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CP 1185 – REQUIEM FOR PEACE/ Larry Nickel Full Score CYPRESS CHORAL MUSIC www.cypresschoral.com 604-221-1608 music from Canada Conductor Score Requiem for Peace Chamber Version

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Page 1: cypresschoral.comcypresschoral.com/PDF/RFPCVfull.pdf · 56 Requiem for Peace Remembrance, Regret, Remorse, Repentance, Reconciliation, Redemption, Renewal, Requiem (rest) An international

CP 1185 – REQUIEM FOR PEACE/ Larry Nickel Full Score

CYPRESS CHORAL MUSIC www.cypresschoral.com 604-221-1608

music from

Canada

Conductor Score

Requiem for Peace

Chamber Version

Page 2: cypresschoral.comcypresschoral.com/PDF/RFPCVfull.pdf · 56 Requiem for Peace Remembrance, Regret, Remorse, Repentance, Reconciliation, Redemption, Renewal, Requiem (rest) An international
Page 3: cypresschoral.comcypresschoral.com/PDF/RFPCVfull.pdf · 56 Requiem for Peace Remembrance, Regret, Remorse, Repentance, Reconciliation, Redemption, Renewal, Requiem (rest) An international

56

Requiem for Peace

Remembrance, Regret, Remorse, Repentance, Reconciliation, Redemption, Renewal,

Requiem (rest)

An international call for forgiveness and reconciliation

In honor of the suffering civilians of this world who have been caught in the cross-fire between warring nations

Instrumentation for the Chamber Version

Flute Oboe Clarinet in Bb 2 Percussionists Timpani Snare Drum Bass Drum Suspended Cymbal (Splash Cymbal) Tubular Bells (Chimes) Glockenspiel Tam Tam (Gong) Triangle Tambourine Vibraphone Marimba – the complete 5 octaves Harp Piano

Page 4: cypresschoral.comcypresschoral.com/PDF/RFPCVfull.pdf · 56 Requiem for Peace Remembrance, Regret, Remorse, Repentance, Reconciliation, Redemption, Renewal, Requiem (rest) An international

Requiem for Peace Page Title Language Features 1. Fratres in unum

(Brothers in Unity)

Latin

9. Requiem aeternum (Eternal Rest)

Latin Soprano solo

16. Long Black Arm

English

22. Bugles Sang

English

27. Ahni Shalom (I Am a Man of Peace)

Hebrew Baritone solo

35. Bahni Adam (Children of Adam)

Farsi (Persian) Arabic

Soprano solo Baritone solo Alto solo

49. Kyrie eleison (Lord, have Mercy)

Latin/Greek Chamber Choir - a cappella

54. Bêtise de la guerre (The Stupidity of War)

French for Men Baritone solo

62. Bing Che Xing (Ballad of the Army Carts)

Mandarin Alto solo

75. Dvadtsat Vosyem Shtïkovïkh (Twenty Eight Bayonets)

Russian Chamber Choir - a cappella

79. Hiroshima lacrimosa (Tears for Hiroshima)

Japanese Latin

Baritone solo Alto solo Soprano solo

88. Dulce et decorum (Sweet and Honorable)

English Latin

97. Kinderen van de Vrede (Children of Peace)

Dutch German

Baritone solo Alto solo Soprano solo

104. Reconciliation

English Chamber Choir - a cappella

110. Agnus Dei (Lamb of God)

Latin Baritone solo Alto solo Soprano solo

Pronunciation guide/tutorials visit canuckcomposer.com

Page 5: cypresschoral.comcypresschoral.com/PDF/RFPCVfull.pdf · 56 Requiem for Peace Remembrance, Regret, Remorse, Repentance, Reconciliation, Redemption, Renewal, Requiem (rest) An international

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Page 6: cypresschoral.comcypresschoral.com/PDF/RFPCVfull.pdf · 56 Requiem for Peace Remembrance, Regret, Remorse, Repentance, Reconciliation, Redemption, Renewal, Requiem (rest) An international

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Page 7: cypresschoral.comcypresschoral.com/PDF/RFPCVfull.pdf · 56 Requiem for Peace Remembrance, Regret, Remorse, Repentance, Reconciliation, Redemption, Renewal, Requiem (rest) An international

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Page 8: cypresschoral.comcypresschoral.com/PDF/RFPCVfull.pdf · 56 Requiem for Peace Remembrance, Regret, Remorse, Repentance, Reconciliation, Redemption, Renewal, Requiem (rest) An international

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Page 10: cypresschoral.comcypresschoral.com/PDF/RFPCVfull.pdf · 56 Requiem for Peace Remembrance, Regret, Remorse, Repentance, Reconciliation, Redemption, Renewal, Requiem (rest) An international

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Fratres in unum 7

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Fratres in unum8

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mf mp mf mp mf mp mf

mp p mp p mp

pp mp p mp

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qui- em,-

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mp

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Requiem aeternum10

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f mf f

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mf

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mf

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Requiem aeternum 11

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mp f mf f

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Requiem aeternum12

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mf f mf ff mf

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full sound

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full sound

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full sound

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Requiem aeternum 13

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f mf f

f mf f mf f mf

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Requiem aeternum14

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Requiem aeternum 15

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#! !! "! !! "! !!#! !! "! !! "! !!

#! !! "! !! "! !!

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$ % % % % % % %

Wilfred Owen (1893-1918) Larry Nickel

3. Long Black Arm

$ % % % % % % %

$&& % % % % % % %

' % % % ( (timpani sticks

$let the bells ring Snare Drum

)( snare sticks

snare (

$ % * ** %(

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3

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+ , $ ,- , , , , . . . . . . . . .

/ / / / / 0 + %%%/ $ , . . . , , , , . . . .

,0 , ,/ , // // 11 + . & 0

01 , ,/ , 111 //////

111 + . & 0

, , ,* ,* , , , ,2, , ,* ,* , , , ,2

, , ,* ,* , , , ,2 ,& , ,& ,& , , , ,3 ,24 /

, , ,* ,* , , , ,2 ,& , ,& ,& , , , , 3 ,4 /

, , ,2 ,2 , , , ,& ,& , ,& ,& , , , , 3 ,'&( - /

. . . . . . . . . . . . . . . . . . . , , , , , , +

. , , , , . . . . . . . . , , , , . . . . . . , , , , , 00 . & 0 + . & 0 + ,

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Timp.

S. D.

Choir

Hp.

Pno.

A15

f mp

Ah

f

f mp

Ah

f

f

A

Fl.

Ob.

Cl.

Timp.

S. D.

Choir

Hp.

Pno.

p mp mf

B22

p mp mf

p mp mf

mp

Be slow ly- lift ed- up thou

mf

long black arm

mf

Great gun tow er- ing a -mp

slow

mp

ly- lift ed- up

mf

long black arm. Great

mf

gun tow er- ing

mf mf

mf

B

mp

!!!!!!

!!

!!!!

!!!!

'( ( ( ( ( ( (

)snare sticks

$

'

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( ( (3

$ % ( 5 ( ( 5 ( ( 5 ( ( ( ( 5 ( ( 5 (

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11 11 11 // $$ +11 11 11&

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+ , 3 ,4 , + , 3 ,4 , + , 3 ,4 , 3 ,,, 3 ,4 , , + , , 3 ,4 , , + , , 3 ,- , ,

+ , 3 ,4 , + , 3 ,- , + , 3 ,4 , 3 ,,, 3 ,4 , , + , , 3 ,4 , , + , , 3 ,4 , ,

. , . .

. . . .

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// 0 , , , , ,4 3 , , / ,4 3 , , , ,

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+ ,,, 3 ,,,-,,,

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Long Black Arm 17

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Ob.

Cl.

Timp.

S. D.

Choir

Hp.

Pno.

f

29

f

f

f

bout to curse

f

reach at the ar ro- gance which needs thy harm beat it down be fore

'bout to curse

f

reach at the ar ro- gance needs thy harm beat

f

f ff

Fl.

Ob.

Cl.

Timp.

S. D.

Choir

Hp.

Pno.

