whytes irish & international 23 february 2015 | irish art auction | art auction dublin | art...

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IRISH & INTERNATIONAL ART23 FEBRUARY 2015

MONDAY 23 FEBRUARY 2015

IRISH & INTERNATIONAL ART

VIEWING

Royal Dublin Society, Anglesea Road, Ballsbridge, Dublin 4Saturday 21 February 10am to 6pm

Sunday 22 February 10am to 6pmMonday 23 February 10am to 6pm

AUCTION

Monday 23 February at 6pmRoyal Dublin Society,

Anglesea Road, Ballsbridge, Dublin 4

ENQUIRIES

Whyte's 38 Molesworth Street Dublin 2 Tel: 01 676 2888 E-mail: [email protected]

BIDS

Whyte's 38 Molesworth Street Dublin 2 Tel: 01 676 2888 E-mail: [email protected]

Live bidding and on-line bids: www.whytes.ie

Front cover: lot 71, Roy Lichtenstein, Still Life With Lobster, 1974Inside front cover: lot 41, Tony O’Malley, The Autumn Painting (I), 1981

Page 6, 7: lot 131, Richard Staunton Cahill, Reading The News, 1871Back cover: lot 17, Paul Henry, Landscape, Connemara, 1940s

Whyte’s Auction Appnow available for free download

mailto:[email protected]


http://www.whytes.ie/

http://whytes.ie/i2APP.asp

BUYERS’ COMMISSION

20% (excluding VAT) is added to the hammer price of all lots. Noextra fee is charged for on-line bidding.

ROOM BIDDERS

1. Room bidders must register and obtain a bidding number onarrival. Proof of identity is required from clients new to us.

2. If successful in obtaining a lot please ensure you display yournumber clearly to the auctioneer and that it is your number thatis called out. If there is any doubt about the hammer price orbuyer, please draw this to the attention of the auctioneerimmediately.

3. Payment may be made by cash, bank draft, cleared cheque,debit or credit card — we accept Mastercard or Visa (a charge of2% is made on credit card transactions). There is no charge ondebit card transactions..

ABSENTEE BIDDING

1. If you are unable to attend you may bid before the sale, usingthe form provided. Enter the maximum you are prepared tooffer for each lot and the auctioneer will represent you as if youare personally attending the sale. Lots are knocked down at onestep above the next highest bid, and not necessarily at yourhighest bid. Example: your bid is €1,000 and next highest bid is€800 – the hammer price is €850.

2. LIMIT BIDDING: Absentee bidders may limit their total purchasesto a set amount by entering their limit on the bidding form. Thisis especially useful for bidders wishing to cover as many lots aspossible while setting a maximum amount to spend.

3. “OR” BIDDING: Absentee bidders who wish to bid on two ormore lots, but only wish to purchase one, may do so by entering“OR” between the bids – the lots will be bid on in catalogueorder.

4. EQUAL BIDS: In the event of equal bids being received for thesame lot the first received will be given preference. If theinstruction “break ties” is entered on the bid form the auctioneerwill increase the bid by one step in the event of equal bids beingreceived or in the event of a tie with a room bidder.

5. “BUY” BIDS: Unless otherwise instructed bids of “Buy” or “Buy atBest” shall be taken to indicate bids of up to three times thestated higher estimate in the catalogue.

6. LIVE INTERNET BIDDING AT NO EXTRA CHARGE: You may watchand/or bid live with video and audio link to the saleroom on ourwebsite www.whytes.ie at no extra charge.

7. LIVE TELEPHONE BIDDING may be arranged on request, subjectto availability and given at least 24 hours notice. This facility is onlyavailable on lots estimated at €1,000 or more, and a minimumbid may be requested.

8. INVOICING AND PAYMENT: Successful absentee bidders will besent a pro forma invoice immediately after the sale with detailsof payment methods. All invoices must be paid within 7 days ofthe date of the sale or the lot(s) may be deemed in default andany subsequent losses incurred on resale become theresponsibility of the bidder. The Auctioneers and House AgentsAct, under which we are licensed to hold public auctions, onlyallows for lots to be handed over to purchasers when paid for in full.

PRICES REALISED

A complete list of prices realised and unsold lots will be posted toour Internet website (www.whytes.ie) on the day after the sale.

SPECIAL NOTICES CONCERNING THIS AUCTION

VENUE FOR AUCTION NIGHT

The venue for the auction is the Royal Dublin Society, AngleseaRoad, Ballsbridge, Dublin 4 and the sale starts at 6pm.

Bidder registration will take place here from 5pm on Monday 23 February and the sale starts at 6pm.

COLLECTION OF LOTS

Collection of purchases at this sale may be effected 10am to 3pmon Tuesday 24 February from the RDS. After that date lots may becollected from our Molesworth Street premises, Monday to Friday10am to 5pm.

Purchasers must pay for and collect all lots within 7 days of thedate of sale. Note: each lot is at the buyer’s risk from the fall of thehammer. Storage charges will apply after 7 days.

MORE INFORMATION ON OUR WEBSITE

whytes.ie or whytes.com

Here you will find much useful information pertaining to lots in thisauction, including biographies and previous results for many of theartists featured in this sale.

WHYTE’S GUARANTEE OF AUTHENTICITY

Whyte’s takes especial care to ensure that all works offered in thiscatalogue are as described and are the work of the artists they areattributed to. In the event of any work sold from this catalogue to besubsequently proved to be a “deliberate forgery”, subject to our terms andconditions of sale (especially Clause 5c) as printed elsewhere in thiscatalogue Whyte’s will cancel the sale and refund to the buyer the totalamount paid by the buyer to Whyte’s for the item, in the currency of theoriginal sale. This guarantee is provided for a period of seven (7) years afterthe date of the relevant auction, and may be extended at Whyte’sdiscretion.

GLOSSARY OF TERMSThe following are examples of the terminology used in this catalogue.

1 Sir John Laveryin our opinion a work by the artist.

2 Attributed to Sir John LaveryIn our opinion probably a work by the artist but less certainty as toauthorship is expressed than in the preceding paragraph.

3 After Sir John LaveryIn our opinion a copy of a known work by the artist. We also use thisterm for prints of works by the artist.

4 The term signed and/or dated and/or inscribed means that in ouropinion the signature and/or date and/or inscription are from the handof the artist.

5 The term bears a signature and/or initials and/or date and/orinscription means that in our opinion the signature and/or date and/orinscription has been added by another hand.

IMPORTANT NOTESALL LOTS ARE SOLD SUBJECT TO OUR TERMS AND CONDITIONS OF SALE PRINTED ON PAGE 5

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CONTENTS

Important Notes 2

Whyte's Terms & Conditions 5

IRISH & INTERNATIONAL ART 8

Abbreviations 112

Index of Artists inside back

Topographical and General Index inside back

This catalogue was compiled by Anita Vilka and edited by Adelle Hughes withcontributions from Dr. S.B. Kennedy, Claudia Kinmonth and Ronan Sheehan.

We would also like to thank the staff of the National Irish Visual Arts Library, theNational Library of Ireland and the many artists, art historians, collectors, dealersand galleries who have assisted in our research for this catalogue.

Copyright 2015 Whyte & Sons Auctioneers Limited. All rights reserved.

ENQUIRIES

This catalogue:Adelle Hughes and Anita Vilka

Accounts:Seán Kelly

Bids & General

Enquiries:Samantha Woolley

CONTACTS

[email protected] [email protected]

Telephone01 676 2888 (+3531 676 2888 from UK and elsewhere)

Postal address38 Molesworth Street, Dublin 2, Ireland

Websiteswhytes.ie whytes.com

Seán KellyAccounts

Samantha WoolleyAdministration

Ian WhyteManaging Director

Anita Vilka BAArt Department

Marianne NewmanDirector

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Adelle Hughes BA MAAssociate Director

All Whyte’s catalogues are checked against The Art Loss Register of stolen ormissing works of art and antiques.

Sarah Gates BADirector

VALUATION DAY AT THE LITTLE MUSEUM OF DUBLIN

Whyte’s will be holding a Valuation Day of Art & Collectibleson Saturday 28 February between 11am and 4pm at the Little Museumof Dublin, 15 St. Stephen’s Green, Dublin 2.

Enquiries to Adelle Hughes (Art) or Stuart Purcell (Collectibles)Tel: +353 1 676 2888 [email protected]




The Dublin Painting and Sketching Club

Monday 13th – Sunday 26th April

Open daily 10.00am – 5.00pm

Concourse Gallery, County Hall, Marine Road, Dun Laoghaire.

sponsored by

www.dublinpaintingandsketchingclub.ie

137th Annual Exhibition300 paintings exhibited by over eighty Irish Artists, including paintings inspired by the poems ofW.B. Yeats, celebrating the 150thanniversary of his birth.

‘Wandering Aengus’ by Aidan Hickey

http://www.dublinpaintingandsketchingclub.ie/

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Whyte & Sons Auctioneers Limited, trading as Whyte’s, exercises all reasonablecare to ensure that all descriptions are reliable and accurate, and that each itemis genuine unless the contrary is indicated. However, the descriptions are notintended to be, are not and are not to be taken to be, statements of fact orrepresentations of fact in relation to the lot. They are statements of the opinionof Whyte’s, and attention is particularly drawn to clause 5 set out below.Comments and opinions, which may be found in or on lots as labels, notes,lists, catalogue prices, or any other means of expression, do not constitute partof lot descriptions and are not to be taken as such unless they are made orspecifically verified by Whyte’s.Clause 1 (a) Each lot is put up subject to any reserve price imposed by the vendor(b) Subject to sub-clause (a) of this clause, the highest bidder for each lot shallbe the buyer thereof(c) If any dispute arises as to the highest bidder the auctioneer shall haveabsolute discretion to determine the dispute and may put up again and re-sellthe lot in respect of which the dispute arisesClause 2(a) The bidding and advances shall be regulated by and at the absolutediscretion of the auctioneer and he shall have the right to refuse any bid orbids. NOTE: Where an agent bids, even on behalf of a disclosed client, theauctioneer nevertheless has the right at his discretion to refuse any such bid.(b) The buyer of each lot shall immediately on its sale, if required by theauctioneer, give him the name and address of the buyer and pay to Whyte’s athis discretion the whole or part of the purchase money. If the buyer of any lotfails to comply with any such requirement Whyte’s may put up again and re-sell the lot; if upon such re-sale a lower price is obtained than was obtained onthe first sale the buyer in default on the first sale shall make good the differencein price and expenses of re-sale which shall become a debt due from him.(c) Where an agent purchases on behalf of an undisclosed client such agentshall be personally liable for payment of the purchase money to Whyte’s andfor safe delivery of the lot to the said client.Clause 3(a) Whyte’s reserves the rights to bid on behalf of clients including vendors, butshall not be liable for errors or omissions in executing instructions to bid.(b) Whyte’s reserves the rights, before or during a sale, to group together lotsbelonging to the same vendor, to split up and to withdraw any lot or lots atWhyte’s absolute discretion and without giving any reason in any case.(c) Whyte’s acts as agent only, and therefore shall not be liable for any defaultof the buyer or vendor.Clause 4(a) Each lot shall be at the buyer’s risk from the fall of the hammer and shall bepaid for in full before delivery and taken away at his expense within one day ofthe sale. The buyer will be responsible for all removal, storage and insurancecharges in respect of any lot which has not been collected within 7 days of thedate of sale.(b) If any buyer fails to pay in full for any lot within 7 days of the date of salesuch lot may at any time thereafter at Whyte’s discretion be put up for sale byauction again or sold privately; if upon such re-sale a lower price is obtainedthan was obtained on the first sale the buyer in default on the first sale shallmake good the difference in price and the expenses of re-sale which shallbecome debt due from him.(c) Interest at 2 per cent per month and legal costs (if any) for recovery ofmonies due shall be payable by the buyer on any overdue account.Clause 5(a) All lots are made available for inspection before each sale and each buyer,by making a bid, acknowledges that he has satisfied himself as to the physicalcondition, age and catalogue description of each lot (including but notrestricted to whether the lot is damaged or has been repaired or restored).(b) All lots are sold with all faults and imperfections and errors of descriptionand Whyte’s and its employees, servants or agents shall not be responsible forany error of description or for the condition or authenticity of any lot, save forClause 5 (c) below.Written or verbal condition reports may be supplied by Whyte’s on request but these are merely statements of opinion, and any error or omission in thesereports may not be taken as grounds for a cancellation of sale or refund of any part of the purchase price or the cost of any repairs to the lot or lotsreported on.

