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    1

    Why I am a Writer 2

    by

    Billy McBride

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    2

    Copyright 2011, William McBride

    ISBN 978-1-257-76615-4

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    1.

    Diana and Ora Ora Tiferetot help to analyze and judge

    word-by-word words using the best and most accurate of

    the reader's recent experience in connection with the words

    in the sentence.

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    4

    2.

    The last sentence that was just written is an example of

    total Diana/Ora Ora Tiferetot connectivity and reading.

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    3.

    Pekhot and Ora Ora Tiferetot usually from research get the

    right word to combine with others in the text of a poem.

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    4.

    Words based on fragmentary sounds link to Terah, the

    patriarch, but he is symbolized by Ora and Teresa, a fun

    organization which is a perfect fit.

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    5.

    Mishnah words, words recited in a whisper or louder, as a

    Green Curtain Piano scene combine the efforts of

    devekhut, Kathleen and Penelope, patience.

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    6.

    The best words, which in dialogue change the subject

    matter are a positivity which Marion and Tov Tov Shalom

    connect in order to bring peace.

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    7.

    Words that compliment the other words next to them, an

    act of Charades, or a parallel matching are a connection of

    the Genius of Honey, a comforting harmony, and

    Stephanie, the crane or pick up-put there element in the

    Angels whom I know.

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    8.

    Giving a word or word combination to words as an act of

    giving is Arielle's work with Stephanie.

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    9.

    Terah's mysterious raindropped words are purely Jennifer's

    work in connection with Ora Ora Tiferetot's grammatical

    knowledges.

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    10.

    Who questions words? Robbie, in his predicting does that.

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    11.

    Tob Shbeeb and Tov Tov Shalom move the eyes and flow

    around letters, say in a grid to make words during the

    telling of a story.

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    12.

    To mourn words, Shnoonah and Ora Ora Tiferetot.

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    13.

    When Jenny says "Don't look down," inHow to Fly a

    Spacecraftshe is thinking of that saying as part mystery.

    But, when Ora Ora Tiferetot and Shnoonah mourn that

    sentence, they remember it and the book and what Jenny

    implies.

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    14.

    To different Angels like Tob Shbeeb with Tov Tov Shalom,

    as I have said, the sentence itself was built in the Mind and

    not on paper first, but in the Mind they bring it out in the

    significance, which is to draw attention to its importance

    after it is thought of; and the Ora Ora Tiferetot and

    Shnoonah can mourn it.

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    15.

    Why it is special to Tob Shbeeb and Tov Tov Shalom at

    that particular time, the significance was and is now based

    on who else can use it and why for example an increasing

    relevance or point becomes made the more the narrative is

    carried out.

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    16.

    Now, it was used as an example for this paper. Mourning,

    remembering in that way that they just did, and now:

    "Don't look down," cannot be separated from the meaning

    ofHow to Fly a Spacecraft.

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    17.

    The meaning is mourned too and part of the mourning.

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    18.

    It is a metonymy.

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    19.

    I must add now thatHow to Fly a Spacecraftis a book I

    miss because I remember how much fun flight is when

    guided properly.

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    20.

    The Tempest, the play by William Shakespeare is a play

    where the magician seeks to drown his book at the end to

    give up magic.

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    21.

    This is the sense in which I "miss" or "mourn" my book - in

    a Prosperoean sense.

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    22.

    The invention of the "Prosperoean" word is Elaines, who

    constructs and invents, and Ora Ora Tiferetot's who

    remembers the text.

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    23.

    "Prospero's mourning" to further keep it in mind to

    elaborate what it may mean, what may be added to it is a

    constructive act of Elaine with Tob Shbeeb, the knowing

    spark.

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    24.

    In this sense, it relates toM.O.A.T. and Family, because of

    the triumph of a deep Shakesperian reading as such

    "Prosperoean" but as inM.O.A.T. and Familyas

    "Malvilioian"

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    25.

    The effect is the same, being Shakesperian as well as deep.

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    26.

    Recording the note is an act of setting the memory in print

    aside for the future, and that book for me of ours is Why I

    am a Writer, while that recording of the note is Grouchy's,

    who is form, and Shnoonah's, who is heaviness, business.

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    27.

    I miss Why I am a Writer: may its memory be a blessing

    for all who love it. Robbie may ask: who misses

    accomplished things in the Tempest?

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    28.

    Who asks questions in our books? Or who is blind and

    cannot see what is yet knowledge but who has hope, and

    what book of ours does this? It is Billy McBride in our

    bookProstitutes.

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    29.

    My invisible Angel wives are not whores nor do they

    appreciate being called names.

    - Billy M. (B'nayvoovah)

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    30.

    We have been working on M.O.A.T.

    - Billy M.

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    31.

    Jenny mixes water stuff in her Hydromancy.

    - Billy M.

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    32.

    We get to be a candle.

    - Tob Shbeeb

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    33.

    When/will/pay - Time/power/dash.

    - Tikbot

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    34.

    me - roar - Rorty.