C36

mf f

p f

the sins grow worse Hah

f ff

it down be fore the sins grow worse

mf

Hah (Hah)

C

$5( 5 5 ( ( 7 7 7 ( 7 7 7 ( 7 7 7 ( 7 7 7 ( ( (

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0 + 3 ,,-

,,,, // // 0 + / $ 1+ / $ /1 /

,,,,&&

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0 3 ,- , ,& , ,0 +

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Long Black Arm18

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Ob.

Cl.

Timp.

S. D.

Choir

Hp.

Pno.

p

D42

p

p

mf

Be slow ly- lift ed- up to ward- hea ven-f mp

slow

mf

ly- lift ed- up to ward- hea ven-

with precisionD

f mp

Fl.

Ob.

Cl.

Timp.

S. D.

Choir

Pno.

f p

E F49

f p

f p

Great gun to wer- ing Long black arm

f

and

f

when thy spell be cast com plete- and whole

Great gun to wer ing Long black arm and

f

when thy spell be cast com

ff

plete- and whole

f

E F

898989898989

898989

89

89

:9 !! "! !!:9 !! "! !!:9 !! "! !!:9 !! "! !!:9 !! "! !!:9 !! "! !!

:9 !! "! !!

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$ % 5 5 ( 5 5 ( ( 5 ( (( (( 5 ( 5 ( 5 5 ( 5 ( 5 ( 5 5

3

$ % 5 5 ( 5 ( ( 5( (( ( ( 5 ( 5 ( 5 5 ( 5 ( 5 ( 5 53

$&& % 5 5 ( 5 (( 5 ( (( ( ( 5 ( 5 ( 5 5 ( 5 ( 5 ( 5 5

3

'( ( ( % % % %

) %to bass drum % % %$

* 6

' 6

$ % % % % % % %'

( ( (% % % %

$ % % %( 5 ( 5 ( 5 5 ( 5 ( 5 ( 5 5 ( 5 ( 5 ( 5 5 ( 5 ( 5 ( 5 5

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3

$( 5 ( 5 ( 5 5 ( 5 5 ( 5 5 ( 7 (

%

$ ( 5 ( 5( 5 5

( 5 5 ( 5 5 ( 7 (%

$&& ( 5 ( 5 ( 5 5 ( 5 5 ( 5 5 ( 7 ( %

' % % % % % %

) % % % bass drumto snare sticks

% % %

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' ( ( ( (%

( ( 5

$ ( 5 ( 5 ( 5 5 ( 5 ( 5 ( 5 5 ( 5 5 ( 5 5( 5 5 ( 5 5 ( 5 5 ( 7

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%

0 , , , , , , ,& ,& , , , ,+ + + $ , , , , , , , + + + $ , , , , , , ,

0 ,* , , , , ,* , ,& ,& , , , , + + + $ , , , , , , , + + + $ , , , , , , ,

0 ,2 , , , , ,2 , ,& ,& , , , , + + + $ , , , , , , , + + + $ , , , , , , ,

. , . . . , . . . , . .

. . . . . . . . . . . .111 1& / + 3 ,- , , , , , 0 + $ , , ,4 , / + $11 11 // 0 + + + $ , , , , , + + + $ , , ,4 ,

+,

0 +,

0 +,

0

,,, ,,, ,,, ,,, ,,,,,,,,, ,,, ,,, ,,, ,,, ,,,,,,,,, ,,, ,,, ,,, ,,, ,,,, ,,,, ,,,, ,,,, ,,,, ,,,, ,,,, ,,,, ,,,, ,,,,

, , ,& , ,& ,& ,, ,* ,&, , ,2 ,* , , , , ,& , ,& ,& , , , ,'2( ,, ,, ,, $$ ,, ,, ,, $$ ,, ,, ,, $$ ,, ,, ,, $$

+ + + $ , , , , , , , + $ + $ + $ , , , , , , , , / 1 %

+ + + $ , , , , , , , + $ + $ + $ ,* , , , , , , , / 1 %

+ + + $ , , , , , , , + $ + $ + $ , , , , , , , , / 1 %

0 + , /0$ , /

, , , , , + + + $ , $ ,,* $$ ,, $$ 11 ,,, ,,, ,,, ,,, ,,, ,,, ,,,- 3 + + , ,, $$ ,,4 ,, ,,,*

/ 3 + , , , , , + $ + $ + $ , $ ,,*4,, ,, ,,, ,,, ,,, ,,, ,,, ,,, ,,,4 3 + + ,

,,* $$ ,,,4 ,,, ,,,&

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,, ,, ,, $$ ,,* ,, ,, $$ ,,* $$ ,, $$ ,, $$ ,, $$ ,, $$ ,, ,, ///

111

111 +

)

Long Black Arm 19

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Fl.

Ob.

Cl.

Timp.

S. D.

Choir

Pno.

f

GH

57

f

f

ff

may

mp

God curse theeLong black arm

may

ff

God curse thee and cut thee from

May

mp

God curse thee May

mf

God curse thee May God curse thee may

ff

God curse thee and cut thee from

f

G H

Fl.

Ob.

Cl.

Timp.

S. D.

Choir

Hp.

Pno.

I66

mf f

f

our soul

our soul

our

f

soul (our soul)

I

(E)

#! !!#! !!#! !!#! !!#! !!#! !!

#! !!

#! !!#! !!

$ % % % % %( ( ( ( ( 7 ( ( (

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$ % % % % % % ( ( ( ( (7

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sticks

to Chim.

%

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+ 0, $ ,

4, , , , , , , + , $ ,4 , ,

+ 0 , $ ,4 , , , ,& , , , + , $ ,4 , ,

+ 0, $ ,4 , , , , , , , + , $ ,4 , ,

, $ ,- , , , , , , , +

/// $$$ + 0 + , , ,& , , , // // 11 // $$ , ,& , , 0 + ,, ,, $$ ,,4,, ,

/// $$$ + , ,& , , / $ , , ,& , , ,, , ,, , , //, ,& , // $$, , , , ,& , , 0 + ,,,, $$ ,,4

,, ,

,,, $$$ ,,,-,,, ,,, ,,, ,,,& ,,, ,,, ,,, + ,,,, $$$$ ,,,,- ,,,, ,,,,

,,, $$$ ,,,4,,, ,,, ,,,

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3,4

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3 ,4 , /* , 3 ,*4 3,4 , , 3 ,*4 3

,4 , ,& ,,* ,* , , ,'2( ,& 3 ,&4 3

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3,4

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+ ,2 , , ,

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/ 0 + , / 1+ , / /1 / 111 1&%

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01

+ , 11 11 11 11

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3,,,,-

,,,, ////&, , , , , , ,'2( ,& , , ,* ,* , , , ,2

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Long Black Arm20

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Cl.

Timp.

S. D.

Choir

Hp.

Pno.

ff

J72

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ff

mf

f

Ah

f

ff

J

ff

Fl.

Ob.

Cl.

T.-t.

S. D.

Choir

Hp.

Pno.

accel.

78

p ff

p ff

ff

Chaff

Cha

f

accel.

f ideally, slap the lower strings

!!

!!

!!!!!!!!!!!!!!!!!!

$5 ( ( 5 ( ( ( (

% % %( ( ( ( (

3 3 3 3 3

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to T.-t.

( % % % )Tam-tam

%

) % $Chimes to Bass Drum % Bass Drum

) %

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$ % %( ( (

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% % % %

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. , 3 ,- , ,, / 0

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/ 0 0, , ,/ , ,// , /// /// 111 111

// 0 ,1 , / 11 // // 11 11

, , , , / /

+,

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,, , ,* ,*

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Long Black Arm 21

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#Copyright © CYPRESS CHORAL MUSIC - 2011

Cl.

Hp.

Pno.

mp mf mp mf

Mournfully h = 50 A

mp

legato

mf

Mournfully h = 50 A

Cl.

S.

A.

T.

B.

Hp.

