胡恩威建筑音乐剧场MATHIAS WOO

ARCHITECTURE MUSIC THEATRE

上海大剧院大剧场

11月五FRI-六 SAT 7:30PM

01 02THE

ARCHITECTUREOF

THECITY

建筑城市

进念·二十面体作品A Zuni Icosahedron Production

Lyric Theatre, Shanghai Grand Theatre

建筑制造记忆

建筑构成的城市就是生产记忆的地方

在街道成长的便会有街道记忆

在商场成长便会有商场记忆

记忆是什么？

记忆是过去的事

记忆是一些在脑海中出现的影像和感觉

记忆有气味和味道吗？

记忆有声音吗？

消失的事物变成了记忆

未来是想像

过去是回忆

记忆

以前这个城市有很多电影院

街边有很多小贩和市集

在街上走，听到很多声音，充满着不同的气味

这些记忆到了今天仍然在脑海里面

那是一个曾经有过如此丰富街道生活的城市

城市是由很多人工物件组成的

这些物件大部份都是建筑

建筑与建筑之间由道路、街道、桥梁、广场、

公园连结而成为城市

建筑物之间由不同的交通网络连结起来

地上面的街

地下面的道

行人的

车行的高速公路

地底下面的铁路

导演的话

胡恩威DIRECTOR’S NOTES // MATHIAS WOO

踏单车、步行的城市

建筑有不同的类型

住宅、办公室、教室、电影院、学校、医院、

商场、工厂、博物馆、法庭

这些建筑构成了我们生活的经验

这些经验形成了我们的记忆

一个城市就是一个不停在变化的有机体

城市不停的变化，没有城市是永远不变的

永远不变的就是永远在变的城市

城市是生产记忆和感觉的地方

城市是由建筑物组成的系统

建筑和所有生命一样有开始、有衰老、有完结

建筑的空间是由物料和物质制造出来的

混凝土建筑空间和木建筑空间有着不同的空间

质感

记忆就是空间质感构成的

IN A CITY FULL OF BIG ROADS AND SMALL ALLEYSARCHITECTURE GIVES FORM TO THE SPACES ALONG THE ROADSTHE SIZES OF THE ARCHITECTURAL STRUCTURES, SHOPPING MALLS AND THEIR MATERIALSTHE HIGH DENSITY OF HIGHRISE BUILDINGSPEOPLE ARE LIVING IN SUCH CLOSE PROXIMITYAT FIRST, THE FUNCTION OF A CITY IS OF A MIXED NATURELIVING AND WORKING IN THE SAME SPACETHE SPACES OF A CITY DIVIDE LIVING FROM WORKINGTODAY, EVERYTHING IS ORGANISED ON THE DISPLAY OF A MOBILE PHONEIN THAT CASE, DO ARCHITECTURAL SPACES STILL EXIST ?THE FORM OF A CITY CHANGES, IN THE AGE OF MOBILE PHONESARCHITECTURE IS ALSO CHANGINGARCHITECTURE HAS BECOME SOME STIMULATING IMAGESSPACES DISAPPEARING, REPLACED BY IMAGESPEOPLE USED TO LIVE IN REAL SPACESTHE HUMAN EYES SEE SPACESTHE HUMAN EYES SEE IMAGESWHAT KIND OF MEMORIES ARE CREATED BY IMAGES ?WHAT DO YOU RECALL ?WHAT DO YOU KNOW ?WHAT DO YOU REMEMBER ?WHAT DO YOU HEAR ?WHAT DO YOU FORGET ?WHAT’S THE DIFFERENCE BETWEEN FORGETTING A PERSON AND FORGETTING A CITY ?WHAT’S THE DIFFERENCE BETWEEN KNOWING A PERSON AND KNOWING A CITY ?WHAT’S THE DIFFERENCE BETWEEN LEAVING A PERSON AND LEAVING A CITY ?

WHAT’S THE DIFFERENCE BETWEEN IMAGINING A PERSON AND IMAGINING A CITY ?WHAT’S THE DIFFERENCE BETWEEN LIKING A PERSON AND LIKING A CITY ?WHAT CONTRIBUTES TO A GOOD CITY ?WHAT KIND OF MEMORIES WOULD BE CREATED BY A CITY FULL OF AIR-CONDITIONED SHOPPING MALLS ?WHAT KIND OF MEMORIES WOULD BE CREATED BY A CITY WITH STREETS AND ALLEYS OF VARIOUS SIZES ?ARE THERE DISTANCES BETWEEN MEMORIES ?FOR HOW LONG WOULD A MEMORY LAST ?HOW LONG DOES IT TAKE TO FORGET A MEMORY ?WHAT DO YOU SEE AND WHAT DO YOU REMEMBER WHEN YOU CLOSE YOUR EYES ?I REMEMBER THE STREETS THAT USED TO BE THERE, STREETS THAT WERE DISORDERLYI SEE MYSELF SITTING IN A HUGE CINEMA WATCHING A MOVIEI SEE THE DISAPPEARANCE OF THESE CINEMASI SEE SPACES ARE CHANGINGI KNOW THAT TIME ALWAYS GOES FORWARD, WITHOUT LOOKING BACK.

