wrgo 2015 august magazine issue number 8
DESCRIPTION
Michael Jackson 57th Birthday Commemoration Special Issue.TRANSCRIPT
WRGO Magazine August 2015 Volume 2 - Issue #8
~ In A World Filled With Hate - We Must Emulate L.O.V.E.~
57th Birthday Commemoration
HISTORY PART 2
THE CONCERT IN
MILAN, ITALY
Mirella Giurco
THE
BILLY JEAN
STORY
Editorial
Those Little
Things That Give
Meaning To Life
2
WRGO MAGAZINE SECTIONS
Fan Art Music Tributes Events
Fan Videos Accomplishments Legacy Projects “Shout It Out” Children’s Projects
Humanitarian Projects Snapshots BLOGS Poetry Spiritual
Birthdays Advocacy/Vindication Dispelling Myths Life’s Parallel Watchman
Valencia Dantzler Aka “Mother Diva”
Flowers for Michael Forever In Our Hearts
AdLLaw/Cadeflaw Unchartered Waters
Books
3
“What’s REALLY Going ON” A magazine to promote MJ Global Events/Projects
And Other World News
Time for your Light to Shine
REMOVING THE JUNK FROM THE COMMUNITY TRUNK
~In A World Filled With Hate - We must Emulate L.O.V.E.~
The purpose of this magazine is to provide the audience with specialized information from a unique
community; dedicated to and built upon the Love and Light of Michael Jackson as well as some others who
are making a difference.
We bring you this material by way of groups and projects inspired by Michael Jackson, other artists and
news sources.
This magazine will be dedicated to those projects with undertakings that build up the community; and actual-
ly possess the healing and light properties needed to
help change a world filled with darkness and a com-
munity that has become divided because of different
views.
We wish to provide the Community Trunk with infor-
mation about new and delightful support projects.
There has been too much “Junk” in the old trunk and
it is time we start anew by peeling away the old and
rotted garbage and building a new community. Some
old things we should keep because they are precious
and should be preserved.
We hope you will be a part of the solution and not the
problem.
There should be no room for old junk in a new trunk. The things of no value has been thrown away to make
room for the new. We wish to be an avenue to the beautiful things and truth going forward by sharing those
things in this magazine when possible. We want to appeal to the rooted fans as well as the innovative.
Editors
All rights reserved
© 2014 What’s REALLY Going ON? Magazine
4
WRGO Magazine Editorial
THOSE LITTLE THINGS THAT GIVE MEANING TO LIFE
An old saying in my language states that all of us, more or less, complain having on our shoulders heavy burdens. Though, if everyone would bring its bundles in square where we are living for a possible exchange, at the end each of us would resume its own. Our focus and our interests are almost always caught on news stories or stories of life with prominent people as protagonists. This time, however, we want to remember a simple person, weak and perhaps a bit special because his suffering gives us the opportunity to reflect on the meaning of life; and invites us to review our scale of values. We'll call him John. At the age of eight months he had to deal with two dangerous diseases, one of them indelible: polio and meningitis that would mark his life forever. Later, as if all this were not enough, the fate and a "mysterious Will" spared him further misfortune: the untimely death of some of his close family and numerous other dis-eases. In a world that brings success, social climbing and athleticism, John represent the fragility and pre-cariousness of life. There is not a democratic distribution of the pain. The suffering, in fact, moves in anarchic form and knocks you for no reason. In this regard I remember the sentence pronounced by some guys during a survey made recently on the young-faith relationship. The statement was this: "How can God exist with all the pain we see around?" It is a strong question, especially when illness affects an innocent and looks like a culprit not even exist. It is almost impossible with our limited rational capacity to find a convincing answer. Our actual society, focused on the frantic search for happiness on earth, is ready to remove God from their path if it cannot exorcise the pain and the adversity. For many of us it is difficult to broaden our horizon to "hear” the good that exists beyond our human history confines. So we are concerned, as we should be, to improve the quality of our existence, but in the meantime, we forget to give a meaning to life. Sometimes, though, it is the most humble and disadvantaged people that convey to us positive messages, loads of values, meaning and, in their own way, teach us to love life. This is the case of John who could be content, cheerful and serene with very little, unlike “modern man” prone to lamentations and, too often, angry with the world. For him it was enough to receive a smile, enjoy a coffee or improvise with his beloved har-monica to light up even the grayest day. He loved being around people, to whom he could offer moments of good humor and laughs, undoubtedly significant, given the times we live in. Sitting for hours and hours in front of the bakery shop, he greeted any-one passing in front of him by adding jokingly, the nickname. Meeting him, then, was rewarding because it allowed him to give and receive in a web of mutual solidarity. Now no one can prevent us from thinking that John, free from the physical ballast, is in some corner of Para-dise intent to cheer the other guests with the notes of his extemporaneous inseparable "spinet". Yes, death cannot steal from us the hope of another life and the prospect of enjoying, at last, all the joy.
~Simonetta Delfi, Editor~
5
Featured Content
GLOBAL EVENTS - AUGUST 2015
MICHAEL JACKSON BIRTHDAY TRIBUTES I CAN’T STOP LOVING YOU CHARITY EVENT - GARY, IN CIRQUE DU SOLEIL’S MICHAEL JACKSON ONE MANY OTHER TRIBUTES HEAL THE WORLD MIRACLE JOY CENTER PROJECT
Pages
11 - 20
WRGO MAGAZINE EDITORIAL
Page
4
EDITORIAL FRONT COVER FEATURE THOSE LITTLE THINGS THAT GIVE MEANING TO LIFE
Page
9
FRONT COVER SPECIAL FEATURE IN REMEMBRANCE OF MICHAEL JACKSON 57TH BIRTHDAY - THE BILLY JEAN STORY
Pages
46 - 65
FRONT COVER SPECIAL FEATURE HISTORY CONCERT IN MILAN, ITALY - PART2 Mirella Giurco
FEATURED FAN ART/ARTIST
VISUAL ARTIST/PROFESSIONAL TRADITIONAL ART FAN ART - Patma MJ PILLOWS AND EMBROIDERIES GERTRUD BROERS
22
33
6
Content
35
VIDEOS
TOP 5 WAYS TO LOVE WYLIE DRAPER
TAYLOR - MADE - BOBBY TAYLOR
BABYFACE DEDICATION SONG TO MJ
4TH ANNUAL GLOVED ONE ULTIMATE FAN COMPETITION/MJ TRIBUTE
“CREEPER”, A MINECRAFT PARODY OF MJ’S THRILLER
Pages
38
ARTICLE BY: CHRISTINE WALLDÉN PHOTOS OF FLOWER ARRANGEMENTS BY SIVLILY THOMAS
FLOWERS FOR MICHAEL
POEMS/OTHER WRITTEN TRIBUTES
POEMS: TAMMY J., JAXON RAY, PHYLLIS BELL OTHER WRITTEN TRIBUTE: Ellie Hollingsworth
66
OTHER BIRTHDAYS
August 2015 69
MUSIC
Gladys Knight: Movement Against Selling Sex To Sell Music NICOLE & SCOTTY: UNCHARTERED WATERS
73
7
Content ACCOMPLISHMENT
RECOGNIZED AT BLACK BUSINESS LUNCHEON GORDON KEITH
NAMED 2016 MUSIC CARES PERSON OF THE YEAR: LIONEL RICHIE
76
SNAPSHOTS
MJ & STEVIE WONDER
MJ LAST DAY OF THRILLER
MJ 2011 CALENDAR MOTORCYCLE SHOW PHOTO
JOE JACKSON ON 87TH BIRTHDAY IN BRAZIL
NEXT GENERATION MALE JACKSON’S ON OUTING
DAVE JEFFRYES, HIS DAUGHTER AND HER FRIENDS
MICHAEL BEARDIEN AND NEYO
78
CHILDREN/YOUTH/EDUCATION MICHAEL JACKSON’S LEGACY Back To School Campaign 84
86 HUMANITARIAN EFFORTS Marlon Jackson: Study Peace Foundation
Invisible Children
93 LEGACY 1958 A Chance To Be A Child: 4LOVEprojects.org
Michael’s children & Neonatal Units
96 BOOKS Adam D. Worthy: J5 JAPANdemonium! 1973
Behind The Mask: Dr. Patrick Treacy With Frances Kenny
97 CARTOONS MJ Cartoon Series: Rock N’ Roll Comics #36 (Pt. 4)
101 SPIRITUAL DEVOTION Lift Me Up Slowly - Part 1 By Diana Foley
103 FOREVER IN OUR HEARTS Kelly LaFleur & Julio Javier Basilio Martinez
106 SHOUT IT OUT Michael Jackson: The Myth - Corrine Montorfani
111 BLOGS Michael Jackson, 10,000 hours and the roots of creative genius
50 Nights in London. A Jackson Press Conference Retrospective
113 ADVOCACY/VINDICATION/
DISPELLING MYTHS & RUMORS
AdLLaw/ Initiative/LunaJo67: What Did Happen To Michael
Jackson Video Series/Vindicatemjj WordPress Site
116
117
WATCHMAN:
SHOWING OUT IN PUBLIC
CONTACT US/NOTES FROM EDITOR
119 - 122 WRGO Magazine Disclaimers/Advertising Pages/
Attributions
9
In Remembrance of the 57th Birthday
of the Billy Jean Hitmaker
Michael J. Jackson
The Billy Jean Story
This song is about a girl who claimed that Jackson
was the father of her child. Jackson based it on a
woman who used to stalk him, writing him letters
about a son she thought was his. Jackson rarely
spoke about this woman, but he had a very hard
time dealing with this unwanted attention, and he
became more reclusive as a result. The song was
his way of expressing his feelings without address-
ing her directly.
While Jackson didn't give many details about the
real Billie Jean, his producer Quincy Jones said
that Jackson found the woman one day lounging by
his pool with a bathing suit and sunglasses on. Ac-
cording to Jones, she accused Jackson of being
the father of one of her twins, which Jones thought
was pretty funny.
In his autobiography Moonwalk, Jackson said that
Quincy Jones wanted to change the title to “Not My
Lover” because he thought it would be confused
with the tennis star Billie Jean King. Jackson ended
up winning that battle.
Michael Jackson says about this song
in Moonwalk, "A musician knows hit material. It has
to feel right. Everything has to feel in place. It fulfills
you and it makes you feel good. You know it when
you hear it. That's how I felt about 'Billie Jean.' I
knew it was going to be big while I was writing it. I
was really absorbed in that song. One day during a
break in a recording session I was riding down the
Ventura Freeway with Nelson Hayes, who was
working with me at the time. 'Billie Jean' was going
around in my head and that's all I was thinking
about. We were getting off the freeway when a kid
on a motorcycle pulls up to us and says, 'Your car's
on fire.' Suddenly we noticed the smoke and pulled
over and the whole bottom of the Rolls-Royce was
on fire. That kid probably saved our lives. If the car
had exploded, we could have been killed. But I was
so absorbed by this tune floating in my head that I
didn't even focus on the awful possibilities until lat-
er."
According to Rolling Stone magazine's Top 500
songs, Jackson came up with the song's rhythm
track on his home drum machine and nailed the
vocals in one take.
This won the 1983 Grammy Award for Best Rhythm
& Blues Vocal Performance and Best Rhythm &
Blues Song for the writer Michael Jackson.
The video for this song is often credited with break-
ing the color barrier on MTV, which debuted August
1, 1981. The clip for "Pass The Dutchie" by Musical
Youth was the first video by a black act to make
regular rotation on the network, but they were con-
sidered a novelty, with no member older than 16.
Jackson's "Billie Jean" video was the first to make
heavy rotation, and more black faces started ap-
pearing on the network soon after, notably Prince.
MTV was accused of racism in this era, notably by
Rick James, whose "Super Freak" clip was rejected
by the network. MTV was programmed by guys
with radio backgrounds who tried to program it like
a radio station with a rock format, something that
proved impossible because they didn't have
enough videos by rock artists. What they did have
were lots of European acts (like Musical Youth
10
who had been making videos for years, and were
overwhelmingly white. Record companies wouldn't
budget for videos by their black artists since they
didn't think MTV would play them, so the network
could make the argument that they simply didn't
have any good videos by black artists that were
worthy. That argument went out the window when
Jackson made the "Billie Jean" video, which was
startlingly innovative, and a precursor to the video
game Dance Dance Revolution, as some scenes
showed Jackson performing his dance moves by
stepping on squares as they would light up.
Despite the production value and Jackson's star
quality, MTV didn't play the video until the song was
already a #1 hit. Les Garland, who ran the network
at the time, claims that they loved the video and
played it as soon as they could, but interviews with
executives at Jackson's record company and with
others familiar with the matter suggest otherwise. In
the book I Want My MTV, multiple sources who
worked at MTV claimed that the network wanted to
air the "Beat It" video first, because Eddie Van
Halen played on it and the song fit their format. Wal-
ter Yetnikoff, who was head of CBS Records
(Jackson's was signed to its subsidiary, Epic), re-
calls threatening to pull all CBS videos from MTV if
they didn't play "Billie Jean." He says he threatened
to bring Jackson's producer Quincy Jones in on it as
well, and the network acquiesced. When MTV start-
ed playing the clip, it was first put in medium rota-
tion, then promoted to heavy rotation when viewers
loved it. When the video for "Beat It" was delivered,
that one also went into hot rotation. For a two month
stretch in the summer of 1983, both videos were
getting constant airplay, establishing Jackson as a
video star. His next video effort was for "Thriller,"
which revolutionized music videos.
