women as center. elements of women’s art uniform density overall texture often sensuously tactile...
TRANSCRIPT
![Page 1: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/1.jpg)
Women as Center
![Page 2: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/2.jpg)
Elements of women’s art• Uniform density• Overall texture• Often sensuously tactile and
repetive • Detailed to the point of obsession• Preponderance of circular forms• Central focus• Inner space (sometimes
contradicting the first aspect)• A ubiquitous liner bag or
parabolic form that turns in on itself
• Layers, or strata, or veils
• Indefineable looseness• Flexibility of handling• Windows• Autobiographical content• Animals• flowers,• Certain kind of
fragmentation• New fondness for the pinks
and pastels and ephemeral cloud colors.
![Page 3: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/3.jpg)
Women as ‘center’
![Page 4: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/4.jpg)
Womanhouse
![Page 5: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/5.jpg)
Camille Grey, Lipstick Bathroom, 1972
![Page 6: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/6.jpg)
Beth Bachenheimer, Sherry Brody, Karen LeCoq, Robin Mitchell, Miriam Schapiro, Faith Wilding, Dining Room, 1972.
![Page 7: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/7.jpg)
Sandy Orgel, The Linen Closet, 1972
“this is exactly where women have always been – in between the sheets and on the shelf. It is now time to
come out of the closet”
![Page 8: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/8.jpg)
Judy Chicago, Menstruation Bathrom, 1972
![Page 9: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/9.jpg)
![Page 10: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/10.jpg)
Schapiro and Sherry Brody, Dollhouse, 1972
![Page 11: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/11.jpg)
Sandra Ogle, Ironing
![Page 12: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/12.jpg)
Waiting
![Page 13: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/13.jpg)
Judy Chicago’s Dinner Party
![Page 14: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/14.jpg)
![Page 15: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/15.jpg)
![Page 16: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/16.jpg)
Chicago, Dinner Party, 1974-9
![Page 17: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/17.jpg)
Wing I: From Prehistory to the Roman Empire1. Primordial Goddess2. Fertility goddess3. Ishtar4. Kali5. Snake Goddess6. Sophia7. Amazon8. Hatshepsut9. Judith10. Sappho11. Aspasia12. Boudica13. Hypatia
![Page 18: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/18.jpg)
Wing II: From the Beginnings of Christianity to the Reformation14. Marcella15. Saint Bridget16. Theodora of Byzantium17. Hrosvitha18. Trotula of Salerno19. Eleanor of Aquitaine20. Hildegard of Bingen21. Petronilla de Meath22. Christine de Pisan23. Isabella d'Este24. Elizabeth I of England25. Artemisia Gentileschi26. Anna van Schurman
![Page 19: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/19.jpg)
Wing III: From the American to the Women’s Revolution27. Anne Hutchinson28. Sacajawea29. Caroline Herschel30. Mary Wollstonecraft31. Sojourner Truth32. Susan B. Anthony33. Elizabeth Blackwell34. Emily Dickinson35. Ethel Smyth36. Margaret Sanger37. Natalie Barney38. Virginia Woolf39. Georgia O'Keeffe
![Page 20: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/20.jpg)
![Page 21: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/21.jpg)
![Page 22: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/22.jpg)
![Page 23: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/23.jpg)
![Page 24: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/24.jpg)
![Page 25: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/25.jpg)
![Page 26: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/26.jpg)
![Page 27: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/27.jpg)
Contemporary Women Artists
![Page 28: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/28.jpg)
Critique/ challenge of objectification of women
![Page 29: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/29.jpg)
Barbara Kruger, Your Gaze Hits the Side of My Face, 1981
![Page 30: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/30.jpg)
Kruger, Untitled, 1981
![Page 31: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/31.jpg)
Untitled, 1981
![Page 32: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/32.jpg)
Critique/challenge of male power
![Page 33: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/33.jpg)
Untitled, 1981
![Page 34: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/34.jpg)
Untitled, 1981
![Page 35: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/35.jpg)
Untitled, 1982
![Page 36: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/36.jpg)
Jenny Holzer, 1982
![Page 37: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/37.jpg)
Untitled, 1990
![Page 38: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/38.jpg)
Cindy Sherman, Untitled Film Still, 1966
![Page 39: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/39.jpg)
1981
![Page 40: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/40.jpg)
1990s
![Page 41: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/41.jpg)
Sherrie Levine, After Walker Evans, 2001
![Page 42: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/42.jpg)
Guerrilla Girls
![Page 43: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/43.jpg)
![Page 44: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/44.jpg)
![Page 45: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/45.jpg)
![Page 46: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/46.jpg)
Gender/Race
![Page 47: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/47.jpg)
From Tarzan to Rambo: English Born `Native' Considers her Relationship to the
Constructed/Self Image and her Roots in Reconstruction 1987
![Page 48: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/48.jpg)
Jaune Quick-to-See Smith, Red Lake Series #5, 1981
![Page 49: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/49.jpg)
Alphabet, 1985
![Page 50: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/50.jpg)
Catherine Opie, Bo, 1991
![Page 51: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/51.jpg)
![Page 52: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/52.jpg)
Self-Portrait, 1993
![Page 53: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/53.jpg)
Coco Fusco and Guillermo Gomez-Peña in their cage during the performance of Undiscovered Amerindians.
![Page 54: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/54.jpg)
They aimed to conduct a "reverse ethnography . . . Our cage became a blank
screen onto which audiences projected their fantasies of who and what we are. As we assumed the stereotypical role of the
domesticated savage, many audience members felt entitled to assume the role of
colonizer, only to find themselves uncomfortable with the implications of the
game" (Fusco 47).
![Page 55: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/55.jpg)
Adrian Piper, Self-Portrait as a Nice White Lady, 1995
![Page 56: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/56.jpg)
Motherhood/Domestic Life
![Page 57: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/57.jpg)
Ladermen Ukeles
![Page 58: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/58.jpg)
Sylvia Mangold
![Page 59: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/59.jpg)
Paula Rego, Family, 1988
![Page 60: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/60.jpg)
Mary Kelly, Post-Partum Document, 1973-9
![Page 63: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/63.jpg)
Analyzed utterances and related speech events
![Page 64: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/64.jpg)
Analyzed markings and diary perspective schema
![Page 65: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/65.jpg)
Transitional objects
![Page 66: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/66.jpg)
Classified specimens, proportional diagrams, statistical tables, research index
![Page 67: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/67.jpg)
Faith Ringgold’s “Who’s Afraid of Aunt Jemima”
![Page 68: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/68.jpg)
Mona Hataom, Pull,
![Page 69: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/69.jpg)
Annette Messager, Histoire des Robes, 1990
![Page 70: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/70.jpg)
Louise Bourgeois, Arch of Hysteria, 1993
![Page 71: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/71.jpg)
Kiki Smith, Untitled, 1993
![Page 73: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/73.jpg)
Zaha Hadid, London Aquatic Center
![Page 74: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/74.jpg)
![Page 75: Women as Center. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance](https://reader035.vdocument.in/reader035/viewer/2022062519/5697c00b1a28abf838cc8808/html5/thumbnails/75.jpg)