ARCHITECTURE CREATES MEMORIESCITIES CONSTRUCTED BY ARCHITECTURE ARE PLACES WHICH CREATE MEMORIESGROWING UP ON THE STREETS WOULD CREATE MEMORIES WITH STREETSGROWING UP WITH SHOPPING MALLS WOULD CREATE MEMORIES WITH SHOPPING MALLSWHAT ARE MEMORIES?MEMORIES ARE PAST EVENTS REMEMBEREDMEMORIES ARE FEELINGS AND IMAGES THAT EMERGE IN YOUR MINDARE THERE SMELLS AND TASTES IN MEMORIES?ARE THERE SOUNDS IN MEMORIES?THINGS DISAPPEARED BECOME MEMORIESTHE FUTURE IS IMAGINATIONTHE PAST IS MEMORIESMEMORIES THERE USED TO BE A LOT OF CINEMAS IN THIS CITYTHERE WERE A LOT OF PEDDLERS AND MARKETS ALONG THE STREETSWALKING DOWN THE STREETS, FILLED WITH A LOT OF SOUNDS AND MANY DIFFER-ENT SMELLSTHESE MEMORIES STAY IN MY MIND EVEN TILL NOWTHAT’S A CITY THAT USED TO ENJOY SUCH A VIBRANT STREET LIFEA CITY IS COMPOSED OF MANY ARTIFACTS AND COMPONENTSMOST OF THESE COMPONENTS ARE ARCHITECTURETHE ARCHITECTURE IS PIECED TOGETHER BY ROADS, STREETS, BRIDGES, PIAZZAS, AND PARKS TO FORM A CITYAND THE ARCHITECTURE IS LINKED UP BY VARIOUS TRANSPORTATION NETWORKS

STREETS ON THE GROUNDSUBWAYS UNDERGROUNDPAVEMENTSHIGHWAYS FOR CARSUNDERGROUND RAILWAYSA CITY FOR CYCLING AND WALKINGWITH DIFFERENT KINDS OF ARCHITECTURESRESIDENTIAL QUARTERS, OFFICES, CLASSROOMS, CINEMAS, SCHOOLS, HOSPITALS, SHOPPING MALLS, FACTORIES, MUSEUMS, COURT HOUSESTHESE ARCHITECTURAL STRUCTURES FORM THE EXPERIENCES OF OUR LIVESAND THESE EXPERIENCES FORM OUR MEMORIESA CITY IS AN ORGANISM THAT KEEPS ON CHANGINGCITIES ARE CONTINUOUSLY CHANGING, AND NO CITY REMAINS FOREVER THE SAMEWHAT REMAINS UNCHANGED IS THAT THE CITIES KEEP CHANGINGA CITY IS A PLACE THAT PRODUCES MEMORIES AND FEELINGSA CITY IS A SYSTEM BUILT UP BY ARCHITECTUREARCHITECTURE IS LIKE ANY OTHER LIVING THING, WITH A BEGINNING, AN AGING PROCESS, AND AN ENDTHE SPACES IN ARCHITECTURE ARE CREATED BY MATERIALS AND SUBSTANCESTHE SPACES OF CONCRETE STRUCTURES AND THE SPACES OF WOODEN STRUCTURES HAVE DIFFERENT TEXTURESMEMORIES ARE CONSTRUCTED BY SPATIAL TEXTURES

IN A CITY FULL OF BIG ROADS AND SMALL ALLEYSARCHITECTURE GIVES FORM TO THE SPACES ALONG THE ROADSTHE SIZES OF THE ARCHITECTURAL STRUCTURES, SHOPPING MALLS AND THEIR MATERIALSTHE HIGH DENSITY OF HIGHRISE BUILDINGSPEOPLE ARE LIVING IN SUCH CLOSE PROXIMITYAT FIRST, THE FUNCTION OF A CITY IS OF A MIXED NATURELIVING AND WORKING IN THE SAME SPACETHE SPACES OF A CITY DIVIDE LIVING FROM WORKINGTODAY, EVERYTHING IS ORGANISED ON THE DISPLAY OF A MOBILE PHONEIN THAT CASE, DO ARCHITECTURAL SPACES STILL EXIST ?THE FORM OF A CITY CHANGES, IN THE AGE OF MOBILE PHONESARCHITECTURE IS ALSO CHANGINGARCHITECTURE HAS BECOME SOME STIMULATING IMAGESSPACES DISAPPEARING, REPLACED BY IMAGESPEOPLE USED TO LIVE IN REAL SPACESTHE HUMAN EYES SEE SPACESTHE HUMAN EYES SEE IMAGESWHAT KIND OF MEMORIES ARE CREATED BY IMAGES ?WHAT DO YOU RECALL ?WHAT DO YOU KNOW ?WHAT DO YOU REMEMBER ?WHAT DO YOU HEAR ?WHAT DO YOU FORGET ?WHAT’S THE DIFFERENCE BETWEEN FORGETTING A PERSON AND FORGETTING A CITY ?WHAT’S THE DIFFERENCE BETWEEN KNOWING A PERSON AND KNOWING A CITY ?WHAT’S THE DIFFERENCE BETWEEN LEAVING A PERSON AND LEAVING A CITY ?

WHAT’S THE DIFFERENCE BETWEEN IMAGINING A PERSON AND IMAGINING A CITY ?WHAT’S THE DIFFERENCE BETWEEN LIKING A PERSON AND LIKING A CITY ?WHAT CONTRIBUTES TO A GOOD CITY ?WHAT KIND OF MEMORIES WOULD BE CREATED BY A CITY FULL OF AIR-CONDITIONED SHOPPING MALLS ?WHAT KIND OF MEMORIES WOULD BE CREATED BY A CITY WITH STREETS AND ALLEYS OF VARIOUS SIZES ?ARE THERE DISTANCES BETWEEN MEMORIES ?FOR HOW LONG WOULD A MEMORY LAST ?HOW LONG DOES IT TAKE TO FORGET A MEMORY ?WHAT DO YOU SEE AND WHAT DO YOU REMEMBER WHEN YOU CLOSE YOUR EYES ?I REMEMBER THE STREETS THAT USED TO BE THERE, STREETS THAT WERE DISORDERLYI SEE MYSELF SITTING IN A HUGE CINEMA WATCHING A MOVIEI SEE THE DISAPPEARANCE OF THESE CINEMASI SEE SPACES ARE CHANGINGI KNOW THAT TIME ALWAYS GOES FORWARD, WITHOUT LOOKING BACK.