This was the second of seven US top 10 hits from
the Thriller album. "The Girl Is Mine" was released
before this one, since it had the star power of Paul
McCartney, who sang with Jackson on the track.
The video showcased Jackson's signature dance
moves that he became famous for. His talents as a
dancer helped make him a huge concert draw and a
star on MTV. High-energy dancing was a huge part
of his act, and artists like New Kids on the Block and
his sister Janet followed his lead and made dance
moves as big a part of their shows as singing. This
trend continued as groups like *NSYNC and The
Backstreet boys followed suit. Jackson choreo-
graphed the dance moves himself.
On the 1983 TV special 25 Years Of Motown, Jack-
son did The Moonwalk for the first time while perform-
ing this song. This was also the first time Jackson
wore his famous white glove on stage - at the time it
was a modified golf glove.
Jackson shot a Pepsi commercial in 1984 performing
this with the lyrics altered to sing the praises of the
soda. During the shoot, his hair caught fire from the
pyrotechnics and he was rushed to the hospital. The
commercial aired on the Grammy awards.
The UPC code on
the album cover
contained 7 digits
that were rumored
to be Jackson's tel-
ephone number.
People with that
number in many
different area codes
got swamped with
annoying calls.
This inspired an "answer song" - Lydia Murdock's
1983 disco hit "Superstar." In "Superstar," Murdock
adopts the persona of Billie Jean, telling her side of
the story. No word on if Jackson ever heard it.
(thanks, Adam - Dewsbury, England)
11
Michael Jackson Birthday Celebrations– 2015
12
Mrs. Katherine Jackson continued the legacy of her son Michael Jackson, at her 6th Annual
“Michael Jackson Charity Event”. Giving back to the Children of Gary Indiana. You can see the
wonderful event by the pictures of the 2 day Charity Event, of August 21-22, 2015.
Starting at 12 noon each day. On August 21, the Opening Ceremony with the Mayor and the
Governor of Indiana, The Marching Band and Choir of Roosevelt High School, and the start of the
Michael Jackson dance contest, where the 1st place prize is $5,000.00
13
THE CHARITY DANCE COMPETITION The dance competition during the Sixth Annual I Can't Stop Loving You Charity Weekend, honoring the memory of Michael Jackson, at the Genesis Convention Center in Gary.
14
Michael Jackson’s birthday celebrated at Cirque du Soleil’s Michael Jackson ONE in Las Vegas, NV Book signing with Michael Bush at the Michael Jackson ONE Boutique
Special performance and Q&A with Michael Jackson ONE cast members. The performance began with a one-time only performance to “Don’t Stop ‘Til You Get Enough” which is not part of the regular Michael Jackson ONE show. This wias followed by “Stranger In Moscow” and “Thriller”, consistently a crowd favourite.
Meet-and-greet with members of the Estate team and their invited guests, including choreographers Rich & Tone Talauega and Travis Payne
Fans were able to take photos with the people who work day in and day out to protect Michael’s legacy.
15
80s VS 90s: Michael Jackson Birthday Edition at The Blue Note
Source: http://thebluenote.com/event/80s-vs-...thday-edition/
16
On Sunday, August 30, at Icon Studios in Chicago, just up the
road from Gary. Brad Sundberg talked how was like to work
with Michael on some of his most iconic projects: EO, Bad,
Dangerous, HIStory.
The Convention and All
Activities on Friday August
29th of The Convention.
Lunch – Gift -Laminate
Event Pass - One FREE
Raffle Ticket
17
Michael Jackson Laser Show AT
CARNEGIE SCIENCE CENTER Source: http://www.carnegiesciencecenter.org...nthBrowse=true
MICHAEL JACKSON
BIRTHDAY WEEKEND – SYDNEY, AUSTRALIA
AUGUST 28 – 31, 2015 - Chinese Garden of Friendship MJ Dance Class—Moonwalker –
Michael Jackson Birthday
Celebration—Madame Tussauds—
Michael Jackson Locks of Love
Wall Sunday 30th August – Around Hyde Park – Starting Muse-um Station Joining other groups around the world to raise money for Michael Jackson’s Legacy (MJL) the charity run by and fun-ded by MJ fans.
STK Restaurants London, Miami, New
York, Washington, DC celebrating the
birthday of the incomparable Michael
Jackson.
19
JOIN US AT THE
III INTERNATIONAL PAINTING CONTEST
pro-DEBRA:
Children with Butterfly Skin. Get inspired by the
beauty of butterflies and do the most beautiful
painting!
Upload your paint of a BUTTERFLY. Don't forget
to include the words 'DEBRA' and 'IT's ALL FOR
LOVE' in the painting/drawing.
On September 11, 2015 in loving memory of Mi-
chael we'll open votations to choose the best paint-
ing from Children, Youth and Adult categories.
Besides, among all the pictures one will be chosen to illustrate our Charity Christmas'
Lottery for DEBRA.
Each 1 Reach 1 Foundation
On August 29, 2015, Each 1 Reach 1 Foundation will host Steel City Drumline which will serve as the official kickoff of our “Back to School Rally.” Each 1 Reach 1 Foundation is an all-school alumni association dedicated to improv-ing the quality of education for children in North-west Indi-ana. Our goal is to decrease the drop-out rate by providing structured educational ser-vices under the advisement of seasoned veterans in the field of education. These veterans include re-tired principals and superintendents, and honored student alumni.
This spectacular event will be held at West Side High School’s football stadium (5710 W. 9th Ave.), which seats 10,000 people.
Don’t miss the chance to see these amazing bands perform live in Gary, IN on August 29, 2015. Gates open at 10 am. Tickets are $20.
20
Heal The World Miracle Joy Center
Construction is to begin on The Miracle Joy Center for the or-
phaned and homeless children of Heal The World Miracle Pro-
ject! See the exciting details for the MJ Center here:
http://www.gofundme.com/MiracleJoyCenter
Standing By Your Side - Michael Jackson Tribute by Heaven Leigh You are invited to be part of this LOVING project. Thank you and the children Thank YOU!
21
OUR GOAL IS TO GET 30 MILLION GOING IN HONOR OF THE 30TH ANNIVERSARY OF MY FATHER'S TRAGIC DEATH. PLEASE POST
SHARE AND AD FRIENDS
LISTEN TO COMMERCIAL HERE
https://www.youtube.com/watch?v=OFdNczZzXs8
“Hi i’m Valencia Dantzler also known as Mother Diva, THE OFFICIAL MADAM AMBASSADOR OF HOUSE MUSIC. On June 5, 1985, my
father was killed by a drunk driver. 30 years later in 2015, I WAS VERY PROUD TO PARTNER WITH UBER CAR SERVICE FOR THEIR
“DESIGNATED DRIVER CAMPAIGN INITATIVE”
Uber Car Service is fast, convenient, and there are 4 options to choose from;
Uber X
Uber Taxi
Uber Black
Uber Select.
LET UBER CAR SERVICE BE YOUR DESIGNATED DRIVER! We are asking all club owners, venue owners,
night life staff, bar tenders and their patrons worldwide to DOWNLOAD THE FREE UBER MOBILE APP TODAY!
PLEASE DON’T DRIVE DRUNK, AND DON’T GET IN THE CAR WITH A DRUNK DRIVER!
Let Uber Car Service pick you up and drive you home safely!
And yes I’m not only an Uber Rider. I am also A PROUD UBER DRIVER!
U.S.A. first time riders sign up and receive one free ride on us.
22
FEATURED FAN ART Visual Artist
Professional Traditional Art
Patma Fan Art
Excellent writer and wonderful artist,
Patma is a great friend and
Michael Jackson lover. Definitely
born with a pencil in her hands, even
when she talk on the telephone she
needs to draw something. She could
never make her passion a
profession, but…never say never (we
add)…For the time being it's a hobby,
it’s escapism from daily life. She
started drawings of MJ a couple of
summers ago; she wanted to feel
part of the wonderful “Jacksons
show". After a while she wished to
pay homage to Michael, in her little
way, revisiting his career and
personal life. Generally the drawings
are executed with pencil, then
scanned and colored using a PC, but
many are also made with watercolor
crayons and they are the ones that
she loves the most, even though they
take longer to complete. For Patma,
Michael is now and forever, 10 to
infinite power.
Follow her on Tumblr:
http://michaelonthewall.tumblr.com/
35
VIDEOS
Coolest tribute to
Michael Jackson - Just wow ...
HTTPS://WWW.YOUTUBE.COM/WATCH?V=XTZ5OUBORJC
36
Top 5 ways to love
Wylie Draper
VIDEO CREDIT:
Jalease Morgan
https://www.youtube.com/watch?v=UPbtmLG8bJM
Taylor-Made
Video Credit: Macau Macaudotcom
Bobby Taylor
BabyFace Dedicates song to "The KING Of Pop"
Michael Jackson
Video Credit:
massamohawktv
37
4th Annual Gloved One Ultimate Fan
Competition/MJ Tribute
Video Credit: magic1152000
4th ANNUAL GLOVED ONE ULTIMATE FAN COMPETITION/ MJ
TRIBUTE part 2
Video Credit: magic1152000
"Creeper" - A Minecraft Parody
of Michael Jackson's Thriller
(Music Video)
Video Credit
MinecraftFinest
38
FLOWERS FOR MICHAEL” is a FB Group
that started in May 2010 under the name
“Sunflowers for Michael” by Sandy & Seven,
two amazing ladies who the members of the
group then and now are forever grateful to.
Just like Sandy, Silvily …. who now runs the
group, dedicates her soul and love to ensure
that Michael is surrounded by his fans’ eter-
nal LOVE through all the beautiful flowers,
handmade amazing cards, loving poems,
stunning art and other sweet things that are
sent with love to the P.O. Box from all over
the world.
The first years, there were flowers sent from
the group weekly to be placed inside Holly
Terrace at FL, then monthly and for the last
2 years at bigger occasions like anniver-
saries and holidays. Nowadays everyone
orders their own flowers through the Forest
Lawn Flower shop for an agreed-on date
and Michael can still be surrounded by
beautiful flowers and tokens of love.
For fans living far away this is an amazing
way to honor and show their love for Mi-
chael. Even if there is a dream of coming to
visit in person, so many may never be able to and this is maybe the closest they will come.
Just like Sandy, Silvily always takes the most amazing photos that she posts in the “Flowers for Mi-
chael” group on FB so the members can see them whenever they want. Michael has touched our
soul and hearts and this is a beautiful way to give back a little and also show the world that he will
never be forgotten.
His Legacy will live on through his fans who wants nothing more than to shower him with the LOVE
he planted in them.
~Christine Walldén~
“Flowers for Michael”
47
HIStory Tour Concert - Milan, 1997 Part 2 - The Concert
SEE PART 1 - THE MEETING
IN JUNE ISSUE OF MAGAZINE - PAGE 18
On Wednesday, 18 June, I woke up at about 8:45
a.m. so it means that after all, I did sleep at least a little
bit. As soon as I woke up my thought went to Michael,
upstairs, in his suite, and I wondered whether he was
still sleeping or not, and I wished him “Good morning
Sweetheart”, I stayed in bed for about other 10 minutes,
just lying in bed, thinking and recalling what had hap-
pened last night, and I still could not believe it had REAL-
LY happened to me. I had discovered a Michael
Jackson totally different from the person I thought he
was, and that I expected him to be, and I would have
NEVER, EVER, believed that he could be such a down
to earth, approachable, and humble person!
Our Italian artists, either singers or actors, they are totally
unapproachable, and they think they are God on earth,
and if they grant you an autograph, it is the only thing that
you can ever manage to get from them, and when they
grant you an autograph they think they have given you
gold! Michael, who was a Superstar of that calibre, was
so humble, so sweet, and such an approachable and
down to earth human being, that I was totally surprised,
bewildered and astonished. I still remembered his scent,
he had a particular and sweet scent, and I kept on think-
ing. – “I don’t want to wash myself anymore, I want to
wear his scent for the rest of my life” – It was like a dream
to me. Then I got up and definitely, I did not take a
shower!
I did not feel like going downstairs, to the Hotel Restau-
rant that morning to have breakfast, so I ordered my
breakfast to be brought to me in my room. Today it was
“Concert Day”, so I turned the television on, just to see
whether they would have said something about that, and
while I was having my breakfast I followed the news on
television, and in the news, in fact, they showed Michael’s
return from Modena, and the TV reporter said¨- “There is
a great expectation for tonight Michael Jackson’s “HIStory
Tour Concert”, and the only Concert of the Singer, in
Milan, is totally sold out.
Michael Jackson, who is literally getting Milan crazy, last
night, on his return to Milan, was welcomed back by a
candlelight vigil of his diehard devoted fans, who were
waiting for him, outside the “Principe Di Savoia” Ho-
tel, on his return from Modena, where the Singer attended
to the Three Tenors Charity Concert, as guest of honour.
Michael Jackson greeted his fans outside the Hotel, and
then, once he entered the Hotel, he wanted to meet with
some lucky fans who are staying at the Hotel, and who
have filled him with presents”. - When I heard these
words, I said to myself: - “Hey, they are talking about our
last night meeting with Michael. How the hell do they
know about that, who told them?!” - Then the TV reporter
went on saying: - “Today, day of the Concert, Michael
Jackson won’t move from the “Principe Di Savoia” Hotel,
crowded and besieged by hundreds and hundreds of fans,
and he will stay all day in his hotel suite. Many fans are by
now, already moving to the G. Meazza Stadium, where
tonight, Michael Jackson will get on the huge stage and
will give to his public two hours of great music.
