wsn101713

8
Vol. 41, No. 78 THURSDAY, OCTOBER 17, 2013 nyunews.com WASHINGTON SQUARE NEWS NYU’s Daily Student Newspaper ‘Slave’ delivers fresh take on familiar tale Gordon Brown leads review of Declaration of Human Rights University teams enjoy varying success over weekend ‘Forbidden NYU’ cast discusses changes to show BROWN continued on PG. 3 By WILLOW FREDERICK Women’s Tennis Ithaca College hosted the New York State Championships on Sunday, Oct. 13, where NYU’s women’s tennis team finished its fall season. Sunday concluded tournament play, where two number-one seeded Violets — Gallatin junior Mari Tzakis and LSP sophomore Madeline King — competed in the finals but ultimately fell short. Tzakis was defeated by the number-three seed from Skidmore College and King fell to the number two seed from Vassar College. King remained optimistic about the team’s play moving forward. “We wrapped up a good fall season at Ithaca this past weekend,” King said. “We had some tough matches and oppo- nents, but it’ll help prepare us for the upcoming spring season.” WEEKEND continued on PG. 8 By NATHAN HO “NYU. You love it. Now mock it.” This is the mantra of the annual “Forbidden NYU” which starts its latest round of per- formances on Friday, Oct. 18. “Forbidden NYU” is a musical parody hosted by the College of Arts and Sci- ence Theater troupe, reworking popular Broadway musical numbers to reflect qualities of NYU that students cannot live with or without. The performance has been a CAST production since 2008, when “FNYU” first appeared as a series of one-act plays. This year, “FNYU” is directed by Steinhardt juniors Stephen Morrash and Torrence Browne. For this year’s incarnation, “FNYU” presents the Extreme Makeover Edi- tion of 2013. Several songs from previ- ous productions have been rewritten or cut, and eight new songs have been added to this year’s production. “We really pushed to re-imagine parts of the show and refresh it as a whole with new songs,” Morrash said. “The cast is in- credibly talented and they have all been hard at work for the last two months.” The satirical format of “FNYU” is in- spired by the original Off-Broadway re- vue called “Forbidden Broadway.” By ap- plying different lyrics and choreography, “FNYU” messes with the content of hit Broadway classics to target NYU tropes, such as the imbalanced gender ratio, the enormous LGBTQ presence, the stereo- types of the different colleges, and the cold atmosphere of New York City. “‘FNYU’ is a show written by NYU By ALEX GREENBERGER One of the many reasons “12 Years a Slave” is great is its re- sistance against depending on violence to elicit an emotional reaction. Of course, because the film is a slave narrative, direc- tor Steve McQueen never holds back from showing the brutal- ity of the whippings, rapes and emotional torture inherent in the practice of slavery. But Mc- Queen doesn’t rely on this harsh material for dramatic effect. Instead, McQueen finds ca- thartic, emotional releases in lengthy, pensive shots of the film’s characters. Most of these shots are of the film’s protagonist — Solomon Nor- thup (Chiwetel Ejiofor), a free black man who was kid- napped and sold into slavery in 1841, and then remained a slave for 12 more years. The long, reflective takes do little to advance the film’s riv- eting narrative. In fact, there are whole scenes of Solomon looking off into the distance, pondering his circumstances. The audience receives very few details prior to the shot, but they still can understand everything he’s thinking. That’s the sign of minimalist direction that actu- ally works. McQueen’s impressionis- tic approach is what makes “Slave” such a fresh take on slavery. It lends the sweep- ing tale a sense of cinematic grandeur that prevents it from being manipulative. If anything, McQueen helps the audience stay on their toes. He forces his viewers to be FORBIDDEN continued on PG. 4 SLAVE continued on PG. 5 By MICHAEL DOMANICO Former U.K. prime minister Gordon Brown, who has been a distinguished global leader for NYU since 2010, is spear- heading a commission to investigate whether updates should be made to the 1948 Universal Declaration on Human Rights. The first meeting of the Global Citizens Commission will take place on Oct. 18 at the University of Edinburgh. Even though the inaugural meeting is taking place in the United Kingdom, NYU will play an integral role in the work of the commission in examining the post-World War II document that provides a standard for human rights globally. “[NYU’s] Global Institute for Advanced Studies has helped to establish and pro- vide the necessary funding for the Philos- NATHAN HO FOR WSN Chiwetel Ejiofor astounds as the lead in “12 Years a Slave.” VIA FACEBOOK.COM

Upload: washington-square-news

Post on 29-Mar-2016

214 views

Category:

Documents


0 download

DESCRIPTION

Washington Square News October 17, 2013

TRANSCRIPT

Page 1: WSN101713

Vol. 41, No. 78 THURSDAY, OCTOBER 17, 2013 nyunews.com

WASHINGTON SQUARE NEWSNYU’s Daily Student Newspaper

‘Slave’ delivers fresh take on familiar tale

Gordon Brown leads review of Declaration of Human Rights

University teams enjoy

varying success over weekend

‘Forbidden NYU’ cast discusses changes to show BROWN continued on PG. 3

By WILLOW FREDERICK

Women’s TennisIthaca College hosted the New York

State Championships on Sunday, Oct. 13, where NYU’s women’s tennis team finished its fall season.

Sunday concluded tournament play, where two number-one seeded Violets — Gallatin junior Mari Tzakis and LSP sophomore Madeline King — competed in the finals but ultimately fell short. Tzakis was defeated by the number-three seed from Skidmore College and King fell to the number two seed from Vassar College. King remained optimistic about the team’s play moving forward.

“We wrapped up a good fall season at Ithaca this past weekend,” King said. “We had some tough matches and oppo-nents, but it’ll help prepare us for the upcoming spring season.”

WEEKEND continued on PG. 8

By NATHAN HO “NYU. You love it. Now mock it.” This

is the mantra of the annual “Forbidden NYU” which starts its latest round of per-formances on Friday, Oct. 18.

“Forbidden NYU” is a musical parody hosted by the College of Arts and Sci-ence Theater troupe, reworking popular Broadway musical numbers to reflect qualities of NYU that students cannot live with or without.

The performance has been a CAST production since 2008, when “FNYU”

first appeared as a series of one-act plays. This year, “FNYU” is directed by Steinhardt juniors Stephen Morrash and Torrence Browne.

For this year’s incarnation, “FNYU” presents the Extreme Makeover Edi-tion of 2013. Several songs from previ-ous productions have been rewritten or cut, and eight new songs have been added to this year’s production.