ARCHITECTURE CREATES MEMORIESCITIES CONSTRUCTED BY ARCHITECTURE ARE PLACES WHICH CREATE MEMORIESGROWING UP ON THE STREETS WOULD CREATE MEMORIES WITH STREETSGROWING UP WITH SHOPPING MALLS WOULD CREATE MEMORIES WITH SHOPPING MALLSWHAT ARE MEMORIES?MEMORIES ARE PAST EVENTS REMEMBEREDMEMORIES ARE FEELINGS AND IMAGES THAT EMERGE IN YOUR MINDARE THERE SMELLS AND TASTES IN MEMORIES?ARE THERE SOUNDS IN MEMORIES?THINGS DISAPPEARED BECOME MEMORIESTHE FUTURE IS IMAGINATIONTHE PAST IS MEMORIESMEMORIES THERE USED TO BE A LOT OF CINEMAS IN THIS CITYTHERE WERE A LOT OF PEDDLERS AND MARKETS ALONG THE STREETSWALKING DOWN THE STREETS, FILLED WITH A LOT OF SOUNDS AND MANY DIFFER-ENT SMELLSTHESE MEMORIES STAY IN MY MIND EVEN TILL NOWTHAT’S A CITY THAT USED TO ENJOY SUCH A VIBRANT STREET LIFEA CITY IS COMPOSED OF MANY ARTIFACTS AND COMPONENTSMOST OF THESE COMPONENTS ARE ARCHITECTURETHE ARCHITECTURE IS PIECED TOGETHER BY ROADS, STREETS, BRIDGES, PIAZZAS, AND PARKS TO FORM A CITYAND THE ARCHITECTURE IS LINKED UP BY VARIOUS TRANSPORTATION NETWORKS

STREETS ON THE GROUNDSUBWAYS UNDERGROUNDPAVEMENTSHIGHWAYS FOR CARSUNDERGROUND RAILWAYSA CITY FOR CYCLING AND WALKINGWITH DIFFERENT KINDS OF ARCHITECTURESRESIDENTIAL QUARTERS, OFFICES, CLASSROOMS, CINEMAS, SCHOOLS, HOSPITALS, SHOPPING MALLS, FACTORIES, MUSEUMS, COURT HOUSESTHESE ARCHITECTURAL STRUCTURES FORM THE EXPERIENCES OF OUR LIVESAND THESE EXPERIENCES FORM OUR MEMORIESA CITY IS AN ORGANISM THAT KEEPS ON CHANGINGCITIES ARE CONTINUOUSLY CHANGING, AND NO CITY REMAINS FOREVER THE SAMEWHAT REMAINS UNCHANGED IS THAT THE CITIES KEEP CHANGINGA CITY IS A PLACE THAT PRODUCES MEMORIES AND FEELINGSA CITY IS A SYSTEM BUILT UP BY ARCHITECTUREARCHITECTURE IS LIKE ANY OTHER LIVING THING, WITH A BEGINNING, AN AGING PROCESS, AND AN ENDTHE SPACES IN ARCHITECTURE ARE CREATED BY MATERIALS AND SUBSTANCESTHE SPACES OF CONCRETE STRUCTURES AND THE SPACES OF WOODEN STRUCTURES HAVE DIFFERENT TEXTURESMEMORIES ARE CONSTRUCTED BY SPATIAL TEXTURES

