writing about literature
DESCRIPTION
Writing About Literature. 12. Rhythm and Rhyme. Rhythm. A strong, regular, repeated pattern of movement or sound Sources: From the Oxford English Dictionary: “marked by the regulated succession of strong and weak elements, or of opposite or different conditions” - PowerPoint PPT PresentationTRANSCRIPT
Writing About LiteratureWriting About Literature
12 Rhythm and Rhyme12 Rhythm and Rhyme
Rhythm Rhythm
A strong regular repeated pattern of movement A strong regular repeated pattern of movement
or soundor sound
SourcesSources
From the Oxford English Dictionary ldquomarked by the From the Oxford English Dictionary ldquomarked by the
regulated succession of strong and weak elements or regulated succession of strong and weak elements or
of opposite or different conditionsrdquoof opposite or different conditionsrdquo
From Latin From Latin rhythmusrhythmus ldquomovement in timerdquo ldquomovement in timerdquo
From Greek From Greek rhythmos rhythmos ldquomeasured flow or movementrdquoldquomeasured flow or movementrdquo
Meter Meter
A pattern of stressedA pattern of stressed syllables alternating syllables alternating
in regular intervals with syllables of less in regular intervals with syllables of less
stressstress
The basic rhythmic structure of poetryThe basic rhythmic structure of poetry
Compositions written in meter are said to Compositions written in meter are said to
be in be in verseverse
Foot Foot
Each unit of stressed and unstressed Each unit of stressed and unstressed
syllables is called a syllables is called a footfoot
Foot type Style Stress pattern Syllable count
Iamb Iambic Unstressed + Stressed Two
Trochee Trochaic Stressed + Unstressed Two
Spondee Spondaic Stressed + Stressed Two
Anapest Anapestic Unstressed + Unstressed + Stressed Three
Dactyl Dactylic Stressed + Unstressed + Unstressed Three
Amphibrach Amphibrachic Unstressed + Stressed + Unstressed Three
Pyrrhic Pyrrhic Unstressed + Unstressed Two
Foot ExamplesFoot Examples
Some but not all feet can be represented Some but not all feet can be represented
with single wordswith single wordsFoot type Stress pattern Examples
Iamb Unstressed + Stressed˘ awake
Trochee Stressed + Unstressed ˘apple
Spondee Stressed + Stressed deadlock
Anapest Unstressed + Unstressed + Stressed˘ ˘ incomplete
Dactyl Stressed + Unstressed + Unstressed ˘ ˘criminal
Amphibrach Unstressed + Stressed + Unstressed˘ ˘regardless
Pyrrhic Unstressed + Unstressed ˘ ˘ ˘ ˘ When the blood creeps and the nerves prick
Metrical LinesMetrical Lines
The meter for a line of poetry is The meter for a line of poetry is
determined by the type of foot determined by the type of foot
and the number of feet in that lineand the number of feet in that line
So a line with three iambic feet is So a line with three iambic feet is
known as iambic trimeter A line known as iambic trimeter A line
with six dactylic feet is known as with six dactylic feet is known as
dactylic hexameterdactylic hexameter
Line types Length
Monometer One Foot
Dimeter Two Feet
Trimeter Three Feet
Tetrameter Four Feet
Pentameter Five Feet
Hexameter Six Feet
Heptameter Seven Feet
Line ExamplesLine ExamplesIambic pentameterIambic pentameter
The curfew tolls the knell of parting dayThe curfew tolls the knell of parting dayfrom from Elegy Written in a Country ChurchyardElegy Written in a Country Churchyard by Thomas Gray by Thomas Gray
That time of year thou mayst in me beholdThat time of year thou mayst in me beholdfrom Sonnet 73 by William Shakespearefrom Sonnet 73 by William Shakespeare
A little learning is a dangerous thingA little learning is a dangerous thingfrom from An Essay on CriticismAn Essay on Criticism by Alexander Pope by Alexander Pope
Line ExamplesLine Examples
Determine the meterDetermine the meter ˘ ˘ ˘ ˘ ˘ ˘ ˘ ˘
Half a league half a leagueHalf a league half a league ˘ ˘ ˘ ˘ ˘ ˘
Half a league onwardHalf a league onward ˘ ˘ ˘ ˘ ˘ ˘ ˘ ˘
All in the valley of DeathAll in the valley of Death ˘ ˘ ˘ ˘ ˘ ˘
Rode the six hundred Rode the six hundred
from from The Charge of the Light BrigadeThe Charge of the Light Brigade by Alfred Lord Tennyson by Alfred Lord Tennyson
Meter and FormMeter and Form
Some forms of poetry are written entirely Some forms of poetry are written entirely
in one meterin one meter
Some forms of poetry require several Some forms of poetry require several
different meters different meters
And yes some forms of poetry even mix And yes some forms of poetry even mix
meters in individual linesmeters in individual lines
RhymeRhyme Rhyme a repetition of similar sounds in two or more Rhyme a repetition of similar sounds in two or more
wordswords Example To Example To rhymerhyme is is sublimesublime
End rhyme Rhymes that occur at the end of the verse End rhyme Rhymes that occur at the end of the verse
lineline Example And the waves oozing through the porthole Example And the waves oozing through the porthole mademade
His berth a little damp and him His berth a little damp and him afraidafraid
Internal Rhyme Rhymes that occur within a verse lineInternal Rhyme Rhymes that occur within a verse line Example Sister my sister O Example Sister my sister O fleetfleet sweetsweet swallow swallow
Rhyme SchemeRhyme SchemeA rhyme scheme is the A rhyme scheme is the patternpattern of end-rhymed lines in a of end-rhymed lines in a
poempoem
Bent double like old beggars under sacks Bent double like old beggars under sacks a a
Knock-kneed coughing like hags we cursed through sludge bKnock-kneed coughing like hags we cursed through sludge b
Till on the haunting flares we turned our backs aTill on the haunting flares we turned our backs a
And towards our distant rest began to trudge And towards our distant rest began to trudge b b
Men marched asleep Many had lost their bootsMen marched asleep Many had lost their boots c c
But limped on blood-shod All went lame all blind But limped on blood-shod All went lame all blind d d
Drunk with fatigue deaf even to the hoots Drunk with fatigue deaf even to the hoots c c
Of tired outstripped Five-Nines that dropped behind Of tired outstripped Five-Nines that dropped behind d d
from from Dulce Et Decorum EstDulce Et Decorum Est by Wilfred Owen by Wilfred Owen
Line BreakLine Break A line break in poetry is the termination of the line of a A line break in poetry is the termination of the line of a
poem (usually on the right) and the beginning of a new poem (usually on the right) and the beginning of a new
line (usually on the left)line (usually on the left)
When a line ends with a syntactical pause and punctuation When a line ends with a syntactical pause and punctuation
that indicates a pause it is ldquoend-stoppedrdquothat indicates a pause it is ldquoend-stoppedrdquo
When a line ends within a syntactical unit and has no When a line ends within a syntactical unit and has no
punctuation that indicates a pause it is ldquoenjambedrdquopunctuation that indicates a pause it is ldquoenjambedrdquo
Enjambment literally means to straddlelsquo (or to put ones Enjambment literally means to straddlelsquo (or to put ones
leg across or to step over) and is a form of line breakleg across or to step over) and is a form of line break
EnjambmentEnjambment
These lines are end-stopped that is the end These lines are end-stopped that is the end
of the line coincides with the end of a of the line coincides with the end of a
grammatical unitgrammatical unit
Shall I compare thee to a summers dayShall I compare thee to a summers day
Thou art more lovely and more temperateThou art more lovely and more temperate
Rough winds do shake the darling buds of MayRough winds do shake the darling buds of May
And summers lease hath all too short a date And summers lease hath all too short a date
(Shakespeare Sonnet 18)(Shakespeare Sonnet 18)
EnjambmentEnjambmentThese lines are enjambed that is the line does not end These lines are enjambed that is the line does not end with a grammatical break Here are a few lines from with a grammatical break Here are a few lines from Keats Keats EndymionEndymion which demonstrate how enjambment which demonstrate how enjambment worksworks
A thing of beauty is a joy forever A thing of beauty is a joy forever
Its loveliness increases it will neverIts loveliness increases it will never
Pass into nothingness but still will keep Pass into nothingness but still will keep
A bower quiet for us and asleepA bower quiet for us and asleep
Full of sweet dreams and health and quiet breathing(ll 1-5)Full of sweet dreams and health and quiet breathing(ll 1-5)
The first and last lines above are end-stopped lines 2 3 The first and last lines above are end-stopped lines 2 3 and 4 are enjambedand 4 are enjambed
EnjambmentEnjambment Enjambment increases the pace of the poem whereas Enjambment increases the pace of the poem whereas
end-stopped lines which are lines that break on end-stopped lines which are lines that break on
caesuras (pauses) emphasize these silences and slow caesuras (pauses) emphasize these silences and slow
the poem downthe poem down
may also be used to delay the intention of the line until may also be used to delay the intention of the line until
the following line and thus play on the expectation of the following line and thus play on the expectation of
the reader and surprise themthe reader and surprise them
the line cannot stand alone cannot make sense without the line cannot stand alone cannot make sense without
the following linethe following line
Closed FormClosed Form
Together meter and rhyme scheme may Together meter and rhyme scheme may
determine a specific pattern or design of poetrydetermine a specific pattern or design of poetry
When these forms are strictly defined they are When these forms are strictly defined they are
referred to as referred to as closed formsclosed forms
In English closed forms include theIn English closed forms include the
SonnetSonnet
SestinaSestina
Villanelle Villanelle
Blank verseBlank verse
Heroic coupletHeroic couplet
RoundelRoundel
BalladeBallade
Ottava RimaOttava Rima
That is no country for old men The youngThat is no country for old men The young
In one anothers arms birds in the treesIn one anothers arms birds in the trees
- Those dying generations - at their song- Those dying generations - at their song
The salmon-falls the mackerel-crowded seasThe salmon-falls the mackerel-crowded seas
Fish flesh or fowl commend all summer longFish flesh or fowl commend all summer long
Whatever is begotten born and diesWhatever is begotten born and dies
Caught in that sensual music all neglectCaught in that sensual music all neglect
Monuments of unageing intellectMonuments of unageing intellect
Open FormOpen Form
Does not follow a traditional rhyme scheme Does not follow a traditional rhyme scheme
stanza pattern or meterstanza pattern or meter
Does not have a recognized traditional formDoes not have a recognized traditional form
Often (if successful) informed by a more Often (if successful) informed by a more
subtle organic structuresubtle organic structure
Became the dominant form of poetry in Became the dominant form of poetry in
Europe and America in the 20Europe and America in the 20thth century century
WarWarOpen vs ClosedOpen vs Closed
Free verse vs Formal verseFree verse vs Formal verse
Experimental vs TraditionalExperimental vs Traditional
Machine age vs Agrarian ageMachine age vs Agrarian age
Writing free verse is like playing tennis with the net down ndashRobert FrostWriting free verse is like playing tennis with the net down ndashRobert Frost
I never thought poetry was supposed to be a game ndashGalway KinnellI never thought poetry was supposed to be a game ndashGalway Kinnell
Rhythm Rhythm
A strong regular repeated pattern of movement A strong regular repeated pattern of movement
or soundor sound
SourcesSources
From the Oxford English Dictionary ldquomarked by the From the Oxford English Dictionary ldquomarked by the
regulated succession of strong and weak elements or regulated succession of strong and weak elements or
of opposite or different conditionsrdquoof opposite or different conditionsrdquo
From Latin From Latin rhythmusrhythmus ldquomovement in timerdquo ldquomovement in timerdquo
From Greek From Greek rhythmos rhythmos ldquomeasured flow or movementrdquoldquomeasured flow or movementrdquo
Meter Meter
A pattern of stressedA pattern of stressed syllables alternating syllables alternating
in regular intervals with syllables of less in regular intervals with syllables of less
stressstress
The basic rhythmic structure of poetryThe basic rhythmic structure of poetry
Compositions written in meter are said to Compositions written in meter are said to
be in be in verseverse
Foot Foot
Each unit of stressed and unstressed Each unit of stressed and unstressed
syllables is called a syllables is called a footfoot
Foot type Style Stress pattern Syllable count
Iamb Iambic Unstressed + Stressed Two
Trochee Trochaic Stressed + Unstressed Two
Spondee Spondaic Stressed + Stressed Two
Anapest Anapestic Unstressed + Unstressed + Stressed Three
Dactyl Dactylic Stressed + Unstressed + Unstressed Three
Amphibrach Amphibrachic Unstressed + Stressed + Unstressed Three
Pyrrhic Pyrrhic Unstressed + Unstressed Two
Foot ExamplesFoot Examples
Some but not all feet can be represented Some but not all feet can be represented
with single wordswith single wordsFoot type Stress pattern Examples
Iamb Unstressed + Stressed˘ awake
Trochee Stressed + Unstressed ˘apple
Spondee Stressed + Stressed deadlock
Anapest Unstressed + Unstressed + Stressed˘ ˘ incomplete
Dactyl Stressed + Unstressed + Unstressed ˘ ˘criminal
Amphibrach Unstressed + Stressed + Unstressed˘ ˘regardless
Pyrrhic Unstressed + Unstressed ˘ ˘ ˘ ˘ When the blood creeps and the nerves prick
Metrical LinesMetrical Lines
The meter for a line of poetry is The meter for a line of poetry is
determined by the type of foot determined by the type of foot
and the number of feet in that lineand the number of feet in that line
So a line with three iambic feet is So a line with three iambic feet is
known as iambic trimeter A line known as iambic trimeter A line
with six dactylic feet is known as with six dactylic feet is known as
dactylic hexameterdactylic hexameter
Line types Length
Monometer One Foot
Dimeter Two Feet
Trimeter Three Feet
Tetrameter Four Feet
Pentameter Five Feet
Hexameter Six Feet
Heptameter Seven Feet
Line ExamplesLine ExamplesIambic pentameterIambic pentameter
The curfew tolls the knell of parting dayThe curfew tolls the knell of parting dayfrom from Elegy Written in a Country ChurchyardElegy Written in a Country Churchyard by Thomas Gray by Thomas Gray
That time of year thou mayst in me beholdThat time of year thou mayst in me beholdfrom Sonnet 73 by William Shakespearefrom Sonnet 73 by William Shakespeare
A little learning is a dangerous thingA little learning is a dangerous thingfrom from An Essay on CriticismAn Essay on Criticism by Alexander Pope by Alexander Pope
Line ExamplesLine Examples
Determine the meterDetermine the meter ˘ ˘ ˘ ˘ ˘ ˘ ˘ ˘
Half a league half a leagueHalf a league half a league ˘ ˘ ˘ ˘ ˘ ˘
Half a league onwardHalf a league onward ˘ ˘ ˘ ˘ ˘ ˘ ˘ ˘
All in the valley of DeathAll in the valley of Death ˘ ˘ ˘ ˘ ˘ ˘
Rode the six hundred Rode the six hundred