Michael Jackson, who arrived in Italy on Monday, June
16, is constantly followed, whenever he ventured out of
the Hotel, by a tireless army of admirers who seem ready
to do anything to see him closer”. - When I heard the TV
reporter say that many fans were already moving to the
Stadium, that early in the morning, I thought to myself that
I’d better get to the Stadium very early myself, if I wanted
to get a proper seat close to the stage. So I turned the
television off, put some make-up on, as always, and I got
dressed. I did not see my friends around, maybe they
were still sleeping, as we had been with Michael
until very late last night, I had no idea where they
48
could possibly be, probably still sleeping, so I did not both-
er about them, I left them alone, and I went my way.
I had left my car in the parking lot of the Hotel, because
the traffic in Milan is really crazy and chaotic, and the sub-
way is a great way to get around Milan, it is easy to use
and a stop was just at the Hotel’s door step. So I went out
of the Hotel, and by subway I reached the G. Meazza Sta-
dium. I walked into the Stadium and saw people queuing at
the main gate, so I went over and joined the queue. When
I got in the Stadium I saw a stall that sold sandwiches and
drinks, and as I did not want to leave the queue to go to a
restaurant to eat something, not to lose my place in the
queue, I bought a couple of sandwiches and two cans of
coke and a bottle of mineral water, and that would have
been my lunch and dinner that day. The crowd was getting
bigger and bigger, as time went by, and I thought that it
would have been very difficult to find my friends, among
that huge crowd, and I really wondered whether we would
have managed to find each other. While I was in the
queue, waiting for the time when the gates were due to be
opened, I found myself among people, who were all
Michael’s fans, headed for the same Concert, and it really
felt like a large “family outing”, and I was happily chatting
with total strangers who I felt as though I had known for
years.
Huge crowds had gathered outside the G. Meazza Stadi-
um of Milan, and by early afternoon there were 15 deep
queues in some places, with a crescendo of whistles as
gates were about to be opened. Gates eventually were
opened an hour early to deal with the rush, the responsibil-
ity for the fans then passing to private internal security staff
inside the G. Meazza Stadium. So when at 4:30 p.m. the
gates opened, I sprinted towards the gates, and people
behind me started pushing me forwards; normally, I am a
non-pushy person, I am a polite person, but I soon learned
how to be rude. This time, here in Milan, the pushing was
more violent than in 1992 in Rome, and I had a hard time
staying up front, but somehow, becoming rather rude, I
managed to get in front of the stage and get a seat in the
front row, so I really had a fabulous view of the stage, and I
was very satisfied. This was really what I wanted, to be
close to the stage, to enjoy the Concert and be able to see
Michael closer. There were some people on the stage
clearing up and testing lights, sounds etc., and all this told
me that the time of the Concert was approaching. While
I was waiting for the Concert to begin, shortly before the
Concert began, Michael’s fans started playing and singing
Michael’s songs, and everybody screamed “Michael,
Michael”, and I just couldn’t wait to see Michael appear on
the stage. All around me, there was chatter in numerous
different Italian dialects and in other foreign languages, as
Michael’s fans arrived not only from all parts of Italy, but
also from many different Countries of Europe, to attend to
the Concert in Milan, and I just thought to myself that all
that was just unbelievable and amazing, and that it was
such an amazing and remarkable demonstration of how,
Michael, through his music, could bring people of all races
together, and unite so many people from different Nations.
Now the Concert was about to begin so I thought that
Michael was probably under the stage waiting, so I hope
he heard all the fans singing his songs.
At 8:00 p.m. the loudspeaker announced: - “HIStory will
begin in 30 minutes, and you’ll be part of History” - ; then
other announcements followed: “HIStory will begin in 25
minutes”; then “HIStory will begin in 15 minutes”; then
“HIStory will begin in 10 minutes”; … by now I was begin-
ning to feel very excited from the idea that I was going to
see Michael again, Live on stage, and I just couldn’t wait.
Then the lights went down and a massive screen at the
back of the stage and two smaller screens at the sides,
began showing Michael travelling at a very high speed, in
a spaceship directed to the G. Meazza Stadium of Milan.
The sound was so loud and the anticipation was mounting.
The music and noise kept getting louder and I felt Michael
was about to appear on the stage any second now; I could
see on the massive screen Michael’s spaceship approach-
ing to the G. Meazza Stadium, then I heard a countdown
and as it reached “ONE” the stage erupted and a space-
ship hurtled through it, and I could see Michael crashing
onto the stage in a rocket, among explosions and smoke.
Michael always knew very well how to open a Show, but I
hadn’t expected anything anywhere nearly as impressive
as this, and I felt that lump in my throat, for the strong
emotion, that I knew already very well,
49
and that I had already felt in Rome when I had seen Mi-
chael in the “Dangerous Tour Concert”, and also the night
before at our meeting with Michael. Then the door of the
spaceship flew off and Michael was standing there on the
stage, in his “spaceman” costume, and as the audience
saw Michael, still, on the stage, there was a thunderous
applause and that lump in my throat got bigger and bigger,
and tears started running down my face; for a short
while Michael stood still and the audience went wild.
There was a large gap between the doorway and
the stage and I held my breath as Michael leaped
across it and clattered onto the stage. The space-
ship vanished and that was when I fully appreciated
just how big the stage was, then, he first removed
his breast plate, then turned and removed his
helmet, then he turned again and threw his helmet,
and then he removed his scarf, and then Michael
started dancing and singing “Scream”.
I was awestruck, and it took a while for me to recov-
er. I had tears in my eyes, for the great emotion of
seeing Michael again Live on stage, and that lump
in my throat that hurt and that wouldn’t leave me
alone. I was crying for the happiness I felt deep in-
side of myself and I was deeply moved. While
Michael was singing “Scream” he very often ran
from the left to the right of the stage, and he was
constantly framed and reflected on the screens at
both sides of the stage, so that even the people
who were far from the stage could see Michael in
the large screens which framed Michael in a much
bigger image.
All the equipment was squashed at the back and
the backup singers were squashed at the back so
there was a massive expanse of bare stage and
Michael.
During the interlude between “Scream” and “They
Don’t care about us”, among explosions and smoke,
six dancers were toasted on the stage while Mi-
chael performed a military cadence and his troops/
dancers, joined him and marched about during
“They Don’t Care About Us”, and even with these
soldiers the stage was spacious, clear, uncluttered
and simple.
50
The floor was a pale off-white/grey colour and dif-
ferent light patterns reflected most effectively and
complimented Michael and his dance moves, while
the audience kept on applauding thunderously,
and the screaming fans kept on yelling “Michael,
Michael”.
At this point, a guitarist with a long white wig joined Michael
on stage playing her guitar, and Michael approached the gui-
tarist, following the rhythm of the guitar, while the soldiers
marched carrying the flags of the two Nations, the American
flag and the Italian flag, at the centre of the stage, then at the
end of the song, the soldiers and the flags disappeared down
the trap door.
My mind is still whirling from the experience and I can still re-
member the Show as a whole in all its sections that were really
wonderful. My biggest impression was how clean and crisp
Michael’s performance was, there were some explosions and
some smoke, which made them all the more effective when
they did happen.
Then Michael sang one of my favourite songs “In The Closet”,
and while he sang and danced there were some very effective
light special effects, which accompanied the song, and his
dance moves were very sensual. “In The Closet” was per-
formed wonderfully well and Michael was fascinating and
sensational, not only did he move, sing and dance like no one
else but he transformed the whole arena with his incredible
stage presence. He really and totally owned the stage and the audi-
ence. You could literally see the best performers on stage ever. He
was AWESOME !!!
At the end of the song “In The Closet” Michael
Bush and some other people came on the stage
and helped Michael to get rid of some parts of the
costume, and some accessories were removed,
while Michael yelled to the audience “I love
Youuuu”, then he added a “HoooHooo” then again
he yelled to his fans “I Love Youuuu”, then again
he yelled to the crowd a “HoooHooo”, then again,
“I Love Youuuuu”, and the crowd just went wild.
Then Michael started dancing and singing “Wanna
Be Starting Something”, and this was Michael Jack-
son at the height of his performing powers. Michael
was full of energy and amazingly on form and this
was a great and unique sounding performance!
51
Great dancing on the second part of this song with,
again, some very sensual moves, which made the
crowd go nuts!
A really solid and amazing performance, and Michael’s voice
was sharp.
The stage went dark, for a short while, then the stage lit up
again just a cone of light, and Michael, in this cone of light,
started dancing with very sensual moves, and with an angelic
voice, he started singing “Stranger In Moscow” sending the
crowd into total raptures. I think that Michael really had this
song perfect.
Michael didn’t just sing a song, he lived it, and while he sang “How does it feel, when you are alone and you’re cold inside” he was absolutely stunning.
“Stranger In Moscow” was really heart rendering, and tears
were running down my cheeks and I was quietly sobbing as
once again it was just Michael standing in the middle of the
stage and singing with all his passion and heart.
Beautiful performance, musically amazing. At the
end of the song Michael stood still for a while, with
his arms spread out, then he sent a kiss to the
52
audience, then bowed, and then Michael
disappeared through a trap door. He did a lot of
disappearing and reappearing during the Concert.
The stage went dark again, then lit up and six male
dancers and two female dancers started dancing
the Interlude to "Smooth Criminal," in a captivating
high-art choreography, then through the trap door,
Michael reappeared on the stage shooting with a
rifle, and at this point, as if from nowhere, a large
sheet appeared at the very front of the stage
completely obliterating it, and a giant silhouette of
Michael materialized, showing Michael dancing be-
hind the sheet, and the audience went wild once
again.
Then a few moments later two tiny silhouettes ap-
peared on either side of him. Then the sheet went
down and Michael, at the centre of the stage, with a
white hat on, a white pinstripe jacket, with a black
arm band on his right arm, a blue shirt and white tie,
danced and sang “Smooth Criminal” the classic
way.
When Michael did the “Lean” move, together with
his dancers, the crowd went wild once again, and
when Michael, did the “Moonwalk”, together with the
dancers, huge, thunderous applause filled the whole
Stadium, as he really was amazing, really stunning,
and I just realized how, with moves like this, he
could totally seduce all the audiences around the
world. Michael was just really good at leaning
and moonwalking.
Oh my God, Michael was incredible, and “Smooth Criminal” was a very solid performance as usual. YOU just could not take your eyes off Michael, - and that was his secret.
Then, once again, the stage went dark, and some of
Michael’s footage appeared on the massive screen,
then the stage lit up and Michael walked in, always
wearing his Gold Pants and a transparent black
jacket, and started singing “You Are Not Alone”.
53
His beautiful, angelic voice filled the arena, and while he sang “You are not alone, I’m here with you, though you’re far away, I’m here to stay, You are not alone … “ the roar of the crowd and the thunder of applause was remarkable, and it gave you goose bumps.
Great performance. Extremely beautiful and mov-ing. I remember being there all the time with this lump on my throat, and tears kept on falling down my cheeks, and the whole occasion brought the entire audience to tears. During "You Are Not Alone", one girl was allowed to get on the stage and dance with Michael on stage, and the girl was totally overwhelmed and she just could not stop crying, and while she hugged Michael and Michael hugged her, and they danced and hugged each other, the audience went wild and thunderously applauded.
Then Michael bowed in front of her and the girl just
kept on looking at Michael, and hugging him, until a
bodyguard approached them and the girl was taken
away from him, and Michael, now all alone on
stage, continued singing the song till the end. Then
he stayed still for a while with his arms spread out,
then he sent a kiss to the crowd, and then he
bowed to the audience, while the stage went dark.
When the stage lit up again, Michael was in the
centre of the stage and yelled “I Love Youuuu” to
the crowd, then he yelled his famous “HeeeHeee”,
to his screaming fans, while Michael Bush and
other of the staff, helped Michael to change, and he
put on the jacket for the Medley. Then it was only
Michael on the stage, and he started talking to the
audience and a new side of him emerged, now, we
also got Michael the comedian. He was seriously
funny, when he talked to the audience, before the
“Jackson 5” Medley.
The audience went wild when he talked to them,
especially when, all of a sudden, he yelled to the
crowd: - “I love you Milano!” The audience was
quite stunned, as he said it in Italian, he said
MILANO, not Milan, so the audience went wild, and
started yelling back: - “Michael we love you!” - Then
Michael mentioned “the old times” and “the old
songs in the old fashion way” and he started sing-
ing a fantastic Medley from the “Jackson 5”, “I
Want You Back” – “The Love You Save” and “I’ll
Be There”, and while Michael sang the “Jackson 5
Medley”, on the massive screen there was some
footage, showing Michael as a baby in Gary, and
then with his brothers, and performing with his
brothers.
My heart is always torn with “I’ll be there”. I’ve
always loved this song so very much.
54
It is a piece of nostalgia and the audience always
seem to really get involved though.
After the Medley the stage went dark and Michael
disappeared, down through a trap door. Then the
empty stage lit up again, with just a cone of light,
and Michael, wearing black pants and a white
T-shirt, strutted on carrying a suitcase, he plonked it
down on a stool, that seemed to appear from
nowhere, he unlatched the case and lifted the lid
with such attitude that I was looking at him in total
admiration while also wondering what on earth he
was leading up to.