Pno.

pp

B8

Bu

mf

gles- sang, sad den- ing- the ev' ning- air;

f

Ooo

Bu

mf

gles- sang, sad den- ing- the ev' ning- air;

f

Ooo

Bu

mf

gles- sang, bu

f

gles- an swered- sor

mf

row- ful- to

Bu

mf

gles- sang bu

f

gles- an swered-

mp

very gently mf

B

mp

!

mp

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#$$$$ %

Larry NickelWilfred Owen 1893-1918

4. Bugles Sang

#$$ & & &

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S.

A.

T.

B.

Hp.

Pno.

mp

14

to

mp

hear.

mp

Voi

mf

ces- of boys, voic es- of boys were

mp

by the riv er- side.

sor

mf

row- ful- to hear. Voi ces- of boys, voi ces- of boys were

mp

by the riv er- side.

hear. Voi

mf

ces- of boys were

mp

by the riv er- side,

sor row- ful- to hear. Voic es- of boys were

mp

by the riv er- side,-

!

Cl.

S.

A.

T.

B.

Hp.

Pno.

poco rit a tempo rit.C20

poco rit

Sleep

p a tempo

mo thered- them, sleep moth ered- them,

rit.

sleep

mp

poco rit

Sleep

p

mo thered- them, sleep moth ered- them,

rit.

sleep

mp

poco rit

riv

p

er- side,

mp

- by

p

the riv er- side,

mp

-

p

by

mp

the

rit.

riv ver- side.-

by

poco rit

the

p

riv er- side,

mp

- by

p

the riv er- side,

mp

-

p

by

mp

the

rit.

riv er- side.-

poco rit a tempo

mp

C

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Bugles Sang 23

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S.

A.

T.

B.

Hp.

Pno.

mp mf mp

rit.26

moth ered- them;

(close to the m)p

moth ered- them; and left the twi light- sad.

p

and left the twi light- sad.

ppppedal freely

rit.

! 4

Cl.

S.

A.

T.

B.

Hp.

Pno.

a tempo

p mf

D31

Shad

a tempo

ows- of the mor row- weighed on men. Voi

mf

ces- of old des -

Shad

a tempo

ows- of the mor row- weighed on men. Voi

mf

ces- of old des -

Ooo weighed on men,

close to "n"

weighed

mf

on men, Ooo

weighed on men.

close to "n"

Ooo

mf

pmp

D

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Bugles Sang24

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A.

T.

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Hp.

Pno.

p mp mf

37

pond en- cy- re signed,- bowed

f

by the shad ow- of the

pond en- cy- re signed,- bowed

f

by the shad ow- of the

shad ows- weighed

f

on men. bowed

f

by the shad ow-

re signed,- bowed

f

by the shad ow-

mf mf

Cl.

S.

A.

T.

B.

Hp.

Pno.

mp

a temporit.42

mor row,- slept.

mp a tempo

mor row- slept.

mp a tempo

slept.

mp a tempo

slept.

mp a tempo

pp

rit.

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)) %% ))1 + )) ))1 **1'$( ,, %% . ,, ) %) % )+ ))0 ) ,, ) )) )

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,, )) )) **11 ,, %% . ) ) ) % )20 )1 , %

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Bugles Sang 25

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Cl.

S.

A.

T.

B.

Hp.

Pno.

mf p

poco rit. E47

Bu

mf

gles- sang, sad den- ing- the ev' ning- air;

Bu

mf

gles- sang, sad den- ing- the ev' ning- air;

Bu

mf

gles- sang,

Bu

mf

gles-

mp

poco rit. E

mp

Cl.

S.

A.

T.

B.

Hp.

Pno.

p

rit.52

f

Ah to

mf

hear.

p

f

Ah

mf

sor row- ful- to hear.

p

bu

f

gles- an swered,- sor

mf

row- ful- to hear.

p

sang, bu

f

gles- an swered,

mf

- sor row- ful- to hear.

p

p

p

rit.

! !

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(

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Bugles Sang26

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!

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!!

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Marimba mf

q = 156 Marcato

Fl.

Ob.

Cl.

Glock.

Mar.

BaritoneSolo

Choir

Hp.

Pno.

mp mf f

6

mp mf f

mp mf f

mp

mf

mp mf

mp mf f

!!!!

"#$ $ $ $ $ $ $ $ $ $ $ $ $

Psalm 120

5. Ani Shalom

Larry Nickel

I am a Person of Peace

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$

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$

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& $$

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'# % '# * ' '# '# ' ' ' ' % '#) ' '# ' ' ' ' '# % ') ' ''( % '#) ' '# ' '# '# ' '# % ') ' '# ' ' ' ' ' % ') ' '

'# % '* ' '# '# % '# * ' ' ' ' ' '( + ,

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27

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"#

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Ob.

Cl.

Mar.

BaritoneSolo

Hp.

Pno.

p p

A12

p p

p mp

El

f

A do- nai Bat sa- ra tah- li- ka -

p

dim.

legato

p

A

dim.

Fl.

Ob.

Cl.

Glock.

Mar.

BaritoneSolo

Hp.

Pno.

mp p

19

p

p

p

ra ti- va ya- a ne- ni- A do- nai- hat si- la- naf shi-

(whole tone scale)

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/$ $ &

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' ' % '* ' ' % '* ' ' ' % '* + ' % '* ' ' ' % '* ' - , - '' ' % ') ' ' % '* ' ' ' % '* + , - ' ' % '* ' ' ' % '* ' -

' ' ' ' ' ' ' ' - ,

, - ' ' ' ' + ' ' ' ' ' ' 0 + - '

' ' ' ' ' ' ' ' ' ' ' ' - % ') ' ' ' ' ' + %

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, ++ %% 1 '* '', ++ %% 1 '* '

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, ++ %% 1 '2 * '* 1

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,% ' '( % '* ' ' '( ' ' '( '# % ') ' - , - '(

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(

Ani Shalom28

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"#

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Ob.

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Glock.

BaritoneSolo

Hp.

Pno.

mp mf

26

mp mp

mp mf

pp

mf

mi sfat- she ker- mi la- shon- ra mi- yah-

mf

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Ob.

Cl.

Glock.

BaritoneSolo

Hp.

Pno.

mp mf

B32

mf

mp

mah

mp

yi ten- l' cha- u mah- Yo sif- lach la shon- ra mi- yah-

B

p

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3! !! 3!

3! !! 3!

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$$ $

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' ' '( ' ' ' % '# * ' + - - , '# ' ' ' ' ' ' ' ' ' ' '

'# % '* ' ' % '* ' ' % '( * '

+ % - '# % '* ' ' % '* ' ' ' '( ' ' ' +# 0

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*'' ''## %% '''()

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0&#'1 '* ++# %% + %- ' '' + %- ' '' + %- ' ''( + %- ' '' ' ' ' '

'# ' ' '(- 1 ' '( ' '# ' '# '# '# - , ' % ') ' ' '( ' '2 ' ' ' ' ' ' ' ' +&#'

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- - '# '# ' ' ' ' ' ' ' ' ' '( ' ' ' ' + %

+ % '' %% '') ++ '' %% ''* '' '' %% ''*''

'# '( ' '# + + % ' '# ' ' ' ' ' ' ' '( ' ' ' ' ' ' ' ' '

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(

Ani Shalom 29

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f

38

f

f

mf

f mf cresc. f

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Ob.

Cl.

Timp.

Mar.

BaritoneSolo

Choir

Hp.

Pno.

C42

mf f

f

ff

Chit se- gi bor- sh' nu- nim- Chit se- gi bor- sh' nu- nim- im

(gliss)

C

ff

!!!!!!!!!!!!!!

!!!!

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Ani Shalom30

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mf

47

mf

mf

mp mf

ga cha- ley- r' ta- mim- r' ta- mim-

mf ff

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Ob.

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Mar.

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Hp.

Pno.

f p mf p

D54

fp

fp

mf

mf

o

f

ya- li- ki gar- ti- Me shekh- sha -

mp

D

mp

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, ' '# ' ' ')' '#) ' ')

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Ani Shalom 31

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"#

"

#

!!

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!!

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Fl.

Ob.

Cl.

Timp.

BaritoneSolo

Choir

Hp.

Pno.

mp p mp

61

mf

mp p mf

p

ra bat- shakh na lah- naf shi-

chan ti- im a- ho- le- Ke dar-

mp

Fl.

