WOLFGANG AMADEUS MOZART

REQUIEMPRINCETON UNIVERSITY GLEE CLUB & CHAMBER CHOIR

PRINCETON UNIVERSITY ORCHESTRA

RENATA BERLIN, Conductor

ROCHELLE ELLIS, Soprano

BARBARA REARICK, Mezzo-soprano

DAVID KELLETT, Tenor

KEVIN DEAS, Bass-baritone

SATURDAY, MARCH 4, 2017 AT 7:30 PM

RICHARDSON AUDITORIUM IN ALEXANDER HALL

PRINCETON UNIVERSITY

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PROGRAM

Jesu, meine Freude Johann Sebastian Bach

(1685-1750)

I. Jesu, meine Freude

II. Es ist nun nichts Verdammliches

III. Unter deinem Schirmen

IV. Denn das Gesetz

Sarah Baber ‘18, Solveig Gold ‘17, soprano 1;

Madeline Kushan ‘20, Kaamya Varagur ‘18, soprano 2;

Eli Berman ‘20, Meredith Hopper ‘20, alto

V. Trotz dem alten Drachen

� =0����0OY�HILY�ZLPK�UPJO[�ÅLPZJOSPJO�

VII. Weg mit allen Schätzen

VIII. So aber Christus in euch ist

Saunghee Ko ‘17, Rosamond van Wingerden ‘20, alto;Sebastian Cox ‘18, Sergei Tuagrinov ‘19, tenor;

Kevin McElwee ‘18, Ming Wilson ‘18, bass

IX. Gute Nacht, o Wesen

X. So nun der Geist

XI. Weicht, ihr Trauergeister

Kerry Heiman, portativeLoretta O’Sullivan, cello

INTERMISSION

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Requiem in D minor Wolfgang Amadeus Mozart

(1756-1791)

I. Introitus Franz Xaver Süssmayr

Requiem (1766-1803)

II. Kyrie

III. Sequentia

Dies irae

Tuba mirum Evan Wood ‘18, trombone Rex tremendae

Recordare

Confutatis

Lacrimosa

� 0=�����6ɈLY[VYP\T Domine Jesu

Hostias

V. Sanctus

VI. Benedictus

VII. Agnus Dei

VIII. Communio

IX. Lux aeterna

Rochelle Ellis, soprano;

Barbara Rearick, mezzo-soprano;

David Kellett, tenor; Kevin Deas, bass-baritone

4

TEXTS & TRANSLATIONS

Jesu, meine Freude,meines Herzens Weide,

Jesu, meine Zier,

ach, wie lang, ach, lange

ist dem Herzen bange

und verlangt nach dir!

Gottes Lamm, mein Bräutigam,

außer dir soll mir auf Erden

nichts sonst Liebers werden.

Es ist nun nichts Verdammliches an denen, die in

Christo Jesu sind, die nicht nach dem Fleische

wandeln, sondern nach dem Geist.

Unter deinem Schirmen bin ich vor den Stürmen

aller Feinde frei.

Lass den Satan wittern,

lass den Feind erbittern,

mir steht Jesus bei.

Ob es itzt gleich kracht und blitzt,

ob gleich Sünd und Hölle schrecken:

Jesus will mich decken.

Denn das Gesetz des Geistes,

der da lebendig macht in Christo Jesu, hat mich frei

gemacht von dem Gesetz der Sünde und des Todes.

Trotz dem alten Drachen,

trotz des Todes Rachen,

trotz der Furcht darzu!

Tobe, Welt, und springe,

ich steh hier und singe

in gar sichrer Ruh.

Gottes Macht hält mich in Acht;

Erd und Abgrund muss verstummen,

ob sie noch so brummen.

0OY�HILY�ZLPK�UPJO[�ÅLPZJOSPJO, sondern geistlich, so

anders Gottes Geist in euch wohnet. Wer aber Christi

Geist nicht hat, der ist nicht sein.

Jesus, my joy,

my heart’s delight,

Jesus, my treasure!

Ah! how long, how long

has my heart been troubled

and desirous of Thee!

Lamb of God, my bridegroom,

nothing on earth can be

dearer to me than Thee.

There is therefore now no condemnation to them

^OPJO�HYL�PU�*OYPZ[�1LZ\Z��^OV�^HSR�UV[�HM[LY�[OL�ÅLZO��but after the Spirit.

Beneath Thy shield

I am protected from the raging storms

of all my enemies.

Let Satan storm,

let the foe rage,

Jesus will stand by me!

Though there now be thunder and lightning,

though sin and Hell spread terror,

Jesus will protect me.

For the law of the Spirit

which made Christ Jesus live hath set me free

from the laws of sin and death.

Despite the old dragon,

despite the jaws of death,

despite the fear of death!

Rage, O world, and rear up,

I shall stand here and sing

PU�JVUÄKLU[�[YHUX\PSSP[`�I respect God’s might;

earth and abyss will be silenced,

however much they now demur.

)\[�`L�HYL�UV[�PU�[OL�ÅLZO��I\[�PU�[OL�ZWPYP[��PM�ZV�IL�[OH[�the spirit of God dwell in you. Now if any man have not

the spirit of Christ, he is none of his.

JESU, MEINE FREUDE

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Weg mit allen Schätzen! du bist mein Ergötzen,

Jesu, meine Lust!

Weg ihr eitlen Ehren,

ich mag euch nicht hören,

bleibt mir unbewusst!

Elend, Not, Kreuz, Schmach und Tod

soll mich, ob ich viel muss leiden,

nicht von Jesu scheiden.

So aber Christus in euch ist, so ist der Leib zwar tot

um der Sünde willen; der Geist aber ist das Leben um

der Gerechtigkeit willen.

Gute Nacht, o Wesen,

das die Welt erlesen,

mir gefällst du nicht.