The instant he lifted out his “Billie Jean” jacket, it hit
all the audience and they just went wild, then he put
on the single sequined glove, on his left hand, then
he plonked the fedora hat on his head, and then, he
jumped into the cone of light, and there he was off,
whirling, twirling, and “Billie Jeaning”, like never
before.
This was wonderful. He was amazing, really AWE-
SOME!!
And when he did the Moonwalk, and then, when he
went up on his toes, the audience went wild and
thunderous applause filled the Stadium once
again.
55
I love this song so very much, and this song just
makes me go crazy, every time that I listen to it, so
you just think what it can be, watching Michael
Live, on stage.
It was really a once-in-a-lifetime experience, and
his dancing was first class. The extended drum-
solo postlude to "Billie Jean" that allowed Michael
to improvise to the beat - gyrating, kicking, tapping
and gliding. Part of what made Michael so
compelling as a Performer is how his body was
constantly in motion and completely in-sync with
the music.
For the entirety of the Show, he became, as he
often said, "the medium through which the music
flows." Really amazing!!! “Billie Jean“ was a great
performance. The crowd reaction was amazing, and
the whole of the G. Meazza Stadium went wild, and
was clapping along and going crazy. At the end of
the song, Michael sang once again “Billie Jean is
not my lover”, then he threw the fedora hat down to
the crowd, who went wild once again, while the
stage went dark.
Up to “Billie Jean” Michael was wearing the Gold
Pants, designed by Gianni Versace, (that I loved so
much), those Gold Pants, which left very little to the
imagination, just fitted Michael beautifully and he
looked really gorgeous in them.
When, after “Billie Jean” the stage was still dark, on
the massive screen there was some footage of Mi-
chael transforming into a werewolf, and we under-
stood that Michael was about to sing “Thriller”, then
the stage lit up again, and Michael walked in, wear-
ing a white jacket and black pants, and started
singing “Thriller”, among some very effective light
special effects, all the lasers, lights, tricks and
treats.
56
At the beginning of the song, Michael was alone on
the stage, singing, then at the middle of the song, six
dancers/zombies, joined him on stage, and started
dancing, with Michael dancing out front, and the six
dancers behind him, just like in a video,
then ghouls and skeletons came in and chased him
and he leaped onto a trapdoor which lowered so all
we could see was Michael’s head sticking out of the
stage, as he sang, and monsters tormented him. He
then disappeared and reappeared in his werewolf
head and did some more dancing.
“Thriller” was, again, musically, a great performance,
and a strong performance from Michael, and the
main “Thriller” dance was executed perfectly. The
dancers in the mask at the end were over the top,
and Vincent Price’s vocal was stunning and amazing.
Then, towards the end of the song, Michael was
forced into a contraption like an oyster shell, with
long protruding spikes, it was shut, then two other
sides also shut and a flame burst out and the ghouls
opened it, and it was empty, Michael had disap-
peared, and the stage went dark.
While Michael reappeared on the crane, at the front
of the stage, among explosions and smoke, and he
started singing the smash hit “Beat It”, driving the
fans wild, when he loomed over the sea of arms on a
boom, returning then to the stage to bring to life the
dance routines that made Michael Jackson the
master of the music video.
He was wearing a red jacket and black pants, for this song,
and it was really a true blast from Michael and it went like
this: Michael came up on the crane, shouting his usual and
very famous “HeeeeHeeee!”. The drummer gave a one bar
timing and in came the classic “Beat it” BASS….Boooomm,
Boooooom! Really great!!! Then we had 3 counts of 8 until
the live drums came in (on this occasion, Jonathan Moffett).
Then we had 4 counts of 8 until all hell broke loose and the
Guitars, Drums, Keyboards and everything kicked in for the
classic start of “Beat it”, and Michael on his crane blasting
“HeeeeHeeee!”, all part of a great Live Show and a lot of
fun. Oh how I loved that “HeeeeHeeee!” When Michael
shouted his “HeeeeHeeee!” to us, the audience
57
responded “HeeeeHeeee!” to him, and I too, shouted
to Michael my “HeeeeHeeee!”, and indeed it was
such a great happiness, such a great emotion, and
such great fun, and my heart was pounding for the
great feelings that I felt deep inside myself. At a cer-
tain point, when he was on the crane he stopped
right over my head and if only I was a few feet taller I
could have touched him. I was almost hoping he
would fall off as he would have landed right on my
head!!! Can you imagine!!! … But he did not fall. I
enjoyed all of it. So many things were happening and
my heart was pounding, and my head was spinning,
as I kept turning my head to follow Michael on the
crane. It was not easy to watch every move Michael
made all at the same time. In “Beat it” the keyboards
were great and very strong.
Then, on stage, the guitarist with the long white wig,
appeared and played her guitar, while Michael ap-
proached her, following the rhythm, while she was
playing the guitar.
Then on stage we had 6 dancers for the fight
sequence, while Michael intervened to separate
them, and then they continued dancing, and it was
really some great dancing, until Michael at the end of
the song, stayed still on stage with his arms spread
out, and the audience went wild and burst into thun-
derous applause.
Then, once again, the stage went dark, and when the
stage lit up, Michael walked in, wearing a blue jacket
and black pants, and started singing “Blood On The
Dance Floor”, among lasers, smoke and light special
effects, and the screaming fans went wild.
Michael repeatedly came out to the front and sides of
the stage, and each side of the audience went wild,
when he did this and stood singing directly in front of
the side screens, “Blood On The Dance Floor”. It was
a classic performance, one of his best.
Great energetic dancing, and Michael was amazing,
as always. I think that, dance vocabulary wise,
Michael reached his pinnacle during the History Tour,
and surely, the HIStory Tour was his pinnacle in
terms of energy balanced with dance moves.
58
At the end of “Blood On The Dance Floor” the stage
went dark again, and on the massive screen there
was some footage of Michael, (that one that ends
with the black panther), then the stage lit up, and
Michael was already on stage with his dancers, and
started singing and dancing “Dangerous”. For this
song, Michael was wearing black pants, a black
jacket, with a white arm band on his right arm, a
black tie and a black fedora hat.
For this HIStory Tour Michael took out the verses
and added little breaks. I personally think he should
have kept the live elements and verses, because I
simply just loved when he said “There was some-
thing different about this girl, the way she moved,
her hair” and further on “She came at me in
sections, with the eyes of desire, a touch, a kiss, the
girl was dangerous”. So I still think it was a pity that
he took out the verses.
Anyway this performance was perfect, and it had
amplified keyboard effects, and the rhythm that
Jonathan Moffett gave to this song was really
amazing.
Really great performance. “Dangerous” is another of
my favourite Michael’s songs and Michael danced
and sang it marvellously well, I just loved the way he
danced it. It was just wonderful and it just made me
go crazy. Michael was fantastic. AWESOME!!! I
also loved the way Jonathan Moffett played drums.
59
At the end of the song the stage went dark once again, while
the crowd went wild and exploded in thunderous applause.
While the stage was dark, on the massive screen there was that
footage with Macaulay Culkin playing music at high volume, so
we understood what Michael was about to sing. The stage lit up
and Michael walked in wearing a white shirt, black pants and
shin guards, plated in 18-karat gold, and he started singing and
dancing “Black Or White”, among light special effects, lasers,
and smoke.
Six dancers were dancing with him on stage, and then the gui-
tarist with the white wig, joined Michael on stage and played her
guitar, while Michael danced and followed the rhythm of her
guitar, then Michael stood still in a cloud of smoke, and his
white shirt fluttered in the cloud of steam.
Then Michael ran towards the back of the stage, and two guys
on stage were chasing after him and then they leapt on Michael
as he ran and as they did so the whole of the back of the stage
came thundering down on top of them.
The crowd went wild once again and the stage went dark.
When the stage lit up again, Michael reappeared in his “Earth
Song” clothes, and started singing at the centre of the stage,
and the audience exploded in thunderous applause.
“Earth Song” is absolutely Michael’s magnum opus…the most
brilliant work of artistry written to save a dying planet.
While Michael sang “Earth Song” he went onto the crane
again, and was lifted up and circled round as he hung off it,
and the crowd went wild.
60
He was hanging even further off than ever before, I thought, and
I was worried lest he might fall down; thanks God he didn’t, even
though, among the audience there were many fans who wished
he fell down, so that they could grab him and hold him in their
arms.
When he came back down to earth, and on the stage, all the
dancers miraculously changed into refugees while Michael went
on singing the song. At the end of the song a massive, real tank
thundered onto the stage and as a soldier popped out of the top
all the “refugees” cowered and shrank back, but not Michael, he
stood his ground directly in front of the tank as it pointed its enor-
mous bazooka type gun at him and the soldier climbed out and
pointed his rifle at everybody who again cowered away then
pointed it directly in Michael’s face and Michael never
flinched, he just stared the soldier in the face as he slowly lifted
his hand and moved the gun away from him.
A little girl then walked up and presented the soldier with a
sunflower, the soldier capitulated and started crying.
61
Michael bent down and put his hand on the soldier, as
though to comfort him, then helped the soldier to get up,
then Michael turned to the audience, and stayed still with
his arms spread out.
The crowd went wild and everyone had tears in the eyes,
and the whole audience exploded in thunderous applause
while the stage went dark, and Michael disappeared
through a trap door.
When the stage lit up again, the music started playing
“Heal The World”, and Michael reappeared on stage
wearing a brown jacket with rhinestone sleeves, and black
pants, and with one of his most gorgeous smiles, he
started singing “Heal The World”. This is another of my
favourite Michael’s songs. “Heal The World” was another
awesome performance of Michael, but this time, without
the globe cluttering up the stage, (as in the Dangerous
Tour Concert), but this time the globe was on the screen,
turning.
While Michael was singing “Heal The World”, there was a
cameraman on the stage who constantly filmed Michael,
and followed Michael all around the stage,
and several times, during the song, Michael was framed
on the side screens, which gave a much bigger image of
him, so that even the people who were far from the stage
could see Michael very well.
62
Towards the end of the song, all the dancers came on
stage holding hands with children, and started walking in
circles around the stage.
At this point Michael went and fetched Daniele Parisi,
(please see the May Issue of the magazine), who
Michael’s bodyguards had taken Daniele up and had
brought the boy on the stage, and sat on the left side of the
stage, from where Daniele was able to attend and see the
full Concert. So Michael went to the left of the stage and
picked Daniele up and brought him at the centre of the
stage, holding him in his arms, and then holding hands , he
walked in circles with Daniele and all the other children,
around the stage, and often, while Michael walked in cir-
cles around the stage, he put his hand on the children’s
head, while he yelled to the crowd “I LOVE YOU”, “I
LOVE YOU”, “I LOVE YOU”, and the audience went wild,
and everyone had tears in the eyes, and the crowd explod-
ed in thunderous applause. Then there was the encore that
was really wonderful. The music just started playing again
and Michael started singing once again “Heal the world,
make it a better place, for you and for me, and the entire
human race, there are people dying, if you care enough for
the living, make a better place, for you and for me”, and
there was the roar of the crowd, who exploded in thunder-
ous applause, the whole Stadium exploded, and the
audience went wild, and everyone was deeply moved.
By now I knew the Concert was drawing to a close and I be-
came a little sad, as I wanted more, and I would have been
very happy if Michael had gone backstage, had a few minutes
rest, and then could do it all over again. I just did not want the
Concert to come to an end but I would have wanted it to last
forever, to have the joy to see Michael perform in front of me
FOREVER.
63
At this point all the flags of all Nations of the world came on
stage, among special light effects, lasers and smoke, and
Michael walked in wearing a white pearl jacket and black pants,
and started singing and dancing the last song of the
Concert, “History”, while all the
dancers performed a military cadence, and the soldiers joined
him and marched about drumming, while Michael, at the centre
of the stage kept on singing “Every day create your history”.
“History” was very effective with soldiers marching about waving
flags and Michael who sang the song marvellously well. Then at
the centre of the stage two soldiers waved the American flag and
the Italian flag, while Michael continued singing the song.
Michael was amazing and it was a wonderful and great
performance.
I loved this song very much and the way Michael sang it. I
loved his voice, I loved him, I just loved everything and
every moment of that Concert.
I was really overwhelmed, and I always had that lump in my
throat that hurt a lot, and tears in my eyes that just never
stopped falling down my face. Then, during the parade of
all the flags of all the Nations of the world, Michael once
again yelled to the crowd “I LOVE YOUUUUU” “I LOVE
YOUUUUU” “I LOVE YOUUUUU”, and the crowd yelled
back to Michael “I LOVE YOUUUUU”, then Michael for the
last time, stayed still on the stage, with his arms spread out,
and then he just disappeared, down the trap door.
64
And this was the end of the Concert, which left everyone
totally moved and with tears still falling down the cheeks
and all the hearts were pounding from the great emotion.
“Wow! It was the best show ever!” The Concert was
amazing, a once-in-a-lifetime experience, and Italy had
never seen anything like that, before, and 60.000 ecstatic
and totally overwhelmed fans left the G. Meazza Stadium
on that night, after the Concert, in complete agreement
and deeply moved. Michael Jackson's "HIStory" Tour
Concert was the biggest Tour Concert any performer had
ever done!!! And Michael Jackson was at the height of his
performing powers.