Ob.

Cl.

Glock.

BaritoneSolo

Choir

Hp.

Pno.

mp mf

68

mf p

mp mf

ppmf

im so ne,- so ne- sha lom,- sha lom-

mf

im so ne,- so ne- sha lom,- sha lom-

dim. mp

3! !! 3!3! !! 3!3! !! 3!

3! !! 3!

3! !! 3!3! !! 3!

3! !! 3!

3! !! 3!3! !! 3!3! !! 3!3! !! 3!

"# $$

$

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%# & "Glockenspiel

& & & &

"$# & & & &

"# 3 & & &%# & & & & & & &

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$ $ $ $ $

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& &

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&

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%#

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)*

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' % ') ' ' ' % ') ' - - % ') '( ' ' '( ' +# % ' % '* ' - , - '# ' % '2) ' -' % ') ' ' ' % '* ' - , - ' ' % '* ' - , - '

,% ' '( % '* ' ' '( ' ' '( '# % ') ' - - % '() ' '2 '(

- % ') '( ' ' '( ' +# %' % ') + ' + ' ' + %

' % '* ' ' ' ' ' ' ' 0 + % -

' % ') ' ' ' ' % ') ' ' ' 0 , '2 '''' '# '2 ' ' - ,- ''' '# ,

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'' ''##'' %% ''##)

'' ''

', ++# %% 1 '* '

', ++# %% 1 '* '

', ++ %% 1 '# * '

' '' +++# %%% ', ++ %% 1 '* '

', ++ %% 1 '* ''#, ++ %% 1 '* '

' % '#) ' '&#' ' ' ' ' ' ' ' ' ' ' ') 1 1 ' ' ' ' ' ' ' ' ' ' '# ' ' ' ' ' '# ' ' ' ' ' '# ' ' '

' ' ' '( ' ' + % - 1 '( * ' ' ' ' ' ' + + -

' ' '( ' '2 ' ' ' % '# * ' ' % '* ' ' % '( * ' ' % '* ' '# ' ' ' ' ' ' ' ' ' ' '

'# % '* ' ' % '* ' ' % '( * '

+ - ' '# % '* ' ' % '* ' ' % '* ' + % ' - ' + +

, - ' '# % ') ' ' % ') ' ' % ') ' + %+ % '' -- '' ++ ++

'' ''''((''

'' ' % ''#&#' *'' ' % ''

*'' ' % ''( * '' ' % '''

*'''

' % '''# )''' '# ' ' ' ' ' ' ' ' ' ' '

' '' +++ %%% + %- ' '' + %- ' '' + %- ' '' + %- ' '' + %- ' ''

' ' ' '

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Ani Shalom32

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"#

"

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!!

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#

Fl.

Ob.

Cl.

Glock.

BaritoneSolo

Choir

Pno.

mp mf

75

mp

mp mf

a

mf

ni- sha lom,- a ni- sha lom-

a ni- sha lom,- a ni- sha lom-

a ni- sha lom,- a ni- sha lom-

mfmp

Fl.

Ob.

Cl.

Glock.

BaritoneSolo

Choir

Hp.

Pno.

mp

dolce - rich toneq= 110rit. E81

mf p mp

p mp

mp

a

Rubato

ni- sha lom- ve khi- a da- ber-mp mp

Ooomp mp

mp

q= 110rit. E

p pp

3! !!3! !!3! !!

3! !!3! !!

3! !!

3! !!

3! !!3! !!

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"# & &

%# #

"#*& '

$

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"$#

"# & &

%# & &

"# & +++++++ &%# & & &

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%# +++++++++++++

'#) 1 1 ' ' ' 1 ' '( ' '# ' '# '# '# - - - ' % ' ' ' ' +

, ' ' ' '# - '# ' % '* ' ' + ,'# ' ' +( '( - '# ' % '* ' ' + , ' % ' ' ' ' +

+ % ' - - '# ' ' ' ' + % ' '( ' ' + +

'# ' ' ' ' + % ' '( ' ' +0 ++ %+ % '' -- -- '# ' ' ' ' + % ' '( ' ' ++ ++

'# '( ' '# + + % ' '# ' ' ' ' ' ' ' ' '( ' ' ' ' ' ' ' ' ' '

' ' '2 ' ' '2 ' ' ' ' ' ' ' ' '2 ' ' '' ' ' '

- ' '# '# ' '&#' ' ' '&(' ' ' '&(' ' ' + %

' ' ' ' ' ' '# ' % '* + % -- ' ' ' ' ' ' ' '' '# ' ' '( ' ' ' ' '&(' ' + % - , ' '# '# 0 + - '# ' ' '# ' '( '&(' ' ' '

0 - ' ' ' ' ' ' ' + ' ' ' % '* + 0 0

00 , ++ 00 0000 , ++ 00 00

000000 - ' ' - ' ' - ' '&#' - ' ' - ' ' - ' '

' ' - ' ' - ' ' - ' ' - ' ' - ' '-

' '# ' ' '( ' ' ' ' ' ' ''000

' '# ' ' 000&#'&('

' ' ' ' +0- ' ++ '

, ++ %% ' '0

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Ani Shalom 33

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Fl.

Ob.

Cl.

Glock.

Mar.

BaritoneSolo

Choir

Hp.

Pno.

p mp p p

accel. rit.87

p

p

p

he ma- la mil- kha- ma.

mf

-

p

p mp p

accel. rit.

pp

"# a tempo 7

"# & & & 7

"### & & & 7

"# & & & & & &

"# & & 7

%# & & & &' '

"$#

a tempo

7

"# & & & &%# 2 & & & &

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+++++++++3

3

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++++++++++++++

+

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, '2 ' ' ' '( ' ' + % 0 ,% '# 0

' + % ,% ' 0

0(,% ' 0

' ' ' ' ' ' ' ' ' ' ' ' '# ' ' ' ' ' ' ' ' ' 0

, ' ' '( ' ' '# + % ' 0# 0 0

00 0000 00

' '( ' ' '( ' +'&#' % '* ' ' ' % ') ' ' ' % ') + 000000' ' ' ' '

' ' ' ' '' ' ' ' '

, ' ' '2 ' ' '# '&#' % ') ' ' ' % ') ' ' ' % '* + 000

02- '( ++ 000 00

0

Ani Shalom34

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"

#!"

Fl. 1

Ob.

Cl.

Pno.

q = 86

espress.

fespress.

mf

f

q = 86

Fl. 1

Ob.

Cl.

Pno.

espress.

mf f mf

7

mf f mf

f

mff

Fl. 1

Ob.

Cl.

Sop.

Pno.

p mp

espress.A11

p

mfmp p

mp

Ba ni

mf

- - A dam- a za- ye- yek pey ka- rand-

A

mp

!!!!!!

!!!!

"!"!"!

"!

"!"!

#$$ % % % % % %

Sa'adi Shirazi (circa 1233) Ahmad Shawqi (circa 1920)

6. Bani AdamLarry Nickel

Children of Adam

#$$ % & %3 3 3

# % % % % %3

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#$$

# &3 3

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3

3

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# 3

3

3

#$$ % soprano soloone long phrase'

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3 3

) ) * * * * * * *$ *$+% * * * * **** * *$+% ** *$ * **** * * & * ,

- ) * *$ * * *

) ** ** && **.

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) ** ** && **0 **$ //+ && ,, ,,**

** ** && **0**$ //+ &&

) * *$ *+ * * * * * ) * * *$+% * * * * **** * * & * * *+ - - 1 *$ *$+% * & *

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,, / &* * *$ / / &/ & / &/ & / &/ & * *$ * * * * * *$

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35

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Fl. 1

Ob.

Cl.

Sop.

Hp.

Pno.

17

mf

Ke dar- a fa- ri- nesh- ze yek- go ha- rand-

mp

Cho oz vi- be dard

mf

-

mp mf

Fl. 1

Ob.

Cl.

Timp.

Cym.

Sop.

Hp.