(c) If any lot sold at this auction is subsequently proved to be a “deliberateforgery”, Whyte’s will cancel the sale and refund to the buyer the total amountpaid by the buyer for the item, in the currency of the original sale. The onus ofproving a lot to be a “deliberate forgery” is on the buyer. For these purposes,“deliberate forgery” means a lot that in Whyte’s reasonable opinion is animitation created to deceive as to authorship, where the correct description ofsuch authorship is not reflected by the description in the catalogue (taking intoaccount any Glossary of Terms). No lot shall be considered a deliberate forgeryby reason only of any damage and/or restoration and/or modification work ofany kind (including repainting or overpainting). This guarantee does not applyif (i) either the catalogue description was in accordance with the generallyaccepted opinions of scholars and experts at the date of the sale, or thecatalogue description indicated that there was a conflict of such opinions; (ii) orthe only method of establishing at the date of the sale that the item was acounterfeit would have been by means of processes not then generallyavailable or accepted, unreasonably expensive or impractical to use; or likely tohave caused damage to the lot or likely (in Whyte’s reasonable opinion) to havecaused loss of value to the lot; or (iii) there has been no material loss in value ofthe lot from its value had it been in accordance with its description. Thisguarantee is provided for a period of seven (7) years after the date of therelevant auction, is solely for the benefit of the buyer and may not betransferred to any third party. Whyte’s has discretion to extend the guaranteefor a longer period. To be able to claim under this Guarantee, the buyer must (i)notify Whyte’s in writing within three (3) weeks of receiving any informationthat causes the buyer to question the authenticity or attribution of the item,specifying the lot number, date of the auction at which it was purchased andthe reasons why it is thought to be a deliberate forgery; and (ii) return the itemto Whyte’s in the same condition as the date of the sale to the buyer and beable to transfer good title in the item, free from the third party claims arisingafter the date of the sale. Whyte’s has discretion to waive any of the aboverequirements. Whyte’s may require the buyer to obtain at the buyer’s cost thereports of two independent and recognised experts in the field, mutuallyacceptable to Whyte’s and the buyer. Whyte’s shall not be bound by anyreports produced by the buyer, and reserves the right to seek additional expertadvice at its own expense. In the event Whyte’s decides to rescind the saleunder this Guarantee, it may refund the buyer the reasonable costs of up totwo mutually approved independent expert reports.(d) Any lot listed as a “mixed lot, collection, range, portfolio etc.” or stated tocomprise or contain a collection or range of items which are not describedshall be put up for sale not subject to rejection and shall be taken by the buyerwith all (if any) faults, lack of genuineness and errors of description andnumbers of items in the lot, and the buyer shall have no right to reject the lot;except that, notwithstanding the foregoing provisions of this sub-clause, wherebefore a sale a person intending to bid at the sale gives notice in writing to,and satisfies Whyte’s that any such lot contains any item or items not describedin the sale catalogue and that person specifically describes that item or thoseitems in that notice, then that item or those items shall, as between Whyte’sand that person, to be taken to form part of the description of the lot.Clause 6The respective rights and obligations of the parties shall be governed andinterpreted by Irish law, and the buyer hereby submits to the exclusivejurisdiction of the Irish Courts.

SPECIAL CONDITIONS (a) The buyer shall pay Whyte’s a commission at the rate of 20% (plus VATunder The Margin Scheme and which is not reclaimable). (b) Whyte’s or its employees, servants or agents may, on request organisepacking and shipping of lots purchased or may order on the buyer’s behalfthird parties to pack or ship purchases. Under no circumstances does Whyte’saccept any liability whatsoever for any loss or damage howsoever occasionedin the course of such service.(c) The buyer authorises Whyte’s to use any photographs or illustrations of anylot purchased for any or all purposes as Whyte’s may require.The placing of a bid will be taken as full agreement to all the above conditions.

WHYTE & SONS AUCTIONEERS LIMITED38 Molesworth Street, Dublin 2

TERMS AND CONDITIONS OF SALE NOTICE

Monday 23 February 2015 at 6pmLots 1-195

IRISH & INTERNATIONAL ART


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1Frank Egginton RCA (1908-1990)LANDSCAPE WITH COTTAGES AND MOUNTAIN IN THEDISTANCE, 1933 watercoloursigned and dated lower right; with James Bourlet & Sonsframing label on reverse10 by 14in. (25.40 by 35.56cm)

€500-€700 (£370-£520 approx.)

2Frank Egginton RCA (1908-1990)RIVER SCENE watercoloursigned lower right; with James Bourlet & Sons framinglabel on reverse10 by 14in. (25.40 by 35.56cm)

€500-€700 (£370-£520 approx.)

3Frank Egginton RCA (1908-1990)BEACH SCENE, 1933 watercoloursigned and dated lower left; with James Bourlet & Sonsframing label on reverse10 by 14in. (25.40 by 35.56cm)

€500-€700 (£370-£520 approx.)

Son of artist, Wycliffe Egginton, RI (1875-1951), Frank Egginton was born in Cheshire and first visitedIreland in the 1930s. He is synonymous with views in watercolour of the Irish countryside, particularlyCounty Donegal. From the early 1930s many of his works were shown at the RHA, and later, from 1952at the Victor Waddington Gallery in Dublin. In the UK his works were shown at the Fine Art Societyand Royal Institute of Painters in Water Colours, London and the Walker Art Gallery, Liverpool amongothers. The artist’s daughter and son-in-law own ‘The Gallery’, Dunfanaghy Co. Donegal since 1968.


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4Frank Egginton RCA (1908-1990)RIVER WITH COTTAGE IN THE DISTANCE watercoloursigned lower right14.5 by 20.5 in. (36.83 by 52.07cm)

€800-€1,200 (£590-£890 approx.)

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6Frank Egginton RCA (1908-1990)VIEW OF RIVER MAINE watercoloursigned lower right14 by 20in. (35.56 by 50.80cm)

€800-€1,200 (£590-£890 approx.)

5Frank Egginton RCA (1908-1990)RIVER MAINE watercoloursigned lower right14.5 by 20.5 in. (36.83 by 52.07cm)

€800-€1,200 (£590-£890 approx.)

Provenance (lots 1-6):Acquired directly from the artist by theparents of the present owner.


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7Charles J. McAuley (1910-1999)FIGURE FISHING BY A RIVER oil on canvassigned lower left18 by 22in. (45.72 by 55.88cm)

This is probably a view of the River Dun.

€1,000-€1,500 (£740-£1,110 approx.)

8Charles J. McAuley (1910-1999)LANDSCAPE WITH CATTLE BY A STREAM oil on canvassigned lower left18 by 24 in. (45.72 by 60.96cm)

€1,200-€1,500 (£890-£1,110 approx.)

9Charles J. McAuley (1910-1999)SHEEP HERDER oil on canvassigned lower right14 by 18in. (35.56 by 45.72cm)

€600-€800 (£440-£590 approx.)


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10Frank McKelvey RHA RUA(1895-1974)GLENVEAGH HILLS oil on boardsigned lower left; with partiallyinscribed label on reverse; with title,artist’s name and Ulster Arts Clubexhibition label [1929] also onreverse11.5 by 16.5 in. (29.21 by 41.91cm)

Provenance:Ross’s, Belfast, 6 October 2010, lot114;Private collection;Whyte’s, 26 November 2012, lot 79;Private collection

Exhibited:Ulster Arts Club Exhibition, 15 May to30 June, 1929, catalogue no. 32

€3,000-€4,000 (£2,220-£2,960 approx.)

11Frank McKelvey RHA RUA(1895-1974)MARBLE HILL STRAND watercoloursigned lower left11 by 15in. (27.94 by 38.10cm)

Provenance:Oriel Gallery, Dublin; Where purchased by previous owner;Thence by descent

€1,000-€1,500 (£740-£1,110 approx.)

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12Maurice Canning Wilks RUA ARHA (1910-1984)VIEW FROM DUBLIN ROAD, SUTTON oil on canvassigned lower right; signed again and titled on reverse18 by 36in. (45.72 by 91.44cm)

€2,000-€3,000 (£1,480-£2,220 approx.)


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13Maurice Canning Wilks RUA ARHA (1910-1984)CONNEMARA LANDSCAPE oil on canvassigned lower right; titled on reverse16 by 30in. (40.64 by 76.20cm)

Provenance:A gift from the artist to the present owner’s aunt

A copy of a greeting card from the artist’s wife accompanies this lot.

€2,000-€3,000 (£1,480-£2,220 approx.)

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14Charles VincentLamb RHA RUA(1893-1964)THE HARBOUR, CALADHTHAIDHG, GALWAY, 1938 oil on boardsigned lower left; withexhibition label on reverse;inscribed in another hand onreverse; also with RitchieHendriks framing label onreverse10.5 by 14in. (26.67 by35.56cm)

Exhibited:‘Charles Lamb MemorialExhibition’, Hugh LaneMunicipal Gallery of ModernArt, Dublin, 1-27 April, 1969

€1,500-€2,000 (£1,110-£1,480 approx.)

15Cecil Galbally(1911-1995)LANDSCAPE oil on boardsigned lower right; with RitchieHendriks framing label onreverse14 by 18in. (35.56 by 45.72cm)

€1,000-€1,500 (£740-£1,110 approx.)


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16James Humbert Craig RHA RUA (1877-1944)BRINGING HOME THE TURF oil on boardsigned lower right12.5 by 17.5 in. (31.75 by 44.45cm)

€4,000-€6,000 (£2,960-£4,440 approx.)


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17Paul Henry RHA (1876-1958)LANDSCAPE, CONNEMARA, 1940s oil on canvas laid on boardsigned lower right14.75 by 19in. (37.47 by 48.26cm)

Provenance:Adam’s, 30 May 2000, lot 42;Private collection

Possibly a scene on the Atlantic Drive, Achill Island, although of this one cannot be certain. Theheavy impasto employed in the foreground and in the clouds is relatively uncommon in PaulHenry’s oeuvre, although the evenly applied paint on the rest of the painting is typical of his work.Again, characteristic of Henry, the composition was almost certainly based on sketches madeearlier. Dated to the 1940s on stylistic grounds, Landscape, Connemara is numbered 1290 in S. B.Kennedy’s ongoing cataloguing of Paul Henry’s work.

Dr. S. B. KennedyJanuary, 2015

€60,000-€70,000 (£44,440-£51,850 approx.)


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18Jack Butler Yeats RHA (1871-1957)THE BAR, c.1890s-1900 inksigned lower left; with Waddington Galleries labelon reverse5 by 7in. (12.70 by 17.78cm)

Provenance:Waddington Galleries, London; Private collection

We are grateful to Dr Róisín Kennedy for her assistance indating the work.

€2,000-€3,000 (£1,480-£2,220 approx.)

19Sir William Orpen RA RI RHA (1878-1931)AT PARIS, 1924 pen and inkdated [11/12/29] upper centre; signed lower right10.30 by 8.30in. (26.16 by 21.08cm)

The recipient of this letter is possibly (Ballincurrig) Cork born“British eccentric prankster” and brother-in-law of NevilleChamberlain, Horace de Vere Cole (1881-1936). Cole was a friend ofAugustus John who attended the Slade with Orpen. Cole’s secondwife and widow Mavis Wright bore a child by Augustus John whilestill married to Cole. He died in poverty in France.

€500-€700 (£370-£520 approx.)


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20George Russell (“Æ“) (1867-1935)WOMAN AND CHILDREN ON THE SEASHORE oil on canvas16 by 21in. (40.64 by 53.34cm)

€3,000-€4,000 (£2,220-£2,960 approx.)

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21Aloysius C. O’Kelly (1853-1936)FIGURE FISHING FROM A RIVERBANKoil on boardsigned lower left 6 by 9.5 in. (15.24 by 24.13cm)

€1,200-€1,500 (£890-£1,110 approx.)


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22William John Leech RHA ROI (1881-1968)THE TERRACE, c.1940 oil on panelsigned lower left; titled on Dawson Gallery label on reverse;with Dawson Galley framing label also on reverse15 by 18in. (38.10 by 45.72cm)

Provenance:Dawson Gallery, Dublin;Private collection;Christie’s, 20 May 1999, lot 208;Private collection

Exhibited:Royal Hibernian Academy, Dublin, 1940, catalogue no. 106

€8,000-€10,000 (£5,930-£7,410 approx.)

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23Nano Reid (1900-1981)CLEAR MOUNTAIN STREAM oil on boardsigned lower left; with Dawson Gallery exhibition label on reverse;with Dawson Gallery framing label also on reverse24 by 22in. (60.96 by 55.88cm)

Provenance:Dawson Gallery, Dublin;The Collection of Jim O’Driscoll SC

€3,000-€4,000 (£2,220-£2,960 approx.)

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24May Guinness (1863-1955)STILL LIFE oil on canvaswith Arts Council of Northern Ireland exhibition labelon reverse29 by 36in. (73.66 by 91.44cm)

In spring 2013 May Guinness formed part of an importantand exciting exhibition at the Irish Museum of Modern Arttitled Analysing Cubism. It highlighted the strongassociation between Irish female artists, Cubism and thepromotion of Modernist Art in Ireland. The present work, StillLife, reflects Guinness’ avant-garde style and demonstratesher radical reimaging of composition, form and colour in thisgenre.

Among Guinness’ contemporaries exhibited in IMMA wereMainie Jellett, Mary Swanzy, Evie Hone and NorahMcGuinness alongside their continental counterparts PabloPicasso, George Braque, Albert Gleizes and André Lhote.