from from The Charge of the Light BrigadeThe Charge of the Light Brigade by Alfred Lord Tennyson by Alfred Lord Tennyson
Meter and FormMeter and Form
Some forms of poetry are written entirely Some forms of poetry are written entirely
in one meterin one meter
Some forms of poetry require several Some forms of poetry require several
different meters different meters
And yes some forms of poetry even mix And yes some forms of poetry even mix
meters in individual linesmeters in individual lines
RhymeRhyme Rhyme a repetition of similar sounds in two or more Rhyme a repetition of similar sounds in two or more
wordswords Example To Example To rhymerhyme is is sublimesublime
End rhyme Rhymes that occur at the end of the verse End rhyme Rhymes that occur at the end of the verse
lineline Example And the waves oozing through the porthole Example And the waves oozing through the porthole mademade
His berth a little damp and him His berth a little damp and him afraidafraid
Internal Rhyme Rhymes that occur within a verse lineInternal Rhyme Rhymes that occur within a verse line Example Sister my sister O Example Sister my sister O fleetfleet sweetsweet swallow swallow
Rhyme SchemeRhyme SchemeA rhyme scheme is the A rhyme scheme is the patternpattern of end-rhymed lines in a of end-rhymed lines in a
poempoem
Bent double like old beggars under sacks Bent double like old beggars under sacks a a
Knock-kneed coughing like hags we cursed through sludge bKnock-kneed coughing like hags we cursed through sludge b
Till on the haunting flares we turned our backs aTill on the haunting flares we turned our backs a
And towards our distant rest began to trudge And towards our distant rest began to trudge b b
Men marched asleep Many had lost their bootsMen marched asleep Many had lost their boots c c
But limped on blood-shod All went lame all blind But limped on blood-shod All went lame all blind d d
Drunk with fatigue deaf even to the hoots Drunk with fatigue deaf even to the hoots c c
Of tired outstripped Five-Nines that dropped behind Of tired outstripped Five-Nines that dropped behind d d
from from Dulce Et Decorum EstDulce Et Decorum Est by Wilfred Owen by Wilfred Owen
Line BreakLine Break A line break in poetry is the termination of the line of a A line break in poetry is the termination of the line of a
poem (usually on the right) and the beginning of a new poem (usually on the right) and the beginning of a new
line (usually on the left)line (usually on the left)
When a line ends with a syntactical pause and punctuation When a line ends with a syntactical pause and punctuation
that indicates a pause it is ldquoend-stoppedrdquothat indicates a pause it is ldquoend-stoppedrdquo
When a line ends within a syntactical unit and has no When a line ends within a syntactical unit and has no
punctuation that indicates a pause it is ldquoenjambedrdquopunctuation that indicates a pause it is ldquoenjambedrdquo
Enjambment literally means to straddlelsquo (or to put ones Enjambment literally means to straddlelsquo (or to put ones
leg across or to step over) and is a form of line breakleg across or to step over) and is a form of line break
EnjambmentEnjambment
These lines are end-stopped that is the end These lines are end-stopped that is the end
of the line coincides with the end of a of the line coincides with the end of a
grammatical unitgrammatical unit
Shall I compare thee to a summers dayShall I compare thee to a summers day
Thou art more lovely and more temperateThou art more lovely and more temperate
Rough winds do shake the darling buds of MayRough winds do shake the darling buds of May
And summers lease hath all too short a date And summers lease hath all too short a date
(Shakespeare Sonnet 18)(Shakespeare Sonnet 18)
EnjambmentEnjambmentThese lines are enjambed that is the line does not end These lines are enjambed that is the line does not end with a grammatical break Here are a few lines from with a grammatical break Here are a few lines from Keats Keats EndymionEndymion which demonstrate how enjambment which demonstrate how enjambment worksworks
A thing of beauty is a joy forever A thing of beauty is a joy forever
Its loveliness increases it will neverIts loveliness increases it will never
Pass into nothingness but still will keep Pass into nothingness but still will keep
A bower quiet for us and asleepA bower quiet for us and asleep
Full of sweet dreams and health and quiet breathing(ll 1-5)Full of sweet dreams and health and quiet breathing(ll 1-5)
The first and last lines above are end-stopped lines 2 3 The first and last lines above are end-stopped lines 2 3 and 4 are enjambedand 4 are enjambed
EnjambmentEnjambment Enjambment increases the pace of the poem whereas Enjambment increases the pace of the poem whereas
end-stopped lines which are lines that break on end-stopped lines which are lines that break on
caesuras (pauses) emphasize these silences and slow caesuras (pauses) emphasize these silences and slow
the poem downthe poem down
may also be used to delay the intention of the line until may also be used to delay the intention of the line until
the following line and thus play on the expectation of the following line and thus play on the expectation of
the reader and surprise themthe reader and surprise them
the line cannot stand alone cannot make sense without the line cannot stand alone cannot make sense without
the following linethe following line
Closed FormClosed Form
Together meter and rhyme scheme may Together meter and rhyme scheme may
determine a specific pattern or design of poetrydetermine a specific pattern or design of poetry
When these forms are strictly defined they are When these forms are strictly defined they are
referred to as referred to as closed formsclosed forms
In English closed forms include theIn English closed forms include the
SonnetSonnet
SestinaSestina
Villanelle Villanelle
Blank verseBlank verse
Heroic coupletHeroic couplet
RoundelRoundel
BalladeBallade
Ottava RimaOttava Rima
That is no country for old men The youngThat is no country for old men The young
In one anothers arms birds in the treesIn one anothers arms birds in the trees
- Those dying generations - at their song- Those dying generations - at their song
The salmon-falls the mackerel-crowded seasThe salmon-falls the mackerel-crowded seas
Fish flesh or fowl commend all summer longFish flesh or fowl commend all summer long
Whatever is begotten born and diesWhatever is begotten born and dies
Caught in that sensual music all neglectCaught in that sensual music all neglect
Monuments of unageing intellectMonuments of unageing intellect
Open FormOpen Form
Does not follow a traditional rhyme scheme Does not follow a traditional rhyme scheme
stanza pattern or meterstanza pattern or meter
Does not have a recognized traditional formDoes not have a recognized traditional form
Often (if successful) informed by a more Often (if successful) informed by a more
subtle organic structuresubtle organic structure
Became the dominant form of poetry in Became the dominant form of poetry in
Europe and America in the 20Europe and America in the 20thth century century
WarWarOpen vs ClosedOpen vs Closed
Free verse vs Formal verseFree verse vs Formal verse
Experimental vs TraditionalExperimental vs Traditional
Machine age vs Agrarian ageMachine age vs Agrarian age
Writing free verse is like playing tennis with the net down ndashRobert FrostWriting free verse is like playing tennis with the net down ndashRobert Frost
I never thought poetry was supposed to be a game ndashGalway KinnellI never thought poetry was supposed to be a game ndashGalway Kinnell
Meter Meter
A pattern of stressedA pattern of stressed syllables alternating syllables alternating
in regular intervals with syllables of less in regular intervals with syllables of less
stressstress
The basic rhythmic structure of poetryThe basic rhythmic structure of poetry
Compositions written in meter are said to Compositions written in meter are said to
be in be in verseverse
Foot Foot
Each unit of stressed and unstressed Each unit of stressed and unstressed
syllables is called a syllables is called a footfoot
Foot type Style Stress pattern Syllable count
Iamb Iambic Unstressed + Stressed Two
Trochee Trochaic Stressed + Unstressed Two
Spondee Spondaic Stressed + Stressed Two
Anapest Anapestic Unstressed + Unstressed + Stressed Three
Dactyl Dactylic Stressed + Unstressed + Unstressed Three
Amphibrach Amphibrachic Unstressed + Stressed + Unstressed Three
Pyrrhic Pyrrhic Unstressed + Unstressed Two
Foot ExamplesFoot Examples
Some but not all feet can be represented Some but not all feet can be represented
with single wordswith single wordsFoot type Stress pattern Examples
Iamb Unstressed + Stressed˘ awake
Trochee Stressed + Unstressed ˘apple
Spondee Stressed + Stressed deadlock
Anapest Unstressed + Unstressed + Stressed˘ ˘ incomplete
Dactyl Stressed + Unstressed + Unstressed ˘ ˘criminal
Amphibrach Unstressed + Stressed + Unstressed˘ ˘regardless
Pyrrhic Unstressed + Unstressed ˘ ˘ ˘ ˘ When the blood creeps and the nerves prick
Metrical LinesMetrical Lines
The meter for a line of poetry is The meter for a line of poetry is
determined by the type of foot determined by the type of foot
and the number of feet in that lineand the number of feet in that line
So a line with three iambic feet is So a line with three iambic feet is
known as iambic trimeter A line known as iambic trimeter A line
with six dactylic feet is known as with six dactylic feet is known as
dactylic hexameterdactylic hexameter
Line types Length
Monometer One Foot
Dimeter Two Feet
Trimeter Three Feet
Tetrameter Four Feet
Pentameter Five Feet
Hexameter Six Feet
Heptameter Seven Feet
Line ExamplesLine ExamplesIambic pentameterIambic pentameter
The curfew tolls the knell of parting dayThe curfew tolls the knell of parting dayfrom from Elegy Written in a Country ChurchyardElegy Written in a Country Churchyard by Thomas Gray by Thomas Gray
That time of year thou mayst in me beholdThat time of year thou mayst in me beholdfrom Sonnet 73 by William Shakespearefrom Sonnet 73 by William Shakespeare
A little learning is a dangerous thingA little learning is a dangerous thingfrom from An Essay on CriticismAn Essay on Criticism by Alexander Pope by Alexander Pope
Line ExamplesLine Examples
Determine the meterDetermine the meter ˘ ˘ ˘ ˘ ˘ ˘ ˘ ˘
Half a league half a leagueHalf a league half a league ˘ ˘ ˘ ˘ ˘ ˘
Half a league onwardHalf a league onward ˘ ˘ ˘ ˘ ˘ ˘ ˘ ˘
All in the valley of DeathAll in the valley of Death ˘ ˘ ˘ ˘ ˘ ˘
Rode the six hundred Rode the six hundred
from from The Charge of the Light BrigadeThe Charge of the Light Brigade by Alfred Lord Tennyson by Alfred Lord Tennyson
Meter and FormMeter and Form
Some forms of poetry are written entirely Some forms of poetry are written entirely
in one meterin one meter
Some forms of poetry require several Some forms of poetry require several
different meters different meters
And yes some forms of poetry even mix And yes some forms of poetry even mix
meters in individual linesmeters in individual lines
RhymeRhyme Rhyme a repetition of similar sounds in two or more Rhyme a repetition of similar sounds in two or more
wordswords Example To Example To rhymerhyme is is sublimesublime
End rhyme Rhymes that occur at the end of the verse End rhyme Rhymes that occur at the end of the verse
lineline Example And the waves oozing through the porthole Example And the waves oozing through the porthole mademade
His berth a little damp and him His berth a little damp and him afraidafraid
Internal Rhyme Rhymes that occur within a verse lineInternal Rhyme Rhymes that occur within a verse line Example Sister my sister O Example Sister my sister O fleetfleet sweetsweet swallow swallow
Rhyme SchemeRhyme SchemeA rhyme scheme is the A rhyme scheme is the patternpattern of end-rhymed lines in a of end-rhymed lines in a
poempoem
Bent double like old beggars under sacks Bent double like old beggars under sacks a a
Knock-kneed coughing like hags we cursed through sludge bKnock-kneed coughing like hags we cursed through sludge b
Till on the haunting flares we turned our backs aTill on the haunting flares we turned our backs a
And towards our distant rest began to trudge And towards our distant rest began to trudge b b
Men marched asleep Many had lost their bootsMen marched asleep Many had lost their boots c c
But limped on blood-shod All went lame all blind But limped on blood-shod All went lame all blind d d
Drunk with fatigue deaf even to the hoots Drunk with fatigue deaf even to the hoots c c
Of tired outstripped Five-Nines that dropped behind Of tired outstripped Five-Nines that dropped behind d d
from from Dulce Et Decorum EstDulce Et Decorum Est by Wilfred Owen by Wilfred Owen
Line BreakLine Break A line break in poetry is the termination of the line of a A line break in poetry is the termination of the line of a
poem (usually on the right) and the beginning of a new poem (usually on the right) and the beginning of a new
line (usually on the left)line (usually on the left)
When a line ends with a syntactical pause and punctuation When a line ends with a syntactical pause and punctuation
that indicates a pause it is ldquoend-stoppedrdquothat indicates a pause it is ldquoend-stoppedrdquo
When a line ends within a syntactical unit and has no When a line ends within a syntactical unit and has no
punctuation that indicates a pause it is ldquoenjambedrdquopunctuation that indicates a pause it is ldquoenjambedrdquo
Enjambment literally means to straddlelsquo (or to put ones Enjambment literally means to straddlelsquo (or to put ones
leg across or to step over) and is a form of line breakleg across or to step over) and is a form of line break
EnjambmentEnjambment
These lines are end-stopped that is the end These lines are end-stopped that is the end
of the line coincides with the end of a of the line coincides with the end of a
grammatical unitgrammatical unit
Shall I compare thee to a summers dayShall I compare thee to a summers day
Thou art more lovely and more temperateThou art more lovely and more temperate
Rough winds do shake the darling buds of MayRough winds do shake the darling buds of May
And summers lease hath all too short a date And summers lease hath all too short a date
(Shakespeare Sonnet 18)(Shakespeare Sonnet 18)
EnjambmentEnjambmentThese lines are enjambed that is the line does not end These lines are enjambed that is the line does not end with a grammatical break Here are a few lines from with a grammatical break Here are a few lines from Keats Keats EndymionEndymion which demonstrate how enjambment which demonstrate how enjambment worksworks
A thing of beauty is a joy forever A thing of beauty is a joy forever
Its loveliness increases it will neverIts loveliness increases it will never
Pass into nothingness but still will keep Pass into nothingness but still will keep
A bower quiet for us and asleepA bower quiet for us and asleep
Full of sweet dreams and health and quiet breathing(ll 1-5)Full of sweet dreams and health and quiet breathing(ll 1-5)
The first and last lines above are end-stopped lines 2 3 The first and last lines above are end-stopped lines 2 3 and 4 are enjambedand 4 are enjambed