Gute Nacht, ihr Sünden,

bleibet weit dahinten,

kommt nicht mehr ans Licht!

Gute Nacht, du Stolz und Pracht!

dir sei ganz, du Lasterleben,

gute Nacht gegeben.

So nun der Geist des, der Jesum von den Toten

auferwecket hat, in euch wohnet, so wird auch

derselbige, der Christum von den Toten auferwecket

hat, eure sterbliche Leiber lebendig machen um des

willen, dass sein Geist in euch wohnet.

Weicht, ihr Trauergeister, denn mein Freudenmeister,

Jesus, tritt herein.

Denen, die Gott lieben,

muss auch ihr Betrüben

lauter Zucker sein.

Duld ich schon hier Spott und Hohn,

dennoch bleibst du auch im Leide,

Jesu, meine Freude.

Away with all riches,

Thou art my delight,

Jesu, my desire.

Away with you, vain honours,

I shall not give ear to you,

do not enter my mind!

4PZLY �̀�KPZ[YLZZ��HɊPJ[PVU��ZOHTL�HUK�KLH[O��OV^L]LY�T\JO�0�T\Z[�Z\ɈLY�these shall not tear me from Jesus.

And if Christ be in you,

the body is dead because of sin;

but the Spirit is life because of righteousness.

Farewell, O you

who have chosen the world;

I do not love you.

Farewell, O sins,

stay far behind me,

never come to light again!

Farewell, O pride and pomp!

Life of wickedness,

may you be wreathed in night!

But if the spirit of Him

that raised up Jesus from the dead dwell in you,

he that raised up Christ from the dead shall also

quicken your mortal bodies by His spirit that dwelleth

in you.

Depart hence, you spirits of sadness,

for the master of joy,

Jesus, enters.

To those whom God loves,

even their sorrow

must be sweetened.

Though I endure mockery and scorn on earth,

[OV\�HY[�Z[PSS��PU�[OL�TPKZ[�VM�T`�Z\ɈLYPUN�my Jesus, my joy.

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RequiemRequiem aeternam dona eis Domine:

et lux perpetua luceat eis.

Te decet hymnus, Deus, in Sion,

et tibi reddetur votum in Jerusalem.

Exaudi orationem meam:

ad te omnis caro veniet.

Grant them eternal rest, O Lord:

and may everlasting light shine upon them.

(�O`TU�PU�APVU�ILÄ[Z�`V\��6�.VK�and a debt will be paid to you in Jerusalem.

Hear my prayer:

HSS�LHY[OS`�ÅLZO�^PSS�JVTL�[V�`V\�

REQUIEM

I. INTROITUS

Kyrie eleison;

Christe eleison;

Kyrie eleison.

Lord, have mercy upon us;

Christ, have mercy upon us;

Lord, have mercy upon us.

Dies iraeDies irae, dies illa

Solvet saeclum in favilla

Teste David cum Sibylla.

Quantus tremor est futurus

Quando judex est venturus

Cuncta stricte discussurus!

Tuba mirumTuba, mirum spargens sonum

Per sepulchra regionum,

Coget omnes ante thronum.

Mors stupebit et natura

Cum resurget creatura

Judicanti responsura.

Liber scriptus proferetur

In quo totum continetur

Unde mundus judicetur.

Judex ergo cum sedebit

Quidquid latet apparebit:

Nil inultum remanebit.

Quid sum miser tunc dicturus,

Quem patronum rogaturus,

Cum vix justus sit securus?

The day of wrath, that day

shall dissolve the world in ashes,

as prophesied by David and the Sibyl.

How great will be the terror

when the Judge comes

who shall destroy everything completely!

The trumpet, scattering a wondrous sound

through the tombs of every land,

shall drive all unto the Throne.

Death and Nature shall be astounded

when the creature shall rise again

to answer to the Judge.

A written book shall be brought forth

which contains everything

for which the world shall be judged.

And therefore when the Judge takes His seat,

whatever is hidden shall be revealed;

nothing shall remain unavenged.

What can a wretch like me say?

Whom can I ask to advocate on my behalf,

when not even the most righteous are safe?

II. KYRIE

III. SEQUENTIA

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Rex tremendaeRex tremendae majestatis

Qui salvandos salvas gratis;

Salva me, fons pietatis.

RecordareRecordare, Jesu pie,

Quod sum causa tuae viae

Ne me perdas illa die.

Quaerens me sedisti lassus;

Redemisti crucem passus.

Tantus labor non sit cassus.

Juste Judex ultionis

Donum fac remissionis

Ante diem rationis.

Ingemisco tanquam reus:

Culpa rubet vultus meus.

Supplicanti parce, Deus.

Qui Mariam absolvisti

Et latronem exaudisti,

Mihi quoque spem dedisti.

Preces meae non sunt dignae,

Sed tu bonus fac benigne,

Ne perenni cremer igne.

Inter oves locum praesta

Et ab haedis me sequestra,

Statuens in parte dextra.

ConfutatisConfutatis maledictis

Flammis acribus addictis,

Voca me cum benedictis.

Oro supplex et acclinis,

Cor contritum quasi cinis,

.LYL�J\YHT�TLP�ÄUPZ�

LacrimosaLacrimosa dies illa

Qua resurget ex favilla

Judicandus homo reus.

Huic ergo parce, Deus,

Pie Jesu Domine:

Dona eis requiem. Amen.

King of awful majesty,

who freely savest the redeemed;

save me, O fount of mercy.

Remember, merciful Jesus,

that I was the reason for your journey:

do not destroy me on that day.

In seeking me, Thou didst sit wearily:

;OV\�KPKZ[�YLKLLT�TL��Z\ɈLYPUN�[OL�JYVZZ!�do not let these labors be in vain.

Just Judge of vengeance,

give the gift of remission

before the day of reckoning.