在一个充满着大街小巷的城市

建筑物构成了街道的空间

建筑物的大小商场和物料

高密度的高楼大厦

人们在如此接近的距离下生活

原本城市的功能是混合的

生活和工作在同一个地方

城市的空间把生活和工作分开

今天手机把一切统一在一个小小的平面

建筑空间仍然存在吗？

城市在手机的年代已经在变形

建筑也在变形

建筑变成一些刺激的影像

空间被影像消失了

人们从前生活在真实的空间

人类眼睛看的是空间

人类眼睛看的是影像

影像形成了怎样的记忆？

你想起了什么？

你知道了什么？

你记起了什么？

你听见了什么？

你忘记了什么？

忘记一个人和忘记一个城市有什么分别？

知道一个人和知道一个城市有什么分别？

离开一个人和离开一个城市有什么分别？

想像一个人和想像一个城市有什么分别？

喜欢一个人和喜欢一个城市有什么分别？

怎样才算是一个好的城市？

一个由很多冷气商场组成的城市会创造怎样的

记忆？

一个由很多大大小小的街和巷组成的城市会创

造什么记忆？

记忆有距离吗？

一段记忆能够存在多久？

一段记忆需要多少时间忘记？

闭上眼睛，你会看见什么？想起什么？

我想起从前的街道，杂乱无章的街道

我看见了自己在一个巨型电影院看电影

我看见了这些电影院的消失

我看见了空间在改变

我知道了，时间永远向前走，不能回头。

IN A CITY FULL OF BIG ROADS AND SMALL ALLEYSARCHITECTURE GIVES FORM TO THE SPACES ALONG THE ROADSTHE SIZES OF THE ARCHITECTURAL STRUCTURES, SHOPPING MALLS AND THEIR MATERIALSTHE HIGH DENSITY OF HIGHRISE BUILDINGSPEOPLE ARE LIVING IN SUCH CLOSE PROXIMITYAT FIRST, THE FUNCTION OF A CITY IS OF A MIXED NATURELIVING AND WORKING IN THE SAME SPACETHE SPACES OF A CITY DIVIDE LIVING FROM WORKINGTODAY, EVERYTHING IS ORGANISED ON THE DISPLAY OF A MOBILE PHONEIN THAT CASE, DO ARCHITECTURAL SPACES STILL EXIST ?THE FORM OF A CITY CHANGES, IN THE AGE OF MOBILE PHONESARCHITECTURE IS ALSO CHANGINGARCHITECTURE HAS BECOME SOME STIMULATING IMAGESSPACES DISAPPEARING, REPLACED BY IMAGESPEOPLE USED TO LIVE IN REAL SPACESTHE HUMAN EYES SEE SPACESTHE HUMAN EYES SEE IMAGESWHAT KIND OF MEMORIES ARE CREATED BY IMAGES ?WHAT DO YOU RECALL ?WHAT DO YOU KNOW ?WHAT DO YOU REMEMBER ?WHAT DO YOU HEAR ?WHAT DO YOU FORGET ?WHAT’S THE DIFFERENCE BETWEEN FORGETTING A PERSON AND FORGETTING A CITY ?WHAT’S THE DIFFERENCE BETWEEN KNOWING A PERSON AND KNOWING A CITY ?WHAT’S THE DIFFERENCE BETWEEN LEAVING A PERSON AND LEAVING A CITY ?

WHAT’S THE DIFFERENCE BETWEEN IMAGINING A PERSON AND IMAGINING A CITY ?WHAT’S THE DIFFERENCE BETWEEN LIKING A PERSON AND LIKING A CITY ?WHAT CONTRIBUTES TO A GOOD CITY ?WHAT KIND OF MEMORIES WOULD BE CREATED BY A CITY FULL OF AIR-CONDITIONED SHOPPING MALLS ?WHAT KIND OF MEMORIES WOULD BE CREATED BY A CITY WITH STREETS AND ALLEYS OF VARIOUS SIZES ?ARE THERE DISTANCES BETWEEN MEMORIES ?FOR HOW LONG WOULD A MEMORY LAST ?HOW LONG DOES IT TAKE TO FORGET A MEMORY ?WHAT DO YOU SEE AND WHAT DO YOU REMEMBER WHEN YOU CLOSE YOUR EYES ?I REMEMBER THE STREETS THAT USED TO BE THERE, STREETS THAT WERE DISORDERLYI SEE MYSELF SITTING IN A HUGE CINEMA WATCHING A MOVIEI SEE THE DISAPPEARANCE OF THESE CINEMASI SEE SPACES ARE CHANGINGI KNOW THAT TIME ALWAYS GOES FORWARD, WITHOUT LOOKING BACK.

Spiegel im Spiegel by Arvo Part 现场演奏 黄家正 // Rhapsody in Blue by George Gershwin 现场演奏 黄家正 // Boléro by

Maurice Ravel 录音版本Pierre Boulez / Berlin Philharmonic Orchestra // La cathédrale engloutie by Claude Debussy 现场演奏

黄家正 // Prelude in C by Johann Sebastian Bach 现场演奏 黄家正 // 搏击会 曲/编 Don Cruz 词 Dash 现场演唱 何超与海胆仔 //

何飘移 曲 Don Cruz 词 黄伟文/林敏骢 编 Don Cruz & The Uni Boys 现场演唱 何超与海胆仔 // Instrumental 曲/编 Don Cruz 现场

演唱 何超与海胆仔 // Rule Your World 曲/词 田原 编 Don Cruz /孔潇一 现场演唱 何超与海胆仔

DFA亚洲最具影响力设计奖银奖2018SILVER AWARD AT THE 2018 DFA DESIGN FOR ASIA AWARDS

A'国际设计大奖赛银奖2019SILVER A' DESIGN AWARD IN PERFORMING ARTS 2019

音乐MUSIC

SPIEGEL IM SPIEGEL BY ARVO PART LIVE PERFORMANCE BY KJ WONG // RHAPSODY IN BLUE BY GEORGE GERSHWIN LIVE PERFORMANCE BY KJ WONG // BOLÉRO BY MAURICE RAVEL THE RECORDING BY PIERRE BOULEZ / BERLIN PHILHARMONIC ORCHESTRA // LA CATHÉDRALE ENGLOUTIE BY CLAUDE DEBUSSY LIVE PERFORMANCE BY KJ WONG // PRELUDE IN C BY JOHANN SEBASTIAN BACH LIVE PERFORMANCE BY KJ WONG // KICKFACE MUSIC/ARRANGED BY DON CRUZ LYRICS DASH LIVE PERFORMANCE BY JOSIE AND THE UNI BOYS // SKITZO MUSIC DON CRUZ LYRICS WYMAN WONG / ANDREW LAM ARRANGED BY DON CRUZ & THE UNI BOYS LIVE PERFORMANCE BY JOSIE AND THE UNI BOYS // INSTRUMENTAL MUSIC DON CRUZ ARRANGED BY DON CRUZ LIVE PERFORMANCE BY JOSIE AND THE UNI BOYS // RULE YOUR WORLD MUSIC/ LYRICS TIAN YUAN ARRANGED BY DON CRUZ / KONG XIAO YI LIVE PERFORMANCE BY JOSIE AND THE UNI BOYS

没有对城市生存状态的研究，成就不了建筑。ONE CANNOT MAKE ARCHITECTUREWITHOUT STUDYING THE CONDITION OF LIFE IN THE CITY.”