Michael Jackson played a total of seven Concerts in Italy
to an estimated 700.000 people. Ticket demand was so
strong it was estimated he could have done at least 10
more sold out Italian Concerts, if he had desired. Every-
one wanted to witness the phenomenon that was Michael
Jackson. His facial expressions were wonderful, he was
laughing and grinning and playing with the audience, and I
swear he looked directly at me and smiled several times.
That’s one of the things that never ceases to amaze me
about Michael, every one of the thousands and thousands
of people in the Stadium had the same feeling, that
Michael had looked directly at them and had sung directly
to them. Michael had a special gift in his ability to
personalize his performance in this way.
The HIStory Tour Concert in Milan, at the G. Meazza Sta-
dium sold out, shattering a record previously held by sev-
eral of the biggest Italian singers, who never reached
these kind of records in their concerts. The Michael Jack-
son HIStory Tour Concert in Milan, made history. Years
later I could still feel that visceral energy and excitement in
the Stadium, and even now, when I happen to think about
that, I can still feel it.
That night I got back to the Hotel totally moved and over-
whelmed, and with my heart still pounding. I did not see
my friends at the Stadium and we were unable to find
each other among that sea of people. So I went up to my
room/suite, and I headed to bed, trying to get to sleep but
it was not that easy, as the emotion was still too strong
and prevented me from falling asleep. My thought went to
Michael, up there in his suite, and mentally I thanked him
for everything that he had given me on that night, I
thanked him for his wonderful performance, I told him how
much I loved him, and I wished him “Good night, darling,
sleep well”.
On Thursday 19, June, I woke up at 9:00, a.m., so I real-
ized that I had overslept, and as at the “Principe Di
Savoia” Hotel, the check-out is before noon, I got up right
away, took a shower, (even though I had previously said
to myself that I would have never washed myself any-
more), then I put some make up on, I dressed up, and I
had breakfast in my room, then I packed and got ready to
leave my room to go back to Trieste. My room/suite at the
“Principe Di Savoia” Hotel was really hard to leave, and I
felt sorry having to leave Milan as everything in my stay at
this Hotel was perfect from the arrival to the departure.
When I went downstairs and I got to the Hotel Reception
to pay the bill, I asked the receptionist some news about
my friends, and I was told that they had left the night be-
fore, soon after the Concert. So I thought to myself that
surely they had decided to go back home on that very
night, to save money. Then I asked for my bill, and with
my great surprise and astonishment, I was told that every-
65
thing had already been paid for, by Mr. Jackson, and that there
was nothing that I had to pay for, as everything had been al-
ready settled that very morning by Mr. Jackson, at 8:30 a.m.
before of leaving Milan to go back to Paris.
I told the receptionist that there had to be some sort of a mis-
take, and that he’d better check and make sure, but he assured
me that Mr. Jackson had paid for my bill and that I had nothing
to pay for. I just couldn’t believe it, and I remained totally
speechless.
So I went to the hotel garage to get my car, and drove back to
Trieste, while my heart was still pounding and I had tears in my
eyes and that lump in my throat accompanied me throughout
all my journey back home to Trieste.
~Mirella Giurco~
I hope the readers enjoy this story as much as I have. As I read parts one and two I became a part of the experience. I felt as if I
were there and it was truly a “WOW” factor for me.
Michael Jackson was truly a special man who had the gift of bringing people together and ministering to them through his
music and the good news is he is still ministering to his fans.
WRGO Magazine would like to thank Ms. Mirella Giurco for sharing this wonderful story with us and those who read this
magazine. I am sure this was an experience she will never for-get. Note how personable Michael was with his fans and be-cause Mirella stayed another night at that motel Michael paid the bill for her. I believe he would have paid the bill for all of them if they had stayed. It was only in the cards for Mirella. This
was her special time.
I, personally, can not wait to read it again. God bless you Mirella and I am happy you had a chance to meet Michael that way.
MJ Brookins
66
POEMS/OTHER WRITTEN TRIBUTES
We are of the galaxy a billion stars beyond
thousand and thousand of miles of ocean
separate us
particles of dust from the seeding of earth we will
return
of the scolding sun the rains will come
to hydrate the whispering souls of the forgotten ones
Tammy J.......
Here To Stay
I get goosebumps from the sheer delight I feel
when I look in my child's eyes. He smiles and the
sun shines brighter. My heart dances to the music
of his laughter
If there's one purpose that God put me here My
child makes it clear
Chorus: I've never known greater love or joy in my
soul. I bask in innocent youthful glow. He beckons
the child within me to come out and play. A lost
child it was but now it's here to stay
Nothing feels better in the world to me Than a big
hug from him and a kiss on the cheek. I learn so
much from him every day About life and myself
and getting out of God's way.
He provides the music of this thing called life. It's
the pulse running through all of us inside
So I take my son's hand And we dance
Chorus: Cause I've never known greater love or
joy in my soul I bask in his innocent youthful flow.
He beckons the child within me to come out and
play. A lost child it was but now it's here to stay
*I bask in his innocent youthful glow
*So I take my child's hand And we dance
Dedicated to Michael Jackson and my son Steven
~Jaxon Ray~
67
I AM
I am the sound of the birds, The whispering in the trees. The gentle silence after a storm, And the warm summer breeze.
I am the stars in the sky at night, I'm those thoughts in your head that say something's right. I hold your hand when you're feeling low, Although I get the feeling you just don't know.
I did not die I am still here. I'm that gentle voice Within your ear.
By me : Phyllis Bell
68
ONE LITTLE HOUSE
In Gary, Indiana on 2300 Jackson St, lived nothing but raw talent from the parents down to all the children
and one of them named MICHAEL JACKSON.... What a journey you went on from that little house on
Jackson St. to the "out of this world of fame" you achieved in your short life.... No one has ever taken the
world by storm like you did or EVER WILL... When God made you Michael Jackson, He retired the
mold...NEVER to be duplicated again by ANYONE....
You’re known to the world and now I can only visit some of the places you played, talked, visited, made a
difference to, where you created your music, walk the pavements you walked, give and support the charities
that were so dear to you and the list goes on... I have a lifetime of LOVE you gave bottled up inside me that
will forever live deep within my soul.. You ARE and ALWAYS will be a LEGEND MICHAEL JACKSON that
the world will forever love, be remembered and carried within every heart til the end of time... Your life had so
much meaning...You showed us how to tirelessly and unselfishly give and help others. You redefined the
word RESPECT to Mother Nature.
You left us messages in your music as you poured out your heart and soul into it... Your presence may not be
here to see that your messages reached us but your spirit is looking down on us showing you that it did...
Your death came too soon and your life was not long enough and the world will mourn you and celebrate you
forever more... With such deep love Michael, I celebrate and mourn you til God takes me home...
Special Tributes By: Ellie Mae Hollingsworth
70
Sylvia Siles
Danielle Jackson
Katrina Scott
Sherrie Davis
Leroy Washington
Patrizia Stingo
Lisbeth Andersen
Michael Craig
Martha Murry
Taj Jackson
Liz Watson
Marlen Heischkel
Heaven Leigh Burkes
Kathy Card
Bev Steyn
Lisa Burnette
Tina Becker
Karen White
Raj Karmakar
Julie Ellis-richards
Mariejose Haerkens
David Edwards
Alexandru David
Ashley Morgan
Sue Colebrook
Ahmed Habib Idriss
Bernice Colbert
Ahmed MJ Fanmily
71
John Van de Vrede
Julie Derbyshire
Boyd Lee
Jack Anderson
Gerlinde Creter
Gianinamirela Radulescu
Alessandrina Cornet
Trecy Handsofbeauty Darthard
Jovana Stevanovic
Deborah Anderson
Marie France Nguyen
Robert Gray
Mary Ann Layton
Rhonda Revercomb
Kelley Michaels
Flower Double
Valerie Davis
Kent Twitchell
Linda Dee
Dan Downey
Chrisy Mckinley
Michela Meucci
Jennifer M. Figueira
Christine Walldén
Eddie Batties Sr.
Carolyn Thomas-Davis
Dede Tolbert
Nana Yaw Adjapong
72
Veh Villar ED Je-
rome Rosima
Katherine Auener
Rj Stafford
Ina Hercek
Andrea Hill
Adolph Brookins, III
Taj Jackson
Taryll Jackson
Noah Laniak
Helen Price
Mike Jackson
Kai Chase
Jennifer Marino
Brigitte Pfisterer
Ola Ray
Charly Rae
Cassy Allsworth
Debrah Stafford
Steven Bird Tolbert
Tracy Lee
Lynn Flannel-Tolbert
73
Artist Spotlight
Gladys Knight
Nicole & Scotty: Unchartered Waters
MUSIC
Artwork: Copyright sylverarts
74
Gladys Knight Joins the Movement Against Selling Sex to Sell Music
Gladys Knight is back in the game, but with a gospel album, “Where My Heart Belongs” — an album fo-
cused on faith, soul and her ability of not slowing down anytime soon. Knight is famous for fronting the soul
group Gladys Knight and the Pips — rising to fame in the early 1970s. As an artist with longevity, she has ad-
vice for young artists trying to break into the music industry.
In an interview with theGrio, she revealed she’s nervous about releasing a new album, and she talked about
the current state of the sex-driven music industry. “I don’t envy them, coming through the industry at this time,
because it’s a totally different industry. It is money-driven. It is power-driven. They would do anything to get
famous,” Knight said.
She added, “we came through with a moral value, an integrity value, and a great love for what we were doing.
So it helped us to do the things that we needed to do to be better. We didn’t have to be on the cover of every
magazine, we didn’t have to be doing something dramatic just to get some attention. We let our talents speak
for that.”
The Empress of Soul acknowledged today’s singers — like Beyonce, Jennifer Hudson and Alicia Keys are
doing the best they can with the current state the music industry is in. “They’re doing the best that they can….
You have to look at the fame and fortune that they have…. As long as they mix in the great talent portion of it,
then that’s the road they they have to take in the industry these days,” Knight said.
She added, “but how far will you go with that? That’s what saddens my heart. We were taught to dress re-
spectfully for our audiences … did you hear me say dress? Not take it off, put it on. I’m just disappointed with
all of that. But there’s a way to present your gift…. If you’re a singer, make sure you do that.”
75
August 9, 2015 - Las Vegas
Hey Fellow Travelers! Late night post time, yay! SO, Thursday
night we played the absolute BEST show. Seriously. Our crowd
was BEYOND rowdy, which is our favorite kind of crowd, lol. The
very minute Scotty and I walked out onstage, some folks who
have seen us before at this particular venue must have recog-
nized us, and everyone just started cheering and going nuts! Scot-
ty and I were just laughing in shock that they were so thrilled to
see us! They were clapping, stomping and singing along to covers
we played that they knew, and they loved our own songs as well!
The biggest compliment of the night would have to go to this group of guys in the front. We played Carrie
Underwood's hit song "Blown Away" to a roaring response from our audience, and after the show these gen-
tlemen came up and told us that they're visiting here from Nashville, and that listening to the two of us put
them straight back home. What an honor to hear that our music could take them there like that! We were al-
so approached by scouts from Fender Guitar who loved our set and gave us their contact, so it was just an
all around perfect night! Anyhow! Here's our rendition of "Blown Away", we hope ya'll enjoy! Hope everyone
has been having an awesome Saturday and keeping cool! Love ya'll tons and tons! ~Nicole & Scotty
76
Jackson 5's FIRST Producer Recognized at Black Business
Luncheon August 20th
Before there was MOTOWN, there was STEELTOWN.
As the annual events approached to celebrate another
Michael Jackson birthday remembrance in August, Na-
tional Black
Wall Street
Chicago hon-
ored Mr. Gordon Keith and his record label
of history on Thursday, August 20th at The
National Black Wall Street Chicago Black
Economic Luncheon!
An invitation was extended to the public to
join the luncheon and meet the still living
UNSUNG HERO in person as a part of Na-
tional Black Business Month. A salute was
given to Mr. Gordon and his Black busi-
ness - the STEELTOWN recording compa-
ny.
Photo Caption of Mark Allen with
GORDON KEITH in Gary Indiana, outside
of the 2300 Jackson Street, historic home
of Michael Jackson and The Jacksons.
The legendary record producer GORDON
KEITH, owner of STEELTOWN Record
Label, was the FIRST to produce and record
Michael and The Jackson 5 FIRST hit record
called BIG BOY !!
SOURCE Story by: Marks Allen
Photo
77
Lionel Richie Named 2016
MusiCares Person of the
Year Lionel Richie will receive 2016 MusiCares Person of the Year Award, with Pharrell, Lady Antebellum and
Luke Bryan set for tribute concert. Edu Hawkins/Getty
Lionel Richie will receive the 2016 MusiCares Person of the Year award early next year in honor of his storied music career and charitable work for myriad causes including AIDS, breast cancer, hu-man rights, famine, poverty and human trafficking.
Richie will be celebrated at the 26th annual MusiCares benefit gala, set for February 13th, 2016, two nights prior to the 58th Grammy Awards.
The gala, as always, will feature a star-studded tribute concert, and this year's lineup currently boasts Pharrell Williams, Lady Antebellum and Luke Bryan. Rickey Minor, music director for American Idol and the past two Gram-my Awards, will serve as music director for the event as well. Additional performers will be announced soon.