I groan as the guilty one

and my face blushes in sin.

Spare me, O God, thy suppliant.

Thou who absolved Mary Magdalen,

and heard the thief’s prayer,

hast given hope to me also.

My prayers are not worthy,

but show mercy, O benevolent one,

SLZ[�0�I\YU�PU�L]LYSHZ[PUN�ÄYL�Give me place among the sheep

and pull me apart from the goats,

seating me on Thy right hand.

When the damned are confounded

HUK�MLK�[V�ÄLYJL�ÅHTLZ�call me with the blessed ones.

I pray, kneeling in supplication,

a heart contrite as ashes,

take my end into Your care.

Lamentable is that day

on which the guilty man rises

from the ashes to be judged.

Therefore, spare this one, O God,

merciful Lord Jesus:

grant them peace. Amen.

8

Domine JesuDomine Jesu Christe, Rex gloriae,

SPILYH�HUPTHZ�VTUP\T�ÄKLSP\T�defunctorum de poenis inferni

et de profundo lacu; libera eas de ore leonis,

ne absorbeat eas Tartarus,

ne cadant in obscurum.

Sed signifer sanctus Michael

repraesentet eas in lucem sanctam:

Quam olim Abrahae promisisti et semini eius.

Hostias/VZ[PHZ�L[�WYLJLZ�[PIP��+VTPUL��SH\KPZ�VɈLYPT\Z��Tu suscipe pro animabus illis quarum hodie

memoriam facimus:

fac eas, Domine, de morte transire ad vitam.

Quam olim Abrahae promisisti et semini eius.

O Lord, Jesus Christ, King of Glory,

deliver the souls of all the departed faithful

from the torments of hell and the bottomless pit;

deliver them from the mouth of the lion;

lest Tartarus swallow them;

lest they fall into the darkness.

But may the holy standard-bearer Saint Michael

bring them forth into the holy light; which Thou didst

once promise unto Abraham and his descendents.

;V�;OLL��6�3VYK��^L�VɈLY�ZHJYPÄJLZ�HUK�WYH`LYZ�Receive them on behalf of those souls whom we

commemorate today:

which Thou didst once promise unto Abraham and

his descendents.

IV. OFFERTORIUM

Sanctus, sanctus, sanctus,

Domine Deus Sabaoth.

Pleni sunt coeli et terra gloria tua.

Hosanna in excelsis!

Holy, holy, holy,

Lord God of Sabaoth.

Heaven and earth are full of thy glory.

Hosanna in the highest!

V. SANCTUS

Benedictus qui venit in nomine Domini.

Hosanna in excelsis!

Blessed is he that cometh in the name of the Lord.

Hosanna in the highest!

VI. BENEDICTUS

Agnus Dei qui tollis peccata mundi;

dona eis requiem.

Agnus Dei qui tollis peccata mundi;

dona eis requiem sempiternam.

Lamb of God, that takest away the sins of the

world; grant them rest.

Lamb of God, that takest away the sins of the

world; grant them eternal rest.

VII. AGNUS DEI

Lux aeternaLux aeterna luceat eis, Domine,

cum sanctis tuis, quia pius es.

Requiem aeternam dona eis,

Domine, et lux perpetua luceat eis.

Let everlasting light shine upon them, O Lord,

with Thy saints for ever; for Thou art merciful.

Grant to the departed eternal rest, O Lord:

and let everlasting light shine on them.

VII. COMMUNIO

9

PRINCETON UNIVERSITY GLEE CLUBONE HUNDRED FORTY-THIRD SEASON

Ulysses S. Grant was president, Verdi’s Requiem was premiered and the Battle of the Little Big Horn was still

two years in the future when Princeton University’s Glee Club was founded in 1874 by Andrew Fleming West

º����[OL�ÄYZ[�+LHU�VM�[OL�.YHK\H[L�*VSSLNL��0U�[OVZL�LHYS`�`LHYZ�[OL�NYV\W�JVUZPZ[LK�VM�H�ML^�`V\UN�TLU�HUK�^HZ�Y\U�LU[PYLS`�I`�P[Z�Z[\KLU[�TLTILYZ��I\[�PU�� ���*OHYSLZ�,��)\YUOHT�ILJHTL�[OL�ÄYZ[�VM�H�SVUN�SPUL�VM�distinguished professional musicians to lead the Glee Club. Since that time, the ensemble has established

itself as the largest choral body on Princeton’s campus, and has distinguished itself both nationally and

overseas.

;OL�.SLL�*S\I�ÄYZ[�HJOPL]LK�UH[PVUHS�YLJVNUP[PVU�\UKLY�(SL_HUKLY�9\ZZLSS��VUL�VM�[OL�NYLH[�VYNHUPZ[Z�VM�[OL�day, when it performed the American Premiere of Stravinsky’s Oedipus Rex with Leopold Stokowski and

the Philadelphia Orchestra in 1931. Further accolades saw performances of Bach’s Mass in B Minor at the

4L[YVWVSP[HU�6WLYH�/V\ZL�PU�� ����HUK�^P[O�[OL�=HZZHY�*VSSLNL�*OVPY��[OL�ÄYZ[�<UP[LK�:[H[LZ�WLYMVYTHUJL�VM�Jean Philippe Rameau’s Castor et Pollux in 1937. (The custom for joining together with the women’s choirs of

Vassar, Bryn Mawr, Wellesley, Mount Holyoke, or Smith Colleges continued until the advent of coeducation.)

