willaim blake
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Willaim Blake. “The Sick Rose” “London” “Tyger” . Outline. William Blake “The Sick Rose” “London” “Tyger” (a companion of “The Lamb” in Songs of Innocence ). . an English writer, poet, and illustrator of the Romantic period; Had visions of angels as a child; - PowerPoint PPT PresentationTRANSCRIPT
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Willaim Blake
“The Sick Rose” “London” “Tyger”
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Outline
William Blake “The Sick Rose” “London” “Tyger” (a companion
of “The Lamb” in Songs of Innocence).
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William Blake an English writer, poet, and
illustrator of the Romantic period;
Had visions of angels as a child;
1787 the technique of "illuminated writing," or relief-etching.
Songs of Innocence (1789) 1797 –Songs of Innocence
and of Experience ("the two Contrary States of the Human Soul." )
Image source: http://members.aol.com/lshauser2/wmblake.html
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Songs of Innocence and of Experience Both innocence and
experience are necessary states in the development of the human spirit. We are all born innocents, but when we begin to recognize evil or wrong, and are inevitably tempted by it, we pass into a state of experience.
Higher Innocence: with childlike trust and vision.
See clips
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“The Sick Rose”
1. What tone(s) can you find in this poem?
2. Are there images which are ironic?
3. And sound effects?
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“The Sick Rose”
O rose, thou art sick!The invisible wormThat flies in the night,In the howling storm,Has found out thy bedOf crimson joy,And his dark secret loveDoes thy life destroy.
--spondee; -- trochee+ anapest
Open vowel + short [i]
sound
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Irony and symbol
Rose + worm = sexual intercourse, of destruction of Nature
Context: howling storm and night
Irony The rose’s bed of
crimson joy –happy about its own destruction?
Dark secret love which is Destructive
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LondonI wander thro' each charter'd street.Near where the charter'd Thames does flowAnd mark in every face I meetMarks of weakness, marks of woe.
In every cry of every Man.In every Infants cry of fear.In every voice; in every ban.The mind-forg'd manacles I hear
How the Chimney-sweepers cryEvery blackening Church appalls.And the hapless Soldiers sighRuns in blood down Palace walls
But most thro' midnight streets I hearHow the youthful Harlots curseBlasts the new-born Infants tearAnd blights with plagues the Marriage hearse.
(12:39)
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London
1. What are the effects of repetitions?
2. What about the development of images from chimney sweepers, hapless soldiers to youthful harlots? And the contrast they make with church, palace and the Marriage hearse?
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London1. An industrialized city
where everything is “chartered” (under control, in contract) – even the river (or our parks) is.
2. Repetitions of “marks” & “everyway” – constraints of mechanical life internalized mind-forg'd manacles
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Londondevelopment of images: from the general (“every”) to the specific, which, in turn, is connected with the failure of some dysfunctional social institutions.
individual Social institutions
chimney sweepers
Church blackened
hapless soldiers Palace and blood
youthful harlots’ curse
new-born Infants Marriage hearse (殯車 )
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THE TYGER1. What sound effects do you
find in this poem? 2. Why are there so many
unanswered questions?
3. What parts of the tiger the focuses of the speaker’s attention?
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THE TYGER Tiger, tiger, burning brightIn the forests of the night,What immortal hand or eyeCould frame thy fearful symmetry?
In what distant deeps or skiesBurnt the fire of thine eyes?On what wings dare he aspire?What the hand dare seize the fire?
And what shoulder and what artCould twist the sinews of thy heart?And, when thy heart began to beat,What dread hand and what dread feet?
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THE TYGER (2)
What the hammer? what the chain? In what furnace was thy brain? What the anvil? what dread grasp Dare its deadly terrors clasp? When the stars threw down their spears, And watered heaven with their tears, Did he smile his work to see? Did he who made the lamb make thee? Tyger, tyger, burning bright In the forests of the night, What immortal hand or eye Dare frame thy fearful symmetry?
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Allusions
Daedelus and Icarus (line 7),
the daring Greek god Prometheus (line 8),
Vulcan the blacksmith (lines 9-10 and 13-14),
Lucifer and his angels (lines 17-18)
the God of the Old Testament.
Blake himself?