“

阿道．罗西ALDO ROSSI

」

「

同名名著THE BOOK OF SAME TITLE

启发自INSPIRED BY

IN A CITY FULL OF BIG ROADS AND SMALL ALLEYSARCHITECTURE GIVES FORM TO THE SPACES ALONG THE ROADSTHE SIZES OF THE ARCHITECTURAL STRUCTURES, SHOPPING MALLS AND THEIR MATERIALSTHE HIGH DENSITY OF HIGHRISE BUILDINGSPEOPLE ARE LIVING IN SUCH CLOSE PROXIMITYAT FIRST, THE FUNCTION OF A CITY IS OF A MIXED NATURELIVING AND WORKING IN THE SAME SPACETHE SPACES OF A CITY DIVIDE LIVING FROM WORKINGTODAY, EVERYTHING IS ORGANISED ON THE DISPLAY OF A MOBILE PHONEIN THAT CASE, DO ARCHITECTURAL SPACES STILL EXIST ?THE FORM OF A CITY CHANGES, IN THE AGE OF MOBILE PHONESARCHITECTURE IS ALSO CHANGINGARCHITECTURE HAS BECOME SOME STIMULATING IMAGESSPACES DISAPPEARING, REPLACED BY IMAGESPEOPLE USED TO LIVE IN REAL SPACESTHE HUMAN EYES SEE SPACESTHE HUMAN EYES SEE IMAGESWHAT KIND OF MEMORIES ARE CREATED BY IMAGES ?WHAT DO YOU RECALL ?WHAT DO YOU KNOW ?WHAT DO YOU REMEMBER ?WHAT DO YOU HEAR ?WHAT DO YOU FORGET ?WHAT’S THE DIFFERENCE BETWEEN FORGETTING A PERSON AND FORGETTING A CITY ?WHAT’S THE DIFFERENCE BETWEEN KNOWING A PERSON AND KNOWING A CITY ?WHAT’S THE DIFFERENCE BETWEEN LEAVING A PERSON AND LEAVING A CITY ?

WHAT’S THE DIFFERENCE BETWEEN IMAGINING A PERSON AND IMAGINING A CITY ?WHAT’S THE DIFFERENCE BETWEEN LIKING A PERSON AND LIKING A CITY ?WHAT CONTRIBUTES TO A GOOD CITY ?WHAT KIND OF MEMORIES WOULD BE CREATED BY A CITY FULL OF AIR-CONDITIONED SHOPPING MALLS ?WHAT KIND OF MEMORIES WOULD BE CREATED BY A CITY WITH STREETS AND ALLEYS OF VARIOUS SIZES ?ARE THERE DISTANCES BETWEEN MEMORIES ?FOR HOW LONG WOULD A MEMORY LAST ?HOW LONG DOES IT TAKE TO FORGET A MEMORY ?WHAT DO YOU SEE AND WHAT DO YOU REMEMBER WHEN YOU CLOSE YOUR EYES ?I REMEMBER THE STREETS THAT USED TO BE THERE, STREETS THAT WERE DISORDERLYI SEE MYSELF SITTING IN A HUGE CINEMA WATCHING A MOVIEI SEE THE DISAPPEARANCE OF THESE CINEMASI SEE SPACES ARE CHANGINGI KNOW THAT TIME ALWAYS GOES FORWARD, WITHOUT LOOKING BACK.

ARCHITECTURE CREATES MEMORIESCITIES CONSTRUCTED BY ARCHITECTURE ARE PLACES WHICH CREATE MEMORIESGROWING UP ON THE STREETS WOULD CREATE MEMORIES WITH STREETSGROWING UP WITH SHOPPING MALLS WOULD CREATE MEMORIES WITH SHOPPING MALLSWHAT ARE MEMORIES?MEMORIES ARE PAST EVENTS REMEMBEREDMEMORIES ARE FEELINGS AND IMAGES THAT EMERGE IN YOUR MINDARE THERE SMELLS AND TASTES IN MEMORIES?ARE THERE SOUNDS IN MEMORIES?THINGS DISAPPEARED BECOME MEMORIESTHE FUTURE IS IMAGINATIONTHE PAST IS MEMORIESMEMORIES THERE USED TO BE A LOT OF CINEMAS IN THIS CITYTHERE WERE A LOT OF PEDDLERS AND MARKETS ALONG THE STREETSWALKING DOWN THE STREETS, FILLED WITH A LOT OF SOUNDS AND MANY DIFFER-ENT SMELLSTHESE MEMORIES STAY IN MY MIND EVEN TILL NOWTHAT’S A CITY THAT USED TO ENJOY SUCH A VIBRANT STREET LIFEA CITY IS COMPOSED OF MANY ARTIFACTS AND COMPONENTSMOST OF THESE COMPONENTS ARE ARCHITECTURETHE ARCHITECTURE IS PIECED TOGETHER BY ROADS, STREETS, BRIDGES, PIAZZAS, AND PARKS TO FORM A CITYAND THE ARCHITECTURE IS LINKED UP BY VARIOUS TRANSPORTATION NETWORKS

STREETS ON THE GROUNDSUBWAYS UNDERGROUNDPAVEMENTSHIGHWAYS FOR CARSUNDERGROUND RAILWAYSA CITY FOR CYCLING AND WALKINGWITH DIFFERENT KINDS OF ARCHITECTURESRESIDENTIAL QUARTERS, OFFICES, CLASSROOMS, CINEMAS, SCHOOLS, HOSPITALS, SHOPPING MALLS, FACTORIES, MUSEUMS, COURT HOUSESTHESE ARCHITECTURAL STRUCTURES FORM THE EXPERIENCES OF OUR LIVESAND THESE EXPERIENCES FORM OUR MEMORIESA CITY IS AN ORGANISM THAT KEEPS ON CHANGINGCITIES ARE CONTINUOUSLY CHANGING, AND NO CITY REMAINS FOREVER THE SAMEWHAT REMAINS UNCHANGED IS THAT THE CITIES KEEP CHANGINGA CITY IS A PLACE THAT PRODUCES MEMORIES AND FEELINGSA CITY IS A SYSTEM BUILT UP BY ARCHITECTUREARCHITECTURE IS LIKE ANY OTHER LIVING THING, WITH A BEGINNING, AN AGING PROCESS, AND AN ENDTHE SPACES IN ARCHITECTURE ARE CREATED BY MATERIALS AND SUBSTANCESTHE SPACES OF CONCRETE STRUCTURES AND THE SPACES OF WOODEN STRUCTURES HAVE DIFFERENT TEXTURESMEMORIES ARE CONSTRUCTED BY SPATIAL TEXTURES