"As far as I'm concerned, this is the highest honor in our music business because it means you have a career," Richie said in a statement. "You've survived the journey, if you will. The people who have been there defy catego-
ries. When you say Barbra Streisand, Bob Dylan and Paul McCartney — are you kidding me? When I got in this business I wanted to be like them."
Richie's music career began on the campus of the Tuskegee Institute (now Tuskegee University) where he both earned a bachelor's degree in economics and helped form the seminal funk outfit, the Commodores. After notching numerous hits with the group during the late Sixties and Seventies, Richie embarked on an equally fruitful solo career in the Eighties. Richie has continued to record and tour, appearing on various festival bills in recent years and scoring yet another Number One album in 2012 with his 10th LP, Tuskegee.
As for his charitable efforts, Richie has been a longtime contributor to the United Negro College Fund and worked extensively on behalf of the Breast Cancer Research Center (his grandmother successfully battled the disease and lived to be 103). His music and philanthropic efforts notably coalesced in 1985 when he and Michael Jackson co-wrote "We Are the World."
83
Volunteering at the homie @ne-yo!!' @compoundfoundation
#MusicAcademyBootCamp. M~ #GiveBack #Inspire #LiveYourBestLife
Source
84
http://images5.fanpop.com/image/photos/25900000/July-year-1996-South-Africa-michael-jackson-25939344-600-404.jpg
YOUTH
CHILDREN
EDUCATION
85
MJL'S BACK TO SCHOOL CAMPAIGN - AS EASY AS A-B-C!
We are excited to announce that MJL has partnered with the Foundation of Goodness in Sri Lanka,
in order to help with their appeal for school packs ahead of the 2016 school year.
Many lives were devastated and children orphaned by the
2004 Boxing Day tsunami and the 30-year civil war. While
the war ended in 2009, there are still numerous families living
in extreme poverty, some of whom live in makeshift homes
and shelters with limited access to electricity or water. In
some cases, even travelling to school is a hardship. Indeed,
many of the children do not attend school because they
cannot afford even the bare essential school supplies.
For just $30 USD
(£20) you can
sponsor a school bag
brimming with all that
a child needs for
school, including
books, stationery, a
pencil box, a lunch
box, crayons, a water
bottle, material for
school uniforms and
even a voucher for
shoes! In addition to these essentials and thanks to our artist Mimi, bags sponsored via MJL will
include a couple of surprise Michael-inspired keepsakes, each displaying poignant quotes and song
lyrics by Michael which will undoubtedly inspire and encourage the children throughout their school
year.
86
Sponsorships need to be finalised by October when the packs
are bought. In December, a month before the Sri Lankan
school term, the brand new bags will be distributed to many
little outstretched hands and joyful faces during a very special
reception (photos show previous years' distributions).
This is another opportunity for you to be a part of a life-
changing initiative. Help a child escape the cycle of poverty
and give them hope in a better world. By sponsoring one
school bag, you are lighting up the future of a little boy or girl
and helping them make their dreams come true.
Helping a Sri Lankan child back to school is as easy as A-B-C.
Just send your donation of $30 USD (£20 GBP) via Paypal to:
MJL Let’s Get Back To School Campaign
MJL Facebook Page
88
The newly launched organization emphasizes a
peaceful environment for the future of the youth
Musician and member of the famous Jackson Five Marlon Jackson
started The Marlon Jackson Study Peace Foundation to promote
peace and unity in communities worldwide. Due to his successful
career with his brothers, Marlon has had the opportunity to tour the
world and experience different cultures. Through his travels he be-
came aware of what foreign underserved communities endure.
“Traveling the globe I’ve gotten to see various cultures and I’ve ob-
served how each community is set up,” said Marlon Jackson. “The
way this was started was by the vision that I believe I got from the
Lord like eight years ago I’ve met the kids across the world and
some of them do not have the basic necessities needed to thrive.
When I saw that I knew it was time to focus on the kids.” It wasn’t
long before Marlon came up with the idea to start a foundation that would benefit the basic fundamentals of a
healthy environment for children. He knows first hand how important it is to have a cohesive community. Before
the Jackson Five became successful, the family lived in an underserved area in Gary, Indiana.
“As a community we all should know that promoting peace and unity would cause a chain reaction that children will
observe. It all starts with what we make accessible to the children,” he said. Study Peace Foundation will create
new programs designed to engage young people and adults to live in peaceful environments. The foundation will
start off with building playgrounds in challenged communities across the U.S. offering a safe place for children to
play and exercise for a healthy lifestyle. The rising issue of obesity and health related illnesses in the African Amer-
ican and Latino communities continues to be important issue.
The foundation will start with a partnership with the company KABOOM to build playgrounds in New Orleans, Gary
and Los Angeles. KABOOM and the foundation have already stared the process to build their first playground in
New Orleans this summer. “It’s been ten years since Katrina hit New Orleans and in some areas it looks like the
disaster happened a month ago,” said Marlon. “That’s why we decided to come in and build a playground and revi-
talize the area for the community. The kids really need to see the community change.”
Alongside the playground, walking paths for the athletes and elderly will be made for those who want to remain
physically active. According to Marlon, members of the community in New Orleans will have the opportunity to be-
come more involved with their community through this project.
“As a community if we want to promote peace we have to start with the children and make sure we monitor their
peers. Prejudice, hatred and bullying are all taught. We learn these reactions from an early age. Projects like
these will continue to show the goal I have to uplift others and live a positive life,” he said.
In addition to the building of the playgrounds the Study Peace Foundation will also participate in guest speaking
with other organizations that promote peaceful living. The organization hopes to visit inner city schools to speak
with student bodies about the importance of living a healthy peaceful life style.
“If you find a void in the world it is your job to find a solution for that void,” Marlon said. “You have to stay true to
your mission and listen to whatever input others have that can help you.” SOURCE
MARLON JACKSON DISCUSSES HIS
STUDY PEACE FOUNDATION
By: Amen Oyiboke, Staff Writer - Published June 14, 2015
89
We have to be carefull with big organizations... The American organization Invisible Children
announced in mid-December that it is going
through a “transition.” The organization, which took
the world by storm with the viral Kony 2012 video,
announced that most of the staff – including Jason
Russell, the only remaining founder – will stop
working for the organization and that a small team
of four individuals will work through 2015 to
continue their lobbying efforts and formally hand
over their Africa-based programs by the year’s
end. In other words, the organization, which has
been raising awareness and action on the Lord’s
Resistance Army (LRA) and its leader Joseph
Kony for the past 10 years, is slowly phasing out.
For now, it appears Invisible Children won’t outlive
the rebel group it was formed to stop. Invisible
Children was new and groundbreaking in many
ways.
Make
Joseph
Kony
famous
overnight,
was the
first goal of
the San
Diego
based non-
profit
Invisible Children.
With a 29-minute, emotionally charged YouTube
short film that has been viewed over
100 million times, the team of young
activists had successfully begun their
movement. Joseph Kony is the leader of
the Lord’s Resistance Army (LRA), a
radical group in Africa that is
responsible for displacing over two
million Ugandans and abducting
thousands of children, 66,000 of whom
became child soldiers. Kony was
indicted by the International Criminal
Court for war for war crimes against
humanity but has not been captured.
When recent college graduates Jason
Russell, Bobby Bailey, and Laren Poole
visited Uganda in 2003 they got footage
90
The production talent of the founders is unparalleled, but their skills in managing the non-profit
were heavily criticized. Despite the good intentions of nonprofits, they are not immune to
failing as a business. Footage released of Russell, one of the co-founders, naked and
screaming obscenities in the streets of San Diego just 10 days after the video was released
was only the beginning of the downward spiral. It was publicly reported that Russell was put
on psychiatric hold before making a public apology but the movement lost the momentum it
needed for its “Cover the Night” campaign, the call to action in the documentary, in the midst
of bad publicity. On April 20, 2012, six weeks after
the video was released, the campaign was a flop.
Critics were quick to attack both the content of the
viral video and the spending allocations of Invisible
Children, which any non-profit should be prepared
for.
The first criticism was that the “Kony 2012” viral
video used a substantial amount of old footage
from as early as 2003 and presented it as if it were
the situation in Uganda in 2012. It also was
considered highly biased in its oversimplification of
the conflict.
Many nonprofits are criticized for how they spend
donations and Invisible Children was no exception.
Because nonprofits are required to disclose their
finances to anyone who asks, they are easy targets
for critics. Invisible Children raised $5 million
dollars in 48 hours following the release of the documentary. Most donors believed that the
money they gave would be going directly to aid in Uganda.
However, financial statements pointed in a different
direction. The majority of the non-profit’s expenses were
dedicated to raising awareness and lobbying, and they
took out a pretty penny for salaries too. In 2012, over $2
million dollars were spent on salaries alone.
Cameron Brown, a University of San Diego student who
volunteered with Invisible Children for seven years said
there are benefits to both media and groundwork spending.
“As for whether the groundwork is more beneficial or their
fundraising and awareness raising efforts stateside, it’s
difficult to say,” Brown said. “They go hand in hand.
Without the awareness and fundraising done here,
programs like the ones they have there wouldn’t be
91
possible. So in terms of immediate aid, the groundwork programs are definitely better. But those
programs can’t be established without the efforts they do stateside.”
https://www.youtube.com/watch?v=Y4MnpzG5Sqc
The non-profit was never supposed to last as long as it did. The goal of Invisible Children
was to capture Kony by the end of 2012 and to begin closing down after that. Kony has not
yet been forced to answer for his atrocities but the non-profit was not a total failure.
Invisible Children was successful in raising awareness and getting policymakers to prioritize
Uganda on the political agenda. Since 2012, three of the five commanders of the LRA have
been captured and over 90 percent of LRA violence has been stopped.
Brown volunteered on the U.S. side of the organization but said that the organization had a
well-organized response to resolving LRA conflict in Africa. Invisible Children set up radio
towers for early warning of raids, dropped defection fliers encouraging members of the LRA
to abandon the group, built rehabilitation centers for children who had been kidnapped, and
set up schools with mentoring programs.
“Their groundwork in Uganda, CAR, DRC, South Sudan, etcetera was multifaceted,” Brown
said. “They help with all
steps in dealing with the
LRA.” After a cutback
down to 22 employees at
the beginning of 2014,
Invisible Children
announced that they
would be phasing out all
of their U.S. employees
including the executive
board in 2015. Invisible
Children is handing their
work over to local
programs in Africa that
aid victims of the LRA and keeping only a few lobbyists working in the states. Invisible
Children is running one last campaign to raise $150,000 to fund the transition.
92
A statement on the Invisible Children website makes it clear that the movement is not over
even though the funding has dissolved. “We’re not quitting, because we won’t stop until
every captive man, woman, and child is out of the LRA,” the website said.
The closing of Invisible Children and their mass-media technique is an
interesting case in the nonprofit world.
The shutdown isn't just about cofounder Jason Russell's much publicized 2012 naked
meltdown in the wake of the film's viral success, though that certainly didn't help the
nonprofit's fundraising after the huge infusion of
money that followed the video. Invisible Children
—has spent most of the money it raised and is
finding it hard to raise more— but that may not
be the worst thing .
The issue might be close enough to being
resolved that the organization just isn't needed
anymore. In a world where the next ice bucket
challenge is a tweet away, how the organization
handled the rush of cash, rode a wave of criticism,
and dealt with the subsequent attention vacuum
can be a lesson to every organization hoping for
its own viral hit.
Sources:
theusdvista.com
fastcoexist.com
http://
theusdvista.com/2015/04/09/
invisible-children-closes-before
94
1958, A CHANCE TO BE A CHILD
At the Neonatal Michael’s Unit
and the Michael’s Children
(Emergency) Unit, Federal
Medical Center, Makurdi,
Nigeria, newborn babies and
little children are waiting for a
chance to be a child. The units
were adopted by
4LOVEprojects.org in August
2014 and August 2012,
respectively, in loving memory
of Michael, to celebrate his
life. We are committed to help
the FMC medical and nursery
staff in their daily work to save
the life of their children, giving
hope to their parents. Any single
effort that is done, brings a light
of hope, a chance for the kids to
be alive and have a childhood. Our commemorative T-shirts pay tribute to Michael as Humanitarian
of the Century with a message that says it all: 1958, Michael, King of L.O.V.E. If you want to help
us, make your order and take a picture of you in an emblematic spot of your location to tell the world that
‘there’ there’s a fan of Michael who cares. We also have a lovely story to share:
THE KISS OF MICHAEL. One day, life gives us a kiss, a kiss ...of Michael. It gives us special
moments surrounded by His 'halo of LOVE'. They are
special, unique, one of a kind… they are one of those that if
you wanted them to happen on purpose ... you’d never
succeed because they are.. spontaneous, sincere, full of
magic, fantasy and games, they happen without been
expected...Everyday stories born of the purity of a child, like
the one Noah Alirangues Jackson, from Madrid, tells us are
the ones that make us to believe that Michael is always
close to our hearts. And that is why, they are so nice to
share. Thank you, Noah!"My nephew was playing with me
to guess characters… I had to paste the answer on the
forehead, and thereafter to ask questions. My question was:
Is he/she black? My nephew said: “when he was young, he
was, now he’s white’. Look at this.. this is the way a child
writes Michael Jackson (just using Spanish phonetics)
95
At present, little Michael, one of the cubs that Ana Maria Aparicio Do Nascimento and
Andrea offered to raise funds for children, is walking a long journey south, as Michael's
Ambassador and will bring all our LOVE to the children. He carries a suitcase with T-shirts,
as a birthday gift for kids and the renewal of our commitment to the Federal Medical
Center.