It was in the company of Hone and Jellett that Guinnesstravelled to France to study under Lhote from 1922 to 1925.May Guinness first travelled to Paris in 1910 and, at theoutbreak of World War I, she relocated there to become amilitary nurse in the French armed forces. She exhibitedregularly in Dublin throughout her career. Venues includedthe RHA, IELA and the Dublin Painters Group. A memorialretrospective was held the year after her death in 1955 atthe Dawson Gallery.

€8,000-€10,000 (£5,930-£7,410 approx.)

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25Mary Swanzy HRHA(1882-1978)BRIDGE, 1972 oil on boardsigned and dated lower right; withJorgensen Gallery exhibition labelon reverse8.5 by 12in. (21.59 by 30.48cm)

€5,000-€7,000 (£3,700-£5,190 approx.)

26Mary Swanzy HRHA(1882-1978)TREES, FOUNTAIN, FIGURES, SOUTHOF FRANCE coloured pencil on paperwith Pyms Gallery label on reverse7.5 by 10in. (19.05 by 25.40cm)

€800-€1,200 (£590-£890 approx.)


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27Mary Swanzy HRHA (1882-1978)REVOLUTION, 1942 oil on canvassigned and dated [1943] lower right; with Taylor Gallery, label on reverse12 by 22in. (30.48 by 55.88cm)

Provenance:Taylor Gallery, Dublin;Private collection

Exhibited:Taylor Gallery, Dublin, 26 October to 6 November 1982, catalogue no. 30

The composition and colour of the present example are immediate and striking and contrast greatlywith Swanzy’s gentle rhythmic landscapes of her earlier Cubist phase. From the 1930s and 40s herwork changed direction dramatically and she became more concerned with mood, symbolism andthe war ravaged world around her. Here the fantastic and almost grotesque characters demand theviewer’s attention be drawn into the scene. The crowd in the middle ground give a sense of intensityto the work as they surge towards a point beyond view to the left of the canvas.

€4,000-€6,000 (£2,960-£4,440 approx.)

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28George Campbell RHA (1917-1979)HOMICIDE HENRY ARMSTRONG oil on boardsigned lower right; titled on reverse20 by 16in. (50.80 by 40.64cm)

Provenance:Purchased directly from the artist c.1970

Henry Jackson Jr. (1912 -1988) was an American professional boxer and a world champion(in more than one division) who fought under the name Henry Armstrong. He is regarded asone of the greatest fighters of all time by many boxing critics and fellow professionals. Hewas also known as “Homicide Hank”, hence the artist’s title. George Campbell was a boxingfan and made several paintings of boxers both in Ireland and in Spain.

€2,500-€3,500 (£1,850-£2,590 approx.)


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29Daniel O’Neill (1920-1974)SELF PORTRAIT, 1948 oil on boardsigned upper left; dated lower left24 by 21in. (60.96 by 53.34cm)

Provenance:Eastwood Gallery, Antrim, 1999;Private collection

Daniel O’Neill began exhibiting in Dublin from the early 1940s. He held a joint exhibition with fellowBelfast artist Gerard Dillon in 1943 at the Contemporary Painter Gallery and later with VictorWaddington in 1946. The positive response and sales of his work garnered him a contract withWaddington and allowed him to paint full time. Collaborative shows with George Campbell, NevilleJohnson and Gerard Dillon followed. The present example dates to this early phase in the artist’scareer. This self-portrait is a rare example by him and includes enigmatic religious references. Theyear after this work was painted O’Neill travelled to Paris and his subject and style developed further.

€8,000-€12,000 (£5,930-£8,890 approx.)


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30Nano Reid (1900-1981)HANGING OUT THE WASHING, c.1950 oil on boardsigned lower left; numbered [37] on typed exhibition label onreverse18 by 14in. (45.72 by 35.56cm)

Provenance:Acquired from the artist in 1968;Private collection

Exhibited:Victor Waddington Galleries, 6-20 March 1950, catalogue no. 6;‘Nano Reid 1900-1981 Retrospective Exhibition’, Droichead ArtsCentre, 5 April - 31 May 1991, catalogue no. 17

€2,000-€3,000 (£1,480-£2,220 approx.)

31George Campbell RHA (1917-1979)CLOWN WITH CAT chalk and ink on buff-coloured papersigned lower centre; with typed Ritchie Hendriks Galleryexhibition label on reverse; also with Beaufield MewsGallery label on reverse16.70 by 10.20in. (42.42 by 25.91cm)

Provenance:Ritchie Hendriks Gallery, Dublin; Private collection;with Beaufield Mews Gallery, Dublin;The collection of Jim O’Driscoll SC

Exhibited:‘Drawings 1950-1961’, Ritchie Hendriks Gallery, catalogueno. 17, June 1961

€1,500-€2,000 (£1,110-£1,480 approx.)


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32Nano Reid (1900-1981)CRUMPHAN, ACHILL oil on canvas boardsigned lower right; with Arts Council ofIreland exhibition label on reverse; alsowith Daniel Egan label on reverse14 by 18in. (35.56 by 45.72cm)

Exhibited:‘Nano Reid Retrospective’, MunicipalGallery, Dublin and the Ulster Museum,Belfast, 22 December 1974 - January 1975,catalogue no. 5

€1,500-€2,000 (£1,110-£1,480 approx.)

33Nano Reid (1900-1981)CRUISETOWN, CLOGHERHEAD oil on canvas boardsigned lower right; titled and numbered[14] on exhibition label on reverse; withTaylor Gallery framing label also onreverse12 by 16in. (30.48 by 40.64cm)

Exhibited:‘Nano Reid 1900-1981’, Droichead ArtsCentre, 5 April - 31 May 1991, catalogueno. 6

€1,500-€2,000 (£1,110-£1,480 approx.)


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34Arthur Armstrong RHA(1924-1996)STILL LIFE WITH POTS oil on boardsigned lower left; inscribed withtitle on reverse; also titled on TomCaldwell Gallery label andnumbered [44] on reverse20 by 24in. (50.80 by 60.96cm)

Provenance:Tom Caldwell Gallery, Belfast;Private collection

Exhibited:‘Arthur Armstrong’, Tom CaldwellGallery, Belfast, September -October 1970, catalogue no. 44

€1,000-€1,500 (£740-£1,110 approx.)


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35Barrie Cooke HRHA(b.1931)FIGURE IN A COUNTY CLARELANDSCAPE, 1954 oil on boardsigned and dated lower right10 by 20in. (25.40 by 50.80cm)

Provenance:A gift from the artist to Ms LubaKaftannikoff former secretary of theUnited Arts Club Dublin c.1928;From whom bequeathed to thepresent owner

Luba Kaftannikoff was a friend andneighbour of the artist in the Burren, Co.Clare when Cooke first settled in Ireland.The figure in the present work is thoughtto be Ms Kaftannikoff.

€800-€1,200 (£590-£890 approx.)


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36Barbara Warren RHA(b.1925)FIGURE AMONG TREES oil on canvassigned lower right; signed again andtitled with artist’s address [Howth]on artist’s label on reverse; withTaylor Gallery exhibition label alsoon reverse22 by 28in. (55.88 by 71.12cm)


Exhibited:‘Barbara Warren’, Taylor Gallery,Dublin, 1992 (catalogue untraced)

€1,500-€2,000 (£1,110-£1,480 approx.)

37Father Jack P. Hanlon(1913-1968)TUILERIES watercoloursigned lower right; titled on TaylorGallery label on reverse; with TaylorGallery framing label also on reverse13 by 20in. (33.02 by 50.80cm)


€1,000-€1,500 (£740-£1,110 approx.)


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38Patrick Hennessy RHA (1915-1980)KASSIM BY THE SEA, 1978 oil on canvassigned lower left; with title in another hand on reverse24.5 by 34.5 in. (62.23 by 87.63cm)

Provenance:‘Patrick Hennessy RHA & Henry Robertson Craig RHA Catalogue’,Christie’s, 10 July 1986, lot 2;Private collection;with Apollo Gallery, Dublin;Private collection

€4,000-€6,000 (£2,960-£4,440 approx.)

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39Patrick Hennessy RHA (1915-1980)ATLAS BEACH oil on canvassigned lower left25 by 35in. (63.5 by 88.90cm)

Provenance:‘Patrick Hennessy RHA & Henry Robertson Craig RHA Catalogue’,Christie’s, 10 July 1986, lot 34;Private collection;with Apollo Gallery, Dublin;Private collection

€4,000-€6,000 (£2,960-£4,440 approx.)


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40Charles Tyrrell (b.1950)SWING, 1988 oil on boardsigned, titled and dated on reverse47.5 by 47in. (120.65 by 119.38cm)

€3,000-€5,000 (£2,220-£3,700 approx.)


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41Tony O’Malley HRHA (1913-2003)THE AUTUMN PAINTING (I), 1981 oil on boardsigned lower right; dated [5/81] lower left; signed again, titled and dated on reverse;with artist’s archival number [No. 322] and studio address also on reverse; also withArts Council exhibition label on reverse24 by 36in. (60.96 by 91.44cm)

Exhibited:‘Tony O’Malley - Painter in Exile’, Arts Council of Ireland and Northern Ireland, Dublin& Belfast, 1984, catalogue no. 110

€10,000-€15,000 (£7,410-£11,110 approx.)

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42John Shinnors (b.1950)SWALLOWS IN THE LIGHTHOUSE IV oil on canvassigned lower right; titled on typed Taylor Gallery exhibition label on reverse12 by 11in. (30.48 by 27.94cm)

Provenance:Taylor Gallery, Dublin;Where purchased by Jim O’Driscoll SC

Exhibited:Taylor Gallery, Dublin, 29 May to 13 June 1998, catalogue no. 11

€3,000-€4,000 (£2,220-£2,960 approx.)


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43Tony O’Malley HRHA (1913-2003)CROW FEATHERS, 1987 oil and incising on boardsigned and dated lower centre; signed again, dated [11/1987]and with artist’s archival number [No. 6253] on reverse36 by 12in. (91.44 by 30.48cm)

Provenance:Purchased directly from the artist

€6,000-€8,000 (£4,440-£5,930 approx.)

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44Tony O’Malley HRHA (1913-2003)CLARE ISLAND NO. I and WINTER SEA, 1998 (A PAIR) carborundum; (2); (no. 5 from edition of 36); (no. 2 fromedition of 60)first signed and numbered in lower margin; secondsigned and numbered in the plate lower centre59 by 4.5 in. (149.86 by 11.43cm)

Sheet size 64 by 9in.

€700-€900 (£520-£670 approx.)

45Tony O’Malley HRHA (1913-2003)CABUCHAN SAMHAIN, 1998 and CLARE ISLAND,1998 (A PAIR) carborundum; (2); (each no. 3 from edition of 40)each signed and numbered in the lower margin47 by 2in. (119.38 by 5.08cm)

Sheet size 54 by 7in. Both of equal dimensions andframed uniformly.

€600-€800 (£440-£590 approx.)


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46Tony O’Malley HRHA (1913-2003)LANDSCAPE, A MEMORY, 1987 oil on boardsigned lower left; dated lower right; signed again, titled, dated [6/1987]and with artist’s archival number [No. 3126] on reverse11 by 18in. (27.94 by 45.72cm)

Provenance:Purchased directly from the artist

€3,000-€5,000 (£2,220-£3,700 approx.)

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47Seán McSweeney HRHA (b.1935)SPRING POOL, 2002 oil on boardsigned and dated lower left; signed again and titledon reverse23 by 31in. (58.42 by 78.74cm)

€2,000-€3,000 (£1,480-£2,220 approx.)


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48Seán McSweeney HRHA (b.1935)KELLY’S BOG, 1992 oil on canvassigned and dated lower right; signed again, dated,titled and with archival number [92.37] on reverse14 by 10in. (35.56 by 25.40cm)

Provenance:The Collection of Jim O’Driscoll SC

€1,000-€1,500 (£740-£1,110 approx.)


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49Seán McSweeneyHRHA (b.1935)CONWAY’S BOG, 1988 oil on canvassigned, dated, titled andinscribed [Carrigan’sStudio] on reverse; withtyped Taylor Galleryexhibition label also onreverse18 by 24in. (45.72 by60.96cm)

Provenance:Taylor Gallery, Dublin;Where purchased by JimO’Driscoll SC

Exhibited:Taylor Gallery, Dublin, 9-25July, 1992, catalogue no. 8

€3,000-€4,000 (£2,220-£2,960 approx.)

50Seán McSweeney HRHA(b.1935)YELLOW HILL, c.1984 encaustic on canvastitled on Taylor Gallery exhibition label onreverse26 by 25in. (66.04 by 63.5 cm)

Provenance:Taylor Gallery, Dublin;Where purchased by Jim O’Driscoll SC

Exhibited:Taylor Gallery, Dublin, 1984, catalogue no. 39

€1,000-€1,500 (£740-£1,110 approx.)

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52Michael Gemmell(b.1950)UNTITLED oil on canvassigned lower right36 by 36in. (91.44 by 91.44cm)

Provenance:Taylor Gallery, Belfast

€800-€1,200 (£590-£890 approx.)

