wild talents - white knights, black hearts

8/10/2019 Wild Talents - White Knights, Black Hearts

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White Knights, Black Hearts is a Wild Talentsadventure

for low- to moderately-powered superheroes in a setting

with all the default character archetypes.

Please read no further if you expect to go through this

scenario as a player.

is adventure brings the player charactersa loose

group of third-rate, down-on-their-luck supersinto a

mob war in the turbulent year 1975. As the adventure be-

gins, the heroes find themselves squarely in the sights ofthe police, the Mafia, assorted superpowered criminals, and

the citys most famous superhero team. Only quick, street-

wise thinking and a little superhuman luck will pull them

through this adventure unscathed.

Which World?White Knights, Black Hearts is not set in the official

world of Wild Talents and GODLIKE. Its a mix of the com-

ics, movies and TV shows of the mid-1970s of our own real

world. Its about the sweat and grit of Streets of San Franciscoand Shaft,with Bronze Age heroes and antiheroes working

the streets far beneath the notice of more powerful Silver

Age-style superheroes.

The Colors of HeroismHow does the world of White Knights, Black Hearts look

in terms of Wild Talents axes of superheroic world design?

Red 2: Superhumans have had a significant but not over-

whelming impact on this world. e city relies on an officially

sanctioned superhero team to protect it from superhumanthreats and superpowered factions are at play in the under-

world, but the culture at large is recognizable as our own.

Gold 3: Superhumans themselves are certainly not

changeless, but their reputations change only slowly. Even

those who dont bother with secret identities find them-

selves typecast by a public more interested in what they

can do than what they actually do or why.

Blue 2: Major supernatural forces are at work but are not

commonly acknowledged as such. Sure, theres a famous

superhero called the Black Atlantean, and thats a good

schtick, but nobody really thinks hes really an immortal

from Platos mythical Atlantis.

Black 3: Superpowers tend to clarify the differences be-

tween right and wrong and amplify the consequences of

how we obtain and use power. On the streets of Red Shore

law and order arent always the same as justice and truthinfact most folks in this part of town hear law and order and

think oppressionbut anyone can see that superpowered

murderers need to be stopped fast.

Pregenerated CharactersSix pregenerated player charactersJake e Cannon

Crawford, Barry Trouble Man Brown, Carter e Streak

Benke, Carl Leatherneck Anderson, Elias Redshift

Brock and Rosie Scorch Williamsare included at the

end of White Knights, Black Hearts.e pregenerated heroes were designed to fit the scenario

and setting, but players should feel free to create their own

characters. ere are only a few core requirements.

250 Points: Each player character should be built on 250

Points. If they are more powerful than that, you may want to

beef up the NPCs to keep the players from having an easy

time of it.

Put down by the Man: Each player characters back-

ground should explain why and how he or she has been kept

back from the mainstream acclaim and success that somesuperhumans enjoy.

On the streets: e player characters should either be

focused on making life better for the underside of the city

or involved closely with such characters.

Its 1975:at means no Internet, no cell phones, not

even much cable TV. Even microwave ovens are a novelty.

Be sure the characters reflect the times.

White Knights, Black HeartsWild Talentson the Mean Streets

Written by Shane Ivey Illustrated by Todd Shearer


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3White Knights, Black Hearts www.arcdream.com

ContentsW h i c h W o r l d ? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Welcome to Red Shore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4

Why 1975? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4

Whats Goin On? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Scene 1: The Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Scene 2: Fugitives. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7

Scene 3: The White Knights (or, Why Cant We Be Friends?) . . . . . .10

Typical Beat Cop. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Typical Plainclothes Detective . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Typical SWAT Team Specialist . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Scene 4: The Morgue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Scene 5: On the Town . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

Scene 6: The Crooks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

For the Players: Folks Around Town. . . . . . . . . . . . . . . . . . . . . . .12

Scene 7: Investigating Babyface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13Scene 8: Babyface and Crabbe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Scene 9: Crooked Talents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15

Officer Crabbe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15

Babyface Nestor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15

Scene 10: The Golden House Club . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Scene 11: Mob Rules . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Scene 12: The Press . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17

Scene 13: The Purge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Kung Fu Fighting! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Scene 14: City Hall . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18Lt. Detective Tom Kelley . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Sammy Sacchi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

M a fi a G o o n s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 8

Meanwhile, At the Hall of Heroes . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Scene 15: Fredos Import Emporium Warehouse. . . . . . . . . . . . . . . . .19

Wrapping Things Up . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Needle-Nose (200 pts) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

Two-Ton (200 pts) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

Joe Assissi (400 pts) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

Fenris (250 pts) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Nocturne (250 pts) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Joe Assisis Favorite Spells . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

The White Knights. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Whitelight (338 pts) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Grailknight (437 pts) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

The Black Atlantean (500 pts) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

Glimmer (250 points) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28

The Black Atlantean . . . ? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28

Minute Man (349 pts) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

The Heroes of Red Shore. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Archetype: Pinioned (15 pts) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

The Cannon (250 pts) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Trouble Man (250 pts). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33The Streak (250 pts) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Leatherneck (250 pts) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35

Redshift (250 pts) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36

S c o r c h ( 2 5 0 p t s ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 7

CreditsWhite Knights, Black Hearts is written by Shane Ivey, 2010, and

illustrated by Todd Shearer, 2006. The One-Roll Engine is Greg

Stolze. Wild Talents is Dennis Detwiller, Kenneth Hite, Shane Ivey

and Greg Stolze, 2010. Special thanks to Joe Crowe and KevinPezzano, who came up with Trouble Man and The Cannon, respectively.

Published by Arc Dream Publishing. Wild Talentsis available to

gamers and game stores around the world from Arc Dream Publishing

and Cubicle 7 Entertainment. To order or to get more downloads and

game resources, visit Wild Talentson the Web:

www.arcdream.com/wildtalents
http://www.arcdream.com/http://www.arcdream.com/wildtalentshttp://www.arcdream.com/http://www.arcdream.com/wildtalentshttp://www.arcdream.com/


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I Told Him Weve Already Got OneWhat s that? Your players want to use characters from your

existing Wild Talents campaign? Fair enough. rust them

into the time and setting of White Knights, Black Hearts.

Here are some tried and true possibilities.

What if . . . : Its a one-shot adventure exploring what

life would be like if the characters were in different circum-stances. Purely hypothetical and a favorite of comic books,

the What if . . . possibility allows the players and GM to

have a good time and not worry about all the niggling little

details like just how they got there or how theyll get back.

Alternate reality: Some powerful entity (a god, wizard,

dimension-ripping Talent, or whatever) changes the world

around the characters. ey remember the way it was, but

they have no idea how to get it back. In the meantime, this is

their life. Come up with a reason for the characters to have

been dumped into White Knights, Black Hearts (maybe itwas a test of their powers or morality), and some conditions

on which they will be returned to their own world, and youre

set. e quest to get back home might make a good sequel.

Free your mind:e players think theyve gotten trapped

in an alternate reality, but its all a shared illusion. Whether

its a full-sensory computer simulation or some monster

telepaths mind trip, the result is the same: they are trapped

in this world until they find out how to make it stop. Let

White Knights, Black Hearts be the interlude before they

figure out what s happening, or let the events in the scenario

be tied into their means of escape.

Time travel: Got a time machine? Go ahead and use it.

As the GM, though, youl l need to do a little fudging to

make the characters fit the scenario; unlike the pre-gener-

ated characters, your time travelers wont be known to the

city and wont have any vested interest in protecting it, apart

from the need to clear their names so as to avoid trouble un-

til they find their way back home. Maybe they can prevent

a future tragedy by figuring out the real culprit in this case.

Do whatever fits your campaign.

Welcome to Red Shoree action takes place in a run-down neighborhood called

Red Shore, where the people trust heroes who live among

them but turn warily away from the cops.

Where exactly is Red Shore? ats up to you. It could be

in New York, New Orleans, Los Angeles, or San Francisco.

Pick your favorite seaside urban sprawl and you can find the

Red Shore docks at its armpit. e big city goes about its

business uptown and downtown, but on the outskirts things

are tough, the work is hard and underpaid (when any can be

found at all), and the citys official superhuman protectors

have more important things to worry about.

e player characters, street-level vigilantes trying to

make it a day at a time, only do what they can to help. Like

their adopted community, they have all been put down by

e Man.

e heroes are not the darlings of the media, the gov-

ernment, or the public. ey may even be involved in some

Why 1975?White Knights, Black Hearts is about trust, corruption, belonging

and betrayalwith superheroes. Something about that mix just

sounds right when set to a soundtrack of mid-70s funk.