EnjambmentEnjambment Enjambment increases the pace of the poem whereas Enjambment increases the pace of the poem whereas
end-stopped lines which are lines that break on end-stopped lines which are lines that break on
caesuras (pauses) emphasize these silences and slow caesuras (pauses) emphasize these silences and slow
the poem downthe poem down
may also be used to delay the intention of the line until may also be used to delay the intention of the line until
the following line and thus play on the expectation of the following line and thus play on the expectation of
the reader and surprise themthe reader and surprise them
the line cannot stand alone cannot make sense without the line cannot stand alone cannot make sense without
the following linethe following line
Closed FormClosed Form
Together meter and rhyme scheme may Together meter and rhyme scheme may
determine a specific pattern or design of poetrydetermine a specific pattern or design of poetry
When these forms are strictly defined they are When these forms are strictly defined they are
referred to as referred to as closed formsclosed forms
In English closed forms include theIn English closed forms include the
SonnetSonnet
SestinaSestina
Villanelle Villanelle
Blank verseBlank verse
Heroic coupletHeroic couplet
RoundelRoundel
BalladeBallade
Ottava RimaOttava Rima
That is no country for old men The youngThat is no country for old men The young
In one anothers arms birds in the treesIn one anothers arms birds in the trees
- Those dying generations - at their song- Those dying generations - at their song
The salmon-falls the mackerel-crowded seasThe salmon-falls the mackerel-crowded seas
Fish flesh or fowl commend all summer longFish flesh or fowl commend all summer long
Whatever is begotten born and diesWhatever is begotten born and dies
Caught in that sensual music all neglectCaught in that sensual music all neglect
Monuments of unageing intellectMonuments of unageing intellect
Open FormOpen Form
Does not follow a traditional rhyme scheme Does not follow a traditional rhyme scheme
stanza pattern or meterstanza pattern or meter
Does not have a recognized traditional formDoes not have a recognized traditional form
Often (if successful) informed by a more Often (if successful) informed by a more
subtle organic structuresubtle organic structure
Became the dominant form of poetry in Became the dominant form of poetry in
Europe and America in the 20Europe and America in the 20thth century century
WarWarOpen vs ClosedOpen vs Closed
Free verse vs Formal verseFree verse vs Formal verse
Experimental vs TraditionalExperimental vs Traditional
Machine age vs Agrarian ageMachine age vs Agrarian age
Writing free verse is like playing tennis with the net down ndashRobert FrostWriting free verse is like playing tennis with the net down ndashRobert Frost
I never thought poetry was supposed to be a game ndashGalway KinnellI never thought poetry was supposed to be a game ndashGalway Kinnell
Foot Foot
Each unit of stressed and unstressed Each unit of stressed and unstressed
syllables is called a syllables is called a footfoot
Foot type Style Stress pattern Syllable count
Iamb Iambic Unstressed + Stressed Two
Trochee Trochaic Stressed + Unstressed Two
Spondee Spondaic Stressed + Stressed Two
Anapest Anapestic Unstressed + Unstressed + Stressed Three
Dactyl Dactylic Stressed + Unstressed + Unstressed Three
Amphibrach Amphibrachic Unstressed + Stressed + Unstressed Three
Pyrrhic Pyrrhic Unstressed + Unstressed Two
Foot ExamplesFoot Examples
Some but not all feet can be represented Some but not all feet can be represented
with single wordswith single wordsFoot type Stress pattern Examples
Iamb Unstressed + Stressed˘ awake
Trochee Stressed + Unstressed ˘apple
Spondee Stressed + Stressed deadlock
Anapest Unstressed + Unstressed + Stressed˘ ˘ incomplete
Dactyl Stressed + Unstressed + Unstressed ˘ ˘criminal
Amphibrach Unstressed + Stressed + Unstressed˘ ˘regardless
Pyrrhic Unstressed + Unstressed ˘ ˘ ˘ ˘ When the blood creeps and the nerves prick
Metrical LinesMetrical Lines
The meter for a line of poetry is The meter for a line of poetry is
determined by the type of foot determined by the type of foot
and the number of feet in that lineand the number of feet in that line
So a line with three iambic feet is So a line with three iambic feet is
known as iambic trimeter A line known as iambic trimeter A line
with six dactylic feet is known as with six dactylic feet is known as
dactylic hexameterdactylic hexameter
Line types Length
Monometer One Foot
Dimeter Two Feet
Trimeter Three Feet
Tetrameter Four Feet
Pentameter Five Feet
Hexameter Six Feet
Heptameter Seven Feet
Line ExamplesLine ExamplesIambic pentameterIambic pentameter
The curfew tolls the knell of parting dayThe curfew tolls the knell of parting dayfrom from Elegy Written in a Country ChurchyardElegy Written in a Country Churchyard by Thomas Gray by Thomas Gray
That time of year thou mayst in me beholdThat time of year thou mayst in me beholdfrom Sonnet 73 by William Shakespearefrom Sonnet 73 by William Shakespeare
A little learning is a dangerous thingA little learning is a dangerous thingfrom from An Essay on CriticismAn Essay on Criticism by Alexander Pope by Alexander Pope
Line ExamplesLine Examples
Determine the meterDetermine the meter ˘ ˘ ˘ ˘ ˘ ˘ ˘ ˘
Half a league half a leagueHalf a league half a league ˘ ˘ ˘ ˘ ˘ ˘
Half a league onwardHalf a league onward ˘ ˘ ˘ ˘ ˘ ˘ ˘ ˘
All in the valley of DeathAll in the valley of Death ˘ ˘ ˘ ˘ ˘ ˘
Rode the six hundred Rode the six hundred
from from The Charge of the Light BrigadeThe Charge of the Light Brigade by Alfred Lord Tennyson by Alfred Lord Tennyson
Meter and FormMeter and Form
Some forms of poetry are written entirely Some forms of poetry are written entirely
in one meterin one meter
Some forms of poetry require several Some forms of poetry require several
different meters different meters
And yes some forms of poetry even mix And yes some forms of poetry even mix
meters in individual linesmeters in individual lines
RhymeRhyme Rhyme a repetition of similar sounds in two or more Rhyme a repetition of similar sounds in two or more
wordswords Example To Example To rhymerhyme is is sublimesublime
End rhyme Rhymes that occur at the end of the verse End rhyme Rhymes that occur at the end of the verse
lineline Example And the waves oozing through the porthole Example And the waves oozing through the porthole mademade
His berth a little damp and him His berth a little damp and him afraidafraid
Internal Rhyme Rhymes that occur within a verse lineInternal Rhyme Rhymes that occur within a verse line Example Sister my sister O Example Sister my sister O fleetfleet sweetsweet swallow swallow
Rhyme SchemeRhyme SchemeA rhyme scheme is the A rhyme scheme is the patternpattern of end-rhymed lines in a of end-rhymed lines in a
poempoem
Bent double like old beggars under sacks Bent double like old beggars under sacks a a
Knock-kneed coughing like hags we cursed through sludge bKnock-kneed coughing like hags we cursed through sludge b
Till on the haunting flares we turned our backs aTill on the haunting flares we turned our backs a
And towards our distant rest began to trudge And towards our distant rest began to trudge b b
Men marched asleep Many had lost their bootsMen marched asleep Many had lost their boots c c
But limped on blood-shod All went lame all blind But limped on blood-shod All went lame all blind d d
Drunk with fatigue deaf even to the hoots Drunk with fatigue deaf even to the hoots c c
Of tired outstripped Five-Nines that dropped behind Of tired outstripped Five-Nines that dropped behind d d
from from Dulce Et Decorum EstDulce Et Decorum Est by Wilfred Owen by Wilfred Owen
Line BreakLine Break A line break in poetry is the termination of the line of a A line break in poetry is the termination of the line of a
poem (usually on the right) and the beginning of a new poem (usually on the right) and the beginning of a new
line (usually on the left)line (usually on the left)
When a line ends with a syntactical pause and punctuation When a line ends with a syntactical pause and punctuation
that indicates a pause it is ldquoend-stoppedrdquothat indicates a pause it is ldquoend-stoppedrdquo
When a line ends within a syntactical unit and has no When a line ends within a syntactical unit and has no
punctuation that indicates a pause it is ldquoenjambedrdquopunctuation that indicates a pause it is ldquoenjambedrdquo
Enjambment literally means to straddlelsquo (or to put ones Enjambment literally means to straddlelsquo (or to put ones
leg across or to step over) and is a form of line breakleg across or to step over) and is a form of line break
EnjambmentEnjambment
These lines are end-stopped that is the end These lines are end-stopped that is the end
of the line coincides with the end of a of the line coincides with the end of a
grammatical unitgrammatical unit
Shall I compare thee to a summers dayShall I compare thee to a summers day
Thou art more lovely and more temperateThou art more lovely and more temperate
Rough winds do shake the darling buds of MayRough winds do shake the darling buds of May
And summers lease hath all too short a date And summers lease hath all too short a date
(Shakespeare Sonnet 18)(Shakespeare Sonnet 18)
EnjambmentEnjambmentThese lines are enjambed that is the line does not end These lines are enjambed that is the line does not end with a grammatical break Here are a few lines from with a grammatical break Here are a few lines from Keats Keats EndymionEndymion which demonstrate how enjambment which demonstrate how enjambment worksworks
A thing of beauty is a joy forever A thing of beauty is a joy forever
Its loveliness increases it will neverIts loveliness increases it will never
Pass into nothingness but still will keep Pass into nothingness but still will keep
A bower quiet for us and asleepA bower quiet for us and asleep
Full of sweet dreams and health and quiet breathing(ll 1-5)Full of sweet dreams and health and quiet breathing(ll 1-5)
The first and last lines above are end-stopped lines 2 3 The first and last lines above are end-stopped lines 2 3 and 4 are enjambedand 4 are enjambed
EnjambmentEnjambment Enjambment increases the pace of the poem whereas Enjambment increases the pace of the poem whereas
end-stopped lines which are lines that break on end-stopped lines which are lines that break on
caesuras (pauses) emphasize these silences and slow caesuras (pauses) emphasize these silences and slow
the poem downthe poem down
may also be used to delay the intention of the line until may also be used to delay the intention of the line until
the following line and thus play on the expectation of the following line and thus play on the expectation of
the reader and surprise themthe reader and surprise them
the line cannot stand alone cannot make sense without the line cannot stand alone cannot make sense without
the following linethe following line
Closed FormClosed Form
Together meter and rhyme scheme may Together meter and rhyme scheme may
determine a specific pattern or design of poetrydetermine a specific pattern or design of poetry
When these forms are strictly defined they are When these forms are strictly defined they are
referred to as referred to as closed formsclosed forms
In English closed forms include theIn English closed forms include the
SonnetSonnet
SestinaSestina
Villanelle Villanelle
Blank verseBlank verse
Heroic coupletHeroic couplet
RoundelRoundel
BalladeBallade
Ottava RimaOttava Rima
That is no country for old men The youngThat is no country for old men The young
In one anothers arms birds in the treesIn one anothers arms birds in the trees
- Those dying generations - at their song- Those dying generations - at their song
The salmon-falls the mackerel-crowded seasThe salmon-falls the mackerel-crowded seas
Fish flesh or fowl commend all summer longFish flesh or fowl commend all summer long
Whatever is begotten born and diesWhatever is begotten born and dies
Caught in that sensual music all neglectCaught in that sensual music all neglect
Monuments of unageing intellectMonuments of unageing intellect
Open FormOpen Form
Does not follow a traditional rhyme scheme Does not follow a traditional rhyme scheme
stanza pattern or meterstanza pattern or meter
Does not have a recognized traditional formDoes not have a recognized traditional form
Often (if successful) informed by a more Often (if successful) informed by a more
subtle organic structuresubtle organic structure
Became the dominant form of poetry in Became the dominant form of poetry in
Europe and America in the 20Europe and America in the 20thth century century
WarWarOpen vs ClosedOpen vs Closed
Free verse vs Formal verseFree verse vs Formal verse
Experimental vs TraditionalExperimental vs Traditional
Machine age vs Agrarian ageMachine age vs Agrarian age
Writing free verse is like playing tennis with the net down ndashRobert FrostWriting free verse is like playing tennis with the net down ndashRobert Frost
I never thought poetry was supposed to be a game ndashGalway KinnellI never thought poetry was supposed to be a game ndashGalway Kinnell
Foot ExamplesFoot Examples
Some but not all feet can be represented Some but not all feet can be represented
with single wordswith single wordsFoot type Stress pattern Examples
Iamb Unstressed + Stressed˘ awake
Trochee Stressed + Unstressed ˘apple
Spondee Stressed + Stressed deadlock
Anapest Unstressed + Unstressed + Stressed˘ ˘ incomplete
Dactyl Stressed + Unstressed + Unstressed ˘ ˘criminal
Amphibrach Unstressed + Stressed + Unstressed˘ ˘regardless
Pyrrhic Unstressed + Unstressed ˘ ˘ ˘ ˘ When the blood creeps and the nerves prick
Metrical LinesMetrical Lines
The meter for a line of poetry is The meter for a line of poetry is
determined by the type of foot determined by the type of foot
and the number of feet in that lineand the number of feet in that line
So a line with three iambic feet is So a line with three iambic feet is
known as iambic trimeter A line known as iambic trimeter A line
with six dactylic feet is known as with six dactylic feet is known as
dactylic hexameterdactylic hexameter
Line types Length
Monometer One Foot
Dimeter Two Feet
Trimeter Three Feet
Tetrameter Four Feet
Pentameter Five Feet
Hexameter Six Feet
Heptameter Seven Feet
Line ExamplesLine ExamplesIambic pentameterIambic pentameter
The curfew tolls the knell of parting dayThe curfew tolls the knell of parting dayfrom from Elegy Written in a Country ChurchyardElegy Written in a Country Churchyard by Thomas Gray by Thomas Gray
That time of year thou mayst in me beholdThat time of year thou mayst in me beholdfrom Sonnet 73 by William Shakespearefrom Sonnet 73 by William Shakespeare
A little learning is a dangerous thingA little learning is a dangerous thingfrom from An Essay on CriticismAn Essay on Criticism by Alexander Pope by Alexander Pope
Line ExamplesLine Examples
Determine the meterDetermine the meter ˘ ˘ ˘ ˘ ˘ ˘ ˘ ˘
Half a league half a leagueHalf a league half a league ˘ ˘ ˘ ˘ ˘ ˘
Half a league onwardHalf a league onward ˘ ˘ ˘ ˘ ˘ ˘ ˘ ˘
All in the valley of DeathAll in the valley of Death ˘ ˘ ˘ ˘ ˘ ˘
Rode the six hundred Rode the six hundred
from from The Charge of the Light BrigadeThe Charge of the Light Brigade by Alfred Lord Tennyson by Alfred Lord Tennyson
