wire attached score
TRANSCRIPT
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[2015]
Jeremy Corren
wire attached to thin frame;
unstill water
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{
A
Jeremy Corren
q= 67
i.wire attached to thin frame
Soprano Sax.
Piano
Violin
Viola
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&
air tone
po o
bright air
o
& pp
&Ped
&
mute stringso.b.
p
pp
beats with soprano
o p o
&
primarily bow sound more pitch
po
bow sound
o
Bemerge out of violin sound
pp
6b ) wb )n )
wb w
bb ww
) 6 6
O O w~ O O O
w Ob O
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{
6 44
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&
dark air
mp o
enter extremely imperceptiblycrossfade from violin
ppo
allow tone to get airier here
o
&mf
>
mp
.>
pp
sadly
[l.h.]
mp
&plightly
Ped
? p & ?
3:2
&
flaut.s.t.
I
po
pass to soprano
m.s.t.
o sub p
ordbeats with viola
>o3:2
B
sharplywith piano
p
>with pianoord> m.s.p.
Bord
o
beats with violin
mp
o o
)
6 J w
w# n
b www
www
n n b w
ww ww
J Obb j O O O w~ O
~w## O
O OJ
O O O ~w O
3
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{
B
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&mixed sound: air/tone
o mp o ppp
ord
o
&p o mf
~~~~~~~~~~~~~~~~~p pp
faint echo
? mf
Pedcatch the low A's resonance.>
?sub mp
&
IV
flaut.o
f
immediatelymute stringso o lower by 1/8th tone:
beats slightly with piano33
po o
B IIIflaut.s.t.
pp
'echo' from soprano/piano
o o B
b n
n w w
w w
ww## ww
O O O ~w ~w ~w O
ww
4
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{
18 44
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&air
mp
> sharp cutoffhold stable intonation: beats against violin
ppp mf
&
in a sudden movement:agile but full sound
sub pp
.>lift immediately
: ;
mf
> lightly
mp3:2
3:2
?sfffz
>
Ped
p3:2
& III
IV
ppp
s.t.
o
mute stringso.b.
sub mp
> stop bowflaut.s.t.
I
ord
po
slow gliss from unison:produces audible beating
ff3:2
B
jet
p
b
o
with piano
p
. . . . . . . >
mp
6 ) w
# n
#
#
ww
w
6 ) J
O## O ~w
5
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{
22
C
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&sharp cutoff
2beats against piano
ppo o
2
ppo
6-8x
o
&
mf
.>
p p
6-8x
?
Ped
pp
pp
&stop bow
flaut.s.t.
ppo
m.s.t.
o
flaut.s.t.
ppo
6-8xm.s.t.
o
Bsub p
with pianoord> m.s.p.
o
s.t.
o p
beats with soprano
ord
mp o
s.t.
o p
ord
mp
6-8x
o
b w b w w
b
b ww b
b ww
ww
b
ww
b
ww
ww
b w b w w
~w
~w
OB
O w~
O
OB
O w~
w~
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{
D
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24
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& mixed sound: air/tone
o mf o
ord
mp p o
5:4
5:4
&mp mf
>lightly
f
o
~~~~~~~~~~~~~~~~~~~~~~~
p
very lightly:accelerate tremolo over crescendo
o mp
o
5:4
5:4
? mf &.>
p
Ped
pp
& IIIs.t.
pp pppp
III
quickly, lightly
IIIppp IV
flaut.s.t.
mp
III
m.s.t.
beats with viola
p
7:4
o
Bp
>
mp o
beats with violin
pp
ord
o
accelerate tremoloover crescendo
s.p.
mf
ord
o
3:2 3:2
# # # w
#
# # #
#
#
b
ww#
j
# # w w
O O O O
O## O O O
O
~w
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{
35 54
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54
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&mixed sound: air/tone
fo
~~~~~~~
mp
~~~~~~
o
(ossia: just concert Bb)
po p
&
: ;
mf
.>
pp
[l.h.]
mp
beats with soprano
p
&
Ped
imperceptible
attackppp
Ped
? p &pp
? pp
&
(m.s.t.)
o fIII
ord
#~~~~~~~
mp
flaut.s.t.
p
~~~~~~m.s.t.
o
crossfade with viola:
match timbre
ppo o
ord
I
o mf pp
s.p.
Bmute stringso.b.
pp o p
ord> m.s.p.
oIIIIV
s.t.
noo oo
o pp
oo
o mp
open strings:
3 o
# b
b b w
ww b w
w w
# w ww w ~
)n ) 6 O##
O ww
j ww
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{
42
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& mixed sound: air/tone
o mp o ppp
(1x only)
o
3-5x
& p
lightly
o mf~~~~~~~~~~~~~
p
echo
pp
3-5x
as before.>
3:2
? mf
Pedcatch resonance of low A.>
mp
sfffz
>
3:2
&
ord
stop bow 33
ppo
3-5x
B &
flaut.oimmediatelymute strings
f
o oIIIB
m.s.t.
p
'echo' from soprano/piano
o o
3-5x
B
w
b
n w w
ww
ww
#
ww## ww
O
O OO ~w ~w ~w O
ww ww
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{
E
49
ii.unstill water
&
ppp
8"
pppo
10"
,o
breathe
2"
repeat
60"
(mp)
&sub p
6"
pp
5-7"
repeat ad. lib.: give the feeling of aperiodicity
?Ped
(mp)
& IIIIIs.t.
pp
slow gliss: should produce audible beats at increasing frequency
50 difference:12 bps
ord
Bmute stringso.b.
mp
aperiodically vary bow speed/pressure
n
)
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{
F
57 44
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&(ossia: just concert Bb)
o mp
6"
o
,
(mp)
8"
o
10"
,
o
2"
repeat
60"
pppp
&11th partial of Eb
f
obeats with harmonic
mp
5"
p
5-7"
repeat ad. lib.: give the feeling of aperiodicity
pppp
?
Ped
>
&
ord
mf
slow gliss: beat frequency gradually decreases to nothing
prepare forharmonic
s.t.
o
,
B III
bow position: ord
bow speed: long
sub ppp
s.t.
flaut.m.s.t.
ff
b
B n
~b
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{
G q= 67
6244
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& ppp
air bright air
o
10"
& pppp
just as the viola arrives backat the violin's E, play almostimperceptibly
10"
?
&
Ped
p o
10"
Bbeats with violin
mpo o
April - May 2016New York - Boston
10"
) ) ) 6 6
w w
w~ w~ w~ O O w~ w~ O O
O O O
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