Pno.

mf p

24

mf

p mf

p

p

p

p

a

f

va- rad- roz gar-

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#$$ % % % % % % %

# 3 3 3

#$$

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($$ % 33

#$$ % % % % % %

($$ % % % % % %

#$$ %3 3 3 3 3 3 3 3 ' ' ' &

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# % 3 3

( % % % % %

4 % % % % %

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* * * 5 *+ * * * *0 * * * * * & * /

1*. * * * *$ *2 /$ & ) * * * * * * * * * * * * ***** * * **** * * *2 * * * * * * & * * * *$ * *

* * * * ) * *+ & *0 * & * / * * * * *+ *$ ) 1 *. / * * * & * /

) 1 *. * ) 1 *. * ) 1 *$ . * * ) * * * * *+ **+ * * * * & *. *

*$ * / * * / *$ * / *$+% * *$ / * * / * *$ /

) //+

* * /

) * *$$% *$ * * * * *$ *+ * * * *+ * * * * * * * * * * * * * *+ * * *$ * * * * / &*+ * * * *$ *+ & *$ * * * *

* * * * *$+% * * * * /

/ & * * * * *$2% *$ * * * **** * * & * *** *$ * /$2%- ((((*- (((*

* * * * * * & * / / )

) * * *+ *$ * *$ * /* *

* ** *

* **+ *+

*$ *$* * / / &

* * / * * / ) * * / &

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Bani Adam36

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!

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Timp.

Cym.

Sop.

Choir

Pno.

mf mp

B30

mf

De

f

gar- oz va- ho- ra

De

mf

gar- oz v'- ho- ra na ma

cresc.

- nad- gha

f

rar-

De gar,- de gar- oz v'- ha-

cresc.

ra na mo- nad- gha

f

rar-

p

espressivoB

pedal freely

mf

Cl.

Timp.

Cym.

Sop.

Hp.

Pno.

mf f

q = 100C36

mfmp

mp(staccato = closed)

na mo- nad- gha ror-

f

f solo

q = 100C

!! "!

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!! "!!! "!

!! "!

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( % % %

4 to Tri. % % % % %

#$$ % % % %soprano soloist

#$$one long phrase (stagger breathing)

($$ $+ +

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& 3

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4Tambourine

% % %tap near rim with fingers&

4 %Triangle

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3

($$'

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* ) ) ((((/ & ((((/ &* ) )

*+ * *$ & * / * *

** ** * & * /* & * / * ** * * * ** * / * ** * &* & *. // &&*0 / & **/ & //

** // ** ** * & * *$$% &* & * * &*0*.

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Bani Adam 37

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!

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##!"

Fl. 1

Ob.

Cl.

Tamb.

Tri.

Hp.

Pno.

41

mf p mp mf p mp mf p

Fl. 1

Ob.

Cl.

Tamb.

Tri.

Hp.

Pno.

f

46

f

f

mp mf p mp mf p mp

melody

mf

#$$ % % % % %#$$ % % % % %

# % % % % %

4& & & & &

43 3 3 3

#$$

($$ & & %*

#$$ 3 3 & 3 3 &3 3 3 3 3 3

3 3 3 3 3

($$3 3 & 3 3 & 3 3 3 3 3 3

3 3 3 3 3

#$$ 3 3 & 3 3 & 3 3 3 3 3 33 33

3

#$$ 3 3 & 3 3 & 3 3 &3 3 3 3

3 3 3 3 3 3

# 3 3 & 3 3 & 3 3 3 3 3 33

3

3

3

4& & & & &

43 3 3 3 3

#$$ &* * * * * * * * * * *+ * * * *+ *$ *+ * *$+% *$$% * *$ *+ *$ * *

($$

#$$ % % % % %($$ &

3 3 & 3 ' & &

) 6 6 6 6 6 1 6. 6 ) 1 6. 6 6 6 6 6 ) 6 ) ) 6 6 6 6 6

6 & 6 & 6. 6 6 6 & 6 & 6 6 6 6 6 6 &) * * *$ * * * 1 *. * ) * * *$ * * * 1 *. * * *$ * * *+

* * / * * * ** * * / * * * * *

* * * * * * * * * * * *+ * * * * * * * * & *$ *+ * * * * * * *$ *+ * * * * * * *$ * *+ * *

* * * * * * * * * * * *+ * * * * * * * * & *$ *+ * * * * * * *$ *+ * * * * * * *$ * *+ * *

* * * * *$ * *+ *$ * * * * * * * * * * ) * * * * * & * *$ * * * * * * * * & * * & * *+ * * *

* * * * * * * * * * * * * * * * * * *+ * * * * * * * * & *$ *+ * * * * * * *$ *+ * * * * *

* * * * *$ * *2 *$ * * * * * * * * * * ) * * * * * & * *$ * * * * * * * * & * * & * *2 * * *

1 6. 6 ) ) 6 6 6 6 6 1 6. 6 ) ) 6 6 6 6 6 ) 6 )

6 & 6. 6 6 6 & 6 & 6. 6 6 6 & 6 & 6 6 6 6 6

* * * * * * * * * * *+ * * * * *$ *+ * *$+% *$$% * *$ *+ * * *

* & *0 * * * * *$ * * * * * * * * * * * * * * * *$ * * * *

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Bani Adam38

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!

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Fl. 1

Ob.

Cl.

Tamb.

Tri.

Alto

Bar.

Hp.

Pno.

mp

D51

mpp

mpp

mf p

wal

mf

mf

Wu li

dolce

- da- Rif ku- yau ma- mau li- di,- mau li- di- a' I sa-

mp

mp

warmlyD

mp

Fl. 1

Ob.

Cl.

Alto

Bar.

Hp.

Pno.

56

mu

dolce

ru- a tu- wal hu da- wal hai a- u-

waz da- hel- kau nu-

#$$ $$$ % % % %

#$$ 3 3& & $$$ % % %

# $ % % %

4&

% % % %4 % % % %#$$ % $$$ % % %

alto solo

($$baritone solo

$$$' '

#$$ $$$* *$ *+ * *

($$ $$$ % % % %

#$$ % $$$ %'($$ 3 3 3 3

3$$$

#$$$ % % % % % %#$$$ % % % % % %

#$ % % % % % %

#$$$ ' ' ' % %

($$$ % % % %

#$$$ )))))

($$$ % % % % % %

#$$$($$$

* * * * * * *

* *$ * *+ * * / &* * * * * * * / &1 6. 6 6 6 6 66 &

- *

- * * * * * * * * * * * * * * *+ *+ * * * * / )

* *$ *+ * *1 *. * * 1 *. * * * *$$% 1 *. * * * * 1 *. * * * * 1 *.

// && // && / &* *+ /$$%* *$ * * ** *+ * *

/// &&&

/ & / & / *

* * / * * * & *0 * *+ * * * * & *0 *

- *+ * * * *+ *

* * * * 1 *. * * * * 1 *0 * * * * * * * * * * * ** * * * * * * * * ) ///

*/ & * * * * * / &1 *. * * * * */ & / */ & / */ & /+

/ & / & / & / & *$ & *0 * // &&

'

Bani Adam 39

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!

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"

Fl. 1

Ob.

Cl.

Alto

Bar.

Hp.

Pno.

62

bi

f

sa- na- hi- mi na- fe rel- er je- -

bil wa- li- di- wa da- ät- bi sa- na- hi- mi na- fe rel- er je- -

gliss

mf

mf

Fl. 1

Ob.

Cl.

Tamb.

Tri.

Alto

Bar.

Hp.