Meter and FormMeter and Form
Some forms of poetry are written entirely Some forms of poetry are written entirely
in one meterin one meter
Some forms of poetry require several Some forms of poetry require several
different meters different meters
And yes some forms of poetry even mix And yes some forms of poetry even mix
meters in individual linesmeters in individual lines
RhymeRhyme Rhyme a repetition of similar sounds in two or more Rhyme a repetition of similar sounds in two or more
wordswords Example To Example To rhymerhyme is is sublimesublime
End rhyme Rhymes that occur at the end of the verse End rhyme Rhymes that occur at the end of the verse
lineline Example And the waves oozing through the porthole Example And the waves oozing through the porthole mademade
His berth a little damp and him His berth a little damp and him afraidafraid
Internal Rhyme Rhymes that occur within a verse lineInternal Rhyme Rhymes that occur within a verse line Example Sister my sister O Example Sister my sister O fleetfleet sweetsweet swallow swallow
Rhyme SchemeRhyme SchemeA rhyme scheme is the A rhyme scheme is the patternpattern of end-rhymed lines in a of end-rhymed lines in a
poempoem
Bent double like old beggars under sacks Bent double like old beggars under sacks a a
Knock-kneed coughing like hags we cursed through sludge bKnock-kneed coughing like hags we cursed through sludge b
Till on the haunting flares we turned our backs aTill on the haunting flares we turned our backs a
And towards our distant rest began to trudge And towards our distant rest began to trudge b b
Men marched asleep Many had lost their bootsMen marched asleep Many had lost their boots c c
But limped on blood-shod All went lame all blind But limped on blood-shod All went lame all blind d d
Drunk with fatigue deaf even to the hoots Drunk with fatigue deaf even to the hoots c c
Of tired outstripped Five-Nines that dropped behind Of tired outstripped Five-Nines that dropped behind d d
from from Dulce Et Decorum EstDulce Et Decorum Est by Wilfred Owen by Wilfred Owen
Line BreakLine Break A line break in poetry is the termination of the line of a A line break in poetry is the termination of the line of a
poem (usually on the right) and the beginning of a new poem (usually on the right) and the beginning of a new
line (usually on the left)line (usually on the left)
When a line ends with a syntactical pause and punctuation When a line ends with a syntactical pause and punctuation
that indicates a pause it is ldquoend-stoppedrdquothat indicates a pause it is ldquoend-stoppedrdquo
When a line ends within a syntactical unit and has no When a line ends within a syntactical unit and has no
punctuation that indicates a pause it is ldquoenjambedrdquopunctuation that indicates a pause it is ldquoenjambedrdquo
Enjambment literally means to straddlelsquo (or to put ones Enjambment literally means to straddlelsquo (or to put ones
leg across or to step over) and is a form of line breakleg across or to step over) and is a form of line break
EnjambmentEnjambment
These lines are end-stopped that is the end These lines are end-stopped that is the end
of the line coincides with the end of a of the line coincides with the end of a
grammatical unitgrammatical unit
Shall I compare thee to a summers dayShall I compare thee to a summers day
Thou art more lovely and more temperateThou art more lovely and more temperate
Rough winds do shake the darling buds of MayRough winds do shake the darling buds of May
And summers lease hath all too short a date And summers lease hath all too short a date
(Shakespeare Sonnet 18)(Shakespeare Sonnet 18)
EnjambmentEnjambmentThese lines are enjambed that is the line does not end These lines are enjambed that is the line does not end with a grammatical break Here are a few lines from with a grammatical break Here are a few lines from Keats Keats EndymionEndymion which demonstrate how enjambment which demonstrate how enjambment worksworks
A thing of beauty is a joy forever A thing of beauty is a joy forever
Its loveliness increases it will neverIts loveliness increases it will never
Pass into nothingness but still will keep Pass into nothingness but still will keep
A bower quiet for us and asleepA bower quiet for us and asleep
Full of sweet dreams and health and quiet breathing(ll 1-5)Full of sweet dreams and health and quiet breathing(ll 1-5)
The first and last lines above are end-stopped lines 2 3 The first and last lines above are end-stopped lines 2 3 and 4 are enjambedand 4 are enjambed
EnjambmentEnjambment Enjambment increases the pace of the poem whereas Enjambment increases the pace of the poem whereas
end-stopped lines which are lines that break on end-stopped lines which are lines that break on
caesuras (pauses) emphasize these silences and slow caesuras (pauses) emphasize these silences and slow
the poem downthe poem down
may also be used to delay the intention of the line until may also be used to delay the intention of the line until
the following line and thus play on the expectation of the following line and thus play on the expectation of
the reader and surprise themthe reader and surprise them
the line cannot stand alone cannot make sense without the line cannot stand alone cannot make sense without
the following linethe following line
Closed FormClosed Form
Together meter and rhyme scheme may Together meter and rhyme scheme may
determine a specific pattern or design of poetrydetermine a specific pattern or design of poetry
When these forms are strictly defined they are When these forms are strictly defined they are
referred to as referred to as closed formsclosed forms
In English closed forms include theIn English closed forms include the
SonnetSonnet
SestinaSestina
Villanelle Villanelle
Blank verseBlank verse
Heroic coupletHeroic couplet
RoundelRoundel
BalladeBallade
Ottava RimaOttava Rima
That is no country for old men The youngThat is no country for old men The young
In one anothers arms birds in the treesIn one anothers arms birds in the trees
- Those dying generations - at their song- Those dying generations - at their song
The salmon-falls the mackerel-crowded seasThe salmon-falls the mackerel-crowded seas
Fish flesh or fowl commend all summer longFish flesh or fowl commend all summer long
Whatever is begotten born and diesWhatever is begotten born and dies
Caught in that sensual music all neglectCaught in that sensual music all neglect
Monuments of unageing intellectMonuments of unageing intellect
Open FormOpen Form
Does not follow a traditional rhyme scheme Does not follow a traditional rhyme scheme
stanza pattern or meterstanza pattern or meter
Does not have a recognized traditional formDoes not have a recognized traditional form
Often (if successful) informed by a more Often (if successful) informed by a more
subtle organic structuresubtle organic structure
Became the dominant form of poetry in Became the dominant form of poetry in
Europe and America in the 20Europe and America in the 20thth century century
WarWarOpen vs ClosedOpen vs Closed
Free verse vs Formal verseFree verse vs Formal verse
Experimental vs TraditionalExperimental vs Traditional
Machine age vs Agrarian ageMachine age vs Agrarian age
Writing free verse is like playing tennis with the net down ndashRobert FrostWriting free verse is like playing tennis with the net down ndashRobert Frost
I never thought poetry was supposed to be a game ndashGalway KinnellI never thought poetry was supposed to be a game ndashGalway Kinnell
Metrical LinesMetrical Lines
The meter for a line of poetry is The meter for a line of poetry is
determined by the type of foot determined by the type of foot
and the number of feet in that lineand the number of feet in that line
So a line with three iambic feet is So a line with three iambic feet is
known as iambic trimeter A line known as iambic trimeter A line
with six dactylic feet is known as with six dactylic feet is known as
dactylic hexameterdactylic hexameter
Line types Length
Monometer One Foot
Dimeter Two Feet
Trimeter Three Feet
Tetrameter Four Feet
Pentameter Five Feet
Hexameter Six Feet
Heptameter Seven Feet
Line ExamplesLine ExamplesIambic pentameterIambic pentameter
The curfew tolls the knell of parting dayThe curfew tolls the knell of parting dayfrom from Elegy Written in a Country ChurchyardElegy Written in a Country Churchyard by Thomas Gray by Thomas Gray
That time of year thou mayst in me beholdThat time of year thou mayst in me beholdfrom Sonnet 73 by William Shakespearefrom Sonnet 73 by William Shakespeare
A little learning is a dangerous thingA little learning is a dangerous thingfrom from An Essay on CriticismAn Essay on Criticism by Alexander Pope by Alexander Pope
Line ExamplesLine Examples
Determine the meterDetermine the meter ˘ ˘ ˘ ˘ ˘ ˘ ˘ ˘
Half a league half a leagueHalf a league half a league ˘ ˘ ˘ ˘ ˘ ˘
Half a league onwardHalf a league onward ˘ ˘ ˘ ˘ ˘ ˘ ˘ ˘
All in the valley of DeathAll in the valley of Death ˘ ˘ ˘ ˘ ˘ ˘
Rode the six hundred Rode the six hundred
from from The Charge of the Light BrigadeThe Charge of the Light Brigade by Alfred Lord Tennyson by Alfred Lord Tennyson
Meter and FormMeter and Form
Some forms of poetry are written entirely Some forms of poetry are written entirely
in one meterin one meter
Some forms of poetry require several Some forms of poetry require several
different meters different meters
And yes some forms of poetry even mix And yes some forms of poetry even mix
meters in individual linesmeters in individual lines
RhymeRhyme Rhyme a repetition of similar sounds in two or more Rhyme a repetition of similar sounds in two or more
wordswords Example To Example To rhymerhyme is is sublimesublime
End rhyme Rhymes that occur at the end of the verse End rhyme Rhymes that occur at the end of the verse
lineline Example And the waves oozing through the porthole Example And the waves oozing through the porthole mademade
His berth a little damp and him His berth a little damp and him afraidafraid
Internal Rhyme Rhymes that occur within a verse lineInternal Rhyme Rhymes that occur within a verse line Example Sister my sister O Example Sister my sister O fleetfleet sweetsweet swallow swallow
Rhyme SchemeRhyme SchemeA rhyme scheme is the A rhyme scheme is the patternpattern of end-rhymed lines in a of end-rhymed lines in a
poempoem
Bent double like old beggars under sacks Bent double like old beggars under sacks a a
Knock-kneed coughing like hags we cursed through sludge bKnock-kneed coughing like hags we cursed through sludge b
Till on the haunting flares we turned our backs aTill on the haunting flares we turned our backs a
And towards our distant rest began to trudge And towards our distant rest began to trudge b b
Men marched asleep Many had lost their bootsMen marched asleep Many had lost their boots c c
But limped on blood-shod All went lame all blind But limped on blood-shod All went lame all blind d d
Drunk with fatigue deaf even to the hoots Drunk with fatigue deaf even to the hoots c c
Of tired outstripped Five-Nines that dropped behind Of tired outstripped Five-Nines that dropped behind d d
from from Dulce Et Decorum EstDulce Et Decorum Est by Wilfred Owen by Wilfred Owen
Line BreakLine Break A line break in poetry is the termination of the line of a A line break in poetry is the termination of the line of a
poem (usually on the right) and the beginning of a new poem (usually on the right) and the beginning of a new
line (usually on the left)line (usually on the left)
When a line ends with a syntactical pause and punctuation When a line ends with a syntactical pause and punctuation
that indicates a pause it is ldquoend-stoppedrdquothat indicates a pause it is ldquoend-stoppedrdquo
When a line ends within a syntactical unit and has no When a line ends within a syntactical unit and has no
punctuation that indicates a pause it is ldquoenjambedrdquopunctuation that indicates a pause it is ldquoenjambedrdquo
Enjambment literally means to straddlelsquo (or to put ones Enjambment literally means to straddlelsquo (or to put ones
leg across or to step over) and is a form of line breakleg across or to step over) and is a form of line break
EnjambmentEnjambment
These lines are end-stopped that is the end These lines are end-stopped that is the end
of the line coincides with the end of a of the line coincides with the end of a
grammatical unitgrammatical unit
Shall I compare thee to a summers dayShall I compare thee to a summers day
Thou art more lovely and more temperateThou art more lovely and more temperate
Rough winds do shake the darling buds of MayRough winds do shake the darling buds of May
And summers lease hath all too short a date And summers lease hath all too short a date
(Shakespeare Sonnet 18)(Shakespeare Sonnet 18)
EnjambmentEnjambmentThese lines are enjambed that is the line does not end These lines are enjambed that is the line does not end with a grammatical break Here are a few lines from with a grammatical break Here are a few lines from Keats Keats EndymionEndymion which demonstrate how enjambment which demonstrate how enjambment worksworks
A thing of beauty is a joy forever A thing of beauty is a joy forever
Its loveliness increases it will neverIts loveliness increases it will never
Pass into nothingness but still will keep Pass into nothingness but still will keep
A bower quiet for us and asleepA bower quiet for us and asleep
Full of sweet dreams and health and quiet breathing(ll 1-5)Full of sweet dreams and health and quiet breathing(ll 1-5)
The first and last lines above are end-stopped lines 2 3 The first and last lines above are end-stopped lines 2 3 and 4 are enjambedand 4 are enjambed
EnjambmentEnjambment Enjambment increases the pace of the poem whereas Enjambment increases the pace of the poem whereas
end-stopped lines which are lines that break on end-stopped lines which are lines that break on
caesuras (pauses) emphasize these silences and slow caesuras (pauses) emphasize these silences and slow
the poem downthe poem down
may also be used to delay the intention of the line until may also be used to delay the intention of the line until
the following line and thus play on the expectation of the following line and thus play on the expectation of
the reader and surprise themthe reader and surprise them
the line cannot stand alone cannot make sense without the line cannot stand alone cannot make sense without
the following linethe following line
Closed FormClosed Form
Together meter and rhyme scheme may Together meter and rhyme scheme may
determine a specific pattern or design of poetrydetermine a specific pattern or design of poetry
When these forms are strictly defined they are When these forms are strictly defined they are
referred to as referred to as closed formsclosed forms
In English closed forms include theIn English closed forms include the
SonnetSonnet
SestinaSestina
Villanelle Villanelle
Blank verseBlank verse
Heroic coupletHeroic couplet
RoundelRoundel
BalladeBallade
Ottava RimaOttava Rima
That is no country for old men The youngThat is no country for old men The young
In one anothers arms birds in the treesIn one anothers arms birds in the trees
- Those dying generations - at their song- Those dying generations - at their song