But its more than that. In America, the 1970s were a time of

tremendous culture shock. Every level of official authority seemed

riddled with abuse. The Watergate scandal rocked the White House

and toppled the president. The Church Committee hearings ex-

posed the CIAs dirty secrets to the world. Serpico blew corruption

in the NYPD wide open. The FBI admitted that it had kept secret

files on its political enemies for decades. In 1975 the messy, hu-

miliating retreat from the moral and military quagmire of Vietnam

finally ended.

As the anomie spread, the empowerment movements of the late

1960s seemed often to degenerate into street gangs and terror-

ists, celebrity posers and noisily ineffective lobbyists. Mainstreamyouth culture slid from muddled idealism to nihilistic hedonism,

while middle America struggled to carry on unaffected by it all.

Urban cop shows were ubiquitous in the 70s, but the real-

world police were often as alien and detached from their crime-

ridden cities as a foreign occupying force. The pigs had few ties to

the communities they were entrusted to police, which were wracked

by the sudden explosion of the drug trade and its violence, impov-

erishment, and waste.

The heroes and villains of White Knights, Black Hearts reflect

those divisions in society, amplified and exaggerated. The goodguys are the underdogs, the poor, the third-rate, struggling to pro-

tect their own while the truly powerful remain far above and oblivi-

ous to the truth of the situation. When those two worlds collide,

blood can spill.

As it so often did in 1975.
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shady deals themselves, but mostly they try to do good and

make life a little better for those around them. ey are

more concerned with the day to day lives of ordinary people,

their friends and loved ones struggling to make ends meet,

than supervillains ludicrous schemes to take over the world.

After all, on the streets, even the small villains are usually

too dangerous or too well-connected to be taken down once

and for allmaybe a thug cant kill you, but he can kill your

sister, girlfriend, mother, or grocer. As the cops learned long

ago, when you put one punk or gangster away there are al-

ways more to take his place.

ey keep the peace with street gangs, ragingly corrupt

police precincts, and the mob, because keeping the peace is

the only way to reign them all in. More often than not, cut-

ting a deal with a criminal or a gang can keep the peace and

stop something big from going down, even if it doesnt put

every bad guy in sight in the big house.

Take Tony Sacchi, head of the Sacchi crime family. Sac-

chi keeps the worst drugs, the designer stuff thatll kill an

addict quick, off the streets, and he keeps his people from

doing violence against ordinary shopkeepers and citizens. In

return, he expects the cops and the local heroes to leave his

people alone when it comes to the small stuff. Sacchi may

move the occasional stolen truckload of merchandise into

his warehouse, but thats a small price to pay. ings could

be much worse.

Some folks say it would be better for the heroes to take on

Tony Sacchi and his whole organization.

ose folks dont have to live in Red Shore.

Behind the Scenes: Power Playe adventure begins as the heroes become targets in a Ma-

fia power play. Anthony Sacchi is boss of the Sacchi Fam-

ily, but his nephew Sammy Sacchi wants to take his place.

Whats Goin On?Want a snapshot of life in 1975? Well, thats

too much for a quick note like this. But heres

a little flavor.

What do they watch on TV?Cop shows

are everywhere! Television in the 1950s and

60s was ruled by Westerns, but these days its

all detective shows and cops in squad cars:

Hawaii Five-O, Kojak, Streets of San Fran-

cisco, The Rockford Files, Adam 12, Police

Story, Mannix, Cannon; the list goes on and

on. Comedy hits include M*A*S*H, All in the

Family, Maude, Happy Days, The Odd Couple,

Sanford and Son, and The Carol Burnett Show.

Little House on the Prairie, Kung Fu and Mar-

cus Welby, M.D., round out dramas, and thereare even a few sci-fi shows around, like Planet

of the Apes, KolchakThe Night Stalker,

and

the hit Six Million Dollar Man.

Whats at the movies? Historical dra-

ma, stark urban suspense, and oddball com-

edy rule the box office. Kubricks period piece

Barry Lyndon and Sean Connerys The Man

Who Would Be King

take new looks at times

past. Al Pacinos Dog Day Afternoon

and Rob-

ert Altmans Nashvillecapture a sense of hope-

less defiance in the remnants of the counter-

culture. Actors like Gene Hackman and Steve

McQueen star in muggy action thrillers like

Night Moves

and last years Towering Inferno;

and comedies are as strange and varied asMonty Python and the Holy Grail, The Rocky

Horror Picture Show, Shampoo, Tommy,

Young Frankenstein,and kids hits like Benji

and the ongoing Herbie the Love Bug series.

Whats on the radio? Believe it or not,

Captain and Tennilles Love Will Keep Us

Together is Number One on the charts. Other

hits include (Hey Wont You Play) Another

Somebody Done Somebody Wrong Song

by B.J. Thomas, The Hustle by Van McCoy& The Soul City Symphony, Angie Baby by

Helen Reddy, and Jive Talkin by the Bee-

Gees. Want some atmosphere in your game?

Download a few of these songs to play in the

background.

What about politics? Ah, politics in

1975. The U.S. withdraws from the war in

Vietnam as South Vietnam surrenders to the

communist North. The fallout of Watergate

continues, with former White House staffers

and officials regularly being deposed and ei-

ther heading to prison or just now getting out.

In June, an Eastern Airlines 727 crashes at JFK

Airport, killing 113.

Margaret Thatcher became the first femalePrime Minister of Britain in February, the same

month the Attorney General admitted that the

FBI kept secret files on politicians private lives

for decades on the orders of J. Edgar Hoover.

Teamster leader Jimmy Hoffa disappears on

July 30 in Detroit.

In September, two separate women will be

arrested trying to assassinate President Ford;

in November, a Senate committee will report

that U.S. officials and the CIA had formed plotsto assassinate foreign leaders; in December, a

bomb kills 11 and injures 75 at New Yorks La-

Guardia Airport.

But for now its still summer. The sun is

blazing, exhaust from window-mounted air

conditioners beats down, and sweaty men in

sleazy clubs make deals to ruin the lives of a

few beleaguered, would-be heroes. . . .


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Sammy Sacchi and his allies want to toss out the informal

deals that his uncle has made with law enforcement and

superhuman vigilantes, the deals that keep the heroes out of

the mobs business (mostly) and the cops quiet and happy.

Sammy Sacchi likes to think bigparticularly of the big,

big profits hell make in the drug trade once all his uncles

stupid rules are gone. He tells his boys that his new prod-uct will take the city by storm, so fast the heroes and the

cops wont even have time to blink.

Sammy and his allies are ready to move. Hes made deals

with street thugs in Red Shore, guys who have been kept

down by the citys underworld heroes. ey helped set

things up, and Sammy brought in his own hired Talents to

drive the heroes off or eliminate them for good.

Two of these thugsa killer named Jacob Needle-Nose

Ward and a sorcerer named Joe Assissiarrange a particu-

larly heinous killing to pin on the heroes. Assissi creates

illusions to make them look like two of the heroes and get

away clean afterward; Needle-Nose does the dirty work.

Sammy Sacchi fully expects to have the heroes under

control by daybreak, but hes no fool. If he thinks the heroes

are likely to get to the bottom of thingsand the cops and

even other superheroes from downtown cant stop them

he has potential witnesses killed off to keep them from talk-

ing, just in case.

If the heroes want to solve this mystery and clear their

names, they have to move fast.

Scene by SceneWhite Knights, Black Hearts features a large number of non-

player characters and possible events. is breakdown should

help you make sense of it all.

Scene 1: e Setup.e heroes are framed for a brutal

murder and must get away from the cops or spend the rest

of the adventure in lock-up. From here the heroes are most

likely to interact with the authorities (scenes 2 and 4), the

White Knights (scene 3), local civilians (scene 5), and/or the

criminal element (scenes 6 and 9). Scene 2: Fugitives.e heroes have sources among the

police that they can tap for information on the casebut

some of those sources arent at all trustworthy.

Scene 3: e White Knights.e city s official super-

hero team shows up to help the police deal with these rogue

superhumans wanted for murder. ey can potentially be

useful allies for the heroes, but at first they are dangerous

adversaries.


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Scene 4: e Morgue. One obvious source of clues is the

body of the murder victim.

Scene 5: On the Town.e heroes have a number of friends

and potential witnesses to interview, if theyre careful enough

to not tip off the police.

Scene 6: e Crooks. Red Shore is loaded with crimi-

nals, from street hoods to powerful gangsters, and many ofthem suspect the gang war thats about to go down.

Scene 7: Investigating Babyface.e heroes may try to

track down a thug who bragged to a couple of mafia goons

about how he was going to help take down the local super-

heroes.

Scene 8: Babyface and Crabbe.e thug and his partner,

a crooked cop, can point the way to the real killersif the

heroes find them in time.

Scene 9: Crooked Talents.e heroes may suspect su-

perhuman involvement and want to question some local

Talents who live outside the law. Two of these are deeply

involved in the events in Red Shorebut they are nowhere

to be found.