    - Rorty

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    36.

    Faint.

    - Marion

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    37.

    What is the author's poetical stance?

    - Tikbot

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    38.

    He lost his reputation, Michael Cassio.

    - Arielle

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    39.

    Yale - Tower.

    - Tikbot

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    40.

    New Criticism and New Cynicism.

    - Tikbot

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    41.

    Self-Power.

    - Ora Ora Tiferetot

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    42.

    Thomas Hobbes.

    - Ora Ora Tiferetot

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    43.

    Aesthetic sublime.

    - Ora Ora Tiferetot

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    44.

    Perception and Literary Love.

    - Marion

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    45.

    Be not solitary or idle.

    - Richard Burton

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    46.

    Fear death and solitude.

    - Marion

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    47.

    We were also teaching Fry Milton.

    - Tob Shbeeb

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    48.

    Fry hates Milton.

    - Arielle

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    49.

    Snowand Eliot as critic, said Fry.

    - Tikbot

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    50.

    Snowas historiographer: celebrate in song.

    - Tob Shbeeb

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    51.

    history - hysteria - NO.

    - Arielle

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    52.

    graph - grapple.

    - Arielle

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    53.

    Bloom read him, Fry said.

    - Tikbot

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    54.

    City of GodFry likes since he resents Bloom.

    - Arielle

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    55.

    draw - correspondence.

    - Tikbot

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    56.

    City of God makes a situation for Gray Curtained Piano.

    - Jenny

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    57.

    The words ofFinnegan's Wakehe said were nonsense!

    - Bertha

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    58.

    This is the trap.

    - Bertha

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    59.

    Vowels and Angels.

    - Bertha

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    60.

    Vowels are Angels.

    - Bertha

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    61.

    The Self makes consonant s and sentences.

    - Bertha

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    62.

    Vowels and consonants make up words.

    - Bertha

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    63.

    "Stealing": Bloom and Fry and Eliot. - Opposites.

    - Tob Shbeeb

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    64.

    "Contains" - Think about the Breaking of the Vessels.

    - Tob Shbeeb

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    65.

    The Anxiety of Influence.

    - Harold Bloom

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    66.

    Mixed up names, Paul Fry did, of metalipsis, askesis...the

    order, mixed up.

    - Arielle

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    67.

    Said to his students it would not be on the test, the Map, the

    6: Fry reduced them.

    - Arielle

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    68.

    That's why we do this Billy, to get extra data.

    - Ora Ora Tiferetot

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    69.

    Willows Waving: one of the Afterlives where the person

    writes in and as Paradise.

    - Tob Shbeeb

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    70.

    Officer Riley was like Hal yesterday.

    - B'nayvoovah

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    71.

    Snowbecomes substituted as "Sickness."

    - Tob Shbeeb

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    72.

    How was Snow made? It was Jacobized on one part and

    antithetically grew two or more sentences to equal four

    sentences.

    - B'nayvoovah

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    73.

    Was 34 x 4 long or so, Snow?

    - B'nayvoovah

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    74.

    Eliot's Criticism did real harm.

    - Harold Bloom

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    75.

    N-J - Monster!

    - B'nayvoovah

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    76.

    Joyce - French - Derrida.

    - Marion

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    77.

    The Teaching is Milton.

    - Harold Bloom

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    78.

    The Law is Shakespeare.

    - Harold Bloom

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    79.

    Blake and Yeats are the prophets.

    - Harold Bloom

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    80.

    I said to Fry, don't do it because T.S. Eliot was anti-

    semitical.

    - B'nayvoovah

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    81.

    I brought up Heidegger though.

    - B'nayvoovah

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    82.

    Mere stupidity of Fry's part.

    - B'nayvoovah

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    83.

    It was a mock-argument which I fell for.

    - B'nayvoovah

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    84.

    He deceived me.

    - B'nayvoovah

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    85.

    Claudio is deceived. Bloom is Hero?

    - Marion

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    86.

    Stealing and misjuxtaposition to steal.

    - Marion

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    87.

    False advertising.

    - Michael Waltzer

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    88.

    Go after those who falsely advertise.

    - Diana

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    89.

    Fry fought Jacob.

    - Elaine

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    90.

    Who steals from Jacob?

    - Robbie

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    91.

    Laban.

    - Arielle

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    92.

    ...or the sons who sold Joseph into slavery.

    - Diana

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    93.

    Mourns.

    - Shnoonah.

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    94.

    Snowwas a many-colored coat.

    - Tob Shbeeb

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    95.

    "Paul Fry" is Lacan.

    - Tikbot

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    96.

    xxxxApplexxxx

    - Diana

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    97.

    xxxxFrenchxxxx

    - Tikbot

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    98.

    xxxxCandlexxxx

    - Elaine

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    99.

    Gay Go Up and Gay Go Down.

    - Anonymous

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    100.

    When will you pay me?

    - Anonymous

    Well, that's why I like that!

    - B'nayvoovah

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    FINIS