Pno.

f

E67

f

f

mp mf p mp mf p mp

p p p

hu

hu

f

E

f

#$$$ % % % % %#$$$ % % % % %

#$ % % % % %

#$$$ % % ' ' '

($$$' ' '

#$$$ )))))) % 3 3 3 3

($$$ % % % % %

#$$$ $$%($$$

#$$$ 3 3 & 3 3 & 3 3 3 3 3 33 33

3

#$$$ 3 3 & 3 3 & 3 3 &3 3 3 3

3 3 3 3 3 3

#$ 3 3 & 3 3 & 3 3 3 3 3 33 3

3

3

4& & & & &

43 3 3

#$$$ % % %

($$$ % % %

#$$$ &* * * * * *+ * * * *+ * *+ * *$+% *$$% * * *+ * * *

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- * * * * * * & * *+ & * * *$

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) /// 1 *. * * * * / ) ) * * * * * * * * * * * *

* &/ & *. *+ * / / -* * / & * */ & //

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* * * * * * * * * * * * * * * * * * *+ * * * * * * * * & * *+ * * * * * * * *+ * * * * *

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6 & 6. 6 6 6 & 6 & 6. 6 6 6 & 6 & 6. 6 6

/ & / )/ & /

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- * * * * * * ** & *0 * * * * * * * * * * * * * * * *+ * * * * * * * *

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Bani Adam40

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Fl. 1

Ob.

Cl.

Tamb.

Tri.

Alto

Bar.

Hp.

Pno.

p

F72

p

p

mf p

mf

wa sa- rat- a ya- tul- ma si- hi- ka ma- yeh

f

se- ri-

mp

mi

mf

nel- fe j'- ri- fil -

mp

mp pgently

F

7 7 7

Fl. 1

Ob.

Cl.

Tamb.

Alto

Bar.

Hp.

Pno.

78

Tam la- ul- or da- wa la- a -

wu ju- di,- fil wu- ju- di- dai a- u-

p

#$$$ % % % %

#$$$ 3 3& & % % % %

#$ % % % %

4&

% % % % %4 % % % % %

#$$$alto solo ' ' ' %

($$$ % % % % baritone solo

#$$$ * * *+ * *

($$$ % % % % %

#$$$ % %

($$$ 3

#$$$ % % % % % %

#$$$ % % % % % %

#$ % % % % % %

4 % % % % % %#$$$ % % % %

($$$' '

% %

#$$$ ))))) ))))))

($$$ % % % % % %

#$$$($$$

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Bani Adam 41

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mp

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mf f

f

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cresc. mf

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Cym.

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f

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q. = 120H90

ff ff

ff f

f f

mp mf

f

with rhythmic precision

q. = 120H

f

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Bani Adam42

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Bani Adam 43

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Bani Adam44

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Cym.

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Pno.

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f

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legato - full open sound

ni A dam- a zo- ye- yek pe ka- rand-ff

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ff

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118

mf f

mf f

Cho oz vi- be dard- a va- rad- roz gar-

go ha- rand- De gar- oz v'- ha- ra- na ma- nad- gha ror-

mf f

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Bani Adam 45

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Bani Adam46

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Bani Adam 47

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Bani Adam48

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Page 55: cypresschoral.comcypresschoral.com/PDF/RFPCVfull.pdf · 56 Requiem for Peace Remembrance, Regret, Remorse, Repentance, Reconciliation, Redemption, Renewal, Requiem (rest) An international

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Kyrie eleison 51

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Kyrie eleison52

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Kyrie eleison 53

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Bêtise de la guerre 55

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Bêtise de la guerre 57

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Bêtise de la guerre58

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Bêtise de la guerre 59

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Bêtise de la guerre60

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Bêtise de la guerre 61

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full warm sound - tell the story

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psoft mallets

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Bing Che Xing 65

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Bing Che Xing66

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Bing Che Xing 67

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Bing Che Xing68

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Bing Che Xing 69

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Bing Che Xing70

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Bing Che Xing 71

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Bing Che Xing72

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Bing Che Xing 73

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Twenty-Eight Bayonets10. Dvadtsat Vosyem Shtïkovïkh

Larry Nickel

Copyright © CYPRESS CHORAL MUSIC - 2011

5

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mf

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' ' ''' ' '

75

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Dvadtsat Vosyem Shtïkovïkh76

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Dvadtsat Vosyem Shtïkovïkh 77

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Dvadtsat Vosyem Shtïkovïkh78

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Hiroshima lacrimosa 85

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Hiroshima lacrimosa86

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fp f sf

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Gas! Gas!

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gas shells drop ping- soft ly- be hind

mf

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f

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f

35

f

f

f

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Dulce et decorum92

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Chim.

S. D.

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Pno.

40

ff

mf ff

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just in time; and

(G)(Eb)

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Ob.

Cl.

Timp.

S. D.

Choir

Pno.

mf

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mf

mf

p mp

p

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mf

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Dulce et decorum 93

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Choir

Pno.

f

50

f

f

mf mp f mf

mp f

and thick green light,

as

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saw him drow ning,-

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Choir

Pno.

h = 66poco rit.

F55

f

drow

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ning.- In

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all my dreams, be -

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h = 66poco rit.F

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Dulce et decorum94

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Ob.

Choir

Hp.

Pno.

rit. q = 76G60

fore my help less- sight,

mf

he plun ges- at me, gut ter- ing.-

mp

chok ing-

pp

drown ing,-

fore my help less- sight,

mf

he plun ges- at me, gut tering.

mp

chok ing-

pp

drown ing,-

mp

pp

rit.q = 76G

Ob.

Choir

Hp.

Pno.

dolce

mp

H68

mf

you too could pace be hind- the wa gon- we flung him in

mf

If in some smo ther- ing- dream you too could pace be hind- the wa gon- we flung him in

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Dulce et decorum 95

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and watch the white eyes wri thing- in his face My friend,

mp

you would not tell with such high zest to chil dren- ar dent- for some

74

ahh...

(wri thing- in his face)

My

mp

friend,you would not tell with such high zest to chil dren- ar dent- for some

p

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Choir

Hp.

Pno.

f

rit. q = 70

79

f

f

p f ff

f ff

des per- ate- glo

f

ry- the

ff

old lie; Dul

ff

ce- et de co- rum- est pro pa tri- a- mo ri-

des per- ate- glo ry-

ff

the old lie;

ff

Dul ce- et de co- rum- est pro pa tri- a- mo ri-

f

ff

rit. q = 70

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Dulce et decorum96

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Wij

f

zijn de

brightly

kin de- ren- van de Vre de- die un zwaar den- tot ploeg schar- en- en

q. = 601

Wij

f

zijn van de Vre de- die un zwaar den- tot ploeg schar- en- en

S. A.

Bar.

sper en- tot sik kels- heb ben- ge maakt-

mf

en

dolce

ken nen- geen oor log- meer, en ken nen- geen oor

poco rit

log- meer.

q. = q5

sper en- tot sik kels- heb ben- ge maakt- en ken nen- geen oor log- meer, en ken nen- geen oor log- meer.

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Ob.

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q = 82A11

mp

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mp

legato

mp

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mp cresc. mf

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mf

mf

sanf ten- Fit tich- find' ich Frie den,- Trost und Ruh

mp

mp

sanf ten- Fit tich- find' ich Frie den,- Trost und Ruh

mf mp

mp mfmp

Fl.

Ob.

Cl.

S. A.

Choir

Hp.

Pno.

70

mf

denn Du schir mest- mich so freund lich- schüt zest mich und deckst mich zu

mp

mf

denn Du schir mest- mich so freund lich- schüt zest- mich und deckst mich zu

mp

cresc. mf

cresc. mf

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Kinderen van de vrede 101

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Bar.

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tacet

mp cresc. mf tacet

mf

un ter- Dei

cresc.

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f

ich Frie den,- Trost und Ruh

mf

Wijmf

Wij

cresc.mp mftacet

mp mf tacetcresc.

S. A.

Bar.

Choir

Pno.

F84

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zijn de kin de- ren- van de vre de- die hun zwaar den- tot ploeg schar- en- en sper en- tot sik kels- heb ben- ge -

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f

en ken nen- gain or loch- meer

mfq. = q89

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mp

in ken nen- geen oor log- meer.

maakt

f

en ken nen- geen oor log- meer,

mp

in ken nen- geen oor log- meer.

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Bar.