Scene 10: e Golden House Club.e most likely cul-

prit in the murder is a thug and wannabe assassin who earns

his living at a pit-fighting club. e heroes may go there

looking for him.

Scene 11: Mob Rules.e heroes may go to Tony Sac-

chi, the mob boss with whom they have a tacit truce, to find

out what he and especially his closest rival are up to.

Scene 12: e Press.e cops arent the only ones look-

ing for the heroes. . . .

Scene 13: e Purge.As the heroes close in on the truth,

mastermind Sammy Sacchi decides to cut his lossesopen-

ing his move against his uncle with a murderous purge of

everyone involved in the frame-up of the heroes.

Scene 14: City Hall. e heroes may finally confront

Sammy Sacchi and his allies, high in the city government, at

City Hall itself. is is one possible climactic scene for the

adventure.

Scene 15: Fredos Import Emporium Warehouse. In an-other possible climax, the heroes may confront Sammy Sac-

chi and his allies and superpowered goons on his own turf.

Scene 1: The Setupe streets of Red Shore, nearly midnight. One or two of

the player characters are out for a stroll, keeping an eye out

for trouble. ey find it.

e heroes spy the corpse of a little girl in a dead-end

alley. Its the body of a local named Tonya Serrano, obvi-

ously very recently killed and horribly mutilated. ere are

footprints and fingerprints in the bloodbut the players

barely have time to look at the scene when a shriek sounds

out from a fire escape overhead, and a few people come cau-

tiously to their windows to see.

An old woman points accusingly at the heroes.

I saw em! I saw em! ey killed Tonya!

It is 11:47 p.m.

en they hear the sirens. Its all happening too quick-

lyhas that old woman really had time and the inclina-

tion to call the cops?but the police are coming fast, only

a couple of blocks away. e heroes have four rounds to do

whatever they want to do, and onlookers at their windows

will watch every second of it.

At first only one squad car shows up, but as soon as they

see and recognize the heroes one cop will be on the ra-

dio calling for backup while the other aims a shotgun and

shouts at the heroes to put their hands on their heads and

hit the pavement. More sirens are very close. Other squad

cars will show up in only five rounds.

Getting away shouldnt be too hard, unless the heroesmake themselves good targets and the cops get lucky. ey

can shimmy up the fire escapes for the roof, head into one of

the buildings, or even push right past the cops if they arent

afraid of gunfire. But they should know to be careful. Being

spotted at the scene of a murder is one thing. If they kill or

badly hurt a cop, they lose every last chance of credibility

with the authorities.

Scene 2: FugitivesIf the heroes keep their heads down, they may be able to talkto a few people and get to the bottom of things. Its one of

the few nice things about living in the shady part of town:

Most people still talk to you when youre on the run.

at doesnt mean the heroes have an easy r ide. e cops

and the downtown super-team, the White Knights, are out

for blood, and the press wants pictures of it. As soon as the

word goes out that superhumans are suspects, the city s

heavily armed SWAT team rolls out of headquarters down-


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Red Shore

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Authority

Southport Public

Housing Project

Northhaven Public

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See

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21stSt.

20thSt.

ConduitSt.Red Shore

Elementary

School

Red Shore

High School

Red Shore

Middle School

19thSt.

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27thSt.

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RED SHORE1

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Crime scene

Police station

Serrano apartment

Williams Investigations

Gooches Pawn Shop

Red Shore Elementary School

Fancy Lady Club

Fredos Import Emporium Warehouse

Nestor apartment

Georgies Place

Ward apartment

Red Shore Middle School

Rodriguez apartment

Johnson apartment

Red Shore High School

N


9/37


town and waits at the local precinct house for a chance to

take them down.

e heroes should have plenty of chances for encoun-

ters with police, and theres room for variety. ey might

spot a patrol car coming around the corner, or a beat cop

in a caf window, or an unmarked car (Brains+Streetwise

or an equivalent skill will recognize it) parked on a cornerwith a pair of sweaty detectives sitting on watch. e more

people they talk to in Red Shore, the more frequently the

cops should show up.

Sooner or later, the cops and the White Knights will spot

a pattern in sightings of the heroes, set some baitI heard

something you oughta know. Come meet me at 23rd and

Fish Avenue!and land on them with both feet. If the

players arent very careful, eventually theyll have to fight to

get away.

Unofficially, there are a few cops in the area wholl talk to

them without trying to slap on the cuffs. Maybe they know

the heroes and dont believe they would have done such a

heinous crime, or maybe theyre willing to pretend as much

for the right incentive. It varies from cop to cop and from

hero to hero. e players have to be carefulapart from the

cops they know, most call in the SWAT team as soon as the

heroes show themselves.

No cops know about Sammy Sacchis plot against the

heroes.

Lt. KelleyLieutenant Detective Tom Kelley is in charge of investi-

gations in this precinct. He knows the heroes, and can be

convinced that they are innocent and will try not to turn

them in. (He knows full well that they didnt do it, but hell

put on a show of slowly coming over to their side.) He offers

to keep an eye on things and keep them in the loop if they

will do the same.

He heard the dispatch go out at 11:44 P.M., three min-

utes before the heroes found Tonyas body. A witness (Miri-

am Wilson; see below) saw them carrying the body onto thescene, and their fingerprints and footprints (whatever might

be on fileit s your call as GM) were all over the place.

Secretly, Kelley works for Sammy Sacchi, and has been in-

strumental in recruiting police to work for the upstart mobster.

He has tried to keep Sammys people from targeting cops who

dont want to play ballbut he could only shake his head and

look the other way the time or two when a prospective recruit

took dumb risks to fight Sammy and paid the price. Anything

he learns about the heroes, hell report to Sammy Sacchi. But

Sacchi has told him nothing about the plot against the heroes.

The DispatcherGeraldine McLaughlin is a no-nonsense dispatcher with a

clean record, working her way through college. An anony-

mous call came in at 11:40 P.M.; a womans voice saying theheroes had been seen carrying a body (which appeared to

be a childs body), into the alley where they found Tonya.

McLaughlin was dubious, but the woman named the heroes

specifically and described what they were wearing. She re-

ported it to a squad car on patrol nearby.

Officer GwenHarold Gwen, a beat cop, is nervous about everything. Hes

heard rumors the Sacchi family is getting shaken up from the

inside, that the boss nephew is looking to squeeze out all the

boss soldiers and the cops who wont play ball with the new

regime. Gwen doesnt like what hes heard about the nephew

he likes things nice and peaceful, like they are nowbut hes

afraid to rock the boat. He doesnt want to talk to the heroes

or get involved in anything controversial, and he doesnt know

anything about the case except what he hears on the radio.

Officer MillerAnother beat cop, Dick Miller always chases down violent

troublemakers, but he largely leaves street-level vice alone.

Hes not on the take with Sacchi or anybody else, but he is

willing to look the other way if Sammy Sacchi takes over

and steps up the family s operations in Red Shore, as long as

things dont get too nasty. He doesnt know anything about

the murder. If the heroes confront him, he gets on the radio

to report as soon as the heroes are away and he is safe.

Officer ConnerA beat cop with some bad, bad habits, Jerry Conner is a

gambler and a shakedown artist. Always desperate for cash

to pay his debts from the tables, he beats and threatens do-nations out of the punks on the street, intimidates other

cops to keep them quiet, and sends enough kickbacks up-

stairs to keep himself safe from investigation. He has been

on the Sacchi payroll for a long time, but he doesnt really

care who is running the show. As long as Sammy Sacchi

lets him bet and lets him do what he must to pay up, hell

be happy. He doesnt know a thing about the plot against

the heroes.