“We really pushed to re-imagine parts of the show and refresh it as a whole with new songs,” Morrash said. “The cast is in-credibly talented and they have all been

hard at work for the last two months.”The satirical format of “FNYU” is in-

spired by the original Off-Broadway re-vue called “Forbidden Broadway.” By ap-plying different lyrics and choreography, “FNYU” messes with the content of hit Broadway classics to target NYU tropes, such as the imbalanced gender ratio, the enormous LGBTQ presence, the stereo-types of the different colleges, and the cold atmosphere of New York City.

“‘FNYU’ is a show written by NYU

By ALEX GREENBERGER

One of the many reasons “12 Years a Slave” is great is its re-sistance against depending on violence to elicit an emotional reaction. Of course, because the film is a slave narrative, direc-tor Steve McQueen never holds back from showing the brutal-ity of the whippings, rapes and emotional torture inherent in the practice of slavery. But Mc-Queen doesn’t rely on this harsh material for dramatic effect.

Instead, McQueen finds ca-thartic, emotional releases in lengthy, pensive shots of the film’s characters. Most of these shots are of the film’s protagonist — Solomon Nor-

thup (Chiwetel Ejiofor), a free black man who was kid-napped and sold into slavery in 1841, and then remained a slave for 12 more years.

The long, reflective takes do little to advance the film’s riv-eting narrative. In fact, there are whole scenes of Solomon looking off into the distance, pondering his circumstances. The audience receives very few details prior to the shot, but they still can understand everything he’s thinking. That’s the sign of minimalist direction that actu-ally works.

McQueen’s impressionis-tic approach is what makes “Slave” such a fresh take on slavery. It lends the sweep-

ing tale a sense of cinematic grandeur that prevents it from being manipulative. If anything, McQueen helps the

audience stay on their toes. He forces his viewers to be

FORBIDDEN continued on PG. 4

SLAVE continued on PG. 5

By MICHAEL DOMANICO Former U.K. prime minister Gordon

Brown, who has been a distinguished global leader for NYU since 2010, is spear-heading a commission to investigate whether updates should be made to the 1948 Universal Declaration on Human Rights. The first meeting of the Global Citizens Commission will take place on Oct. 18 at the University of Edinburgh.

Even though the inaugural meeting is taking place in the United Kingdom, NYU will play an integral role in the work of the commission in examining the post-World War II document that provides a standard for human rights globally.

“[NYU’s] Global Institute for Advanced Studies has helped to establish and pro-vide the necessary funding for the Philos-

NATHAN HO FOR WSN

Chiwetel Ejiofor astounds as the lead in “12 Years a Slave.”VIA FACEBOOK.COM

Page 2: WSN101713

ON THE SIDE COMPILED BY THE WSN STAFF

2 WASHINGTON SQUARE NEWS | THURSDAY, OCTOBER 17, 2013 | NYUNEWS.COM

A group of visitors on segways ride along the Chicago coast of Lake Michigan.

PHOTO BY JONATHAN TAN

SNAPSHOT

GOT AN EVENT? EMAIL US AT [email protected] OR TWEET US @NYUNEWS. GOT SOMETHING TO SHARE? EMAIL US AT [email protected].

WEEKENDAGENDA Editor-in-Chief

JONATHON DORNBUSH

Managing Editor

JORDAN MELENDREZ

Web Managing Editor

HANQING CHEN

Creative DirectorLYANNE NATIVIDAD

Blog EditorAMY ZHANG

Special Issues DirectorKALEEL MUNROE

SENIOR STAFFnews EMILY BELL, NICOLE BROWN, MICHAEL DOMANICOarts JEREMY GROSSMANfeatures JONATHAN KESHISHOGLOUsports FRANCISCO NAVASmultimedia JONATHAN TANcopy CASEY DALRYMPLEsocial media GENTRY BROWNsenior editors VERONICA CARCHEDI, TONY CHAU, DAN HINTON, MICHELLE LIM, STEFAN MELNYK, SAM RULLO, WICY WANG

DEPUTY STAFFnews KEVIN BURNS, NEELA QADIR, BILLY RICHLING books/theater DYLAN JARRETTfilm ALEX GREENBERGERentertainment ISABEL JONESmusic JAKE FOLSOMthe highlighter blog VALERIE NELSONfeatures MARINA ZHENG beauty & style ARIANA DIVALENTINOdining DANIEL YEOMsports CHRIS MARCOTRIGIANOmultimedia RACHEL KAPLAN, JOON LEEvideo ALEX LINZMEIER

OPINION PAGEopinion editor RAQUEL WOODRUFFdeputy opinion editors EDWARD RADZIVILOVSKIY,PETER KEFFER

ADVERTISING BUSINESS MANAGERELLEN MCQUEEN

CIRCULATION MANAGERCHLOE COFFMAN

SALES MANAGERALISON LIZZIO

PROMOTIONS MANAGERKALEEL MUNROE

UNIVERSITY AND ALUMNI COORDINATORCLAIRE MAHANY

SALES REPRESENTATIVESARIANA DIVALENTINO, ETHAN JACOBS

ADVISING

DIRECTOR OF OPERATIONS

NANCI HEALY EDITORS-AT-LARGE

JAEWON KANG, DAVID LIN, AMANDA RANDONE, EMILY YANG

About WSN: Washington Square News (ISSN 15499389) is the student newspaper of New York University. WSN is published Monday through Thursday during NYU’s academic year, except for university holidays, vacations and exam periods.

Corrections: WSN is committed to accurate reporting. When we make errors, we do our best to correct them as quickly as possible. If you believe we have erred, contact managing editor Jordan Melendrez at [email protected] or at 212.998.4302.

NYUNEWS.COM

WASHINGTON SQUARE NEWS

1

324

PEARL JAMFriday, Oct. 18, 7:30 p.m. and Saturday, Oct. 19, 7:30 p.m. |

Barclays Center, Atlantic AvenueEddie Vedder and the gang have been rocking out for a couple decades now, but they still have the same

energy as younger bands. Tickets might be hard to

come by, but they are well worth the price and effort

to find.

MAKE-A-WISH WALK AND 5K RUN

Sunday, Oct. 20, 9 a.m. | Liberty State Park

Walk or run at your own pace through Lower Manhattan as you do

some good for those in need. The registration is at 9 a.m., with the run and walk each starting

about an hour later. Proceeds benefit Make-

A-Wish New Jersey.

COLLEGE MUSIC JOURNAL MUSIC MARATHON

Saturday, Oct. 18 and Sunday, Oct. 19 | Various sites in Manhattan and Brooklyn

Every year, CMJ brings the biggest indie bands to New York City, and

the huge five-day festival is running throughout this week and weekend.

Shows this weekend include The Dismemberment Plan at Terminal 5 and The Long Winters at the Bowery Ballroom, as well as various music

showcases from different countries.

BROOKLYN BACON TAKEDOWNSaturday, Oct. 19, 1 p.m. | The Bell House, 149 7th St. Anyone and everyone who enjoys the taste of bacon is welcome to the fifth annual Brook-lyn Bacon Takedown, where the finest local

cooks break out their best bacon recipes. Tickets cost $15.

