheFugitive'sSong"was"composedandrespectfullydedicated,intokenofconfidentesteemtoFrederickDouglass.Agraduatefromthepeculiarinstitution.Forhisfearlessadvocacy,signalabilityandwonderfulsuccessinbehalfofhisbrothersinbonds.(andtothefugitivesfromslaveryinthe)freestates&CanadasbytheirfriendJesseHutchinsonJunr."Astheillustrationsuggests,Douglasshimselfhadescapedfromslavery,fleeingin1838fromMarylandtoMassachusetts.Heachievedconsiderablerenownforhisautobiography"NarrativeoftheLifeofFrederickDouglass,"firstpublishedin1845.TheLibrary'scopyof"TheFugitive'sSong"wasdepositedforcopyrightonJuly23,1845.AnearlierabolitionistsongcomposedbyHutchinson,"GetOfftheTrack!"(no.1844‐14),alsousedacoverillustrationtoamplifyitsmessage.

MEDIUM:1print:lithographonwovepaper;35.6x23.8cm.(sheet)

CREATED/PUBLISHED:Boston:PublishedbyHenryPrentiss,1845.

http://hdl.loc.gov/loc.pnp/cph.3a10460LibraryofCongress

M.Lisanti/D.Hicks

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Source F.

M.Lisanti/D.Hicks

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SourceF.Provenance

Cash! All persons that have slaves to dispose of, will do well by giving me a call, as I will give the highest price for men, women, & children. Any person that wishes to sell, will call at Hill's tavern, or at Shannon Hill for me, and any infor

Griggs, Thomas.

CREATED/PUBLISHED�Charlestown, 1835.

NOTES� Slaves- Sale.

Printed Ephemera Collection; Portfolio 186, Folder 27.

SUBJECTS� Broadsides--Virginia--Charlestown United States--Virginia--Charlestown.

MEDIUM�1 p.; 22.5 x 35 cm.

CALL NUMBER�Portfolio 186, Folder 27

PART OF�Broadsides, leaflets, and pamphlets from America and Europe

DIGITAL ID rbpe 18602700 http://hdl.loc.gov/loc.rbc/rbpe.18602700

M.Lisanti/D.Hicks

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SourceG

M.Lisanti/D.Hicks

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SourceG.Provenance

TITLE:AmInotamanandabrother?

RIGHTSINFORMATION:Noknownrestrictionsonpublication.

SUMMARY:Thelarge,boldwoodcutimageofasupplicantmaleslaveinchainsappearsonthe1837broadsidepublicationofJohnGreenleafWhittier'santislaverypoem,"OurCountrymeninChains."ThedesignwasoriginallyadoptedasthesealoftheSocietyfortheAbolitionofSlaveryinEnglandinthe1780s,andappearedonseveralmedallionsforthesocietymadebyJosiahWedgwoodasearlyas1787.Here,inadditiontoWhittier'spoem,theappealtoconscienceagainstslaverycontinueswithtwofurtherquotes.Thefirstisthescripturalwarning,"Hethatstealethamanandsellethhim,orifhebefoundinhishand,heshallsurelybeputtodeath."Exod[us]XXI,16."Nexttheclaim,"Englandhas800,000Slaves,andshehasmadethemfree.Americahas2,250,000!andsheholdsthemfast!!!!"Thebroadsideisadvertisedat"PriceTwoCentsSingle;or$1.00perhundred.

MEDIUM:1print:woodcutonwovepaper;26.7x22.8cm.

CREATED/PUBLISHED:1837.

RELATEDNAMES:

AmericanAnti‐SlaverySociety.Anti‐SlaveryOffice(NewYork,N.Y,)

REPOSITORY:LibraryofCongressRareBookandSpecialCollectionsDivisionWashington,D.C.20540USA

DIGITALID:(digitalfilefromb&wfilmcopyneg.ofdetailofmanandbanner)cph3a44497http://hdl.loc.gov/loc.pnp/cph.3a44497

M.Lisanti/D.Hicks

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SourceH

M.Lisanti/D.Hicks

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SourceH.Provenance

TITLE:EffectsoftheFugitive‐Slave‐Law

CALLNUMBER:PC/US‐1850.H698,no.1(Bsize)[P&P]

REPRODUCTIONNUMBER:LC‐USZ62‐1286(b&wfilmcopyneg.) LC‐USZC4‐4550(colorfilmcopytransparency)

RIGHTSINFORMATION:Noknownrestrictionsonpublication.