51Neil Shawcross RHA RUA(b.1940)RED CUP, 2001 watercoloursigned and dated lower right; titledon reverse18 by 26in. (45.72 by 66.04cm)

Provenance:Mullen Gallery, Belfast;with Taylor Gallery, Belfast

€800-€1,200 (£590-£890 approx.)

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53Michael Mulcahy(b.1952)HELVICK HEAD, 1981 oil on canvassigned, dated and inscribedwith additional titles[‘Floating’ and ‘Jump to BlackShadow’] struck out onreverse30 by 36in. (76.20 by 91.44cm)

Provenance:The Collection of JimO’Driscoll SC

€1,000-€1,500 (£740-£1,110 approx.)

54Michael Mulcahy(b.1952)ISLAND SERIES oil on canvassigned lower right; signedagain on reverse29 by 36in. (73.66 by 91.44cm)

Provenance:The Collection of JimO’Driscoll SC

€1,000-€1,500 (£740-£1,110 approx.)

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55Tony O’Malley HRHA (1913-2003)WINTER, 1998 carborundum; (no. 9 from edition of 20)signed in the plate lower right; numberedin the plate lower left67 by 27.5 in. (170.18 by 69.85cm)

€800-€1,200 (£590-£890 approx.)

56Kim en Joong (South Korea,b.1940)UNTITLED [FAN], 1990 oil on paper fansigned and dated lower right11.5 by 23in. (29.21 by 58.42cm)

A Dominican monk, Kim en Joong served in theSouth Korean army until 1963. Later he taughtdrawing at a Catholic seminary in Seoul andsubsequently converted to Catholicism in 1967.Shortly after that he travelled to Switzerland tostudy art history, theology and metaphysics. Hecompleted his first stained glass window in1989, which was a turning point in his career.Kim en Joong exhibited with the Taylor Gallery,Dublin in the 1990s.

€800-€1,200 (£590-£890 approx.)

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57Ciarán Lennon (b.1947)TWO PART COLOUR COLLECTION acrylic/brass panels; (diptych)both numbered [F.059]; red numbered[1/18]; green [16/18] on reverse21 by 12.5 in. (53.34 by 31.75cm)


Dimensions of set (hung as single unit), 22.5by 28.5ins. approx.

€1,500-€2,000 (£1,110-£1,480 approx.)

58Ciarán Lennon (b.1947)UNTITLED, 2008 graphite rubbing on stone andacrylic paint on papersigned, dated and inscribed withmedium lower right30 by 41in. (76.20 by 104.14cm)


€600-€800 (£440-£590 approx.)

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59Louis le Brocquy HRHA (1916-2012)IMAGE IN DARKNESS, 1974 aquatint on Arches paper; (no. 43 from editionof 75)signed and numbered lower left15.5 by 15.5 in. (39.37 by 39.37cm)


€1,200-€1,500 (£890-£1,110 approx.)

60Louis le Brocquy HRHA (1916-2012)THE BULL OF CÚAILNGE (BLUE) lithograph on Swiftbrook paper; (no. 93 fromedition of 140)signed and dated lower right; numberedlower left15 by 21in. (38.10 by 53.34cm)


€800-€1,200 (£590-£890 approx.)


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61Louis le Brocquy HRHA(1916-2012)HUMAN IMAGE XIII, 2005 silkscreen; (no. 35 from an edition of 75)signed and numbered in pencil in themargin lower right27.5 by 21.5 in. (69.85 by 54.61cm)


Sheet size, 33.5 by 26.5in.

€1,500-€1,800 (£1,110-£1,330 approx.)

62Patrick Scott HRHA (1921-2014)BOG SERIES oil on board9 by 6.30in. (22.86 by 16cm)

Provenance:A gift from the artist to a fellow architect 1963

€300-€500 (£220-£370 approx.)

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63Louis le Brocquy HRHA(1916-2012)THE TÁIN. MARE AND FOALS, 1969 lithographic brush drawing; (no. 53 froman edition of 70)signed, numbered and dated lower left15 by 21in. (38.10 by 53.34cm)

Provenance:Whyte’s, 30 April 2007, ex lot 52;Private collection

The Táin series was printed in Dublin in 1969by Frank O’Reilly in an edition of 70 plus oneartist’s proof. The present example is no. 31 in the series.

€1,500-€2,000 (£1,110-£1,480 approx.)

64Louis le Brocquy HRHA(1916-2012)THE TÁIN. CÚCHULAINN MOUNTING HISCHARIOT, 1969 lithographic brush drawing; (no. 53 froman edition of 70)signed, numbered and dated lowerright15 by 21in. (38.10 by 53.34cm)


No. 35 in the series.

€1,500-€2,000 (£1,110-£1,480 approx.)


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65Louis le BrocquyHRHA (1916-2012)THE TÁIN. LION, 1969 lithographic brush drawing; (no.53 from an edition of 70)signed, numbered and datedlower right15 by 21in. (38.10 by 53.34cm)



€1,500-€2,000 (£1,110-£1,480approx.)

66Louis le Brocquy HRHA (1916-2012)THE TÁIN. MACHA PLEADING, 1969 lithographic brush drawing; (no. 53 from an edition of 70)signed, numbered and dated lower right21 by 15in. (53.34 by 38.10cm)



€1,500-€2,000 (£1,110-£1,480 approx.)

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67Corban Walker (b.1967)KERT, 2000 southern yellow pinewith Green on Red Gallery exhibition label on reverse9 by 15.30 by 2in. (22.86 by 38.86 by 5.08cm)

Provenance:Green on Red Gallery, Dublin;Private collection

Exhibited:‘Do You Know The Way’, Green on Red Gallery, Dublin,3-29 May 2000

€1,000-€1,500 (£740-£1,110 approx.)

68Brian King (b.1942)MAQUETTE FOR KILKENNY X, 1986 bronze; (no. 3 from edition of 4)signed, dated and numbered beneath base5.30 by 2.70 by 2.70in. (13.46 by 6.86 by 6.86cm)

Dimensions of base 0.5 by 6 by 6in.The sculpture Kilkenny X, for which this is a maquette,was destroyed by Hurricane Charley in 1986.

€800-€1,200 (£590-£890 approx.)

69Vivienne Roche (b.1953)DELTA CURVE, 1989-90 painted steelsigned at base106 by 61.5 by 72¼in. (269.24 by 156.21 by 183.52cm)

Provenance:Commissioned by Robin Mandel for Merops NutritionLtd, Walkinstown, Dublin;Private collection

Literature:John O’Regan (ed.), Vivienne Roche, Gandon Editions,Kinsale, 1991

€4,000-€6,000 (£2,960-£4,440 approx.)


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70Banksy (British, b.1974)TOXIC MARY screenprint; (no. 426 from edition of 600)numbered and blindstamped [P.O.W. printing] lower left;with Banksy copyright stamp lower right27 by 19in. (68.58 by 48.26cm)

€2,000-€3,000 (£1,480-£2,220 approx.)


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71Roy Lichtenstein (USA, 1923-1997)STILL LIFE WITH LOBSTER, 1974 lithograph and screenprint; (no. 61 from edition of 100)signed, numbered and dated lower right32 by 31in. (81.28 by 78.74cm)

Dimensions of sheet 34 by 33in.

New York born Roy Lichtenstein is synonymous with the Pop Art Movement that emerged in the late 1950s in the USand challenged the tradition of fine art by employing aspects of mass culture, such as advertising and everyday culturalobjects. Lichtenstein came to prominence with his use of the cartoon characters Mickey Mouse and Donald Duck andlater his adapted comic-book panels such as Whaam! (1963, Tate Modern, London).

Still Life with Lobster is part of the ‘Six Still Lifes Series’ from the mid-1970s which explored the conventions of oldmaster still life painting. The series was co-published by Multiples, Inc. and Castelli Graphics, New York.

€12,000-€15,000 (£8,890-£11,110 approx.)

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72Will St Leger (b.1972)BRING THE BASS BACK, 2007 stencil on canvas; (no. 1 fromedition of 2)signed, titled, numbered anddated [April] on reverse27.80 by 39.30in. (70.61 by99.82cm)

Provenance:Acquired directly from the artist

Exhibited:‘Celebrity Guns & Ammo’, The Hive, Dublin, April 2007

Dublin born artist, activist andbroadcaster, Will St Leger hasbecome a household name in theIrish street art scene since the mid2000s. He studied design and visualcommunication at Athlone Instituteof Technology and has held soloexhibitions almost annually from2006 to 2012 in Dublin.Among his more provocative showswas ‘Art Raid’ for Dublin FringeFestival 2007, which encouragedviewers to ‘steal’ the exhibits at thesound of a security alarm.

€300-€500 (£220-£370 approx.)

73Will St Leger (b.1972)KHMER ROUGE RINSE, c. 2006 giclée print with archival ink; (no. 2 from edition of 75)signed lower right; numberedlower left17.5 by 23in. (44.45 by 58.42cm)


Exhibited:‘Artivism’, The Front Lounge,Dublin, 1-28 February 2006

Sheet size 21 by 27 in.

€300-€500 (£220-£370 approx.)


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74Banksy (British, b.1974)GRANNIES screenprint; (no. 399 from edition 500)numbered and blindstamped [P.O.W. printing] lower right19 by 26.70in. (48.26 by 67.82cm)

Sheet size 22.5 by 30 in.

€2,000-€3,000 (£1,480-£2,220 approx.)


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75Dillon Boy (James Dillon Wright)(USA, b.1979)GOTHAM GRAFFITI acrylic on canvassigned lower right29 by 27.5 in. (73.66 by 69.85cm)

€1,000-€1,500 (£740-£1,110 approx.)

76Blek le Rat (French, b.1951)LAST TANGO stencil; (no. 116 from edition of 145)signed lower right; numbered lower left22 by 23in. (55.88 by 58.42cm)

Sheet size given.

€400-€600 (£300-£440 approx.)

77Antony Micallef (British, b.1975)FRIENDLY FIRE, 2006 screenprint; (no. 118 from edition of 250)numbered and blindstamped [P.O.W. printing]lower left; signed lower right29 by 21in. (73.66 by 53.34cm)

€400-€600 (£300-£440 approx.)


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78Antony Micallef (British, b.1975)UZI LOVER 1 and UZI LOVER 2 (A PAIR) lithograph; (2); (no. 74 from edition of 400)both signed lower right and numbered lower left;blindstamped [Curwen Chilford] lower centre26.5 by 25.5 in. (67.31 by 64.77cm)


Exhibited:‘Impure Idols’, Hollywood Boulevard, Los Angeles,19-29 September 2007

Both of equal dimensions.

€600-€800 (£440-£590 approx.)

79Anthony Micallef (British, b.1975)MYTHIC WEAPON - IMPROVISED MINOTAUR lithograph; (no. 74 from edition of 400)signed lower right and numbered lower left;blindstamped [Curwen Chilford] lower centre37 by 25in. (93.98 by 63.5 cm)

€600-€800 (£440-£590 approx.)


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80Martin Whatson (Norway, b.1984)EN-POINT, 2014 screenprint on aluminium; (no. 8 from edition of 9)numbered lower left; signed and dated lower right31.5 by 22in. (80.01 by 55.88cm)

€1,500-€2,000 (£1,110-£1,480 approx.)

81Miss Bugs (b.1979)CARRY YOUR SINS, 2010 screenprint, acrylic, collage on aluminium; (no. 2 from editionof 4)signed, dated, numbered and inscribed with title on reverse33.5 by 22.5 in. (85.09 by 57.15cm)

€1,000-€1,500 (£740-£1,110 approx.)


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82Dermot Seymour (b.1951)THE QUEEN’S OWN SCOTTISH BORDERERS OBSERVE THE KING OF JEWS APPEARING BEHINDSEÁN MCGUIGAN’S SHEEP ON THE FOURTH SUNDAY AFTER EPIPHANY, 1988 oil on linensigned and dated lower left60 by 44in. (152.40 by 111.76cm)

A self-taught artist, Dermot Seymour was born in Belfast in 1956. Like many of his contemporariesSeymour deals with the subject of political turmoil in Northern Ireland in the 1980s and 1990s. He treatspolitical subject matter with social realism and absurdist humour. Seymour’s paintings often involve thejuxtaposition of political imagery in an Irish landscape setting accompanied by livestock and religiousor military symbolism. Seymour has had solo shows in Belfast, Dublin, Berlin and New York.

€1,500-€2,000 (£1,110-£1,480 approx.)


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83Nancy “Nan” Goldin (USA, b.1953)MASH NAKED AT THE BAR ROUGE, TOKYO, 1998 cibachrome print; (artist’s proof; no. 1)signed, dated and titled on reverse24 by 16.5 in. (60.96 by 41.91cm)

Exhibited:‘From The Collection Of’, Gallery of Photography, Dublin, June-December, 2014.

Following graduation from the School of the Museum of Fine Arts, Boston/Tufts University,Goldin moved to New York City. She began documenting the post-punk new-wave music scene,along with the city's vibrant gay subculture of the late 1970s and early 1980s. She was drawnespecially to the hard-drug subculture of the Bowery neighbourhood; these photographs,taken between 1979 and 1986, form her most famous work, The Ballad of Sexual Dependency. The present work is from a series Goldin made of bar girls affectionately photographed in theFar East in the 1990s.