The salmon-falls the mackerel-crowded seasThe salmon-falls the mackerel-crowded seas
Fish flesh or fowl commend all summer longFish flesh or fowl commend all summer long
Whatever is begotten born and diesWhatever is begotten born and dies
Caught in that sensual music all neglectCaught in that sensual music all neglect
Monuments of unageing intellectMonuments of unageing intellect
Open FormOpen Form
Does not follow a traditional rhyme scheme Does not follow a traditional rhyme scheme
stanza pattern or meterstanza pattern or meter
Does not have a recognized traditional formDoes not have a recognized traditional form
Often (if successful) informed by a more Often (if successful) informed by a more
subtle organic structuresubtle organic structure
Became the dominant form of poetry in Became the dominant form of poetry in
Europe and America in the 20Europe and America in the 20thth century century
WarWarOpen vs ClosedOpen vs Closed
Free verse vs Formal verseFree verse vs Formal verse
Experimental vs TraditionalExperimental vs Traditional
Machine age vs Agrarian ageMachine age vs Agrarian age
Writing free verse is like playing tennis with the net down ndashRobert FrostWriting free verse is like playing tennis with the net down ndashRobert Frost
I never thought poetry was supposed to be a game ndashGalway KinnellI never thought poetry was supposed to be a game ndashGalway Kinnell
Line ExamplesLine ExamplesIambic pentameterIambic pentameter
The curfew tolls the knell of parting dayThe curfew tolls the knell of parting dayfrom from Elegy Written in a Country ChurchyardElegy Written in a Country Churchyard by Thomas Gray by Thomas Gray
That time of year thou mayst in me beholdThat time of year thou mayst in me beholdfrom Sonnet 73 by William Shakespearefrom Sonnet 73 by William Shakespeare
A little learning is a dangerous thingA little learning is a dangerous thingfrom from An Essay on CriticismAn Essay on Criticism by Alexander Pope by Alexander Pope
Line ExamplesLine Examples
Determine the meterDetermine the meter ˘ ˘ ˘ ˘ ˘ ˘ ˘ ˘
Half a league half a leagueHalf a league half a league ˘ ˘ ˘ ˘ ˘ ˘
Half a league onwardHalf a league onward ˘ ˘ ˘ ˘ ˘ ˘ ˘ ˘
All in the valley of DeathAll in the valley of Death ˘ ˘ ˘ ˘ ˘ ˘
Rode the six hundred Rode the six hundred
from from The Charge of the Light BrigadeThe Charge of the Light Brigade by Alfred Lord Tennyson by Alfred Lord Tennyson
Meter and FormMeter and Form
Some forms of poetry are written entirely Some forms of poetry are written entirely
in one meterin one meter
Some forms of poetry require several Some forms of poetry require several
different meters different meters
And yes some forms of poetry even mix And yes some forms of poetry even mix
meters in individual linesmeters in individual lines
RhymeRhyme Rhyme a repetition of similar sounds in two or more Rhyme a repetition of similar sounds in two or more
wordswords Example To Example To rhymerhyme is is sublimesublime
End rhyme Rhymes that occur at the end of the verse End rhyme Rhymes that occur at the end of the verse
lineline Example And the waves oozing through the porthole Example And the waves oozing through the porthole mademade
His berth a little damp and him His berth a little damp and him afraidafraid
Internal Rhyme Rhymes that occur within a verse lineInternal Rhyme Rhymes that occur within a verse line Example Sister my sister O Example Sister my sister O fleetfleet sweetsweet swallow swallow
Rhyme SchemeRhyme SchemeA rhyme scheme is the A rhyme scheme is the patternpattern of end-rhymed lines in a of end-rhymed lines in a
poempoem
Bent double like old beggars under sacks Bent double like old beggars under sacks a a
Knock-kneed coughing like hags we cursed through sludge bKnock-kneed coughing like hags we cursed through sludge b
Till on the haunting flares we turned our backs aTill on the haunting flares we turned our backs a
And towards our distant rest began to trudge And towards our distant rest began to trudge b b
Men marched asleep Many had lost their bootsMen marched asleep Many had lost their boots c c
But limped on blood-shod All went lame all blind But limped on blood-shod All went lame all blind d d
Drunk with fatigue deaf even to the hoots Drunk with fatigue deaf even to the hoots c c
Of tired outstripped Five-Nines that dropped behind Of tired outstripped Five-Nines that dropped behind d d
from from Dulce Et Decorum EstDulce Et Decorum Est by Wilfred Owen by Wilfred Owen
Line BreakLine Break A line break in poetry is the termination of the line of a A line break in poetry is the termination of the line of a
poem (usually on the right) and the beginning of a new poem (usually on the right) and the beginning of a new
line (usually on the left)line (usually on the left)
When a line ends with a syntactical pause and punctuation When a line ends with a syntactical pause and punctuation
that indicates a pause it is ldquoend-stoppedrdquothat indicates a pause it is ldquoend-stoppedrdquo
When a line ends within a syntactical unit and has no When a line ends within a syntactical unit and has no
punctuation that indicates a pause it is ldquoenjambedrdquopunctuation that indicates a pause it is ldquoenjambedrdquo
Enjambment literally means to straddlelsquo (or to put ones Enjambment literally means to straddlelsquo (or to put ones
leg across or to step over) and is a form of line breakleg across or to step over) and is a form of line break
EnjambmentEnjambment
These lines are end-stopped that is the end These lines are end-stopped that is the end
of the line coincides with the end of a of the line coincides with the end of a
grammatical unitgrammatical unit
Shall I compare thee to a summers dayShall I compare thee to a summers day
Thou art more lovely and more temperateThou art more lovely and more temperate
Rough winds do shake the darling buds of MayRough winds do shake the darling buds of May
And summers lease hath all too short a date And summers lease hath all too short a date
(Shakespeare Sonnet 18)(Shakespeare Sonnet 18)
EnjambmentEnjambmentThese lines are enjambed that is the line does not end These lines are enjambed that is the line does not end with a grammatical break Here are a few lines from with a grammatical break Here are a few lines from Keats Keats EndymionEndymion which demonstrate how enjambment which demonstrate how enjambment worksworks
A thing of beauty is a joy forever A thing of beauty is a joy forever
Its loveliness increases it will neverIts loveliness increases it will never
Pass into nothingness but still will keep Pass into nothingness but still will keep
A bower quiet for us and asleepA bower quiet for us and asleep
Full of sweet dreams and health and quiet breathing(ll 1-5)Full of sweet dreams and health and quiet breathing(ll 1-5)
The first and last lines above are end-stopped lines 2 3 The first and last lines above are end-stopped lines 2 3 and 4 are enjambedand 4 are enjambed
EnjambmentEnjambment Enjambment increases the pace of the poem whereas Enjambment increases the pace of the poem whereas
end-stopped lines which are lines that break on end-stopped lines which are lines that break on
caesuras (pauses) emphasize these silences and slow caesuras (pauses) emphasize these silences and slow
the poem downthe poem down
may also be used to delay the intention of the line until may also be used to delay the intention of the line until
the following line and thus play on the expectation of the following line and thus play on the expectation of
the reader and surprise themthe reader and surprise them
the line cannot stand alone cannot make sense without the line cannot stand alone cannot make sense without
the following linethe following line
Closed FormClosed Form
Together meter and rhyme scheme may Together meter and rhyme scheme may
determine a specific pattern or design of poetrydetermine a specific pattern or design of poetry
When these forms are strictly defined they are When these forms are strictly defined they are
referred to as referred to as closed formsclosed forms
In English closed forms include theIn English closed forms include the
SonnetSonnet
SestinaSestina
Villanelle Villanelle
Blank verseBlank verse
Heroic coupletHeroic couplet
RoundelRoundel
BalladeBallade
Ottava RimaOttava Rima
That is no country for old men The youngThat is no country for old men The young
In one anothers arms birds in the treesIn one anothers arms birds in the trees
- Those dying generations - at their song- Those dying generations - at their song
The salmon-falls the mackerel-crowded seasThe salmon-falls the mackerel-crowded seas
Fish flesh or fowl commend all summer longFish flesh or fowl commend all summer long
Whatever is begotten born and diesWhatever is begotten born and dies
Caught in that sensual music all neglectCaught in that sensual music all neglect
Monuments of unageing intellectMonuments of unageing intellect
Open FormOpen Form
Does not follow a traditional rhyme scheme Does not follow a traditional rhyme scheme
stanza pattern or meterstanza pattern or meter
Does not have a recognized traditional formDoes not have a recognized traditional form
Often (if successful) informed by a more Often (if successful) informed by a more
subtle organic structuresubtle organic structure
Became the dominant form of poetry in Became the dominant form of poetry in
Europe and America in the 20Europe and America in the 20thth century century
WarWarOpen vs ClosedOpen vs Closed
Free verse vs Formal verseFree verse vs Formal verse
Experimental vs TraditionalExperimental vs Traditional
Machine age vs Agrarian ageMachine age vs Agrarian age
Writing free verse is like playing tennis with the net down ndashRobert FrostWriting free verse is like playing tennis with the net down ndashRobert Frost
I never thought poetry was supposed to be a game ndashGalway KinnellI never thought poetry was supposed to be a game ndashGalway Kinnell
Line ExamplesLine Examples
Determine the meterDetermine the meter ˘ ˘ ˘ ˘ ˘ ˘ ˘ ˘
Half a league half a leagueHalf a league half a league ˘ ˘ ˘ ˘ ˘ ˘
Half a league onwardHalf a league onward ˘ ˘ ˘ ˘ ˘ ˘ ˘ ˘
All in the valley of DeathAll in the valley of Death ˘ ˘ ˘ ˘ ˘ ˘
Rode the six hundred Rode the six hundred
from from The Charge of the Light BrigadeThe Charge of the Light Brigade by Alfred Lord Tennyson by Alfred Lord Tennyson
Meter and FormMeter and Form
Some forms of poetry are written entirely Some forms of poetry are written entirely
in one meterin one meter
Some forms of poetry require several Some forms of poetry require several
different meters different meters
And yes some forms of poetry even mix And yes some forms of poetry even mix
meters in individual linesmeters in individual lines
RhymeRhyme Rhyme a repetition of similar sounds in two or more Rhyme a repetition of similar sounds in two or more
wordswords Example To Example To rhymerhyme is is sublimesublime
End rhyme Rhymes that occur at the end of the verse End rhyme Rhymes that occur at the end of the verse
lineline Example And the waves oozing through the porthole Example And the waves oozing through the porthole mademade
His berth a little damp and him His berth a little damp and him afraidafraid
Internal Rhyme Rhymes that occur within a verse lineInternal Rhyme Rhymes that occur within a verse line Example Sister my sister O Example Sister my sister O fleetfleet sweetsweet swallow swallow
Rhyme SchemeRhyme SchemeA rhyme scheme is the A rhyme scheme is the patternpattern of end-rhymed lines in a of end-rhymed lines in a
poempoem
Bent double like old beggars under sacks Bent double like old beggars under sacks a a
Knock-kneed coughing like hags we cursed through sludge bKnock-kneed coughing like hags we cursed through sludge b
Till on the haunting flares we turned our backs aTill on the haunting flares we turned our backs a
And towards our distant rest began to trudge And towards our distant rest began to trudge b b
Men marched asleep Many had lost their bootsMen marched asleep Many had lost their boots c c
But limped on blood-shod All went lame all blind But limped on blood-shod All went lame all blind d d
Drunk with fatigue deaf even to the hoots Drunk with fatigue deaf even to the hoots c c
Of tired outstripped Five-Nines that dropped behind Of tired outstripped Five-Nines that dropped behind d d
from from Dulce Et Decorum EstDulce Et Decorum Est by Wilfred Owen by Wilfred Owen
Line BreakLine Break A line break in poetry is the termination of the line of a A line break in poetry is the termination of the line of a
poem (usually on the right) and the beginning of a new poem (usually on the right) and the beginning of a new
line (usually on the left)line (usually on the left)
When a line ends with a syntactical pause and punctuation When a line ends with a syntactical pause and punctuation
that indicates a pause it is ldquoend-stoppedrdquothat indicates a pause it is ldquoend-stoppedrdquo
When a line ends within a syntactical unit and has no When a line ends within a syntactical unit and has no
punctuation that indicates a pause it is ldquoenjambedrdquopunctuation that indicates a pause it is ldquoenjambedrdquo
Enjambment literally means to straddlelsquo (or to put ones Enjambment literally means to straddlelsquo (or to put ones
leg across or to step over) and is a form of line breakleg across or to step over) and is a form of line break
EnjambmentEnjambment
These lines are end-stopped that is the end These lines are end-stopped that is the end
of the line coincides with the end of a of the line coincides with the end of a
grammatical unitgrammatical unit
Shall I compare thee to a summers dayShall I compare thee to a summers day
Thou art more lovely and more temperateThou art more lovely and more temperate
Rough winds do shake the darling buds of MayRough winds do shake the darling buds of May
And summers lease hath all too short a date And summers lease hath all too short a date
(Shakespeare Sonnet 18)(Shakespeare Sonnet 18)
EnjambmentEnjambmentThese lines are enjambed that is the line does not end These lines are enjambed that is the line does not end with a grammatical break Here are a few lines from with a grammatical break Here are a few lines from Keats Keats EndymionEndymion which demonstrate how enjambment which demonstrate how enjambment worksworks
A thing of beauty is a joy forever A thing of beauty is a joy forever
Its loveliness increases it will neverIts loveliness increases it will never
Pass into nothingness but still will keep Pass into nothingness but still will keep
A bower quiet for us and asleepA bower quiet for us and asleep
Full of sweet dreams and health and quiet breathing(ll 1-5)Full of sweet dreams and health and quiet breathing(ll 1-5)
The first and last lines above are end-stopped lines 2 3 The first and last lines above are end-stopped lines 2 3 and 4 are enjambedand 4 are enjambed
EnjambmentEnjambment Enjambment increases the pace of the poem whereas Enjambment increases the pace of the poem whereas
end-stopped lines which are lines that break on end-stopped lines which are lines that break on
caesuras (pauses) emphasize these silences and slow caesuras (pauses) emphasize these silences and slow
the poem downthe poem down