In the 1950s, under the direction of its longest-serving conductor Walter L. Nollner, the Glee Club traveled

V\[ZPKL�[OL�<UP[LK�:[H[LZ�MVY�[OL�ÄYZ[�[PTL��LZ[HISPZOPUN�H�WH[[LYU�VM�PU[LYUH[PVUHS�JVUJLY[�[V\YZ�[V�,\YVWL��(ZPH��:V\[O�(TLYPJH�HUK�[OL�:V\[O�7HJPÄJ��;̂ V�YV\UK�[OL�^VYSK�[V\YZ�MVSSV^LK��HUK�TVZ[�YLJLU[S �̀�[OL�JOVPY�has toured Hawaii, Argentina, Paris, Germany, Prague, and South Africa.

Nowadays the Glee Club performs frequently on Princeton’s campus, enjoying the wonderful acoustics and

surroundings of Richardson Auditorium in Alexander Hall. There are four major performances each year,

and numerous special appearances at functions and gatherings around campus. Perhaps the choir’s most

celebrated performing tradition began in 1913, with the annual concerts presented jointly with the Glee

Clubs of Harvard and Yale on the eve of the respective football games. A more recent tradition has seen the

establishment of annual performances of choral masterworks with professional soloists and orchestra, now

Z\WWVY[LK�I`�HU�LUKV^TLU[�M\UK�[V�OVUVY�>HS[LY�5VSSULY��0U�[OL�SHZ[�ML^�`LHYZ�[OLZL�OH]L�PUJS\KLK�6YɈ»Z�Carmina Burana, Mendelssohn’s Elijah, Bach’s St. Matthew and St. John Passions and Mass in B minor, Mozart’s Requiem, Honneger’s Le Roi David, and Faure’s Requiem.

The choir’s repertoire is extremely diverse, embracing anything from renaissance motets and madrigals,

Romantic partsongs and 21st century choral commissions to the more traditional Glee Club fare of spirituals,

folk music and college songs. The spectrum of Glee Club members is perhaps even broader: undergraduates

and graduate students, scientists and poets, philosophers and economists - all walks of academic life are

represented, knit together by their belief in the nobility and joy of singing together.

PRINCETON UNIVERSITY CHAMBER CHOIRThe Princeton University Chamber Choir is a select group of 24-36 mixed voices that sings a range of

JOHSSLUNPUN�T\ZPJ� MYVT�[OL�9LUHPZZHUJL�WLYPVK�[OYV\NO�[OL� [^LU[`�ÄYZ[�JLU[\Y �̀�;OPZ�LUZLTISL�WLYMVYTZ�in concert with the Princeton University Glee Club as well as on a separate concert series, and is frequently

PU]P[LK�[V�WLYMVYT�VɈ�JHTW\Z��9LJLU[�YLWLY[VPYL�OHZ�PUJS\KLK�)HJO»Z�Jesu meine Freude, Lassus’ 4HNUPÄJH[�Praeter Rerum Seriem, Parry’s Songs of Farewell, and Handel’s Dixit Dominus.

10

PRINCETON UNIVERSITY ORCHESTRAMICHAEL PRATT, DIRECTOR

The Princeton University Orchestra began with a group of professional musicians from the New York

Symphony and Philharmonic Societies who performed a series of concerts at Alexander Hall in 1896, the

ÄYZ[�VU�-LIY\HY`�����;OL�WYVJLLKZ�^LYL�¸KL]V[LK�[V�[OL�M\UKZ�MVY�[OL�LZ[HISPZOTLU[�VM�H�:JOVVS�VM�4\ZPJ�for the study of Musical Composition, Theory, and History at Princeton University.” In the ensuing 120 years,

the orchestra has come to be an almost exclusively student organization; some 90-100 undergraduate and

graduate musicians representing a broad spectrum of academic departments come together for concerts in

Richardson Auditorium in Alexander Hall.

Under the direction of Michael Pratt since 1977, the orchestra has in recent years taken an important place

in the state’s concert calendar. The Newark Star-Ledger� OHK� OPNO� WYHPZL� MVY� [OL� VYJOLZ[YH»Z� ¸WHZZPVUH[L�WLYMVYTHUJL¹�VM�4HOSLY»Z�¸9LZ\YYLJ[PVU¹�:`TWOVU`�HUK�JHSSLK�[OL�WLYMVYTHUJL�VM�4HOSLY»Z�;OPYK�:`TWOVU`�VUL� ¸[OH[�^V\SK�THRL� HU`� VYJOLZ[YH� WYV\K�¹� ;OL�7YPUJL[VU�<UP]LYZP[`�6YJOLZ[YH� WLYMVYTZ� [LU� [V� ÄM[LLU�concerts a year on campus, in addition to international tours. These concerts include both new music and

works from the standard repertory. Audience members and critics alike have commented that even the most

familiar works take on a new freshness in the enthusiastic, spirited and precise performances given by the

Princeton musicians.

The orchestra also serves an important role in Princeton’s Department of Music by both reading and

performing new works by graduate composition students. In addition, the orchestra has also been invited

to give command performances for special University events, such as the installation of President Harold

Shapiro, and the celebration of Princeton’s 250th Anniversary. In April 2001, the Orchestra appeared in

3PUJVSU�*LU[LY�MVY�H�ZWLJPHS�WLYMVYTHUJL�JHSSLK�¸)LL[OV]LU�HUK�/VTLY��;OL�/LYVPJ�4VTLU[�¹�H�WYVNYHT�which combined the Fifth Symphony of Beethoven and Professor Robert Fagles reading from his translation

of The Iliad and The Odyssey. The Orchestra has represented Princeton on tours both of the United States

and Europe. Recent tours have seen visits to London, Glasgow, Edinburgh, Madrid, Barcelona, Prague,

Bratislava, Budapest and Vienna. In January 2007 the Orchestra’s performance in Bratislava was taped

for later broadcast on Slovak television. Participation in the orchestra is voluntary and extracurricular;

students commit many hours to rehearsal above and beyond the time required for academic course work.