€2,000-€3,000 (£1,480-£2,220 approx.)


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84Charles Harper RHA(b.1943)UNTITLED, c.1980 acrylic, ink and pen with collageelement on papersigned lower right22 by 28in. (55.88 by 71.12cm)

€800-€1,200 (£590-£890 approx.)

85Charles Harper RHA(b.1943)BODY TENTION, 1997 pencil, pastel and watercolourtitled lower left; signed lower right19 by 25.70in. (48.26 by 65.28cm)

€600-€800 (£440-£590 approx.)


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86Jill Freedman (USA, b.1939)FIDDLER’S LIGHT, DONEGAL and PORTRAIT OF JILLFREEDMAN, 2006 by Christy McNamara (A PAIR) gelatin silver print; (2)signed, numbered [7467/37] and inscribed with title onreverse; portrait, signed and dated by Jill Freeman lowerleft; signed and dated by the artist lower right11 by 14in. (27.94 by 35.56cm)

Sheet size given. Dimensions of second work 12 by 16in.

€1,000-€1,500 (£740-£1,110 approx.)

87Ansel Adams (USA, 1902-1984)SET OF SIX YOSEMITE NATIONAL PARK SPECIAL EDITIONPHOTOGRAPHS, 1958 gelatin silver print; (6)each with Yosemite special edition stamp in the marginlower centre; each with edition information stamp on reverse6.80 by 9.40in. (17.27 by 23.88cm)

Produced by Alan Ross in 1994.

€800-€1,200 (£590-£890 approx.)

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88Margaret Corcoran (b.1963)EMMA AND HER SISTER LEANNE, SPAR SERIES, 2006 oil on linensigned, dated and titled on reverse; with Kevin Kavanagh Galleryexhibition label on reverse35.5 by 47.5 in. (90.17 by 120.65cm)

Provenance:Kevin Kavanagh Gallery;Private collection

Exhibited:‘The University’, Kevin Kavanagh Gallery, Dublin, 2006

The Kevin Kavanagh 2006 exhibition catalogue accompanies this lot.

Margaret Corcoran lives and works in Dublin and is represented by the KevinKavanagh Gallery, Dublin and the John Martin Gallery in London. Her workreferences the history and process of painting - while also tackling issues such associal perception, cultural differences and the sublime.

€2,000-€3,000 (£1,480-£2,220 approx.)


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89Brian Bourke HRHA(b.1936)DOMESTIC INTIMACY etching; (no. 3 from edition of 30)each signed and numbered in thelower margin7.30 by 7.10in. (18.54 by 18.03cm)

Sheet size 18.6 by 15in. Contained inoriginal presentation box.

€800-€1,000 (£590-£740 approx.)

91Henry Moore OM CH FBA (British, 1898-1986)STONEHENGE III, 1974 lithograph on Crisbrook paper; (no. 60 from edition of 60)numbered in the margin lower left; signed lower right12.5 by 18in. (31.75 by 45.72cm)

Originally from a set of 15 lithographs and 1 etching for the title-page.Sheet size 18 by 22.5 in.

€800-€1,200 (£590-£890 approx.)

90Micheal Farrell (1940-2000)CLOUDSCORE, 1964 etching; (no. 3 from edition of 50)numbered and titled lower left; signed and dated lower right18.5 by 18in. (46.99 by 45.72cm)

€300-€400 (£220-£300 approx.)


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92Blaise Drummond (b.1967)MT. DESERT ISLAND AND AFTER, 2002 oil and collage on canvassigned, dated and inscribed with title on reverse22 by 28in. (55.88 by 71.12cm)

€1,000-€1,500 (£740-£1,110 approx.)

93Michael O’Dea PRHA (b.1958)VIEW FROM ARTIST’S STUDIO chalk pastel on buff-coloured papersigned lower right29.20 by 21.20in. (74.17 by 53.85cm)

€400-€600 (£300-£440 approx.)

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94Mary Lohan (b.1954)UNTITLED oil on boardsigned lower right20 by 16in. (50.80 by 40.64cm)


€1,000-€1,500 (£740-£1,110 approx.)

95Anne Yeats(1919-2001)AUTUMN FRUITS oil on canvassigned lower right20 by 27in. (50.80 by68.58cm)

€800-€1,200 (£590-£890 approx.)


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96Peter Collis RHA (1929-2012)SLIGO LANDSCAPE oil on canvassigned lower right; titled on artist’s labelon reverse22 by 24in. (55.88 by 60.96cm)

Provenance:New Apollo Gallery, Dublin;Private collection

€2,000-€3,000 (£1,480-£2,220 approx.)

97Peter Collis RHA (1929-2012)WESTERN LANDSCAPE oil on canvas boardsigned with initials lower left12 by 10in. (30.48 by 25.40cm)

€500-€700 (£370-£520 approx.)

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98Liam Treacy(1934-2004)MORNING TIME, ARKLOWHARBOUR oil on canvassigned lower right; titled onartist’s label on reverse24 by 30in. (60.96 by 76.20cm)

€1,500-€2,000 (£1,110-£1,480 approx.)

99Ivan Sutton (b.1944)GALWAY HOOKER, ROUNDSTONE,GALWAY oil on canvas boardsigned lower left; signed againand inscribed with title on reverse20 by 30in. (50.80 by 76.20cm)

€1,200-€1,500 (£890-£1,110 approx.)


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101Arthur K. Maderson(b.1942)EVENING, RIVERBLACKWATER oil on boardsigned lower right; signedagain and inscribed withtitle on reverse32 by 44.5 in. (81.28 by113.03cm)

€3,000-€4,000 (£2,220-£2,960 approx.)

100Arthur K. Maderson (b.1942)DUSK, LE VIGAN, GARD, FRANCE oil on boardsigned lower left; signed again and inscribedwith title on reverse47 by 36in. (119.38 by 91.44cm)

€3,000-€4,000 (£2,220-£2,960 approx.)

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102Charles J. McAuley(1910-1999)LANDSCAPE WITH TREE oil on canvassigned lower left21 by 28in. (53.34 by71.12cm)

€1,200-€1,500 (£890-£1,110 approx.)

104Ciarán Clear (1920-2000)THE BULL BUOY, RUSH, COUNTY DUBLIN oil on boardinscribed with title on reverse14 by 16in. (35.56 by 40.64cm)

€500-€700 (£370-£520 approx.)

103Simon Coleman RHA (1916-1995)THE COMMONS, DULEEK, COUNTY MEATH oil on canvassigned on reverse13 by 17in. (33.02 by 43.18cm)

€600-€800 (£440-£590 approx.)


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105Simon Coleman RHA (1916-1995)MAN AND HORSE, DULEEK oil on canvassigned lower left13.80 by 13.80in. (35.05 by 35.05cm)

€500-€700 (£370-£520 approx.)

106Simon Coleman RHA (1916-1995)COIS FHARRAIGE oil on canvas boardsigned lower left; with title and original price[£14-0-0] inscribed on reverse; also withMulvany Bros., [Dublin] framing label on reverse11.5 by 15.70in. (29.21 by 39.88cm)

€500-€700 (£370-£520 approx.)

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107Padraig Lynch (b.1936)CATTLE AT DUSK, ARDEE BOG, 1998 oil on canvas boardsigned lower right; inscribed with title anddated on artist’s studio label on reverse12 by 15in. (30.48 by 38.10cm)

€600-€800 (£440-£590 approx.)


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108Fergal F. Nally(fl.1955 to 1967)DAWN, CONG, COUNTYMAYO oil on canvassigned lower right; signedagain and inscribed with title,artist’s address and originalprice [£55] on artist’s label onreverse29 by 36in. (73.66 by91.44cm)

In 1955 Fergal Nally exhibitedfour works at the DublinSketching Club and later, in 1964,1966 and 1967 with the RHA,Dublin. Between 1964 and 1967,six examples by Nally wereincluded in Oireachtas. Theartist’s address is recorded as 48Lower Kilmacud Road, Stillorganfrom 1964 in the RHA index ofexhibitors.

€800-€1,200 (£590-£890 approx.)


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109Eileen Meagher (b.1946)CONNEMARA SCENE oil on canvassigned lower left; with artist’s card affixedon reverse20 by 24in. (50.80 by 60.96cm)

Provenance:Purchased directly from the artist by thepresent owner

€1,000-€1,500 (£740-£1,110 approx.)

110Gerry Marjoram(b.1936)THE TWELVE PINS oil on canvassigned lower right24 by 36in. (60.96 by91.44cm)

€1,500-€2,000(£1,110-£1,480 approx.)


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111Thomas Ryan PPRHA (b.1929)MILLMOUNT SQUARE, DROGHEDA, 1978 oil on boardsigned lower left; inscribed with title, datedand numbered [117] on reverse10 by 13.5 in. (25.40 by 34.29cm)

€800-€1,200 (£590-£890 approx.)

112James Nolan RHA PPWCSI(b.1929)ATHGARVAN MILL, COUNTY KILDARE, 1981 oil on canvassigned lower right; titled on reverse16 by 20in. (40.64 by 50.80cm)

The Mill was demolished in 1983.

€600-€800 (£440-£590 approx.)

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113Thomas Ryan PPRHA (b.1929)HOUSE AT PORTNABLAGH, 1983 oil on canvas boardsigned lower right; signed again, numbered [63] andinscribed with title on reverse; with inscribed artist’slabel also on reverse20 by 16in. (50.80 by 40.64cm)

€1,500-€2,000 (£1,110-£1,480 approx.)

114Thomas Ryan PPRHA (b.1929)CHRIST CHURCH CATHEDRAL, DUBLIN, 1980 oil on canvas boardsigned lower right; signed, dated, numbered [36] andinscribed on artist’s labels on reverse17 by 14in. (43.18 by 35.56cm)


€1,000-€1,500 (£740-£1,110 approx.)

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115Bea Orpen HRHA (1913-1980)CONEY HALL, MORNINGTON gouachesigned lower right; with Gorry Gallery exhibitioncatalogue affixed on reverse13.20 by 19.5 in. (33.53 by 49.53cm)

Provenance:Gorry Gallery, Dublin;Private collection

Exhibited:Watercolour Society of Ireland, Dublin 1961, catalogueno. 116;Gorry Gallery, 16 to 30 October 1981, catalogue no. 18

The Gorry Gallery 1981 catalogue accompanies this lot.

€500-€700 (£370-£520 approx.)

117Helen Colvill (1856-1953)HAZELMERE watercoloursigned lower right; with artist’s name and datesprinted in lower margin; with Gorry Gallery label onreverse; also with Wellesley Ashe framing label alsoon reverse10.70 by 10.20in. (27.18 by 25.91cm)

Exhibited:Gorry Gallery, 24 November-2 December 1994,catalogue no. 51

€400-€600 (£300-£440 approx.)

116Bea Orpen HRHA (1913-1980)NEWTOWN HOUSE, 1944 gouache and pencilsigned and dated lower right9.30 by 13in. (23.62 by 33.02cm)

Newtown House dates to c. 1780 and is the headquarters ofthe Irish Countywomen’s Association (ICA) at An Grianán,Termonfeckin, Co. Louth.

€500-€700 (£370-£520 approx.)

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119William Percy French (1854-1920)FIGURES IN BOAT watercolourwith Bregazzi & Sons [Dublin] label on reverse9.5 by 6.5 in. (24.13 by 16.51cm)

Provenance:Purchased by the present owner’s mother at a charityauction in the West of Ireland

The present work was deftly painted by Percy French at a charityauction. The current owner’s mother retold seeing the artist paintthis example before it was auctioned and sold to her.

€1,000-€1,500 (£740-£1,110 approx.)

118Henry George Roper-Curzon (1822-1892)LAWRENCE GATE, DROGHEDA, 1878 watercoloursigned and dated lower left13 by 9.20in. (33.02 by 23.37cm)

€400-€600 (£300-£440 approx.)

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120George J. Nairn(fl.1880-1936)THE COAST GUARDS,DOLLYMOUNT, 1895 oil on boardsigned lower right; titled anddated on reverse7.70 by 18in. (19.56 by 45.72cm)

The work depicts the famous ‘BullBridge’ built in 1821 which connectsDollymount and Bull Island.

€600-€800 (£440-£590 approx.)

122George J. Nairn(fl1880-1936)EVENING ON THE TOLKA RIVER, 1880 oil on boardsigned lower centre; titled and dated inanother hand on reverse6 by 10in. (15.24 by 25.40cm)

€200-€300 (£150-£220 approx.)

121George J. Nairn(fl.1880-1936)SEINE FISHERS ON BULL ISLAND,DUBLIN oil on canvas boardsigned lower left; titled onreverse12 by 18in. (30.48 by 45.72cm)

€400-€600 (£300-£440 approx.)