10/37


Typical Beat CopBody3d Coordination2d Sense2d

Mind2d Charm2d Command3d

Base Will5

Skills: Athletics 1d (4d), Brawling 2d (5d), Driving: Car 2d (4d),

Empathy 1d (3d), Intimidation 2d (5d), Knowledge: Criminology

1d (3d), Lie 1d (3d), Melee Weapon: Nightstick 2d (5d), Ranged

Weapon: Pistol 2d (4d), Ranged Weapon: Shotgun 1d (3d), Stabil-

ity 2d (5d), Streetwise 1d (3d)

Weapons

.38 revolver(Cap. 6, Damage: width in Shock, width+1 in Killing)

12-gauge shotgun (Cap. 5, Spray 3, Damage: width+1 in Shock

and Killing)

Nightstick(Damage: width+1 in Shock)

Bulletproof vest(LAR 2 for hit locations 79)

Typical Plainclothes DetectiveBody3d Coordination2d Sense2d


Base Will 5


Empathy 2d (4d), Interrogation 2d (4d), Intimidation 2d (5d), Knowl-

edge: Criminology 3d (5d), Lie 3d (5d), Ranged Weapon: Pistol 2d

(4d), Scrutinize 2d (4d), Stability 2d (5d), Streetwise 2d (4d)

Weapons

.38 revolver(Cap. 6, Damage: width in Shock, width+1 in Killing)Bulletproof vest(LAR 2 for hit locations 79)

Typical SWAT Team SpecialistBody3d Coordination3d Sense2d


Base Will5


Intimidation 3d (6d), Knowledge: Criminology 2d (4d), Lie 2d (4d),

Ranged Weapon: Grenade 2d (5d), Ranged Weapon: Pistol 3d (6d),

Ranged Weapon: Rifle 3d (6d), Stability 3d (6d), Streetwise 1d (3d)Weapons

.45 pistol (Cap. 7, Damage: width+1 in Shock and Killing)

M-16 assault rifle(Cap. 30, Spray 4, Damage: width+2 in Shock

and Killing)

.308 sniper rifle(Cap. 8, Damage: width+2 in Shock and width+3

in Killing)

Bulletproof vest and helmet (LAR 2 for hit locations 710)

Scene 3: TheWhite Knights (or,Why Cant WeBe Friends?)Squad cars wont be the only response to the cops call for

help. Within half an hour, the White Knightsthe citys

official superpowered championsarrive in Red Shore,

looking for the renegade Talents and ready for a fight.

If they find them, the White Knights request that the

heroes come in quietly so they can get to the bottom of the

murderif theyre innocent, after all, the truth will come

out. As with the cops, the heroes are better off trying to

escape without a fight. Obnoxious as they are, the White

Knights may be useful allies later on, and they ll certainly be

tough enemies. If they kept in touch with Detective Kelley, hes prob-

ably the first to warn the heroes that the White Knights are

on their trail. With every passing hour they look more like

theyre out for blood. ey think the heroes are out of con-

trol, a danger to the community and the police, and Kelley

says theyre looking to put them under lock and keyor on

a slab, if necessary. Just a friendly warning.

If the heroes have been open with him, Kelley will lead

the White Knights right to them. He doesnt need much

information; only enough for Grailknights massive intellectto spot the patterns and guess where theyll show up next.

Kelley feeds the heroes enough genuine-sounding clues

warnings to keep them in touch until the White Knights

are ready to jump on them.

As vigilantes go, the White Knights are publicity-con-

scious and genuinely worried about civilians, and they are

wary of excessive risk to bystanders. is might give the he-

roes an opening to get away without anyone getting hurt or

killed.

Grailknightkeeps watch on the witness, Miriam Wil-son, and on Tonya Serranos home. If the heroes go to one

or the other after the White Knights have come on the

scene, Grailknight will be there; but not both, unless theres

some clue that you think he needs to impart to the heroes.

Grailknight moves cautiously after taking some time to ob-

serve the heroes behavior, attempting to sneak up on a lone

character, incapacitate and arrest him (or her) and haul the

hero off for questioning. Grailknight is alert, smarter than


11/37


12/37


Tonyas body, she screamed, and the police came before she

even got a chance to call them. If the heroes have some way of

telling, Wilson is telling the truthshe saw all of this with her

own eyes.

The Old ManJesse Otis is an old man who lives alone on the second floor,

across the alley from Miriam Wilsons window. He keeps

heavy bars over his window and a heavy lock on his door,

and his apartment smells like old cat food. He didnt see

nothin, didnt hear nothin, dont know nothin, and dont

want nothin. (Again, the truth.)

The Single Mom and Her SonLeeLee Miller is a middle-aged mother whose husband left

years ago. She works two jobs and was sound asleep when

the body was found; she didnt know anything was wrong

until she heard the screaming (and gunshots, if there were

any) outside. Her son, Francois, is a high school student who

was up late that night with his headphones on, listening to

James Brown albums. His stoutly barred window is right

next to the alley, but he didnt hear or see anything, either.

Scene 6: The Crookse heroes may decide to comb the underworld for clues asto who is trying to set them up. It may in fact save them a

lot of time and troublegoing through the cops tells them

a little about the turmoil in the mob, but it wont tell them a

thing about their own situation.

Keep track of what the heroes tell Lt. Kelley. As soon as

he hears they are looking for Babyface Nestor, hell report

it to Sammy Sacchi, and Sacchi will start having witnesses

For the Players:Folks Around TownNot all of these locals are friends, but not all of

them are enemies, either. When youre working

the streets caution is the key.

The StreetTonya Serrano:The victim. Eight years old

and brutally murdered.

Cecelia CC Walton: A local girl whos

been working the streets for 10 of her 25 rough

years. Knows everybody.

Cedricks Moore:CCs pimp. Strictly small-

time.

Chuckie Gooche:A pawnbroker and fence.

Well-connected and tight-lipped.

The King Road Disciples: The biggest

street gang in the area. Into car theft and dope.

Led by Larry Martin.

The LawLt. Det. Tom Kelley:In charge of investiga-

tions in the Red Shore precinct. Canny but not

crooked. Has dealt straight with you before.

Harold Gwen: A local beat cop. Quiet, unas-

suming, mild-mannered.

Dick Miller: A local beat cop. Gung-ho

against violent troublemakers, but mostly

leaves street vice alone.

Jerry Conner:A local beat cop. Tough and

intimidating. Word has it he shakes down the

pimps and pushers regularly to feed a gam-bling habit.

Carl Crabbe: A local beat cop. Big and ugly,

with a career that stalled twenty years ago. Fa-

vors the local hookers and strip clubs.

The MobTony Sacchi: Head of the Sacchi family,

whose territory includes Red Shore.

Giorgio Mans:A representative of Tony Sac-

chi in Red Shore. Runs Georgies Place.Danny Miller:A representative of Tony Sac-

chi in Red Shore. Usually found in Georgies

Place.

Crooked TalentsBooster: Gregory G. Booster Embry. Ampli-

fies sound. A small-timer who spies on people

with his superpower for a living.

Two-Ton:Karl Two-Ton Kuhn. Increases his

weight and strength. The heavier he gets, the

tougher and stronger he gets. Has kept a low

profile since serving time for a bungled bank

job.

Needle-Nose: Jacob Needle-Nose Ward.

Skin and bones are hard as steel. Got out of jail

from a juvenile manslaughter charge a year ago.Nape: Henry Nape Ranson. A deranged

homeless veteran who bleeds liquid fire. Reg-

ularly jailed for arson, vagrancy, and assault.

The White KnightsWhitelight: A flying powerhouse who glows

too brightly to see.

Grailknight: A mysterious armored avenger.

Glimmer: A girl who reflects and amplifies

light like a walking mirror.Minute Man: An aging veteran of WW2 who

can freeze time for short periods.

The Black Atlantean: The exiled, immortal

king of a lost proto-African civilization.


13/37


murdered before (or after) they can talk. See Scene 13: e

Purge, on page 17.

Giorgio Mans and Danny Millerese local mafia hoods represent Sacchi in the area. ey

work out of Georgies Place, a family-owned restaurant

on the outskirts of Red Shore. ey dont know anythingabout Tonya Serrano. Usually gregarious, now theyre none

too talkative. If pressed, they warn the heroes to keep their

heads down. Sammy Sacchi is making a play for the fam-

ily, and everybody knows he doesnt like Don Sacchis truce

with the cops and vigilantes.

Plus, they overheard a local punk, Babyface Nestor (his

first name is Bailey, and hell pick a fight with anyone who

uses it), talking up how he had a plan to get rid of the he-

roes. Nestor comes around a lot trying to get in good with

the mob, trying to score some kind of deal for his gang, talk-

ing tough. ey dont know where Nestor can be found now,

but he runs with the King Road Disciples.

But what do the heroes have to worry about from a low-

life hood?

C.C. Walton: A Working Girl Witha Heart of . . . Well, a Working GirlWalton has been working the streets of Red Shore for 10

of her 25 years, and its worn her out. She doesnt know

anything about Tonyas death or the Sacchi plot, but she is

always looking for her big break. As soon as the heroes leave,

she gets on the a payphone to her pimp, Cedricks Moore, to

tell him everything they said.

Cedricks Moore: The PimpMoore is C.C.s manager, as he calls it, and hes been

watching for a way to get in good with the Sacchi family.

is might be his day. He looks up Officer Conner to pass

along any news about the heroes actions, embellishing just

enough ( . . . and they took C.C. for a ride and didnt pay

a nickel. And you know I cant collect on that!) to keep itinteresting. Conner reports to Sacchi. If Sacchi thinks the

heroes are on to him or Babyface, he starts the purge (see

page 17).

Chuckie Gooch: The PawnbrokerCharles Chuckie Gooch, local fence and pawnshop owner,

is not a bad sort. He pays his bills and minds his own busi-

ness. Hes probably on good terms with the heroes, but he

doesnt want anything to do with any murder or any cops

or any gangsters. He asks the heroes to stay clear until this

thing blows over.

