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Noir: The German Influence
Noir: The German Influence
Nazi
Weimar
NoirNoir: The German
InfluenceNoir: The German
Influence
Weimar
BOESEBOESEBOESEBOESE LANGLANG MURNAUMURNAU
CALIGARI (WIENE, 1920)CALIGARI (WIENE, 1920)
NOSFERATU (MURNAU, 1922)NOSFERATU (MURNAU, 1922)
METROPOLIS (LANG, 1927)METROPOLIS (LANG, 1927)
THE GOLEM (BOESE, 1920)THE GOLEM (BOESE, 1920)
BEETLEJUICE (1988) BEETLEJUICE (1988)
EDWARD SCISSORHANDSEDWARD SCISSORHANDS
BATMAN RETURNS (1992)BATMAN RETURNS (1992)
Nazi
Weimar
J O S E P HGOEBBELS
L E N IRIEFENSTAHL
“MOUNTAIN” FILMS“MOUNTAIN” FILMS
LUIS TRENKER
G.W. PABST
ARNOLD FANCK
DAS BLAUE LICHT (1932)DAS BLAUE LICHT (1932)
THE BLUE LIGHT
HITLER’S DARLING
“MOUNTAIN” FILMS“MOUNTAIN” FILMS
TRIUMPH OF THE WILL
“MOUNTAIN” FILMSVICTORY OF FAITH
TRIUMPH OF THE WILLTRIUMPH OF THE WILL
TRIUMPH OF THE WILLTRIUMPH OF THE WILL
TRIUMPH OF THE WILLTRIUMPH OF THE WILL
TRIUMPH OF THE WILLTRIUMPH OF THE WILL
TRIUMPH OF THE WILLTRIUMPH OF THE WILL
TRIUMPH OF THE WILLTRIUMPH OF THE WILL
GLADIATOR (2000)GLADIATOR (2000)
GLADIATOR (2000)GLADIATOR (2000)
GLADIATOR (2000)GLADIATOR (2000)
GLADIATOR (2000)GLADIATOR (2000)
GLADIATOR (2000)GLADIATOR (2000)
STAR WARS (1977)STAR WARS (1977)
THE LION KING (1994)THE LION KING (1994)
TRIUMPH OF THE WILL
OLYMPIA I & II
“MOUNTAIN” FILMSVICTORY OF FAITH
OLYMPIA (1938)OLYMPIA (1938)
J O S E P HGOEBBELS
BIOGRAPHYMartyrs, Politicians
Artists, Scientists
SHREW-TAMINGRequest Concert
The Great Love
TRAVELERSProdigals Abroad
Explorers, Colonizers
PROPAGANDAThe Wandering Jew
Jud Süss I Accuse!
Traitors
“UN-POLITICAL” FILMMusicals
Comedies
GULLIVER MICKEY (1934)GULLIVER MICKEY (1934)
MICKEY’S SERVICE STATIONMICKEY’S SERVICE STATION
MÜNCHHAUSEN (1943)MÜNCHHAUSEN (1943)
AGFACOLOR
UFA 25th ANNIVERSARY
6,602,000 marks
MÜNCHHAUSEN (1943)MÜNCHHAUSEN (1943)
AGFACOLOR
UFA 25th ANNIVERSARY
37,679,833dollars
“…we must become the
dominant film power in Europe.”
JOESEPH GOEBBELSJOESEPH GOEBBELS
“Art is.. inordinately
hard and sometimes
evenbrutal.”
JOESEPH GOEBBELSJOESEPH GOEBBELS
LÖWENSTEIN
ÉMIGRÉ FILMMAKERSÉMIGRÉ FILMMAKERS
DIETRICH
LORRE
ÉMIGRÉ FILMMAKERSÉMIGRÉ FILMMAKERS
DIETRICH
KORNGOLDFREUNDKORDA
ÉMIGRÉ FILMMAKERSÉMIGRÉ FILMMAKERS
PREMINGERLUBITSCH CURTIZ
ÉMIGRÉ FILMMAKERSÉMIGRÉ FILMMAKERS
STROHEIMZINNEMANNSIODMAK
ÉMIGRÉ FILMMAKERSÉMIGRÉ FILMMAKERS
WYLER
LANG WILDER
DRACULA (1931)DRACULA (1931)
BRIDE OF FRANKENSTEINBRIDE OF FRANKENSTEIN
ARTISTIC FACTORSARTISTIC FACTORS
CITIZEN
KANEITALIANNEO-REALISM
GERMANEXPRESSIONISM
British Gothic Novel
roman noir
French Poetic Realism
weltschmerz
LITERARY FACTORSLITERARY FACTORS
Dashiell HammettRaymond ChandlerCornell
WoolrichJames M.
Cain
returning veterans
SOCIAL FACTORSSOCIAL FACTORS
We Can Do It!
assertive female
work force
Freudian Psychology
SOCIAL FACTORSSOCIAL FACTORS
NOIR STYLENOIR STYLE
PRODUCTION DESIGN
LIGHTING
DINGY REALISM
LOW KEY
NIGHT-4-NIGHT
CONCEALMENT
NOIR STYLENOIR STYLE
COMPOSITION
NOIR STYLENOIR STYLE
COMPOSITION
DOOMED FRAMING & ANGLES
COMPOSITION
COMPOSITION
OBLIQUEDIVERGENTINDEX VECTORS
COMPOSITION
TENSE MISE-EN-SCèNE
Existentialism
NOIR THEMESNOIR THEMES
Pessimism
DisillusionmentAlienation
Despair
Moral Ambiguity
Corrupt Human Nature
NOIR THEMESNOIR THEMES
Gender-as-enemyfemme fatale
Corrupt Human NatureGender-as-enemyfemme fatale
Noir: The German Influence
Noir: The German Influence
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