导演、编剧、舞台及多媒体设计：胡恩威音乐总监及编排：于逸尧钢琴演奏：KJ黄家正演出：杨永德、吴昆达、张耀仁、曾兆贤、许傲群

音乐演出：何超与海胆仔 主音：何超 鼓手：郑彬浩 吉他手：张维麟 旋律吉他手：林明瀚 贝斯手：陈兆基 和音、键盘及音乐编程：钟达茵

香港街道摄影：胡恩威视觉及图像创作：黎达达荣服装设计：卢声前灯光设计：麦国辉音响设计：夏恩蓓竹棚装置制作：蔡荣基、薛家进、黎振康

国际交流总监/监制：王裕伟监制：简溢雅艺团经理（行政及财务）：陈世明助理艺术总监：陈浩峰高级项目经理：周宝仪宣传及公关：黄伟国巡演经理：何彦羲

Director, Script, Stage & Multimedia Design: Mathias WooMusic Director and Arrangement: Yu Yat-yiuPiano Performance: KJ WongPerformers: David Yeung, Wu Kun Da, Chang Yao-jen,Albert Tsang, Grace Hui

Music Performance: Josie and the Uni Boys Vocal: Josie Ho Drummer：Tim Cheng Guitarist: Alan Cheung Rhythm Guitarist: Dee Lam Bass Guitarist: Chan Siu Kei Chorus, Keyboard & Programmer: Pam Chung

Hong Kong Street Photos: Mathias WooVisual and Graphic Creation: Lai Tat Tat WingCostume Design: Lo Sing-chinLighting Design: Mak Kwok FaiSound Design: Can.HaBamboo Installation Production: Choi Wing-kei, Sit Ka-chun, Lai Chun-hong

International Exchange Director / Producer: Wong YuewaiProducer: Doris KanCompany Manager (Administration and Finance): Jacky ChanAssistant Artistic Director: Cedric ChanSenior Programme Manager: Bowie ChowPR & Marketing: Luka WongTouring Manager: Ho Yin-hei

创作及制作团队CREATIVE & PRODUCTION TEAM

制作监督：李浩贤舞台监督：周俊彦执行舞台监督：陈斯琹排练统筹：郑敏君影像制作：陈颖影像操控：施楝梁监听混音师：张文宇助理舞台监督：陈安琪灯光助理：姜立勤

化妆(何超)：李国梁化妆：萧惠欣发型(何超)：关力发型：何文丽服装助理：陈伟儿

平面设计︰翟桐平面设计助理︰张焯珩宣传照摄影(何超与海胆仔)：苏剑豪宣传短片：陈展豪、陈颖英文翻译：朱馥沛、梁惠琪

Production Manager: Lawrence LeeStage Manager: Chow Chun-yinDeputy Stage Manager: Zeta ChanRehearsal Master: Charmaine ChengVideo Production: Wing ChanVideo Operator: Johnny SzeMonitor-Mixing Engineering: Cheung Man-yuAssistant Stage Manager: Chan On-kiLighting Assistant: Issac Keung

Make-up (Josie Ho): Angus Lee Make-up: Siu Wai YanHair (Josie Ho): Vic KwanHair: Chris HoWardrobe Assistant: Bonnie Chan

Graphic Design: Rachel ChakGraphic Design Assistant: Coco CheungPhotography (Josie and the Uni Boys Promo): Kimhoo SoPromotional Video: Chan Chin-ho, Wing ChanEnglish Translation: Mona Chu, Vicky Leong

进念．二十面体香港人的实验剧团

联合艺术总监

荣念曾、胡恩威

1982年成立，进念·二十面体是一个以实

验艺术为本的香港艺团，原创剧场作品超

过二百出，曾获邀前往演出及交流的城市

遍及欧、亚、美等地八十多个城市。多年

来一直致力拓展香港文化艺术新领域，积

极推动跨越文化、跨越界别、跨越地域创

意艺术交流，主催艺术评论及文化政策研

究等工作，并活跃于艺术教育和发展电子

媒体及跨媒体等新类型的艺术模式，近年

致力促进非物质文化遗产(表演艺术)的实验

传承和创新。现为香港九个主要专业表演艺

术团体之一，2009年始成为香港文化中心的

场地伙伴，以四个实验为方向：实验传统、

实验科技、实验教育、实验人文，开展创作及

外展教育计画，实验与探索「舞台空间」

不同形式和内容的可能性，创造未来的实

验艺术和社会创新。

zuniseason.org.hk

Approx 1 hr 20 mins with no interval // In Cantonese, English & Putonghua with Chinese & English surtitles

Zuni IcosahedronTHE HONG KONG AVANT-GARDECo-Artistic DirectorsDanny Yung, Mathias Woo

Founded in 1982, Zuni Icosahedron is a non-profit charitable cultural organisation and a Hong Kong-based, internation-al experimental arts collective. With the diversification of theatrical arts as objective, Zuni has produced over 200 original theatrical works and has been invited to over 80 cities in Europe, Asia, and America for performance and exchange. For many years, Zuni has been experimenting with creative ways to present fresh aspects of Hong Kong's culture and arts, proactively promoting international cultural exchange, facilitating arts criticism, cultural policy research and more , actively promoting arts education and developing new artistic paradigms of digital and cross-media. In recent years, Zuni has been fostering the propagation and development of performing arts as an Intangible Cultural Heritage. Zuni is currently one of the nine major professional performing arts companies in Hong Kong and has been made Venue Partner with the Hong Kong Cultural Centre since 2009. Its experimental programmes are now focused in four distinct areas: tradition, technology, education and the humanities. It has been producing a series of creative works and outreach education programmes, experimenting and exploring the different possibilities of form and content within the “Theatre Space”, and constantly expanding the boundaries of experimental art and social innovation.