This is the shipping code: RF051621729ES
We invite you to follow the little Teddy Michael, yourself / a (from the post website: corre-
os.es) to the address: Michael's Children and Neonatal Units at the Federal Medical Centre,
Makurdi, Nigeria.
If you want to participate, you can do it in several ways:
1) Send a message to children and children's hospital units. This year, we will celebrate the
3rd anniversary of Michael's Children Unit and the 1st of Michael's Neonatal Unit, in
memory of the 57th birth anniversary of Michael.
2) You may be the one who gives one of the T-shirts shipped (15 euros)
3) You can have a bear (they are of famous fashion designer Agatha Ruiz de la Prada), as the
Dr Efosa Oghagbon will (12 euros + shipment to your country)
4) Make a donation in the amount you want to PayPal [email protected].
5) And as always, you have a collection of cute things in
https://www.facebook.com/4L.OVEProjects/app_184367687735
A Chance to Be a Child - Michael's
96
BOOKS
Adam D. Worthy: J5 JAPANdemonium! 1973 From behind the gates of Hayvenhurst, the Jackson 5 take a trip to Japan during the Spring of 1973. Although the trip was moderately covered for the fans, a treasure trove of photos never-before-seen are here! This book is available for download with iBooks on your Mac or iOS device. Multi-touch books can be read with iBooks on your Mac or iOS device. Books with interactive features may work best on an iOS device. iBooks on your Mac requires OS X 10.9 or later.
83 pages - Published on July 5, 2015 - Price:Euro 8,99
itunes.apple.com/it/book/j5-japandemonium!-1973/id1016312915?mt=11&ign-mp...
www.facebook.com/scoop.newsworthy.5?pnref=story
This is the story of a boy from a small Irish village who became an adventurer, a humanitarian and a doctor to the stars. Patrick Treacy grew up in rural Northern Ireland during the Troubles. Determined to become a doctor, he raised the money for medical school by smuggling cars from Germany to Turkey. In Saddam Hussein s Baghdad, Treacy was arrested and imprisoned, spending days wondering whether he was going to be hanged as a spy. In Australia, he worked for the Royal Flying Doctor Service. On returning to Dublin, Treacy set up the Ailesbury Clinic, where he worked on the cutting-edge of the new field of cosmetic dermatology, championing treatments including the use of Botox. This brought stars to his doorstep, including the King of Pop himself, Michael Jackson. Central to this memoir is Treacy s personal journey: his efforts to escape the Troubles, cope with the fear that he might have contracted HIV (until he found out that he had not), get over his lost love and defend Michael Jackson s legacy. http://www.amazon.co.uk/Behind-Mask-Patrick-Treacy/dp/191074204X
97
Michael Jackson released by Revolutionary on
October 1, 1991
Jay Allen Sanford is a author, cartoonist, editor and
publisher that worked to Revolutionary Comics, Carnal
Comics and Pacific Comics.
CARTOONS
Rock N' Roll Comics #36
98
MICHAEL JACKSON COMIC ISSUE #36
PART 4 - PAGES 17-24 OF 30
102
Call for Love for August 16, 2015
LIFT ME UP SLOWLY – PART 1
So the spirit lifted me up. (Ezek. 3:14 KJV)
Humble yourselves in the sight of the Lord, and he shall lift you up. (James 4:10
KJV)
The blood bank was on the 22nd floor of the hospital, which necessitated taking the
elevator. When one of our patients needed blood products, it was our responsibility
to retrieve it. So there we were, several of us, in this elevator when it suddenly
stopped and the doors began opening and closing: we were not at a floor level. It
all happened so fast, that we really didn’t have time to be frightened, and before
long we were back on our way to the top floor of the building.
Elevators perform a commendable task of raising us up, particularly when the
flights are way too many to climb. I would list among those whom we tend to take
for granted, the people who manufacture, install, test, and inspect elevators so that
they are safe for people to move about in.
There are many other ways, however, to be “lifted up.” “Will you be there” asks if
we will be there to lift another up when they need it most. When Michael performed
the song, often he would have people physically lift him up. The message is clear:
we can’t lift ourselves. It takes others who are willing to do it. Whether we are the
lifter or the one being lifted, we have a part to play, and we must do it with dignity
and grace and love.
Throughout so much of my life, I have been the “lifter,” the one helping another out
of a tough spot. When I became the one who needed lifting, I was not so
comfortable with the role. But then I recalled how “uplifting” it was to me, to be able
to help someone else. And I realized that by allowing someone else to lift me, I was
giving them that same gift. When we lift someone up, we are actually both being
lifted. And I think that is part of the message: By lifting me, you yourself will be lifted
up in ways you can’t even imagine.
~Diana Foley~
103
Psalm 34:18 (ESV)…….The Lord is near to the
brokenhearted and saves the crushed in spirit.
Kelly LaFleur Julio Javier Basilio Martinez
104
Kelly LaFleur
“To live in hearts we leave behind is not to
die.” ― Thomas Campbell
105
In Memory of Julio Javier Basilio Martinez
Julio Javier Basilio Martinez who made his living as a Michael Jackson impersonator.
Passed away on Wednesday August 12, 2015. Julio was from Sincelejo, Columbia and
was the father of 5 children.
Fans may visit Julio’s Facebook page here to leave comments or condolences for the
family. For certain he will be missed by family and members of the
Article
107
MICHAEL JACKSON:
THE MYTH
Why do people get so absorbed in following all
of the activities of MJ and his family? And
obsessively follow their love lives, purchases,
weight changes, clothes worn, cars driven, and
all sorts of other things?
Has a celebrity-obsessed culture or sub-culture
always existed? I think the basic motivation is
the same: people are interested in celebrities
because they represent some kind of "ideal."
They are "larger than life" in certain senses, we
can even say that modern celebrities in
western world fill some of the vacancies left by
the demigods and titans of times past.
This may seem a bit exaggerated, but can we
deny that the crazed behavior of
"fans" (especially women) can reach heights of
near-religious fervor? It really does.
This reminds me of the cult
of Dionysus whose worshippers
were Maenads:
In Greek mythology, Maenads were female
worshippers of Dionysus, the Greek god of
mystery. They were known as wild, insane
women who could not be reasoned with.
The mysteries of Dionysus inspired the women
to ecstatic frenzy; they also were characterized
as entranced women, wandering through the
forests and hills.
(They went into the mountains at night and
practiced strange rites. (Homer's Iliad, Book VI,
line 130).
Dionysus in many ways represents the "rock
star" archetype. The myths describe him as
somewhat boyish, androgynous and with a
screaming crowds running after him.
108
I found this little extract that in my opinion pictures the situation very well:
“Yet a major source of cultic energies in twentieth-century America was the entertainment industry: the
Hollywood studio system, cohering during and just after World War I, projected its manufactured stars as
simulacra of the pagan pantheon. Frenzied fans (a word derived from the Latin fanatici, for maddened
worshippers of Cybele) had already been generated by grand opera in the late-seventeenth and
eighteenth centuries, when castrati sang female roles and were the dizzy object of coterie speculation
and intrigue. Modern mass media immensely extended and broadened that phenomenon. Outbursts of
quasi-religious emotion could be seen in the hysterical response of female fans to Rudolph Valentino,
Frank Sinatra, Elvis Presley, and the Beatles. Eroticism mixed with death is archetypally potent: there
were nearly riots by distraught mourners after Valentino's death from a perforated ulcer at age thirty-one
in 1926. The rumor that Elvis lives is still stubbornly planted in the culture, as if he were a demigod who
could conquer natural law. Tabloids have touted Presley's canonization as the first Protestant saint. The
same myth of surviving death is attached to rock star Jim Morrison, whose Paris grave has become a
magnet for hippies of many nations.
Cultism of this demonstrative kind is persistently associated with androgynous young men, half sweet,
half surly, who like Adonis are sometimes linked with mother figures. Presley, for example, sank into
depression and never fully recovered from his mother's unexpected death at age forty-six in 1958; after
long substance abuse, he died prematurely at age forty-two in 1977. Rock music, even at its most
macho, has repeatedly produced pretty, long-haired boys who mesmerize both sexes and who
hauntingly resemble ancient sculptures of Antinous, the beautiful, ill-fated youth beloved by the Roman
emperor Hadrian. It's no coincidence that it was Paul McCartney, the "cutest"
and most girlish of the Beatles, who inspired a false rumor that swept the
world in 1969 that he was dead. Beatles songs and album covers were
feverishly scrutinized for clues and coded messages: I myself contributed to
this pandemonium by calling a New Haven radio station to identify mortuary
lines from King Lear submerged in the climactic cacophony of "I am the
Walrus." In cultic experience, death is sexy. The hapless McCartney had
become Adonis, the dying god of fertility myth who was the epicene prototype
for the deified Antinous: after Antinous drowned in the Nile in 130 AD, the grief
-stricken Hadrian had him memorialized in shrines all over the Mediterranean,
where ravishing cult statues often showed the pensive youth crowned with the
grapes and vines of Dionysus”.
This holistic view is called the "halo
effect" in psychology. The halo effect is a
type of cognitive bias in which our overall
impression of a person influences how
we feel and think about his or her/his
character.
Essentially, your overall impression of a
person ("He is nice!") impacts your
evaluations of that person's specific traits
("He is also smart!").
Page 60 & 61
109
Michael Jackson’s,
“halo” effect to have
become resolute and
most elevated. Since
his death has been
returned for most to
his throne as the King
of Pop and haled as
the man who changed
the way music videos
were made by the
mass media and all.
It's no news that the contributions of his earlier
years, however, were almost entirely
overshadowed by the latter by allegations and
criticism of his lifestyle.
Generally (and sadly it’s not Michael Jackson
case) people can relate to the discomfort that
accompanies even the thought of uttering an ill-
spoken word regarding the deceased.
But if this karma-invoking explanation is the fact
behind our faithful telling of sainthood, then we
should expect people to only speak positively of
the living as well (because no one likes to be
spoken ill of, period). But it just seems that isn't
how things go... So why the switch?
Why are we so comfortable gossiping and
saying bad things about our contemporaries
(only years ago, mass media tarnished MJ's
reputation), but only until the point at which they
are no longer extant (MJ is once again our
darling).
What is the truth about Michael Jackson? Ask that
question and many will answer ….'He was the
greatest entertainer of the 20th Century'; 'He was
the King of Pop'; 'He died on June 25, 2009'; 'He is
still alive today and faked his own death'.
All but one of those statements is based upon
personal opinion, the only FACT is that Michael
died on June 25, 2009…or did he?
Why would so many question that statement?
Countless conspiracy theories abound as to whether
Michael really died that day and because of them
people naturally wonder if they could be true. Sure,
there is a death certificate, there was a funeral, there
was a grieving family left behind BUT there were also
numerous inconsistencies surrounding the
circumstances of his death which make many fans
believe Michael faked his own death to escape the life
he was leading.
The internet is full of theories and opinions as to what
really happened at Carolwood on June 25, 2009,
therefore there is no need to list them all here, You
Tube has a wealth of videos which I’m sure you have
already seen. As if this charade couldn’t get any worse,
a new and rather amusing
development surfaced
recently on twitter which
adds a startling dimension
to this ‘story’. It seem
that a congruous group of
fans who actively support
his Estate and the relevant
horrible products post
2009, believe Michael to
110
Mr. producing
and
marketing
his
leftovers,
adjusted
by
famous
“nobody”??
Fans wake up!
There’s No Debate:
Michael Is Not Alive!
The "right to doubt", sometimes paradoxically
invoked by those who question the truths that
seem more established, it becomes otherwise
"negation of all speech". Thus "we can show that
something exists, but it is definitively impossible
to show that something does not exist"
To illustrate the absurdity of such a hoax theory,
we can use this very eloquent example:
"I can prove that there are horses,
but I cannot
prove that
there are
NO
unicorns."
Indeed, these myths are based on a highly
satisfactory unveiling effect for the soul, similar to
what we feel when we discover the solution to a
puzzle (...) Furthermore, one who endorse the
conspiracy myth have the feeling to know more
than the regular fans and therefore he does
consider himself to be less naive than the
others. From there, it is not always easy to
convince her/him of the futility of his arguments
because she/he quickly sees the other person as
mediator of the official doctrine he intends to fight.
I think those who have been fans since the
beginning have seen the transformation of his
Lyrics over time and that he was indeed clever in
hiding them by referencing places or objects in
place of the actual.
Especially the last 7 years of Michael life any fans
following him felt his pain, and his music guided
us thru life. For some of us his songs weren’t just
songs but were more autobiographical data about
the battle he was going thru in life. It hurt so bad
to know that the end was near, but even that it did
not prepare us for the day we woke up to hear
Michael Jackson had died…
To this day we ache, our heart’s are broken. We
really feel that in Michaels Death, hopefully, a
revolution of this LOVE he tried SO HARD to
bring to this planet while alive, will manifest into a
greater good, more so in his death.
112
Michael Jackson, 10,000 hours, and the roots of creative genius
Let’s consider, Michael Jackson, as an example of a prodigy. He grew up in a musical family in Gary, Indiana just outside Chicago. His father Joe played in an R&B band. All of his siblings played music in one way or another. Unlike his siblings and father, Jackson did not really play any instruments. However, he would compose songs in his head using his voice. One morning he came in and had written a song which eventually became ‘Beat It’. In the studio, he would sing each of the different parts including the various instruments. Then the producers and artists in the studio would work on putting the song together, following his arrangements.