PHOTOS: PEARLJAM - VIA WIKIPEDIA.ORG | CMJ - VIA FACEBOOK.COM | BACON - VIA FACEBOOK.COM | MAKEAWISH - VIA FACEBOOK.COM

CORRECTION

In an article titled “Gay hate crimes rise in New York City,” published on Oct. 8, program administrator Chris Woods was incorrectly identified as assistant director of the LGBTQ student Center. Additionally, Woods’ tips and strategies for students were incorrectly summarized as common sense. The article also incorrectly states that the center is hosting programs in light of the recent crimes. While the center has not yet created a program or event in response to the hate crimes specifically, it does offer self-defense events, such as one for the upcoming Trans Awareness Week. The article has been further clarified online.

WSN regrets these errors.

Page 3: WSN101713

NYUNEWS.COM | THURSDAY, OCTOBER 17, 2013 | WASHINGTON SQUARE NEWS 3

ophers’ Committee, whose work is providing the in-tellectual underpinnings for the Global Citizenship Commission,” said NYU’s deputy president Diane Yu.

Yu said several NYU fac-ulty members and admin-istrators are serving on the international commission or helping to manage its activities and securing out-side funding to support the commission. They will be joining a number of world leaders such as Myanmar opposition leader Aung San Suu Kyi, as well as pro-fessors from Princeton and other universities.

The Philosophers’ Com-mittee, which will lead the intellectual consider-ations of the commission, is led by Jeremy Waldron, a professor at both the NYU School of Law and Oxford University.

NYU President John Sex-ton, who is also serving on the commission, stated that the commission’s goals line up with NYU’s expanding global presence.

“We think NYU, with its unequalled global presence, its network of academic sites and its diverse group of students and faculty, is espe-

cially well suited to support the commission’s activities,” Sexton said in a press release.

Malala Yousafzai, a young girl Pakistani who rose to fame after being shot by the Taliban because of her activ-ism for female education, will be a guest of honor at the Oct. 18 meeting. Yousafzai is also scheduled to deliver a speech. Yu said a select group of stu-dents at NYU London will be able to attend the event.

CAS sophomore and politics major Natalie Jean said the dec-laration should be reviewed by modern-day leaders.

“It’s not much of a sur-prise that the Universal Dec-laration on Human Rights

is currently in the midst of debate,” Jean said. “Viola-tion of human rights is not something that just hap-pened during [World War II]. It’s happening everyday, and if it is not discussed then his-tory will be repeated. We do not have the option of stay-ing silent. We are the Malala Yousafzai generation.”

Yu said the revised docu-ment will be submitted to the UN General Assembly for consideration in 2015.

Additional reporting by Nicole Brown. Michael Domanico and Nicole Brown are news editors. Email them at [email protected].

Former British Prime Minister Gordon Brown leads UN review commission

BROWN continued from PG. 1

WSN is hosting its first panel with members of the Student Senators Council next week on Thurs-day, Oct. 24 at the Kimmel Center for University Life. At this event, WSN will ask the senators to weigh in on financial aid, student debt and NYU’s budget. Students are invited to be a part of the audi-ence and to come with questions for the senators.

Throughout the semester, WSN will be moder-ating multiple panel discussions, and will touch on issues including the university’s expansion abroad, the 2031 plan and shared governance.

Students who cannot attend the panel on Thursday evening can tweet @nyunews with their questions, followed by #askwsn. The discus-sion will also be recorded and available to watch on nyunews.com after the event. Stay tuned to our website for the time and location.

Of the 23-member SSC, three students are con-firmed for the panel, including Mariam Ehrari, a CAS senior and the chair of the Student Senators Council; Harris Inskeep-Rosenfeld, a CAS senior and the vice chair of the University Committee on Student Life; and Annie McWilliams, a sena-tor and second-year graduate student at the Stern School of Business.

During the panel, a moderator will ask senators questions about the relevant topics before open-ing up the floor to questions from the audience.

Read print and online articles next week to help you catch up with any news you might have missed about the issues that will be discussed at the panel. Also, be sure to check out our YouTube account, youtube.com/wsnnyunews, to find out what your school presidents have been up to.

Alumni trio set record with multiplayer game

By PATRICK ANKER

The Tisch School of the Arts’ Interac-tive Telecommunications Program holds the newest Guinness World Record, which honors the Largest Multiplayer Game Played on a Single Screen. In an Oct. 8 NYU press release, the university announced that the Guinness World Re-cords had recognized the multiplayer game “SPLAT” with the achievement.

ITP alumni Phil Groman, Danne Woo and Federico Zannier created the game for a live audience to play with their smartphones. Each player controls a bird on a telephone wire that is sus-pended above a roadway. The objective of the multiplayer game was to drop bird waste on vehicles below.

Woo said the inspiration for the game came from a class taught by Dan-iel Shiffman called Big Screens in ITP, which is a two-year graduate program dedicated to exploring all uses of tech-nology in day-to-day life.

“The objective of the class is to create content for the 120 foot by 20 foot video wall at the [InterActive Corps] building in Chelsea,” Woo said. “Considering the very wide format of the screen, birds sit-ting on a telephone wire pooping on cars below seemed to be a perfect concept.”

Frank Lantz, the director of the NYU Game Center, said “SPLAT” offered a fresh take on multiplayer gaming.

“SPLAT represents a new direction for large-scale multiplayer experiences in shared physical space,” Lantz said. “I think you’ll start seeing more games

like this in the coming years,” he said.Setting the Guinness World Record was

a goal for the trio. They said they believed the scale of this project could garner enough attention to set a record. With this goal in mind, the trio’s presentation at the IAC building received an audience of 300 people, with 113 playing at the same time.

“Networked smart phones and net-worked public screens are an untapped platform for creating social game experi-ences in public spaces,” Lantz said. “‘SPLAT’ is an experiment in tapping that potential.”

“This has been a long-time dream for all three of us and really pushed us to try and up the number of possible players,” Woo said. “The months of hard work leading up to that moment had paid off.”

The creators took the idea of the game and founded their own business, known as BigPlay.

“We are eager to move forward with it and find clients that need to create interactive content for large crowds,” Woo said. “This would be perfect for conferences, sporting events, market-ing events, interactive billboards, etc.”

“SPLAT” is not the only upcoming proj-ect of note from the trio of designers. Ac-cording to an Aug. 11 article in The New York Times, NBC News plans to install Groman as project lead of Stringwire, a Twitter aggregate news system he in-vented, which sends tweeting individu-als at newsworthy locations messages to capture video of the scenes.

Patrick Anker is a contributing writer. Email him at [email protected].