节目长约1小时20分钟，不设中场休息 // 粤语、英语及普通话演出，附中英文字幕

© 2019 ZUNI ICOSAHEDRON进念·二十面体由香港特别行政区政府资助 Zuni Icosahedron is financially supported by the Government of the Hong Kong Special Administrative Region

IN A CITY FULL OF BIG ROADS AND SMALL ALLEYSARCHITECTURE GIVES FORM TO THE SPACES ALONG THE ROADSTHE SIZES OF THE ARCHITECTURAL STRUCTURES, SHOPPING MALLS AND THEIR MATERIALSTHE HIGH DENSITY OF HIGHRISE BUILDINGSPEOPLE ARE LIVING IN SUCH CLOSE PROXIMITYAT FIRST, THE FUNCTION OF A CITY IS OF A MIXED NATURELIVING AND WORKING IN THE SAME SPACETHE SPACES OF A CITY DIVIDE LIVING FROM WORKINGTODAY, EVERYTHING IS ORGANISED ON THE DISPLAY OF A MOBILE PHONEIN THAT CASE, DO ARCHITECTURAL SPACES STILL EXIST ?THE FORM OF A CITY CHANGES, IN THE AGE OF MOBILE PHONESARCHITECTURE IS ALSO CHANGINGARCHITECTURE HAS BECOME SOME STIMULATING IMAGESSPACES DISAPPEARING, REPLACED BY IMAGESPEOPLE USED TO LIVE IN REAL SPACESTHE HUMAN EYES SEE SPACESTHE HUMAN EYES SEE IMAGESWHAT KIND OF MEMORIES ARE CREATED BY IMAGES ?WHAT DO YOU RECALL ?WHAT DO YOU KNOW ?WHAT DO YOU REMEMBER ?WHAT DO YOU HEAR ?WHAT DO YOU FORGET ?WHAT’S THE DIFFERENCE BETWEEN FORGETTING A PERSON AND FORGETTING A CITY ?WHAT’S THE DIFFERENCE BETWEEN KNOWING A PERSON AND KNOWING A CITY ?WHAT’S THE DIFFERENCE BETWEEN LEAVING A PERSON AND LEAVING A CITY ?

WHAT’S THE DIFFERENCE BETWEEN IMAGINING A PERSON AND IMAGINING A CITY ?WHAT’S THE DIFFERENCE BETWEEN LIKING A PERSON AND LIKING A CITY ?WHAT CONTRIBUTES TO A GOOD CITY ?WHAT KIND OF MEMORIES WOULD BE CREATED BY A CITY FULL OF AIR-CONDITIONED SHOPPING MALLS ?WHAT KIND OF MEMORIES WOULD BE CREATED BY A CITY WITH STREETS AND ALLEYS OF VARIOUS SIZES ?ARE THERE DISTANCES BETWEEN MEMORIES ?FOR HOW LONG WOULD A MEMORY LAST ?HOW LONG DOES IT TAKE TO FORGET A MEMORY ?WHAT DO YOU SEE AND WHAT DO YOU REMEMBER WHEN YOU CLOSE YOUR EYES ?I REMEMBER THE STREETS THAT USED TO BE THERE, STREETS THAT WERE DISORDERLYI SEE MYSELF SITTING IN A HUGE CINEMA WATCHING A MOVIEI SEE THE DISAPPEARANCE OF THESE CINEMASI SEE SPACES ARE CHANGINGI KNOW THAT TIME ALWAYS GOES FORWARD, WITHOUT LOOKING BACK.

ARCHITECTURE CREATES MEMORIESCITIES CONSTRUCTED BY ARCHITECTURE ARE PLACES WHICH CREATE MEMORIESGROWING UP ON THE STREETS WOULD CREATE MEMORIES WITH STREETSGROWING UP WITH SHOPPING MALLS WOULD CREATE MEMORIES WITH SHOPPING MALLSWHAT ARE MEMORIES?MEMORIES ARE PAST EVENTS REMEMBEREDMEMORIES ARE FEELINGS AND IMAGES THAT EMERGE IN YOUR MINDARE THERE SMELLS AND TASTES IN MEMORIES?ARE THERE SOUNDS IN MEMORIES?THINGS DISAPPEARED BECOME MEMORIESTHE FUTURE IS IMAGINATIONTHE PAST IS MEMORIESMEMORIES THERE USED TO BE A LOT OF CINEMAS IN THIS CITYTHERE WERE A LOT OF PEDDLERS AND MARKETS ALONG THE STREETSWALKING DOWN THE STREETS, FILLED WITH A LOT OF SOUNDS AND MANY DIFFER-ENT SMELLSTHESE MEMORIES STAY IN MY MIND EVEN TILL NOWTHAT’S A CITY THAT USED TO ENJOY SUCH A VIBRANT STREET LIFEA CITY IS COMPOSED OF MANY ARTIFACTS AND COMPONENTSMOST OF THESE COMPONENTS ARE ARCHITECTURETHE ARCHITECTURE IS PIECED TOGETHER BY ROADS, STREETS, BRIDGES, PIAZZAS, AND PARKS TO FORM A CITYAND THE ARCHITECTURE IS LINKED UP BY VARIOUS TRANSPORTATION NETWORKS