To continue reading please click http://blog.oup.com/2014/08/michael-jackson-creativity/?utm_source=feedblitz&utm_medium=FeedBlitzRss&utm_ca
April 15, 2009
50 Nights in London. A Jackson press conference retrospective
In the world of Michael Jackson, onlookers
must often wait for the dust to settle before
events become clear. The star is erratic, his
plans are rarely concrete and his motivation
Events surrounding Jackson's press conference last month were typically baffling, but the Newshound is now
able to shed some light on the confusion that surrounded the announcement of his London concerts.
In February the Newshound became the first journalist to break news of Michael Jackson's summer
residency. Shortly afterwards, the Newshound received information from Sony and O2 sources that a
The date came and went and the Newshound's sources were bemused. At the time, it was speculated that
company heads could have leaked the wrong date as a diversionary tactic.
The Newshound can now reveal that this was not the case - Jackson really was due to announce the
concerts on Thursday 26th February. To continue reading please click:
http://lowlynewshound.blogspot.it/2010/07/50-nights-in-london-jackson-press.html
113
Advocacy/Vindication
"TRUE FAN OR NOT, WHO GETS TO DECIDE?"
https://vindicatemjj.wordpress.com/
Dispelling Myths & Rumors
LunaJo67
Michael Jackson: What DID happen after June 25?
Pt 5 "More Neverland business"
ADVOCACY
VINDICATION
DISPELLING MYTHS & RUMORS
Adllaw/Cadeflaw Initiative
Petitioning the U.S. Senate to author a bill that would make it unlawful to defame a person who is deceased.
115
By means of the Mummy, mankind, it is said, Attests to the gods its respect for the
dead. We plunder his tomb, be he sinner or saint, Distil him for physic and grind him
for paint, Exhibit for money his poor, shrunken frame, And with levity flock to the sce-
ne of the shame. O, tell me, ye gods, for the use of my rhyme: For respecting the dead
what's the limit of time?
~Scopas Brune~
Petition
We are petitioning the U.S. Congress to author a bill that would
make it unlawful to defame a person who is deceased. Slander
and libel are not protected under the First Amendment while a
person is living. The same protection should be extended to a
person after they are deceased. The loved ones of someone who
has passed on should not have to live with the continued defama-
tory stories and false accusations that can so easily be paraded
as fact.
116
WRGO MAGAZINE WATCHMAN
Showing Out in Public
When I was little, my parents would always give me the rundown before they had company. “Don’t
talk when grown folks are talking. Act like you have some home training and do not show out in
public.” A recent post to the WRGO Magazine Facebook page about some fellow fans had me
cringing.
The post was a story about fans fist fighting outside of the site of a shrine built to Michael Jackson.
Talk about showing out! But, despite the fact that we had fans coming to blows at what was
supposed to be a significant site, the word choice in the article was startling. You see, it wasn’t a
memorial that was built to Michael Jackson, it was a shrine. The difference is to me is memorials
are where we go to show respect to fallen heroes and significant figures. Shrines are where we go
to worship gods.
I admire the music of Michael Jackson and would debate anyone who said he wasn’t one of the
greatest entertainers of all time. I also respect the personal and professional sacrifices he made
that eventually garnered him the title The King of Pop. But Michael Jackson does not sit on the
right hand of God nor will he meet me at the Pearly Gates. To be fair, Michael Jackson did suffer
persecution at the hands of many, but ignoring his role in bringing on that persecution does an
injustice to both the man and his legacy.
When it comes to stewardship of that legacy, Michael Jackson fans have both rights and
responsibilities. We have the right to celebrate the King of Pop’s life and contributions to the world.
We also have the responsibility to jealousy guard his legacy. Protecting the legacy is not about
creating a white-washed account of the mans’ life. Rather, it is about accepting that life for what it
was- a chronicle of an extraordinarily talented, deeply conflicted man. We as fans also have the
responsibility to check ourselves and police our fellow fans accordingly. This isn’t about ostracizing
those who prefer “Dangerous” over “Bad,” it’s about making sure we don’t give the world a chance
to point the finger at us as a collective example of what crazy looks like.
Michael Jackson is gone, but the work he did for others lives on. Unfortunately, some stereotypes
about his fans do, too. The fan community has the golden opportunity now to guard Michael
Jackson’s legacy and dispel the myth that we are just as “wacko” as MJ was. However, strife,
in-fighting, jealousy and rumor-mongering are all things that build walls instead of bridges. Fans
don’t always have to agree with each other. We don’t even have to like each other. But airing our
dirty fan laundry by building shrines and then fist fighting in public? Unacceptable.
Remember, now that Michael is gone, the eyes of the world are watching us. Let’s act like it.
~ The Watchman ~
117
Y ou can contact us at the following:
Group home page: http://groups.yahoo.com/group/whatreallygoingon
Group email address: [email protected]
Facebook Community Page Here
E ditors MJ Brookins—https://www.facebook.com/MJsDC
Simonetta Delfi —https://www.facebook.com/simonetta.delfi
CONTACT US
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Click on each hyperlink, above, to open
the corresponding magazine issue, where
you may read online or order hard copy.
118
NOTES FROM THE EDITORS
INTERESTED IN SUBMITTING AN ARTICLE , EVENT OR PROJECT
If you have a story, photos you’ve created, an advocacy or vindication project, a
human interest story, children’s project, legacy project, special video, a book, artwork
or you may be a support group; we will be delighted to promote you or your group in
this new fan based magazine.
Our goal is to support the Michael Jackson fan community by sharing your journey
with Michael before and after June 25, 2009.
We are very interested in your creations and reading about your journey with
Michael. Your story may be that prescription that encourages beginners to move
forward with the gift that they have been holding onto out of trepidation to share.
What you have to offer is important to us. We consider no person or project to be
mediocre. You are important to us. If you wish for anonymity, we will honor that
request. Many of the fans have been bullied and aren’t comfortable sharing for fear
of being ridiculed. We’re happy to report that the community has more Love than
Hate.
Let us promote you or your project in “What’s REALLY Going ON” magazine.
Time for your Light to Shine
It’s all for L.O.V.E.
Send Submissions to: [email protected]
119
WRGO MAGAZINE DISCLAIMERS
Disclaimers: This is a Not for profit magazine and was created to share, with the world, the beautiful
people and projects inspired by Michael Jackson. This magazine can be read online or a hard copy
issue may be purchased via the online hosting website owners. The cost of printing, perfect binding
and shipping cost will be determined by the price list of the host magazine owner(s). Many of the
photos and graphic images are not the property of “What’s REALLY Going ON” magazine and were
obtained from different sites on the web. We claim only ownership of the name, logo and wherever
content is not credited to another source. The Jackson family nor the Michael Jackson Estate
Managers are engaged in or have anything to do with this magazine. This is solely a fan
magazine. The content in the magazine is the opinion of the blogger or person(s) submitting and is
not intended to “malign any religion, ethnic group, club, organization, company, or individual.” Our
“intention” is to do no harm. To not injure others, defame, or libel. What is written in this magazine is
not to be taken as fact nor absolute. Where information is taken from another site a “link” will be
provided redirecting the reader to that site. It is not our “intent” to violate any copyright that belong to
someone else. If we have knowledge of the origin of information or if it is copyright protected that
information will be provided. Again, This magazine was created to support the Michael Jackson
Community endeavors and to share with the community and the world the gift he had and still have
for connecting people, globally.
Disclaimer of Endorsement The inclusion in this Magazine of advertising, logos or Web site links,
or reference to any products, process, service, trade name, trademark, or manufacturer, is not an
endorsement by "What's Really Going On?" Magazine of any such advertisers, links, entities,
products, services, names or marks. External links are made available to assist the Internet user in
his or her search. WRGO has not screened individual links or organizations that appear in this
magazine or that may be electronically linked to the magazine. WGRO strongly urges all users of this
site to conduct their own investigation of any individual, organization, product or service appearing in
the magazine or that is electronically linked to the magazine. WGRO neither endorses links nor
approves of links external to this magazine. WGRO has no control over and takes no responsibility
for any such link's operation or content.
120
Deborah L. Kunesh Writer and Scentsy Independent Consultant
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Michael Jackson: Innocent 28 February 2005 By: D. Francis
#1 in Books Biographies & Memoirs ( J ) Jackson, Michael Amazon USA 28, 29 May, 23 June + 2, 7 July 2013 (also an International Bestseller on Amazon) Hailed as the criminal trial of the century. Two years of speculation in the media. Wall to wall media coverage from 2003 to 2005, 2000+ ac-credited journalists, yet the defense case was invisible. The public were bombarded with sala-cious prosecution focused media commentary. On 13 June 2005 Michael Jackson was acquitted of 10 felony charges and 4 misdemeanors. Those disgruntled in the media, labelled the acquittal celebrity justice. If you want to find out the truth, start reading this book.
This is a unique book looking at the trial testimony. It provides an in-depth look at the trial from the first day. It offers the reader an insight into the case that was not provided by the media coverage in 2005. This mini series shines a light on the defence case, and the trial testimony.
28 February 2005 was the first trial day.
Michael Jackson Innocent WordPress
121
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FANS RESTORING GARY, IN IN HONOR OF MICHAEL JACKSON
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The Dancer (U Got the music in U)
[feat. L-Marie]
By: Rob Ra
iTunes GB U.S.A. UK iTunes U.S.
122
ATTRIBUTIONS
http://gallery.yopriceville.com/Free-Clipart-Pictures/Ribbons-and-Banners-PNG/Green_Banner_PNG_Clipart#.VcFj3_lViko
RIBBON ON FRONT COVER
https://vindicatemjj.wordpress.com/2012/02/05/true-fan-or-not-who-gets-to-decide-love-and-fruits-of-their-deeds/
http://lowlynewshound.blogspot.it/2010/07/50-nights-in-london-jackson-press.html
http://blog.oup.com/2014/08/michael-jackson-creativity/?
utm_source=feedblitz&utm_medium=FeedBlitzRss&utm_campaign=oupblogscimed
https://www.youtube.com/watch?v=sM3ArVf2Ri4&feature=youtu.be
http://www.bu.edu/arion/files/2010/03/paglia_cults-1.pdf
http://wwe-profile.blogspot.com/2012/01/forget-me-not-flower.html
http://www.goodreads.com/quotes/tag/remembrance
http://theusdvista.com/2015/04/09/invisible-children-closes-before-mission-is-completed/
https://www.facebook.com/michaeljacksonslegacy?fref=photo
https://www.facebook.com/michaeljacksonslegacy/photos/a.273284816083569.64837.123963597682359/894174500661261/?
type=1&theater
http://www.rollingstone.com/music/news/lionel-richie-named-2016-musicares-person-of-the-year-20150818
http://www.chicagonow.com/and-the-ordinary-people-said/2015/08/jackson-5s-first-producer-recognized-at-black-business-luncheon-
august-20th/
http://www.123rf.com/ Artwork: Copyright sylverarts http://www.123rf.com/search.php?
word=musical+notes+border&imgtype=0&t_word=&t_lang=en&oriSearch=musical+notes&mediapopup=30278802
http://tech.amazingezone.com/wp-content/uploads/2012/03/vista-video-reel.jpg
http://www.youtube.com/yt/brand/media/image/YouTube-logo-full_color.png https://www.facebook.com/photo.php?fbid=10206891853751895&set=gm.291604214348051&type=1&theater 2015 AdLLaw/Cadeflaw OneWhiteRoseForMichael Campaign
http://www.eventbrite.com/e/steel-city-drumline-tickets-17697292077 Steele City Drumline Event
https://www.facebook.com/events/824432991005975/ Heal The World Miracle Joy Center Project
http://www.fnewsen.com/2015/07/27/anvfjl.jpg Joseph Jackson in Sao Paulo, Brazil on 87th Birthday
https://www.youtube.com/watch?v=UW1FxR7TQqo Lydia Murdock's 1983 disco hit "Superstar. Answer to Michael Jackson’s Billy
Jean
http://img.over-blog-kiwi.com/0/13/41/44/201211/ob_c726f825a4af7783cfe7187ffa675e80_lydia-murdock-superstar.jpg
Cover photo of Lydia Murdock’s “Superstar”
http://www.songfacts.com/detail.php?id=277 The Billy Jean Story (Songfacts)
http://host2post.com/server13/photos/kf00pmc0bvuuom~/burning-candle-warmth-light-posted-debopam.jpg Candle
http://www.elpalpitar.com/seguridad/2015/08/al-imitador-de-michael-jackson-lo-mataron-en-el-pinal/
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"As we let our own light shine, we unconsciously give other people permission to do the same." ~ Nelson Mandela
CHILD OF INNOCENCE
Child of innocence, I miss your sunny days We joyously frolicked in extended plays
Ever since you've left the scene The streets are lonely, dark and mean
Child of innocence, return to me now
With your simple smile show them how This world once again can respond to your glance And heartbeats flutter to the rhythm of your dance
Child of innocence, your elegance, your beauty
Beckons me now beyond the call of duty Come fly with me far and above
Over the mountains in the land of love
Child of innocence, messenger of joy You've touched my heart without a ploy
My soul is ablaze with a flagrant fire
To change the world is my deepest desire.
Written By: Michael Jackson