Choir

A

mf

men- - - A men.- - - - - -

rit.G

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mf

men- - - A men.- - - - - -

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Kinderen van de vrede 103

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#Copyright © CYPRESS CHORAL MUSIC - 2011

mp

O ver- - - all.

mf

Word

dolce

o ver- all, word o ver- all,

q = 52q = 62

mp

O ver- - - all.

mf

Word o ver- all, word o ver- all,

O

mp

ver- - - - all.

mf

Word o ver- all, word o ver- all,

O

mp

ver- - - - all.

mf

Word o ver- all, word o ver- all,

q = 52 q = 62

beau ti- ful- as the sky, Beau ti- ful- that war and all its deeds of car nage- must in

6

beau ti- ful- as the sky, Beau ti- ful- that war and all its deeds of car nage- must in

beau ti- ful- as the sky, war and all its deeds of car nage- must in

beau ti- ful- as the sky, war and all its deeds of car nage- must in

!!

!!

!!

!!

!!

!!

"###3

Walt Whitman (1819-1892)

14. ReconciliationLarry Nickel

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)) ) ) )) ) ) )) ) ) ) ) ( )- * ) + ) ( ) ) ) ) ( ). ) ) ) ) )# )# )- / ) )) )

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104

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"

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time be ut ter- ly- lost,

fpoco rit

leggiero

That

mf

the hands of the

q = 72A

11

time be ut ter- ly- lost,

f

That

mf

the hands of the

time be ut ter- ly- lost,

f

That

mf

the hands of the sis ters,-

time be ut ter- ly- lost,

f

That

mf

the hands of the sis ters,-

q = 72A

sis ters,- in ces- sant- ly- soft ly- wash, in ces- sant- ly- soft ly-

16

sis ters,- Death and Night, in ces- sant- ly- soft ly- wash wash in ces- sant- ly- soft ly-

Death and Night, in ces- sant- ly- soft ly- wash, and e ver- a-

Death and Night, wash a gain,- and e ver- a-

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) () ) ) ) ))- ) )) )) ), ) ) ) ) ) ** + ) ) ) ) ) ) ** ((

))) ((( )-)))) )))) )))) *,,,,

* ***** + ) ) )) )) )) )))

) ()) ) ) ))

))))))

)))). ))), ))) ))) ))) ))) ))) **** ++ )) ))) ) ))

) )) )) )) ))) ) ) ** ((** ((

)) )) ** (( + / ). )# )# ) ) ) , ) / )- ) ) ) ) )

)# ) ) ( ). )# ) ) ) ) ) )% ) ) * + ) ) / ). ) ) ) ) )

)) + )) (( )). ** (( + + / )- ) ) ) ) ) * ) ) ) ) )

)) + )) (( )).

**# (( + ** (( )) )) ** )) )) )) )) ))

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)))) + )))) (((( ))))- **

**# (((( + ** ((+( ). ) ) ) ) ) *)) )) **

) ))) ))) ) ))) )) ))

Reconciliation 105

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!

"

#!

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#

wash a gain,- and e ver- a gain, this soiled world; For

mp

my e ne- my- is dead,

rit. q = 72B20

wash a gain,- and e ver- a gain, this soiled world;

mp

my e ne-

gain, in ces- sant- ly- soft ly- wash this soiled world;

gain,in ces- sant- ly-

soft ly- wash this soiled world;

mp

rit. q = 72B

pp

a

p

man di vine- as my self- is

25

my is dead,

pp

a

p

man di vine- as my self- is

for

mp

my e ne- my- is dead, my e ne- my- is

pp

dead, a

p

man di vine- as my self- is

for

mp

my e ne- my,- my e ne- my- is

pp

dead, a

p

man di vine- as my self- is

4! 0! 4!

4! 0! 4!

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)* +) )# ) ) ) ) )) ) *) ) ) )) ) )) )** (( ** (( **

))# (( ))- )) (( ))- )) ))# ))# )) )) )) )) ** + ) ) )# ( ) /) ) * )- ) ( )

*)) )) +) ))# ))# )) ))%#& )) ))) ) *)) )) )) ))

) ))# ))) )) **** (( + ** (( **

* ( , , * ( / ). ) ( ). )# )# ) ) * )

* ) ) , , * ( / ). ) ( ). ) ) ) ** ( ) ))

) ( ) )# ) ) ) ) ) ) ( )#- ) ( ) ) ) * ) ) * ( / ). )# ( ). ) ) ) * ( )#

** + ) ) )# ) ) ) ) ) ( )# )) )* ) )) * ( / ). )# ( ). ) ) ) *# ( )

* (* ,) ) , ,, * (* ( / ). ) ()- ) ( ). ))- ) )) )) )* * )) )))

**) ( )

+)# ) ) ) ) ) ) () ) ) ) ) ).) ) ) ( )) ( ) )) ) *)) ) ))

) ) ** (( / ))-))## (( ))-

)) )) )) **# (( ))#

Reconciliation106

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!

"

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dead, is dead,

pp

white

mp

faced- and still in

pp

the

31

dead, is dead,

pp

white

mp

faced- and still in

pp

the

dead, I

pp

look where he lies

dead, I

pp

look where he lies

cof fin.- I

mp

draw near, and touch

mf

light ly- with my lips, light

mp

ly- with my

C37

cof fin.- I

mp

draw near, and touch

mf

light ly- with my lips, light

mp

ly- with my

I

mp

draw near, bend down,

mf

bend down,mp

I draw near.... (I draw near), bend down,

mf

bend down,

C

0! !!

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"###& # # &

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$### & 3

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$ ###&

3

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rubato

3 &&

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%

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3

)* *# ( * * (* ( )) ,, * (* ( ++ ) ) / ). *# ) )# )

** ** * (* )# )) , * ( + ) ) / ). * ) )# )#

, , * ( / ). ) ) )# * * * (

, , * ( / )- ) )# )# * * * (

)** *# ( ***# * (*** )))# )))) ,,, * (** (( ++ )) )) / )). **# )) ))## ))#,, ,, ** (( / ))-

)) ))# ))## ** ** ** (

)) )) ** (( ** + )) )) * () * )) * )% ) ) ) ) + ) ) ) )

) ) * ( * + ) ) * ( ) ) ) ) ) ) ) ) + ) ) ) )

( + ) )# , ) * ) * ( ) ,

( + ,))## ))##* + ) )%%& * (* ( )) ** (( )) ,,

))) ))) *** ((( *** + ))) ))) * ()) ** )) *) ) ) )) ) ) ) )) ) ) ++ ) )) ) ) )) )

( + )))##)))### ,** + ) )%%& )** (( * )))

*** ((( ))),,,

Reconciliation 107

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!

"

#!

"

#

lips the white face in

p

the cof fin- Ooo...

mp espress.

rit. D42

lips the white face in

p

the cof fin- Ooo...

mp

mp p

cof fin- Ooo...

mp

mp p

cof fin-

rit. D

(ooo...)

poco rit.p

mp

Word

dolce

o ver- all,

mf

word o ver- all, beau ti- ful- as the

q = 68E

48

(ooo...)

p mp

Word o ver- all,

mf

word o ver- all, beau ti- ful- as the

ooo...)

pmp

o ver- all,

mf

word o ver- all, beau ti- ful- as the

Ooo...

mp p mp

Word o ver- all,

mf

word o ver- all, beau ti- ful- as the

pmp q = 68E

0! !! 4! 0! 4! !!

0! !! 4! 0! 4! !!

0! !! 4! 0! 4! !!

0! !! 4! 0! 4! !!

0! !! 4! 0! 4! !!0! !! 4! 0! 4! !!

!!

!!

!!

!!

!!

!!