STREETS ON THE GROUNDSUBWAYS UNDERGROUNDPAVEMENTSHIGHWAYS FOR CARSUNDERGROUND RAILWAYSA CITY FOR CYCLING AND WALKINGWITH DIFFERENT KINDS OF ARCHITECTURESRESIDENTIAL QUARTERS, OFFICES, CLASSROOMS, CINEMAS, SCHOOLS, HOSPITALS, SHOPPING MALLS, FACTORIES, MUSEUMS, COURT HOUSESTHESE ARCHITECTURAL STRUCTURES FORM THE EXPERIENCES OF OUR LIVESAND THESE EXPERIENCES FORM OUR MEMORIESA CITY IS AN ORGANISM THAT KEEPS ON CHANGINGCITIES ARE CONTINUOUSLY CHANGING, AND NO CITY REMAINS FOREVER THE SAMEWHAT REMAINS UNCHANGED IS THAT THE CITIES KEEP CHANGINGA CITY IS A PLACE THAT PRODUCES MEMORIES AND FEELINGSA CITY IS A SYSTEM BUILT UP BY ARCHITECTUREARCHITECTURE IS LIKE ANY OTHER LIVING THING, WITH A BEGINNING, AN AGING PROCESS, AND AN ENDTHE SPACES IN ARCHITECTURE ARE CREATED BY MATERIALS AND SUBSTANCESTHE SPACES OF CONCRETE STRUCTURES AND THE SPACES OF WOODEN STRUCTURES HAVE DIFFERENT TEXTURESMEMORIES ARE CONSTRUCTED BY SPATIAL TEXTURES

在一个充满着大街小巷的城市

建筑物构成了街道的空间

建筑物的大小商场和物料

高密度的高楼大厦

人们在如此接近的距离下生活

原本城市的功能是混合的

生活和工作在同一个地方

城市的空间把生活和工作分开

今天手机把一切统一在一个小小的平面

建筑空间仍然存在吗？

城市在手机的年代已经在变形

建筑也在变形

建筑变成一些刺激的影像

空间被影像消失了

人们从前生活在真实的空间

人类眼睛看的是空间

人类眼睛看的是影像

影像形成了怎样的记忆？

你想起了什么？

你知道了什么？

你记起了什么？

你听见了什么？

你忘记了什么？

忘记一个人和忘记一个城市有什么分别？

知道一个人和知道一个城市有什么分别？

离开一个人和离开一个城市有什么分别？

想像一个人和想像一个城市有什么分别？

喜欢一个人和喜欢一个城市有什么分别？

怎样才算是一个好的城市？

一个由很多冷气商场组成的城市会创造怎样的

记忆？

一个由很多大大小小的街和巷组成的城市会创

造什么记忆？

记忆有距离吗？

一段记忆能够存在多久？

一段记忆需要多少时间忘记？

闭上眼睛，你会看见什么？想起什么？

我想起从前的街道，杂乱无章的街道

我看见了自己在一个巨型电影院看电影

我看见了这些电影院的消失

我看见了空间在改变

我知道了，时间永远向前走，不能回头。

IN A CITY FULL OF BIG ROADS AND SMALL ALLEYSARCHITECTURE GIVES FORM TO THE SPACES ALONG THE ROADSTHE SIZES OF THE ARCHITECTURAL STRUCTURES, SHOPPING MALLS AND THEIR MATERIALSTHE HIGH DENSITY OF HIGHRISE BUILDINGSPEOPLE ARE LIVING IN SUCH CLOSE PROXIMITYAT FIRST, THE FUNCTION OF A CITY IS OF A MIXED NATURELIVING AND WORKING IN THE SAME SPACETHE SPACES OF A CITY DIVIDE LIVING FROM WORKINGTODAY, EVERYTHING IS ORGANISED ON THE DISPLAY OF A MOBILE PHONEIN THAT CASE, DO ARCHITECTURAL SPACES STILL EXIST ?THE FORM OF A CITY CHANGES, IN THE AGE OF MOBILE PHONESARCHITECTURE IS ALSO CHANGINGARCHITECTURE HAS BECOME SOME STIMULATING IMAGESSPACES DISAPPEARING, REPLACED BY IMAGESPEOPLE USED TO LIVE IN REAL SPACESTHE HUMAN EYES SEE SPACESTHE HUMAN EYES SEE IMAGESWHAT KIND OF MEMORIES ARE CREATED BY IMAGES ?WHAT DO YOU RECALL ?WHAT DO YOU KNOW ?WHAT DO YOU REMEMBER ?WHAT DO YOU HEAR ?WHAT DO YOU FORGET ?WHAT’S THE DIFFERENCE BETWEEN FORGETTING A PERSON AND FORGETTING A CITY ?WHAT’S THE DIFFERENCE BETWEEN KNOWING A PERSON AND KNOWING A CITY ?WHAT’S THE DIFFERENCE BETWEEN LEAVING A PERSON AND LEAVING A CITY ?

WHAT’S THE DIFFERENCE BETWEEN IMAGINING A PERSON AND IMAGINING A CITY ?WHAT’S THE DIFFERENCE BETWEEN LIKING A PERSON AND LIKING A CITY ?WHAT CONTRIBUTES TO A GOOD CITY ?WHAT KIND OF MEMORIES WOULD BE CREATED BY A CITY FULL OF AIR-CONDITIONED SHOPPING MALLS ?WHAT KIND OF MEMORIES WOULD BE CREATED BY A CITY WITH STREETS AND ALLEYS OF VARIOUS SIZES ?ARE THERE DISTANCES BETWEEN MEMORIES ?FOR HOW LONG WOULD A MEMORY LAST ?HOW LONG DOES IT TAKE TO FORGET A MEMORY ?WHAT DO YOU SEE AND WHAT DO YOU REMEMBER WHEN YOU CLOSE YOUR EYES ?I REMEMBER THE STREETS THAT USED TO BE THERE, STREETS THAT WERE DISORDERLYI SEE MYSELF SITTING IN A HUGE CINEMA WATCHING A MOVIEI SEE THE DISAPPEARANCE OF THESE CINEMASI SEE SPACES ARE CHANGINGI KNOW THAT TIME ALWAYS GOES FORWARD, WITHOUT LOOKING BACK.