Ronnie Martin: The DealerA street corner dope dealer and low-level gangster with the

King Road Disciples, Martin doesnt know anything about themurder. He does know Babyface Nestor; he thinks Nestors

stupid. He thinks cops are stupid, too. And mobsters. And su-

perheroes. And pretty much everyone except Ronnie Martin.

Martin doesnt know much about what Babyface has

been up to lately, but he knows hes been meeting regularly

the past couple of weeks with a local cop, Carl Crabbe. Ron-

nie figured Babyface was trying to get on Crabbes good side

for some reason, but thats just stupid. Crabbe is too big and

stupid to do anything anyhow.

The King Road Disciplese Disciples (their symbol: an X with two descending

slashes, topped by a crown) are led by Larry Martin (no

relation to Ronnie), a tough 26-year-old who has been in

and out of city jails since he was 13. His gang mainly deals

in drugs and turf wars with other gangs. ey know the mob

works out of the docks only a few blocks away, but they keep

their distance and figure the Sacchis will return the favor.

So far, thats worked. Larry has heard rumors that theres a

shake-up in the Sacchi family, with some new guy looking

to take over, but he doesnt pay it much attention.

Martin is derisive of Babyface Nestor, who spent a cou-

ple of years acting like he was going to be the new man in

charge of the Disciples until Martin put him in his place.

All it took was a good beating; Babyface didnt get himself

killed.

But Babyface is always looking for some big score. Lately

hes been seen with Carl Crabbe, a lunkhead of a cop on the

take. Crabbe spends most shifts at the Fancy Lady, a nightclub

as dirty as he is.

Scene 7: InvestigatingBabyface

e heroes can get plenty on Babyface Nestor on the street.

Babyfaces ParentsJoe and Jackie Nestor live on the quieter outskirts of Red

Shore. Not abjectly poor but constantly struggling, they


14/37


tried to raise Bailey as a hard-working son and seem baffled

at all the trouble he gets into. Deep down, hes a good boy.

ey havent seen him in a couple of months. A few yearsago they thought his girlfriend, Nanette, would settle him

down, but they dont think hes seeing her anymore.

The Ex-GirlfriendNanette Rodriguez is Babyface Nestors ex-girlfriend. ey

dated for a long time when they both were teenagers, just be-

fore he fell in with the King Road Disciples and started getting

in trouble. at was when he started cheating on her with that

two-bit slut Cammy Johnson, over on Cedar Street.

The Two-Bit SlutCammy Johnson has dated Babyface, and many others in

the neighborhood, off and on for the past couple of years.

She knows hes been trying to score points with the King

Road Disciples, but the other guys dont trust him. Babyface

says a lot but doesnt get much done.

If the heroes talk her into sharing or ransack her place

thoroughly, they find a piece of notepaper that Babyface left

at her apartment last week. e paper isnt labeled with hisname, but his atrocious handwriting is easily recognizable

if they have something to compare with it. It reads Toreci,

Grasado in sloppy, choppy letters. Cammy says she doesnt

know what it means exactly, but Babyface said it was his

ticket to the big time. en he forgot to take it with him.

The Parole OfficerDaniel Aldred is Bailey Nestors parole officer. Badly over-

worked, he has so many clients to keep track of that it

doesnt bother him to let one hopeless recidivist like Nestorout of his sights. According to Aldreds reports, hes met

with Nestor once a week as scheduled. In reality, if the he-

roes get the truth out of him, he speaks with Nestor on the

phone maybe twice a month and fudges the rest. He hasnt

actually seen Babyface in over two months and has no idea

what hes really up to.


15/37


Scene 8: Babyfaceand Crabbe

Officer Crabbe is currently on duty, busily getting drunk at

the Fancy Lady strip club with money he earned from Sam-

my Sacchi by reporting some of the heroes favorite haunts

and patrols. His new partner in crime, Babyface Nestor, is inback with one of the girls.

Carl Crabbe, 47, is a lifer on the beat, unlikely to ever get

promoted but too well-connected to get fired or prosecuted.

Hes always ready to lend a hand when a kneecap needs

busting. Hes been 20 years on the take with the Sacchis.

If sufficiently . . . motivated, Crabbe admits to a deal with

Joe Torresi and Art Graziadio, two mafia goons working for

Sammy Sacchi. Reporting on the heroes was just the start.

Babyface is going to work the gangs from the inside, and Crab-

be is going to watch the cops, and both are going to report toSacchis men when they start bringing in their new drugs.

He might let even more slip out of stupid bravado: Aint

nothin you can do about it! is goes all the way to the TOP,

baby! And you cant prove NOTHIN.

But it takes a lot of coercion to get Crabbe to explain

further: e top means Assistant Deputy Mayor Andrew

Kincaid, Sacchis man in City Hall. Kincaids got it all set

up for Sacchi, Crabbe says, top to bottom. e heroes better

skip town before they get theirs.

Crabbe doesnt know anything about Tonyas death andcouldnt care less.

Sadly, when they finally track Babyface Nestor down, he

doesnt have much to say. He recently showed a couple of

Sacchis men around so they could find the heroes and talk

to them, and in return hes going to be the distribution man

for new drugs that the mob is bringing into town. e men

he showed around were introduced by Torresi and Grazia-

dio; hed never seen them before. One was a young white

guy in a cheap leisure suit, the other an older white guy in a

nice black coat and tie, like a banker. When he asked their

names, the young guy told him to shut the hell up. He

looked like a killer, and he was obviously too well-connected

for Babyface to pay him back for his lip.

Babyface doesnt know anything about Tonya, and cant

be convinced that her murder had anything to do with his

deal with Sammy Sacchi. Babyface is looking to get rich,

sure; but what happened to that girl was just plain wrong.

Scene 9: CrookedTalentse heroes might want to question a couple of known crim-

inal supers to see if theyre involved or know anyone who

might be using superpowered killers. e White Knights

have done a good job of running most supervillains out of

town, but there are still a few the heroes can look up without

(much) trouble. Just one of them is availablethe heroes

can scare up only rumors of the others.

BoosterGregory G. Booster Embry has the power to amplify

sound. He lives in a seedy loft in a different part of the city.

Hes a lowlife at heart, too lazy to stick with any legitimate

pursuit for long. He once tried bodyguard work, protect-

ing an executive who was cutting his shady partners out of

the company, but it didnt last long: He quickly got bored,

Officer CrabbeBody4d Coordination3d Sense2d


Base Will4

Skills:Lie 3d (4d), Brawling 3d (7d), Knowledge: Criminology 1d

(2d), Driving: Car 2d (5d), Ranged Weapon: Pistol 2d (5d), Inter-

rogation 2d (5d), Intimidation 3d (7d), Stability 2d (5d), Empathy

1d (3d), Streetwise 2d (3d).

Weapons

.38 revolver (Cap. 6, Damage: width in Shock, width+1 in Killing)

Nightstick(Damage: width+1 in Shock)

Bulletproof vest (LAR 2 for hit locations 79)

Babyface NestorBody3d Coordination3d Sense2d


Base Will5

Skills:Athletics 2d (5d), Lie 2d (5d), Brawling 2d (5d), Driving

Car 1d (4d), Ranged Weapon: Pistol 1d (4d), Intimidation 2d (4d),

Melee Weapon (Knife) 2d (5d), Streetwise 4d (5d).

Weapons

9mm Browning Hi-Power pistol (Cap. 13, Damage: width in

Shock and width+1 in Killing)

Switchblade(Damage: width in Shock + 1 Killing)


16/37


started listening to a couple making love in an apartment a

few stories above the street, and completely missed the gun-

man who shot his employer dead.

Booster usually makes a living working freelance for local

mobsters (Sacchi among them), spying on cops, lawyers, and

businessmen. Despite that, he doesnt know whats going on

with the dead child andunless the players are stumped andneed a cluehe cant shed any light on Sacchi; he makes it a

rule to never, ever spy on the mob. Hes lazy, not stupid.

Booster avoids combat. His power amplifies sound but doesnt

make him immune to it. If he were to boost sound enough to

deafen or kill someone it would deafen or kill him, too.

NapeHenry Nape Johnson is nowhere to be found. If the players

insist on tracking him down and have some foolproof means of

doing so (Detect Henry Johnson4hd or something), feel free to

wing it. He is mentally unstable and his blood and bodily fluids

burn dangerously in open air. Handle with care.

Two-TonKarl Two-Ton Kuhn earned his nickname when a two-ton

steel girder fell on him and he lifted it off, unhurt. By all ac-

counts, Two-Ton has kept out of trouble for a while. Hes on

parole from a lengthy prison sentence for attempted larceny,

assault, vandalism, and other charges after an attempt to rob

a bank ended in a knockdown fight with the White Knights.