Graduates of the orchestra have gone on to be performers, music teachers, and arts administrators, but the

SPZ[�VM�WYVMLZZPVUZ�HSZV�PUJS\KLZ�SH^`LYZ��WO`ZPJPHUZ��I\ZPULZZ�L_LJ\[P]LZ��NV]LYUTLU[�VɉJPHSZ��LJVUVTPZ[Z��HYJOP[LJ[Z�� YLZLHYJO� ZJPLU[PZ[Z�� HUK� QV\YUHSPZ[Z�� ;OL� 7YPUJL[VU� <UP]LYZP[`� 6YJOLZ[YH� VɈLYZ� HU� PTWVY[HU[�VWWVY[\UP[`�MVY�Z[\KLU[�PUZ[Y\TLU[HSPZ[Z�[V�W\YZ\L�T\ZPJHS�PU[LYLZ[Z�PU�H�^H`�[OH[�ZPNUPÄJHU[S`�LUOHUJLZ�[OLPY�overall growth in a strong academic environment.

11

RENATA BERLIN, Interim Director of Choirs at Princeton UniversityRenata Berlin is humbled to be the Interim Director of Choral Studies at Princeton University this Spring of

2017. This is her third year at Princeton as she became Director of the William Trego Singers and Assistant

Director of Choirs in 2014 under Director Gabriel Crouch (Spring sabbatical 2017). This appointment followed

the completion of a M.M. in Choral Conducting at the Eastman School of Music. In 2015, she became the

Director of Education Outreach at the Castleton Festival, an opera festival in Castleton, Virginia, founded by

the late Maestro Lorin Maazel. Recent conducting fellowships include the Toronto Mendelssohn Choir and

the Elora Festival Singers at the 2014 Conducting Symposium. She was the recipient of the Herman Genhart

Choral Conducting Scholarship and the Simon Rose Scholarship during her graduate studies. In Rochester,

New York, Renata conducted the Eastman Repertory Singers, Women’s Chorus, and Chamber Choir. She

frequently sang with the Rochester-area professional chamber choir, Voices. Previously, Renata trained as a

pianist and earned her B.M. in Choral Music Education from DePauw University.

DR. ROCHELLE ELLIS, SopranoSoprano Rochelle Ellis, DMA Voice, is a Lecturer of Voice at Princeton University and an Adjunct Associate

Professor of Voice at Westminster Choir College of Rider University. She has distinguished herself in a broad

repertoire that extends from Bach and Beethoven to Verdi, Barber and Gershwin. She made her New York City

6WLYH�KLI\[�HZ�¸:LYLUH¹�PU�.LYZO^PU»Z�Porgy and Bess, and has also performed operas with Chamber Opera

Chicago and Skylight Opera Theatre. Internationally, she has performed the Verdi Requiem with the National

Opera of China in Beijing, sung opera favorites at the Prague (Czech Republic) Autumn Music Festival, and

performed solo recitals in Osaka and Tokyo, Japan.

In addition to maintaining voice studios at Princeton University and Westminster Choir College, Dr. Ellis

is active in both Rider University and community outreach in music. She teaches in the Rider Educational

Opportunity Program summer pre-college program, as well as in the Westminster Conservatory High School

and Middle School Summer Vocal Institutes. She conducts the Chorale, the performance choir for the Trenton

Children’s Chorus. Dr. Ellis also is the Teaching Artist for The Princeton Festival Guild, where she holds opera

outreach programs each summer in conjunction with the festival’s opera presentations.

The St. Louis native received her Doctor of Musical Arts degree in Voice from the Mason Gross School of

the Arts at Rutgers University. She received her Master of Music Education degree from Westminster Choir

College of Rider University and a Bachelor of Music Education degree from the University of Missouri-Kansas

City Conservatory of Music.

BARBARA REARICK, Mezzo-soprano)HYIHYH�9LHYPJR��TLaaV�ZVWYHUV��^OVT�6WLYH�5L^Z�ZPUNSLZ�V\[� MVY�OLY� ¸[VUHS�ILH\[`¹�HUK�.YHTVWOVUL�4HNHaPUL�MVY�OLY�¸JOHYT�HUK�ÄULZZL¹�OHZ�LZ[HISPZOLK�OLYZLSM�HZ�VUL�VM�[VKH`»Z�TVZ[�]LYZH[PSL�HUK�MHZJPUH[PUN�artists. Her career has taken her around the world singing with orchestras including Chicago, Houston,

)HS[PTVYL��)\ɈHSV��*VSVYHKV��/HSSt��*P[`�VM�)PYTPUNOHT�:`TWOVU`�6YJOLZ[YH��6YJOLZ[YH�VM�:[��1VOU�:TP[O»Z�Square in London, the Orquesta Sinfonica Nacional in Costa Rica and the Rundfunk Sinfonieorchester in

Berlin where she portrayed several roles for the world-premiere performance and recording of Kurt Weill’s The Eternal Road.

12

Ms. Rearick is a founding member of the Britten-Pears Ensemble, a chamber group based in London and

specializing in contemporary music. During her career she has performed several premieres including the

world premiere performance of Douglas Cuomo’s Arjuna’s Dilemma at BAM; The Blind with American Opera

Project for the Lincoln Center Festival; A History of the Thé Dansant — a song cycle written especially for

Barbara by the late composer-pianist Sir Richard Rodney Bennett; the US premiere of Nicholas Maw’s

Nocturne with Leon Botstein and the American Symphony Orchestra; and at the 2012 Virginia Arts Festival she

gave the world premiere performance of Three Eady Songs by the late Ethan Frederick Greene. She made her

*OPJHNV�:`TWOVU`�KLI\[�PU�[OLPY�¸4\ZPJ5V^¹�ZLYPLZ�WLYMVYTPUN�Twice Through the Heart by Mark Anthony

Turnage. She has appeared in recital at London’s prestigious Wigmore Hall and has sung with the Winter Park,

Northwest and Shenandoah Bach Festivals.

