wsa yr2 portfolio

41
CHEN YUE 陈玥 WSA YR2 PORTFOLIO CARDIFF UNIVERSITY 2 0 1 1 - 2 0 1 2

Upload: yue-chen

Post on 25-Mar-2016

230 views

Category:

Documents


1 download

DESCRIPTION

WSA YR2 PORTFOLIO, CARDIFF UNIVERSITY 2011-2012

TRANSCRIPT

Page 1: WSA YR2 PORTFOLIO

C H E N Y U E 陈 玥W S A Y R 2 P O R T F O L I O C A R D I F F U N I V E R S I T Y2 0 1 1 - 2 0 1 2

Page 2: WSA YR2 PORTFOLIO

EDUCATION 2011- Bsc (Hons) Architecture (Part 1), Welsh School of Architecture, Cardiff University, UK 2008-2011 Diploma in Architecture (GPA3.747/4.0), Singapore Polytechnic, Singapore

2003-2008 Pioneer Secondary School (GCSE‘O’LEVEL), Singapore

WORK EXPERIENCE P&T Consultants Pte Ltd, Singapore, May–August 2011Architectural Internship / BIM Assistant

AC Consortium Pte Ltd, Singapore, September-October 2009Architectural Internship

Freelance Architectural Design, Freelance 3D visulaor Singa-pore, September 2009-September 2011 Retail layout, House Renovations, 3D Illustration,

SKILLSAdvanced: Autodesk AutoCAD, Revit 2013, Adobe Photoshop, SketchUpGood: Adobe Illustrator, InDesign, Ecotect AnalysisBasic: Rhino, Autodesk 3Ds Max, V-Ray

ACHIEVEMENTS / PUBLICATIONFinal List of Autodesk Panorama Asia-Pacific Design Challenge 2011

Best Use of BIM, student category, Singapore Construction Produc-tivity Week 2011, Skilled Builder & BIM Competition

Autodesk Scholarship in AY2010/2011 Singapore Polytechnic-Au-todesk Project Challenge Revit Competition Stage 2: BIM Model Construction and Rendering

Project ‘Taff - School of Fashion Design’ was published in the Mastering Autodesk Revit Architecture 2012 by Autodesk

EXHIBITIONSchool of Architecture and Built Environment Exhibition 2011, Ju-rong Library, Singapore

Birth - Singapore Polytechnic Graduation Exhibition 2011, Suntec City, Singapore

KEY PROGRAMME Autodesk Student Expert Programme 2011

‘Go East, Go China’ Art Box II workshop 2012, collabo-rated and exchanged workshop with Tian Jin University Architecture School.

OVERSEA COMMUNITY SERVICE PROJECTS Medan, Indonesia, 2010Extension of School library, re-construction of the school play-ground

Da Yao Di Village, Shan Xi Province, China, 2010

Design of a Communal Pavilion at the entrance of the village.

Information Name: Yue ChenGender: Female DOB: 22/12/1988Nationality: Chinese Permanent Resident of SingaporeLanguage: Mandarin, English

Contact Detail Email: [email protected]: chen.22ndstudio

Page 3: WSA YR2 PORTFOLIO

Content

SEMESTER ONEEcosystem Form Finding – Wind Housing Escape

SEMESTER TWOBarry Art Centre

SEMESTER THREE VERTICAL STUDIOS‘Go East, Go China.’ China Art Box II

OTHERSKey ExhibitionTravelling

Page 4: WSA YR2 PORTFOLIO
Page 5: WSA YR2 PORTFOLIO

ECOSYSTEM - WIND

Page 6: WSA YR2 PORTFOLIO

INSPIRATION PRAIRIEDOG TUNNEL TERMITES VENT

Page 7: WSA YR2 PORTFOLIO

TERMITES VENTCONCEPT DEVELOPMENT

FORM FINDING MODELLING

Page 8: WSA YR2 PORTFOLIO

Testing the number, shape, size, orientation of tunnels influence the wind speed and the amount of air exists from the interior to exterior.

VERSARI ANALYSIS

WIND TUNNELS ANALYSISPhysical ModelTo test the wind flow in Wind Tunnels.

Page 9: WSA YR2 PORTFOLIO

HOUSING ESCAPE CARDIFF

Page 10: WSA YR2 PORTFOLIO

SITE ANALYSISLocation Model

Noise Area

Panorama

Location Analysis

Page 11: WSA YR2 PORTFOLIO

Ecotect Wind Analysis

Site Analysis

Page 12: WSA YR2 PORTFOLIO

MASTER PLAN DEVELOPMENT

HOUSING CONCEPT DEVELOPMENT

Lower Floor Plan Higher Floor Plan

PLANS

Page 13: WSA YR2 PORTFOLIO

Elevation 1:400

ELEVATION

Page 14: WSA YR2 PORTFOLIO

Use of tunnels in buildings.The purpose of these tunnels in this project, were carry-ing sky lights to lower floors of the building.