Renovations aim to make dorms Sandy-proofBy KAV HARJAI

One year after Hurricane Sandy hit New York on Oct. 29, 2012, NYU has completed some initiatives in response to the needs of displaced students.

Initiatives included incorporating a local emergency generator for Brit-tany residence hall during its sched-uled renovation, which the university confirmed to be successful.

“The recent renovations did include emergency safety measures,” univer-sity spokesman Philip Lentz said. “Brit-tany is now equipped with ‘house’ or local, emergency generators. As for the future, Hayden residence will be reno-vated beginning May 2014. We are cur-rently studying the most efficient en-ergy source for that building.”

In July, the university also announced plans in the Preparation and Response Performance Review to install suffi-cient battery back-up and additional means of lighting in evacuation paths.

NYU also planned to expand the emer-gency generator distribution to increase food storage and serving capacity in the event of an extended power outage at Palladium residence hall. At Lafayette residence hall, the university outlined the concept of installing a portable gen-erator connection.

The debilitating effects of the storm were felt by those in residence halls, although Goddard and Weinstein resi-dence halls remained with electricity because they drew power from a dif-ferent source. Only five of the other residence halls, Palladium, University,

Founders, Third North and Gramercy, had local, emergency generators.

Other halls, such as Rubin, were left with only 90 minutes of battery-powered emergency lighting — available only in hallways and staircases.

“This is according to the NYC Code,” Lentz said. “The rationale is that 90 min-utes is enough time for the residents to evacuate the building. During these 90 minutes, there is emergency lighting in the hallways and stairwells, and there is enough power for the fire safety panels.”

Evacuation for Rubin was man-dated two days after the superstorm, and several other evacuations were mandated as generators lost power. Students were set up with cots in the Kimmel Center for University Life and the Palladium Athletic Facility.

While the inconsistencies in dorm

safety left some residents unprepared, NYU staff launched various initiatives to improve safety in future situations similar to Sandy.

Several students reflected on the aftermath of Sandy and New York City post-storm.

CAS junior Jenny Peng, who stayed in Brooklyn the week after Sandy, praised NYU’s efforts to ensure stu-dent safety following the storm.

“For the most part, NYU security was great. There were officers in the buildings at all times,” Peng said. “The administration was attentive. They sent university-wide emails to all students, about a few each day, to keep everyone posted.”

Kav Harjai is a contributing writer. Email him at [email protected].

Brittany Hall’s renovations included a local emergency generator post-Sandy.OLIVIA ELLIS FOR WSN

Gordon Brown addresses the audience at an NYU lecture. FILE PHOTO BY JONATHAN TAN

WSN to host student senators discussion panel

Page 4: WSN101713

4 WASHINGTON SQUARE NEWS | THURSDAY, OCTOBER 17, 2013 | NYUNEWS.COM

FEATURES EDITED BY JONATHAN [email protected]

students for NYU students. It’s something everyone at this school can relate to and laugh at,” Browne said.

Students began preparing for the show during the first week of classes, when the directors hos-ted auditions. Ensemble member and Tisch sophomore Olivia Daniels said that audi-tions consisted of a series of im-promptu exercises, vocal testing and a quick dance number.

The group has been working to memorize lines, choreography, and songs since then.

The cast held rehearsals for several days a week through-out September and have been holding daily rehearsals for the past two weeks.

One of the new songs in this year’s production is “Seasons of Loans” written by NYU alumnus Seth Blinder. The song is a parody of “Seasons of Love” from Broad-way classic “Rent.”

The ‘FNYU’ ensemble laments over the “two hundred sixty five thousand six hundred dollars” in student loans many NYU students will have to pay in the future, sarcastically hinting that educa-

tion is simply paying to have “the time of our lives” taken away from students. The show’s cyni-cal take on NYU and the hilarious combination of its lyrics and cho-reography creates a style of com-edy that is easy to follow.

Forbidden NYU 2013 will have three showings — 8 p.m. Friday, Oct. 18 at C95 in the Global Center, 8:30 p.m. Saturday, Oct. 19 and 2 p.m. Sunday, Oct. 20, both at the fourth floor auditorium of the Kim-mel Center for University Life.

Nathan Ho is a contributing writer. Email him at [email protected].

‘Forbidden NYU’ uses theater, comedy to mock

college life, university tropes

FORBIDDEN continued from PG. 1

WHAT’S IN YOUR BAG?

Students seek to add NYU chapter of Sigma Gamma RhoBy KATHRYN JONES

When Gallatin junior Tiana Morrison arrived at NYU for her freshman year, she was disappointed with the lack of Greek organizations dedicated to black culture.

Hoping to change that, Mor-rison is in the process of adding a chapter of Sigma Gamma Rho to NYU, which would make it the university’s first black sorority.

Morrison aspires to bring both a culture and service-oriented organization to cam-pus while strengthening the school’s community.

“I was actually trying to re-search any black sorority at NYU, and I couldn’t even find anything on Google, so that just says some-thing about what we need,” Mor-rison said. “I feel like this [soror-ity] is giving those people who don’t have an outlet or an oppor-tunity or an organization here already to find that place, to find that home, that venue to make change and bond with others.”

Morrison wanted to establish a Black Greek letter organization chapter at NYU after seeing his-torically black Greek life at her friends’ colleges and portrayed in movies. When Morrison was a

sophomore, she began research-ing different organizations dur-ing the fall semester.

Sigma Gamma Rho Sorority Inc. stood out among other so-rorities. With a Gallatin con-centration in youth develop-ment and community change, Morrison praised the organiza-tion for being service-oriented with a motto of “Greater Ser-vice, Greater Progress.”

“We do a lot of community service,” Jeannine Hunte, vice president of the Kappa Sigma SGRho NYC Alumnae Board, said. “Our headquarters re-quire five projects.”

For NYU SGRho, currently an interest group, potential mem-bers have already participated in the African-American Parade on Sept. 15 and performed volun-teer work at soup kitchens. On Oct. 19, the group will be volun-teering at a walk to raise funds for Lupus research.

When fully recognized as a chapter, SGRho will become the only BGLO at NYU.

“It gives the minority popula-tion at NYU more social oppor-tunities and more opportuni-ties to get involved in campus life in a unified entity,” Dan-issa House, a graduate student

and SGRho member, said.“Imagine that within the

next five years, SGRho will not be the only one on campus,” said Alain Balan, a CAS se-nior and Black Student Union president. “There will be other young black leaders on campus that will take the initiative to see something like this hap-pen, and it will happen soon.”

“My whole goal is just to cre-ate a community and add anot-her aspect of diversity on cam-pus,” Morrison said.

SGRho has recently been ap-proved as an interest group, and will be confirming their status with the Inter-Greek Council Recognition Committee on Oct. 18. After the committee’s con-firmation, SGRho will await ap-proval for colony status.