Last season featured Messiah with Wichita Symphony, Copland’s Old American Songs with the Southwest

Florida Symphony, Mahler’s Das Lied von der Erde with Michael Pratt and the Princeton University Orchestra

HUK�4HU\LS�KL�-HSSH»Z�ÄLY`�,S�(TVY�)Y\QV�^P[O�[OL�0UKPHUHWVSPZ�:`TWOVU`�\UKLY�4HLZ[YV�(UKYL`�)VYL`RV�Ms. Rearick has appeared on BBC World Service Radio, WQXR, NPR and has recorded for Naxos, Gateway

Classics and the ASV label. A native of Pennsylvania, she is a graduate of Manhattan School of Music and has

been on the voice faculty at Princeton University for 17 years.

DAVID KELLET, TenorCritics and audiences assessing David Kellett’s performances have consistently remarked on the clarity

HUK�W\YP[`�VM�OPZ�[LUVY�]VPJL��WYHPZLK�[OL�[HZ[L��YLÄULTLU[�HUK�Z\I[SL[`�VM�OPZ�PU[LYWYL[H[PVUZ�HUK�SH\KLK�OPZ�excellent diction in standard operatic, oratorio and recital repertoire. Reviewing David in David Amram’s Twelfth Night��)LYUHYK�/VSSHUK�VM�[OL�5L^�@VYR�;PTLZ�^YV[L�¸:L[�HWHY[�MYVT�[OL�YLZ[�VM�[OL�JHZ[�^HZ�[OL�WSLHZPUN��ZLHTSLZZ�[LUVY�VM�+H]PK�2LSSL[[�PU�[OL�YVSL�VM�-LZ[L�¹�/L�THKL�OPZ�VWLYH[PJ�KLI\[�HZ�*V\U[�)LSÄVYL�PU�4VaHY[»Z�La Finta Giardiniera with the Opera Shop at the Vineyard Theatre in New York City and has performed over 45

principal and secondary roles in opera and operetta. An active concert soloist and composer/conductor David

Amram’s tenor of choice, David has sung in the composer’s opera, Twelfth Night, and performed his songs in

concert on numerous occasions. He appeared at Lincoln Center in 2007 on a program celebrating the 50th

anniversary of Joseph Papp’s Shakespeare Festival singing selections that were composed for productions

KPYLJ[LK�I`�7HWW�K\YPUN�[OL�ÄYZ[����`LHYZ�VM�P[Z�L_PZ[LUJL��(KKP[PVUHS�UL^�T\ZPJ�LUKLH]VYZ�PUJS\KL�[OL�^VYSK�premieres of several operas by composer Peter Westergaard: Alice in Wonderland, The Tempest and Moby Dick which has been recorded and released by Albany Records. He has presented new compositions by

composer Webster Young in concert in New York City on several occasions and performed in the premiere

of The Rime of the Ancient Mariner�I`�/VSSPZ�;OVTZ��9HKPV�H\KPLUJLZ�OH]L�OLHYK�OPT�VU�>8?9»Z�¸3PZ[LUPUN�9VVT�¹�HUK�>5*5»Z�¸>5*5�3P]L�¹�9LJVYKPUNZ�VM�OPZ�VWLYH[PJ�WLYMVYTHUJLZ�OH]L�ILLU�IYVHKJHZ[�VU�>2*9�and WBAI in New York City. Since 1995, David has taught private voice at Princeton University. He made his

stage directing debut with the university production of Mozart’s Magic Flute in 2002 and recently directed his

12th production.

SHARE YOUR THOUGHTS ON TONIGHT’S CONCERT BY VISITING:www.PrincetonGleeClub.com/

MozartRequiem

FOR PHOTOS, USE OUR INSTAGRAM #PUGC

13

KEVIN DEAS, Bass-baritoneKevin Deas, bass-baritone. B.M. the Juilliard School. Kevin began his professional career as a member of

[OL�5L^�@VYR�=VJHS�(Y[Z�LUZLTISL��^PUUPUN�ÄYZ[�WYPaL�H[�[OL�*VUJV\YZ�0U[LYUH[PVUHS�KL�.LUu]L��(Z�H�T\JO�in demand artist he has made numerous appearances with major Orchestras throughout Europe, Asia, Africa

and the Americas. Including the Chicago Symphony, the Symphony Orchestras of Atlanta, Detroit, Saint Louis,

San Francisco, Houston, Dallas, Cleveland and the National Symphony; the National Symphonies of Costa

Rica, Brazil and Mexico; the Calgary, Quebec, Montreal and Vancouver Symphonies. Among many others,

he has been engaged by conductors Georg Solti, Zubin Mehta, Bobby McFerrin, Lorin Maazel, Alan Gilbert,

David Zinman, Itzhak Perlman and Pinchas Zukerman.

4Y��+LHZ�PZ�RUV^U�HZ�H�ÄUL�PU[LYWYL[LY�VM�H�^PKL�YHUNL�VM�YLWLY[VPYL��7LYMVYTPUN�SLHKPUN�YVSLZ�PU�VWLYH�MYVT�[OL�French baroque at the Alliance Française (NY) to contemporary works with the New York City Opera at Lincoln

Center. He has recorded and performed Opera extensively with Boston Baroque and performed Monteverdi

with the Ensemble for Early Music in Hong Kong.

In February a recording of Mr. Deas singing Beethoven’s Ninth Symphony with Andrew Litton and the

Colorado Symphony was released, using new technology engineered by Skywalker productions. He also

ZHUN�)LL[OV]LU»Z�5PU[O� MVY� [OL���[O�HUUP]LYZHY`�VM� [OL� MV\UKPUN�VM�.OHUH��OVZ[LK�I`�2VÄ�(UUHU��+HUPLS�Barenboim conducting La Sinfonia alla Scala. The BBC reported that the soloists were outstanding. He has

also performed the work with the Tokyo Symphony in Suntory Hall.