SUMMARY:AnimpassionedcondemnationoftheFugitiveSlaveActpassedbyCongressinSeptember1850,whichincreasedfederalandfree‐stateresponsibilityfortherecoveryoffugitiveslaves.Thelawprovidedfortheappointmentoffederalcommissionersempoweredtoissuewarrantsforthearrestofallegedfugitiveslavesandtoenlisttheaidofpossesandevencivilianbystandersintheirapprehension.Theprintshowsagroupoffourblackmen‐‐possiblyfreedmen‐‐ambushedbyaposseofsixarmedwhitesinacornfield.Oneofthewhitemenfiresonthem,whiletwoofhiscompanionsreloadtheirmuskets.Twooftheblackshaveevidentlybeenhit;onehasfallentothegroundwhilethesecondstaggers,clutchingthebackofhisbleedinghead.Thetwoothersreactwithhorror.Belowthepicturearetwotexts,onefromDeuteronomy:"Thoushaltnotdeliveruntothemasterhisservantwhichhasescapedfromhismasteruntothee.Heshalldwellwiththee.Evenamongyouinthatplacewhichheshallchooseinoneofthygateswhereitlikethhimbest.Thoushaltnotoppresshim."ThesecondtextisfromtheDeclarationofIndependence:"Weholdthatallmenarecreatedequal,thattheyareendowedbytheirCreatorwithcertainunalienablerights,thatamongthesearelife,libertyandthepursuitofhappiness."Theprintisunusuallywelldrawnandcomposedforapoliticalprintoftheperiod.Thehandlingofboththelithographictechniqueandthefiguresbetrayparticularskill.

MEDIUM:1print:lithographonwovepaper;33.3x44.3cm.(image)

CREATED/PUBLISHED:NewYork:Publ.byHoff&Bloede,1850.

DIGITAL ID: (digital file from b&w film copy neg.) cph 3a05114 http://hdl.loc.gov/loc.pnp/cph.3a05114 �(digital file from color film copy transparency) cph 3g04550 http://hdl.loc.gov/loc.pnp/cph.3g04550

M.Lisanti/D.Hicks

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SourceH.

M.Lisanti/D.Hicks

31

SourceH.Provenance

TITLE:HorridmassacreinVirginiaCALLNUMBER:Illus.inF232.S7W2[RareBookRR]

REPRODUCTIONNUMBER:LC‐USZ62‐38902(b&wfilmcopyneg.) LC‐USZ62‐33451(b&wfilmcopyneg.)

SUMMARY:CompositeofscenesofNatTurner'srebellion.

MEDIUM:1print:woodcut.

CREATED/PUBLISHED:[1831]

NOTES:

Illus.in:AuthenticandimpartialnarrativeofthetragicalscenewhichwaswitnessedinSouthamptonCounty.[NewYork],1831.

REPOSITORY:LibraryofCongressRareBookandSpecialCollectionsDivisionWashington,D.C.20540USA

DIGITALID:(b&wfilmcopyneg.LC‐USZ62‐38902)cph3a39248http://hdl.loc.gov/loc.pnp/cph.3a39248 (b&wfilmcopyneg.LC‐USZ62‐33451)cph3a33960http://hdl.loc.gov/loc.pnp/cph.3a33960

M.Lisanti/D.Hicks

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SourceI

M.Lisanti/D.Hicks

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SourceI.Provenance

TITLE:Theemancipationofthenegroes,January,1863‐Thepastandthefuture/DrawnbyMr.ThomasNast.

CALLNUMBER:Illus.inAP2.H321863(CaseY)[P&P]

REPRODUCTIONNUMBER:LC‐USZ62‐130778(b&wfilmcopyneg.)

RIGHTSINFORMATION:Noknownrestrictionsonpublication.

SUMMARY:Belowraysof"Emancipation,"asceneofAfricanAmericansenjoyingacomfortablehomelifeisflankedbyscenesofthepast,includingthesellingandabuseofslaves,andscenesofthefuture,includingeducationandfairemployment.

MEDIUM:1print:woodengraving.

CREATED/PUBLISHED:1863.

CREATOR:

Nast,Thomas,1840‐1902,artist.

NOTES:

Illus.in:Harper'sweekly,v.7,no.317(1863January24),p.56and57.

DIGITALID:(digitalfilefromoriginal)ppmsca19253http://hdl.loc.gov/loc.pnp/ppmsca.19253 (digitalfilefromb&wfilmcopyneg.)cph3a06245http://hdl.loc.gov/loc.pnp/cph.3a06245

M.Lisanti/D.Hicks

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SourceJ

35

35

SourceJProvenance

TITLE:Abolitionoftheslavetrade,orthemanthemaster

CALLNUMBER:PC3‐1789‐Abolition(Asize)[P&P]

REPRODUCTIONNUMBER:LC‐USZ62‐30930(b&wfilmcopyneg.)

SUMMARY:Illustrationshowsthereversalofrolesforslavesandslavemasters,withformerslavesnowintheroleoftheslavemaster.

MEDIUM:1print:etching.

CREATED/PUBLISHED:[1789]

Satires(Visualworks)British1780‐1790. Etchings1780‐1790.

DIGITALID:(digitalfilefromb&wfilmcopyneg.)cph3a31496http://hdl.loc.gov/loc.pnp/cph.3a31496