Two-Ton lives in a grungy apartment near the Red Shore

docks, but his landlord hasnt seen him in a few days, and

neither have the regulars at the blue-collar bar he frequents.

If the players are properly diplomatic, some of Two-Tons

friends tell them that he has a sweet deal going with mafia

boss Vino Spumoni: Vino pays him a few thousand dollars

every month, and Two-Ton, in return, doesnt level Vinos

favorite sculpture museum on 15th Avenue, downtown.

Spumoni doesnt know where Two-Ton can be found;

hes happy to pay chump change to keep the big lug happy,

on the off chance that he can get a favor out of him some-time if he needs it. As it happens, that favor came quicker

than Two-Ton expected: Sammy Sacchi came to Vino ask-

ing for Two-Tons help with a problemhe didnt say what,

and Vino didnt askand Vino passed word along to Two-

Ton. He hasnt seen or heard from him since.

Two-Ton is holed up at Sacchis headquarters, waiting

for orders. e players probably wont figure that out before

the big finish.

Needle-NoseJacob Needle-Nose Ward did time as a teenager for man-

slaughter after killing a biker in a bar fight, but hes been

out of jail for a couple of years. He lives in an apartment

on the outskirts of Red Shore, but his apartment is now

empty and he hasnt been seen for a few weeks. A neigh-

bor and occasional drinking buddy knows Needle-Nose hasbeen earning his keep in secret pit fighting rings in illegal

uptown cellar clubs.

Scene 10: TheGolden House Club

e players can find one of those rumored pit-fighting clubs

if they ask around, but the cops and the White Knights dog

their trail if theyre careless.

e Golden House Club is downtown in the business

district, beneath a ground-floor Chinese restaurant. e

restaurants cellar has a row of full-size refrigerators run-

ning wall to wall, some plugged in and some not, each of

them big enough to hold three full-grown men. One of the

broken refrigerators has a false back which pushes open to

reveal a passage through the wall behind it.

is passage leads to the club, a two-story room with cat-

walks and railings for the audience, above, and a cement pit

twenty feet in diameter, below, with a simple drain in the bot-

tom to help with cleanup. Patrons show up at 1:30 A.M. on

fight nights (usually ursday and Friday), give a password at

the restaurant upstairs, and are escorted into the club.

e restaurant staff and club owners dont know anything

useful about Needle-Nose, only that he hasnt been around

in a while. However, one of the other fighters, a Talent with

regenerative powersIggy e Iguana Eddlestontalked

to Needle-Nose just before he disappeared.

He said something about getting a job with the mob, says

the Iguana. Just like he always wanted. He always talked about

being some kind of super hit man, but they never wanted him. I

guess somebody changed his mind. Iggy doesnt know exactlywhich mob Needle-Nose might have joined.

Like Two-Ton, Needle-Nose has fallen in with Sammy

Sacchi, finally getting his wish. For his first assignment, he

did the dirty work in the murder of Tonya Serrano, and he

was happy to find it didnt bother him a bit. For most of

the scenario, hes holed up with Two-Ton and Sacchis other

hired Talents, waiting for their next move.


17/37


Scene 11: Mob Rulese players might go to Tony Sacchi for help or informa-

tion. Tony doesnt want to see them. ey can go to his

favorite haunt, a posh midtown nightclub with his offices

in the back, but theyll have to talk or fight their way past

bouncers in the front and gunsels in the back to get to him.

Tony knows that Sammy is making a move on him, and

hes busy calling in markers from his underlings to see whos

loyal and whos going to turn on him. He heard about the

murder in Red Shore, but has no reason to connect it with

his nephews bid to take over the Family.

If the heroes seem desperate enough, Tony offers to make

a deal: If they help him, hell help them. Maybe they can

spy on Sammy Sacchi and get the names of which soldiers

are in his pocket, or maybe they can even rub Sammy out

altogether; in return, Tony will pull strings to get the cops

off the heroes case and get them whatever evidence is out

there so they can find the real killer.

Unfortunately, the evidence he provides is slim; he gets the

medical examiners report from the morgue and reports what-

ever evidence the White Knights have provided to the cops.

If the heroes want help getting into City Hall, Tony Sac-

chi can provide fake ID cards that will get them in. He has

two conditions: He wants Sammy brought to him alive, and

he wants Deputy Mayor Kincaid left healthy enough for the

cops to arrest. As for the others, he couldnt care less.

And no, of course he wont ask anything else of the he-roes. e thought would never cross his mind. Never.

Scene 12: The Presse police and the White Knights arent the only intrepid in-

vestigators looking for the heroes. When word gets out that

Talents have been accused of a gruesome child murder, the

press is quickly on the scene. Television crews with their bulky

equipment mostly camp in vans, but newspaper reporters and

photographers are hard to avoid.

After several hours, when old photographs of the heroescirculate among the media and they know exactly whom to

look for, two reporters are likely to nail them down. Neither

goes to the police for fear that their notes, tapes and photos

will be seized as evidence.

Anne Hennessy, The City StarHennessy is a writer-photographer for e City Star, a

weekly tabloid that prides itself on its comprehensive (if not

always accurate) coverage of superhumans. Anne is a bull-

dog. If she tracks the heroes down, she promises anything to

get them to sit still for an exclusive. She will tell their side.

She will let the city know that the charges are all lies. She

will put Tonyas family at ease that the real murderers will

be found, and that these wrongfully accused heroes will do

everything to see justice done.In reality, of course, she will do nothing of the sort. e

next days paper features a lurid story that only occasionally

borrows the heroes words, taken carefully out of context to

make them look guilty as hell and proud of it.

Reginald Stuart and TimSimons, the TimesReggie is a writer with the [insert city name here] Times,on

the scene with Tim Simons, a freelance photographer. Reggie

tries to do things right. He doesnt promise the heroes exonera-

tion, only honesty. Hes as good as his word, too; the Timesis

a straight newspaper, and Reggies article gives the facts and

the heroes statements without embellishment. (Whether

this helps them or hurts them depends entirely on what they

say and do.)

Scene 13: The Purgee case gets more urgent once the players start getting to

the bottom of things. eir witnesses start dying. Only by

moving fast can they get the whole story in time to stop

Sammy Sacchi, catch the killers and clear their names.

e purge begins when Sammy decides the heroes

are close to figuring out his play and the cops and White

Knights cant seem to stop them. Keep track of what the

NPCs know about the players actions, and start the purge

when it looks like Sacchi should figure it out.

He starts cutting off his underlings in Red Shore from

the bottom up to cover his own backtrail. He figures eventu-

ally the White Knights will catch the heroes and theyll get a

hardened celleither for killing Tonya or for resisting arrestand assaulting police officers. Either one will do the job.

When the purge starts, the police band goes crazy. A new

death is called in every couple of hours.

Harold Gwen is found dead in his squad car, apparently

a suicide with a self-inflicted gunshot wound (in the back of

the head, but nobody mentions that outside the morgue).

Giorgio Mans and Danny Miller vanish after a firefight

at their bar.


18/37


Crabbe and Babyface wind up dead in custody if they

spilled the beans and the heroes turned them over to the

cops; otherwise Crabbe is found beaten to death in an alley

and Babyface is found dead near Cammy Johnsons apart-

ment building, apparently having jumped from the roof.

Kung Fu Fighting!Eventually, clues will lead the heroes to Sammy Sacchi andDeputy Mayor Kincaid. Confronting one of them should be

the last big showdown of the scenario. Either run the scene

at City Hall or the scene at Sacchis place, wherever the he-

roes wind up first; but not both.

If they go to Sacchis headquarters his hired Talents are

there, waiting for orders. If the heroes go to City Hall to

roust Kincaid, Sacchi is there with his goons, hammering

out the last details of their arrangement.

Either way, that scene is the big finish. Everything else is

just mopping up.

ere should be no more than one hostile Talent per

hero: Needle-Nose, Joe Assisi, Two-Ton, Fenris and then

Nocturne. See page 21.

en theres Detective Tom Kelley, the heroes erstwhile

friend, whos been heading things up for Sammy in the pre-

cinct house. Kelley is phlegmatic if confronted: What can I

say, boys? Its just business, and business is good.

Scene 14: City HallCity Hall is in the heart of the city, far from Red Shore,

right across the street from police headquarters and staring

across a manicured plaza at the federal building.

Its not an easy place to get into by foot. ere are metal

detectors in the entrances and the place is swarming with

cops. e heroes best bet is to change their look, walk like

they belong there, and not spend much time in front of any

one person.

Breaking and entering might work. e windows have

alarm tape but the system is down for maintenance. e heroes

can go in through a window if they can get to it without beingspotted.

Going in on a lower floor is tougher. Cops are plentiful and

most of the building is quiet at night. Call for a Stealth roll

every other floor to get past cops near the elevators and stairs.