may also be used to delay the intention of the line until may also be used to delay the intention of the line until
the following line and thus play on the expectation of the following line and thus play on the expectation of
the reader and surprise themthe reader and surprise them
the line cannot stand alone cannot make sense without the line cannot stand alone cannot make sense without
the following linethe following line
Closed FormClosed Form
Together meter and rhyme scheme may Together meter and rhyme scheme may
determine a specific pattern or design of poetrydetermine a specific pattern or design of poetry
When these forms are strictly defined they are When these forms are strictly defined they are
referred to as referred to as closed formsclosed forms
In English closed forms include theIn English closed forms include the
SonnetSonnet
SestinaSestina
Villanelle Villanelle
Blank verseBlank verse
Heroic coupletHeroic couplet
RoundelRoundel
BalladeBallade
Ottava RimaOttava Rima
That is no country for old men The youngThat is no country for old men The young
In one anothers arms birds in the treesIn one anothers arms birds in the trees
- Those dying generations - at their song- Those dying generations - at their song
The salmon-falls the mackerel-crowded seasThe salmon-falls the mackerel-crowded seas
Fish flesh or fowl commend all summer longFish flesh or fowl commend all summer long
Whatever is begotten born and diesWhatever is begotten born and dies
Caught in that sensual music all neglectCaught in that sensual music all neglect
Monuments of unageing intellectMonuments of unageing intellect
Open FormOpen Form
Does not follow a traditional rhyme scheme Does not follow a traditional rhyme scheme
stanza pattern or meterstanza pattern or meter
Does not have a recognized traditional formDoes not have a recognized traditional form
Often (if successful) informed by a more Often (if successful) informed by a more
subtle organic structuresubtle organic structure
Became the dominant form of poetry in Became the dominant form of poetry in
Europe and America in the 20Europe and America in the 20thth century century
WarWarOpen vs ClosedOpen vs Closed
Free verse vs Formal verseFree verse vs Formal verse
Experimental vs TraditionalExperimental vs Traditional
Machine age vs Agrarian ageMachine age vs Agrarian age
Writing free verse is like playing tennis with the net down ndashRobert FrostWriting free verse is like playing tennis with the net down ndashRobert Frost
I never thought poetry was supposed to be a game ndashGalway KinnellI never thought poetry was supposed to be a game ndashGalway Kinnell
Meter and FormMeter and Form
Some forms of poetry are written entirely Some forms of poetry are written entirely
in one meterin one meter
Some forms of poetry require several Some forms of poetry require several
different meters different meters
And yes some forms of poetry even mix And yes some forms of poetry even mix
meters in individual linesmeters in individual lines
RhymeRhyme Rhyme a repetition of similar sounds in two or more Rhyme a repetition of similar sounds in two or more
wordswords Example To Example To rhymerhyme is is sublimesublime
End rhyme Rhymes that occur at the end of the verse End rhyme Rhymes that occur at the end of the verse
lineline Example And the waves oozing through the porthole Example And the waves oozing through the porthole mademade
His berth a little damp and him His berth a little damp and him afraidafraid
Internal Rhyme Rhymes that occur within a verse lineInternal Rhyme Rhymes that occur within a verse line Example Sister my sister O Example Sister my sister O fleetfleet sweetsweet swallow swallow
Rhyme SchemeRhyme SchemeA rhyme scheme is the A rhyme scheme is the patternpattern of end-rhymed lines in a of end-rhymed lines in a
poempoem
Bent double like old beggars under sacks Bent double like old beggars under sacks a a
Knock-kneed coughing like hags we cursed through sludge bKnock-kneed coughing like hags we cursed through sludge b
Till on the haunting flares we turned our backs aTill on the haunting flares we turned our backs a
And towards our distant rest began to trudge And towards our distant rest began to trudge b b
Men marched asleep Many had lost their bootsMen marched asleep Many had lost their boots c c
But limped on blood-shod All went lame all blind But limped on blood-shod All went lame all blind d d
Drunk with fatigue deaf even to the hoots Drunk with fatigue deaf even to the hoots c c
Of tired outstripped Five-Nines that dropped behind Of tired outstripped Five-Nines that dropped behind d d
from from Dulce Et Decorum EstDulce Et Decorum Est by Wilfred Owen by Wilfred Owen
Line BreakLine Break A line break in poetry is the termination of the line of a A line break in poetry is the termination of the line of a
poem (usually on the right) and the beginning of a new poem (usually on the right) and the beginning of a new
line (usually on the left)line (usually on the left)
When a line ends with a syntactical pause and punctuation When a line ends with a syntactical pause and punctuation
that indicates a pause it is ldquoend-stoppedrdquothat indicates a pause it is ldquoend-stoppedrdquo
When a line ends within a syntactical unit and has no When a line ends within a syntactical unit and has no
punctuation that indicates a pause it is ldquoenjambedrdquopunctuation that indicates a pause it is ldquoenjambedrdquo
Enjambment literally means to straddlelsquo (or to put ones Enjambment literally means to straddlelsquo (or to put ones
leg across or to step over) and is a form of line breakleg across or to step over) and is a form of line break
EnjambmentEnjambment
These lines are end-stopped that is the end These lines are end-stopped that is the end
of the line coincides with the end of a of the line coincides with the end of a
grammatical unitgrammatical unit
Shall I compare thee to a summers dayShall I compare thee to a summers day
Thou art more lovely and more temperateThou art more lovely and more temperate
Rough winds do shake the darling buds of MayRough winds do shake the darling buds of May
And summers lease hath all too short a date And summers lease hath all too short a date
(Shakespeare Sonnet 18)(Shakespeare Sonnet 18)
EnjambmentEnjambmentThese lines are enjambed that is the line does not end These lines are enjambed that is the line does not end with a grammatical break Here are a few lines from with a grammatical break Here are a few lines from Keats Keats EndymionEndymion which demonstrate how enjambment which demonstrate how enjambment worksworks
A thing of beauty is a joy forever A thing of beauty is a joy forever
Its loveliness increases it will neverIts loveliness increases it will never
Pass into nothingness but still will keep Pass into nothingness but still will keep
A bower quiet for us and asleepA bower quiet for us and asleep
Full of sweet dreams and health and quiet breathing(ll 1-5)Full of sweet dreams and health and quiet breathing(ll 1-5)
The first and last lines above are end-stopped lines 2 3 The first and last lines above are end-stopped lines 2 3 and 4 are enjambedand 4 are enjambed
EnjambmentEnjambment Enjambment increases the pace of the poem whereas Enjambment increases the pace of the poem whereas
end-stopped lines which are lines that break on end-stopped lines which are lines that break on
caesuras (pauses) emphasize these silences and slow caesuras (pauses) emphasize these silences and slow
the poem downthe poem down
may also be used to delay the intention of the line until may also be used to delay the intention of the line until
the following line and thus play on the expectation of the following line and thus play on the expectation of
the reader and surprise themthe reader and surprise them
the line cannot stand alone cannot make sense without the line cannot stand alone cannot make sense without
the following linethe following line
Closed FormClosed Form
Together meter and rhyme scheme may Together meter and rhyme scheme may
determine a specific pattern or design of poetrydetermine a specific pattern or design of poetry
When these forms are strictly defined they are When these forms are strictly defined they are
referred to as referred to as closed formsclosed forms
In English closed forms include theIn English closed forms include the
SonnetSonnet
SestinaSestina
Villanelle Villanelle
Blank verseBlank verse
Heroic coupletHeroic couplet
RoundelRoundel
BalladeBallade
Ottava RimaOttava Rima
That is no country for old men The youngThat is no country for old men The young
In one anothers arms birds in the treesIn one anothers arms birds in the trees
- Those dying generations - at their song- Those dying generations - at their song
The salmon-falls the mackerel-crowded seasThe salmon-falls the mackerel-crowded seas
Fish flesh or fowl commend all summer longFish flesh or fowl commend all summer long
Whatever is begotten born and diesWhatever is begotten born and dies
Caught in that sensual music all neglectCaught in that sensual music all neglect
Monuments of unageing intellectMonuments of unageing intellect
Open FormOpen Form
Does not follow a traditional rhyme scheme Does not follow a traditional rhyme scheme
stanza pattern or meterstanza pattern or meter
Does not have a recognized traditional formDoes not have a recognized traditional form
Often (if successful) informed by a more Often (if successful) informed by a more
subtle organic structuresubtle organic structure
Became the dominant form of poetry in Became the dominant form of poetry in
Europe and America in the 20Europe and America in the 20thth century century
WarWarOpen vs ClosedOpen vs Closed
Free verse vs Formal verseFree verse vs Formal verse
Experimental vs TraditionalExperimental vs Traditional
Machine age vs Agrarian ageMachine age vs Agrarian age
Writing free verse is like playing tennis with the net down ndashRobert FrostWriting free verse is like playing tennis with the net down ndashRobert Frost
I never thought poetry was supposed to be a game ndashGalway KinnellI never thought poetry was supposed to be a game ndashGalway Kinnell
RhymeRhyme Rhyme a repetition of similar sounds in two or more Rhyme a repetition of similar sounds in two or more
wordswords Example To Example To rhymerhyme is is sublimesublime
End rhyme Rhymes that occur at the end of the verse End rhyme Rhymes that occur at the end of the verse
lineline Example And the waves oozing through the porthole Example And the waves oozing through the porthole mademade
His berth a little damp and him His berth a little damp and him afraidafraid
Internal Rhyme Rhymes that occur within a verse lineInternal Rhyme Rhymes that occur within a verse line Example Sister my sister O Example Sister my sister O fleetfleet sweetsweet swallow swallow
Rhyme SchemeRhyme SchemeA rhyme scheme is the A rhyme scheme is the patternpattern of end-rhymed lines in a of end-rhymed lines in a
poempoem
Bent double like old beggars under sacks Bent double like old beggars under sacks a a
Knock-kneed coughing like hags we cursed through sludge bKnock-kneed coughing like hags we cursed through sludge b
Till on the haunting flares we turned our backs aTill on the haunting flares we turned our backs a
And towards our distant rest began to trudge And towards our distant rest began to trudge b b
Men marched asleep Many had lost their bootsMen marched asleep Many had lost their boots c c
But limped on blood-shod All went lame all blind But limped on blood-shod All went lame all blind d d
Drunk with fatigue deaf even to the hoots Drunk with fatigue deaf even to the hoots c c
Of tired outstripped Five-Nines that dropped behind Of tired outstripped Five-Nines that dropped behind d d
from from Dulce Et Decorum EstDulce Et Decorum Est by Wilfred Owen by Wilfred Owen
Line BreakLine Break A line break in poetry is the termination of the line of a A line break in poetry is the termination of the line of a
poem (usually on the right) and the beginning of a new poem (usually on the right) and the beginning of a new
line (usually on the left)line (usually on the left)
When a line ends with a syntactical pause and punctuation When a line ends with a syntactical pause and punctuation
that indicates a pause it is ldquoend-stoppedrdquothat indicates a pause it is ldquoend-stoppedrdquo
When a line ends within a syntactical unit and has no When a line ends within a syntactical unit and has no
punctuation that indicates a pause it is ldquoenjambedrdquopunctuation that indicates a pause it is ldquoenjambedrdquo
Enjambment literally means to straddlelsquo (or to put ones Enjambment literally means to straddlelsquo (or to put ones
leg across or to step over) and is a form of line breakleg across or to step over) and is a form of line break
EnjambmentEnjambment
These lines are end-stopped that is the end These lines are end-stopped that is the end
of the line coincides with the end of a of the line coincides with the end of a
grammatical unitgrammatical unit
Shall I compare thee to a summers dayShall I compare thee to a summers day
Thou art more lovely and more temperateThou art more lovely and more temperate
Rough winds do shake the darling buds of MayRough winds do shake the darling buds of May
And summers lease hath all too short a date And summers lease hath all too short a date
(Shakespeare Sonnet 18)(Shakespeare Sonnet 18)
EnjambmentEnjambmentThese lines are enjambed that is the line does not end These lines are enjambed that is the line does not end with a grammatical break Here are a few lines from with a grammatical break Here are a few lines from Keats Keats EndymionEndymion which demonstrate how enjambment which demonstrate how enjambment worksworks
A thing of beauty is a joy forever A thing of beauty is a joy forever
Its loveliness increases it will neverIts loveliness increases it will never
Pass into nothingness but still will keep Pass into nothingness but still will keep
A bower quiet for us and asleepA bower quiet for us and asleep
Full of sweet dreams and health and quiet breathing(ll 1-5)Full of sweet dreams and health and quiet breathing(ll 1-5)
The first and last lines above are end-stopped lines 2 3 The first and last lines above are end-stopped lines 2 3 and 4 are enjambedand 4 are enjambed
EnjambmentEnjambment Enjambment increases the pace of the poem whereas Enjambment increases the pace of the poem whereas
end-stopped lines which are lines that break on end-stopped lines which are lines that break on
caesuras (pauses) emphasize these silences and slow caesuras (pauses) emphasize these silences and slow
the poem downthe poem down
may also be used to delay the intention of the line until may also be used to delay the intention of the line until
the following line and thus play on the expectation of the following line and thus play on the expectation of
the reader and surprise themthe reader and surprise them
the line cannot stand alone cannot make sense without the line cannot stand alone cannot make sense without
the following linethe following line
Closed FormClosed Form
Together meter and rhyme scheme may Together meter and rhyme scheme may
determine a specific pattern or design of poetrydetermine a specific pattern or design of poetry
When these forms are strictly defined they are When these forms are strictly defined they are