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124Alexander WilliamsRHA (1846-1930)WHERE THE LAUNE RIVERLEAVES LOUGH LEANE,KILLARNEY oil on canvas boardsigned lower left; titled lowerright; inscribed with title onreverse beneath board5.80 by 13in. (14.73 by 33.02cm)

€600-€800 (£440-£590 approx.)

123John Faulkner RHA(1835-1894)LANDSCAPE WITH RIVER ANDCATTLE watercoloursigned and indistinctly titled lowerleft8.5 by 18.5 in. (21.59 by 46.99cm)

€800-€1,200 (£590-£890 approx.)

125Alexander WilliamsRHA (1846-1930)LION ROCKS, HOWTH, DUBLINBAY watercoloursigned and titled lower right9 by 17in. (22.86 by 43.18cm)

€500-€700 (£370-£520 approx.)

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127Thomas Rothwell (fl.1875-1881)RAIN CLOUDS CLEARING OFF, 1881and FISHING BOATS AT BRODERICK,1881 (A PAIR) watercolour; (2)signed on preserved Stark Brothers[16 Lower Sackville Street] label onreverse; second with Irish Fine ArtSociety inscribed label on reverse11.5 by 17.70in. (29.21 by 44.96cm)

Dimensions of second work 6.5 by 11.5in.

€600-€800 (£440-£590 approx.)

128Attributed to Francis Danby(1793-1861)FIGURES ON A SHORE WITH CLIFFS TOTHE RIGHT AND SHIPS IN THE DISTANCE watercolourindistinctly signed lower left; withartist’s name and dates printed in lowermargin; numbered [4082] on CynthiaO’Connor label on reverse11 by 15.5 in. (27.94 by 39.37cm)

€500-€700 (£370-£520 approx.)

126Edwin Hayes RHA RI ROI(1819-1904)BOATS ON A BEACH watercoloursigned and indistinctly dated lowerright; with Leggatt Bros. [London]label on reverse6.5 by 13.5 in. (16.51 by 34.29cm)

€800-€1,200 (£590-£890 approx.)

Ex 127


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129Edwin Hayes RHARI ROI (1819-1904)DUTCH BOAT OFFBROADSTAIRS, KENT, 1868 oil on canvassigned, dated andinscribed on reverse10 by 16in. (25.40 by40.64cm)

Provenance:Sotheby’s, 12 May, 1981,lot 409;Private collection

€2,000-€3,000 (£1,480-£2,220 approx.)

130Edwin Hayes RHARI ROI (1819-1904)GENOESE CRAFT, OFFGENOA ENTERINGHARBOUR, 1861 watercoloursigned, inscribed and datedlower left; with PymsGallery label on reverse13 by 20in. (33.02 by50.80cm)

A Cynthia O’Connor Galleryexhibition catalogue from1993 accompanies this lot. The catalogue features an oilby Edwin Hayes of samesubject, entitled Genoa laSuperba.

€1,200-€1,500 (£890-£1,110 approx.)

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131Richard Staunton Cahill (1826-1904)READING THE NEWS, 1871 oil on canvassigned and dated lower left; inscribed with marking andnumbered [50] upper left24 by 36in. (60.96 by 91.44cm)

Provenance:Tennants, North Yorkshire, 15 May 1992, lot 407;Where purchased by the previous owner;From whom acquired by the present owner

An accomplished figure painter in oil and watercolour, RichardStaunton Cahill was born in County Clare. Having trained at the RoyalHibernian Academy School in 1850, he exhibited there from 1851 until1900. Research shows he painted in Clare and Galway, concentrating ongenre subjects such as The Irish Peasant Boy (1853), The SpinningWheel (1879) and An Impending Eviction (1888). He exhibited from theearly 1850s at London’s Royal Academy, and when living in London, atThe Royal Society of British Artists and the New Watercolour Societyand elsewhere in English galleries. His detailed, sympathetic paintingsform useful historical sources for authentic furnishings and clothing.

Cahill’s group is gathered in an Irish cabin to listen to news read fromthe newspaper. The post famine years saw a huge increase inpublication of provincial newspapers, from 68 in 1850, to 127 by 1880.This growth went hand in hand with the establishment of Nationalschools, improved rates of literacy in English, and the expansion of therailways, facilitating inexpensive distribution. Newspaper editors wereoften highly politicised, encouraging the rise and spread of nationalismthrough the printed word. People often shared newspapers and theresulting debates had previously been depicted by other artists. InitiallyJohn Boyne’s The County Chronicle shows a paper being read aloud ina pub (1806). Then famous Scots artist David Wilkie produced TheVillage Politicians (1913), popularised through engravings (andstylistically influential here). Another lively Irish portrayal of the subjectwas by Henry MacManus (c.1810-78) whose oil Reading the Nationfeatures the weekly paper ‘The Nation’, which was overtly political. Bythe late 19th century, artists were addressing political issues morefrequently through their paintings. Subsequent to Cahill’s version ofthis subject, other artists included similar imagery to draw attention toIreland’s evolving Nationalist movement. Most notable is HowardHelmick’s Reading the News: Proclamation of the Land League (1881,National Gallery of Ireland).

This setting suggests a small farmhouse, with its flagged floor andcomparatively well-dressed, well fed, comfortable inhabitants. The menon the left are close to the open half door, which allowed light yetrestricted the movement of animals and children. The neatly madeform that they sit on, bears Cahill’s distinctive signature and date. Theyoung mother on the right sits on a stake-legged stool beside hertreadle spinning wheel, an improved type introduced for flaxproduction, used predominantly in northern counties. Her head iscovered, indicating her married status, and the boy listening attentivelyin the centre wears green, a colour symbolic of Fenianism, as wearinggreen had been outlawed by the ruling British in the late 17th century.Young boys were traditionally dressed as girls, in skirts. There werevarious reasons, including a superstition that if dressed as girls theywere less likely to be taken by the fairies, but also following similarEuropean aristocratic fashions, as well as for reasons of practicalhygiene. In the right corner is a red painted chest, upon which rests arush light holder, and a plate propped up, as was customary, for display.The significance of the prominently placed initials and the drawing onthe wall to the left is uncertain. However, 1850 was the year of TheReform Act, which increased the electorate, and helped build a newlypolitical nation. The juxtaposing of the male figures, with the older mensitting passively, the young man standing (with his green hat band),and the child centrally placed representing the future, suggests anactive stance towards a nationalist future, which by the time this waspainted in 1871, had started to become a reality.

The size and quality of the present work would suggest it may havebeen painted for exhibition. While no record has yet been found inexhibitors’ indexes for the present title, Reading the News, an exampleby the artist shown at the ‘Irish Exhibition in London’ in 1888 entitledThoughts of the Future [catalogue no.99, £10] would be an equallyfitting name for the present work. Thoughts of the Future was lent bythe artist to the London exhibition.

Claudia Kinmonth MA(RCA) PhDMoore Institute Visiting Research Fellow NUIGJanuary, 2015

References: C. Kinmonth Irish Rural Interiors in Art (Yale University Press, 2006), figs.85 & 130, pp.89-90.B. Rooney ed., A time and a Place, Two centuries of Irish Social Life(catalogue for Exhibition at the National Gallery of Ireland, Oct 2006-Jan 2007), pp.128-131, figs 67-8. Kevin O’Neill, ‘Reading Pictures: Reading Aloud in Rural Irish Society’ &Andrew Kuhn ‘Painting Print: Reading in the Irish Cabin’ in V. Krielkamped., Rural Ireland, The Inside Story (catalogue for exhibition at McMullenMuseum of Art, Boston College), pp.67-80.

€8,000-€10,000 (£5,930-£7,410 approx.)


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133William Sadler II(c.1782-1839)ANTRIM COAST oil on panelwith artist’s name and titleon museum plaque affixedto frame lower centre8.5 by 11.5 in. (21.59 by29.21cm)

€1,500-€2,000 (£1,110-£1,480 approx.)

132William Sadler II(c.1782-1839)GROUP OF SOLDIERS WITHMONK AND HARPIST ININTERIOR OF CASTLE oil on panel8.5 by 11.30in. (21.59 by28.70cm)

€2,000-€3,000 (£1,480-£2,220 approx.)

85


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134Patrick Nasmyth (Scottish, 1787-1831)EXTENSIVE LANDSCAPE WITH FIGURES AND DOG ON A PATH AT THE EDGE OF A WOOD oil on canvas25 by 30in. (63.5 by 76.20cm)

Provenance:Mealy’s & Christie’s, Mount Congreve House Sale, Co. Waterford, 10-11 July 2012, lot 1061;Private collection

Patrick Nasmyth was a Scottish landscape painter and the eldest son of artist Alexander Nasmyth (1758-1840).He lost the use of his right hand following an accident while preparing for a sketching trip with his father andlater invented a travelling booth, which would protect him from the elements and allow him to paint en pleinair in any weather. He travelled to London and exhibited in the British Institution. Nasmyth was called the“English Hobbema” in reference to the famous Dutch Golden Age landscape artist Meindert Hobbema.

€8,000-€12,000 (£5,930-£8,890 approx.)


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13519th Century Irish School SIR JOHN LEES, BARONET, c.1811 oil on boardtitled on reverse4.30 by 3.10in. (10.92 by 7.87cm)

Sir John Lees was born in Ayrshire, Scotland c.1737. Hedistinguished himself early in life with the British Army inGermany under the command of Marquis Granby. Sir John Leestravelled to Ireland in 1767 as private Secretary to the LordLieutenant, Lord Townshend. He was appointed secretary to theIrish Post Office, where he organised a very well run mail coachsystem. Sir John Lees was appointed 1st Baronet Lees, ofBlackrock, Dublin on June 30, 1804.

€500-€700 (£370-£520 approx.)

13719th Century English School FISHERMAN’S COTTAGE and WRECK IN STORMY SEA (APAIR) oil on canvas; (2)8.20 by 11.20in. (20.83 by 28.45cm)

Dimensions of second work 19 by 25.5in.

€500-€700 (£370-£520 approx.)

86

136Jan Jacobus Matthijs Damschröder(Dutch, 1825-1905)AT TWILIGHT oil on canvassigned lower left; titled on reverse24 by 30in. (60.96 by 76.20cm)

Provenance:Skinner, Boston, Massachusetts, 4 April 1998, lot 639; Private collection

€600-€800 (£440-£590 approx.)

Ex 137

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138John Henry Foley RA RHA (1818-1874)INO AND BACCHUS, 1851 bronzesigned and dated lower left9.5 by 18.5 by 6.5 in. (24.13 by 46.99 by 16.51cm)

Dimensions of base 3.4 by 20 by 9.5in.

In 1834 the sixteen-year old John Henry Foley left his native Dublin forLondon, following in the footsteps of his elder brother Edward, alreadyestablished at the sculpture workshop of the celebrated Mr Behnes. Heenrolled in the school of the Royal Academy and quickly won astudentship for ten years with The Death of Abel. This piece andInnocence, perhaps inspired by his sister Martha, were exhibited at theRoyal Academy in 1839 to great acclaim. Foley’s talent was recognisedby the influential Art Journal. The following year Ino and Bacchus wasexhibited, to even greater acclaim.

In both subject matter and style it is a neo-classical piece. That is to say,it imitates the art of ancient Greece and Rome.

The infant Bacchus lies on his back, smiling, reaching for the bunch ofgrapes dangled above him by the bare-breasted Ino who lies, smiling,at his side and leans over him. The naturalness, charm and wit of thepiece affected all who saw it. Prince Albert, the Queen’s consort, wasenthusiastic.

Francis Egerton, Earl of Ellesmere, commissioned a marble copy for hisgallery at Bridgewater House. This poet-politician had inheritedproperty worth £90,000 a year and a fabulous collection of paintings.He was sworn to the privy councils of both Britain and Ireland. Hetranslated French and German literature - he was London’s equivalentof Macaenas, Rome’s great patron of the Arts.

Ino and Bacchus marked a turning point in the career of the twenty-two year old from Montgomery Street, Dublin, (Now Foley Street, justnorth of Talbot Street.) Son of Jesse Foley, glass-blower turned grocer,and Eliza Byrne, from Wicklow. It launched him upon a career-path thatled to the heart of Victorian society and major commissions for projectsacross the imperial globe from Galway to Calcutta.

A plaster-cast of the model can be found in the permanent collectionof the Royal Dublin Society.

Ronan SheehanJanuary, 2015

1 The mythological data given here is drawn from The Oxford Guide to ClassicalMythology in Art

Ronan Sheehan is author of Foley’s Asia: A Sketchbook, University Press,Dublin 1999.

See on-line catalogue at www.whytes.ie for an extended note.

€3,000-€4,000 (£2,220-£2,960 approx.)


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139Walter Frederick Osborne RHA ROI (1859-1903)HEAD OF A MAN, THOUGHT TO BE THE ARTIST’S UNCLE oil on board11 by 10.5 in. (27.94 by 26.67cm)

Provenance:The artist’s niece, Violet Stockley; Thence by descent to a previous owner;Whyte’s, 19 September 2006, lot 116;Private collection

€2,000-€3,000 (£1,480-£2,220 approx.)