Mr. Deas championed the music of Dave Brubeck for over two decades. He toured as the featured singer with

9P]LYKHUJL�PU�[OL�<:�HUK�,\YVWL�J\STPUH[PUN�^P[O�[OL�WOLUVTLUVU»Z�ÄYZ[�OVTLJVTPUN�[V�+\ISPU��;OL�+\ISPU�Times’ review described his singing as beautiful.

:PUJL� ������ OL� OHZ�WHY[PJPWH[LK� PU� [OL� ¸+]VYHR� PU�(TLYPJH¹� WYVQLJ[�� ;OL� PUH\N\YHS� WLYMVYTHUJL�^HZ�^P[O�the New York Philharmonic, hosted by Alec Baldwin. He recorded the pastiche with Washington DC’s Post

Classical Ensemble, he is artist-in-residence with this innovative group.

His complete biography is available at the dispeker.com website.

Our concert series ‘The Glee Club Presents,’ in which world class choral ensembles visit campus

to engage and collaborate with our students and perform for our community, has already made

a huge impact on the Glee Club’s life. We rely on donations to The Glee Club Fund to build and

Z\Z[HPU�[OPZ�PUUV]H[P]L�ZLYPLZ��HUK�^L�OVWL�[OH[�`V\�^PSS�JVUZPKLY�Z\WWVY[PUN�V\Y�LɈVY[�[V�YHPZL�$25,000 to cover the costs of our 2016/2017 season.

Your support of the Glee Club Fund will directly impact:

�� our mission to inspire artistry, kinship, and a love for great music among Princeton students

�� our traditions which are cherished by generations of Princeton alumni, friends, and parents

�� our innovation through our choral concert series in Princeton - ‘The Glee Club Presents’

�� our students as they become exposed to a world of new repertoire, choral techniques and

musical cultures

Artists featured in the 15/16 series:

- Dame Emma Kirkby (October 2015)

- Ladysmith Black Mambazo (February 2016)

We are excited to announceTHE 2016/2017 GLEE CLUB FUND

and we ask you to consider making a donation!

To make a donation, please visit:

http://princetongleeclub.com/fund16/17

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Artists Featured in the 2016/2017 Series:

Heinavanker, November 18th, 2016

Le Mystère des Voix Bulgares, April 17th, 2017

Caroline Jones, PresidentSarah Baber & Helena Tenev, Vice Presidents

Meredith Hooper, Secretary Catherine Sweeney, Treasurer Gloria Yin, Concert Manager