referred to as referred to as closed formsclosed forms
In English closed forms include theIn English closed forms include the
SonnetSonnet
SestinaSestina
Villanelle Villanelle
Blank verseBlank verse
Heroic coupletHeroic couplet
RoundelRoundel
BalladeBallade
Ottava RimaOttava Rima
That is no country for old men The youngThat is no country for old men The young
In one anothers arms birds in the treesIn one anothers arms birds in the trees
- Those dying generations - at their song- Those dying generations - at their song
The salmon-falls the mackerel-crowded seasThe salmon-falls the mackerel-crowded seas
Fish flesh or fowl commend all summer longFish flesh or fowl commend all summer long
Whatever is begotten born and diesWhatever is begotten born and dies
Caught in that sensual music all neglectCaught in that sensual music all neglect
Monuments of unageing intellectMonuments of unageing intellect
Open FormOpen Form
Does not follow a traditional rhyme scheme Does not follow a traditional rhyme scheme
stanza pattern or meterstanza pattern or meter
Does not have a recognized traditional formDoes not have a recognized traditional form
Often (if successful) informed by a more Often (if successful) informed by a more
subtle organic structuresubtle organic structure
Became the dominant form of poetry in Became the dominant form of poetry in
Europe and America in the 20Europe and America in the 20thth century century
WarWarOpen vs ClosedOpen vs Closed
Free verse vs Formal verseFree verse vs Formal verse
Experimental vs TraditionalExperimental vs Traditional
Machine age vs Agrarian ageMachine age vs Agrarian age
Writing free verse is like playing tennis with the net down ndashRobert FrostWriting free verse is like playing tennis with the net down ndashRobert Frost
I never thought poetry was supposed to be a game ndashGalway KinnellI never thought poetry was supposed to be a game ndashGalway Kinnell
Rhyme SchemeRhyme SchemeA rhyme scheme is the A rhyme scheme is the patternpattern of end-rhymed lines in a of end-rhymed lines in a
poempoem
Bent double like old beggars under sacks Bent double like old beggars under sacks a a
Knock-kneed coughing like hags we cursed through sludge bKnock-kneed coughing like hags we cursed through sludge b
Till on the haunting flares we turned our backs aTill on the haunting flares we turned our backs a
And towards our distant rest began to trudge And towards our distant rest began to trudge b b
Men marched asleep Many had lost their bootsMen marched asleep Many had lost their boots c c
But limped on blood-shod All went lame all blind But limped on blood-shod All went lame all blind d d
Drunk with fatigue deaf even to the hoots Drunk with fatigue deaf even to the hoots c c
Of tired outstripped Five-Nines that dropped behind Of tired outstripped Five-Nines that dropped behind d d
from from Dulce Et Decorum EstDulce Et Decorum Est by Wilfred Owen by Wilfred Owen
Line BreakLine Break A line break in poetry is the termination of the line of a A line break in poetry is the termination of the line of a
poem (usually on the right) and the beginning of a new poem (usually on the right) and the beginning of a new
line (usually on the left)line (usually on the left)
When a line ends with a syntactical pause and punctuation When a line ends with a syntactical pause and punctuation
that indicates a pause it is ldquoend-stoppedrdquothat indicates a pause it is ldquoend-stoppedrdquo
When a line ends within a syntactical unit and has no When a line ends within a syntactical unit and has no
punctuation that indicates a pause it is ldquoenjambedrdquopunctuation that indicates a pause it is ldquoenjambedrdquo
Enjambment literally means to straddlelsquo (or to put ones Enjambment literally means to straddlelsquo (or to put ones
leg across or to step over) and is a form of line breakleg across or to step over) and is a form of line break
EnjambmentEnjambment
These lines are end-stopped that is the end These lines are end-stopped that is the end
of the line coincides with the end of a of the line coincides with the end of a
grammatical unitgrammatical unit
Shall I compare thee to a summers dayShall I compare thee to a summers day
Thou art more lovely and more temperateThou art more lovely and more temperate
Rough winds do shake the darling buds of MayRough winds do shake the darling buds of May
And summers lease hath all too short a date And summers lease hath all too short a date
(Shakespeare Sonnet 18)(Shakespeare Sonnet 18)
EnjambmentEnjambmentThese lines are enjambed that is the line does not end These lines are enjambed that is the line does not end with a grammatical break Here are a few lines from with a grammatical break Here are a few lines from Keats Keats EndymionEndymion which demonstrate how enjambment which demonstrate how enjambment worksworks
A thing of beauty is a joy forever A thing of beauty is a joy forever
Its loveliness increases it will neverIts loveliness increases it will never
Pass into nothingness but still will keep Pass into nothingness but still will keep
A bower quiet for us and asleepA bower quiet for us and asleep
Full of sweet dreams and health and quiet breathing(ll 1-5)Full of sweet dreams and health and quiet breathing(ll 1-5)
The first and last lines above are end-stopped lines 2 3 The first and last lines above are end-stopped lines 2 3 and 4 are enjambedand 4 are enjambed
EnjambmentEnjambment Enjambment increases the pace of the poem whereas Enjambment increases the pace of the poem whereas
end-stopped lines which are lines that break on end-stopped lines which are lines that break on
caesuras (pauses) emphasize these silences and slow caesuras (pauses) emphasize these silences and slow
the poem downthe poem down
may also be used to delay the intention of the line until may also be used to delay the intention of the line until
the following line and thus play on the expectation of the following line and thus play on the expectation of
the reader and surprise themthe reader and surprise them
the line cannot stand alone cannot make sense without the line cannot stand alone cannot make sense without
the following linethe following line
Closed FormClosed Form
Together meter and rhyme scheme may Together meter and rhyme scheme may
determine a specific pattern or design of poetrydetermine a specific pattern or design of poetry
When these forms are strictly defined they are When these forms are strictly defined they are
referred to as referred to as closed formsclosed forms
In English closed forms include theIn English closed forms include the
SonnetSonnet
SestinaSestina
Villanelle Villanelle
Blank verseBlank verse
Heroic coupletHeroic couplet
RoundelRoundel
BalladeBallade
Ottava RimaOttava Rima
That is no country for old men The youngThat is no country for old men The young
In one anothers arms birds in the treesIn one anothers arms birds in the trees
- Those dying generations - at their song- Those dying generations - at their song
The salmon-falls the mackerel-crowded seasThe salmon-falls the mackerel-crowded seas
Fish flesh or fowl commend all summer longFish flesh or fowl commend all summer long
Whatever is begotten born and diesWhatever is begotten born and dies
Caught in that sensual music all neglectCaught in that sensual music all neglect
Monuments of unageing intellectMonuments of unageing intellect
Open FormOpen Form
Does not follow a traditional rhyme scheme Does not follow a traditional rhyme scheme
stanza pattern or meterstanza pattern or meter
Does not have a recognized traditional formDoes not have a recognized traditional form
Often (if successful) informed by a more Often (if successful) informed by a more
subtle organic structuresubtle organic structure
Became the dominant form of poetry in Became the dominant form of poetry in
Europe and America in the 20Europe and America in the 20thth century century
WarWarOpen vs ClosedOpen vs Closed
Free verse vs Formal verseFree verse vs Formal verse
Experimental vs TraditionalExperimental vs Traditional
Machine age vs Agrarian ageMachine age vs Agrarian age
Writing free verse is like playing tennis with the net down ndashRobert FrostWriting free verse is like playing tennis with the net down ndashRobert Frost
I never thought poetry was supposed to be a game ndashGalway KinnellI never thought poetry was supposed to be a game ndashGalway Kinnell
Line BreakLine Break A line break in poetry is the termination of the line of a A line break in poetry is the termination of the line of a
poem (usually on the right) and the beginning of a new poem (usually on the right) and the beginning of a new
line (usually on the left)line (usually on the left)
When a line ends with a syntactical pause and punctuation When a line ends with a syntactical pause and punctuation
that indicates a pause it is ldquoend-stoppedrdquothat indicates a pause it is ldquoend-stoppedrdquo
When a line ends within a syntactical unit and has no When a line ends within a syntactical unit and has no
punctuation that indicates a pause it is ldquoenjambedrdquopunctuation that indicates a pause it is ldquoenjambedrdquo
Enjambment literally means to straddlelsquo (or to put ones Enjambment literally means to straddlelsquo (or to put ones
leg across or to step over) and is a form of line breakleg across or to step over) and is a form of line break
EnjambmentEnjambment
These lines are end-stopped that is the end These lines are end-stopped that is the end
of the line coincides with the end of a of the line coincides with the end of a
grammatical unitgrammatical unit
Shall I compare thee to a summers dayShall I compare thee to a summers day
Thou art more lovely and more temperateThou art more lovely and more temperate
Rough winds do shake the darling buds of MayRough winds do shake the darling buds of May
And summers lease hath all too short a date And summers lease hath all too short a date
(Shakespeare Sonnet 18)(Shakespeare Sonnet 18)
EnjambmentEnjambmentThese lines are enjambed that is the line does not end These lines are enjambed that is the line does not end with a grammatical break Here are a few lines from with a grammatical break Here are a few lines from Keats Keats EndymionEndymion which demonstrate how enjambment which demonstrate how enjambment worksworks
A thing of beauty is a joy forever A thing of beauty is a joy forever
Its loveliness increases it will neverIts loveliness increases it will never
Pass into nothingness but still will keep Pass into nothingness but still will keep
A bower quiet for us and asleepA bower quiet for us and asleep
Full of sweet dreams and health and quiet breathing(ll 1-5)Full of sweet dreams and health and quiet breathing(ll 1-5)
The first and last lines above are end-stopped lines 2 3 The first and last lines above are end-stopped lines 2 3 and 4 are enjambedand 4 are enjambed
EnjambmentEnjambment Enjambment increases the pace of the poem whereas Enjambment increases the pace of the poem whereas
end-stopped lines which are lines that break on end-stopped lines which are lines that break on
caesuras (pauses) emphasize these silences and slow caesuras (pauses) emphasize these silences and slow
the poem downthe poem down
may also be used to delay the intention of the line until may also be used to delay the intention of the line until
the following line and thus play on the expectation of the following line and thus play on the expectation of
the reader and surprise themthe reader and surprise them
the line cannot stand alone cannot make sense without the line cannot stand alone cannot make sense without
the following linethe following line
Closed FormClosed Form
Together meter and rhyme scheme may Together meter and rhyme scheme may
determine a specific pattern or design of poetrydetermine a specific pattern or design of poetry
When these forms are strictly defined they are When these forms are strictly defined they are
referred to as referred to as closed formsclosed forms
In English closed forms include theIn English closed forms include the
SonnetSonnet
SestinaSestina
Villanelle Villanelle
Blank verseBlank verse
Heroic coupletHeroic couplet
RoundelRoundel
BalladeBallade
Ottava RimaOttava Rima
That is no country for old men The youngThat is no country for old men The young
In one anothers arms birds in the treesIn one anothers arms birds in the trees
- Those dying generations - at their song- Those dying generations - at their song
The salmon-falls the mackerel-crowded seasThe salmon-falls the mackerel-crowded seas
Fish flesh or fowl commend all summer longFish flesh or fowl commend all summer long
Whatever is begotten born and diesWhatever is begotten born and dies
Caught in that sensual music all neglectCaught in that sensual music all neglect
Monuments of unageing intellectMonuments of unageing intellect
Open FormOpen Form
Does not follow a traditional rhyme scheme Does not follow a traditional rhyme scheme
stanza pattern or meterstanza pattern or meter
Does not have a recognized traditional formDoes not have a recognized traditional form
Often (if successful) informed by a more Often (if successful) informed by a more
subtle organic structuresubtle organic structure
Became the dominant form of poetry in Became the dominant form of poetry in
Europe and America in the 20Europe and America in the 20thth century century
WarWarOpen vs ClosedOpen vs Closed
Free verse vs Formal verseFree verse vs Formal verse
Experimental vs TraditionalExperimental vs Traditional
Machine age vs Agrarian ageMachine age vs Agrarian age
Writing free verse is like playing tennis with the net down ndashRobert FrostWriting free verse is like playing tennis with the net down ndashRobert Frost
I never thought poetry was supposed to be a game ndashGalway KinnellI never thought poetry was supposed to be a game ndashGalway Kinnell
EnjambmentEnjambment
These lines are end-stopped that is the end These lines are end-stopped that is the end
of the line coincides with the end of a of the line coincides with the end of a
grammatical unitgrammatical unit
Shall I compare thee to a summers dayShall I compare thee to a summers day
Thou art more lovely and more temperateThou art more lovely and more temperate
Rough winds do shake the darling buds of MayRough winds do shake the darling buds of May
And summers lease hath all too short a date And summers lease hath all too short a date
(Shakespeare Sonnet 18)(Shakespeare Sonnet 18)
EnjambmentEnjambmentThese lines are enjambed that is the line does not end These lines are enjambed that is the line does not end with a grammatical break Here are a few lines from with a grammatical break Here are a few lines from Keats Keats EndymionEndymion which demonstrate how enjambment which demonstrate how enjambment worksworks
A thing of beauty is a joy forever A thing of beauty is a joy forever
Its loveliness increases it will neverIts loveliness increases it will never
Pass into nothingness but still will keep Pass into nothingness but still will keep
A bower quiet for us and asleepA bower quiet for us and asleep
Full of sweet dreams and health and quiet breathing(ll 1-5)Full of sweet dreams and health and quiet breathing(ll 1-5)