On Kincaids floorthe 13ththere are two cops in the

hall station and two on duty outside his office. Hand-picked by

Kincaid himself, they shoot early and ignore Sacchis people.

Kincaid is in his office with Sammy Sacchi himself, Sam-

mys lawyer Ed Goldfarb, Joe Torresi, Art Graziadio, and

Sammys bodyguardsthe Talents he hired to flush out and

get rid of the heroes.

Kincaid wont call the White Knights for help against the

heroes, for obvious reasons. But if theres any external sign

of a super-powered fight, somebody downstairs will get on

the radio and the White Knights come to investigate. Alongwith about a thousand cops, who show up in less than a half

an hourso the players better have their stories straight and

their evidence ready.

Lt. Detective Tom KelleyBody3d Coordination2d Sense2d


Skills: Lie 4d (7d), Brawling 2d (5d), Driving: Car 2d (4d), Inter-

rogation 3d (6d), Intimidation 3d (6d), Knowledge: Criminology 3d

(6d), Ranged Weapon: Pistol 3d (5d), Streetwise 3d (6d).

Weapons

.38 revolver (Cap. 6, Damage: width in Shock, width+1 in Killing)

.32 revolverconcealed hold-out (Cap. 5, Damage: width in

Shock and Killing)

Bulletproof vest (LAR 2 for hit locations 79)

Sammy SacchiBody2d Coordination2d Sense2d


Base Will 7

Skills:Lie 4d (8d), Brawling 3d (5d), Driving: Car 2d (4d), In-

timidation 4d (7d), Melee Weapon: Knife 2d (4d), Ranged Weapon:

Pistol 2d (4d), Ranged Weapon: Submachine Gun 2d (4d), Stability

3d (6d), Stealth 2d (4d), Streetwise 3d (6d).

Mafia GoonsBody3d Coordination2d Sense2d

Mind1d Command2d Charm2d

Base Will 4

Skills:Lie 2d (4d), Brawling 1d (4d), Driving: Car 2d (4d), In-timidation 2d (4d), Melee Weapon: Knife 1d (4d), Ranged Weapon:

Pistol 2d (4d), Ranged Weapon: Submachine Gun 1d (3d), Stability

1d (3d), Streetwise 3d (4d).

Weapons

.38 revolver(Cap. 6, Damage: width in Shock, width+1 in Killing)

Uzi submachine gun (Cap. 30, Spray 4, Damage: width in

Shock, width+1 in Killing)


19/37


Meanwhile, At theHall of Heroese Hall of Heroes is what the city-planning commissioner

put on the building permit, but the White Knights just call

it HQ or e Hall. Its their headquarters, residence, and

gymnasium, a reinforced slab of a building jammed into a

block of busy high-rises across the street from City Hall.

Ideally, the heroes will try to give the White Knights

some proof of innocence. Whether they succeed depends on

which White Knight they deal with and how they have act-

ed in the scenario. Solid evidence presented to Grailknight

by a hero who has demonstrably tried to keep innocents

safe goes a lot farther than a cop-killers empty words to the

more inflexible Black Atlantean.

If the heroes cant get the White Knights on their side, they ll

just have to beat the bad guys before they show upor hope

they can keep from getting into anything deadly with the White

Knights before they can come up with exculpatory evidence.

Scene 15: FredosImport EmporiumWarehouseFredos Import Emporium is a citywide chain of shops spe-

cializing in imported goods, operated from offices at a ware-

house in a sparse, heavily industrial part of Red Shore. Its also

a convenient front for Sammy Sacchis faction of the mob. Sacchi keeps his headquarters at the warehouse, where

half a dozen mafia gunsels can be found in daylight hours

and a dozen or more at night.

e warehouse is a half-block edifice, five stories high

and filled with shelves and pallets stacked high with heavy

crates and boxes. ere are massive loading doors on two

sides, smaller doors elsewhere along the street, and wide

skylights overhead. e offices take up about half of one wall

of the place.

At night, with no workers around, the guards carry shot-guns, talking and smoking to pass the time. In the daytime

they are more circumspect, mostly staying in Sacchis offices

while workers go about the warehouses legitimate business.

Sammy can be found in his office with Goldfarb, Torresi,

Graziadio, Detective Kelley, and the hired Talents.

Board Room

Deputy

Mayors

Office

Corridor

City Clerk

Roof Roof Council

Chamber

City Hall (Thirteenth Floor)

Elevator

Desk

Interior Wall

Exterior Wall

Column

Copper Roof


20/37


Joe Assisi uses his powers to warn him when he is being

observed.

Kincaid will not be found at the warehouse; the heroes

can learn his role in things in after-action interrogations,

and you can describe his arrest as the scenario wraps up.

(After the big fight in the warehouse, playing out a confron-

tation with the crooked politician would be a little anticli-mactic.)

e White Knights show up at Sacchis warehouse only if

the situation demands it. If there have earlier signs that the

mob was involved, Grailknight might have planted bugs to lis-

ten for any clues. If the White Knights will liven things up,

throw them in; if not, have them show up only after the action.

Either way, dont let them upstage the players.

Wrapping Things UpIf the heroes play it right they can get the White Knights on

their side. Grailknight is smart enough to put it all together

without too great a show of evidenceespecially after see-

ing some of the tricks Joe Assisi can do.

If that happens, the White Knights help round up the

cops known to be working for Sammy Sacchi and get testi-

mony out of folks inside Sacchi s organization to prove that

the heroes were set up.

Of course, if they grab Sammy Sacchi it may be hard to

hand him over to Tony Sacchi. . . .

Without the White Knights help it will be harder for the

heroes to clear their names, but not impossible. ey might

get help from Tony Sacchi. ey might take Assisi into cus-

tody long enough to let police officers or other upstanding

citizens see some of his tricks. ey might well trick Nee-

dle-Nose into bragging about killing the girl and pinning

it on the heroes; hes not the sharpest tack in the drawer,

whatever his nickname. ey might decide to lean on the

right cops to get the reports corrected. And so on.

With superpowersand the right connectionsany-

thing can happen on the streets.


21/37


Needle-Nose (200 pts)Jacob Needle-Nose Wards only goal in life is

to be a hit man. Unfortunately, nobody wants him.

With skin and bones as hard as steel, he can kill

with a punch. But the crime lords seem to worry

that using the same M.O. every time will get him

and them caught quick.

Archetype (5 pts)

Mutant

Stats (75 pts)

Body3d Coordination4d

Sense2d Mind1d

Charm2d Command3d

Base Will5

Loyalty: Needle-Nose (2)Passion: Being recognized as a pro (3)

Skills (40 pts)

Brawling 4d (7d), Driving (Car) 1d (5d), Intimi-

dation 2d (5d), Lie 3d (5d), Perception 2d (4d),

Ranged Weapon (Pistol) 1d (5d), Stability 3d (6d),

Stealth 2d (6d), Streetwise 2d (3d).

Superpowers (80 pts)

Extra Tough 2HD (20 pts)

As in Wild Talents. Needle-Nose has two extra

Wound Boxes on each hit location.

Heavy Armor 3HD (42 pts)

As in Wild Talentsbut Permanent instead of End-

less. He has HAR 3.

Extras for Body 3d (18 pts)

+2 Attacks levels (+2), Deadly (+1), Penetration 3

(+3).

Two-Ton (200 pts)Karl Two-Ton Kuhn changes his mass and

strength. If someone tries to move Two-Ton he

weighs as much as his Size Shift indicates, but he

weighs his normal 260 lbs on a surface: He wont

crash through a floor. Hes smarter than he looks,

and in a pinch he gets very creative.

Archetype (5 pts)

Mutant

Stats (88 pts)

Body5d+ Coordination3d

Sense2d Mind2d

Charm2d Command3d

Base Will 6

Loyalty: Two-Ton (2)Passion:Easy money (4)

Skills (22 pts)

Brawling 2d (7d+), Driving (Car) 1d (4d), In-

timidation 3d (6d), Lie 1d (3d), Stability 1d (4d),

Streetwise 1d (3d), Tactics 2d (4d).


Size Shift 5HD (10 pts)

Useful (+2): Duration (+2), If/Then: only for mass

(-1), No Physics (+1), Self Only (-3).

Extra Tough 5HD (20 pts)

As in Wild Talents but with Attached to Size Shift

(-2) and If/Then: Width is limited to Width of Size

Shift (-1). For each level of Size Shift he gains one

extra Wound Box on each hit location.

Heavy Armor 5HD (30 pts)

Defends (+2): Attached to Size Shift (-2), If/Then:

HAR is limited to width of Size Shift (-1), Perma-

nent (+4).