"###& * a tempo

pure austere tone

"### & *

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$###& * 3

" ### # # # #a tempo

$ ###

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##### '

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$ ### # # #12 2 #####

). ) )# . )# ) / )# ). ) ( ). ) + ) ) )# ( ) ) ) * * (

)# . ) ). ) )# / ) ). ) ( )). ** ** + / ). ) ( ) * (* * ( + ) ( ). * * ( ) + ) ( ) )# ) ) ) )

**# ** (( + ) ( ). * * ( ) +

). ))- ) ). ))- ) )) // )) ). ) ()- )) (( ). )))- **+ **) ) +)# ( ) /) ) * )- * () ( ) * (

***#*** ((( + )) (( ))-

** ** (( )) + ) ( ) )# ) ) ) )

, * ) + ) ) )%#& ) * ) ) ) ) ) ) )) ) ) )) ) ) )) ) ) )) )

, * )) + ) ) )%#& ) ) )% ) ) ) ) )% ) ) ) ) ) ) ) )

) ) ( )#- ) ( ) ) ( )#- ) ) ) ) ) *# ) ) ) * ) ( )- )%%& ) )

) ) )# ) ) ) ) ) ( )# * ) + ) ) ) * )%#& ) ) * ) ( )- ) ) )

,, ** ))) + ) )) ) ) ) *) ) ) )% )) ) )) ) )) ) ))))) )) )) ))) )) )) )) ))

) ) () ) ) ) ) ) )) ) ( ) ) () ( ) * )# . *) +) ) ) **# ))%#& )) )) ** )) (( ))-

))%%& )) ))

Reconciliation108

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!

"

#!

"

#

sky, beau ti- ful- that war and all its deeds of car nage- must in time

poco rit.

be ut ter- ly-

53

sky, beau ti- ful- that war and all its deeds of car nage- must in time be ut ter- ly-

sky, war and all its deeds of car nage- must in time be ut ter- ly-

sky, war and all its deeds of car nage-

lost,

f

ut

pRubato

ter- - ly lost, ut

mf f

ter- - - - ly- lost.

q = 60 rit.F58

lost,

f

ut

p

ter- - ly lost, ut

mff

ter- - - - ly- lost.

lost,

f

ut

p

- ter ly- lost, ut

mf f

ter- - - - ly- lost.

ut

p

ter- ly- lost, ut

mf f

ter- - - - ly- lost.

q = 60rit.F

4! !!

4! !!

4! !!

4! !!

4! !!

4! !!

"##### 3

"#####3

"$ ##### &3

$#####

" ##### & 3

$ ######& % %#& &

3

"#####

'' 1

"#####'

% % % 1

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$##### 3& % % ' % % 1

" ##### % %%% %% % 1

$ #####& % %% ' % % % % %1

2

) ( ). * ) + ) ( ) ) ) ) ( ). ) ) ) ) )# )5 + ) ) ))%%& (( ). )) )) ))

* * ) + ) ( ) ) ) )# ( ). ) ) ) )% ) ) + ) ) ) ( ). )) )) ))

* ( )5 * ( + )# )5 ) ) )% )%#& ) )5 ) + ) ) ). ) )- ) ) )

,* * * (* ( ++ )) (( )).)) )) )) )) )) )) ( 3

) (* ). ** )) ++ ()) (( )) )) )) ))# (( )). )) ))% )) )) ))# ))5 + )) ))5 ))) ((( ). )))) )))) ))))

* (* **)5 * (** (( ++ ))) (( )5 )))-

) ) ) ) )))5

))) + ) ) )-

) )- ) ) ))) )) )) ))

**% (( + ) * ))% **% ) **% (( )) (( )%- ) ,,%

* ( + )% *# ) ** ) * () )% ) ) ) ) ) () ( ). ))- ) ,,

* ( + ) ) )%#& ) ) ( )- ) ) )% ) ) )% )% ) ) ) ) ( ). ) ,%

) ) )%#& ) ) ( )- ) ) )) ) ) ) )) ) ) )) ) ) ) )) ) ) ) () ) ) )). )% ,,

***% ((( + ))% **# )))% *** ) *** ((() )% ) ) ) ) ))) ((() ( )). )))- ) ,,,,%

* ( + ) ) )%#& ) ) ( )- ) ) )) ) ) )) ) ) )) ) ) )) ) )) ) )) (() ) ) ))). ))% ,,,

Reconciliation 109

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VibraphoneGlock.

Sus. Cym.

TimpaniSus. Cym.

Chimes

Soprano

Baritonesoloist

Choir

q = 64

Timpani

p mf

Chimes

mf mp

f

Ag nus- De i,- prin ceps- pa cis.-exclamatory - rubato

Sci o- e nim- quod Re demp- tor- me us- vi - vit

Ag

f

nus- De i,- prin ceps- pa cis-

Oo

mf f

Vib.

Timp.

Chim.

S & A soloists.

Bar.

Choir

mp

pedal freely

mf

9

p mf

mf

Ag

f

nus- De i,- ag nus-

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ACKNOWLEDGEMENTS: to my colleagues: for friendship, good humor, help with research, finding poems, translations, transliterations, lending CDs, speech tutorials, typesetting, proofreading, music guidance, constructive criticism, artwork and inspiration.

Tissa, Yinan and Gaku Dutch: Tom Dueck* (living in Amsterdam), Gwen Nickel, Antionette and Mijke Rhemtulla** Chinese: Sandy Tang*, Wenwei Guan**, Grace Chan, Yinan Song, Theresa Wai, Gloria Wan Japanese: Gaku Ishimura**, Michiko Kato, Kuni Murai, Yumi Nickel, Masako Ryan Russian: Steven Castle*, Ekaterina (Katya) Yurasovskaya**, Ivan Tucakor French: Mark Macdonald*, Jim Knight**, Diane Vrieling, Alexandra Henrique Farsi (Persian): Zohreh Bayatrizi**, Tissaphern Mirfakrai**, Farshid Samandari Latin/Greek: Emily Varto, Bruce Pullan, Stephen Wright, Dr. David Creese German: Dan Nickel (my father)*, Anne Gadermann**, Michael Müller, Peter Rohloff Hebrew: Dr. Ray Harris**, Wendy Stuart, Rabbi Steinberg from Beth Israel Synagogue, Margaret (Kapenga) Shurdom (residing in Jordan), Pnina Granirer. Arabic: Dr. Gordon Nickel* - (teaches Quranic Arabic at TWU), Maya Yazigi** - (teaches Advanced Classical Arabic and the Heritage of Islam at UBC), Farshid Samandari, Marg Rankin Text Editing: Steven Bélanger – a fine musician and linguist with a sharp eye for detail “One Evening in Baghdad”: (cover art) Atanur Dogan. Atanur and his wife, Asuman – Turkish/Canadian watercolorists and sculptors – met, while studying Art at Dokuz Eylul University in Izmir. I discovered them in Stanley Park. Check out www.doganart.com Spouse: Edna (wife, mother, benevolent critic, emotional and financial support) Sweetheart, we started this adventure in 1971. Many women do noble things, but you surpass them all. Music etc.: Dr. Steve Chatman (composition supervisor/mentor); Dr. Keith Hamel and Dr. Dorothy Chang (composition); Dr. Benjamin and Dr. Roeder (theory challenges); Dr. Alex Fisher (bibliography – “Dies Irae” project); Dr. Calvin Dyck (violin technique); Dr. Betty Suderman (piano); Andrew Chan (harp); Roger Cole (woodwinds); Jon Washburn (choral tips); Dr. Wes Janzen (choral tips); Diane Loomer and my fellow singers at Chor Leoni (support and inspiration); Neil Weisensel (orchestration advice); Bruce Pullan (overall project design and impetus); Stephen Wright (history and personal CD library); Tony Funk (choral music collaborator for 14 years); Don Harder (recording engineer); Steve Thiessen (MCC SCS Executive); Ruth Froese (proof reading); Eileen Powers (CBC Radio); Peter Rohloff (publisher); Laurie Townsend (program); UBC composition friends- Colin, Yvonne, Tim, Alfredo, David, Maria, Stefan, Tudor, Kris, Brian, Matthew, Collin, Farshid, Rick, Jen, Mike, Emily, Stephen, Fabiola, Sarah, Nathaniel, Tissa, Elizabeth, Shannon and Iman; Gordon Nickel (brother, scholar, visionary and collaborator), Jesu Christe – Agnus Dei - Redemptor. * research and locating appropriate texts/poems **can be heard demonstrating pronunciation of the texts - www.canuckcomposer.com

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The Children of Adam are limbs of each other

Having been created of one essence.

When the calamity of time afflicts one limb

The other limbs cannot remain at rest.

If thou hast no sympathy for the troubles of others

Thou art unworthy to be called by the name of a man.

Sa'adi Shirazi (1213 – 1293)