Jones said once the sorority be-comes a colony, SGRho can initi-ate members and petition for full chapter status as early as one se-mester after becoming a colony. Morrison and Hunte said SGRho plans to tackle the requirements early in hopes of receiving chap-ter letters by fall 2014.

Kathryn Jones is a contributing writer. Email her at [email protected].

By ALYSSA BUFFENSTEIN CAS sophomore Simone Sutnick may be

studying art history, but the contents of her bag reveal that art permeates her life in more ways than powerpoint slides and lectures. As an artist, Sutnick has a hand for line drawings and an eye for aesthetics. Beyond Prismacolors, Sut-nick carefully packs her backpack every morn-ing with stylish, practical items that prepare her to be ready for anything.

Pink Ribbons

Sutnick carries an acid-wash denim JanSport backpack that she personalized with embellish-ments. Two pink ribbons represent breast can-cer awareness, a cause that resonates especially with Sutnick.

“My aunt died of cancer a few years ago,” Sut-nick said. “In January 2012 I co-coordinated a mu-sic for awareness concert that raised $3,000 ... I like to show my support.”

Art Supplies

Sutnick always has creative essentials on the go — sketching pencils, Prismacolor pens, a white leather-bound sketchbook and a port-folio to store finished drawings. These draw-ings encapsulate Sutnick’s artistic style — old school tattoo-inspired line drawings accompa-nying witty captions like “Psychics R Psycho.”

“The Philosophy of Andy Warhol (From A to B and Back Again)” is Sutnick’s current inspira-tional read. She admires his perspective on life and prolific status in the art world.

Souvenir from ColombiaLeft over in a pocket of Sutnick’s bag is a

souvenir from her summer trip to Bogotá, Co-lombia. A box of matches decorated with the symbol of the sacred heart from a popular res-taurant in Bogotá reminds her of her Colom-bian heritage, while adding another visually in-teresting object to her assemblage of essentials.

iPad

Sutnick uses an iPad to snap pictures, stay connected and take notes in class. However, what she enjoys most about the tablet is not its utility, but its case. Made of leather and fea-turing a fiery-toned deer, it showcases her style while keeping the iPad safe.

Back-up Items

“I’m secretly a mom,” Sutnick said jokingly, alluding to the precautionary Tide to Go pen, hand sanitizer and eye drops in her backpack. Her artistic eye extends to her personal appear-ance — she keeps a makeup bag and plenty of lip balm with her. Sutnick likes to look orderly, so she keeps her bag stocked in case she needs to freshen up. The contents of her backpack suggests how Sutnick likes to be prepared for anything, whether it’s sudden artistic inspira-tion or chapped lips.

“I don’t like to be without things,” Sutnick said. “It’s one of my fears to need something and not have it.”

Alyssa Buffenstein is a contributing writer. Email her at [email protected] PAIK FOR WSN

Performers rehearse original song and dance numbers.

NATHAN HO FOR WSN

Page 5: WSN101713

NYUNEWS.COM | THURSDAY, OCTOBER 17, 2013 | WASHINGTON SQUARE NEWS 5

ARTSEDITED BY JEREMY [email protected]

thinking continually, much like Solo-mon, who must remain constantly aware of his surroundings to survive.

Early on in the movie, McQueen makes the important decision of ab-stracting the narrative by interspers-ing Solomon’s miserable life on a plantation with memories of his wife and children. It may not seem like McQueen is doing anything worth noting, but before the title credit even rolls, it’s obvious the film isn’t about simply being a slave. Rather, it’s about bigger ideas than those simply grounded in history.

“Slave” also excels above most films of its kind because it touches on universal themes. It’s a film about remaining hopeful in the worst con-ditions and, more importantly, it’s a film about the meaning of freedom.

These may sound like heavy charg-es for the film, but screenwriter John Ridley articulates the big ideas behind “Slave” with an astounding amount of clarity. Despite both a surprising lack of dialogue and any constraints that may accompany the adaption of Northup’s autobi-ography, Ridley tells an epic story

in such a concise manner that every scene seems necessary in the grand scheme of the film.

With Ridley’s screenplay come marvelous performances, particu-larly from Ejiofor, as well as Lupita Nyong’o, who plays a slave forced into a relationship with her master. It would be near impossible not to sympathize with Ridley’s characters because of these performances. Even those in the supporting cast — Brad Pitt, Michael Fassbender, Sarah Paul-son, Benedict Cumberbatch — deliv-er spectacular performances in their short screen times.

But without McQueen, “Slave” would have been a very different work. The film would have lost its humanity, and it could have had the unfortunate problem of being just another slave narrative. That is not at all what “12 Years a Slave” is. In fact, it’s the opposite — a master-piece and an epic that is destined to become a classic.

Alex Greenberger is film editor. Email him at [email protected].

Stunning performances, directing from Steve McQueen, script

capture essence of freedom in ‘Slave’

SLAVE continued from PG. 1

‘Reign’ brings youthful energy to period drama

By LAURA WOLFORD

On The CW, any idea can be-come a teen drama. Tonight, Oct. 17, the network intro-duces its new series “Reign,” loosely based on the story of a young Mary, Queen of Scots, and her marriage to the Dau-phin of France, Francis.

In this adaptation, Mary arrives at a French palace after an assas-sination attempt. At the palace, not everyone is excited about her arrival — Francis’ mother, Queen Catherine, for example, has been foretold that Mary will bring death to her son.

Luckily, Mary is not alone. Her four best childhood friends join as her ladies-in-waiting to make Mary as desirable as possible to Francis. But even after Mary and Francis are betrothed, alliances can change. So now, Mary needs to woo Francis into loving her so he will marry her, even if it’s not to his country’s benefit.

But there appears to be anot-her threat lurking in the woods. There is some kind of supernatu-ral force that can only be sus-tained with blood sacrifices.

The pilot episode of “Reign” clearly mashes together several different genres which will hope-fully be connected in a more or-ganized manner once the show finds its footing. The CW’s view-

ership is heavily made up of teen-agers — a massive and influential audience — so whatever direc-tion “Reign” finally decides on will be crucial to its success.

Particularly amusing on the show is Mary’s relationship with her four ladies-in-wait-ing. The five girls prepare for the day by helping each other with makeup and hair. There is even a scene where they all start dancing together at a wedding. It’s like “The Sister-hood of the Traveling Pants” with corsets and crowns.

Mary’s behavior is not a realis-tic portrayal of how a lady at that time would behave, and “Reign” has taken the liberty of making her seem like a regular teenage girl, perfectly fitting with the show’s youthful energy.