PRECEDENTSSIMMON HALL, MITBY STEVEN HOLL

Phaeno MuseumBy Zaha Hadid

Tunnels as vertical structural support elements which runs from the edges of the whole mass to few support points.

Page 15: WSA YR2 PORTFOLIO

SIMMON HALL, MITBY STEVEN HOLL

Section B-B 1:400Section A-A 1:400

SECTIONS

PLANS

Page 16: WSA YR2 PORTFOLIO

Lower Floor

Section A-A 1:100 Section B-B 1:100

DWELLING

Higher Floor

Page 17: WSA YR2 PORTFOLIO

Unflod Elevation 1:100

Lower Floor Higher Floor

Page 18: WSA YR2 PORTFOLIO

INTERIOR VIEW

Facade PatternThe pattern of Copper Facade, and the layout of plan.Copper - Changing with time, and refernced to the industry build-ings close by. Copper facde ouside of the glass curtain walls, gives the feeling of enclosure and re-duce the nosies from stadium and train station. Morover, this as-justable facade allow people to have a clear view to outside. Dur-ing summer, it is good for sun-shadding .

Page 19: WSA YR2 PORTFOLIO

BARRY ART

Page 20: WSA YR2 PORTFOLIO

1900

1940

1960

1980

Current

At the early years of Barry, there was an increasing usage of train, which mostly for in-dustrial usage to export the coal to other places. In 1960s, the airport was built and which b een expended in the following 20 years. As the falling of coal industry, there was decreasing usage of train to the bay. Now-adays, some of the warehouses are remain there, but most ar-eas of the bay had been change

From the analy-sis of the Barry Key transporta-tion and areas, the character of Barry streets was always running towards the bay. From the framing model, see-ing through layers of Buildings, road signs, Bridges, people always able to see the sea at the end.

ROUTES HISTORY

Page 21: WSA YR2 PORTFOLIO

History

Wind

Sun Shadding Rain Fall

Mapping Barry

Site Geography Building Mass Routes Path Greenery

SITE ANALYSIS

Most of the galleries in Barry are not will organised or maintained. The most well known is the one in library. Howere, the Gallery Bar is very interesting, which sale and exhibite art when people having dinner or drink of that. Long spend structure and running towards the bay.

Tectonic Art GalleryBARRY INSPIRATION

INTERACTIVE ART

BARRY KEY

Page 22: WSA YR2 PORTFOLIO

Section A-A

Section B-B Section D-D

Section E-E

CONCEPT DEVELOPMENT

Existing Grid Volume Multipled Across Site hSecondary Volumes Programs Shapped Programs Inhabited

Section C-C

Page 23: WSA YR2 PORTFOLIO

EXHIBITION SPACE

DAY TIMENATURAL LIGHTING AJUST BY LOUVRES

NIGHT TIME

Page 24: WSA YR2 PORTFOLIO

Elevation

Elevation

ELEVATION

Page 25: WSA YR2 PORTFOLIO

Barry RegenrationBring to urban planning level by proposing simillar projects in Barry.

Page 26: WSA YR2 PORTFOLIO
Page 27: WSA YR2 PORTFOLIO

MOUTAIN WATER

A JOURNEY IN

Page 28: WSA YR2 PORTFOLIO

不识庐山真面目,只缘身在此山中。

——苏轼《题西林壁》Do not know the overall view of the moutain, because you are in the moutain. A poetry by Shi Shu

Historical Stru

cture

Natural Vista

Historical Structure Natural Vista Damaged Environment

Chinese landscape painting, framed on top of a roll base paper.

Framing the landscape in the way of Chinese painting in the exhibition room next to the Chinese landscape paintings, and confusing people to differences which one is the real painting and which one is just the view.

Site D is directly facing to mountains which kept naturally, and back to a historical structure. However, at one side of the mountain has been dig for minerals as rest parts of the mountain. There is a huge contrast between the nature and damaged nature.

CHINESE ART SITE D

Page 29: WSA YR2 PORTFOLIO

Art Box. Oriented towards the views. Framing the views. Slicing the box by frames.

Approaching to the nature.

Chinese landscape Painting.

CONCEPT DEVELOPMENT

SECTION

Page 30: WSA YR2 PORTFOLIO

Closed Plan 1:500

As a movable art box, the plan was kept as simple as possible in order to suit different environment contexts from rural to urban. Opened Plan 1:500

Most parts of the plan are adjustable to the exhibition program too. Moreover, it still able to work as a long term structure to this site.

Plans

Reception Cafe

Page 31: WSA YR2 PORTFOLIO

Upper Floor Plan 1:500 Elevation

Page 32: WSA YR2 PORTFOLIO
Page 33: WSA YR2 PORTFOLIO

MODELClosed

Open

100 scale model kept in China.Auditorium space hasn’t been updated. The bottom of the auditorium has been flattened for easy transportation and modular system of the overall structure. It is easier to adjust to different context too. The environment would be ideal as this one every time. Some of the sites may not have a cliff or drop, like urban context which is mostly flat ground.