The first and last lines above are end-stopped lines 2 3 The first and last lines above are end-stopped lines 2 3 and 4 are enjambedand 4 are enjambed
EnjambmentEnjambment Enjambment increases the pace of the poem whereas Enjambment increases the pace of the poem whereas
end-stopped lines which are lines that break on end-stopped lines which are lines that break on
caesuras (pauses) emphasize these silences and slow caesuras (pauses) emphasize these silences and slow
the poem downthe poem down
may also be used to delay the intention of the line until may also be used to delay the intention of the line until
the following line and thus play on the expectation of the following line and thus play on the expectation of
the reader and surprise themthe reader and surprise them
the line cannot stand alone cannot make sense without the line cannot stand alone cannot make sense without
the following linethe following line
Closed FormClosed Form
Together meter and rhyme scheme may Together meter and rhyme scheme may
determine a specific pattern or design of poetrydetermine a specific pattern or design of poetry
When these forms are strictly defined they are When these forms are strictly defined they are
referred to as referred to as closed formsclosed forms
In English closed forms include theIn English closed forms include the
SonnetSonnet
SestinaSestina
Villanelle Villanelle
Blank verseBlank verse
Heroic coupletHeroic couplet
RoundelRoundel
BalladeBallade
Ottava RimaOttava Rima
That is no country for old men The youngThat is no country for old men The young
In one anothers arms birds in the treesIn one anothers arms birds in the trees
- Those dying generations - at their song- Those dying generations - at their song
The salmon-falls the mackerel-crowded seasThe salmon-falls the mackerel-crowded seas
Fish flesh or fowl commend all summer longFish flesh or fowl commend all summer long
Whatever is begotten born and diesWhatever is begotten born and dies
Caught in that sensual music all neglectCaught in that sensual music all neglect
Monuments of unageing intellectMonuments of unageing intellect
Open FormOpen Form
Does not follow a traditional rhyme scheme Does not follow a traditional rhyme scheme
stanza pattern or meterstanza pattern or meter
Does not have a recognized traditional formDoes not have a recognized traditional form
Often (if successful) informed by a more Often (if successful) informed by a more
subtle organic structuresubtle organic structure
Became the dominant form of poetry in Became the dominant form of poetry in
Europe and America in the 20Europe and America in the 20thth century century
WarWarOpen vs ClosedOpen vs Closed
Free verse vs Formal verseFree verse vs Formal verse
Experimental vs TraditionalExperimental vs Traditional
Machine age vs Agrarian ageMachine age vs Agrarian age
Writing free verse is like playing tennis with the net down ndashRobert FrostWriting free verse is like playing tennis with the net down ndashRobert Frost
I never thought poetry was supposed to be a game ndashGalway KinnellI never thought poetry was supposed to be a game ndashGalway Kinnell
EnjambmentEnjambmentThese lines are enjambed that is the line does not end These lines are enjambed that is the line does not end with a grammatical break Here are a few lines from with a grammatical break Here are a few lines from Keats Keats EndymionEndymion which demonstrate how enjambment which demonstrate how enjambment worksworks
A thing of beauty is a joy forever A thing of beauty is a joy forever
Its loveliness increases it will neverIts loveliness increases it will never
Pass into nothingness but still will keep Pass into nothingness but still will keep
A bower quiet for us and asleepA bower quiet for us and asleep
Full of sweet dreams and health and quiet breathing(ll 1-5)Full of sweet dreams and health and quiet breathing(ll 1-5)
The first and last lines above are end-stopped lines 2 3 The first and last lines above are end-stopped lines 2 3 and 4 are enjambedand 4 are enjambed
EnjambmentEnjambment Enjambment increases the pace of the poem whereas Enjambment increases the pace of the poem whereas
end-stopped lines which are lines that break on end-stopped lines which are lines that break on
caesuras (pauses) emphasize these silences and slow caesuras (pauses) emphasize these silences and slow
the poem downthe poem down
may also be used to delay the intention of the line until may also be used to delay the intention of the line until
the following line and thus play on the expectation of the following line and thus play on the expectation of
the reader and surprise themthe reader and surprise them
the line cannot stand alone cannot make sense without the line cannot stand alone cannot make sense without
the following linethe following line
Closed FormClosed Form
Together meter and rhyme scheme may Together meter and rhyme scheme may
determine a specific pattern or design of poetrydetermine a specific pattern or design of poetry
When these forms are strictly defined they are When these forms are strictly defined they are
referred to as referred to as closed formsclosed forms
In English closed forms include theIn English closed forms include the
SonnetSonnet
SestinaSestina
Villanelle Villanelle
Blank verseBlank verse
Heroic coupletHeroic couplet
RoundelRoundel
BalladeBallade
Ottava RimaOttava Rima
That is no country for old men The youngThat is no country for old men The young
In one anothers arms birds in the treesIn one anothers arms birds in the trees
- Those dying generations - at their song- Those dying generations - at their song
The salmon-falls the mackerel-crowded seasThe salmon-falls the mackerel-crowded seas
Fish flesh or fowl commend all summer longFish flesh or fowl commend all summer long
Whatever is begotten born and diesWhatever is begotten born and dies
Caught in that sensual music all neglectCaught in that sensual music all neglect
Monuments of unageing intellectMonuments of unageing intellect
Open FormOpen Form
Does not follow a traditional rhyme scheme Does not follow a traditional rhyme scheme
stanza pattern or meterstanza pattern or meter
Does not have a recognized traditional formDoes not have a recognized traditional form
Often (if successful) informed by a more Often (if successful) informed by a more
subtle organic structuresubtle organic structure
Became the dominant form of poetry in Became the dominant form of poetry in
Europe and America in the 20Europe and America in the 20thth century century
WarWarOpen vs ClosedOpen vs Closed
Free verse vs Formal verseFree verse vs Formal verse
Experimental vs TraditionalExperimental vs Traditional
Machine age vs Agrarian ageMachine age vs Agrarian age
Writing free verse is like playing tennis with the net down ndashRobert FrostWriting free verse is like playing tennis with the net down ndashRobert Frost
I never thought poetry was supposed to be a game ndashGalway KinnellI never thought poetry was supposed to be a game ndashGalway Kinnell
EnjambmentEnjambment Enjambment increases the pace of the poem whereas Enjambment increases the pace of the poem whereas
end-stopped lines which are lines that break on end-stopped lines which are lines that break on
caesuras (pauses) emphasize these silences and slow caesuras (pauses) emphasize these silences and slow
the poem downthe poem down
may also be used to delay the intention of the line until may also be used to delay the intention of the line until
the following line and thus play on the expectation of the following line and thus play on the expectation of
the reader and surprise themthe reader and surprise them
the line cannot stand alone cannot make sense without the line cannot stand alone cannot make sense without
the following linethe following line
Closed FormClosed Form
Together meter and rhyme scheme may Together meter and rhyme scheme may
determine a specific pattern or design of poetrydetermine a specific pattern or design of poetry
When these forms are strictly defined they are When these forms are strictly defined they are
referred to as referred to as closed formsclosed forms
In English closed forms include theIn English closed forms include the
SonnetSonnet
SestinaSestina
Villanelle Villanelle
Blank verseBlank verse
Heroic coupletHeroic couplet
RoundelRoundel
BalladeBallade
Ottava RimaOttava Rima
That is no country for old men The youngThat is no country for old men The young
In one anothers arms birds in the treesIn one anothers arms birds in the trees
- Those dying generations - at their song- Those dying generations - at their song
The salmon-falls the mackerel-crowded seasThe salmon-falls the mackerel-crowded seas
Fish flesh or fowl commend all summer longFish flesh or fowl commend all summer long
Whatever is begotten born and diesWhatever is begotten born and dies
Caught in that sensual music all neglectCaught in that sensual music all neglect
Monuments of unageing intellectMonuments of unageing intellect
Open FormOpen Form
Does not follow a traditional rhyme scheme Does not follow a traditional rhyme scheme
stanza pattern or meterstanza pattern or meter
Does not have a recognized traditional formDoes not have a recognized traditional form
Often (if successful) informed by a more Often (if successful) informed by a more
subtle organic structuresubtle organic structure
Became the dominant form of poetry in Became the dominant form of poetry in
Europe and America in the 20Europe and America in the 20thth century century
WarWarOpen vs ClosedOpen vs Closed
Free verse vs Formal verseFree verse vs Formal verse
Experimental vs TraditionalExperimental vs Traditional
Machine age vs Agrarian ageMachine age vs Agrarian age
Writing free verse is like playing tennis with the net down ndashRobert FrostWriting free verse is like playing tennis with the net down ndashRobert Frost
I never thought poetry was supposed to be a game ndashGalway KinnellI never thought poetry was supposed to be a game ndashGalway Kinnell
Closed FormClosed Form
Together meter and rhyme scheme may Together meter and rhyme scheme may
determine a specific pattern or design of poetrydetermine a specific pattern or design of poetry
When these forms are strictly defined they are When these forms are strictly defined they are
referred to as referred to as closed formsclosed forms
In English closed forms include theIn English closed forms include the
SonnetSonnet
SestinaSestina
Villanelle Villanelle
Blank verseBlank verse
Heroic coupletHeroic couplet
RoundelRoundel
BalladeBallade
Ottava RimaOttava Rima
That is no country for old men The youngThat is no country for old men The young
In one anothers arms birds in the treesIn one anothers arms birds in the trees
- Those dying generations - at their song- Those dying generations - at their song
The salmon-falls the mackerel-crowded seasThe salmon-falls the mackerel-crowded seas
Fish flesh or fowl commend all summer longFish flesh or fowl commend all summer long
Whatever is begotten born and diesWhatever is begotten born and dies
Caught in that sensual music all neglectCaught in that sensual music all neglect
Monuments of unageing intellectMonuments of unageing intellect
Open FormOpen Form
Does not follow a traditional rhyme scheme Does not follow a traditional rhyme scheme
stanza pattern or meterstanza pattern or meter
Does not have a recognized traditional formDoes not have a recognized traditional form
Often (if successful) informed by a more Often (if successful) informed by a more
subtle organic structuresubtle organic structure
Became the dominant form of poetry in Became the dominant form of poetry in
Europe and America in the 20Europe and America in the 20thth century century
WarWarOpen vs ClosedOpen vs Closed
Free verse vs Formal verseFree verse vs Formal verse
Experimental vs TraditionalExperimental vs Traditional
Machine age vs Agrarian ageMachine age vs Agrarian age
Writing free verse is like playing tennis with the net down ndashRobert FrostWriting free verse is like playing tennis with the net down ndashRobert Frost
I never thought poetry was supposed to be a game ndashGalway KinnellI never thought poetry was supposed to be a game ndashGalway Kinnell
Ottava RimaOttava Rima
That is no country for old men The youngThat is no country for old men The young
In one anothers arms birds in the treesIn one anothers arms birds in the trees
- Those dying generations - at their song- Those dying generations - at their song
The salmon-falls the mackerel-crowded seasThe salmon-falls the mackerel-crowded seas
Fish flesh or fowl commend all summer longFish flesh or fowl commend all summer long
Whatever is begotten born and diesWhatever is begotten born and dies
Caught in that sensual music all neglectCaught in that sensual music all neglect
Monuments of unageing intellectMonuments of unageing intellect
Open FormOpen Form
Does not follow a traditional rhyme scheme Does not follow a traditional rhyme scheme
stanza pattern or meterstanza pattern or meter
Does not have a recognized traditional formDoes not have a recognized traditional form
Often (if successful) informed by a more Often (if successful) informed by a more
subtle organic structuresubtle organic structure
Became the dominant form of poetry in Became the dominant form of poetry in
Europe and America in the 20Europe and America in the 20thth century century
WarWarOpen vs ClosedOpen vs Closed
Free verse vs Formal verseFree verse vs Formal verse
Experimental vs TraditionalExperimental vs Traditional
Machine age vs Agrarian ageMachine age vs Agrarian age
Writing free verse is like playing tennis with the net down ndashRobert FrostWriting free verse is like playing tennis with the net down ndashRobert Frost
I never thought poetry was supposed to be a game ndashGalway KinnellI never thought poetry was supposed to be a game ndashGalway Kinnell
Open FormOpen Form
Does not follow a traditional rhyme scheme Does not follow a traditional rhyme scheme
stanza pattern or meterstanza pattern or meter
Does not have a recognized traditional formDoes not have a recognized traditional form
Often (if successful) informed by a more Often (if successful) informed by a more
subtle organic structuresubtle organic structure
Became the dominant form of poetry in Became the dominant form of poetry in
Europe and America in the 20Europe and America in the 20thth century century
WarWarOpen vs ClosedOpen vs Closed
Free verse vs Formal verseFree verse vs Formal verse
Experimental vs TraditionalExperimental vs Traditional
Machine age vs Agrarian ageMachine age vs Agrarian age
Writing free verse is like playing tennis with the net down ndashRobert FrostWriting free verse is like playing tennis with the net down ndashRobert Frost
I never thought poetry was supposed to be a game ndashGalway KinnellI never thought poetry was supposed to be a game ndashGalway Kinnell
WarWarOpen vs ClosedOpen vs Closed
Free verse vs Formal verseFree verse vs Formal verse
Experimental vs TraditionalExperimental vs Traditional
Machine age vs Agrarian ageMachine age vs Agrarian age
Writing free verse is like playing tennis with the net down ndashRobert FrostWriting free verse is like playing tennis with the net down ndashRobert Frost
I never thought poetry was supposed to be a game ndashGalway KinnellI never thought poetry was supposed to be a game ndashGalway Kinnell