The set design and costumes are gorgeous and period appro-priate. The story elements aren’t too ridiculous — after all, they’re what you would expect from a CW show. If the show can pro-duce episodes with more succinct plot lines and hold to the story the writers want to tell, “Reign” could sell itself as a youthful ver-sion of “The Tudors,” which defi-nitely wouldn’t be a bad thing.

Laura Wolford is a staff writer. Email her at [email protected].

Musician, lyricist discusses life in documentary ‘Enzo’

By IFE OLUJOBI

“Enzo Avitabile Music Life,” the latest documentary from Jonathan Demme (direc-tor of “The Silence of the Lambs”) is aptly named. In his film, Demme captures leg-endary saxophonist Enzo Avitabile and his music as one unit, and he does so with great respect and admiration.

From the moment Avitabile appears on screen, it is difficult not to be somewhat charmed by his excited, eccentric personal-ity and his one dangling earring. At the start of the film, Avitabile is on his way to a venue to perform songs with some talented musi-cian friends. That performance continues in various spots throughout the film, along with several other musical interludes.

Those who don’t know Avitabile are intro-duced to him not only as a musician, but also as a talented and passionate lyricist. Avita-bile sings about children, poverty, disadvan-taged people and world crises in his music, and his Italian lyrics, which are translated to English for the film, are pure poetry.

The same passion apparent in his song-writing runs through all aspects of his life. Anything Avitabile takes on, whether it be performing, composing, teaching or study-ing music, is done with conviction and en-thusiasm. Although he devotes his life to music, he still finds time to spend with his two daughters, acting as a mentor and role

model, especially after his wife passed away.Interviews with his daughters provide

some of the few glimpses of Avitabile’s life the audience observes outside of the music. Avitabile also talks candidly about other topics in his life when prompted, such as his relationship with religion and his travels as a young saxophonist. But once he starts discussing music again, he can’t stop. Avitabile is able to talk not only of his own music and style, called Bottari, but he also offers a wealth of knowledge about the foundations of all different types of music.

Although the songs in the film are writ-ten and composed by Avitabile, a collec-tion of successful and equally passionate musicians play with him, all of whom contribute their own flavor to his pieces. As a true lover of music, Avitabile wel-comes improvisation and personalization from his backing band and collaborators.

“Enzo Avitabile Music Life” isn’t a block-buster. It isn’t a thrilling drama, gut-bust-ing comedy or a documentary that be-comes a big hit because of its shocking or heartbreaking content. It is a film made well and with care, and gives a deeper look at a man who has made music his life — and the successes that have come of his lifelong devotion.

Ife Olujobi is a staff writer. Email her at [email protected].

Page 6: WSN101713

6 WASHINGTON SQUARE NEWS | THURSDAY, OCTOBER 17, 2013 | NYUNEWS.COM

THE NEW YORK TIMES CROSSWORD & DAILY SUDOKU

ACROSS 1 Atlantic City hot

spot, with “the” 4 Line out of N.Y.C. 8 Badge, maybe13 ___ Nazir

(“Homeland” character)

14 Lettuce16 Black Sea

getaway17 Land on the

Black Sea: Abbr.18 Film lead

character featured in a Disney World attraction

20 Dines22 Put down23 Pizazz24 Remark about

the end of 18-Across

26 Hamlet’s parts28 They’re often

seen with bows29 By and by30 Recoiled (from)31 Kind of printer for

home or office

36 Kit ___37 School door sign38 Mideast inits.39 Remark about

the end of 31-Across

42 1%, say44 Bucolic settings45 Short-story writer

Munro46 One that sucks

at work?49 2000 N.L M.V.P.

who played for the Giants

52 Kind of jacket53 Politico Mo55 Owner of

Half.com56 Remark about

the end of 49-Across

59 Saddler’s tool60 Bar stock61 “F” accompanier,

perhaps62 Arctic explorer

John63 XX64 Was attractive65 Turk. neighbor

DOWN 1 Tibia connections 2 “Er, yeah,

regarding what happened …”

3 Things that zip up to go down?

4 Subj. of an Austin library and museum

5 Mosul residents 6 Appear over? 7 Did some garden

work 8 Tube inits. 9 Where a

photographer might take shots?

10 Unpleasantly pungent

11 View from Valence

12 Bros15 Connecting inits.19 Alternatives21 ___-Coburg and

Gotha (former British ruling family)

25 Soft spot27 Land on one side

of Lake Titicaca: Abbr.

29 Hardly inept30 Item attached to

a boot31 Angle32 Base for some

Chinese art33 Trendy features

of some high-end gyms

34 Eroded35 It may have a

ring collar37 Dress to wow

40 Four-time Indy 500 winner

41 Little, in Lille

42 Dobby, e.g., in the Harry Potter books

43 Modern verbal crutch

45 Blazing

46 They may accompany trains

47 Ghost story?

48 Certain cocktail, informally

49 Leto of “My So-Called Life”

50 Hunter who says “Be vewy vewy quiet”

51 Texas city named for a president

54 Notre-Dame-___-Champs (Paris Métro stop)

57 Ply

58 Fresh

PUZZLE BY IAN LIVENGOOD

For answers, call 1-900-285-5656, $1.49 a minute; or, with a credit card, 1-800-814-5554.Annual subscriptions are available for the best of Sunday crosswords from the last 50 years: 1-888-7-ACROSS.AT&T users: Text NYTX to 386 to download puzzles, or visit nytimes.com/mobilexword for more information.Online subscriptions: Today’s puzzle and more than 2,000 past puzzles, nytimes.com/crosswords ($39.95 a year).Share tips: nytimes.com/wordplay. Crosswords for young solvers: nytimes.com/learning/xwords.

ANSWER TO PREVIOUS PUZZLE

1 2 3 4 5 6 7 8 9 10 11 12

13 14 15 16

17 18 19

20 21 22 23

24 25 26 27

28 29

30 31 32 33 34 35

36 37 38

39 40 41 42 43

44 45

46 47 48 49 50 51

52 53 54 55

56 57 58 59

60 61 62

63 64 65

J A F A R U N I T E L SA M O R E S C O R E L A PW A R M B L O O D E D I K ES S T I A N D O Z E N

M A T E R N I T Y W A R DP E Y T O N P A S SA T E A M P O O L G P SC A R D B O A R D C U T O U TE S S A R T S P I E T Y

L E T T A D E S T EE X T E N S I O N C O R DA R O M A N E N U F OS A Y C O L D H E A R T E DE Y E T R E V I X A C T OL S D S E E D E T H E R

The New York Times Syndication Sales Corporation620 Eighth Avenue, New York, N.Y. 10018

For Information Call: 1-800-972-3550For Release Thursday, October 17, 2013

Edited by Will Shortz No. 0912Crossword

Interested in working for us?

Come to our Sunday

Pitch Meetings.