Page 34: WSA YR2 PORTFOLIO

TRANSPORTING

The possibility of moving this art box to other parts of China with similar con-text, creates han educational meaning in term of sustainability. The art box gives the visitors an experience of viewing and walking in be-tween of the natural landscape and damaged landscape in the mountain. Moreover, this experience would make people release their life always have a impact on the environment and the natural resource is running out.

EDUCATIONAL PURPOSE

Page 35: WSA YR2 PORTFOLIO

Easy and fast construction.

RAIL & INFRUSTRUCTUARE

LINOLEUMFLOORING STRUCTURE

COLUMNSBOARDSFLEXIBLE BOX

BEAMS ROOF

CONSTRACTION

Page 36: WSA YR2 PORTFOLIO

Detail Section A-A

Detail Section B-B

1

1

2

2

3

3

4

4

1 I-Beam2 Track3 Roll4 Pushing - ‘screw’

12

3 4

Exhibition

Exhibition

TRACK DETAIL

Page 37: WSA YR2 PORTFOLIO

12

1

2

Heating Lighting

Heating Lighting

BIO-CLIMATIC CONCEPTS

1

2

1

2

Overall Ventilation Exhibition Ventilation Lighting

SUMMER NIGHT TIME

Overall Ventilation Exhibition Ventilation Lighting

Lighting

Ventilation

1

23 4 5 6 7

Wall Detail1,7, 15MM COVER PANEL2,4,6, BONDING LAYER3, 160MM THERMAL INSULATION (WOOD SHADING).5, 40MM INSULATION TOLERANCES

SUMMER DAY TIMEWINTER

EXHIBITION ROOM

Page 38: WSA YR2 PORTFOLIO

Leonardo da Vinci, Paint-er at the Court of MilanThe National Gallery, London

The paintings were amazing and inspiring, but the exhibition experi-ence was not very enjoyable. It was very hard to get a close look of the drawings, and felt like pushed by people around. When having such a popular exhibition, the way of dis-play drawings shall be more con-siderable, especially the distance between drawings. It suppose allow people to going and exist from the crowd easily without disturbing peo-ple whose are seeing the painting

OMA/progressBarbican Art Gallery, London

As a fan of OMA, it was a really interesting exhibition. The exhibi-tion started with the topics which interested OMA architects, every topic was printed into booklets and pined on the wall which allows visi-tors to take those ones interested them. The exhibitions showed most of their key projects with drawings, models, modern tech displays. In the souvenir shop, OMA sale a kind of sketch book which made from the recycling plotting papers which still has the comments and marks. And every single one is unique.

Post Modernism, Style and Subversion 1970-1990 Victoria and Albert Museum, Lon-don

Postmodernism shattered estab-lished ideas about style and brought a radical freedom to art and design. At its height in the 1980s, postmod-ern designers such as the Memphis group, Alessi and Arad, contributed to the New Wave: a few thrilling years when image was everything.

General ExhibitionTATE Modern, London

The exhibition started from walk-ing from St Paul, cross Southwalk Bridge, finally to Tate Modern. Along this way, a lot of interesting buildings and bridges from old to new, a typical London experience, a harmony between old and new. Renovations of Tate was successful as an overall exhibition journey.

EXHIBITION

Page 39: WSA YR2 PORTFOLIO

Building the Revolution, Soviet Art and Architec-ture 1915-1935Royal Academy of Art, London

This exhibition started from the re-built and smaller scale tower in the courtyard of RAA. This exhibition showed a series of photos, models, and drawings of the Russian pro-jects. The photos were mostly taken during last 30 years. From speeches of people’s memories and the pho-tos, people able to image what does these buildings used to be look like. And having a contrast with the aban-doned situation now.

General ExhibitionMuseum of London, London

History of London, culture of Lon-don, a place tourist must to be.

Vermeer’s Women: Ser-crets and SilenceThe Fitzwilliam Museum, Cambridge

An insigne of women’s everyday life in the olden days of Netherlands and other countries, which make me wonder why this kind of painting has been popular of the olden days.

Field of LightThe Holburne Museum, Bath

Visited this digital lighting exhibi-tion at the New Year’s Eve, I was total inspirited and loved this exhi-bition. It made me feel like I am no longer on earth but in the Pandora’s plant. It also reminded me the mov-ie of Avatar.

Page 40: WSA YR2 PORTFOLIO

LONDON CAMBRIDGE OXFORD BATH NOTTINGHAM BIRMINGHAMTRAVELLING

Page 41: WSA YR2 PORTFOLIO

COPENHAGEN BEI JING TIAN JIN