Hyperbody 5d (25 pts)

Hyperstat (+4): +3 Attacks levels (+3), Attached to

Size Shift (-2), If/Then: Limited to +1d per width of

Size Shift (-1), Penetration 1 (+1).

Joe Assissi (400 pts)Assisi is a member of the Nameless, a centuries-

old Sicilian mystic secret society. The group is co-

vert, organized and dangerous, with members in

virtually every city of the world acting as advisors

and assassins. Ruthless and sneaky, its members

fade into the woodwork after achieving their goals

and commit suicide if captured. The Blooded

Blade, a curved knife with a disquieting aura, is

mystically bound to Assisi and will not serve an-

other. Its corrosive cuts inflcit width in Shock +

7 Killing damage. When the Nameless die their

signature knives char away into ash.

Archetype (21 pts)

Mystic

Stats (123 pts)


Sense4d Mind4d

Charm3d Command3d

Base Will 17

Loyalty: The Nameless (8)

Passion: Accomplishing the mission (9)

Skills (48 pts)

Dodge 3d (5d), Knowledge (Forgery) 2d (6d), Me-

lee Weapon (Knife) 4d (6d), Perception 2d (6d),

Research 2d (6d), Scrutiny 2d (6d), Stability 4d

(7d), Stealth 4d (6d), Streetwise 1d (5d).


Sorcery 5d+1wd (171 pts)

As Cosmic Power in Wild Talents.

Blooded Blade of

Ashashan (37 pts)

Melee Weapon (Knife) +4d (16 pts)

Hyperskill (+1): +6 Attacks levels (+6), Deadly +1,

If/Then: Cannot add to regular Skill dice (-1), Ir-

replaceable Focus (-3).

Teleportation 7d (21 pts)

As in Wild Talentsbut with the following on each

of its three power qualities: Go First 1 (+1), Irre-

placeable Focus (-3), Subtle (+1).


22/37


Fenris (250 pts)Harald Fenris Mller is the vicious, charismatic

young heir apparent of the Nazi villain Kriegsma-

rine, on loan to Sammy Sacchi as a favor to the

Nameless (in the person of Joe Assisi). He wears

an immaculate SS uniform, including the dagger

(Width in Shock + 1 Killing). His favorite tactic is

to simply teleport an enemy into the sky. (Leave him

out if you have fewer than four players.)

Archetype (15 pts)

Human+

Stats (113 pts)


Sense3d Mind2d

Charm3d Command7dBase Will11

Loyalty: Kriegsmarine (5)

Passion: Proving Aryan Superiority (6)

Skills (48 pts)

Athletics 3d (7d), Brawling 3d (7d), Dodge 2d

(5d), Endurance 3d (7d), Intimidation 2d (9d),

Leadership 1d (8d), Melee Weapon: SS Dagger

1d (5d), Navigation 3d (5d), Perception 1d (4d),

Stability 1d (8d), Stealth 2d (5d), Tactics 2d (4d).


Immunity to Water and the Ocean Depths

2HD (24 pts)

As in Wild Talents. Water is one Useful quality, the

pressures and cold of the deep is another.

Teleport 8d (48 pts)

As in Wild Talents with these exceptions. The Use-

ful quality has Power Capacity (Range), so he can

teleport things without even touching them, and an

Extra called Blind Teleport (+3), which automati-

cally moves Fenris or whatever he teleports to the

nearest safe space even if he cant see the desti-

nation. It also has Willpower Cost (-2) as a Flaw.

Each of the three power qualities has Obvious (-1)

as a Flawwhen Fenris uses his power it leaves a

thunderclap in his wake.

Nocturne (250 pts)Once a mortal woman, Nocturne was twisted by

sorcery into something else. Now she is a tattered

apparition who no longer knows her own name or

history. Her appearance shifts from cold beauty

to fearsome hideousness, and she drains warmth

and life. She comes at the behest of Joe Assisi, her

sometimes lover. (Leave her out if you have fewer

than six players.)

Archetype (7 pts)

Inhuman+ (as Human+ but with the Inhuman In-

trinsic)

Stats (61 pts)


Sense2d Mind2dCharm1d Command3d

Base Will6

Loyalty: Joe Assissi (2)

Passion:Instilling terror (4)

Skills (54 pts)

Empathy 2d (4d), Intimidation 3d (6d), Knowl-

edge: Witchcraft 4d (6d), Perception 2d (4d),

Persuasion 4d (5d), Scrutiny 4d (6d), Stability 3d

(6d), Stealth 5d (7d).


Chill Touch 4d (8 pts)

Attacks (+2): Daze (+1), Limited Damage: Shock

only (-1), Non-Physical (+2), Touch Only (-2).

Note: This attack ignores armor but can be resisted

with an Endurance roll.

Elasticity 4d (8 pts)

As inWild Talents.

Flight 6d (24 pts)

As in Wild Talents.

Immunity to the Needs of Life 2HD (28 pts)

As in Wild Talents but with Variable Effect. She

ignores cold, thirst, suffocation, age and suffoca-

tion.

Insubstantiality 2HD (48 pts)

As in Wild Talents, but its Useful and Defends

power qualities have the Endless (+3) Extra.

Regeneration 2HD (12 pts)

As in Wild Talents, but Attached to Chill Touch

(-2). She recovers one point each of Shock and

Killing damage for each point of damage that she

inflicts.


23/37


The White Knightse White Knights are the city s officially sanctioned su-

perheroes. ey have a mandate from the government; they

have funding; they have costumes; they even have an ar-

mored headquarters. When theres a high-profile case that

the police cant solve, or a rogue Talent on the loose, the

White Knights fly in and do their part; but theyre usually

far too busy with Big Events to worry about local neighbor-

hoods or street crime.

ey know about the Red Shore heroes and regard them

with wary neutralityto the White Knights, unsanctioned

vigilantes are potential cr iminals, nothing more.

e White Knights were founded by Grail-knight and

Whitelight, partners responsible for several spectacularly

high-profile adventures After saving the U.N. from terror-

ists, foiling a murderous plot of the nefarious Nazi villain

Kriegsmarine, and talking the Mad Talent Nuke out of

detonating himself beneath Crown Tower, the federal gov-

ernment chipped in to give them official recognition and

fundingand the oversight that comes with it. Grailknight and Whitelight recruited a few more pub-

licity-friendly heroes to fill out the team. Aging war hero

Minute Man was the first to join, followed by the youthful

Glimmer. ey hoped to recruit Leatherneck, but the All-

American Marine seemingly self-destructed at the height of

his popularity and sank into the streets. e Black Atlantean

is their most recent member.

Whitelight (338 pts)Name:Whitelight; true name unknown

Nationality:Apparently American

Political Affiliation: None

Education: Unknown

Occupation: Government-sanctioned superhero

Criminal Record: Unknown

DOB: Unknown; probably around 1940

Known Parahuman Abilities:Whitelight is tremendously

strong and resilient and flies at great speeds. He can survive

the depths of the ocean or the vacuum of space, and can even

heal others of grievous wounds. He is enveloped at all times

in a brilliant white glow, too bright for any of his features to

be made out. e glow seems to shine on every wavelength,

strongest when he exerts himself. Scientists have attempted

to use cameras sensitive to X rays, infrared light, ultraviolet

light, and every other slice of the spectrum to divine his true

features, with no success. What Whitelight really looks like

remains unknown.

History:Whitelight appeared in the city in 1966, a super-

powered cipher with no memory of who or what he was. He

knew the language and culture, but his personal background

and identity were a complete mystery. He knew only that he

wanted to do good, and he had the power to make it happen.

Whitelight is often the most visible of the White

Knightsin every sensebut he leaves leadership and

planning to Grailknight. Subtlety is not his strong suit.Whitelight is a powerhouse, always ready to act, preferably

in the most direct manner possible.

Dependents: None.

Appearance:A tall, powerful man enveloped in a brilliant

white glow. His features are impossible to see, though ex-

amination of his hair and blood (based on a spit test; his

skin is far too strong to puncture with an ordinary needle)

indicate that he is Caucasian. He has a strong voice and a

commanding presence, but sometimes he seems to be self-

consciously acting the part of the hero.

Archetype (15 pts)Human+

Stats (115 pts)Body10d Coordination2d Sense2d


Base Will 7

Joe Assisis Favorite Spells Control Noise: Perfect Peace of Poruul

Dead Ringer:Semblance of Santakito

Elasticity:Phaerons Florid Flaccidity

Harm:Heavy Hand of Herodotus

Heavy Armor: Hardiness of Horoon

Illusions: Astleys Apparitions

Insubstantiality:Mists of Mendoza

Invisibility: Vehlms Vanishing

Nullify: Nestors Nullity

Perceive Observation: Accams Acute Awareness (detects

when others are aware of your actions)

Regeneration: Rarys Rapid Recuperation

Telekinesis: G

wild talents - white knights, black hearts

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