NEWS: 5:30 P.M.

FEATURES: 6 P.M.

ARTS: 6 P.M.

SPORTS: 6:30 P.M.

MULTIMEDIA: 7 P.M.

OPINION: 7 P.M.

NYUNEWS.COM

Page 7: WSN101713

Government shutdown typifies partisan politics

STAFF EDITORIAL

WSN welcomes letters to the editor, opinion pieces and articles rel-evant to the NYU community, or in response to articles. Letters should be less than 450 words. All submissions must be typed or emailed and must include the author’s name, address and phone number. Members of the NYU community must include a year and school or job title.

WSN does not print unsigned letters or editorials. WSN reserves the right to reject any submission and edit accepted submissions in any and all ways. With the exception of the staff editorial, opinions ex-pressed on the editorial pages are not necessarily those of WSN, and our publication of opinions is not an endorsement of them.

Send mail to: 838 Broadway, Fifth Floor New York, N.Y. 10003 or email: [email protected] TO

JUSTICE

Al-Liby trial shows international equality

Google ads miss nuance of real-life influence ADVERTISING

NYUNEWS.COM | THURSDAY, OCTOBER 17, 2013 | WASHINGTON SQUARE NEWS 7

OPINIONEDITED BY RAQUEL [email protected]

EDITORIAL BOARD: Raquel Woodruff (Chair),

Edward Radzivilovskiy (Co-chair), Peter Keffer (Co-chair),Harry Brown, Marcelo Cicconet, Christina Coleburn, Omar Etman,

Nina Golshan, Nicki Sethi

Email the WSN Editorial Board at [email protected].

By MARCELO CICCONET

In a terms of service update released last Friday and effective Nov. 11, Google announced the start of its use of shared endorsements on its advertising net-work. The program is similar to Face-book’s Sponsored Stories, launched back in 2011. Users who reveal their endorsement may serve as pitchmen to their friends in an eventual ad.

A possible reason, and the most appealing aspect of Google’s initia-tive, is that it resembles the word-of-mouth effect, a powerful advertising strategy in real life. Or, possibly be-cause Facebook had already experi-mented with the option, Google was more open to the idea. The search giant might have also just adopted the competitor’s approach for fear of missing online ad money’s migra-tion to social networks.

But Google shouldn’t bother copying Facebook.

Although the ad format is rela-tively successful — Facebook’s Sponsored Stories made about $4 million per day by the end of Sep-tember 2012 — user complaints eventually led the company to de-cide to drop the feature. In fact,

Facebook was the subject of a class action lawsuit for using Sponsored Stories without permission.

Second, advertisers are indeed be-coming more faithful to social web-sites. But simply adopting a social media platform’s format of selling ads is not a guarantee that it will grab attention if the website doesn’t have an appealing audience — which is still the case with Google Plus.

Third, the word-of-mouth effect is very difficult to implement. The nuances of real world influence are too complex to simulate — es-pecially since the psychology of online interactions differs from face-to-face relationships.

The main problem with most on-line ads is that the websites portray-

ing them appear to be sorry to show ad content, instead of proudly trying to connect brands with consumers. Most websites are afraid of bothering users by asking them directly about what kinds of products they would like to hear about, and instead try to guess what they want based on their online behavior — a task difficult even for a human expert.

Businesses that have ever tried to reach an audience understand the importance of ads. Moreover, consumers are eager to learn about new products. These users would probably not mind spend-ing a few minutes telling a web-site what kinds of ads they’d like to see.

If a website were to show qual-ity ads, or were willing to put business in contact with consum-ers, and vice versa, perhaps users would be less frightened of releas-ing personal information. And if Google Plus were the one to do so, perhaps people would finally con-sider using it. Copying Facebook’s approach certainly won’t do.

Marcelo Cicconet is a staff columnist. Email him at [email protected].

By PETER KEFFER

Earlier this week in Lower Man-hattan, Abu Anas al-Liby pled not guilty in front of a U.S. federal judge for charges of terrorism. Al-Liby is currently under indictment in the U.S. for alleged participation in the 1998 U.S. embassy bombings in Tanzania and Kenya, which killed more than 200 people. In the com-ing months, he will be the subject of a federal criminal case. The ease and predictability of even this due process proceeding surpasses the unstable and interminable work of military commissions. In the years following 9/11, Guantánamo Bay has been stripped of its legitimacy as a practical institution.

In the wake of these events, for-mer UN Ambassador John Bolton proclaimed frankly that al-Liby is “not entitled to due process anymore than any combatant which takes up arms against the United States.” This claim is nonsense after clauses within the Military Commissions Act were ruled unconstitutional. In 2008, the Supreme Court affirmed in Bou-mediene v. Bush that constitutional detainee rights apply to both citizens

and foreigners of any combat status. Nevertheless, Ambassador Bolton and others continue to accuse the federal system of incompetence in processing terror suspects.

Republican Senator Lindsey Gra-ham of South Carolina told CNN that the federal trial of al-Liby is “not a proper way to gather intelligence in the war on terror.” Similarly, Ambas-sador Bolton stated that “this man needs to go to Guantánamo Bay for months or years for very painstaking and elaborate questioning.” One can reasonably assume that Ambassador Bolton intends for the man to be tor-tured. However, the utility of such a method is in considerable dispute.

A report carried out by the Intelli-gence Science Board at the National Defense Intelligence College found that “psychological theory and some

related research suggest that coercion or pressure can actually increase a source’s resistance and determination not to comply.” Subjecting al-Liby to torture is at best counterproductive.

The wanting nature of these inter-rogation techniques arises doubts as to the prison’s practical value. In the tumultuous years since 9/11, there have been seven convictions car-ried out by military commissions at Guantánamo, compared to 494 in fed-eral courts. Additionally, the govern-ment spends $2.7 million annually per prisoner at Guantánamo, while imprisonment in the federal system costs $29,000. These figures are an exposure of incompetence at Guantá-namo Bay. Not only are federal courts suitable when prosecuting terror sus-pects, they are preferable.

The trial of al-Liby before a fed-eral judge does not only befit in-ternational standards of human rights, it is also a prudent and com-petent measure. Guantánamo Bay remains scandalously open, yet the American detention camp in Cuba has proved itself inefficient.

Peter Keffer is a deputy opinion editor. Email him at [email protected].

On Oct. 16, Congress passed a plan that would end the government shutdown and raise the debt ceiling. After al-most three weeks of unproductive attempts to get President Barack Obama to compromise key aspects of the health care law, House majority speaker John Boehner backed away from his party’s obstinate demands and ultimatums that had held progress hostage. Although both chambers of Congress finally reached a deal and averted a global eco-nomic catastrophe, a dangerous precedent has been set on our government’s decision-making process.