140Walter Frederick Osborne RHA ROI (1859-1903)I WOULD’NT TAKE YE FOR LOVE OR MONEY. SHURE ME HORSEIS BET UP inkwith artist’s name and dates printed in lower margin; signedletter from the artist to Miss Webb on reverse; with WellesleyAshe framing label also on reverse6 by 4in. (15.24 by 10.16cm)

Provenance:Artist’s niece, Miss Violet Stokes;Sophia Mallin by descent;The Mallin Family by descent

€600-€800 (£440-£590 approx.)


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141Attributed to Walter Frederick OsborneRHA ROI (1859-1903)LOGS ON SEASHORE oil on boardwith artist’s name and dates on museum plaque on framelower centre; with RHA memorial exhibition label on reverse;also numbered [45] on reverse6 by 9in. (15.24 by 22.86cm)

€300-€500 (£220-£370 approx.)

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144Sarah Henrietta Purser HRHA (1848-1943)SKETCHBOOK OF 20 WORKS INCLUDING PORTRAITS AND LIFE DRAWING pencil on paper bound in linen boardsvariously inscribed, one signed [s.h. purser] and dated [17.7.94] lower right9.5 by 6in. (24.13 by 15.24cm)

€1,500-€1,800 (£1,110-£1,330 approx.)

142Sarah Henrietta Purser HRHA (1848-1943)PORTRAIT OF A LADY WITH JABOT BLOUSE oil on canvaswith inscribed label on reverse [For Edward C. Barrington]14 by 11in. (35.56 by 27.94cm)

Provenance:From the collection of the sitter’s family; Thence by descent

€1,500-€1,800 (£1,110-£1,330 approx.)


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143Walter Greaves (British, 1846-1930)PORTRAIT OF THOMAS CARLYLE, c.1911 ink and washsigned lower right; bears inscription on reverse12 by 9in. (30.48 by 22.86cm)

€800-€1,200 (£590-£890 approx.)

Ex 144

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145Evie Hone HRHA (1894-1955)ANNUNCIATION, c.1938 gouache and oil pastel on paper; (pentagonal)signed lower right37 by 21in. (93.98 by 53.34cm)

A stained glass panel of the Annunciation based on this design can befound in The Stained Glass Museum, Ely Cathedral, Cambridgeshire.

€2,500-€3,500 (£1,850-£2,590 approx.)

146Evie Hone HRHA (1894-1955)STUDIES FOR STATIONS OF THE CROSS II, VI and XI(SET OF 3) pencil and wash; (2); pen and ink; (1)third signed lower right11.5 by 9.5 in. (29.21 by 24.13cm)

All uniformly framed. Dimensions of second and thirdwork 11.5 by 9.5in and 11.7 by 10.5 in., respectively.

€1,000-€1,500 (£740-£1,110 approx.)


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Ex 146

Ex 146

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148William Conor OBE RHA RUA ROI(1881-1968)DANCER pencilsigned lower right14.70 by 11.70in. (37.34 by 29.72cm)


€2,000-€3,000 (£1,480-£2,220 approx.)

147Patrick Pye RHA (b.1929)AFTER THE BATTLE - BOOK THREE, 1947 pencil; (8); pen and ink with wash; (2); pen and ink; (1)variously signed, inscribed and dated5.20 by 3.5 in. (13.21 by 8.89cm)

Average dimensions of a single illustration given. Overall size 39by 30 in. Interesting collection of eleven original drawings displayed in asingle frame with a title-page inscribed: “After the Battle Bk. 3 / 11drawings / Art degraded, imagination denied, War governed theNations / W.B.”. Each drawing is individually titled - a selectionincludes: Woman From Bombed City, A Lame Girl RunningThrough Bombed City, and Soldiers Wander About Waiting ForThe Next Revolution.

Drawn by the artist, then aged 18, in war damaged Berlin in 1947.

€1,000-€1,500 (£740-£1,110 approx.)


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includes:Woman


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149Paddy Campbell (b.1942)GIRL PLAYING WITH PUPPY, 2006 bronze; (no. 1 from edition of 11)signed, dated and numbered on base6 by 20 by 10in. (15.24 by 50.80 by25.40cm)

Dimensions of base 1 by 22 by 12in.

€1,200-€1,500 (£890-£1,110 approx.)

150James MacCarthy (b.1945)SEATED NUDE WASHING HER FACE, 1985 bronzesigned [MAC] and dated on base6.5 by 4.5 by 3in. (16.51 by 11.43 by7.62cm)

Dimensions of base 0.5 by 5 by 3.5in.

€400-€600 (£300-£440 approx.)

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151Gabriel Hayes (1909-1978)AN TÓSTAL COMMEMORATIVE PLAQUE bronzesigned lower centre21 by 21 by 0.5 in. (53.34 by 53.34 by 1.27cm)

Lesser known Irish female artists were celebrated in the publicationIrish Women Artists 1800-2009 Familiar But Unknown (ed. ÉimearO’Connor) in 2010 and among those highlighted was Kildare sculptorGabriel Hayes.

Although she exhibited almost annually with the RHA from 1932 to1947, was the recipient of the coveted Taylor Art Prize (1934), receivednumerous public and ecclesiastical commissions and, when Irishcurrency went decimal in 1971, designed several of the coins, littlerecognition has been awarded her since her death in 1978.

Among her major commissions are the panels for the then Departmentof Industry and Commerce, Kildare Street (1941) and the more than lifesize 14 Stations of the Cross for Galway Cathedral. In 1977 she won thegold medal for sculpture at the Oireachtas Exhibition with GráinneMhaol carved from American walnut.

This sizeable bronze is likely to have been a presentation plaque for AnTóstal (inaugurated in 1953). Irish life is celebrated in this piece arounda central figure holding a torch to symbols of the provinces. It is typicalof her style with its flat stylised rendering of figures and animals. Hayes’husband was Professor Seán P. Ó Ríordáin who became a householdname in the 1950s for his appearances on the BBC televisionprogramme ‘Animal, Vegetable or Mineral?’

€3,000-€4,000 (£2,220-£2,960 approx.)

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152Martin Mooney(b.1960)STILL LIFE WITH PEAR, 2001 oil on boardsigned with initials lower right;signed again, dated and titled onreverse; with Solomon Galleryexhibition label also on reverse11 by 20.80in. (27.94 by 52.83cm)

Provenance:Solomon Gallery;Private collection

€1,800-€2,200 (£1,330-£1,630 approx.)

153Stuart Morle (b.1960)STILL LIFE WITH SILVERWARE AND CHERRIES, 2014 oil on coppersigned lower right; signed again, titled and dated on reverse7.5 by 10in. (19.05 by 25.40cm)

€800-€1,200 (£590-£890 approx.)

154Liam Treacy (1934-2004)INTERIOR, 1982 oil on boardsigned lower right; dated and inscribed with title on artist’sstudio label on reverse12 by 10in. (30.48 by 25.40cm)

€600-€800 (£440-£590 approx.)


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156Gerard Byrne (b.1958)STRAWBERRY HILL URNS, DALKEY, 1998 oil on canvassigned and dated lower left42 by 32in. (106.68 by 81.28cm)

Strawberry Hill House is located on Vico Road, Dalkey.

€1,200-€1,500 (£890-£1,110 approx.)

155Gladys Maccabe HRUA ROI FRSA (b.1918)STILL LIFE oil on boardsigned lower left; titled on Taylor Gallery [Belfast] label onreverse20 by 15.5 in. (50.80 by 39.37cm)


€800-€1,200 (£590-£810 approx.)

96


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157Graham Knuttel (b.1954)STILL LIFE oil on boardsigned lower right36 by 36in. (91.44 by 91.44cm)

€1,000-€1,500 (£740-£1,110 approx.)

158Graham Knuttel (b.1954)GANGSTER oil on canvassigned lower left22 by 20in. (55.88 by 50.80cm)

€1,500-€2,000 (£1,110-£1,480 approx.)


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97

159Kenneth Webb RWA FRSA RUA (b.1927)THE WHITE VASE oil on canvassigned lower right24 by 16in. (60.96 by 40.64cm)

€4,000-€6,000 (£2,960-£4,440 approx.)

98


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160Markey Robinson(1918-1999)NOCTURNAL LANDSCAPEWITH WINDMILL oil on boardsigned lower left25 by 35in. (63.5 by 88.90cm)

Provenance:Fr. Ó Loideáin (Leyden) MissionAntiques, Clarendon St.,Dublin;Private collection

€3,000-€4,000 (£2,220-£2,960 approx.)

161Markey Robinson(1918-1999)WATCHING THE BOATS oil on boardsigned lower right21 by 29.5 in. (53.34 by74.93cm)

€2,000-€3,000 (£1,480-£2,220 approx.)


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99

162Markey Robinson (1918-1999)POTATO GATHERING oil on boardsigned lower right20.5 by 27in. (52.07 by 68.58cm)

A rare, large and detailed work by Markey, dating from the late 1950s to early 1960s.

€5,000-€7,000 (£3,700-£5,190 approx.)

100


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163Markey Robinson(1918-1999)TWO SHAWLIES WALKINGTOWARDS A HOUSE oil on boardsigned lower left23 by 23in. (58.42 by 58.42cm)

€2,000-€3,000 (£1,480-£2,220 approx.)

164Markey Robinson(1918-1999)SAILING BOATS WITH COTTAGESAND SHAWLIES oil on boardsigned lower right13 by 21in. (33.02 by 53.34cm)

€1,500-€1,800 (£1,110-£1,330 approx.)


,

101

166Markey Robinson (1918-1999)TWO SHAWLIES FISHING AT A LAKE oil on boardsigned lower right18 by 26.5 in. (45.72 by 67.31cm)

€1,500-€2,000 (£1,110-£1,480 approx.)

167Markey Robinson (1918-1999)TWO SHAWLIES WITH CASTLE INBACKGROUND oil on boardsigned lower right15 by 20in. (38.10 by 50.80cm)

€1,200-€1,500 (£890-£1,110 approx.)

165Markey Robinson(1918-1999)WAITING FOR THE CATCH oil on boardsigned lower left; with EakinGallery exhibition label onreverse23 by 43.5 in. (58.42 by110.49cm)

Provenance:Eakin Gallery;Private collection;Adam’s, 26 March 2013, lot 87;Private collection

€2,000-€3,000 (£1,480-£2,220 approx.)

102


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168Markey Robinson (1918-1999)VALE OF AVOCA gouache on cardsigned lower right; titled on reverse13.5 by 14in. (34.29 by 35.56cm)

€800-€1,200 (£590-£890 approx.)

169Markey Robinson (1918-1999)VIEW FROM BIG HOUSE, RENVYLE,CONNEMARA oil and gouache on cardsigned lower right; titled on reverse15.5 by 13in. (39.37 by 33.02cm)

€800-€1,200 (£590-£890 approx.)


,

103

171Markey Robinson(1918-1999)STILL LIFE oil on cardsigned lower left13 by 19in. (33.02 by48.26cm)

€800-€1,200 (£590-£890 approx.)

170Markey Robinson(1918-1999)STILL LIFE WITH JUGS oil on boardsigned upper right8 by 12in. (20.32 by30.48cm)

€600-€800 (£440-£590 approx.)

104


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172Simeon Stafford (b.1956)ST. IVES HARBOUR, CORNWALL oil on canvassigned and dated lower left; titled on reverse30 by 39in. (76.20 by 99.06cm)


€1,500-€1,800 (£1,100-£1,330 approx.)

173Simeon Stafford (b.1956)TRAFFIC BY THE DOCKS, 2002 oil on boardsigned and dated lower left17.5 by 23.5 in. (44.45 by 59.69cm)


€800-€1,200 (£590-£890 approx.)

174Simeon Stafford (b.1956)PORT SCENE, 2003 oil on boardsigned and dated lower left18 by 24in. (45.72 by 60.96cm)


€800-€1000 (£590-£740 approx.)


,

105

176Fred Yates (1922-2008)NONE OF US WERE HANDSOME BUT WE WERE HAPPY oil on canvassigned right, centre15 by 18in. (38.10 by 45.72cm)


€500-€700 (£370-£520 approx.)

177Fred Yates (1922-2008)LE VIADUC, HAUTE VIENNE oil on boardsigned lower left; titled and with provenance on reverse14 by 10in. (35.56 by 25.40cm)


€500-€700 (£370-£520 approx.)

175Simeon Stafford(b.1956)WINTER SCENE oil on boardsigned and dated [28.1.2]lower left12.5 by 29.5 in. (31.75 by74.93cm)


€600-€800 (£440-£590 approx.)

106


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178Conor Walton (b.1970)UNTITLED, 2000 oil on canvassigned and dated lower right16 by 16in. (40.64 by 40.64cm)

Provenance:Jorgensen Fine Art, Dublin;Private collection;Whyte’s, 26 May 2006, 255;Private collection

€1,200-€1,500 (£890-£1,110 approx.)

179Dennis Orme Shaw (b.1944)CONEY ISLAND, 2001 oil on canvassigned lower right; signed again, dated and inscribedwith title on reverse24 by 28in. (60.96 by 71.12cm)

€500-€700 (£370-£520 approx.)