Rosamond van Wingerden, Development Manager

Emma Watkins, Tour ManagerPaige Kunkle & Shruthi Rajesakar, Publicity Chairs

Danny Pinto & Allison Spann, Social ChairsEli Berman, Archivist

Anna Dong, WebmasterMinseung Choi, Student Conductor

15

Princeton Glee Club

SOPRANO

Sarah Baber ‘18

Marcia Brown ‘19

Helena Casademunt ‘19

Anna Dong ‘20

Alicia Ejsmond-Frey GS

Sophie Evans ‘19

Solveig Gold ‘17

Caroline Griffin ‘17

Cecilia Hsu ‘20

Juliana Jackson ‘17

Charlotte Jeppsen ‘18

Paige Kunkle ‘18

Madeline Kushan ‘20

:VSuUL�3L�=HU�º��Sara Martinez

Jillian Puskas ‘17

Shruthi Rajasekar ‘18

Jessica Schreiber ‘20

Allison Spann ‘20

Catherine Sweeney ‘20

Helena Tenev ‘19

Caroline Tucker ‘17

Kaamya Varagur ‘18

Jenny Xin ‘20

ALTO

Sara Anjum ‘19

(SPȴ`H�(USHȴ�.�Glenda Chen ‘20

Jennifer El-Fakir ‘18

Joani Etskovitz ‘17

Sonia Ann Friscia ‘19

Meredith Hooper ‘20

Dee-Dee Huang ‘20

Caroline Jones ‘18

Saunghee Ko ‘17

Yun-Yun Li ‘17

Julia Mosby ‘19

Michelle Navis ‘17

Megan Ormsbee ‘20

Brooke Phillips ‘19

Aparna Raghu ‘18

Lucina Schwartz ‘19

Yang Shao ‘20

Rebecca Singer ‘18

Alice Tang ‘18

Emma Watkins ‘18

Valerie Wilson ‘18

Rosamond van Wingerden ‘20

Gloria Yin ‘18

Rebecca Yuste-Golub ‘19

TENOR

Adam Ainslie ‘17

Jake Caddeau ‘20

Hillel Friedman ‘17

Daniel Granberg ‘19

Reid Kairalla ‘19

Devin Kilpatrick ‘19

Jay Lee ‘19

Ryan Melosini ‘19

Daniel Pinto ‘20

Tajin Rogers ‘20

Shane Tapley

Sergei Tugarinov ‘19

Calvin Wentling ‘18

BASS

Warren Bein ‘17

Eli Berman ‘20

Stephen Bork ‘18

James Brown-Kinsella ‘19

Damien Capelle GS

Hun Choi ‘17

Josh Collins ‘17

Sergio De Iudicibus ‘20

Sam Duffey ‘19

Blake Feldman ‘17

Michael Friedman ‘19

Tynan Gardner ‘20

Joseph Gauvreau ‘17

Raymond Guo ‘19

Charles Hemler ‘20

Colton Hess ‘18

Christopher Howard ‘20

Joshua Latham ‘20

Zach Levine ‘17

Kevin McElwee ‘18

David Nie ‘19

Michael Rahimzadeh ‘19

16

Princeton University Chamber Choir

SOPRANO

Sarah Baber ‘18

Alicia Ejsmond-Frey GS

Sophie Evans ‘19

Solveig Gold ‘17

Paige Kunkle ‘18

Madeline Kushan ‘20

-HYPKHO�3HɈHU�º��Catherine Sweeney ‘20

Helena Tenev ‘19

Kaamya Varagur ‘18

ALTO

Caroline Jones ‘18

Kristin Hauge ‘18

Saunghee Ko ‘17

Margaret Li ‘19

Megan Ormsbee ‘20

Marissa Rosenberg Carlson ‘18

Rebecca Singer ‘18

Rosamond von Wingerden ‘20

Gloria Yin ‘18

Kathy Zhang ‘19

TENOR

Sebastian Cox ‘18

Ryan Melosini ‘19

Andrew McCarty

Daniel Granberg ‘19

Tajin Roger ‘20

Sergei Tugarinov ‘19

Calvin Wentling ‘18

BASS

Eli Berman ‘20

Damien Capelle GS

Hun Choi ‘17

Tynan Gardner ‘20

Joseph Gauvreau ‘17

Christopher Howard ‘20

James Brown-Kinsella ‘19

David Mazumder ‘17

Ming Wilson ‘18

Princeton University OrchestraMichael Pratt, Director www.orchestra.princeton.edu

VIOLIN 1

Tabitha Oh* ‘18

Kristin Qian ‘18

Isaac Treves ‘18

Marcus Spiegel ‘17

Janice Cheon ‘20

Philippa Marks ‘20

VIOLIN 2

Hyunnew Choi* ‘19

Cadee Qiu ‘18

Jason Polychronakos ‘18

Mary Kim ‘19

Sarah Le Van ‘18

CLARINET

David Kim*

Yang Song ‘20

BASSOON

Emily de Jong* ‘19

Tim Ruszala ‘20

TRUMPET

Henry Whitaker* ‘17

Duncan Waldrop ‘18

TROMBONE

Rajeev Erramilli* ‘18

Evan Wood ‘18

Brad Spicher ‘20

*Principal

VIOLA

Tess Jacobson* ‘19

Julia Pak ‘20

Claire Lee ‘19

Ben Parks ‘17

VIOLONCELLO

DG Kim* ‘18

Thomas Morris ‘20

Simon Lee ‘19

Joshua Choi ‘20

BASS

Harrison Waldon* ‘17

Thomas Graul ‘20

TIMPANI

Nitish Jindal* ‘20

17

A once-in-a-lifetime chance to hear the mysterious voices of

the Bulgarian State Women’s Chorus

Monday, April 17 7:30pm Princeton University Chapel

Tickets: $15 general / $5 studentwww.princetongleeclub.com

Le Mystère desVoix Bulgares

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PRINCETON UNIVERSITY ORCHESTRAMichael Pratt, Conductor

*FREE for Princeton University Students through Passport to the Arts.

Friday, March 10, 2017Saturday, March 11, 2017

7:30PMRICHARDSON AUDITORIUM

IN ALEXANDER HALLTickets $15 / $5 Students*

609-258-9220tickets.princeton.edu

For more information, visitorchestra.princeton.edu

STRAUSS • HORN CONCERTO NO. 2 Nivanthi Karunaratne ‘18, Horn

LISZT • PIANO CONCERTO NO. 1 Kevin Chien ’17, Piano

RACHMANINOFF • PIANO CONCERTO NO. 3 Seho Young ’19, Piano

Soloist SpotlightFeaturing winners of the 2016-17 Concerto Competition

19

Sunday, March 5, 5pmPrinceton University Jazz Small Group I with Walter Smith III, SaxophoneRichardson Auditorium in Alexander Hall

Tuesday, March 7, 8pmPrinceton Sound KitchenSō PercussionTaplin Auditorium in Fine Hall

Friday, March 10, 7:30pmSaturday, March 11, 7:30pmPrinceton University OrchestraConcerto Competition WinnersRichardson Auditorium in Alexander Hall

Saturday, March 11, 1pmMeet the Music: Albert & Wolfgangpresented by Princeton University ConcertsRichardson Auditorium in Alexander Hall

Sunday, March 12, 4pmAra Dinkjian: Both Sides Nowpresented by the Seeger Center for Hellenic Studies with the Department of MusicTaplin Auditorium in Fine Hall

Tuesday, March 14, 4-6pmSix Decades of Reich Panel DiscussionRichardson Auditorium in Alexander Hall

Tuesday, March 14, 7:30pmSix Decades of Reich, featuring Sō PercussionRichardson Auditorium in Alexander Hall

Upcoming Music at Princeton Events

Wednesday, March 15, 8pmTakács Quartet: Beethoven Cycle Concert Vpresented by Princeton University ConcertsRichardson Auditorium in Alexander Hall

Thursday, March 16, 8pmTakács Quartet: Beethoven Cycle Concert VIpresented by Princeton University ConcertsRichardson Auditorium in Alexander Hall

Tuesday, March 28, 7:30pmSteve Lehman’s Sélébéyonepresented by the Program in JazzTaplin Auditorium in Fine Hall

Thursday, March 30, 6pmBenjamin Bagby, Anglo-Saxon Harp and Voice, with projection designer Craig Winslow presented by Princeton University ConcertsRichardson Auditorium in Alexander Hall

Friday, March 31, 7:30pmLia Hankla ‘17, OboeTaplin Auditorium in Fine Hall

Saturday, April 1, 3pmAlexia Kim ‘17, FluteTaplin Auditorium in Fine Hall

Saturday, April 1, 7:30pmShruthi Rajasekar ‘18, SopranoTaplin Auditorium in Fine Hall

For more information visit princeton.edu/music