It is important to note that the bill is not indicative of comprehensive reform. The compromise simply reflects a stopgap that does not institute any systematic change, but only postpones the crisis to a later date. The government will only be funded at sequester levels until Jan. 15, 2014, and the debt ceiling will need to be raised again by Feb. 7. The bill calls for a conference committee to be created to resolve the deadlock and form a longer term budget. Yet, as history has demonstrated, such as the failed 2011 Joint Select Committee on Deficit Reduction, committees rarely resolve entrenched partisan standoffs.

Although Boehner received a standing ovation at Wednes-day’s GOP meeting, his late attempt at a sensible compro-mise is hardly praiseworthy. Under his feeble leadership, Senator Ted Cruz and Tea Party Republicans held the gov-ernment hostage in pursuit of an impossible ransom — defunding Obamacare. For three weeks, Boehner forfeited his speakership to the junior senator’s ill-conceived and extremist mandate, which not only lacked the necessary votes for execution, but risked a global economic collapse. Several Republican legislators, such as deeply conservative Congressman Peter King and Tea Partier Senator Kelly Ayo-tte, rebuked Cruz before Boehner called for a reality check. Boehner’s tactics were comically ineffective, demonstrating a disturbing inability to control Republican insanity. The Republican brand has clearly been tarnished.

Despite Obama’s statement last night that “There’s no rea-son why we can’t focus on issues at hand,” present circum-stances negate his optimism. The shutdown threat by Republi-cans on the far right set a new milestone on the party’s restless campaign to block Obama’s agenda, a campaign which had al-ready reached an unprecedented mark. Since 2007, Democrats had to end Republican filibusters over 360 times — a record. As evidenced by the government shutdown, such partisan war is undoubtedly harmful to the country. It seems that our politi-cal system has become indefinitely fragmented, and any hope for substantive change rests on the American people’s coura-geous activism and intervention at the polls.

Page 8: WSN101713

8 NYUNEWS.COM | THURSDAY, OCTOBER 17, 2013 | WASHINGTON SQUARE NEWS

SPORTS EDITED BY FRANCISCO [email protected]

By CHRIS MARCOTRIGIANO

The New York Giants’ fall from grace has been as precipitous as it gets in the NFL. Just two seasons ago, the club hoisted the Lom-bardi Trophy after winning their fourth Super Bowl, and Eli Man-ning was suddenly in the Hall of Fame conversation as one of the most clutch quarterbacks of all time. Fast-forward to today, and the Giants find themselves with a record of 0-6, which demonstrates their abysmal performance this year. Manning has thrown 15 in-terceptions in just six games. He is on pace to throw 40 picks, just two short of the all-time record.

It is easy to harp on how bad the Giants have been this year, especially for a fan of the team such as myself. But the impor-tant question is, how did the organization let it reach this point? Is it due to factors that are out of their control? As one might expect, the answer lies somewhere in the middle.

Every team in the league has to overcome injuries. After all, football is a violent game that takes a severe physical toll on one’s body. However, the Giants have faced an inordinate amount of injuries to key players. Safety Stevie Brown, who led the Giants in interceptions last season with eight, tore his ACL in a preseason game against the New York Jets. The recovery time for such an in-jury is usually about a year, thus Brown’s season was abruptly cut short. Also in the preseason, run-ning back Andre Brown, who was projected to play a large role in the Giants offense, broke his fibula and was out for the first eight to nine weeks of the sea-son. With these injuries alone — one on offense and one on de-

fense — the team has faced some direct consequences.

After six weeks, the Giants are 28th in the league in total rush-ing offense (407) and 27th in the league in yards allowed (2,348). The Giants have also given up the most points out of any team in the league (209).

The team has also suffered from poor returns from their drafts of college football players. Players such as cornerback Prince Amuka-mara, running back David Wilson and defensive lineman Linval Jo-seph, all of whom were expected to be top players after being draf-ted, have disappointed over the past few seasons.

General manager Jerry Reese has also failed to fill key holes on the team through the draft or free agency, especially on the offensive line, which allowed Eli Manning to be sacked 16 times.

The Giants’ failures have been a combination of bad luck and poor planning. Can they turn it around and return to respectability? Fans certainly hope so.

Chris Marcotrigiano is deputy sports editor. Email him at [email protected].

Giants struggle with injuries, poor coaching

WEEKEND continued from PG. 1

Women’s GolfAlso on Sunday, the NYU

women’s golf team took fourth place at its last fall tournament in Wellesley, Mass. The Violets finished with a 340-stroke count the second day and a total score of 667 for the two-day invita-tional. They landed only sev-en strokes behind third-place Mount Holyoke College and 48 strokes behind the cham-pion, Williams College. NYU captain and Steinhardt senior Kristina Shalhoup placed 14th overall, shooting a second-round score of 79, and CAS sophomore Elaine Tse fin-ished eighth overall.

“It was a tough weekend for us, especially on a course that we didn’t know,” Shalhoup said. “But, each and every player did their best to save strokes, and that’s definitely a quality we have to our ad-vantage.”

Shalhoup said she is looking forward to the team’s spring season with confidence, de-

spite what she said was disap-pointing play this season.

“This team is enormously talented, and we have a lot of work we’re planning for the off season,” she said. “I’m real-ly looking forward to our hard work paying off in the spring.”

Men and Women’s SoccerOn Saturday, Oct. 12, the

NYU men’s and women’s soc-cer teams hosted Case Western Reserve University at Gaelic Park in Riverdale, N.Y., for their opening game for the UAA conference.

Women’s soccer tied 0-0 in double overtime, although the scoreless board did not do jus-tice to NYU’s time of posses-sion and dominant defense, backed by Steinhardt fresh-man goalkeeper Cassie Stein-berg. Of their six shots on goal — Case Western Reserve had five — two hit the crossbar.

In the men’s game, NYU tied Case Western 1-1 after two overtime periods and 110 min-utes of play. Both goals were

scored within two minutes of each other early on in the first half, and the goalkeepers re-corded five saves apiece. Stern freshman forward Bryan Walsh scored his second goal of the season, assisted by SCPS junior midfielder Tim Goldman, but Case Western outshot NYU 16-7. It was CAS junior midfielder Mickey Ingerman’s first game back from injury.

“It was tough coming back from such a bad concussion, but I had a lot of support from my teammates, friends and family,” he said.

Ingerman also gave his per-spective on the position of the team given this weekend’s re-sult.

“We would have liked to get the win at home, but a tie still gives us a point,” he said. “The UAA is a very competitive con-ference and any point we can pick up is crucial.”

Willow Frederick is a contributing writer. Email her at [email protected].

WEEKEND WRAP-UP

Defensive tackle Markus Kuhn is one of the Giants’ injured players.

COURTESY OF AJ GUEL VIA FLICKR.COM