writing the literary analysis how to avoid fs and impress your professors
TRANSCRIPT
Introduction
A literary analysis is a paper that gives a deep and illuminating explanation of a literary work--it is a Critical Interpretation.
We will learn how to formulate a deep thesis, organize a paper coherently, and use a number of different critical methods
Creating a Thesis
The thesis should state the basic point you want to communicate, oftentimes including your main elements of support
It should be clear and understandable It should be deep, something that not
everyone would think of It should be significant, something that the
majority of people interested in your text would find helpful
It should be new and original
Creating a Thesis
Start by reading the text closely Begin to do research while forming your own
opinion about the text Craft a statement that summarizes your
thoughts about the text and responds to the ideas of other critics—a working thesis
Modify your working thesis as you continue to interact with your research and the text
Creating a Thesis
Don’t be afraid to modify your thesis even after you’ve begun writing the body of your paper—it’s better to change it than to have a bad one
Spend the body of your paper arguing that your thesis provides an interpretation which is clearly supported by the text.
Do not deviate from discussion related to your thesis
Tips for Writing the Body
Begin by finding common threads among the items supporting your thesis—oftentimes, writing an outline helps this process along
Begin writing with the body, making sure that each paragraph centers on one specific idea
Make sure that the topic sentence of each paragraph demonstrates a link between the content of the paragraph and your thesis statement
Integrating Research into Your Paper
Research the topics most closely related to your thesis and/or your theory
Compile notes of pertinent quotes and paraphrases
Write either an annotated bibliography or a review of the literature
In a review of the literature, summarize only the criticism that has a significant bearing on your treatment of the text
Integrating Research into Your Paper
Begin your argument by Entering the Conversation, i.e., stating the ways in which your argument is different from or adds to the insights of other critics
Use the criticism and research of others to support minor points in your paper
The main thrust of your paper should be your own—if someone else has said the same thing before, you need to find a new thesis
Methods of Interpretation (Theories)
A method of interpretation (theory) is simply a lens through which you may view a text
Different texts will lend themselves more or less easily to different methods of interpretation
Do not try to force a method upon a text. Remember, all methods ultimately end in the
text—you must have sufficient evidence from the text to justify your argument regardless of your theory or method of interpretation
The New Critical Thesis
New Critics assume that all texts (or the best texts) are unified artifacts that point to universal themes without recourse to elements outside of the texts themselves
A universal theme is one that speaks to the deeper realities of human life, thought, and experience
A New Critical thesis should account for as many parts of the text as possible, including such things as form and content
The New Critical Thesis
To develop a New Critical thesis, begin by finding the central questions and tensions that the text seems to ask but does not explicitly answer
Continue the process by finding different strands of thought in the text that, together, seem to answer the questions and resolve the tensions—it is here that one explores imagery, diction, etc.
Organize your support logically around a thesis that reveals the text’s unifying theme
Practicing Thesis-craft
The Scarlet Letter The Great Gatsby Catcher in the Rye Harry Potter and the Half-Blood
Prince A Rose for Emily The Lord of the Rings Chronicles of Narnia
The Historical/Biographical Thesis
All authors write in a historical and biographical context
The goal of a historical or biographical criticism is understanding why the author wrote what he or she wrote
This includes pointing out how biographical circumstances contributed to the creation of parts of the text—biographical readings often resemble non-theoretical psychological readings
Historical readings reveal how particular texts address certain historical issues, especially issues about which the author was passionate
The Cultural-critical Thesis All authors write as a part of a cultural
context in which they participate A Cultural-critical thesis should illuminate
why and how a specific factor (or factors) of culture contributed to the creation of specific facets of the text
The two most important elements of this approach are: Situating the text in its historical and cultural
context Explaining how that context allows us to see the
text in a new way
The Feminist Thesis Texts exist as commentary on a cultural framework
that directly relates and affects notions of gender Patriarchy is one ideology that many cultures have
used to create social distinctions and hierarchies Patriarchy is the privileging of the male perspective
as the only valid perspective, effectively limiting or abolishing women’s ability to define themselves as women or people
Power structures in patriarchal societies reinforce this ideology through the institutionalized marginalizing of women
The Feminist Thesis
Literature, as a cultural product, can either reinforce or resist the patriarchal influences in society
The goal of the feminist critic is to reveal ways in which particular texts interact with issues of gender and patriarchy
A feminist thesis should reflect a deep knowledge of feminist theory along with a deep understanding of how the text in question relates to the operation of patriarchal ideology and institutions in culture