180Dennis Orme Shaw (b.1944)MOORED BOATS, ARDGLASS, 2001 oil on canvassigned lower right; signed again, dated and inscribedwith title on reverse40 by 40in. (101.60 by 101.60cm)

€800-€1,200 (£590-£890 approx.)


,

107

182David Crone RHA (b.1937)THREE FIGURES, 1982 watercolour and pastelsigned and dated lower right; titled and dated on reverse;with Tom Caldwell exhibition label also on reverse11 by 18.5 in. (27.94 by 46.99cm)


€600-€800 (£440-£590 approx.)

183Gretta O’Brien (b.1933)CITY SCENE oil on canvassigned lower left; with Lincoln Gallery framing label onreverse24 by 20in. (60.96 by 50.80cm)

€500-€700 (£370-£520 approx.)

181Simon Knowles (b.1957)HETEROTOPIA NO.3, 2006 oil on canvassigned, titled and dated on reverse39.5 by 39.5 in. (100.33 by 100.33cm)

Provenance:Riverbank Arts Centre, Newbridge;Private collection

Exhibited:‘Heterotopia’, Riverbank Arts Centre, Newbridge, CountyKildare, 2006

€1,000-€1,200 (£740-£890 approx.)

108


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184Eva Stuart Watt (fl.1932-1934)THE GOOSE LADDIE oil on canvas boardsigned lower right; titled on John Magee label onreverse12 by 16in. (30.48 by 40.64cm)

€600-€800 (£440-£590 approx.)

185Anne Primrose Jury RUA (1907-1995)MUCKISH oil on canvassigned lower right; numbered [17] on Winchester Gallery[Southampton] label on reverse9.5 by 12.5 in. (24.13 by 31.75cm)

Provenance:In ownership of Mrs Chick circa 1939;Purchased from her estate by the previous owner c. 1965;Thence by descent

€500-€700 (£370-£520 approx.)

186Robert Taylor Carson HRUA (1919-2008)BOATS IN HARBOUR pastelsigned indistinctly lower left9.80 by 12in. (24.89 by 30.48cm)

Provenance:Family of the artist

€500-€700 (£370-£520 approx.)


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109

188Norman J. McCaig (1929-2001)BOATS AT SKERRIES oil on boardsigned lower left; with David Hendriks framing label onreverse10 by 12in. (25.40 by 30.48cm)

Exhibited:Bank of Ireland Exhibition Hall, Dublin, 19-22 October1982, catalogue no. 67;Robinson Gallery, November [year unknown], catalogueno. 12 [catalogue untraced]

Two exhibition catalogues accompany this lot.

€600-€800 (£440-£590 approx.)

189Michael Hanrahan (b.1951)CATTLE GRAZING NEAR LAHINCH, COUNTY CLARE, 2014 oil on boardsigned lower left; signed again, inscribed with title anddated [Sept] on reverse10 by 14in. (25.40 by 35.56cm)

€500-€700 (£370-£520 approx.)

187Liam Treacy (1934-2004)THE FLEADH oil on canvassigned lower right; titled on artist’s studio label onreverse20 by 24in. (50.80 by 60.96cm)

€800-€1,200 (£590-£890 approx.)

110


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190Richard MooreMARSH ROAD, DROGHEDA, 1984 and THEDALES, DROGHEDA, 1984 (A PAIR) oil on board; (1); oil on paper laid on board; (1)signed and dated lower right; signed, datedand inscribed with title on reverse; secondsigned and dated lower right; signed again,dated [21 July] and inscribed with title onreverse12 by 12in. (30.48 by 30.48cm)

Dimensions of second work 10 by 14in.

Richard Moore is a Drogheda based artist. He hasbeen painting in the Boyne Valley for the past 25years. In 2010 Whyte’s Director Sarah Gates openedan exhibition of his works at the Abbey Gallery,Drogheda.

€400-€600 (£300-£440 approx.)

191Richard MooreGATE LODGE, BELTICHBURNE HOUSE, BALTRAY,CO. LOUTH, 1995 and ELDER TREE,BELTICHBURNE HOUSE, 1994 (A PAIR) oil on boardsigned and dated lower right; signed again,inscribed with title and dated [June 23] onreverse; second signed and dated lower right;signed again, dated [June] and inscribed onreverse14 by 20in. (35.56 by 50.80cm)


€600-€800 (£440-£590 approx.)

192Richard MooreBOYNE AT OLDBRIDGE, 1981 and BURIAL SLAB,1994 (A PAIR) oil on canvas; (1); oil on board; (1)signed and dated lower right; second signedand dated lower left; dated [May ‘94] lower right18 by 31in. (45.72 by 78.74cm)


€500-€700 (£370-£520 approx.)

Ex 191

Ex 190

Ex 192


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111

194Raphael HynesBEACH SCENE, DECEMBER, 1980 and COSTAL SCENE, 1981 (A PAIR) oil on board; (2)both signed and dated lower right and lower left respectively11.5 by 14in. (29.21 by 35.56cm)


Hynes studied fine art at the National College of Art and Design in Dublinfrom 1978 to 1981. He has exhibited in his native county at Droichead ArtsCentre as well as contributing to workshops in the Highlanes Gallery,Drogheda.

€600-€800 (£440-£590 approx.)

193Richard MooreCLOGHERHEAD, 1990 and LAYTOWN, 1990 (A PAIR) oil on board; (1); oil on paper; (1)dated [Dec. 3] lower left; signed and dated lower right; signed again,dated and inscribed with title on reverse; second dated [August 21]lower left; titled lower centre; signed and dated lower right19 by 12in. (48.26 by 30.48cm)


€500-€700 (£370-£520 approx.)

195Raphael HynesBOYNE AT OLD BRIDGE, 1981; HOOKED SALMON, 1990 and BEACHSCENE, 1981 (SET OF 3) oil on board; (1); pencil; (1); oil on paper laid on board; (1)signed and dated lower right; second signed and dated [Oct]lower right; third signed and dated [April] lower right11 by 16in. (27.94 by 40.64cm)

Dimensions of second work 11 by 9.5 in. Third work 11 by 16in.

€500-€700 (£370-£520 approx.)

END OF SALE

Ex 193

Ex 194

Ex 195


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D E S I G N : D E S K I E LY D E S I G N P H O T O G R A P H Y : G I L L I A N B U C K L E Y P R I N T I N G : B R U N S W I C K P R E S S LT D .

© C O P Y R I G H T 2 0 1 5 W H Y T E A N D S O N S A U C T I O N E E R S LT D . A L L R I G H T S R E S E R V E D

Note: the following prefixes are widely used with theinitials of academies and institutions:A AssociateF FellowH Honorary academician or member or

council memberP PresidentPP Past PresidentVP Vice President

b. bornBWS British Watercolour SocietyCH Companion of Honourcm. centimetre or centimetresd. diedexh. exhibitedFBA Federation of British Artistsfl. flourishedFRIBA Fellow Royal Institute of British

ArchitectsICA Institute of Contemporary ArtsIELA Irish Exhibition of Living Art

IMMA Irish Museum of Modern Artin. inch or inchesMBE Member of the Most Excellent Order

of the British EmpireNA National Academy, New YorkNCA National College of Art, DublinNCAD National College of Art & Design, DublinNEAC New English Art ClubNGI National Gallery of IrelandNWS National Watercolour SocietyOBE Officer of the Most Excellent Order

of the British EmpireOM Order of MeritOWS Old Watercolour Society, LondonPS Pastel Society, LondonRA Royal Academy, LondonRBA Royal Society of British ArtistsRBS Royal Society of British SculptorsRCA Royal College of ArtRE Royal Society of Painter-Etchers and

EngraversRDS Royal Dublin Society

RHA Royal Hibernian Academy, DublinRI Royal Institute of Painters in

WatercoloursRIA Royal Irish AcademyROI Royal Institute of Oil PaintersRP Royal Society of Portrait PaintersRSA Royal Scottish AcademyRSMA Royal Society of Marine ArtistsRSW Royal Scottish Society of Painters in

WatercolourRUA Royal Ulster Academy of ArtsRWA Royal West of England Academy, BristolRWS Royal Society of Painters in WatercolourSWA Society of Women ArtistsWCSI Watercolour Society of Ireland

References:

Snoddy Theo Snoddy, Dictionary of Irish Artists 20th Century, 2nd edition, Dublin, 2002

Strickland Walter G. Strickland, A Dictionary of Irish Artists, Dublin, 1913

ABBREVIATIONS

112

ON-LINE ART AUCTIONWednesday 4 March at 6pm. On-line only.

Viewing at our galleries: Monday to Wednesday 2-4 March, 10am to 5pm daily.

Visit www.whytes.ie or www.whytes.com for details

David Hone, SELF PORTRAIT, 1965€300-400

James Nolan, STILL LIFE WITH APPLE €300-€500

Deborah Donnelly, FOUR HENS €300-€500


http://www.whytes.com/

AN INDEX OF ARTISTS REPRESENTED IN THIS SALE

Banksy: 70, 74Adams, A: 87Armstrong, A: 34Bourke, B: 89Boy, D: 75Bugs, Miss: 81Byrne, G: 156Campbell, G: 28, 31Campbell, P: 149Carson, R. T: 186Clear, C: 104Coleman, S: 103, 105, 106Collis, P: 96, 97Colvill, H: 117Conor, W: 148Cooke, B: 35Corcoran, M: 88Craig, J. H: 16Crone, D: 182Damschröder, J. J. M: 136Danby, F: 128Dillon Boy: 75Drummond, B: 92Egginton, F: 1-6English School: 137Farrell, M: 90Faulkner, J: 123Foley, J. H: 138Freedman, J: 86French, W. P: 119Galbally, C: 15Gemmell, M: 52Goldin, N: 83Greaves, W: 143Guinness, M: 24Hanlon, J. P: 37Hanrahan, M: 189Harper, C: 84, 85Hayes, E: 126, 129, 130Hayes, G: 151Hennessy, P: 38, 39

Henry, P: 17Hone, E: 145, 146Hynes, R: 194, 195Irish School: 135Joong, K: 56Jury, A. P: 185King, B: 68Knowles, S: 181Knuttel, G: 157, 158Lamb, C. V: 14le Brocquy, L: 59-61, 63-66le Rat, B: 76Leech, W. J: 22Lennon, C: 57, 58Lichtenstein, R: 71Lohan, M: 94Lynch, P: 107Maccabe, G: 155MacCarthy, J: 150Maderson, A. K: 100, 101Marjoram, G: 110McAuley, C. J: 7-9, 102McCaig, N. J: 188McKelvey, F: 10, 11McNamara, C: 86McSweeney, S: 47-50Meagher, E: 109Micallef, A: 77-79Miss Bugs: 81Mooney, M: 152Moore, H: 91Moore, R: 190-193Morle, S: 153Mulcahy, M: 53, 54Nairn, G. J: 120-122Nally, F. F: 108Nasmyth, P: 134Nolan, J: 112O’Brien, G: 183O’Dea, M: 93O’Kelly, A. C: 21

O’Malley, T: 41, 43-46, 55O’Neill, D: 29Orme Shaw, D: 179, 180Orpen, B: 115, 116Orpen, W: 19Osborne, W. F: 139-141Purser, S. H: 142, 144Pye, P: 147Reid, N: 23, 30, 32, 33Robinson, M: 160-171Roche, V: 69Roper-Curzon, H. G: 118Rothwell, T: 127Russell (Æ), G: 20Ryan, T: 111, 113, 114Sadler II, W: 132, 133Scott, P: 62Seymour, D: 82Shawcross, N: 51Shinnors, J: 42St Leger, W: 72, 73Stafford, S: 172-175Staunton Cahill, R: 131Stuart Watt, E: 184Sutton, I: 99Swanzy, M: 25-27Treacy, L: 98, 154, 187Tyrrell, C: 40Walker, C: 67Walton, C: 178Warren, B: 36Webb, K: 159Whatson, M: 80Wilks, M. C: 12, 13Williams, A: 124, 125Wright, J. D: 75Yates, F: 176, 177Yeats, A: 95Yeats, J. B: 18

Antrim: 7-9, 102, 133

Clare: 35, 131, 189

Donegal: 1-6, 113, 185

Down: 179, 180

Dublin City: 93, 114

Dublin County: 12, 104, 120, 121,

122, 125, 156, 188

England: 91, 129, 137, 143

Equestrian: 140

France: 37, 76, 100

Galway: 13, 14, 99, 109, 110

TOPOGRAPHICAL AND GENERAL INDEX

Meath: 103, 105, 106, 107, 115

Military: 82, 111

Morocco: 38, 39

Netherlands: 136

Norway: 80

Scotland: 134

Sligo: 47-50, 96

USA: 71, 75, 86, 87, 92

Waterford: 53, 101

Wicklow: 98

Italy: 130,

Japan: 83

Kerry: 124

Kildare: 112

Kilkenny: 68

Korea: 56

Louth: 30, 32, 33, 111, 116, 117,

118, 190-195

Maritime: 98, 99, 120, 121, 125-

130, 186, 188, 193

Mayo: 17, 32, 108


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